Classical KUSC audit in JSON format prepared by http://crawly.diffbot.com/

ClassicaKUSC.csv

ClassicalKUSC.json

[
 {"images":[{"naturalHeight":166,"width":325,"diffbotUri":"image|3|2043637306","url":"http://www.kusc.org/Pics/Donations/donate-car-new.jpg","naturalWidth":325,"primary":true,"height":166}],"breadcrumb":[{"link":"http://www.kusc.org/membership","name":"Membership"},{"link":"http://www.kusc.org/leadership","name":"Leadership Circle"},{"link":"http://www.kusc.org/legacy","name":"Legacy Society"},{"link":"http://www.kusc.org/donatecar","name":"Donate Your Car"},{"link":"http://www.kusc.org/membership/membership-faqs.aspx","name":"FAQ's"}],"humanLanguage":"en","diffbotUri":"article|3|-1611848369","siteName":"KUSC","pageUrl":"http://www.kusc.org/donatecar","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/Donations/donate-car-new.jpg\"><\/img><\/figure>\n<p>Do you have a vehicle that you&rsquo;re thinking of trading in or that you simply don&rsquo;t drive any longer? You can support Classical KUSC by donating your used car, motorcycle, RV, or boat. Just call toll free 1-877-KUSC-CAR (1-877-587-2227) for information and to schedule a pickup that&rsquo;s convenient for you - or click here:<\/p>\n<p>You don&rsquo;t have to go through any extra hassles such as getting a smog check or going to the DMV. As our thanks, you will receive a one-year membership in Classical KUSC!<\/p>\n<h2>What are the benefits of donating my car to Classical KUSC?<\/h2>\n<p>KUSC benefits by receiving a cash donation to fund its classical music and arts programming. You benefit by being able to reduce your taxable income when taxes are itemized. Plus you avoid the costs associated with selling your car. No need to pay for advertising, no loss of privacy and possible security risk, and no need to pay for vehicle registration, insurance, and repairs to keep your car in running condition while you wait for a buyer.<\/p>\n<h2>Does my car have to be running to donate it?<\/h2>\n<p>In some cases we can take your car, running or not. However, it must have an engine and be tow-able. Contact a representative at 1-877-KUSC-CAR (877-587-2227) to find out if your vehicle qualifies for pick-up.<\/p>\n<h2>Do you only accept cars for donation?<\/h2>\n<p>Many types of motor vehicles are accepted including boats, motorcycles, trucks, and cars. If you are uncertain as to whether or not your vehicle is eligible, please contact the vehicle donation program toll free at 1-877-KUSC-CAR (877-587-2227).<\/p>\n<h2>How long will it take to pick up my vehicle?<\/h2>\n<p>We make donating your car as simple and convenient as possible. A tow company will contact you within two to three business days.<\/p>\n<h2>Do I have to be with the vehicle at the time of pick-up?<\/h2>\n<p>No, special arrangements can be made by calling our representative.<\/p>\n<h2>What paperwork do I need?<\/h2>\n<p>The only paperwork needed is a signed, clear title (pink slip California only). Have your title with you when you call-in your donation. [Please note: a clear title indicates the title is in the name of the donor without a lien].<\/p>\n<h2>Do I need a smog certificate in order to donate my car?<\/h2>\n<p>For states that require smog certificates or safety inspections, you may donate your vehicle without these documents.<\/p>\n<h2>What if I receive legal notices?<\/h2>\n<p>In the rare event that you receive any notification of a lien sale, DMV actions or other activity related to your donated vehicle, please contact us at immediately for assistance at 1-877-KUSC-CAR (877-587-2227).<\/p>\n<h2>How does the new law effect my tax deduction?<\/h2>\n<p>Donors are no longer responsible for determining the deductible value of their donation. Instead, they will receive IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, if the proceeds from the sale exceed $500. This form will state the amount of the gross proceeds from the sale of the donated vehicle. The amount listed on IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, will be the gross proceeds of the deductible donation.<\/p>\n<h2>Will I get a tax receipt for my donation?<\/h2>\n<p>Yes, our driver will issue a receipt at the time of pick-up. This is not your final tax receipt unless the sale of your vehicle does not exceed $500. This initial acknowledgement will indicate your name as well as the year, make, model and condition of the car you are donating. It will be your only receipt if your vehicle sells for less than $500.<\/p>\n<h2>What can I claim as a deduction?<\/h2>\n<p>According to the tax law effective January 1, 2005, if the claimed value of the donated vehicle exceeds $500, the taxpayer is limited to the gross proceeds of the sale.<\/p>\n<p>An IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, will be mailed to you within 30 days of the sale stating the amount of gross proceeds received from your car, provided your vehicle sold for more than $500. This will be your tax receipt for your charitable contribution.<\/p>\n<h2>How is the value determined on the vehicle donated?<\/h2>\n<p>The value is determined by the gross proceeds raised from the sale of the donated vehicle. You no longer have the burden of determining the value yourself.<\/p>\n<h2>What if my car is valued over $5000?<\/h2>\n<p>Effective January 1, 2005, you are no longer required to have vehicles appraised. The value you may claim will be the amount of gross proceeds received from your car. The car must have an engine and be towable. Cars that are in extremely poor condition may be declined, as the cost to tow them may be more than the value of the vehicle.<\/p>\n<p>For information and to schedule a pickup that's convenient for you, call toll free: 1-877-KUSC-CAR (1-877-587-2227)<\/p>","text":"Do you have a vehicle that you\u2019re thinking of trading in or that you simply don\u2019t drive any longer? You can support Classical KUSC by donating your used car, motorcycle, RV, or boat. Just call toll free 1-877-KUSC-CAR (1-877-587-2227) for information and to schedule a pickup that\u2019s convenient for you - or click here:\nYou don\u2019t have to go through any extra hassles such as getting a smog check or going to the DMV. As our thanks, you will receive a one-year membership in Classical KUSC!\nWhat are the benefits of donating my car to Classical KUSC?\nKUSC benefits by receiving a cash donation to fund its classical music and arts programming. You benefit by being able to reduce your taxable income when taxes are itemized. Plus you avoid the costs associated with selling your car. No need to pay for advertising, no loss of privacy and possible security risk, and no need to pay for vehicle registration, insurance, and repairs to keep your car in running condition while you wait for a buyer.\nDoes my car have to be running to donate it?\nIn some cases we can take your car, running or not. However, it must have an engine and be tow-able. Contact a representative at 1-877-KUSC-CAR (877-587-2227) to find out if your vehicle qualifies for pick-up.\nDo you only accept cars for donation?\nMany types of motor vehicles are accepted including boats, motorcycles, trucks, and cars. If you are uncertain as to whether or not your vehicle is eligible, please contact the vehicle donation program toll free at 1-877-KUSC-CAR (877-587-2227).\nHow long will it take to pick up my vehicle?\nWe make donating your car as simple and convenient as possible. A tow company will contact you within two to three business days.\nDo I have to be with the vehicle at the time of pick-up?\nNo, special arrangements can be made by calling our representative.\nWhat paperwork do I need?\nThe only paperwork needed is a signed, clear title (pink slip California only). Have your title with you when you call-in your donation. [Please note: a clear title indicates the title is in the name of the donor without a lien].\nDo I need a smog certificate in order to donate my car?\nFor states that require smog certificates or safety inspections, you may donate your vehicle without these documents.\nWhat if I receive legal notices?\nIn the rare event that you receive any notification of a lien sale, DMV actions or other activity related to your donated vehicle, please contact us at immediately for assistance at 1-877-KUSC-CAR (877-587-2227).\nHow does the new law effect my tax deduction?\nDonors are no longer responsible for determining the deductible value of their donation. Instead, they will receive IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, if the proceeds from the sale exceed $500. This form will state the amount of the gross proceeds from the sale of the donated vehicle. The amount listed on IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, will be the gross proceeds of the deductible donation.\nWill I get a tax receipt for my donation?\nYes, our driver will issue a receipt at the time of pick-up. This is not your final tax receipt unless the sale of your vehicle does not exceed $500. This initial acknowledgement will indicate your name as well as the year, make, model and condition of the car you are donating. It will be your only receipt if your vehicle sells for less than $500.\nWhat can I claim as a deduction?\nAccording to the tax law effective January 1, 2005, if the claimed value of the donated vehicle exceeds $500, the taxpayer is limited to the gross proceeds of the sale.\nAn IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, will be mailed to you within 30 days of the sale stating the amount of gross proceeds received from your car, provided your vehicle sold for more than $500. This will be your tax receipt for your charitable contribution.\nHow is the value determined on the vehicle donated?\nThe value is determined by the gross proceeds raised from the sale of the donated vehicle. You no longer have the burden of determining the value yourself.\nWhat if my car is valued over $5000?\nEffective January 1, 2005, you are no longer required to have vehicles appraised. The value you may claim will be the amount of gross proceeds received from your car. The car must have an engine and be towable. Cars that are in extremely poor condition may be declined, as the cost to tow them may be more than the value of the vehicle.\nFor information and to schedule a pickup that's convenient for you, call toll free: 1-877-KUSC-CAR (1-877-587-2227)","type":"article","title":"Membership - Donate Your Car","resolvedPageUrl":"http://www.kusc.org/donatecar/","tags":[{"score":0.76,"count":20,"label":"Vehicle","uri":"http://dbpedia.org/resource/Vehicle","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":16,"label":"Car","uri":"http://dbpedia.org/resource/Car","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":4,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.58,"count":3,"label":"Toll-free telephone number","uri":"http://dbpedia.org/resource/Toll-free_telephone_number"},{"score":0.56,"count":9,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.54,"count":1,"label":"Taxable income","uri":"http://dbpedia.org/resource/Taxable_income"},{"score":0.53,"count":17,"label":"Donation","uri":"http://dbpedia.org/resource/Donation","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":5,"label":"Boat","uri":"http://dbpedia.org/resource/Boat","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":12304510489,"gburl":"http://www.kusc.org/donatecar-diffbotxyz3672579288","lastCrawlTimeUTC":1458517843,"timestamp":"Sun, 20 Mar 2016 23:50:43 GMT"}
,
 {"date":"Mon, 19 Mar 2012 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Mon, 19 Mar 2012 00:00:00 GMT","diffbotUri":"article|3|1832043946","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/press-releases/story.aspx?ID=1673347","html":"<p><strong>PRESS RELEASE - FOR IMMEDIATE RELEASE<\/strong><\/p>\n<p><a href=\"http://www.kusc.org/Other/pdf/kusc-performing-arts-live.pdf\">Download PDF<\/a><\/p>\n<p>Los Angeles - March 19, 2012<\/p>\n<p>Classical KUSC and Performing Arts LIVE announce a partnership that will greatly expand the event listing information available on the KUSC website. Under the arrangement, Performing Arts LIVE will provide updated classical music event information from its database to Classical KUSC for display on their online &quot;Concert Calendar.&quot;<\/p>\n<p>&quot;We are glad to be able to share this information with the KUSC audience,&quot; said Michael Napoli, Executive Director at Performing Arts LIVE. &quot;We are confident that this arrangement with Classical KUSC will enhance the ability of the Southern California performing arts community to connect listeners with the many wonderful classical music performances taking place throughout the region.&quot;<\/p>\n<p>&quot;We chose Performing Arts LIVE to provide us this important information because of their commitment and dedication to the performing arts community,&quot; explained KUSC President Brenda Barnes. &quot;They are one of the few organizations that has comprehensive event data for classical music, theater and dance events throughout Southern California, making them the primary source for performing arts information in the region.&quot;<\/p>\n<p>Classical KUSC is one of the largest and most listened to non-profit classical music stations in the country. It is also the most listened to public radio station in Southern California. KUSC is dedicated to preserving classical music as a living art. Located in downtown Los Angeles, Classical KUSC uses digital transmission technology to broadcast commercial-free uninterrupted classical performances. The non-profit, listener-supported station has been broadcasting for over 60 years. The station is a broadcast service of the University of Southern California at 91.5(FM) in Los Angeles; 88.5 KPSC in Palm Springs; 91.l KDSC in Thousand Oaks, 88.7 KQSC in Santa Barbara, and 99.7 KESC in Morro Bay/San Luis Obispo. For more information, please visit www.kusc.org.<\/p>\n<p>Performing Arts LIVE maintains the most comprehensive online directory of theater, dance and classical music event data in Southern California. Performing Arts LIVE is a community service that connects performing artists and performing arts organizations with their audiences. Event information is self posted at no cost by the event organizer and is accessed free by visitors to its website from Southern California and around the world. www.performingartslive.com<\/p>\n<p>Contact:<br>\nMichael Napoli<br>\ninfo@performingartslive.com<\/p>","text":"PRESS RELEASE - FOR IMMEDIATE RELEASE\nDownload PDF\nLos Angeles - March 19, 2012\nClassical KUSC and Performing Arts LIVE announce a partnership that will greatly expand the event listing information available on the KUSC website. Under the arrangement, Performing Arts LIVE will provide updated classical music event information from its database to Classical KUSC for display on their online \"Concert Calendar.\"\n\"We are glad to be able to share this information with the KUSC audience,\" said Michael Napoli, Executive Director at Performing Arts LIVE. \"We are confident that this arrangement with Classical KUSC will enhance the ability of the Southern California performing arts community to connect listeners with the many wonderful classical music performances taking place throughout the region.\"\n\"We chose Performing Arts LIVE to provide us this important information because of their commitment and dedication to the performing arts community,\" explained KUSC President Brenda Barnes. \"They are one of the few organizations that has comprehensive event data for classical music, theater and dance events throughout Southern California, making them the primary source for performing arts information in the region.\"\nClassical KUSC is one of the largest and most listened to non-profit classical music stations in the country. It is also the most listened to public radio station in Southern California. KUSC is dedicated to preserving classical music as a living art. Located in downtown Los Angeles, Classical KUSC uses digital transmission technology to broadcast commercial-free uninterrupted classical performances. The non-profit, listener-supported station has been broadcasting for over 60 years. The station is a broadcast service of the University of Southern California at 91.5(FM) in Los Angeles; 88.5 KPSC in Palm Springs; 91.l KDSC in Thousand Oaks, 88.7 KQSC in Santa Barbara, and 99.7 KESC in Morro Bay/San Luis Obispo. For more information, please visit www.kusc.org.\nPerforming Arts LIVE maintains the most comprehensive online directory of theater, dance and classical music event data in Southern California. Performing Arts LIVE is a community service that connects performing artists and performing arts organizations with their audiences. Event information is self posted at no cost by the event organizer and is accessed free by visitors to its website from Southern California and around the world. www.performingartslive.com\nContact:\nMichael Napoli\ninfo@performingartslive.com","type":"article","title":"CLASSICAL KUSC AND PERFORMING ARTS LIVE ANNOUNCE PARTNERSHIP","tags":[{"score":0.98,"count":13,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.88,"count":10,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.8,"count":12,"label":"Performing arts","uri":"http://dbpedia.org/resource/Performing_arts","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":120805682743,"gburl":"http://www.kusc.org/Channels/press-releases/story.aspx?ID=1673347-diffbotxyz1765120014","lastCrawlTimeUTC":1458517837,"timestamp":"Sun, 20 Mar 2016 23:50:37 GMT"}
,
 {"specs":{"need_help":"Contact Us","antonio_vivaldi":"Violin Concerto in F RV 295 See the Detailed Playlist","info":"About Us","kuscorg":"Blogs"},"twitter":"classicalkusc","images":[{"link":"http://www.kusc.org/Pics/header/logo.png","width":221,"naturalHeight":92,"naturalWidth":221,"primary":"true","height":92},{"link":"http://www.kusc.org/Pics/Membership/leadership-circle.png","width":301,"naturalHeight":301,"naturalWidth":301,"height":301},{"link":"http://www.kusc.org/Pics/bg/mobile-devices-small.jpg","width":156,"naturalHeight":104,"naturalWidth":156,"height":104},{"link":"http://www.marketron.com/Other/white_marketron_logo.png","width":277,"naturalHeight":24,"naturalWidth":277,"height":24}],"phoneNumber":"(213) 225-7534","diffbotUri":"person|3|-379144997","pageUrl":"http://www.kusc.org/leadership","text":"Does Classical KUSC play an important role in your life? Classical KUSC\u2019s Leadership Circle is a special opportunity for you to become more involved with the station and enjoy exclusive donor benefits. Join the Leadership Circle with an annual gift of $2,500 or more and demonstrate your commitment to the radio station that brings you the music you love. Classical KUSC is grateful for the support of its current Leadership Circle Members.","type":"person","title":"Classical KUSC","resolvedPageUrl":"http://www.kusc.org/leadership/","email":"mprince@kusc.org","docId":260235472407,"gburl":"http://www.kusc.org/leadership-diffbotxyz1273390095","lastCrawlTimeUTC":1458517867,"timestamp":"Sun, 20 Mar 2016 23:51:07 GMT"}
,
 {"date":"Sat, 04 Mar 1989 00:00:00 GMT","breadcrumb":[{"link":"http://www.kusc.org/channels/pst/home.aspx","name":"Index"},{"link":"http://www.kusc.org/Episodes.aspx?PID=2297","name":"Download this podcast"}],"humanLanguage":"en","estimatedDate":"Sat, 04 Mar 1989 00:00:00 GMT","diffbotUri":"article|3|584711600","siteName":"KUSC","pageUrl":"http://www.kusc.org/channels/pst/story.aspx?ID=1647863","html":"<h4>Ruth Weisberg in conversation with Terry Wolverton, Betty Ann Brown and Cheri Gaulke<\/h4>\n<figure><object type=\"application/x-shockwave-flash\">     <\/object><\/figure>\n<p>Woman's Building - 15th Anniversary Celebration, hosted by Ruth Weisberg, artist and professor at USC.<\/p>\n<p>Terry Wolverton is a literary artist and author. In 1976, she moved to Los Angeles and enrolled in the Feminist Studio Workshop at the Woman's Building. Terry spent the next thirteen years working and creating at the Woman's Building where, in addition to producing performance and literary art, she was also instrumental in the Lesbian Art Project, the Incest Awareness Project, the Great American Lesbian Art Show (GALAS), and a White Women's Anti-Racism Consciousness-Raising Group. At the time of this interview, she served as the nonprofit organization's Executive Director. She is currently adjunct faculty in the M.A. in Arts Management program at Claremont Graduate University.<\/p>\n<p>Betty Ann Brown is an art historian, critic and curator. After moving to Los Angeles in the late 1970s, her interest shifted from ancient Latin American art to Chicano art and, ultimately, to contemporary art in general. She was president of the board of the Los Angeles Woman's Building in 1985-86. Brown has curated several major exhibitions, including &ldquo;Fierce Beauty: The Art of Linda Vallejo,&rdquo; Plaza de la Raza, Los Angeles, Summer 2010; &ldquo;Brilliant Paintings &amp; Amazing Ceramics,&rdquo; Sylvia White Gallery, Ventura, Spring 2010; &ldquo;Hans Burkhardt,&rdquo; Cal State Northridge in Fall 2008; &ldquo;Echoes,&rdquo; an exhibition of twelve women artists who address environmental issues. She is currently working on a retrospective exhibition for performance artist and painter John White (Pasadena Armory Center for the Arts, Spring 2011.) Brown is a Professor of Art History at California State University, Northridge.<\/p>\n<p>Cheri Gaulke is an artist who works in a variety of media. In 1975, she moved to Los Angeles to be involved with the Feminist Studio Workshop at the Woman&rsquo;s Building. There she embraced the notion that feminist art could raise consciousness, invite dialogue, and transform culture. She worked primarily in performance art from 1974-1992, addressing themes such as religion, sexual identity, and the environment. In addition to her solo work, she cofounded collaborative performance groups Feminist Art Workers (1976-81), which merged feminist art and education techniques into interactive performances; and Sisters Of Survival (1981-85), who wore nun&rsquo;s habits in the spectrum of the rainbow and presented their anti-nuclear performances in Europe and the U.S. Though Gaulke has moved away from performance, the feminist art strategies that she helped to innovate in the 1970s in Southern California continue in her work. Her art continues to be a vehicle for social commentary and as a way to tell the stories of individuals and groups under-represented in society.<\/p>","text":"Ruth Weisberg in conversation with Terry Wolverton, Betty Ann Brown and Cheri Gaulke\nWoman's Building - 15th Anniversary Celebration, hosted by Ruth Weisberg, artist and professor at USC.\nTerry Wolverton is a literary artist and author. In 1976, she moved to Los Angeles and enrolled in the Feminist Studio Workshop at the Woman's Building. Terry spent the next thirteen years working and creating at the Woman's Building where, in addition to producing performance and literary art, she was also instrumental in the Lesbian Art Project, the Incest Awareness Project, the Great American Lesbian Art Show (GALAS), and a White Women's Anti-Racism Consciousness-Raising Group. At the time of this interview, she served as the nonprofit organization's Executive Director. She is currently adjunct faculty in the M.A. in Arts Management program at Claremont Graduate University.\nBetty Ann Brown is an art historian, critic and curator. After moving to Los Angeles in the late 1970s, her interest shifted from ancient Latin American art to Chicano art and, ultimately, to contemporary art in general. She was president of the board of the Los Angeles Woman's Building in 1985-86. Brown has curated several major exhibitions, including \u201cFierce Beauty: The Art of Linda Vallejo,\u201d Plaza de la Raza, Los Angeles, Summer 2010; \u201cBrilliant Paintings & Amazing Ceramics,\u201d Sylvia White Gallery, Ventura, Spring 2010; \u201cHans Burkhardt,\u201d Cal State Northridge in Fall 2008; \u201cEchoes,\u201d an exhibition of twelve women artists who address environmental issues. She is currently working on a retrospective exhibition for performance artist and painter John White (Pasadena Armory Center for the Arts, Spring 2011.) Brown is a Professor of Art History at California State University, Northridge.\nCheri Gaulke is an artist who works in a variety of media. In 1975, she moved to Los Angeles to be involved with the Feminist Studio Workshop at the Woman\u2019s Building. There she embraced the notion that feminist art could raise consciousness, invite dialogue, and transform culture. She worked primarily in performance art from 1974-1992, addressing themes such as religion, sexual identity, and the environment. In addition to her solo work, she cofounded collaborative performance groups Feminist Art Workers (1976-81), which merged feminist art and education techniques into interactive performances; and Sisters Of Survival (1981-85), who wore nun\u2019s habits in the spectrum of the rainbow and presented their anti-nuclear performances in Europe and the U.S. Though Gaulke has moved away from performance, the feminist art strategies that she helped to innovate in the 1970s in Southern California continue in her work. Her art continues to be a vehicle for social commentary and as a way to tell the stories of individuals and groups under-represented in society.","type":"article","title":"Terry Wolverton, Betty Ann Brown and Cheri Gaulke","tags":[{"score":0.97,"count":3,"label":"Terry Wolverton","uri":"http://dbpedia.org/resource/Terry_Wolverton","rdfTypes":["http://dbpedia.org/ontology/Writer"]},{"score":0.95,"count":3,"label":"Cheri Gaulke","uri":"http://dbpedia.org/resource/Cheri_Gaulke","rdfTypes":["http://dbpedia.org/ontology/Artist"]},{"score":0.85,"count":5,"label":"Woman's Building","uri":"http://dbpedia.org/resource/Woman's_Building"},{"score":0.56,"count":3,"label":"Ann Brown","uri":"http://dbpedia.org/resource/Ann_Brown"}],"docId":17328860698,"gburl":"http://www.kusc.org/channels/pst/story.aspx?ID=1647863-diffbotxyz1694244037","lastCrawlTimeUTC":1458517823,"timestamp":"Sun, 20 Mar 2016 23:50:23 GMT"}
,
 {"breadcrumb":[{"link":"http://www.kusc.org/channels/pst/home.aspx","name":"Index"},{"link":"http://www.kusc.org/Episodes.aspx?PID=2297","name":"Download this podcast"}],"humanLanguage":"en","diffbotUri":"article|3|-942690942","siteName":"KUSC","pageUrl":"http://www.kusc.org/channels/pst/story.aspx?ID=1654149","html":"<h4>Art historian and critic Melinda Wortz in conversation with Rachel Rosenthal and Elyse Grinstein<\/h4>\n<figure><object type=\"application/x-shockwave-flash\">     <\/object><\/figure>\n<p>Rachel Rosenthal (b. 1926) is an interdisciplinary performer who developed a revolutionary performance technique that integrates text, movement, voice, choreography, improvisation, inventive costuming, dramatic lighting and wildly imaginative sets into an unforgettable &quot;total theater&quot; experience. In the last twenty-five years of her performing career she presented over 40 full-scale pieces nationally &amp; internationally.<\/p>\n<p>Born in Paris of Russian parents, Rosenthal studied art, theatre and dance in Paris and N.Y. after the war with such teachers as Hans Hoffmann, Merce Cunningham, Erwin Piscator and Jean-Louis Barrault. She moved to California in 1955 where she created the experimental Instant Theatre, performing in and guiding it for ten years. She was a leading figure in the L.A. Women's Art Movement in the 1970's, co-founding WomanSpace, among other projects. During that period, her focus split between the performing and visual art world, she created and exhibited her ceramic sculptures.<\/p>\n<p>In 1989, she founded The Rachel Rosenthal Company, a non-profit organization, to work collaboratively with artists from other disciplines and pass on the legacy of her pioneering form of spontaneous collaboration (the DbD &quot;Doing by Doing&quot; technique) through her Company's theatrical productions and performance workshops.<\/p>\n<p>She has toured extensively in the U.S., Canada, Europe and Australia. Rosenthal has taught classes and workshops in performance since 1979, in her LA studio as well as around North America and Europe.<\/p>\n<p>In 2000 she was honored by the City of Los Angeles as &quot;a Living Cultural Treasure of Los Angeles&quot; and, in 2001, was the recipient of the Award of Merit for Achievement in the Performing Arts from the Association of Performing Arts Presenters (APAP). Retired from the stage in 2000, Rosenthal resumed a long dormant career in visual art and is currently working in oil and watercolor. In addition to her work in the visual arts, Rosenthal is Artistic Director of a new ensemble of performers who present evenings of Total Improvisation one weekend a month in her studio space, along with guest artists from the world of visual art and music.<\/p>\n<p>Elyse Grinstein is an architect and owner of Gemini GEL, a publisher of limited edition art prints based in Los Angeles.<\/p>\n<p>This interview originally aired on KUSC on July 4, 1987<\/p>","text":"Art historian and critic Melinda Wortz in conversation with Rachel Rosenthal and Elyse Grinstein\nRachel Rosenthal (b. 1926) is an interdisciplinary performer who developed a revolutionary performance technique that integrates text, movement, voice, choreography, improvisation, inventive costuming, dramatic lighting and wildly imaginative sets into an unforgettable \"total theater\" experience. In the last twenty-five years of her performing career she presented over 40 full-scale pieces nationally & internationally.\nBorn in Paris of Russian parents, Rosenthal studied art, theatre and dance in Paris and N.Y. after the war with such teachers as Hans Hoffmann, Merce Cunningham, Erwin Piscator and Jean-Louis Barrault. She moved to California in 1955 where she created the experimental Instant Theatre, performing in and guiding it for ten years. She was a leading figure in the L.A. Women's Art Movement in the 1970's, co-founding WomanSpace, among other projects. During that period, her focus split between the performing and visual art world, she created and exhibited her ceramic sculptures.\nIn 1989, she founded The Rachel Rosenthal Company, a non-profit organization, to work collaboratively with artists from other disciplines and pass on the legacy of her pioneering form of spontaneous collaboration (the DbD \"Doing by Doing\" technique) through her Company's theatrical productions and performance workshops.\nShe has toured extensively in the U.S., Canada, Europe and Australia. Rosenthal has taught classes and workshops in performance since 1979, in her LA studio as well as around North America and Europe.\nIn 2000 she was honored by the City of Los Angeles as \"a Living Cultural Treasure of Los Angeles\" and, in 2001, was the recipient of the Award of Merit for Achievement in the Performing Arts from the Association of Performing Arts Presenters (APAP). Retired from the stage in 2000, Rosenthal resumed a long dormant career in visual art and is currently working in oil and watercolor. In addition to her work in the visual arts, Rosenthal is Artistic Director of a new ensemble of performers who present evenings of Total Improvisation one weekend a month in her studio space, along with guest artists from the world of visual art and music.\nElyse Grinstein is an architect and owner of Gemini GEL, a publisher of limited edition art prints based in Los Angeles.\nThis interview originally aired on KUSC on July 4, 1987","type":"article","title":"Rachel Rosenthal and Elyse Grinstein","tags":[{"score":0.9,"count":4,"label":"Rachel Rosenthal","uri":"http://dbpedia.org/resource/Rachel_Rosenthal","rdfTypes":["http://dbpedia.org/ontology/Artist"]},{"score":0.53,"count":5,"label":"Performing arts","uri":"http://dbpedia.org/resource/Performing_arts","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":49326697996,"gburl":"http://www.kusc.org/channels/pst/story.aspx?ID=1654149-diffbotxyz649313274","lastCrawlTimeUTC":1458517763,"timestamp":"Sun, 20 Mar 2016 23:49:23 GMT"}
,
 {"date":"Thu, 04 Feb 2016 07:29:00 GMT","images":[{"naturalHeight":473,"diffbotUri":"image|3|1889192605","url":"http://www.kusc.org/Pics/Blogs/1003151/football%20is%20erious-001.jpg","naturalWidth":473,"primary":true}],"author":"Dennis Bartel","estimatedDate":"Thu, 04 Feb 2016 07:29:00 GMT","diffbotUri":"article|3|1725927035","siteName":"KUSC","type":"article","title":"Scouting Report on KUSC CLASSICALS for Sunday\u2019s Big Game (offense)","breadcrumb":[{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"Blog Home"},{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Arts Alive Blog"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/Blog/kusc/blogentry.aspx?BlogEntryID=10671848","html":"<p><strong>Center &ndash; G.Stav Mahler. Awesome athletic skill set for a center, even after a decade wayfaring from team to team. Quick interior lineman, a titan who can single-block defensive tackles in pass protection. Intelligent, with a work ethic that is the very song of the earth. Snaps the ball with erratic velocity. At this age in his career you expect Mahler to be scheme versatile, but last off-season he heard the magic horn&rsquo;s call of youth and resurrected his blocking skills. He can still match up on speed rushers, and anchors well against the blitz. Strength: hammer blows blockers at the point of attack.<\/strong><\/p>\n<p><strong>Right Guard &ndash; Yan Sibelius. A throwback interior lineman, from the days of leather helmets and bald domes, an anti-modern modernist. Slow moving, but a severe road-grading run-blocker with heavy hands. His bullying of defensive linemen is en saga around the league. Stonewalls bull rushes. Sustains blocks until the whistle blows its broad chords.<\/strong><\/p>\n<p><strong>Left Guard &ndash; Dick Wagner. Hard working, veteran interior lineman, quick off the snap into his blocks, though his blocks often lack a tonal center. Tough, plays banged up. Mean streak, plays with extreme chromaticism. Off-field distractions limited his playing time this season, but he&rsquo;s rested and can play up to eight hours, or until the fat lady sings.<\/strong><\/p>\n<p><strong>Right Tackle &ndash; A.Ton Bruckner. A good but not elite athlete for the position. Agility is average to below average, but his exceptional strength and stamina allows him to overwhelm defensive linemen late in the game. Bruckner is often on the balls of his feet, his hands down, passive rather than initiating contact. His footwork is unorthodox. His feet stop too often, especially upon contact, but his creative logic often overcomes all of this.<\/strong><\/p>\n<p><strong>Left Tackle &ndash; Moose Mussorgsky. A mountain of a run blocker, but has difficulty covering the quarterback&rsquo;s blind side so on passing plays he&rsquo;s protected by the tight end or the halfback. Mussorgsky doesn&rsquo;t move his feet enough to stay out in front of an outside rush. He often fails to remain square to the line of scrimmage and does not finish the block, opening the gate early. When he&rsquo;s in the game, expect KUSC to stay close to the ground as a catacomb, Mussorgsky putting on a blocking exhibition as they promenade four yards and a cloud of dust.<\/strong><\/p>\n<p><strong>Tight End &ndash; Nick Korsakov. A coordinated big man with speed, strength, buzzing intelligence and durability (a record 1001 consecutive offensive plays). Finishes with good movement skills and natural hands. &ldquo;Sultan of the Slant Route.&rdquo; He&rsquo;s even better as a blocker. He fires out like a golden rooster and fits his hands inside. Alert: KUSC runs a trick play with Korsakov, a tackle eligible, and trombone.<\/strong><\/p>\n<p><strong>Wide Receiver &ndash; Peter L. Tck. A great leaper. Excellent body control. Good route variety: symphonic deep-outs, concerto curls, In-n-Up operas, and a post pattern with which he averaged 18.12 yards per catch. Tchaikovsky runs his routes smooth as a swan on a glassy lake. Occasional &ldquo;wow&rdquo; catches, such as his victorious grab in the Divisional Playoffs, after a game-long duel with Moscow&rsquo;s talented safety, Lensky.<\/strong><\/p>\n<p><strong>Wide Receiver &ndash; Felix Mendelssohn. Radiates classical athleticism. Quicksilver acceleration and good lateral agility. A natural hands catcher with phenomenal ball skills. The speedy receiver will go up and get the football and is capable of making such dreamy catches, well, there are no words. Weaknesses: Showing signs of decline following his prodigious midsummer pre-season form. Slim build, needs to add more weight. Only a decent blocker, doesn&rsquo;t like contact.<\/strong><\/p>\n<p><strong>Halfback &ndash; Mo Ravel. An exquisitely balanced back with first-step quickness, elusiveness, combined with grind-it-out grit, rhythm and repetition. Can create and orchestrate for himself. Has a nose for the end zone and always finishes strong. Very hard to arm tackle. Hands as soft as goose feathers. Though it is only the result of painstaking work on the practice field, Ravel gives the effortless impression it&rsquo;s all a Valse for him on the gridiron<\/strong><\/p>\n<p><strong>Fullback &ndash; LaVanius Beethoven. The future Hall-of-Famer is charging headlong toward another title to add to his heroic career. A stoutly-built back with quick feet and tremendous vision, LaVanius still makes a serioso burst to the hole and hits the line like a hammerklavier, running runs through tackles, rarely going down on first contact. However worn down he may appear, from age and infirmity, LaVB remains an elite one-cut downhill runner with speed and improvisatory open-field skills, and is capable of controlling games himself.<\/strong><\/p>\n<p><strong>Quarterback &ndash; Seby Bach. Football intelligence off the charts. Scans field and reads defenses like fugues, on the level of Manning, Montana and Monteverdi. Not the strongest arm, but Bach can drive the ball into the seam in front of safeties, and make all the field-side throws with precision and reliability. Calm and aware in the pocket, his decision making is what makes Bach great. The more the pressure, the more tempered his focus. Shows faith in his wide receivers, and likewise Bach is trusted and protected by his teammates.<\/strong><\/p>","text":"Center \u2013 G.Stav Mahler. Awesome athletic skill set for a center, even after a decade wayfaring from team to team. Quick interior lineman, a titan who can single-block defensive tackles in pass protection. Intelligent, with a work ethic that is the very song of the earth. Snaps the ball with erratic velocity. At this age in his career you expect Mahler to be scheme versatile, but last off-season he heard the magic horn\u2019s call of youth and resurrected his blocking skills. He can still match up on speed rushers, and anchors well against the blitz. Strength: hammer blows blockers at the point of attack.\nRight Guard \u2013 Yan Sibelius. A throwback interior lineman, from the days of leather helmets and bald domes, an anti-modern modernist. Slow moving, but a severe road-grading run-blocker with heavy hands. His bullying of defensive linemen is en saga around the league. Stonewalls bull rushes. Sustains blocks until the whistle blows its broad chords.\nLeft Guard \u2013 Dick Wagner. Hard working, veteran interior lineman, quick off the snap into his blocks, though his blocks often lack a tonal center. Tough, plays banged up. Mean streak, plays with extreme chromaticism. Off-field distractions limited his playing time this season, but he\u2019s rested and can play up to eight hours, or until the fat lady sings.\nRight Tackle \u2013 A.Ton Bruckner. A good but not elite athlete for the position. Agility is average to below average, but his exceptional strength and stamina allows him to overwhelm defensive linemen late in the game. Bruckner is often on the balls of his feet, his hands down, passive rather than initiating contact. His footwork is unorthodox. His feet stop too often, especially upon contact, but his creative logic often overcomes all of this.\nLeft Tackle \u2013 Moose Mussorgsky. A mountain of a run blocker, but has difficulty covering the quarterback\u2019s blind side so on passing plays he\u2019s protected by the tight end or the halfback. Mussorgsky doesn\u2019t move his feet enough to stay out in front of an outside rush. He often fails to remain square to the line of scrimmage and does not finish the block, opening the gate early. When he\u2019s in the game, expect KUSC to stay close to the ground as a catacomb, Mussorgsky putting on a blocking exhibition as they promenade four yards and a cloud of dust.\nTight End \u2013 Nick Korsakov. A coordinated big man with speed, strength, buzzing intelligence and durability (a record 1001 consecutive offensive plays). Finishes with good movement skills and natural hands. \u201cSultan of the Slant Route.\u201d He\u2019s even better as a blocker. He fires out like a golden rooster and fits his hands inside. Alert: KUSC runs a trick play with Korsakov, a tackle eligible, and trombone.\nWide Receiver \u2013 Peter L. Tck. A great leaper. Excellent body control. Good route variety: symphonic deep-outs, concerto curls, In-n-Up operas, and a post pattern with which he averaged 18.12 yards per catch. Tchaikovsky runs his routes smooth as a swan on a glassy lake. Occasional \u201cwow\u201d catches, such as his victorious grab in the Divisional Playoffs, after a game-long duel with Moscow\u2019s talented safety, Lensky.\nWide Receiver \u2013 Felix Mendelssohn. Radiates classical athleticism. Quicksilver acceleration and good lateral agility. A natural hands catcher with phenomenal ball skills. The speedy receiver will go up and get the football and is capable of making such dreamy catches, well, there are no words. Weaknesses: Showing signs of decline following his prodigious midsummer pre-season form. Slim build, needs to add more weight. Only a decent blocker, doesn\u2019t like contact.\nHalfback \u2013 Mo Ravel. An exquisitely balanced back with first-step quickness, elusiveness, combined with grind-it-out grit, rhythm and repetition. Can create and orchestrate for himself. Has a nose for the end zone and always finishes strong. Very hard to arm tackle. Hands as soft as goose feathers. Though it is only the result of painstaking work on the practice field, Ravel gives the effortless impression it\u2019s all a Valse for him on the gridiron\nFullback \u2013 LaVanius Beethoven. The future Hall-of-Famer is charging headlong toward another title to add to his heroic career. A stoutly-built back with quick feet and tremendous vision, LaVanius still makes a serioso burst to the hole and hits the line like a hammerklavier, running runs through tackles, rarely going down on first contact. However worn down he may appear, from age and infirmity, LaVB remains an elite one-cut downhill runner with speed and improvisatory open-field skills, and is capable of controlling games himself.\nQuarterback \u2013 Seby Bach. Football intelligence off the charts. Scans field and reads defenses like fugues, on the level of Manning, Montana and Monteverdi. Not the strongest arm, but Bach can drive the ball into the seam in front of safeties, and make all the field-side throws with precision and reliability. Calm and aware in the pocket, his decision making is what makes Bach great. The more the pressure, the more tempered his focus. Shows faith in his wide receivers, and likewise Bach is trusted and protected by his teammates.","docId":61359124031,"gburl":"http://www.kusc.org/Blog/kusc/blogentry.aspx?BlogEntryID=10671848-diffbotxyz3833582546","lastCrawlTimeUTC":1458517799,"timestamp":"Sun, 20 Mar 2016 23:49:59 GMT"}
,
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,
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,
{"originalType":"other","naturalHeight":157,"width":239,"diffbotUri":"image|3|-1550482008","type":"image","url":"http://www.classicalkusc.org/kids/images/image0809a.jpg","naturalWidth":239,"primary":true,"height":157,"docId":99315527168,"gburl":"http://www.kusc.org/kids/teacher.aspx-diffbotxyz689775274","lastCrawlTimeUTC":1458517740,"timestamp":"Sun, 20 Mar 2016 23:49:00 GMT"}
,
 {"date":"Sun, 20 Dec 2015 06:26:00 GMT","images":[{"naturalHeight":574,"diffbotUri":"image|3|1466781937","url":"http://www.kusc.org/Pics/Blogs/1003151/silent-night-holy-life-001.jpg","naturalWidth":800,"primary":true}],"author":"Dennis Bartel","estimatedDate":"Sun, 20 Dec 2015 06:26:00 GMT","diffbotUri":"article|3|1202813956","siteName":"KUSC","type":"article","title":"Most Popular Christmas Carols","tags":[{"score":0.86,"count":4,"label":"Christmas carol","uri":"http://dbpedia.org/resource/Christmas_carol","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":1,"label":"Popular (TV series)","uri":"http://dbpedia.org/resource/Popular_(TV_series)","rdfTypes":["http://dbpedia.org/ontology/TelevisionShow"]}],"breadcrumb":[{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"Blog Home"},{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Arts Alive Blog"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/Blog/kusc/blogentry.aspx?BlogEntryID=10671722","html":"<p>What are the most popular Christmas carols? If popularity can be determined statistically, we would do well to examine the number of times a Christmas carol is recorded by artists in America. If they like a carol so much as to record it, it must get a rise out of people. The more artists who record the carol, the more popular it must be. Anyway, this was the instrument of measurement used by Time Magazine as it examined the stats from 1978-2014 and found there was a runaway winner. Merry Christmas!<\/p>\n<p>SILENT NIGHT &ndash; 733<\/p>\n<p>JOY TO THE WORLD - 391<\/p>\n<p>O HOLY NIGHT - 374<\/p>\n<p>WHAT CHILD IS THIS? &ndash; 329<\/p>\n<p>AWAY IN A MANGER - 300<\/p>\n<p>O, COME ALL YE FAITHFUL &ndash; 296<\/p>\n<p>WHITE CHRISTMAS &ndash; 283<\/p>\n<p>THE CHRISTMAS SONG &ndash; 254<\/p>\n<p>JINGLE BELLS - 254<\/p>\n<p>THE FIRST NOEL &ndash; 234<\/p>\n<p>LITTLE DRUMMER BOY - 213<\/p>\n<p>WINTER WONDERLAND - 187<\/p>\n<p>DECK THE HALLS - 175<\/p>\n<p>SILVER BELLS &ndash; 158<\/p>\n<p>SLEIGH RIDE - 115<\/p>\n<p>LET IT SNOW &ndash; 109<\/p>","text":"What are the most popular Christmas carols? If popularity can be determined statistically, we would do well to examine the number of times a Christmas carol is recorded by artists in America. If they like a carol so much as to record it, it must get a rise out of people. The more artists who record the carol, the more popular it must be. Anyway, this was the instrument of measurement used by Time Magazine as it examined the stats from 1978-2014 and found there was a runaway winner. Merry Christmas!\nSILENT NIGHT \u2013 733\nJOY TO THE WORLD - 391\nO HOLY NIGHT - 374\nWHAT CHILD IS THIS? \u2013 329\nAWAY IN A MANGER - 300\nO, COME ALL YE FAITHFUL \u2013 296\nWHITE CHRISTMAS \u2013 283\nTHE CHRISTMAS SONG \u2013 254\nJINGLE BELLS - 254\nTHE FIRST NOEL \u2013 234\nLITTLE DRUMMER BOY - 213\nWINTER WONDERLAND - 187\nDECK THE HALLS - 175\nSILVER BELLS \u2013 158\nSLEIGH RIDE - 115\nLET IT SNOW \u2013 109","docId":146661535281,"gburl":"http://www.kusc.org/Blog/kusc/blogentry.aspx?BlogEntryID=10671722-diffbotxyz1956814458","lastCrawlTimeUTC":1458517806,"timestamp":"Sun, 20 Mar 2016 23:50:06 GMT"}
,
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,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=02/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:47:07 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":156939234858,"gburl":"http://www.kusc.org/playlist/-diffbotxyz2534588225","lastCrawlTimeUTC":1458517767,"timestamp":"Sun, 20 Mar 2016 23:49:27 GMT"}
,
 {"date":"Wed, 20 Aug 2014 00:00:00 GMT","images":[{"naturalHeight":250,"width":300,"diffbotUri":"image|3|-2110521248","url":"http://www.kusc.org/Pics/hosts/gail-eichenthal.jpg","naturalWidth":373,"primary":true,"height":201}],"humanLanguage":"en","estimatedDate":"Wed, 20 Aug 2014 00:00:00 GMT","diffbotUri":"article|3|516277186","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/press-releases/story.aspx?ID=2209373","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/hosts/gail-eichenthal.jpg\"><\/img><\/figure>\n<p>CONTACT: Allison Engel 213/740-1927 <a href=\"mailto:allison.engel@usc.edu\"><strong>allison.engel@usc.edu<\/strong><\/a><br>\n <a href=\"http://www.kusc.org/Other/pdf/press-releases/kusc-gail-in-china.pdf\">Download PDF<\/a><\/p>\n<p>Classical KUSC's Gail Eichenthal is in Harbin, China, and will be covering the newly launched Alice &amp; Eleonore Schoenfeld International String Competition for the station.<\/p>\n<p>Eichenthal, the executive producer of KUSC and its sister station in San Francisco, Classical KDFC, will be reporting about the competition on the KUSC <a href=\"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151\"><strong>blog<\/strong><\/a> and will produce a radio feature for the Aug. 30 edition of KUSC's <em>Arts Alive<\/em> program.<\/p>\n<p>The competition, held Aug. 18-25 in Harbin, has been designed to enhance global musical culture by recognizing and promoting highly gifted young musicians. Held for the first time in 2013 in Hong Kong, the annual competition was established to continue the legacy of the Schoenfeld sisters' unparalleled string performances, attract top talent from around the world and honor the musical careers of the Alice and Eleonore Schoenfeld.<\/p>\n<p>As the Schoenfeld Duo, Alice and Eleonore Schoenfeld, playing violin and cello, respectively, were internationally renowned performers and for decades toured the world&rsquo;s great music halls. Their performing careers continued during their long teaching careers at the USC Thornton School of Music. Eleonore died in 2007, and Alice continues to be a professor of violin instruction and performance at USC Thornton.<\/p>\n<p>Suli Xue, a professor of violin at USC Thornton and member of the Los Angeles Philharmonic, is the artistic director and president of the Schoenfeld International String Society, organizer of the competition. &quot;This is the first international string competition held in Mainland China that has been approved by the country's National Culture Ministry,&quot; he said. &quot;We are very honored that the competition will be hosted by the Harbin Municipal Government.&quot;<\/p>\n<p>Harbin, China, located in the northeast part of the country, is the capital and largest city of Heilongjiang province. It is China's eighth most populous city.<\/p>\n<p>In 2010, Harbin was named a &quot;Music City&quot; by the United Nations, the first city in Asia to garner this award. Although Harbin is a relatively young city, it was the first in China to come into contact with European classical music. Harbin was home to the first symphony orchestra and the first school of music education established in China in the early 20th century.<\/p>\n<p>A thoroughly international event, the competition features a jury comprising renowned musicians from the United States, China, the United Kingdom, France, Russia, Norway and Canada.<\/p>\n<p>Distinguished guests in attendence include Hellmut Stern, former concertmaster of the Berlin Philharmonic and current artistic adviser to the Schoenfeld competition; Brenda Brenner, a pioneering American music educator and leader in the American Sring Teachers Association; and Robert Cutietta, dean of the USC Thornton School of Music.<\/p>\n<p>&quot;Due to the overwhelming number of young string players in China, we do expect major participation in the competition -- especially since it is hosted by the government,&quot; Xue said. Cash prizes for the top violin and cello players are $30,000, and the total prize amount for competition winners exceeds $200,000 in cash awards and instruments.<\/p>\n<p>More information about the competition is at <a href=\"http://schoenfeldcompetition.com/\">schoenfeldcompetition.com<\/a><\/p>\n<p><strong>About Gail Eichenthal<\/strong><\/p>\n<p>As executive producer for Classical KUSC in Los Angeles and Classical KDFC in San Francisco, Eichenthal oversees arts coverage, concert broadcasts and live productions for both stations.<\/p>\n<p>Eichenthal began her association with KUSC as Abram Chasins Intern in 1976, joining the staff the following year as an editor, on-air host and documentary producer. She began her association with the LA Philharmonic in 1978, becoming the first woman to host the radio broadcasts of a major American orchestra.<\/p>\n<p>From 1994-2005, Eichenthal was a staff news reporter and news anchor at KNX-AM, the CBS News station in Los Angeles. At KNX, she picked up 13 Golden Mikes, the Bill Stout Enterprise Award, Associated Press awards, and other regional and national honors.<\/p>\n<p>Eichenthal also has published articles in the <em>Los Angeles Times<\/em> Calendar section and magazine, and <em>Symphony<\/em> magazine. Follow her on Twitter at <a href=\"https://twitter.com/KUSCGail\">@KUSCGail<\/a>.<\/p>\n<p><strong>About KUSC<\/strong><\/p>\n<p>Classical KUSC, located in downtown Los Angeles, broadcasts hand-picked commercial-free classical performances, expert music commentary and coverage of the arts in Southern California. The listener-supported station has been broadcasting for more than 60 years as a broadcast service of the University of Southern California at 91.5(FM) in Los Angeles and Santa Clarita; 88.5 KPSC in Palm Springs; 91.1 KDSC in Thousand Oaks, 88.7 KQSC in Santa Barbara and 99.7 KESC in Morro Bay/San Luis Obispo. It is live-streamed on the Web at kusc.org.<\/p>","text":"CONTACT: Allison Engel 213/740-1927 allison.engel@usc.edu\nDownload PDF\nClassical KUSC's Gail Eichenthal is in Harbin, China, and will be covering the newly launched Alice & Eleonore Schoenfeld International String Competition for the station.\nEichenthal, the executive producer of KUSC and its sister station in San Francisco, Classical KDFC, will be reporting about the competition on the KUSC blog and will produce a radio feature for the Aug. 30 edition of KUSC's Arts Alive program.\nThe competition, held Aug. 18-25 in Harbin, has been designed to enhance global musical culture by recognizing and promoting highly gifted young musicians. Held for the first time in 2013 in Hong Kong, the annual competition was established to continue the legacy of the Schoenfeld sisters' unparalleled string performances, attract top talent from around the world and honor the musical careers of the Alice and Eleonore Schoenfeld.\nAs the Schoenfeld Duo, Alice and Eleonore Schoenfeld, playing violin and cello, respectively, were internationally renowned performers and for decades toured the world\u2019s great music halls. Their performing careers continued during their long teaching careers at the USC Thornton School of Music. Eleonore died in 2007, and Alice continues to be a professor of violin instruction and performance at USC Thornton.\nSuli Xue, a professor of violin at USC Thornton and member of the Los Angeles Philharmonic, is the artistic director and president of the Schoenfeld International String Society, organizer of the competition. \"This is the first international string competition held in Mainland China that has been approved by the country's National Culture Ministry,\" he said. \"We are very honored that the competition will be hosted by the Harbin Municipal Government.\"\nHarbin, China, located in the northeast part of the country, is the capital and largest city of Heilongjiang province. It is China's eighth most populous city.\nIn 2010, Harbin was named a \"Music City\" by the United Nations, the first city in Asia to garner this award. Although Harbin is a relatively young city, it was the first in China to come into contact with European classical music. Harbin was home to the first symphony orchestra and the first school of music education established in China in the early 20th century.\nA thoroughly international event, the competition features a jury comprising renowned musicians from the United States, China, the United Kingdom, France, Russia, Norway and Canada.\nDistinguished guests in attendence include Hellmut Stern, former concertmaster of the Berlin Philharmonic and current artistic adviser to the Schoenfeld competition; Brenda Brenner, a pioneering American music educator and leader in the American Sring Teachers Association; and Robert Cutietta, dean of the USC Thornton School of Music.\n\"Due to the overwhelming number of young string players in China, we do expect major participation in the competition -- especially since it is hosted by the government,\" Xue said. Cash prizes for the top violin and cello players are $30,000, and the total prize amount for competition winners exceeds $200,000 in cash awards and instruments.\nMore information about the competition is at schoenfeldcompetition.com\nAbout Gail Eichenthal\nAs executive producer for Classical KUSC in Los Angeles and Classical KDFC in San Francisco, Eichenthal oversees arts coverage, concert broadcasts and live productions for both stations.\nEichenthal began her association with KUSC as Abram Chasins Intern in 1976, joining the staff the following year as an editor, on-air host and documentary producer. She began her association with the LA Philharmonic in 1978, becoming the first woman to host the radio broadcasts of a major American orchestra.\nFrom 1994-2005, Eichenthal was a staff news reporter and news anchor at KNX-AM, the CBS News station in Los Angeles. At KNX, she picked up 13 Golden Mikes, the Bill Stout Enterprise Award, Associated Press awards, and other regional and national honors.\nEichenthal also has published articles in the Los Angeles Times Calendar section and magazine, and Symphony magazine. Follow her on Twitter at @KUSCGail.\nAbout KUSC\nClassical KUSC, located in downtown Los Angeles, broadcasts hand-picked commercial-free classical performances, expert music commentary and coverage of the arts in Southern California. The listener-supported station has been broadcasting for more than 60 years as a broadcast service of the University of Southern California at 91.5(FM) in Los Angeles and Santa Clarita; 88.5 KPSC in Palm Springs; 91.1 KDSC in Thousand Oaks, 88.7 KQSC in Santa Barbara and 99.7 KESC in Morro Bay/San Luis Obispo. It is live-streamed on the Web at kusc.org.","type":"article","title":"KUSC's Gail Eichenthal in China Covering String Competition","tags":[{"score":0.75,"count":6,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.75,"count":7,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.69,"count":5,"label":"University of Southern California","uri":"http://dbpedia.org/resource/University_of_Southern_California","rdfTypes":["http://dbpedia.org/ontology/University"]},{"score":0.61,"count":3,"label":"Eleonore Schoenfeld","uri":"http://dbpedia.org/resource/Eleonore_Schoenfeld","rdfTypes":["http://dbpedia.org/ontology/MusicalArtist"]},{"score":0.58,"count":6,"label":"China","uri":"http://dbpedia.org/resource/China","rdfTypes":["http://dbpedia.org/ontology/Country"]},{"score":0.57,"count":2,"label":"USC Thornton School of Music","uri":"http://dbpedia.org/resource/USC_Thornton_School_of_Music"},{"score":0.54,"count":2,"label":"KDFC","uri":"http://dbpedia.org/resource/KDFC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]}],"docId":168943283772,"gburl":"http://www.kusc.org/Channels/press-releases/story.aspx?ID=2209373-diffbotxyz2674845478","lastCrawlTimeUTC":1458517717,"timestamp":"Sun, 20 Mar 2016 23:48:37 GMT"}
,
 {"images":[{"naturalHeight":157,"width":239,"diffbotUri":"image|3|-1550482008","url":"http://www.classicalkusc.org/kids/images/image0809a.jpg","naturalWidth":239,"primary":true,"height":157}],"breadcrumb":[{"link":"http://www.kusc.org/kids/opera.aspx","name":"Opera"},{"link":"http://www.kusc.org/kids/brahms.aspx","name":"Brahms"},{"link":"http://www.kusc.org/kids/sche.aspx","name":"Scheherazade"},{"link":"http://www.kusc.org/kids/ac.aspx","name":"Alan Chapman's Studio"},{"link":"http://www.kusc.org/kids/family-listening.aspx","name":"Family Listening Activity"},{"link":"http://www.kusc.org/kids/teacher.aspx","name":"For Teachers"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-335735665","siteName":"KUSC","pageUrl":"http://www.kusc.org/kids/teacher.aspx","html":"<p>and the <br>\n Creative Kids Education Foundation<br>\n along with their partners, have created several exciting online educational experiences for parents, children, and classroom study groups. Teachers and educators can download lesson plans featuring music education information and cross-curricular activities, based on National and State standards. [If your school has internet filters that interfere with direct access to <a href=\"http://www.kusc.org\">www.kusc.org<\/a>, please visit <a href=\"http://www.creativekidseducationfoundation.org/html/projects.php\">www.creativekidseducationfoundation.org<\/a> and click on our activities there.]<\/p>\n<table> <tbody><tr> <td colspan=\"2\"> <br><\/td> <\/tr> <tr> <td><figure><img alt=\"Hansel and Gretel\" src=\"http://www.classicalkusc.org/kids/images/image0809a.jpg\"><\/img><\/figure><\/td>  <\/tr>  <tr> <td colspan=\"2\"><em><strong><a href=\"http://www.classicalkusc.org/kids/opera/index.asp\">Hansel and Gretel: Learning about Opera! <\/a><\/strong><\/em>features Humperdinck's <em>Hansel and Gretel<\/em> opera. Parents, children and student groups can control interactive elements in every scene and watch the play unfold. Players can DESIGN THEIR OWN OPERA and learn about opera music and theatre. Music listening guides and music games assist with exploration of the elements of orchestral and opera music. At the end of the story, additional information and resources can be found <em>Backstage at the Opera<\/em>. <a href=\"http://www.classicalkusc.org/kids/opera/teachers.asp\"><strong>Teachers can download a standards-based lesson plan featuring music education information and cross-curricular activities on fairy tales. <\/strong><\/a><br> <\/td> <\/tr> <\/tbody><\/table>\n<table> <tbody><tr> <td colspan=\"2\"> <br><\/td> <\/tr>   <tr> <td colspan=\"2\"><em><strong><a href=\"http://www.classicalkusc.org/kids/brahms/index.asp\">Brahms in 1890&rsquo;s Vienna: Learning about Chamber Music<\/a><\/strong><\/em> features the Brahms <em>Clarinet Trio in A minor Opus 114<\/em>, setting the music in a story about Brahms and his city, Vienna, Austria. Music listening guides and music games explore the elements of music, and players move characters through the historical sites of Vienna and are introduced to famous individuals of the period, such as artist Gustav Klimt. Resources and additional information can be found by clicking on &ldquo;Caf&eacute; Central,&quot; and at the end of the story, kids can enjoy three related game experiences in Prater Park. <a href=\"http://www.classicalkusc.org/kids/brahms/teacherresources.asp\"><strong>A standards-based lesson plan is available to teachers complete with downloads about art and history/architecture.<\/strong><\/a><br><\/td> <\/tr> <\/tbody><\/table>\n<table> <tbody><tr> <td colspan=\"2\"><br> <\/td> <\/tr>   <tr> <td colspan=\"2\"><em><strong><a href=\"http://www.classicalkusc.org/kids/sche/index.asp\">Scheherazade Interactive: Learning about Symphonic Music<\/a><\/strong><\/em> is a music education experience based on the beautiful music of RIMSKY- KORSAKOV and includes games that teach rudiments of music and listening skills based on the National and State standards of music education. This Scheherezade module also includes activities in art and geography. <a href=\"http://www.classicalkusc.org/kids/sche/teacherresource.asp\"><strong>A downloadable standards-based lesson plan is available for teachers, complete with printouts for students.<\/strong><\/a><br><\/td> <\/tr> <\/tbody><\/table>\n<table> <tbody> <tr> <td><em><strong><a href=\"http://www.classicalkusc.org/kids/ac/index.asp\">Alan Chapman's Studio: Learning about Radio Broadcasting<\/a><\/strong><\/em> is a hilarious and interactive tour of the popular radio host&rsquo;s studio where kids can learn about broadcast equipment, software, and how radio shows are made.<br> <br><\/td> <\/tr>  <\/tbody><\/table>\n<p>[You will need the Flash plugin to view these sites. You can download Flash <a href=\"http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash\">here<\/a>.]<\/p>","text":"and the\nCreative Kids Education Foundation\nalong with their partners, have created several exciting online educational experiences for parents, children, and classroom study groups. Teachers and educators can download lesson plans featuring music education information and cross-curricular activities, based on National and State standards. [If your school has internet filters that interfere with direct access to www.kusc.org, please visit www.creativekidseducationfoundation.org and click on our activities there.]\nHansel and Gretel: Learning about Opera! features Humperdinck's Hansel and Gretel opera. Parents, children and student groups can control interactive elements in every scene and watch the play unfold. Players can DESIGN THEIR OWN OPERA and learn about opera music and theatre. Music listening guides and music games assist with exploration of the elements of orchestral and opera music. At the end of the story, additional information and resources can be found Backstage at the Opera. Teachers can download a standards-based lesson plan featuring music education information and cross-curricular activities on fairy tales.\nBrahms in 1890\u2019s Vienna: Learning about Chamber Music features the Brahms Clarinet Trio in A minor Opus 114, setting the music in a story about Brahms and his city, Vienna, Austria. Music listening guides and music games explore the elements of music, and players move characters through the historical sites of Vienna and are introduced to famous individuals of the period, such as artist Gustav Klimt. Resources and additional information can be found by clicking on \u201cCafé Central,\" and at the end of the story, kids can enjoy three related game experiences in Prater Park. A standards-based lesson plan is available to teachers complete with downloads about art and history/architecture.\nScheherazade Interactive: Learning about Symphonic Music is a music education experience based on the beautiful music of RIMSKY- KORSAKOV and includes games that teach rudiments of music and listening skills based on the National and State standards of music education. This Scheherezade module also includes activities in art and geography. A downloadable standards-based lesson plan is available for teachers, complete with printouts for students.\nAlan Chapman's Studio: Learning about Radio Broadcasting is a hilarious and interactive tour of the popular radio host\u2019s studio where kids can learn about broadcast equipment, software, and how radio shows are made.\n[You will need the Flash plugin to view these sites. You can download Flash here.]","type":"article","title":"KUSC Classical Music Radio","tags":[{"score":0.7,"count":1,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.66,"count":1,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":4,"label":"Lesson plan","uri":"http://dbpedia.org/resource/Lesson_plan"},{"score":0.57,"count":3,"label":"Hansel and Gretel","uri":"http://dbpedia.org/resource/Hansel_and_Gretel","rdfTypes":["http://dbpedia.org/ontology/Book"]}],"docId":169075715587,"gburl":"http://www.kusc.org/kids/teacher.aspx-diffbotxyz2352551055","lastCrawlTimeUTC":1458517740,"timestamp":"Sun, 20 Mar 2016 23:49:00 GMT"}
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 {"date":"Sun, 06 Mar 2016 22:52:34 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Sun, 06 Mar 2016 22:52:34 GMT","diffbotUri":"article|3|-1135842386","siteName":"kusc.org","pageUrl":"http://www.kusc.org/_Shared/Comments/RSS/GetRssData.ashx?SubRefId=1407604&aId=II2cQem%2fCsTwLqADWpDhVQ%3d%3d","html":"","text":"","type":"article","title":"Comments for Programs: \"The Record Shelf\"","resolvedPageUrl":"http://www.kusc.org/_Shared/Comments/RSS/GetRssData.ashx?SubRefId=1407604&aId=II2cQem%2FCsTwLqADWpDhVQ%3D%3D","docId":177784303123,"gburl":"http://www.kusc.org/_Shared/Comments/RSS/GetRssData.ashx?SubRefId=1407604&aId=II2cQem%2fCsTwLqADWpDhVQ%3d%3d-diffbotxyz63891206","lastCrawlTimeUTC":1458517698,"timestamp":"Sun, 20 Mar 2016 23:48:18 GMT"}
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 {"date":"Wed, 04 Apr 2012 04:41:29 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Wed, 04 Apr 2012 04:41:29 GMT","diffbotUri":"article|3|-344760627","siteName":"kusc.org","pageUrl":"http://www.kusc.org/_Shared/Channels/Public/RSS/GetXMLDataForRSS.ashx?ChannelID=6814","html":"","text":"","type":"article","title":"John Cage biographer Franz van Ossum","docId":198294580751,"gburl":"http://www.kusc.org/_Shared/Channels/Public/RSS/GetXMLDataForRSS.ashx?ChannelID=6814-diffbotxyz174262608","lastCrawlTimeUTC":1458517816,"timestamp":"Sun, 20 Mar 2016 23:50:16 GMT"}
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 {"date":"Sun, 01 Dec 2013 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Sun, 01 Dec 2013 00:00:00 GMT","diffbotUri":"article|3|-325020902","siteName":"KUSC","pageUrl":"http://www.kusc.org/publicfiles/kdsc/index.aspx","html":"<p><strong>KDSC Local Public File<\/strong><\/p>\n<p><a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20The%20Public%20&%20Broadcasting%20Manual.PDF\">The Public &amp; Broadcasting Manual<\/a><a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20Contour%20Map.PDF\"><br>\nContour Map<\/a><\/p>\n<p><a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20Mod%20App%201215%20(accepted).pdf\">KDSC Construction Permit/Minor Mod APP -- December 2015<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20Construction%20Permit%200116.pdf\">KDSC Construction Permit -- January 8, 2016<\/a><br>\n <a href=\"http://www.kusc.org/Other/pdf/public-files/2015%20LA%20SEU%20Annual%20EEO%20Report.pdf\">2015 LA SEU Annual EEO Report<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/2014-LA-SEU-Annual-EEO-Report.pdf\">2014 LA SEU Annual EEO Report<\/a><br>\n <a href=\"http://www.kusc.org/Other/pdf/eeo/2013/FCC%202013%20EEO%20Report%20Final.pdf\">FCC 2013 EEO Report Final<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%202013%20License%20Renewal%20Application.pdf\">License Renewal Application - August 1, 2013<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20Pre_and_Post_Filing_Announcements.pdf\">Pre and Post Filing Announcements<\/a> <br>\nOwnership<\/p>\n<p>KDSC Program/Issues Reports:<\/p>\n<p><a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20Digital%20Notification%20-%20June%2027,%202012.PDF\"><br>\nDigital Notification - June 27, 2012<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20Notice%20of%20Digital%20Operation%20-%20October%2021%202003.PDF\">Notice of Digital Operation - October 21, 2003<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20Modification%20of%20Main%20Studio%20-%20August%202000.PDF\">Modification of Main Studio - August 2000<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kdsc/KDSC%20-%20Grant%20of%20Main%20Studio%20Waiver%20-%20August%2013%201997.PDF\">Grant of Main Studio Waiver - August 13, 1997<\/a><\/p>","text":"KDSC Local Public File\nThe Public & Broadcasting Manual\nContour Map\nKDSC Construction Permit/Minor Mod APP -- December 2015\nKDSC Construction Permit -- January 8, 2016\n2015 LA SEU Annual EEO Report\n2014 LA SEU Annual EEO Report\nFCC 2013 EEO Report Final\nLicense Renewal Application - August 1, 2013\nPre and Post Filing Announcements\nOwnership\nKDSC Program/Issues Reports:\nDigital Notification - June 27, 2012\nNotice of Digital Operation - October 21, 2003\nModification of Main Studio - August 2000\nGrant of Main Studio Waiver - August 13, 1997","type":"article","title":"USC Radio Local Public Files","tags":[{"score":0.75,"count":1,"label":"Public file","uri":"http://dbpedia.org/resource/Public_file"},{"score":0.66,"count":1,"label":"Metro Local","uri":"http://dbpedia.org/resource/Metro_Local","rdfTypes":["http://dbpedia.org/ontology/BusCompany"]},{"score":0.5,"count":1,"label":"United States Code","uri":"http://dbpedia.org/resource/United_States_Code","rdfTypes":["http://dbpedia.org/ontology/Book"]},{"score":0.5,"count":1,"label":"Public broadcasting","uri":"http://dbpedia.org/resource/Public_broadcasting","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Construction permit","uri":"http://dbpedia.org/resource/Construction_permit"}],"docId":211880848953,"gburl":"http://www.kusc.org/publicfiles/kdsc/index.aspx-diffbotxyz3270681863","lastCrawlTimeUTC":1458517710,"timestamp":"Sun, 20 Mar 2016 23:48:30 GMT"}
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 {"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-1764021837","siteName":"kusc.org","pageUrl":"http://www.kusc.org/Channels/programs/TellAFriend.aspx?ID=1407598","html":"<p>Cette page est actuellement indisponible. Nous excusons pour la g&ecirc;ne occasionn&ecirc;e, veuillez visiter notre site &acirc; nouveau.<\/p>\n<p>Esta p&aacute;gina no est&aacute; actualmente disponible. Podemos disculpar las molestias, por favor vis&iacute;tenos otra vez<\/p>","text":"Cette page est actuellement indisponible. Nous excusons pour la gêne occasionnêe, veuillez visiter notre site â nouveau.\nEsta página no está actualmente disponible. Podemos disculpar las molestias, por favor visítenos otra vez","type":"article","title":"This page is currently unavailable. We apologize for the inconvenience, please visit us again.","tags":[{"score":0.51,"count":1,"label":"Podemos (Spanish political party)","uri":"http://dbpedia.org/resource/Podemos_(Spanish_political_party)","rdfTypes":["http://dbpedia.org/ontology/PoliticalParty"]}],"docId":217656323644,"gburl":"http://www.kusc.org/Channels/programs/TellAFriend.aspx?ID=1407598-diffbotxyz303178125","lastCrawlTimeUTC":1458517793,"timestamp":"Sun, 20 Mar 2016 23:49:53 GMT"}
,
 {"date":"Sun, 01 Dec 2013 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Sun, 01 Dec 2013 00:00:00 GMT","diffbotUri":"article|3|2080435336","siteName":"KUSC","pageUrl":"http://www.kusc.org/publicfiles/kesc/index.aspx","html":"<p><strong>KESC Local Public File<\/strong><\/p>\n<p><a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC-The%20Public%20&%20Broadcasting;%20Change%20in%20Official%20Mailing%20Address%20-%20May%2018,%202009.PDF\">The Public &amp; Broadcasting Manual<\/a><a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20Contour%20Map.PDF\">Contour Map<\/a><\/p>\n<p>Ownership<\/p>\n<p>KESC Program/Issues Reports:<\/p>\n<dl><dd><strong>2013 Q4<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202013%204th%20Quarter%20-%20Programming.pdf\">Quarterly Program/Issues Reports<\/a><br> &bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202013%204th%20Quarter%20-%20Local%20Generic%20PSAs%20-%20Correct.pdf\">Local Generic PSAs<\/a><br> &bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202013%204th%20Quarter%20-%20Local%20Event%20Arts%20PSAs.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2014 Q1<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%201st%20Quarter%20-%20Programming.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%201st%20Quarter%20-%20Local%20Event%20Arts%20PSAs.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2014 Q2<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%202nd%20Quarter%20-%20Programming.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%202nd%20Quarter%20-%20Local%20Event%20Arts%20PSAs.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2014 Q3<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%203rd%20Quarter%20-%20Programming.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kdb/FCC%20Document%20-%202014%203rd%20Quarter%20-%20Local%20Event%20Arts%20PSAs.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2014 Q4<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/2014%204th%20Quarter%20-%20Programming.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/2014%204th%20Quarter%20-%20Local%20Event%20Arts%20PSAs.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2015 Q1<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/Quarterly%20Report%20Issues%20-%20Programs%20Q1%202015.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/Quarterly%20Report%20PSAs%20Q1%202015.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2015 Q2<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20Quarterly%20Report%20Q2%202015%20(2).pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20Quarterly%20Report%20PSAs%20Q2%202015.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2015 Q3<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/Quartery%20Report%20Q3%202015.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/Quarterly%20Report%20PSAs%20Q3%202015%20_2_.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<dl><dd><strong><br>2015 Q4<\/strong><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/QuarteryReportQ42015.docx.pdf\">Quarterly Program/Issues Reports<\/a><br>&bull; <a href=\"http://www.kusc.org/Other/pdf/public-files/QuarterlyReportPSAsQ42015.docx.pdf\">Local Events/Arts PSAs<\/a><\/dd><\/dl>\n<p><a href=\"http://www.kusc.org/Other/pdf/public-files/2015%20LA%20SEU%20Annual%20EEO%20Report.pdf\">2015 LA SEU Annual EEO Report<\/a> <br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/2014-LA-SEU-Annual-EEO-Report.pdf\">2014 LA SEU Annual EEO Report<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/eeo/2013/FCC%202013%20EEO%20Report%20Final.pdf\">FCC 2013 EEO Report Final<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%202013%20License%20Renewal%20Application.pdf\">License Renewal Application - August 1, 2013<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20Pre_and_Post_Filing_Announcements.pdf\">Pre and Post Filing Announcements<\/a><br>\n<a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20-%20Notice%20of%20Digital%20Operation%20-%20August%205,%202011.PDF\">Notice of Digital Operation - August 5, 2011<\/a><a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KESC%20Control%20Point%20Notification%206-4-09.PDF\">Control Point Notification - June 4, 2009<\/a><a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KXTY%28KESC%29%20%20Main%20Studio%20Waiver%20App.%202-9-09.PDF\">Main Studio Waiver App. - February 9, 2009<\/a><a href=\"http://www.kusc.org/Other/pdf/public-files/kesc/KXTY(KESC)%20%20Form%20302%20-%20License%20App.%20Feb%203,%202009.PDF\"><br>\nForm 302 - License App. Feb 3, 2009<\/a><\/p>","text":"KESC Local Public File\nThe Public & Broadcasting ManualContour Map\nOwnership\nKESC Program/Issues Reports:\n2013 Q4\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Generic PSAs\n\u2022 Local Events/Arts PSAs\n2014 Q1\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2014 Q2\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2014 Q3\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2014 Q4\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2015 Q1\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2015 Q2\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2015 Q3\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2015 Q4\n\u2022 Quarterly Program/Issues Reports\n\u2022 Local Events/Arts PSAs\n2015 LA SEU Annual EEO Report\n2014 LA SEU Annual EEO Report\nFCC 2013 EEO Report Final\nLicense Renewal Application - August 1, 2013\nPre and Post Filing Announcements\nNotice of Digital Operation - August 5, 2011Control Point Notification - June 4, 2009Main Studio Waiver App. - February 9, 2009\nForm 302 - License App. Feb 3, 2009","type":"article","title":"USC Radio Local Public Files","tags":[{"score":0.83,"count":1,"label":"Public file","uri":"http://dbpedia.org/resource/Public_file"},{"score":0.66,"count":1,"label":"Metro Local","uri":"http://dbpedia.org/resource/Metro_Local","rdfTypes":["http://dbpedia.org/ontology/BusCompany"]},{"score":0.54,"count":10,"label":"Public service announcement","uri":"http://dbpedia.org/resource/Public_service_announcement","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":1,"label":"United States Code","uri":"http://dbpedia.org/resource/United_States_Code","rdfTypes":["http://dbpedia.org/ontology/Book"]},{"score":0.5,"count":1,"label":"Public broadcasting","uri":"http://dbpedia.org/resource/Public_broadcasting","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"K-Electric","uri":"http://dbpedia.org/resource/K-Electric","rdfTypes":["http://dbpedia.org/ontology/Company"]}],"docId":236289912349,"gburl":"http://www.kusc.org/publicfiles/kesc/index.aspx-diffbotxyz3270681863","lastCrawlTimeUTC":1458517723,"timestamp":"Sun, 20 Mar 2016 23:48:43 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:46:17 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/10/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":24589594160,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/10/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517611,"timestamp":"Sun, 20 Mar 2016 23:46:51 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:45:45 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/15/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":52443737601,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/15/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517589,"timestamp":"Sun, 20 Mar 2016 23:46:29 GMT"}
,
 {"breadcrumb":[{"link":"http://www.kusc.org/about-us.aspx","name":"About Us"},{"link":"http://www.kusc.org","name":"Home"}],"humanLanguage":"en","diffbotUri":"article|3|1791648143","siteName":"KUSC","pageUrl":"http://www.kusc.org/about-us/diversity-statement.aspx","html":"<p>The University of Southern California is an equal opportunity employer and educator, proudly pluralistic and firmly committed to providing equal opportunity for outstanding men and women of every race, creed and background. The university strives to maintain a community in which each person respects the rights of other people to live, work and learn in peace and dignity, be proud of who and what they are, and to have equal opportunity to realize their full potential as individuals and members of society. To this end, the university places great emphasis on those values and virtues that bind us together as human beings and members of the Trojan Family. The university enthusiastically supports this policy in its entirety, and expects that every person associated with the university will give continuing support to its implementation.<\/p>\n<p>The university is committed to complying with all applicable laws and governmental regulations at every level of government which prohibit discrimination against, or which mandate that special consideration be given to, students and applicants for admission, or faculty, staff and applicants for employment, on the basis of any protected category, including race, color, national origin, ancestry, religion, gender, sexual orientation, age, physical disability, mental disability, marital status, veteran status, genetic information, or any other characteristic which may be specified in such laws and regulations. Gender includes both the actual sex of an individual and that person's gender identity, appearance or behavior, whether or not that identity, appearance or behavior is traditionally associated with that person's sex at birth. This policy applies to all of the university's educational programs and activities including admissions, and all personnel actions including but not limited to recruiting, hiring, promotion, demotion, compensation, benefits, transfers, layoffs, return from layoff, provision of leaves, training, education, tuition assistance and other programs. In addition, an otherwise qualified individual must not be discriminated against in, or excluded from, admissions, participation in educational programs and activities, or employment solely due to his or her disability.<\/p>\n<p>KUSC is bound by the foregoing USC policy and also works to ensure that all levels of staff and governance are diverse. More than 50% of the KUSC staff is comprised of diversity candidates as defined in the USC policy. Approximately 9% of the KUSC audience is African-American and approximately 17% is Latino. An even larger percentage of our audience is likely Asian (although Nielsen Audio does not provide this important measurement). KUSC continues to ensure that qualified diversity candidates are in the applicant pool for all open positions, and interviews at least one qualified diversity candidate for each senior leadership position hire. In the next few years, KUSC will make a special effort to hire diversity candidates for open positions in programming as well as seeking to increase the diversity of its audience, since evidence suggests these are interrelated.<\/p>","text":"The University of Southern California is an equal opportunity employer and educator, proudly pluralistic and firmly committed to providing equal opportunity for outstanding men and women of every race, creed and background. The university strives to maintain a community in which each person respects the rights of other people to live, work and learn in peace and dignity, be proud of who and what they are, and to have equal opportunity to realize their full potential as individuals and members of society. To this end, the university places great emphasis on those values and virtues that bind us together as human beings and members of the Trojan Family. The university enthusiastically supports this policy in its entirety, and expects that every person associated with the university will give continuing support to its implementation.\nThe university is committed to complying with all applicable laws and governmental regulations at every level of government which prohibit discrimination against, or which mandate that special consideration be given to, students and applicants for admission, or faculty, staff and applicants for employment, on the basis of any protected category, including race, color, national origin, ancestry, religion, gender, sexual orientation, age, physical disability, mental disability, marital status, veteran status, genetic information, or any other characteristic which may be specified in such laws and regulations. Gender includes both the actual sex of an individual and that person's gender identity, appearance or behavior, whether or not that identity, appearance or behavior is traditionally associated with that person's sex at birth. This policy applies to all of the university's educational programs and activities including admissions, and all personnel actions including but not limited to recruiting, hiring, promotion, demotion, compensation, benefits, transfers, layoffs, return from layoff, provision of leaves, training, education, tuition assistance and other programs. In addition, an otherwise qualified individual must not be discriminated against in, or excluded from, admissions, participation in educational programs and activities, or employment solely due to his or her disability.\nKUSC is bound by the foregoing USC policy and also works to ensure that all levels of staff and governance are diverse. More than 50% of the KUSC staff is comprised of diversity candidates as defined in the USC policy. Approximately 9% of the KUSC audience is African-American and approximately 17% is Latino. An even larger percentage of our audience is likely Asian (although Nielsen Audio does not provide this important measurement). KUSC continues to ensure that qualified diversity candidates are in the applicant pool for all open positions, and interviews at least one qualified diversity candidate for each senior leadership position hire. In the next few years, KUSC will make a special effort to hire diversity candidates for open positions in programming as well as seeking to increase the diversity of its audience, since evidence suggests these are interrelated.","type":"article","title":"KUSC Diversity Statement","tags":[{"score":0.94,"count":3,"label":"University of Southern California","uri":"http://dbpedia.org/resource/University_of_Southern_California","rdfTypes":["http://dbpedia.org/ontology/University"]},{"score":0.72,"count":3,"label":"Equal opportunity","uri":"http://dbpedia.org/resource/Equal_opportunity","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.67,"count":6,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]}],"docId":80617106969,"gburl":"http://www.kusc.org/about-us/diversity-statement.aspx-diffbotxyz3168147936","lastCrawlTimeUTC":1458517606,"timestamp":"Sun, 20 Mar 2016 23:46:46 GMT"}
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,
 {"breadcrumb":[{"link":"http://www.kusc.org/","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/playlist","name":"Playlists"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|876671892","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428163","html":"","text":"","type":"article","title":"Gail Eichenthal","resolvedPageUrl":"http://www.kusc.org/hosts/gail-eichenthal.aspx","docId":104734207516,"gburl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428163-diffbotxyz106166793","lastCrawlTimeUTC":1458517653,"timestamp":"Sun, 20 Mar 2016 23:47:33 GMT"}
,
 {"date":"Mon, 08 Apr 2013 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Mon, 08 Apr 2013 00:00:00 GMT","diffbotUri":"article|3|-2051656003","siteName":"KUSC","pageUrl":"http://www.kusc.org/channels/highlights/Home.aspx","html":"<ul> <li><a href=\"[SUBNAV1HREF]\">Sub Nav Proper<\/a><\/li><li><a href=\"[SUBNAV2HREF]\">SUBNAV ALL CAPS<\/a><\/li><li><a href=\"[SUBNAV3HREF]\">sub nav small caps<\/a><\/li> <\/ul>\n<ul> <li><a href=\"[FOOTLINK1HREF]\">Foot Link Proper<\/a><\/li><li><a href=\"[FOOTLINK2HREF]\">FOOTLINK ALL CAPS<\/a><\/li><li><a href=\"[FOOTLINK3HREF]\">foot link small caps<\/a><\/li> <\/ul>","text":"Sub Nav Proper\nSUBNAV ALL CAPS\nsub nav small caps\nFoot Link Proper\nFOOTLINK ALL CAPS\nfoot link small caps","type":"article","title":"TEXT LABEL ALL CAPS - Text Label Proper - text label small","tags":[{"score":0.74,"count":3,"label":"All caps","uri":"http://dbpedia.org/resource/All_caps","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.55,"count":1,"label":"TEXT","uri":"http://dbpedia.org/resource/TEXT","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":109383167547,"gburl":"http://www.kusc.org/channels/highlights/Home.aspx-diffbotxyz1117723336","lastCrawlTimeUTC":1458517632,"timestamp":"Sun, 20 Mar 2016 23:47:12 GMT"}
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 {"specs":{},"images":[],"diffbotUri":"person|3|-964811836","pageUrl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428154","text":"Dennis Bartel\nWeekdays 6-9 a.m., Saturdays 7-8 a.m. and Sundays 1-4 p.m.","type":"person","title":"Dennis Bartel","resolvedPageUrl":"http://www.kusc.org/hosts/dennis-bartel.aspx","docId":124344479293,"gburl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428154-diffbotxyz175623888","lastCrawlTimeUTC":1458517659,"timestamp":"Sun, 20 Mar 2016 23:47:39 GMT"}
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 {"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|269040945","siteName":"KUSC","pageUrl":"http://www.kusc.org/channels/highlights/TellAFriend.aspx?ID=1974559","html":"<p>This page is currently unavailable. We apologize for the inconvenience, please visit us again.<\/p>\n<p>Cette page est actuellement indisponible. Nous excusons pour la g&ecirc;ne occasionn&ecirc;e, veuillez visiter notre site &acirc; nouveau.<\/p>\n<p>Esta p&aacute;gina no est&aacute; actualmente disponible. Podemos disculpar las molestias, por favor vis&iacute;tenos otra vez<\/p>\n<ul> <li><a href=\"[FOOTLINK1HREF]\">Foot Link Proper<\/a><\/li><li><a href=\"[FOOTLINK2HREF]\">FOOTLINK ALL CAPS<\/a><\/li><li><a href=\"[FOOTLINK3HREF]\">foot link small caps<\/a><\/li> <\/ul>","text":"This page is currently unavailable. We apologize for the inconvenience, please visit us again.\nCette page est actuellement indisponible. Nous excusons pour la gêne occasionnêe, veuillez visiter notre site â nouveau.\nEsta página no está actualmente disponible. Podemos disculpar las molestias, por favor visítenos otra vez\nFoot Link Proper\nFOOTLINK ALL CAPS\nfoot link small caps","type":"article","title":"TEXT LABEL ALL CAPS - Text Label Proper - text label small","tags":[{"score":0.67,"count":2,"label":"All caps","uri":"http://dbpedia.org/resource/All_caps","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.56,"count":1,"label":"TEXT","uri":"http://dbpedia.org/resource/TEXT","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":233236852273,"gburl":"http://www.kusc.org/channels/highlights/TellAFriend.aspx?ID=1974559-diffbotxyz1117723336","lastCrawlTimeUTC":1458517616,"timestamp":"Sun, 20 Mar 2016 23:46:56 GMT"}
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 {"date":"Thu, 11 Feb 2016 11:50:00 GMT","author":"Brian Lauritzen","estimatedDate":"Thu, 11 Feb 2016 11:50:00 GMT","diffbotUri":"article|3|-1196832251","siteName":"KUSC","type":"article","title":"Music That Might Strike Gold: Jon Burlingame Digs in the 2016 Oscar Nominations","tags":[{"score":0.69,"count":2,"label":"Academy Awards","uri":"http://dbpedia.org/resource/Academy_Awards","rdfTypes":["http://dbpedia.org/ontology/Award"]}],"breadcrumb":[{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Blog Home"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"},{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"KUSC Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671862","html":"<p>Anytime we have a question about movie music, we call in our resident expert Jon Burlingame. He recently came by the KUSC studios to talk about the composers vying for gold at this year's Academy Awards.<\/p>\n<figure><iframe frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246585015&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\"><\/iframe><\/figure>","text":"Anytime we have a question about movie music, we call in our resident expert Jon Burlingame. He recently came by the KUSC studios to talk about the composers vying for gold at this year's Academy Awards.","docId":246121868814,"gburl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671862-diffbotxyz439751774","lastCrawlTimeUTC":1458517600,"timestamp":"Sun, 20 Mar 2016 23:46:40 GMT"}
,
 {"breadcrumb":[{"link":"http://www.kusc.org/","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/playlist","name":"Playlists"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-803267738","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428168","html":"","text":"","type":"article","title":"Duff Murphy","resolvedPageUrl":"http://www.kusc.org/hosts/duff-murphy.aspx","docId":265285824051,"gburl":"http://www.kusc.org/Channels/hosts/story.aspx?ID=1428168-diffbotxyz2683064144","lastCrawlTimeUTC":1458517669,"timestamp":"Sun, 20 Mar 2016 23:47:49 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:45:23 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/27/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":7500541477,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/27/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517564,"timestamp":"Sun, 20 Mar 2016 23:46:04 GMT"}
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 {"date":"Fri, 18 Mar 2016 16:05:09 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Fri, 18 Mar 2016 16:05:09 GMT","diffbotUri":"article|3|-2049398795","siteName":"kusc.org","pageUrl":"http://www.kusc.org/_SHARED/Podcasts/Public/GetPodcastRSS.ashx?PID=2129","html":"","text":"","type":"article","title":"Arts Alive with Brian Lauritzen","docId":58704932367,"gburl":"http://www.kusc.org/_SHARED/Podcasts/Public/GetPodcastRSS.ashx?PID=2129-diffbotxyz3226418444","lastCrawlTimeUTC":1458517545,"timestamp":"Sun, 20 Mar 2016 23:45:45 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:44:44 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/11/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":71969189409,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/11/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517525,"timestamp":"Sun, 20 Mar 2016 23:45:25 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:44:59 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/30/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":82993704499,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/30/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517539,"timestamp":"Sun, 20 Mar 2016 23:45:39 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:43:19 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/26/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":95215070760,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/26/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517442,"timestamp":"Sun, 20 Mar 2016 23:44:02 GMT"}
,
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:43:25 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/3/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":108932951590,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/3/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517447,"timestamp":"Sun, 20 Mar 2016 23:44:07 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:44:18 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/18/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":122858745405,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/18/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517497,"timestamp":"Sun, 20 Mar 2016 23:44:57 GMT"}
,
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:43:55 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/8/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":125463555622,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/8/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517476,"timestamp":"Sun, 20 Mar 2016 23:44:36 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:43:46 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/14/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":137132879389,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/14/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517470,"timestamp":"Sun, 20 Mar 2016 23:44:30 GMT"}
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 {"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|1022203146","siteName":"KUSC","pageUrl":"http://www.kusc.org/","html":"<h2>News Feed<\/h2>\n<figure><video height=\"300\" width=\"400\"><\/video><\/figure>\n<p><a href=\"https://www.facebook.com/classicalkusc/\">Find us on Facebook<\/a><\/p>","text":"News Feed\nFind us on Facebook","type":"article","title":"Classical KUSC","tags":[{"score":0.53,"count":1,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":140053130789,"gburl":"http://www.kusc.org/-diffbotxyz1273390095","lastCrawlTimeUTC":1458517503,"timestamp":"Sun, 20 Mar 2016 23:45:03 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:45:17 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/12/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":272288542236,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/12/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517558,"timestamp":"Sun, 20 Mar 2016 23:45:58 GMT"}
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 {"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|672647765","siteName":"KUSC","pageUrl":"http://www.kusc.org/reports/annual-report.aspx","html":"","text":"","type":"article","title":"Annual Report & Audited Financials","docId":19368177159,"gburl":"http://www.kusc.org/reports/annual-report.aspx-diffbotxyz28158000","lastCrawlTimeUTC":1458517398,"timestamp":"Sun, 20 Mar 2016 23:43:18 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=02/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:29 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/6/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":40016522805,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/6/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517392,"timestamp":"Sun, 20 Mar 2016 23:43:12 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:45 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/17/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":67941199421,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/17/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517410,"timestamp":"Sun, 20 Mar 2016 23:43:30 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:41:42 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/13/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":79463886373,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/13/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517345,"timestamp":"Sun, 20 Mar 2016 23:42:25 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:10 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/28/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":81411370533,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/28/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517372,"timestamp":"Sun, 20 Mar 2016 23:42:52 GMT"}
,
 {"date":"Tue, 09 Feb 2016 09:12:00 GMT","author":"Sheila Tepper","estimatedDate":"Tue, 09 Feb 2016 09:12:00 GMT","diffbotUri":"article|3|60331026","siteName":"KUSC","type":"article","title":"An Interview with Elizabeth LeCompte, Director of The Room","tags":[{"score":0.71,"count":2,"label":"Elizabeth LeCompte","uri":"http://dbpedia.org/resource/Elizabeth_LeCompte","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":1,"label":"The Wooster Group","uri":"http://dbpedia.org/resource/The_Wooster_Group"}],"breadcrumb":[{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Blog Home"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"},{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"KUSC Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671857","html":"<p>Right now through February 14th at <a href=\"http://www.redcat.org/event/wooster-group-room-harold-pinter\">REDCAT<\/a>, The Wooster Group is premiering its version of Harold Pinter&rsquo;s <em>The Room<\/em>. Elizabeth LeCompte directs the play. Here's our interview with her:<\/p>\n<figure><iframe frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246236082&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\"><\/iframe><\/figure>","text":"Right now through February 14th at REDCAT, The Wooster Group is premiering its version of Harold Pinter\u2019s The Room. Elizabeth LeCompte directs the play. Here's our interview with her:","docId":90929835558,"gburl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671857-diffbotxyz30044269","lastCrawlTimeUTC":1458517422,"timestamp":"Sun, 20 Mar 2016 23:43:42 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:43 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/29/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":133726055978,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/29/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517404,"timestamp":"Sun, 20 Mar 2016 23:43:24 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=02/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:20 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/1/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":173496561208,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/1/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517379,"timestamp":"Sun, 20 Mar 2016 23:42:59 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:43:15 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/22/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":210640317956,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/22/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517434,"timestamp":"Sun, 20 Mar 2016 23:43:54 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:41:51 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/13/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":229023231544,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/13/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517352,"timestamp":"Sun, 20 Mar 2016 23:42:32 GMT"}
,
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:42:25 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/21/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":246919491108,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/21/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517388,"timestamp":"Sun, 20 Mar 2016 23:43:08 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:41:29 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/7/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":249719025161,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/7/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517332,"timestamp":"Sun, 20 Mar 2016 23:42:12 GMT"}
,
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:40:47 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/21/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":12852260415,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/21/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517286,"timestamp":"Sun, 20 Mar 2016 23:41:26 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:39:17 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/14/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":16054988315,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/14/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517198,"timestamp":"Sun, 20 Mar 2016 23:39:58 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:40:05 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/22/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":45242232351,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/22/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517245,"timestamp":"Sun, 20 Mar 2016 23:40:45 GMT"}
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 {"specs":{"need_help":"Contact Us","alexander_borodin":"Symphony #2 in b See the Detailed Playlist","info":"About Us","kuscorg":"Blogs"},"twitter":"classicalkusc","images":[{"link":"http://www.kusc.org/Pics/header/logo.png","width":221,"naturalHeight":92,"naturalWidth":221,"primary":"true","height":92},{"link":"http://www.kusc.org/Pics/nav/nav-membership.png","width":166,"naturalHeight":50,"naturalWidth":166,"height":50},{"link":"http://www.kusc.org/Pics/logos/board_councilors.gif","width":180,"naturalHeight":250,"naturalWidth":180,"height":250},{"link":"http://www.kusc.org/Pics/bg/mobile-devices-small.jpg","width":156,"naturalHeight":104,"naturalWidth":156,"height":104},{"link":"http://www.marketron.com/Other/white_marketron_logo.png","width":277,"naturalHeight":24,"naturalWidth":277,"height":24}],"diffbotUri":"person|3|-879981568","pageUrl":"http://www.kusc.org/advisory-board.aspx","text":"The Board of Councilors represents the interests of the listeners and the community at large by acting as liaison between KUSC and the community, offering advice regarding strategy for USC Radio and helping with fundraising efforts.","type":"person","title":"Classical KUSC KUSC Advisory Board","docId":63156465182,"gburl":"http://www.kusc.org/advisory-board.aspx-diffbotxyz2020739670","lastCrawlTimeUTC":1458517292,"timestamp":"Sun, 20 Mar 2016 23:41:32 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:40:08 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/5/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":122237251083,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/5/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517251,"timestamp":"Sun, 20 Mar 2016 23:40:51 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:40:22 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/29/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":157323111985,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/29/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517265,"timestamp":"Sun, 20 Mar 2016 23:41:05 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:41:04 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/28/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":178106887742,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/28/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517302,"timestamp":"Sun, 20 Mar 2016 23:41:42 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:39:22 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/20/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":207578967603,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/20/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517204,"timestamp":"Sun, 20 Mar 2016 23:40:04 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:40:18 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/17/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":224715992614,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/17/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517259,"timestamp":"Sun, 20 Mar 2016 23:40:59 GMT"}
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 {"humanLanguage":"en","diffbotUri":"job|3|600794459","pageUrl":"http://www.kusc.org/jobs-eeo-info.aspx","text":"\nOpportunities at Classical KUSC\nInterested in working at Classical KUSC? Classical KUSC is a broadcast service of the University of Southern California. All jobs must be applied for through USC's website. Classical KUSC is an equal opportunity employer.\nCurrent Job Openings\nApply to be KUSC's Pledge/Fund Drive Producer here: https://jobs.usc.edu/postings/61727\nEqual Opportunity And Affirmative Action Policy\nKUSC-FM and its licensee, the University of Southern California, is proudly pluralistic and firmly committed to providing equal opportunity for outstanding men and women of every race, creed and background.\nThe university is also firmly committed to complying with all applicable laws and governmental regulations \u2013 inducing the Federal Communications Commission\u2019s EEO regulations -- at the federal, state and local levels which prohibit discrimination, or which mandate that special consideration be given on the basis of race, religion, national origin, gender, age, Vietnam veteran status, disability, sexual orientation, or any other characteristic which may from time to time be specified in such laws and regulations.\nThe University of Southern California/KUSC Radio strives to build a community in which each person respects the rights of other people to be proud of who and what they are, to love and work in peace and dignity, and to have an equal opportunity to realize their full potential as individuals and members of society. To this end, KUSC and the university place great emphasis on those values and virtues that bind us together as human beings and as members of the USC family.\nMinority Outreach\nKUSC Radio makes a special effort to ensure that our staff reflects the diversity of the Southern California Area. Read about our involvement in special projects and outreach programs in the Annual FCC EEO Report pages, by clicking on the link to the left.\nKUSC-FM, as an equal opportunity employer, is dedicated to providing broad outreach regarding every job vacancy, and we actively seek the help of local organizations in referring qualified applicants.\nIn accordance with current FCC's EEO regulations, any organization that regularly distributes information about employment opportunities to job seekers\u2014or refers job seekers to employers\u2014may request that it be provided notice of KUSC\u2019s job vacancies as they occur.\nIf your organization would like to be notified of such vacancies, please contact us:\n","title":"Jobs / EEO Information","type":"job","docId":231486352940,"gburl":"http://www.kusc.org/jobs-eeo-info.aspx-diffbotxyz4104899644","lastCrawlTimeUTC":1458517310,"timestamp":"Sun, 20 Mar 2016 23:41:50 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:50 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/18/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":3418467899,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/18/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517170,"timestamp":"Sun, 20 Mar 2016 23:39:30 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:37:56 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/16/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":17532055094,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/16/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517114,"timestamp":"Sun, 20 Mar 2016 23:38:34 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:13 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/12/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":21041311239,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/12/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517135,"timestamp":"Sun, 20 Mar 2016 23:38:55 GMT"}
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 {"images":[{"naturalHeight":200,"width":301,"diffbotUri":"image|3|1087228092","url":"http://www.kusc.org/Pics/hosts/programs-duff-murphy.jpg","naturalWidth":299,"primary":true,"height":202}],"breadcrumb":[{"link":"http://www.kusc.org","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"All Programs"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-2015369670","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407602","html":"<h4>with Duff Murphy<\/h4>\n<table> <tbody> <tr> <td valign=\"top\"> <p><em><strong>(Saturdays, 9am-Noon; during Met Opera season, 9-10 am)<\/strong><\/em><br> <br> The world of opera comes alive with an enthusiastic look through the eyes of host Duff Murphy. Duff provides listeners with a taste of his love of opera &mdash; its composers, conductors and artists &mdash; with classic and newly-released recordings.<br><br><em>The Opera Show is made possible in part by a grant from the Flora L. Thornton Foundation.<br><br> Program Theme music: The opening fanfare to Benjamin Britten's opera, &quot;Gloriana&quot;<br><\/em><\/p> <\/td> <td valign=\"top\"><figure><img alt=\"\" src=\"http://www.kusc.org/Pics/hosts/programs-duff-murphy.jpg\"><\/img><\/figure><\/td> <\/tr> <\/tbody> <\/table>","text":"with Duff Murphy\n(Saturdays, 9am-Noon; during Met Opera season, 9-10 am)\nThe world of opera comes alive with an enthusiastic look through the eyes of host Duff Murphy. Duff provides listeners with a taste of his love of opera \u2014 its composers, conductors and artists \u2014 with classic and newly-released recordings.\nThe Opera Show is made possible in part by a grant from the Flora L. Thornton Foundation.\nProgram Theme music: The opening fanfare to Benjamin Britten's opera, \"Gloriana\"","type":"article","title":"The Opera Show","tags":[{"score":0.58,"count":3,"label":"Opera","uri":"http://dbpedia.org/resource/Opera","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":24467205645,"gburl":"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407602-diffbotxyz2554304270","lastCrawlTimeUTC":1458517062,"timestamp":"Sun, 20 Mar 2016 23:37:42 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:21 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/19/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":56322092596,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/19/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517141,"timestamp":"Sun, 20 Mar 2016 23:39:01 GMT"}
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 {"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-1095458110","siteName":"KUSC","pageUrl":"http://www.kusc.org/psa/","html":"<p>We see it as a community service to support and promote local events however we can. One way is through Public Service Announcements. PSAs are focused on non-arts events and air at various times throughout the day. To submit a PSA for your event, please read the guidelines below and fill out the form. Please note: Due to the quantity of PSA submissions we receive, we cannot guarantee that all submissions will be read on air.<\/p>\n<p><strong>KUSC Public Service Announcement Guidelines:<\/strong><\/p>\n<ul> <li>No pre-recorded audio, please<\/li> <li>Copy must be :30 seconds long<\/li> <li>For PSAs regarding arts events and performances, please submit them to our arts calendar partner, <a href=\"http://www.performingartslive.com/?p=AL&M=PE\">Performing Arts Live<\/a><\/li> <li>Examples of previous PSAs: Non-arts community events, charity events, volunteer opportunities, issue awareness (ex: Voices Against Bullying, Los Angeles Kidney Walk)<\/li> <\/ul>","text":"We see it as a community service to support and promote local events however we can. One way is through Public Service Announcements. PSAs are focused on non-arts events and air at various times throughout the day. To submit a PSA for your event, please read the guidelines below and fill out the form. Please note: Due to the quantity of PSA submissions we receive, we cannot guarantee that all submissions will be read on air.\nKUSC Public Service Announcement Guidelines:\nNo pre-recorded audio, please\nCopy must be :30 seconds long\nFor PSAs regarding arts events and performances, please submit them to our arts calendar partner, Performing Arts Live\nExamples of previous PSAs: Non-arts community events, charity events, volunteer opportunities, issue awareness (ex: Voices Against Bullying, Los Angeles Kidney Walk)","type":"article","title":"Submit a PSA","tags":[{"score":0.92,"count":7,"label":"Public service announcement","uri":"http://dbpedia.org/resource/Public_service_announcement","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":78889496081,"gburl":"http://www.kusc.org/psa/-diffbotxyz964628946","lastCrawlTimeUTC":1458517164,"timestamp":"Sun, 20 Mar 2016 23:39:24 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:37:18 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=03/10/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":111276289590,"gburl":"http://www.kusc.org/playlist/index.aspx?day=03/10/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517077,"timestamp":"Sun, 20 Mar 2016 23:37:57 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:37:27 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/31/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":113747996196,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/31/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517090,"timestamp":"Sun, 20 Mar 2016 23:38:10 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:37:57 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/16/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":153650884139,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/16/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517119,"timestamp":"Sun, 20 Mar 2016 23:38:39 GMT"}
,
 {"images":[{"naturalHeight":360,"width":360,"diffbotUri":"image|3|1516013419","url":"http://www.kusc.org/Pics/Membership/info_membership-2014.png","naturalWidth":360,"primary":true,"height":360}],"originalType":"other","diffbotUri":"article|3|-129936391","siteName":"KUSC","type":"article","title":"Membership","tags":[{"score":0.69,"count":21,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.65,"count":11,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]}],"breadcrumb":[{"link":"http://www.kusc.org/membership","name":"Membership"},{"link":"http://www.kusc.org/leadership","name":"Leadership Circle"},{"link":"http://www.kusc.org/legacy","name":"Legacy Society"},{"link":"http://www.kusc.org/donatecar","name":"Donate Your Car"},{"link":"http://www.kusc.org/membership/membership-faqs.aspx","name":"FAQ's"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/membership","html":"<p>Classical KUSC is a listener-supported radio station. Seventy-three percent of what it takes to stay on the air comes from listeners just like you!<\/p>\n<p>Being a Classical KUSC member means that you are playing your part to keep classical music alive on the air in Southern California. Classical KUSC relies on your support to fund:<\/p>\n<ul> <li>Maintenance and upgrades on transmitter and studio equipment to better your listening experience<\/li> <li>Expansion of Classical KUSC&rsquo;s music library to introduce you to the best recordings and new releases<\/li> <li>Creation of new programming initiatives to pique your interest so you always have something to look forward to<\/li> <li>Classical KUSC&rsquo;s expansion and growth to serve our audience in Southern California and the world<\/li> <\/ul>\n<p><strong>Please show your support by <a href=\"http://kuscinteractive.org/donate?utm_source=/membership&utm_medium=desktop&utm_content=safari&utm_campaign=donate&call_to_action=becoming a member&\">becoming a member<\/a> or <a href=\"http://kuscinteractive.org/donate?utm_source=/membership&utm_medium=desktop&utm_content=safari&utm_campaign=donate&call_to_action=renewing your membership&\">renewing your membership<\/a> today.<\/strong><\/p>\n<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/Membership/info_membership-2014.png\"><\/img><\/figure>\n<p>Classical KUSC offers membership at many levels to fit our listeners' lifestyles and budgets.<\/p>\n<p>Membership support ranges from $25 per year for seniors and students, up to Leadership Giving of $2,500 and above. The most important factor when deciding what membership level you should join is determining the level that's right for you.<\/p>\n<p>Every dollar goes to support the music you love and Classical KUSC welcomes donations of any amount.<\/p>\n<p><a href=\"http://kuscinteractive.org/donate?utm_source=/membership&utm_medium=desktop&utm_content=safari&utm_campaign=donate&call_to_action=choose a level that\u2019s right for you&\"><strong>Choose a level that&rsquo;s right for you<\/strong><\/a><\/p>\n<p>Classical KUSC Members are rewarded with perks that benefit them on a monthly, quarterly, and annual basis!<\/p>\n<ul> <li>Each month, members receive the Members&rsquo; Newsletter, an overview of Classical KUSC&rsquo;s programming for the month to come, peppered with local arts and cultural features, a letter from Classical KUSC&rsquo;s President, and reviews of classical recordings by Jim Svejda, host of The Record Shelf.<\/li> <li>Each quarter, Classical KUSC members are eligible to win a complimentary pair of tickets to a Classic Event or concert sponsored by Classical KUSC.<\/li> <li>Each year, members receive the Classic Card, your passport to savings and discounts at arts and cultural institutions!<\/li> <li>Most importantly, each day when KUSC members turn on the radio to enjoy commercial-free classical music, they know they&rsquo;ve played their part in keeping classical music alive and on the air in Southern California!<\/li> <li>Donations to Classical KUSC are tax-deductible, as allowed by law. Members receive an acknowledgement and annual receipt for their contributions.<\/li> <\/ul>\n<p>Be a part of a distinguished group of members who have come together to ensure a bright future for Classical KUSC with your monthly sustaining gift of support. Your sustaining gift will help create a lasting legacy of quality programming ensuring that classical music has a home on the radio.<\/p>\n<p>Your gift of $5 or more a month allows you to stand with us each and every month to keep classical music on the radio and will make sure that future generations are able to learn and appreciate the joy of classical music.<\/p>","text":"Classical KUSC is a listener-supported radio station. Seventy-three percent of what it takes to stay on the air comes from listeners just like you!\nBeing a Classical KUSC member means that you are playing your part to keep classical music alive on the air in Southern California. Classical KUSC relies on your support to fund:\nMaintenance and upgrades on transmitter and studio equipment to better your listening experience\nExpansion of Classical KUSC\u2019s music library to introduce you to the best recordings and new releases\nCreation of new programming initiatives to pique your interest so you always have something to look forward to\nClassical KUSC\u2019s expansion and growth to serve our audience in Southern California and the world\nPlease show your support by becoming a member or renewing your membership today.\nClassical KUSC offers membership at many levels to fit our listeners' lifestyles and budgets.\nMembership support ranges from $25 per year for seniors and students, up to Leadership Giving of $2,500 and above. The most important factor when deciding what membership level you should join is determining the level that's right for you.\nEvery dollar goes to support the music you love and Classical KUSC welcomes donations of any amount.\nChoose a level that\u2019s right for you\nClassical KUSC Members are rewarded with perks that benefit them on a monthly, quarterly, and annual basis!\nEach month, members receive the Members\u2019 Newsletter, an overview of Classical KUSC\u2019s programming for the month to come, peppered with local arts and cultural features, a letter from Classical KUSC\u2019s President, and reviews of classical recordings by Jim Svejda, host of The Record Shelf.\nEach quarter, Classical KUSC members are eligible to win a complimentary pair of tickets to a Classic Event or concert sponsored by Classical KUSC.\nEach year, members receive the Classic Card, your passport to savings and discounts at arts and cultural institutions!\nMost importantly, each day when KUSC members turn on the radio to enjoy commercial-free classical music, they know they\u2019ve played their part in keeping classical music alive and on the air in Southern California!\nDonations to Classical KUSC are tax-deductible, as allowed by law. Members receive an acknowledgement and annual receipt for their contributions.\nBe a part of a distinguished group of members who have come together to ensure a bright future for Classical KUSC with your monthly sustaining gift of support. Your sustaining gift will help create a lasting legacy of quality programming ensuring that classical music has a home on the radio.\nYour gift of $5 or more a month allows you to stand with us each and every month to keep classical music on the radio and will make sure that future generations are able to learn and appreciate the joy of classical music.","resolvedPageUrl":"http://www.kusc.org/membership/","docId":161883287072,"gburl":"http://www.kusc.org/membership-diffbotxyz3183796695","lastCrawlTimeUTC":1458517067,"timestamp":"Sun, 20 Mar 2016 23:37:47 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:51 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/18/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":167930637862,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/18/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517175,"timestamp":"Sun, 20 Mar 2016 23:39:35 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:39:02 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/23/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":169339153958,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/23/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517182,"timestamp":"Sun, 20 Mar 2016 23:39:42 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Sun, 20 Mar 2016 23:34:09 GMT","diffbotUri":"article|3|1933888616","siteName":"KUSC","pageUrl":"http://www.kusc.org/concerts","html":"<p>The LMU Department of Music presents its annual Guitar Festival weekend including concerts, masterclasses and workshops, and a vendor and luthier fair. Featuring performances by Celil Refik Kaya, Cameron O'Connor, Andrew York and the Kupinski Guitar Duo.<\/p>","text":"The LMU Department of Music presents its annual Guitar Festival weekend including concerts, masterclasses and workshops, and a vendor and luthier fair. Featuring performances by Celil Refik Kaya, Cameron O'Connor, Andrew York and the Kupinski Guitar Duo.","type":"article","title":"Southern California Events Calendar","resolvedPageUrl":"http://www.kusc.org/concerts/","docId":173018377764,"gburl":"http://www.kusc.org/concerts-diffbotxyz1173921286","lastCrawlTimeUTC":1458517074,"timestamp":"Sun, 20 Mar 2016 23:37:54 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:25 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/19/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":183873924649,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/19/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517148,"timestamp":"Sun, 20 Mar 2016 23:39:08 GMT"}
,
 {"date":"Thu, 12 May 2011 00:00:00 GMT","images":[{"naturalHeight":200,"width":315,"diffbotUri":"image|3|1516918261","url":"http://3.bp.blogspot.com/-hevajwB2JH8/TZN8JpdTxnI/AAAAAAAAAKo/tXqGHZC1_SI/s320/Haydn%2Bbirthplace.jpg","naturalWidth":315,"primary":true,"height":200},{"naturalHeight":258,"width":300,"diffbotUri":"image|3|-217722165","url":"http://3.bp.blogspot.com/-XFYf7zQMi44/TZN8XZ_I8GI/AAAAAAAAAKw/lXr6W4VspLo/s320/St-Stephens-Cathedral_02.jpg","naturalWidth":300,"height":258},{"naturalHeight":269,"width":250,"diffbotUri":"image|3|1655428684","url":"http://2.bp.blogspot.com/-w512lTVcvno/TZN1_9VNhsI/AAAAAAAAAKQ/yD9N8QNBqAs/s320/Haydn.jpg","naturalWidth":250,"height":269}],"estimatedDate":"Thu, 12 May 2011 00:00:00 GMT","icon":"https://www.blogger.com/favicon.ico","diffbotUri":"article|3|1654514527","siteName":"kusc.org","type":"article","title":"The Child is Father to the Papa","tags":[{"score":0.73,"count":6,"label":"Rohrau, Austria","uri":"http://dbpedia.org/resource/Rohrau,_Austria","rdfTypes":["http://dbpedia.org/ontology/Settlement"]},{"score":0.53,"count":3,"label":"Father","uri":"http://dbpedia.org/resource/Father"},{"score":0.53,"count":1,"label":"Lower Austria","uri":"http://dbpedia.org/resource/Lower_Austria","rdfTypes":["http://dbpedia.org/ontology/Settlement"]},{"score":0.5,"count":1,"label":"Leitha","uri":"http://dbpedia.org/resource/Leitha","rdfTypes":["http://dbpedia.org/ontology/River"]},{"score":0.5,"count":1,"label":"God","uri":"http://dbpedia.org/resource/God","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"humanLanguage":"en","pageUrl":"http://bartel.kusc.org/2009/03/child-is-father-to-papa.html","html":"<figure><a href=\"http://3.bp.blogspot.com/-hevajwB2JH8/TZN8JpdTxnI/AAAAAAAAAKo/tXqGHZC1_SI/s1600/Haydn%2Bbirthplace.jpg\"><img alt=\"\" src=\"http://3.bp.blogspot.com/-hevajwB2JH8/TZN8JpdTxnI/AAAAAAAAAKo/tXqGHZC1_SI/s320/Haydn%2Bbirthplace.jpg\"><\/img><\/a><\/figure>\n<p>Beethoven, on his deathbed, was shown a painting of Franz Joseph Haydn&rsquo;s birthplace in the village Rohrau. This market town was set down in the monotonous marshlands along the Leitha River in Lower Austria. (Rohrau is translated from the German for <em>reedy meadow<\/em>.) Every few years in spring the river flooded the low-lying countryside. In the dry season the townspeople were often fearful, for every summer a few thatched roofs would catch fire. When the mosquitoes rose from the swamps they were plentiful, and disease was never far behind. Rohrau also had a history haunted by invasions. The town was near the Hungarian border, so the military tug &amp; pull of 18th century Central Europe often wrenched the lives of the modest burgers of Rohrau, folks recorded by history as honest Croatian rubes.<\/p>\n<p>In 1732, born among them, there was baby Franciscus Josephus Haydn; and ninety-five years later, here was Beethoven, looking back through the intersecting planes of both their lives at the smoky clay cottage where his former teacher was born, and Beethoven is said to have said, &ldquo;So great a man born in so poor a home.&rdquo;<\/p>\n<p>It is likely that Beethoven did not know how far the truth of his words reached into Haydn&rsquo;s life. By the time Beethoven came to Haydn to study, in 1792, Haydn had already aged into &ldquo;Papa,&rdquo; a man so reticent and so forgiving that if he spoke of his battered and impoverished beginnings at all he did so with hardly a trace of regret.<\/p>\n<p>Haydn&rsquo;s father, Mathias, like his father before him, and his father before him, fixed wagon wheels for a living. Mathias also produced wine for a small profit, grew crops, and was entrusted by the townspeople with the duties of <em>Marktrichter<\/em>, which included overseeing maintenance of the local ditches, checking church attendance, and being watch dog over gamblers and adulterers. Mathias Haydn worked like a mule, as did his wife, Maria, who bore twelve children (six survived infancy), and kept her household scrupulously.<\/p>\n<p>If this sounds like the wellspring of Haydn&rsquo;s profound sense of industry and order, as Haydn himself spoke of it in his old age, the <em>Marktrichter<\/em> and his wife must have passed along their qualities of diligence genetically more than by strict example, for when their eldest son was six years old the Haydns sent him away to live.<\/p>\n<p>The boy, nicknamed <em>Sepperl<\/em>, was fair-haired and inward-looking. From about age four he showed a pleasant aptitude for music (he could sing in tune). One soggy autumn day, into Rohrau for a visit came Johann Mathias Franck, a distant cousin of the Haydns by marriage. This man Franck was school rector in Hainburg, a castle town along the banks of the Danube. As rector he served as choir director for the town&rsquo;s Catholic church. Franck was also overburdened, the sort of man who seems forever lunging from one unhappy chore to the next. In Hainburg he was responsible for the education of eighty children, and for keeping the church register, maintaining the town clock, and ringing the church bells for services and fires. For this, Franck had the help of two assistants, which he was required to pay himself.<\/p>\n<p>Upon arriving in Rohrau, Franck was treated to one of the Haydn family&rsquo;s after-dinner amusements &ndash; father played the harp, accompanying mother and her brood of girls and the boy in peasant tunes. Franck, hearing Sepperl&rsquo;s clear, melodious voice, wasted no time proposing the boy be apprenticed to him in Hainburg. Under the guidance of a music master, said Franck, the boy might discover his fine gifts. The Haydns agreed, but told Franck they did not want their son to become a musician. They would have him one day take holy orders. Franck declared that as anyone knows a musical education is unfailingly useful to a priest. Yes yes, the Haydns knew that to be true as well. Soon they began making arrangements to relinquish their little Sepperl to Cousin Franck. The boy never again lived with his parents.<\/p>\n<p>In Hainburg, within the town&rsquo;s medieval gates, Franck soon revealed his predilection for caning. He took an inch-thick stick of polished wood and gave the back of the legs a hard snap. Evidence strongly suggests that Franck used to snap his cane off young Joseph&rsquo;s legs (and back and shoulders) not merely for punishment, but to vent his frustration. He received a least one official admonishment from the Hainburg Council to refrain from pulling out the hair of his pupils.<\/p>\n<p>Of course, seen from a different perspective, this came under the heading of Tough Taskmaster, and Papa Haydn years later gave credit to his first teacher for showing him the meaning of hard work. But as for musical training, though Franck dished out plenty, his standards must have been abysmal. He was satisfied if he could elicit from his meager choir anything that God, or the farmers of Hainburg, might recognize as music, and he seems to have known how to do that scarcely more than did his choirboys.<\/p>\n<p>Franck&rsquo;s wife, from accounts we have of her miserable life, was a bitter, slovenly woman with two toddling daughters and an infant son. Upon entering the home, young Joseph immediately became, in the eyes of Juliane Franck, household help &ndash; someone to scrub the front steps, empty the chamber pots, and so on. Predictably, the boy&rsquo;s clothes were stained and needed mending. His hair grew lice-ridden and smelly. Juliane tossed a wig at him and told him to cover it. He grew scrawny. His skin, already deeply marked by childhood smallpox, took on a brownish tint that would never leave him. Years later even Haydn, dear generous Papa whose tempered memory did not allow for harshness, even Papa Haydn recalled that during his two years under Franck&rsquo;s guardianship he &ldquo;received more floggings than food.&rdquo; He changed from a clear-eyed and melodious lad into &ldquo;a regular little ragamuffin.&rdquo;<\/p>\n<p>Then there came to Hainburg on Johann Adam Karl Georg von Reutter, the young, rising, and newly appointed <em>kappellmeister<\/em> at the famous St. Stephen&rsquo;s Cathedral in Vienna. Herr Reutter was a composer of recent note in the imperial city. His ambition made him bristle. Herr Reutter was combing the Austrian outback in search of fresh voices for his choir. The parish priest, who had often looked kindly upon the quiet Haydn boy, recommended that Herr Reutter hear the boy. &ldquo;His is a weak but sweet voice,&rdquo; said the priest.<\/p>\n<p>At the house of the priest, Herr Reutter gave the boy a tune to sing on sight. Joseph stood before him and sang it with simple purity, with precision and smiling ease, and none of the brashness so common among boys his age. Herr Reutter&rsquo;s eyes lit with delight.<\/p>\n<p>&ldquo;You do not trill,&rdquo; said Herr Reutter. &ldquo;What is the reason, <em>Bubchen<\/em>?&rdquo; Joseph tried his best to explain that his cousin had never&hellip;his cousin did not know how&hellip;how could he be expected to trill?<\/p>\n<p>&ldquo;Come here,&rdquo; said Herr Reutter, &ldquo;I will teach you.&rdquo; He took Joseph between his knees and showed him the simple exercise, agitating the palate to produce a quick succession of notes. Joseph picked it up on the first try. Herr Reutter was most pleased. By his side was a plateful of plump cherries. He reached a handful and stuffed them into Joseph&rsquo;s coat pocket. Years later, Papa Haydn still treasured this memory, and said that on the rare occasion that he would trill he never failed to recall those plump cherries.<\/p>\n<p>Herr Reutter sent word to Joseph&rsquo;s parents. He wished that when the talented child became eight years of age, in a few months, he would come live in Vienna and be part of his <em>Cantorei<\/em> at St. Stephen&rsquo;s Cathedral. Herr Reutter even promised he would look after the boy personally. The answer came back: Yes.<\/p>\n<figure><a href=\"http://3.bp.blogspot.com/-XFYf7zQMi44/TZN8XZ_I8GI/AAAAAAAAAKw/lXr6W4VspLo/s1600/St-Stephens-Cathedral_02.jpg\"><img alt=\"\" src=\"http://3.bp.blogspot.com/-XFYf7zQMi44/TZN8XZ_I8GI/AAAAAAAAAKw/lXr6W4VspLo/s320/St-Stephens-Cathedral_02.jpg\"><\/img><\/a><\/figure>\n<p>Once in Vienna, Master Joseph must have been dumbfounded by the sight of St. Stephen&rsquo;s four-hundred foot south tower, its high slender buttresses, its gargoyle dragons. Inside the cathedral there was a wondrous labyrinth of altars, nooks and passageways. But Joseph&rsquo;s most startling discovery was that of a different Herr Reutter than the one who had filled his pockets with cherries. At St. Stephen&rsquo;s the <em>kappellmeister<\/em> was far too absorbed in advancing his reputation as a composer to give more than a nod to the dozen or so choristers, one subcantor, one organist, and the many string players whose general education fell under his domain. Herr Reutter did push the boys in his <em>Cantorei<\/em> to practice their singing and their instruments (Joseph played violin and clavier), thereby assuring his compositions would receive adequate performances. But as for Latin and arithmetic and everything else Herr Reutter&rsquo;s teaching principle was simple: the boys could figure it out for themselves.<\/p>\n<p>In his nine years at St. Stephen&rsquo;s Joseph received from Herr Reutter exactly two lessons in music theory. Once, as Joseph was trying his na&iuml;ve hand at writing a <em>Salve Regina<\/em>, Herr Reutter walked in on him unexpectedly, startling them both. When he discovered that Joseph was trying to <em>compose<\/em>, in twelve parts no less, Herr Reutter mocked him. &ldquo;Silly child,&rdquo; he said, and tossed the music paper aside.<\/p>\n<p>Worse was the deprivation. Back in the Franck household at least there was food. Not here. Not in this city of self-confidence and ceremony, not in this ravishing Baroque Vienna. St. Stephen&rsquo;s did not provide Herr Reutter with enough money to care adequately for his pupils. So his pupils were crammed together in the <em>Cantoreihaus<\/em>, a filthy, unheated structure, and there was never much to eat. Years later Papa Haydn used to joke about how when the <em>Cantorei<\/em> performed in the houses of Viennese nobility he and his fellow choristers would stuff themselves with refreshments. Likewise, the choristers would often sing in the streets for a few <em>kreuzer<\/em> to buy bread and soup.<\/p>\n<p>These turned into charming memories. But back then, in the absence of food, there was little to think of besides food. Papa had to sadly admit that didn&rsquo;t seem charming at the time.<\/p>\n<p>Then at seventeen, Joseph&rsquo;s voice suffered the last ravages of puberty. As his singing slowly deteriorated, <em>Kapellmeister<\/em> Reutter began frowning each time he looked Joseph&rsquo;s way. Herr Reutter was one of the court composers at Empress Maria Theresa&rsquo;s newly erected castle of Sch&ouml;nbrunn. This meant that for funerals and feast days Herr Reutter would bring his choristers to sing with the court choir, and Joseph might be afforded a solo. But now the empress, who had so often enjoyed Joseph&rsquo;s sweet soprano, was displeased. She commented that the fair-haired boy was &ldquo;crowing like a cock.&rdquo;<\/p>\n<p>No more solos for Joseph.<\/p>\n<p>Herr Reutter faced two options: 1. Remove Joseph from the choir and place him among the violins (where the boy was a little suspect) until his voice matured into the fine tenor it might become. 2. Expel him from the <em>Cantorei<\/em>.<\/p>\n<p>Herr Reutter chose a third option. He recommended castration to save his voice. The young Joseph shuddered, and from far away in rustic Rohrau came word from father, Mathias Haydn, that he didn&rsquo;t think a musician&rsquo;s life would be worth such a barbarous operation. No castration.<\/p>\n<p>Herr Reutter quickly cast the young man out. He used the excuse of a small practical joke by Joseph. Playing with a new pair of scissors, he cut the pigtail off the wig of a fellow chorister. When Herr Reutter learned of this he summoned Joseph and berated him, finally spelling out his punishment, &ldquo;You will be caned on the hands!&rdquo;<\/p>\n<p>Mustering up all his defiance, the young Joseph Haydn spoke to Herr Reutter in his breaking voice, &ldquo;I would rather leave the <em>Cantorei<\/em> than be caned.&rdquo;<\/p>\n<p>&ldquo;Of course you will be expelled,&rdquo; said Herr Reutter with venom enough to leave an indelible stain on Haydn&rsquo;s memory, &ldquo;after you have been caned.&rdquo; And this he did.<\/p>\n<p>One day years later, Beethoven would kneel before Haydn and press those hands to his lips in gratitude.<\/p>\n<p>It was an afternoon in November, 1749. Master Joseph Haydn carried with him nothing more than three wear worn shirts and a coat that needed mending. Commanded to lave the Gothic confines of St. Stephen&rsquo;s, the young man found himself on the stone streets of Vienna. He had no place to stay. He had no money. He knew he was not nearly good enough a musician to eke out an existence performing. Besides, Herr Reutter had made sure the worthless delinquent understood he would have no recommendation. The young man was without prospects &ndash; not even the skills of a cartwright.<\/p>\n<p>Above the bare nut-trees, the great gargoyled south tower of St. Stephen&rsquo;s rang out the hour, and Haydn listened in stupefied despair. It was two o&rsquo;clock and getting cold.<\/p>\n<figure><a href=\"http://2.bp.blogspot.com/-w512lTVcvno/TZN1_9VNhsI/AAAAAAAAAKQ/yD9N8QNBqAs/s1600/Haydn.jpg\"><img alt=\"\" src=\"http://2.bp.blogspot.com/-w512lTVcvno/TZN1_9VNhsI/AAAAAAAAAKQ/yD9N8QNBqAs/s320/Haydn.jpg\"><\/img><\/a><\/figure>\n<p>For the next eight years, the young man pieces together a livelihood mostly by giving lessons, or even accompanying lessons. It was, said Papa Haydn in a brief autobiographical sketch prepared near the end of his life, &ldquo;a wretched existence.&rdquo; But the text blames no one &ndash; not Herr Reutter, not Franck, not his father. By then, Papa Haydn had long since set blame aside and found his autodidactic way to greatness. That greatness was so widely acknowledged that not only did the music world bestow on Haydn its highest honors and erect to him its most magnificent monuments, but even the Croatian country folk of his heritage paid him splendid tribute with a homily that has remained to his day: &ldquo;As good a marksman and fisherman as Haydn.&rdquo; <\/p>","text":"Beethoven, on his deathbed, was shown a painting of Franz Joseph Haydn\u2019s birthplace in the village Rohrau. This market town was set down in the monotonous marshlands along the Leitha River in Lower Austria. (Rohrau is translated from the German for reedy meadow.) Every few years in spring the river flooded the low-lying countryside. In the dry season the townspeople were often fearful, for every summer a few thatched roofs would catch fire. When the mosquitoes rose from the swamps they were plentiful, and disease was never far behind. Rohrau also had a history haunted by invasions. The town was near the Hungarian border, so the military tug & pull of 18th century Central Europe often wrenched the lives of the modest burgers of Rohrau, folks recorded by history as honest Croatian rubes.\nIn 1732, born among them, there was baby Franciscus Josephus Haydn; and ninety-five years later, here was Beethoven, looking back through the intersecting planes of both their lives at the smoky clay cottage where his former teacher was born, and Beethoven is said to have said, \u201cSo great a man born in so poor a home.\u201d\nIt is likely that Beethoven did not know how far the truth of his words reached into Haydn\u2019s life. By the time Beethoven came to Haydn to study, in 1792, Haydn had already aged into \u201cPapa,\u201d a man so reticent and so forgiving that if he spoke of his battered and impoverished beginnings at all he did so with hardly a trace of regret.\nHaydn\u2019s father, Mathias, like his father before him, and his father before him, fixed wagon wheels for a living. Mathias also produced wine for a small profit, grew crops, and was entrusted by the townspeople with the duties of Marktrichter, which included overseeing maintenance of the local ditches, checking church attendance, and being watch dog over gamblers and adulterers. Mathias Haydn worked like a mule, as did his wife, Maria, who bore twelve children (six survived infancy), and kept her household scrupulously.\nIf this sounds like the wellspring of Haydn\u2019s profound sense of industry and order, as Haydn himself spoke of it in his old age, the Marktrichter and his wife must have passed along their qualities of diligence genetically more than by strict example, for when their eldest son was six years old the Haydns sent him away to live.\nThe boy, nicknamed Sepperl, was fair-haired and inward-looking. From about age four he showed a pleasant aptitude for music (he could sing in tune). One soggy autumn day, into Rohrau for a visit came Johann Mathias Franck, a distant cousin of the Haydns by marriage. This man Franck was school rector in Hainburg, a castle town along the banks of the Danube. As rector he served as choir director for the town\u2019s Catholic church. Franck was also overburdened, the sort of man who seems forever lunging from one unhappy chore to the next. In Hainburg he was responsible for the education of eighty children, and for keeping the church register, maintaining the town clock, and ringing the church bells for services and fires. For this, Franck had the help of two assistants, which he was required to pay himself.\nUpon arriving in Rohrau, Franck was treated to one of the Haydn family\u2019s after-dinner amusements \u2013 father played the harp, accompanying mother and her brood of girls and the boy in peasant tunes. Franck, hearing Sepperl\u2019s clear, melodious voice, wasted no time proposing the boy be apprenticed to him in Hainburg. Under the guidance of a music master, said Franck, the boy might discover his fine gifts. The Haydns agreed, but told Franck they did not want their son to become a musician. They would have him one day take holy orders. Franck declared that as anyone knows a musical education is unfailingly useful to a priest. Yes yes, the Haydns knew that to be true as well. Soon they began making arrangements to relinquish their little Sepperl to Cousin Franck. The boy never again lived with his parents.\nIn Hainburg, within the town\u2019s medieval gates, Franck soon revealed his predilection for caning. He took an inch-thick stick of polished wood and gave the back of the legs a hard snap. Evidence strongly suggests that Franck used to snap his cane off young Joseph\u2019s legs (and back and shoulders) not merely for punishment, but to vent his frustration. He received a least one official admonishment from the Hainburg Council to refrain from pulling out the hair of his pupils.\nOf course, seen from a different perspective, this came under the heading of Tough Taskmaster, and Papa Haydn years later gave credit to his first teacher for showing him the meaning of hard work. But as for musical training, though Franck dished out plenty, his standards must have been abysmal. He was satisfied if he could elicit from his meager choir anything that God, or the farmers of Hainburg, might recognize as music, and he seems to have known how to do that scarcely more than did his choirboys.\nFranck\u2019s wife, from accounts we have of her miserable life, was a bitter, slovenly woman with two toddling daughters and an infant son. Upon entering the home, young Joseph immediately became, in the eyes of Juliane Franck, household help \u2013 someone to scrub the front steps, empty the chamber pots, and so on. Predictably, the boy\u2019s clothes were stained and needed mending. His hair grew lice-ridden and smelly. Juliane tossed a wig at him and told him to cover it. He grew scrawny. His skin, already deeply marked by childhood smallpox, took on a brownish tint that would never leave him. Years later even Haydn, dear generous Papa whose tempered memory did not allow for harshness, even Papa Haydn recalled that during his two years under Franck\u2019s guardianship he \u201creceived more floggings than food.\u201d He changed from a clear-eyed and melodious lad into \u201ca regular little ragamuffin.\u201d\nThen there came to Hainburg on Johann Adam Karl Georg von Reutter, the young, rising, and newly appointed kappellmeister at the famous St. Stephen\u2019s Cathedral in Vienna. Herr Reutter was a composer of recent note in the imperial city. His ambition made him bristle. Herr Reutter was combing the Austrian outback in search of fresh voices for his choir. The parish priest, who had often looked kindly upon the quiet Haydn boy, recommended that Herr Reutter hear the boy. \u201cHis is a weak but sweet voice,\u201d said the priest.\nAt the house of the priest, Herr Reutter gave the boy a tune to sing on sight. Joseph stood before him and sang it with simple purity, with precision and smiling ease, and none of the brashness so common among boys his age. Herr Reutter\u2019s eyes lit with delight.\n\u201cYou do not trill,\u201d said Herr Reutter. \u201cWhat is the reason, Bubchen?\u201d Joseph tried his best to explain that his cousin had never\u2026his cousin did not know how\u2026how could he be expected to trill?\n\u201cCome here,\u201d said Herr Reutter, \u201cI will teach you.\u201d He took Joseph between his knees and showed him the simple exercise, agitating the palate to produce a quick succession of notes. Joseph picked it up on the first try. Herr Reutter was most pleased. By his side was a plateful of plump cherries. He reached a handful and stuffed them into Joseph\u2019s coat pocket. Years later, Papa Haydn still treasured this memory, and said that on the rare occasion that he would trill he never failed to recall those plump cherries.\nHerr Reutter sent word to Joseph\u2019s parents. He wished that when the talented child became eight years of age, in a few months, he would come live in Vienna and be part of his Cantorei at St. Stephen\u2019s Cathedral. Herr Reutter even promised he would look after the boy personally. The answer came back: Yes.\nOnce in Vienna, Master Joseph must have been dumbfounded by the sight of St. Stephen\u2019s four-hundred foot south tower, its high slender buttresses, its gargoyle dragons. Inside the cathedral there was a wondrous labyrinth of altars, nooks and passageways. But Joseph\u2019s most startling discovery was that of a different Herr Reutter than the one who had filled his pockets with cherries. At St. Stephen\u2019s the kappellmeister was far too absorbed in advancing his reputation as a composer to give more than a nod to the dozen or so choristers, one subcantor, one organist, and the many string players whose general education fell under his domain. Herr Reutter did push the boys in his Cantorei to practice their singing and their instruments (Joseph played violin and clavier), thereby assuring his compositions would receive adequate performances. But as for Latin and arithmetic and everything else Herr Reutter\u2019s teaching principle was simple: the boys could figure it out for themselves.\nIn his nine years at St. Stephen\u2019s Joseph received from Herr Reutter exactly two lessons in music theory. Once, as Joseph was trying his naïve hand at writing a Salve Regina, Herr Reutter walked in on him unexpectedly, startling them both. When he discovered that Joseph was trying to compose, in twelve parts no less, Herr Reutter mocked him. \u201cSilly child,\u201d he said, and tossed the music paper aside.\nWorse was the deprivation. Back in the Franck household at least there was food. Not here. Not in this city of self-confidence and ceremony, not in this ravishing Baroque Vienna. St. Stephen\u2019s did not provide Herr Reutter with enough money to care adequately for his pupils. So his pupils were crammed together in the Cantoreihaus, a filthy, unheated structure, and there was never much to eat. Years later Papa Haydn used to joke about how when the Cantorei performed in the houses of Viennese nobility he and his fellow choristers would stuff themselves with refreshments. Likewise, the choristers would often sing in the streets for a few kreuzer to buy bread and soup.\nThese turned into charming memories. But back then, in the absence of food, there was little to think of besides food. Papa had to sadly admit that didn\u2019t seem charming at the time.\nThen at seventeen, Joseph\u2019s voice suffered the last ravages of puberty. As his singing slowly deteriorated, Kapellmeister Reutter began frowning each time he looked Joseph\u2019s way. Herr Reutter was one of the court composers at Empress Maria Theresa\u2019s newly erected castle of Schönbrunn. This meant that for funerals and feast days Herr Reutter would bring his choristers to sing with the court choir, and Joseph might be afforded a solo. But now the empress, who had so often enjoyed Joseph\u2019s sweet soprano, was displeased. She commented that the fair-haired boy was \u201ccrowing like a cock.\u201d\nNo more solos for Joseph.\nHerr Reutter faced two options: 1. Remove Joseph from the choir and place him among the violins (where the boy was a little suspect) until his voice matured into the fine tenor it might become. 2. Expel him from the Cantorei.\nHerr Reutter chose a third option. He recommended castration to save his voice. The young Joseph shuddered, and from far away in rustic Rohrau came word from father, Mathias Haydn, that he didn\u2019t think a musician\u2019s life would be worth such a barbarous operation. No castration.\nHerr Reutter quickly cast the young man out. He used the excuse of a small practical joke by Joseph. Playing with a new pair of scissors, he cut the pigtail off the wig of a fellow chorister. When Herr Reutter learned of this he summoned Joseph and berated him, finally spelling out his punishment, \u201cYou will be caned on the hands!\u201d\nMustering up all his defiance, the young Joseph Haydn spoke to Herr Reutter in his breaking voice, \u201cI would rather leave the Cantorei than be caned.\u201d\n\u201cOf course you will be expelled,\u201d said Herr Reutter with venom enough to leave an indelible stain on Haydn\u2019s memory, \u201cafter you have been caned.\u201d And this he did.\nOne day years later, Beethoven would kneel before Haydn and press those hands to his lips in gratitude.\nIt was an afternoon in November, 1749. Master Joseph Haydn carried with him nothing more than three wear worn shirts and a coat that needed mending. Commanded to lave the Gothic confines of St. Stephen\u2019s, the young man found himself on the stone streets of Vienna. He had no place to stay. He had no money. He knew he was not nearly good enough a musician to eke out an existence performing. Besides, Herr Reutter had made sure the worthless delinquent understood he would have no recommendation. The young man was without prospects \u2013 not even the skills of a cartwright.\nAbove the bare nut-trees, the great gargoyled south tower of St. Stephen\u2019s rang out the hour, and Haydn listened in stupefied despair. It was two o\u2019clock and getting cold.\nFor the next eight years, the young man pieces together a livelihood mostly by giving lessons, or even accompanying lessons. It was, said Papa Haydn in a brief autobiographical sketch prepared near the end of his life, \u201ca wretched existence.\u201d But the text blames no one \u2013 not Herr Reutter, not Franck, not his father. By then, Papa Haydn had long since set blame aside and found his autodidactic way to greatness. That greatness was so widely acknowledged that not only did the music world bestow on Haydn its highest honors and erect to him its most magnificent monuments, but even the Croatian country folk of his heritage paid him splendid tribute with a homily that has remained to his day: \u201cAs good a marksman and fisherman as Haydn.\u201d","docId":202530270770,"gburl":"http://bartel.kusc.org/2009/03/child-is-father-to-papa.html-diffbotxyz1083011593","lastCrawlTimeUTC":1458517072,"timestamp":"Sun, 20 Mar 2016 23:37:52 GMT"}
,
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:06 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/27/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":250124217918,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/27/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517129,"timestamp":"Sun, 20 Mar 2016 23:38:49 GMT"}
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 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:38:34 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=02/2/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":250627239462,"gburl":"http://www.kusc.org/playlist/index.aspx?day=02/2/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517158,"timestamp":"Sun, 20 Mar 2016 23:39:18 GMT"}
,
 {"date":"Sun, 20 Mar 2016 00:00:00 GMT","nextPages":["http://www.kusc.org/playlist/?day=03/2/2016&hs=0&he=23"],"originalType":"other","estimatedDate":"Sun, 20 Mar 2016 23:37:20 GMT","diffbotUri":"article|3|-139613882","siteName":"KUSC","type":"article","title":"Sunday, March 20, 2016","tags":[{"score":0.78,"count":2,"label":"Benno Moiseiwitsch","uri":"http://dbpedia.org/resource/Benno_Moiseiwitsch","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.66,"count":1,"label":"Malcolm Sargent","uri":"http://dbpedia.org/resource/Malcolm_Sargent","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":1,"label":"Sergei Rachmaninoff","type":"person","uri":"http://dbpedia.org/resource/Sergei_Rachmaninoff","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.55,"count":2,"label":"Philharmonia Orchestra","uri":"http://dbpedia.org/resource/Philharmonia_Orchestra","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.54,"count":2,"label":"Frederick Delius","uri":"http://dbpedia.org/resource/Frederick_Delius","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":8,"label":"Naxos Records","uri":"http://dbpedia.org/resource/Naxos_Records","rdfTypes":["http://dbpedia.org/ontology/RecordLabel"]},{"score":0.53,"count":1,"label":"Sergei Prokofiev","uri":"http://dbpedia.org/resource/Sergei_Prokofiev","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":2,"label":"Piano Concerto (Bliss)","uri":"http://dbpedia.org/resource/Piano_Concerto_(Bliss)"}],"numPages":2,"humanLanguage":"en","pageUrl":"http://www.kusc.org/playlist/index.aspx?day=01/10/2016&hs=0&he=23","html":"<table> <tbody><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br><\/td><\/tr><tr><td> <br> <br> <br> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\"><a href=\"http://www.kusc.org/pacificsymphony/index.aspx\">SoCal Sunday Night - Pacific Symphony in Concert<\/a><\/td><\/tr><tr><td colspan=\"2\"> 7:00 PM - 9:27 PM<\/td><\/tr><tr><td><br><b>Puccini's <i>Turandot<\/i><\/b><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br> <br><\/td><\/tr><tr><td><table><tbody><tr><td valign=\"top\"><table><tbody><tr><td colspan=\"2\">The Record Shelf<\/td><\/tr><tr><td colspan=\"2\">with <a href=\"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407604\">Jim Svejda<\/a><\/td><\/tr><tr><td colspan=\"2\">10:00 PM - 11:00 PM<\/td><\/tr><tr><td><br><b>Benno Moiseiwitsch, Part II<\/b><br><br>In the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.<br><br>Rachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.<br><br>Delius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.<br><br>Bach/Hess: &ldquo;Jesu, Joy of Man&rsquo;s Desiring.&rdquo; Dame Myra Hess, pf. Philips 456 832.<br><br>Chopin: Ballade in A-flat, Op. 47. Philips 456 907.<br><br>Godowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.<br><br>Prokofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.<br><br>Palmgren: West Finnish Dance. Naxos 8.110689.<br><br>Poulenc: Mouvement perpetuel No. 1. Naxos 8.110689.<br><br>Stravinsky: Etude in F-sharp. Naxos 8.110689.<br><br>Delius: Piano Concerto. (As above)<br><br>Debussy: Clair de lune. Naxos 8.110689.<\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table> <br><\/td><\/tr><\/tbody><\/table>","text":"Benno Moiseiwitsch, Part II\nIn the second of two programs, historic early recordings by pianist Benno Moiseiwitsch.\nRachmaninoff: Piano Concerto No. 1: Finale. Philharmonia Orchestra, Sir Malcolm Sargent. Naxos 8.110676.\nDelius: Piano Concerto: Finale. Philharmonia Orchestra, Constant Lambert. Naxos 8.110689.\nBach/Hess: \u201cJesu, Joy of Man\u2019s Desiring.\u201d Dame Myra Hess, pf. Philips 456 832.\nChopin: Ballade in A-flat, Op. 47. Philips 456 907.\nGodowsky: Concert Paraphrase on Die Fledermaus. Naxos 8.110689.\nProkofiev: Suggestion diabolique, Op. 4, No. 4. Naxos 8.110689.\nPalmgren: West Finnish Dance. Naxos 8.110689.\nPoulenc: Mouvement perpetuel No. 1. Naxos 8.110689.\nStravinsky: Etude in F-sharp. Naxos 8.110689.\nDelius: Piano Concerto. (As above)\nDebussy: Clair de lune. Naxos 8.110689.","docId":267263602219,"gburl":"http://www.kusc.org/playlist/index.aspx?day=01/10/2016&hs=0&he=23-diffbotxyz2534588225","lastCrawlTimeUTC":1458517083,"timestamp":"Sun, 20 Mar 2016 23:38:03 GMT"}
,
{"naturalHeight":200,"width":315,"diffbotUri":"image|3|1516918261","type":"image","url":"http://3.bp.blogspot.com/-hevajwB2JH8/TZN8JpdTxnI/AAAAAAAAAKo/tXqGHZC1_SI/s320/Haydn%2Bbirthplace.jpg","naturalWidth":315,"primary":true,"height":200,"docId":274312588849,"gburl":"http://bartel.kusc.org/2009/03/child-is-father-to-papa.html-diffbotxyz2325460853","lastCrawlTimeUTC":1458517072,"timestamp":"Sun, 20 Mar 2016 23:37:52 GMT"}
,
 {"date":"Tue, 21 Jun 2011 00:00:00 GMT","images":[{"naturalHeight":266,"width":177,"diffbotUri":"image|3|127630423","url":"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s320/Diabelli%252C%2BAtnon.jpg","naturalWidth":177,"primary":true,"height":266},{"naturalHeight":180,"width":156,"diffbotUri":"image|3|1399129465","url":"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s320/Beethoven.jpg","naturalWidth":156,"height":180}],"estimatedDate":"Tue, 21 Jun 2011 00:00:00 GMT","icon":"https://www.blogger.com/favicon.ico","diffbotUri":"article|3|716781954","siteName":"kusc.org","type":"article","title":"Beethoven's Diabelli Microcosmos","tags":[{"score":0.91,"count":21,"label":"Anton Diabelli","uri":"http://dbpedia.org/resource/Anton_Diabelli","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.84,"count":22,"label":"Ludwig van Beethoven","type":"person","uri":"http://dbpedia.org/resource/Ludwig_van_Beethoven","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.64,"count":1,"label":"Mattsee","uri":"http://dbpedia.org/resource/Mattsee","rdfTypes":["http://dbpedia.org/ontology/Settlement"]}],"humanLanguage":"en","pageUrl":"http://bartel.kusc.org/2008/11/beethovens-diabelli-microcosmos.html","html":"<p>Did Anton Diabelli get lucky despite or because of his overbearing nature? He set out in life with serious intent. Born in Mattsee, near Salzburg, he studied music as a boy with Joseph Haydn&rsquo;s brother Michael, though his primary training was for the priesthood. At nineteen he moved north to Upper Bavaria to enter the Raitenhasslach monastery. Three years into his theological work political forces within the Hapsburg Empire secularized the Bavarian monasteries, converting them from ecclesiastical to civil entities, shutting them down for the purposes of spiritual introspection. It was a moment of crisis in Diabelli&rsquo;s young life. He gave up his journey to the priesthood, moved to Vienna, and went into business, first giving lessons in piano and guitar and later joining the Steiner publishing firm as a music editor.<\/p>\n<figure><a href=\"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s1600/Diabelli%252C%2BAtnon.jpg\"><img alt=\"\" src=\"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s320/Diabelli%252C%2BAtnon.jpg\"><\/img><\/a><\/figure>\n<p>A decade passed; it was 1814. Beethoven had begun publishing some of his work with the Steiner firm, including in the next four years the Seventh and Eighth Symphonies, the Op.95 String Quartet, and the best-selling &ldquo;Wellington&rsquo;s Victory&rdquo; among others. Through Steiner, Beethoven first encountered Diabelli, whose nature by age thirty-three was no longer monk-like. Though it may tell us as much about Beethoven as it does about Diabelli, the Great Composer used to routinely refer to Diabelli in correspondence as &ldquo;<em>Generalprofoss und diabolus Diabelli<\/em>.&rdquo; Apparently this was funny to Beethoven because it was so true.<\/p>\n<p>In his late thirties, Diabelli left Steiner and joined his colleague Peter Cappi in founding their own publishing firm, but while this new enterprise got off to a good start, after six years Diabelli was ready to move on again, and left Cappi to continue on his own with the firm Diabelli &amp; Co. Among Diabelli &amp; Co&rsquo;s first actions was to request Beethoven to write a work, a certain seller, to help firm solidify its place in the marketplace, perhaps something like a &ldquo;Wellington&rsquo;s Victory&rdquo; for the Biedermeier parlor, specifically a work for four-hand piano. Was it a bold affront to the genius and acknowledged master Beethoven, then deep into the metaphysical thicket of his late quartets, to write such drivel as this proposed parlor music? Whatever Beethoven&rsquo;s response, if any, the project went unrealized.<\/p>\n<p>Diabelli, as was his way, persisted. Upon learning that Beethoven was writing quartets, he commissioned the great man to write a string quartet. Beethoven appears to have cast off a fragment from his on-going quartet excursions to fulfill Diabelli&rsquo;s commission, but set it aside without making delivery.<\/p>\n<p>Then an idea descended upon Diabelli, The Idea which indirectly won him immortality. He asked several composers in the Hapsburg Empire to write a single variation on one of his own waltz themes, a silly tune, a noodle really. He would publish the collection. Beethoven was among those asked; he declined.<\/p>\n<p>It is an interesting historical document, Diabelli&rsquo;s famous collective work <em>Vaterl&auml;ndischer K&uuml;nstlerverein<\/em>. The first variation, of more than two dozen, is by the young Franz Schubert, whose music Diabelli &amp; Co. would one day champion. Among the other notable names in the history of pianism that are represented are Ignaz Moscheles, Carl Czerny, and a boy, age eleven, here publishing his first work, Franz Liszt.<\/p>\n<figure><a href=\"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s1600/Beethoven.jpg\"><img alt=\"\" src=\"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s320/Beethoven.jpg\"><\/img><\/a><\/figure>\n<p>The Viennese hubbub over Diabelli&rsquo;s commercial project caught Beethoven&rsquo;s attention. He began a set of variations on the silly waltz. Sometime during the ensuing two years that he worked on what would become his profound final statement for the piano Beethoven let it be known to Diabelli that he had been following through on the publisher&rsquo;s initial request to write a waltz variation. One might imagine the chuckle this gave the Master.<\/p>\n<p>Inevitably, Diabolus Diabelli began hounding Beethoven to finish the &ldquo;variation&rdquo; and send it to him forthwith. Upon one such entreaty, Beethoven incorporated his response to Diabelli into the work &ndash; Variation No.22, in which Beethoven quotes Leporello, servant to the demanding Don Giovanni, complaining of his lot, &ldquo;<em>Notte a giorno faticar<\/em>&rdquo; (Night and day I slave.) This was exactly the sort of thing that made Beethoven laugh.<\/p>\n<p>Well, the rest, to coin a phrase, is history. Beethoven completed his stupendous masterpiece and it was published by Diabelli &amp; Co. as Op.120, <em>33 Ver&auml;nderungen<\/em> (instead of <em>Variationen<\/em>, as a nod to Bach&rsquo;s <em>Aria mit 30 Ver&auml;nderungen, &ldquo;Goldberg&quot;<\/em>) <em>C-dur &uuml;ber einen Walzer von Anton Diabelli<\/em>, which is known to us today as <em>Diabelli Variations<\/em>.<\/p>\n<p>The immense complexity and transcendent sweep of Op.120 is too much for discussion here. Suffice it for now only to recall what Hans von B&uuml;low called it: &ldquo;The microcosmos of Beethoven&rsquo;s genius.&rdquo;<\/p>\n<p><em>Diabelli postscript<\/em>. Following Beethoven&rsquo;s death four years later, Diabelli managed to acquire from the Master&rsquo;s estate the string quartet fragment he&rsquo;d written in response to the long ago commission, but set aside. Diabelli rushed it into print under the title &ldquo;Beethoven&rsquo;s Last Musical Thought&rdquo; and had it arranged from string quartet to four-hand piano, perfect for parlor playing. Likely, Beethoven would not have found that amusing. <\/p>","text":"Did Anton Diabelli get lucky despite or because of his overbearing nature? He set out in life with serious intent. Born in Mattsee, near Salzburg, he studied music as a boy with Joseph Haydn\u2019s brother Michael, though his primary training was for the priesthood. At nineteen he moved north to Upper Bavaria to enter the Raitenhasslach monastery. Three years into his theological work political forces within the Hapsburg Empire secularized the Bavarian monasteries, converting them from ecclesiastical to civil entities, shutting them down for the purposes of spiritual introspection. It was a moment of crisis in Diabelli\u2019s young life. He gave up his journey to the priesthood, moved to Vienna, and went into business, first giving lessons in piano and guitar and later joining the Steiner publishing firm as a music editor.\nA decade passed; it was 1814. Beethoven had begun publishing some of his work with the Steiner firm, including in the next four years the Seventh and Eighth Symphonies, the Op.95 String Quartet, and the best-selling \u201cWellington\u2019s Victory\u201d among others. Through Steiner, Beethoven first encountered Diabelli, whose nature by age thirty-three was no longer monk-like. Though it may tell us as much about Beethoven as it does about Diabelli, the Great Composer used to routinely refer to Diabelli in correspondence as \u201cGeneralprofoss und diabolus Diabelli.\u201d Apparently this was funny to Beethoven because it was so true.\nIn his late thirties, Diabelli left Steiner and joined his colleague Peter Cappi in founding their own publishing firm, but while this new enterprise got off to a good start, after six years Diabelli was ready to move on again, and left Cappi to continue on his own with the firm Diabelli & Co. Among Diabelli & Co\u2019s first actions was to request Beethoven to write a work, a certain seller, to help firm solidify its place in the marketplace, perhaps something like a \u201cWellington\u2019s Victory\u201d for the Biedermeier parlor, specifically a work for four-hand piano. Was it a bold affront to the genius and acknowledged master Beethoven, then deep into the metaphysical thicket of his late quartets, to write such drivel as this proposed parlor music? Whatever Beethoven\u2019s response, if any, the project went unrealized.\nDiabelli, as was his way, persisted. Upon learning that Beethoven was writing quartets, he commissioned the great man to write a string quartet. Beethoven appears to have cast off a fragment from his on-going quartet excursions to fulfill Diabelli\u2019s commission, but set it aside without making delivery.\nThen an idea descended upon Diabelli, The Idea which indirectly won him immortality. He asked several composers in the Hapsburg Empire to write a single variation on one of his own waltz themes, a silly tune, a noodle really. He would publish the collection. Beethoven was among those asked; he declined.\nIt is an interesting historical document, Diabelli\u2019s famous collective work Vaterländischer Künstlerverein. The first variation, of more than two dozen, is by the young Franz Schubert, whose music Diabelli & Co. would one day champion. Among the other notable names in the history of pianism that are represented are Ignaz Moscheles, Carl Czerny, and a boy, age eleven, here publishing his first work, Franz Liszt.\nThe Viennese hubbub over Diabelli\u2019s commercial project caught Beethoven\u2019s attention. He began a set of variations on the silly waltz. Sometime during the ensuing two years that he worked on what would become his profound final statement for the piano Beethoven let it be known to Diabelli that he had been following through on the publisher\u2019s initial request to write a waltz variation. One might imagine the chuckle this gave the Master.\nInevitably, Diabolus Diabelli began hounding Beethoven to finish the \u201cvariation\u201d and send it to him forthwith. Upon one such entreaty, Beethoven incorporated his response to Diabelli into the work \u2013 Variation No.22, in which Beethoven quotes Leporello, servant to the demanding Don Giovanni, complaining of his lot, \u201cNotte a giorno faticar\u201d (Night and day I slave.) This was exactly the sort of thing that made Beethoven laugh.\nWell, the rest, to coin a phrase, is history. Beethoven completed his stupendous masterpiece and it was published by Diabelli & Co. as Op.120, 33 Veränderungen (instead of Variationen, as a nod to Bach\u2019s Aria mit 30 Veränderungen, \u201cGoldberg\") C-dur über einen Walzer von Anton Diabelli, which is known to us today as Diabelli Variations.\nThe immense complexity and transcendent sweep of Op.120 is too much for discussion here. Suffice it for now only to recall what Hans von Bülow called it: \u201cThe microcosmos of Beethoven\u2019s genius.\u201d\nDiabelli postscript. Following Beethoven\u2019s death four years later, Diabelli managed to acquire from the Master\u2019s estate the string quartet fragment he\u2019d written in response to the long ago commission, but set aside. Diabelli rushed it into print under the title \u201cBeethoven\u2019s Last Musical Thought\u201d and had it arranged from string quartet to four-hand piano, perfect for parlor playing. Likely, Beethoven would not have found that amusing.","docId":1381576209,"gburl":"http://bartel.kusc.org/2008/11/beethovens-diabelli-microcosmos.html-diffbotxyz389572608","lastCrawlTimeUTC":1458517014,"timestamp":"Sun, 20 Mar 2016 23:36:54 GMT"}
,
{"naturalHeight":320,"width":261,"diffbotUri":"image|3|1187769398","type":"image","url":"http://1.bp.blogspot.com/_R56ZYjfeN3o/TPb2rGLkilI/AAAAAAAAAIQ/NPkCjb4kQCI/s320/Beethoven%2B-%2Bold.jpg","naturalWidth":261,"primary":true,"height":320,"docId":7859547710,"gburl":"http://bartel.kusc.org/2010/12/beethovens-string-quartet-in-b-flat.html-diffbotxyz1309595790","lastCrawlTimeUTC":1458517030,"timestamp":"Sun, 20 Mar 2016 23:37:10 GMT"}
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{"originalType":"other","naturalHeight":314,"width":600,"diffbotUri":"image|3|-88499969","type":"image","url":"http://www.kusc.org/Pics/Programming/met-opera/met-2015-16.jpg","naturalWidth":600,"primary":true,"height":314,"docId":35755519534,"gburl":"http://www.kusc.org/metopera/index.aspx-diffbotxyz728274139","lastCrawlTimeUTC":1458517034,"timestamp":"Sun, 20 Mar 2016 23:37:14 GMT"}
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 {"date":"Sat, 12 Mar 2016 00:00:00 GMT","originalType":"other","humanLanguage":"en","estimatedDate":"Sat, 12 Mar 2016 00:00:00 GMT","diffbotUri":"article|3|-1209749308","siteName":"KUSC","pageUrl":"http://www.kusc.org/Episodes.aspx?PID=2140","html":"<table> <tbody><tr> <td>  <table> <tbody><tr> <td> <a href=\"javascript:__doPostBack('ctl00$MainFull$GenericControl5$uc03d5c90dc13b4b399cb473ad085582c2$dlEpisode$ctl00$lnkDownload','')\">Download<\/a> <\/td> <td> <h3>Ask the Dean for March 12, 2016<\/h3> <p>When were sharps invented and who first used them? That's the question for Dean Rob Cutietta of the USC Thornton School of Music.<\/p> <\/td> <td> <p>Posted 3/12/2016 8:00:00 AM<\/p>  <figure><object>    <embed src=\"http://www.kusc.org/EI/G/Flash/RTEMp3Player.swf?File=http://media.kusc.org/Podcasts/2140/Ask-the-Dean-2016-3-12.mp3\"><\/embed> <\/object><\/figure>   The episode contains a video file, please download to view the episode  <\/td> <\/tr> <\/tbody><\/table>  <\/td> <\/tr><tr> <td>  <table> <tbody><tr> <td> <a href=\"javascript:__doPostBack('ctl00$MainFull$GenericControl5$uc03d5c90dc13b4b399cb473ad085582c2$dlEpisode$ctl01$lnkDownload','')\">Download<\/a> <\/td> <td> <h3>Ask the Dean for March 5, 2016<\/h3> <p>Can a soprano &ldquo;fudge&rdquo; a score and still be considered faithful to the composer&rsquo;s vision? That's the question for Dean Rob Cutietta of the USC Thornton School of Music.<\/p> <\/td> <td> <p>Posted 3/5/2016 8:00:00 AM<\/p>  <figure><object>    <embed src=\"http://www.kusc.org/EI/G/Flash/RTEMp3Player.swf?File=http://media.kusc.org/Podcasts/2140/Ask-the-Dean-2016-03-05.mp3\"><\/embed> <\/object><\/figure>   The episode contains a video file, please download to view the episode  <\/td> <\/tr> <\/tbody><\/table>  <\/td> <\/tr><tr> <td>  <table> <tbody><tr> <td> <a href=\"javascript:__doPostBack('ctl00$MainFull$GenericControl5$uc03d5c90dc13b4b399cb473ad085582c2$dlEpisode$ctl02$lnkDownload','')\">Download<\/a> <\/td> <td> <h3>Ask the Dean for February 13, 2016<\/h3> <p>Schoenberg and Stravinsky spent time in Hollywood, but did they ever write music for movies? That's the question for Dean Rob Cutietta of the USC Thornton School of Music.<\/p> <\/td> <td> <p>Posted 2/13/2016 8:00:00 AM<\/p>  <figure><object>    <embed src=\"http://www.kusc.org/EI/G/Flash/RTEMp3Player.swf?File=http://media.kusc.org/Podcasts/2140/ATD+2+13+16+repeat.mp3\"><\/embed> <\/object><\/figure>   The episode contains a video file, please download to view the episode  <\/td> <\/tr> <\/tbody><\/table>  <\/td> <\/tr><tr> <td>  <table> <tbody><tr> <td> <a href=\"javascript:__doPostBack('ctl00$MainFull$GenericControl5$uc03d5c90dc13b4b399cb473ad085582c2$dlEpisode$ctl03$lnkDownload','')\">Download<\/a> <\/td> <td> <h3>Ask the Dean for February 6, 2016<\/h3> <p>Can a classically trained diva find work outside opera? That's the question for Dean Rob Cutietta of the USC Thornton School of Music.<\/p> <\/td> <td> <p>Posted 2/6/2016 8:00:00 AM<\/p>  <figure><object>    <embed src=\"http://www.kusc.org/EI/G/Flash/RTEMp3Player.swf?File=http://media.kusc.org/Podcasts/2140/ATD+2+6+2016+repeat.mp3\"><\/embed> <\/object><\/figure>   The episode contains a video file, please download to view the episode  <\/td> <\/tr> <\/tbody><\/table>  <\/td> <\/tr><tr> <td>  <table> <tbody><tr> <td> <a href=\"javascript:__doPostBack('ctl00$MainFull$GenericControl5$uc03d5c90dc13b4b399cb473ad085582c2$dlEpisode$ctl04$lnkDownload','')\">Download<\/a> <\/td> <td> <h3>Ask the Dean for January 30, 2016<\/h3> <p>You've probably heard Delibes' The Flower Duet more than a few times, but have you ever seen the opera it comes from? What happened to Lakme? That's the question for USC Thornton School of Music Dean Rob Cutietta.<\/p> <\/td> <td> <p>Posted 1/30/2016 8:00:00 AM<\/p>  <figure><object>    <embed src=\"http://www.kusc.org/EI/G/Flash/RTEMp3Player.swf?File=http://media.kusc.org/Podcasts/2140/ATD+1+30+16+repeat.mp3\"><\/embed> <\/object><\/figure>   The episode contains a video file, please download to view the episode  <\/td> <\/tr> <\/tbody><\/table>  <\/td> <\/tr> <\/tbody><\/table>","text":"","type":"article","title":"Ask the Dean","docId":37607009850,"gburl":"http://www.kusc.org/Episodes.aspx?PID=2140-diffbotxyz2296136894","lastCrawlTimeUTC":1458516986,"timestamp":"Sun, 20 Mar 2016 23:36:26 GMT"}
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 {"date":"Sat, 21 Nov 2015 00:00:00 GMT","images":[{"naturalHeight":314,"width":600,"diffbotUri":"image|3|-88499969","url":"http://www.kusc.org/Pics/Programming/met-opera/met-2015-16.jpg","naturalWidth":600,"primary":true,"height":314}],"originalType":"other","estimatedDate":"Sat, 21 Nov 2015 00:00:00 GMT","diffbotUri":"article|3|-1260600018","siteName":"KUSC","type":"article","title":"The Metropolitan Opera Saturday Broadcasts","tags":[{"score":0.65,"count":1,"label":"Metropolitan Opera","uri":"http://dbpedia.org/resource/Metropolitan_Opera","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.57,"count":1,"label":"Ana María Martínez","uri":"http://dbpedia.org/resource/Ana_María_Martínez","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"breadcrumb":[{"link":"http://www.kusc.org","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"All Programs"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/metopera/index.aspx","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/Programming/met-opera/met-2015-16.jpg\"><\/img><\/figure>\n<p><strong>Saturdays at 10 a.m.<\/strong><\/p>\n<p>The Metropolitan Opera&rsquo;s 2015-16 season includes performances in a varied repertory, ranging from rarely performed masterpieces to perennial audience favorites. The season features six new productions and 18 revivals, starring the world&rsquo;s greatest singers and conductors, many of them in repertory they have not previously performed with the company.<\/p>\n<table> <tbody>  <tr> <td><strong>2015<\/strong><\/td>  <\/tr> <tr> <td>December 5<\/td> <td><strong>LA BOH&Egrave;ME (Puccini)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Paolo Carignani; Barbara Frittoli, Ana Mar&iacute;a Mart&iacute;nez, Ram&oacute;n Vargas, Levente Molnar, Alexey Lavrov, Christian Van Horn, John Del Carlo<\/td> <\/tr>  <tr> <td>December 12<\/td> <td><strong>RIGOLETTO (Verdi)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Roberto Abbado; Nadine Sierra, Nancy Fabiola Herrera, Piotr Beczala, Željko Lučić, Dimitry Ivashchenko<\/td> <\/tr>  <tr> <td>December 19<\/td> <td><strong>LA DONNA DEL LAGO (Rossini)<\/strong><\/td> <\/tr> <tr>  <td>Michele Mariotti; Joyce DiDonato, Daniela Barcellona, Lawrence Brownlee, John Osborn, Oren Gradus<\/td> <\/tr>  <tr> <td>December 26<\/td> <td><strong>THE BARBER OF SEVILLE (Rossini)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Antony Walker; Isabel Leonard, Taylor Stayton, Elliot Madore, Valeriano Lanchas, Robert Pomakov<\/td> <\/tr>  <tr> <td>2016<\/td>  <\/tr> <tr> <td>January 2<\/td> <td><strong>DIE FLEDERMAUS (J. Strauss, Jr.)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">James Levine; Susanna Phillips, Lucy Crowe, Susan Graham, Toby Spence, Dimitri Pittas, Paulo Szot, Alan Opie<\/td> <\/tr>  <tr> <td>January 9<\/td> <td><strong>ANNA BOLENA (Donizetti)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Marco Armiliato; Sondra Radvanovsky, Jamie Barton, Tamara Mumford, Stephen Costello, Ildar Abdrazakov<\/td> <\/tr>  <tr> <td>January 16<\/td> <td><strong>LES P&Ecirc;CHEURS DE PERLES (Bizet) <\/strong>&ndash; New Production<\/td> <\/tr> <tr>  <td valign=\"top\">Gianandrea Noseda; Diana Damrau, Matthew Polenzani, Mariusz Kwiecien, Nicolas Test&eacute;<\/td> <\/tr>  <tr> <td>January 23<\/td> <td><strong>TANNH&Auml;USER (Wagner)<\/strong><\/td> <\/tr> <tr>  <td><em>Performance from October 31, 2015<\/em><\/td> <\/tr> <tr>  <td valign=\"top\">James Levine; Eva-Maria Westbroek, Michelle DeYoung, Johan Botha, Peter Mattei, G&uuml;nther Groissb&ouml;ck<\/td> <\/tr>  <tr> <td>January 30<\/td> <td><strong>TURANDOT (Puccini)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Paolo Carignani; Nina Stemme, Anita Hartig, Marco Berti, Alexander Tsymbalyuk<\/td> <\/tr>  <tr> <td>February 6<\/td> <td><strong>CAVALLERIA RUSTICANA (Mascagni) / PAGLIACCI (Leoncavallo)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Fabio Luisi; Violeta Urmana, Yonghoon Lee, Ambrogio Maestri; Barbara Frittoli, Roberto Alagna, George Gagnidze, Alexey Lavrov<\/td> <\/tr>  <tr> <td>February 13<\/td> <td><strong>IL TROVATORE (Verdi)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Marco Armiliato; Angela Meade, Dolora Zajick, Marcello Giordani, Dmitri Hvorostovsky, Kwangchul Youn<\/td> <\/tr>  <tr> <td>February 20<\/td> <td><strong>MARIA STUARDA (Donizetti)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Riccardo Frizza; Sondra Radvanovsky, Elza van den Heever, Celso Albelo, Patrick Carfizzi, Kwangchul Youn<\/td> <\/tr>  <tr> <td>February 27<\/td> <td><strong>LULU (Berg)&ndash; New Production<\/strong><\/td> <\/tr> <tr>  <td>Performance from November 21, 2015<\/td> <\/tr> <tr>  <td valign=\"top\">Lothar Koenigs; Marlis Petersen, Susan Graham, Daniel Brenna, Paul Groves, Johan Reuter, Franz Grundheber<\/td> <\/tr>  <tr> <td>March 5<\/td> <td><strong>MANON LESCAUT (Puccini) <\/strong>&ndash; New Production<\/td> <\/tr> <tr>  <td valign=\"top\">Fabio Luisi; Kristine Opolais, Jonas Kaufmann, Massimo Cavalletti, Brindley Sherratt<\/td> <\/tr>  <tr> <td>March 12<\/td> <td><strong>DON PASQUALE (Donizetti)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Maurizio Benini; Eleonora Buratto, Javier Camarena, Levente Molnar, Ambrogio Maestri<\/td> <\/tr>  <tr> <td>March 19<\/td> <td><strong>L'ELISIR D'AMORE (Donizetti)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Enrique Mazzola; Aleksandra Kurzak, Vittorio Grigolo, Adam Plachetka, Alessandro Corbelli<\/td> <\/tr>  <tr> <td>March 26<\/td> <td><strong>LE NOZZE DI FIGARO (Mozart)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Fabio Luisi; Amanda Majeski, Anita Hartig, Isabel Leonard, Luca Pisaroni, Mikhail Petrenko<\/td> <\/tr>  <tr> <td>April 2<\/td> <td><strong>MADAMA BUTTERFLY (Puccini)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">Karel Mark Chichon; Kristine Opolais, Maria Zifchak, Roberto Alagna, Dwayne Croft<\/td> <\/tr>  <tr> <td>April 9<\/td> <td><strong>SIMON BOCCANEGRA (Verdi)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">James Levine; Lianna Haroutounian, Joseph Calleja, Pl&aacute;cido Domingo, Ferruccio Furlanetto<\/td> <\/tr>  <tr> <td>April 16<\/td> <td><strong>ROBERTO DEVEREUX (Donizetti) <\/strong>&ndash; New Production<\/td> <\/tr> <tr>  <td valign=\"top\">Maurizio Benini; Sondra Radvanovsky, Elīna Garanča, Matthew Polenzani, Mariusz Kwiecien<\/td> <\/tr>  <tr> <td>April 23<\/td> <td><strong>OTELLO (Verdi) <\/strong>&ndash; New Production<\/td> <\/tr> <tr>  <td valign=\"top\">Adam Fischer; Hibla Gerzmava, Aleksandrs Antonenko, Alexey Dolgov, Željko Lučić, James Morris<\/td> <\/tr>  <tr> <td>April 30<\/td> <td><strong>ELEKTRA (R. Strauss) <\/strong>&ndash; New Production<\/td> <\/tr> <tr>  <td valign=\"top\">Esa-Pekka Salonen; Nina Stemme, Adrianne Pieczonka, Waltraud Meier, Burkhard Ulrich, Eric Owens<\/td> <\/tr>  <tr> <td>May 7<\/td> <td><strong>DIE ENTF&Uuml;HRUNG AUS DEM SERAIL (Mozart)<\/strong><\/td> <\/tr> <tr>  <td valign=\"top\">James Levine; Albina Shagimuratova, Kathleen Kim, Paul Appleby, TBA, Hans-Peter K&ouml;nig, Matthias von Stegmann<\/td> <\/tr> <\/tbody> <\/table>","text":"Saturdays at 10 a.m.\nThe Metropolitan Opera\u2019s 2015-16 season includes performances in a varied repertory, ranging from rarely performed masterpieces to perennial audience favorites. The season features six new productions and 18 revivals, starring the world\u2019s greatest singers and conductors, many of them in repertory they have not previously performed with the company.\nDecember 5\nLA BOHÈME (Puccini)\nPaolo Carignani; Barbara Frittoli, Ana María Martínez, Ramón Vargas, Levente Molnar, Alexey Lavrov, Christian Van Horn, John Del Carlo\nDecember 12\nRIGOLETTO (Verdi)\nDecember 19\nLA DONNA DEL LAGO (Rossini)\nDecember 26\nTHE BARBER OF SEVILLE (Rossini)\nJanuary 2\nDIE FLEDERMAUS (J. Strauss, Jr.)\nJanuary 9\nANNA BOLENA (Donizetti)\nJanuary 16\nLES PÊCHEURS DE PERLES (Bizet) \u2013 New Production\nJanuary 23\nTANNHÄUSER (Wagner)\nJames Levine; Eva-Maria Westbroek, Michelle DeYoung, Johan Botha, Peter Mattei, Günther Groissböck\nJanuary 30\nTURANDOT (Puccini)\nFebruary 6\nCAVALLERIA RUSTICANA (Mascagni) / PAGLIACCI (Leoncavallo)\nFebruary 13\nIL TROVATORE (Verdi)\nFebruary 20\nMARIA STUARDA (Donizetti)\nFebruary 27\nLULU (Berg)\u2013 New Production\nMarch 5\nMANON LESCAUT (Puccini) \u2013 New Production\nMarch 12\nDON PASQUALE (Donizetti)\nMarch 19\nL'ELISIR D'AMORE (Donizetti)\nMarch 26\nLE NOZZE DI FIGARO (Mozart)\nApril 2\nMADAMA BUTTERFLY (Puccini)\nApril 9\nSIMON BOCCANEGRA (Verdi)\nApril 16\nROBERTO DEVEREUX (Donizetti) \u2013 New Production\nApril 23\nOTELLO (Verdi) \u2013 New Production\nApril 30\nELEKTRA (R. Strauss) \u2013 New Production\nMay 7\nDIE ENTFÜHRUNG AUS DEM SERAIL (Mozart)","docId":46016343561,"gburl":"http://www.kusc.org/metopera/index.aspx-diffbotxyz3799904386","lastCrawlTimeUTC":1458517034,"timestamp":"Sun, 20 Mar 2016 23:37:14 GMT"}
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 {"date":"Mon, 09 May 2011 00:00:00 GMT","images":[{"naturalHeight":320,"width":261,"diffbotUri":"image|3|1187769398","url":"http://1.bp.blogspot.com/_R56ZYjfeN3o/TPb2rGLkilI/AAAAAAAAAIQ/NPkCjb4kQCI/s320/Beethoven%2B-%2Bold.jpg","naturalWidth":261,"primary":true,"height":320},{"naturalHeight":208,"width":157,"diffbotUri":"image|3|391931340","url":"http://2.bp.blogspot.com/_R56ZYjfeN3o/TPb1Hdsw2LI/AAAAAAAAAII/yLI-I4C2qlA/s320/Beethoven%2BOp.130.jpg","naturalWidth":157,"height":208}],"estimatedDate":"Mon, 09 May 2011 00:00:00 GMT","icon":"https://www.blogger.com/favicon.ico","diffbotUri":"article|3|872953894","siteName":"kusc.org","type":"article","title":"Beethoven's String Quartet in B-flat, Op.130","tags":[{"score":0.94,"count":14,"label":"Ludwig van Beethoven","type":"person","uri":"http://dbpedia.org/resource/Ludwig_van_Beethoven","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.81,"count":9,"label":"Opus number","uri":"http://dbpedia.org/resource/Opus_number"},{"score":0.76,"count":2,"label":"String quartet","uri":"http://dbpedia.org/resource/String_quartet","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.61,"count":1,"label":"B-flat major","uri":"http://dbpedia.org/resource/B-flat_major","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"humanLanguage":"en","pageUrl":"http://bartel.kusc.org/2010/12/beethovens-string-quartet-in-b-flat.html","html":"<figure><a href=\"http://1.bp.blogspot.com/_R56ZYjfeN3o/TPb2rGLkilI/AAAAAAAAAIQ/NPkCjb4kQCI/s1600/Beethoven%2B-%2Bold.jpg\"><img alt=\"\" src=\"http://1.bp.blogspot.com/_R56ZYjfeN3o/TPb2rGLkilI/AAAAAAAAAIQ/NPkCjb4kQCI/s320/Beethoven%2B-%2Bold.jpg\"><\/img><\/a><\/figure>\n<p>The commission Beethoven received in 1822 from the posterity-conscious Prince Nikolaus Galitzin of St. Petersburg could hardly have been more generous: Beethoven was to compose a set of two or three quartets, to take as much time as he needed, and to name his own price. But work on the first two of these &ldquo;late&rdquo; quartets (Opp.127, 132) was perilous, for Beethoven suffered from ill health and had to literally rise from his sick bed to compose. This is not to say the composer&rsquo;s poor health was responsible for the pall that hovers over much of the music in these quartets, but we can happily acknowledge that the next quartet, Op.130, written when Beethoven was, if not healthy, at least relatively free of illness, is a sunnier work than its immediate predecessors. Op.130 also contains some of the densest and most labyrinthine music Beethoven ever wrote.<\/p>\n<p>Dense and labyrinthine. That would be the Grosse Fuge, yes? But weeks before Beethoven arrived at that inconceivably rich contrapuntal monument, he wrote the first movement of Op.130, which abruptly changes tempo and mood, leaps and hurries forward only to interrupt itself with one-bar outbursts, grants absolute independence to each instrument to engage in elaborate conversational exchanges and create simultaneous patterns, and generally carries on in a manner as complex as any quartet writing until Bartok, a century later, picked up the Viennese master&rsquo;s gauntlet.<\/p>\n<p>Op.130 is, or as reputation has it, a Gordian knot of a quartet. However, its complexity does not go unrelieved. The brief and breathless second movement Presto is transparent as a good-natured joke. The Andante was called by Schumann &ldquo;an intermezzo&rdquo; (a comic interlude played between the acts of a serious opera). And the fourth movement, Alla danza tedesca (in the style of a German dance), enjoys a relaxed, natural momentum, where witty chatter mimics some of what has gone before. Indeed, the progression of the quartet&rsquo;s six movements has a &ldquo;divertimento&rdquo; quality, harkening back to musically simpler summer afternoons in the eighteenth century.<\/p>\n<figure><a href=\"http://2.bp.blogspot.com/_R56ZYjfeN3o/TPb1Hdsw2LI/AAAAAAAAAII/yLI-I4C2qlA/s1600/Beethoven%2BOp.130.jpg\"><img alt=\"\" src=\"http://2.bp.blogspot.com/_R56ZYjfeN3o/TPb1Hdsw2LI/AAAAAAAAAII/yLI-I4C2qlA/s320/Beethoven%2BOp.130.jpg\"><\/img><\/a><\/figure>\n<p>Then comes the Cavatina. If the Andante is an intermezzo, the Cavatina, with its operatic title, is a preghiera (an aria in which the character pleads for divine assistance). On the manuscript, over one of the passages in the Cavatina, Beethoven scribbled &ldquo;anguished.&rdquo; He told a violinist of the quartet which premiered Op.130 that the mere memory of the Cavatina brought tears to his eyes. The basis of the Cavatina is only a three-part song, but its external simplicity can hardly mask the movement&rsquo;s intricately organized harmony and tortured, sob-broken melody. A Beethoven scholar says, &ldquo;It opens sotto voce, plunging the listener so immediately into a highly-charged emotional atmosphere that he has the sensation of having suddenly opened a door and intruded on a scene not meant for his ears.&rdquo; As Beethoven considered the Cavatina one of his greatest achievements, so history has agreed.<\/p>\n<p>The finale Beethoven wrote to follow the Cavatina was so rhythmically violent and ruthlessly dense in thought and texture it reduced its first audiences to confusion. Beethoven&rsquo;s friendly and publisher pleased with the composer to replace the finale of Op.130 with something else, something they could understand. Beethoven, who clearly loved the quartet as he wrote it, finally agreed to include an alternate finale (a Rondo that manages only to be an anticlimax to the Cavatina), on the condition that the original finale be published separately as Grosse Fuge, Op.133.<\/p>\n<p>Ironically, the fundamental structure of the Grosse Fugue is a highly lucid, well-behaved, traditional sonata form, consisting of an overture, a single variation, and a fugue unfolding slowly, uncompromisingly, and exhaustively, until it has surpassed the classical fugue by an immense distance. &ldquo;It is not difficult to write a fugue,&rdquo; said Beethoven, &ldquo;I wrote dozens of them when I was a student. But imagination also must have its due, and today another spirit, truly poetic, must enter into the ancient form.&rdquo; <\/p>","text":"The commission Beethoven received in 1822 from the posterity-conscious Prince Nikolaus Galitzin of St. Petersburg could hardly have been more generous: Beethoven was to compose a set of two or three quartets, to take as much time as he needed, and to name his own price. But work on the first two of these \u201clate\u201d quartets (Opp.127, 132) was perilous, for Beethoven suffered from ill health and had to literally rise from his sick bed to compose. This is not to say the composer\u2019s poor health was responsible for the pall that hovers over much of the music in these quartets, but we can happily acknowledge that the next quartet, Op.130, written when Beethoven was, if not healthy, at least relatively free of illness, is a sunnier work than its immediate predecessors. Op.130 also contains some of the densest and most labyrinthine music Beethoven ever wrote.\nDense and labyrinthine. That would be the Grosse Fuge, yes? But weeks before Beethoven arrived at that inconceivably rich contrapuntal monument, he wrote the first movement of Op.130, which abruptly changes tempo and mood, leaps and hurries forward only to interrupt itself with one-bar outbursts, grants absolute independence to each instrument to engage in elaborate conversational exchanges and create simultaneous patterns, and generally carries on in a manner as complex as any quartet writing until Bartok, a century later, picked up the Viennese master\u2019s gauntlet.\nOp.130 is, or as reputation has it, a Gordian knot of a quartet. However, its complexity does not go unrelieved. The brief and breathless second movement Presto is transparent as a good-natured joke. The Andante was called by Schumann \u201can intermezzo\u201d (a comic interlude played between the acts of a serious opera). And the fourth movement, Alla danza tedesca (in the style of a German dance), enjoys a relaxed, natural momentum, where witty chatter mimics some of what has gone before. Indeed, the progression of the quartet\u2019s six movements has a \u201cdivertimento\u201d quality, harkening back to musically simpler summer afternoons in the eighteenth century.\nThen comes the Cavatina. If the Andante is an intermezzo, the Cavatina, with its operatic title, is a preghiera (an aria in which the character pleads for divine assistance). On the manuscript, over one of the passages in the Cavatina, Beethoven scribbled \u201canguished.\u201d He told a violinist of the quartet which premiered Op.130 that the mere memory of the Cavatina brought tears to his eyes. The basis of the Cavatina is only a three-part song, but its external simplicity can hardly mask the movement\u2019s intricately organized harmony and tortured, sob-broken melody. A Beethoven scholar says, \u201cIt opens sotto voce, plunging the listener so immediately into a highly-charged emotional atmosphere that he has the sensation of having suddenly opened a door and intruded on a scene not meant for his ears.\u201d As Beethoven considered the Cavatina one of his greatest achievements, so history has agreed.\nThe finale Beethoven wrote to follow the Cavatina was so rhythmically violent and ruthlessly dense in thought and texture it reduced its first audiences to confusion. Beethoven\u2019s friendly and publisher pleased with the composer to replace the finale of Op.130 with something else, something they could understand. Beethoven, who clearly loved the quartet as he wrote it, finally agreed to include an alternate finale (a Rondo that manages only to be an anticlimax to the Cavatina), on the condition that the original finale be published separately as Grosse Fuge, Op.133.\nIronically, the fundamental structure of the Grosse Fugue is a highly lucid, well-behaved, traditional sonata form, consisting of an overture, a single variation, and a fugue unfolding slowly, uncompromisingly, and exhaustively, until it has surpassed the classical fugue by an immense distance. \u201cIt is not difficult to write a fugue,\u201d said Beethoven, \u201cI wrote dozens of them when I was a student. But imagination also must have its due, and today another spirit, truly poetic, must enter into the ancient form.\u201d","docId":94702153278,"gburl":"http://bartel.kusc.org/2010/12/beethovens-string-quartet-in-b-flat.html-diffbotxyz2669686337","lastCrawlTimeUTC":1458517030,"timestamp":"Sun, 20 Mar 2016 23:37:10 GMT"}
,
 {"faqs":[{"q":"What is the piece used by Jim Svejda as the theme for his evening show?","a":"Jim uses the third movement from Piano Quartet No. 1 by Bohuslav Martinu."},{"q":"How can I listen to KUSC on the Internet?","a":"Click on the Listen Now button at the top of this page, or click here to reach our streaming page. From there, you can download an audio player and select the stream that will work with your computer and Internet connection."},{"q":"Where do I find information about music I heard on KUSC?","a":"Click here to go to our playlist archives page. From there, select the date you heard the music on. You'll be able to view the complete playlist from that day."},{"q":"Can I buy music from KUSC?","a":"KUSC is non-profit radio station with no retail sales license. However, we can point you in the right direction! Click on any record label number on our playlist page, and if it is still in print, you'll be taken to ArkivMusic.com, our preferred online classical retailer. A portion of every purchase made through our website goes to support KUSC!"},{"q":"How do I become a KUSC member?","a":"Click here to donate to Classical KUSC. Or you can e-mail memberservices@kusc.org."},{"q":"Does KUSC need volunteers?","a":"Classical KUSC needs volunteers to assist the development staff with fulfillment and gift acknowledgements. Classical KUSC is located in downtown Los Angeles and parking is validated. Email your name, address, and telephone number to volunteers@kusc.org to receive information about volunteering."},{"q":"Is KUSC a non-profit tax-exempt institution and what is the federal tax ID number?","a":"Yes, KUSC is licensed and operated by the University of Southern California, and as such is tax-exempt 501(c)3. Federal tax ID#: 95-1642394. For more information on KUSC\u2019s operations and financials, please contact Minnie Prince at (213) 225-7400 or mprince@kusc.org."},{"q":"Does Classical KUSC accept Public Service Announcements (PSA)?","a":"Organizations may submit materials to Classical KUSC by email to kusc@kusc.org, by fax (213) 225-7410 or by standard mail, attn: Brian Lauritzen. The event MUST be arts related (classical music, dance, museum exhibit, lecture, etc..), and we MUST receive a press release or brief description at least two weeks prior to the event. No exceptions. Press releases that do not adhere to this will not be considered. Space is always limited, but we will do our best to accommodate all requests."},{"q":"How do I tune into KUSC's HD-Radio signal?","a":"First step is to purchase an HD-Radio receiver. Our Engineer recommends checking out one of the following sites to contact/purchase a receiver:\nwww.crutchfield.com/hdradio\nwww.ccrane.com\nwww.hdradio.com"},{"q":"What exactly is \"HD Radio\"?","a":"KUSC Director of Engineering, Ron Thompson recommends the following article as an introduction to this burgeoning field of HD Radio:\nhttp://electronics.howstuffworks.com/hd-radio.htm"},{"q":"What is Thornton Center Stage's opening and closing theme?","a":"\"Fanfare for Flora\" was composed by Douglas Lowry, in homage to Flora L. Thornton, a longtime Los Angeles philanthropist and patron of the arts, and the namesake of USC's School of Music. Douglas Lowry is a former USC professor and the current Dean of the Eastman School of Music. The piece is performed by the Thornton Symphony."},{"q":"How can I get better reception of KUSC?","a":"Having trouble receiving KUSC's FM signal? Click here for for some pointers and tips about improving your FM reception. Also, more tips are available by clicking here."},{"q":"Need Help?","a":"Contact Us\nFAQ\nInfo\nAbout Us\nCode of Integrity\nDonate Your Car\nLocal Public Files\nPress Releases\nSponsors\nStations\nUniversity of Southern California\nWays to Support KUSC\nKUSC.org\nBlogs\nConcerts\nHosts\nListen Online\nMembership\nPlaylists\nPodcasts\nPrograms\nStreaming Concerts\nKUSC Mobile\nTry the redesigned KUSC iPhone and iPad app or the Android app!\nStay Connected\n© 2016 KUSC. All rights reserved."}],"diffbotUri":"faq|3|1675224085","pageUrl":"http://www.kusc.org/faqs.aspx","type":"faq","title":"Frequently Asked Questions","docId":95235026459,"gburl":"http://www.kusc.org/faqs.aspx-diffbotxyz2158548818","lastCrawlTimeUTC":1458517055,"timestamp":"Sun, 20 Mar 2016 23:37:35 GMT"}
,
 {"date":"Wed, 24 Feb 2016 08:40:00 GMT","images":[{"naturalHeight":334,"width":500,"diffbotUri":"image|3|-802727538","title":"FIDM's Annual Movie Costume Exhibit","url":"https://farm2.staticflickr.com/1714/24870258719_d34c2852a5.jpg","naturalWidth":500,"primary":true,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|1065174451","url":"https://farm2.staticflickr.com/1634/25211649526_e88f443519.jpg","naturalWidth":500,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|73772382","title":"Jacqueline West designed The Revenant's costumes and is nominated for an Oscar.","url":"https://farm2.staticflickr.com/1686/25211649676_34e059aa54.jpg","naturalWidth":500,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|680302545","url":"https://farm2.staticflickr.com/1672/24611142143_e155bc7dd5.jpg","naturalWidth":500,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|-811688958","url":"https://farm2.staticflickr.com/1579/25237939625_7178d8ecc0.jpg","naturalWidth":500,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|-1794113063","title":"FIDM Spokesman Nick Verreos in front of costumes from Cinderella.","url":"https://farm2.staticflickr.com/1502/25237939645_de0aa47d74.jpg","naturalWidth":500,"height":334},{"naturalHeight":334,"width":500,"diffbotUri":"image|3|-1583684364","url":"https://farm2.staticflickr.com/1684/24611142213_80c3aa216b.jpg","naturalWidth":500,"height":334}],"author":"Sheila Tepper","estimatedDate":"Wed, 24 Feb 2016 08:40:00 GMT","diffbotUri":"article|3|1829552204","siteName":"KUSC","type":"article","title":"The Oscar-Nominated Costumes Up Close and Personal","tags":[{"score":0.78,"count":1,"label":"Emmanuel Lubezki","type":"person","uri":"http://dbpedia.org/resource/Emmanuel_Lubezki","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.69,"count":17,"label":"Film","uri":"http://dbpedia.org/resource/Film","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.64,"count":4,"label":"Academy Awards","uri":"http://dbpedia.org/resource/Academy_Awards","rdfTypes":["http://dbpedia.org/ontology/Award"]},{"score":0.62,"count":1,"label":"Jack Fisk","type":"person","uri":"http://dbpedia.org/resource/Jack_Fisk","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.6,"count":1,"label":"Hugh Glass","type":"person","uri":"http://dbpedia.org/resource/Hugh_Glass","rdfTypes":["http://dbpedia.org/ontology/Person"]},{"score":0.57,"count":2,"label":"The Revenant (2015 film)","uri":"http://dbpedia.org/resource/The_Revenant_(2015_film)","rdfTypes":["http://dbpedia.org/ontology/Film"]},{"score":0.56,"count":9,"label":"Costume","uri":"http://dbpedia.org/resource/Costume","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"breadcrumb":[{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Blog Home"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"},{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"KUSC Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671896","html":"<figure><a href=\"https://www.flickr.com/photos/21779481@N08/24870258719\"> <img alt=\"\" src=\"https://farm2.staticflickr.com/1714/24870258719_d34c2852a5.jpg\"><\/img> <\/a><figcaption><a href=\"https://www.flickr.com/photos/21779481@N08/24870258719\">FIDM's Annual Movie Costume Exhibit<\/a><\/figcaption><\/figure>\n<p>From now until April 30th, you can see the year's best movie costumes up close at the FIDM Museum. It's all part of their <a href=\"http://fidmmuseum.org/exhibitions/current/#24th-annual-art-of-motion-picture-costume-design\">24th annual Art of Motion Picture Costume Design exhibition<\/a>.<\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/25211649526/in/dateposted-public/\"><img alt=\"The Revenant\" src=\"https://farm2.staticflickr.com/1634/25211649526_e88f443519.jpg\"><\/img><\/a><\/figure>\n<p>Costumes from <em>The Revenant.<\/em><\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/25211649676/in/dateposted-public/\"><img alt=\"Jacqueline West\" src=\"https://farm2.staticflickr.com/1686/25211649676_34e059aa54.jpg\"><\/img><\/a><figcaption>Jacqueline West designed The Revenant's costumes and is nominated for an Oscar.<\/figcaption><\/figure>\n<p><strong>&quot;Working with Alejandro I&ntilde;&aacute;rritu drew me to this movie, because I have always loved his work. The other perk was working with Production Designer Jack Fisk and Cinematographer Emmanuel Lubezki. I've done six movies with the three of us all together, so we're kind of an ensemble. Plus, I have a ranch in South Dakota close to where this story took place. In that area Hugh Glass, the real life inspiration for Leonardo DiCaprio's character, is an icon. He was attacked by a bear and crawled from northern South Dakota to a fort in southern South Dakota with one broken leg, a dislocated ankle, shredded back, broken arm and he crawled all that way keeping the Black Hills on his right to guide him. Since this story was about him, I felt like I kind of had to do it. <\/strong><\/p>\n<p><strong>I primarily found out what 19th century frontiersman looked like from reading, because there aren't a lot of pictures or drawings. There are wonderful journals that many of the fur trappers kept on their expeditions that mention what the men wore, how their clothes were made, at what point did they get rid of their European clothing and start wearing leathers and furs. There was an incredible book I read early on called Forty Years a Fur Trapper, with the most brilliant descriptions about how when the men got off the boats in St. Louis, their clothes were so dirty and cover in bear grease after two years in the wilderness that you couldn't tell what they were made of. <\/strong><\/p>\n<p><strong>I tried to buy everything from First Nations, which is the equivalent of our Native Americans in Canada, so that the First Nations people would benefit from the film and be able to be a part of it. So most of the leathers came from a fur trading company that buys their furs from First Nations people. The bear skin was procured from the Canadian Parks Department from their lottery. So nothing was taken or killed just for the movie, everything was taken from animals that had been killed for food. <\/strong><\/p>\n<p><strong>Keeping everybody warm was a trick. People did survive that weather then. Now, people are not quite as rugged, so it was a combination of the leathers and furs, to keep them looking as authentic as possible, and things like polyurethane when they were going in the water. On the 40 below days, we had electrified clothing. I found that by a bicycle clothing maker in Calgary who was beginning to put LED's through gloves and socks for bicyclists in harsh conditions and he started making clothes for me for some of the actors who were going to be out on the ice for a sustained period of time. But it was still hard to keep them warm. One day Will Poulter's hair froze while he was sitting doing a scene.&quot; Jacqueline West<\/strong><\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/24611142143/in/dateposted-public/\"><img alt=\"Paco Delgado\" src=\"https://farm2.staticflickr.com/1672/24611142143_e155bc7dd5.jpg\"><\/img><\/a><\/figure>\n<p>Paco Delgado designed the look of <em>The Danish Girl<\/em>. He's up for an Oscar and won the Costume Designer Guild Award for Period Film<\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/25237939625/in/dateposted-public/\"><img alt=\"The Danish Girl\" src=\"https://farm2.staticflickr.com/1579/25237939625_7178d8ecc0.jpg\"><\/img><\/a><\/figure>\n<p>Costumes from <em>The Danish Girl.<\/em><\/p>\n<p><strong>&quot;I learned about this project when I was doing a very different kind of movie--a crazy, contemporary movie with Sacha Baron Cohen called <em>The Brothers Grimsby<\/em>. When I finish one project, I always feel like I should do something totally different for the next, so it felt like a good moment to go back to a period film, which I love. Also, I already worked with Tom Hooper and Eddie Redmayne on <em>Les Mis&eacute;rables.<\/em> Tom Hooper told me, &quot;I'm not going to tell you what the whole thing is about,&quot; and even though I knew about Lile Elbe, I didn't know she was &quot;The Danish Girl.&quot; At the beginning of reading the script, I thought it was just about two painters struggling to get better, because that's what the beginning of the movie is like. And then suddenly, I was reading that Gerda asks Einar to put some stockings on, and that has an amazing reaction in Einar's psyche. And then little by little, the story started to open up and I just loved it. I called Tom and I said, &quot;I really really have to do this movie.&quot;<\/strong><\/p>\n<p><strong>We actually had quite a small budget for costumes in this movie, because it was a little, and very intimate project. Tom Hooper, the director, wanted us to really think through the choices without having a lot of money, because he thinks this is the best way to create art. The first dress that Lile wears in the movie is a dress that she puts on for the artist ball and we just wanted to create an amazing impression of a very dramatic and theatrical dress. We found out that the fashion designer Jeanne Lanvin was creating at the end of the nineteen-teens and the beginning of the nineteen twenties, a style of clothes called Robe de Style, and we thought that was fantastic for Eddie Redmayne to wear because it was full in the waist, and very tasteful.<\/strong><\/p>\n<p><strong>There's a lot of blue in the costumes, because to me that was the color of Copenhagen, maybe it's because of Denmark's association with the sea. Also, some tones of blue can be very cold, but some can be warm. So blue became a leitmotif through the whole movie.<\/strong><\/p>\n<p><strong>We went to antique shops and flea markets to buy old dresses and re-make them into new dresses. It was a really really really nice project, because it felt very artistic. Sometimes when you work on bigger movies, you sit at a table and draw and draw and draw and aren't very hands on. But for this movie, it was a very hands on project.&quot; Paco Delgado<\/strong><\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/25237939645/in/dateposted-public/\"><img alt=\"Nick Verreos\" src=\"https://farm2.staticflickr.com/1502/25237939645_de0aa47d74.jpg\"><\/img><\/a><figcaption>FIDM Spokesman Nick Verreos in front of costumes from Cinderella.<\/figcaption><\/figure>\n<p><strong>&quot;We've got 100 costumes from more than 23 movies, including all the Academy Award-nominated movies. So you'll see costumes <em>Cinderella<\/em> and <em>Carol<\/em>, both done by costume designer Sandy Powell. You've got costumes from <em>Mad Max: Fury Road<\/em> done by Jenny Beaven, as well as the ones from The Revenant and The Danish Girl. And if that isn't enough, we also have the costumes from <em>Star Wars: The Force Awakens<\/em>, <em>Trumbo<\/em>, <em>Straight Outta Compton<\/em>, <em>Pitch Perfect<\/em>--there's such a great variety, especially this year. You'll see some period costumes, but also science fiction and contemporary. FIDM is a college, so we're here to instruct and we want to teach people about costume design. This is a town that's about movies, but also fashion. So this kind of exhibition is great for people who love both, and maybe some people who aren't necessarily interested in either, but find something here they want to see, like those <em>Star Wars<\/em> super fans.&quot; Nick Verreos<\/strong><\/p>\n<figure><a href=\"https://www.flickr.com/photos/21779481@N08/24611142213/in/dateposted-public/\"><img alt=\"Cinderella\" src=\"https://farm2.staticflickr.com/1684/24611142213_80c3aa216b.jpg\"><\/img><\/a><\/figure>\n<p>Costumes from <em>Cinderella.<\/em><\/p>\n<p>photos courtesy Susie Goodman<\/p>","text":"From now until April 30th, you can see the year's best movie costumes up close at the FIDM Museum. It's all part of their 24th annual Art of Motion Picture Costume Design exhibition.\nCostumes from The Revenant.\n\"Working with Alejandro Iñárritu drew me to this movie, because I have always loved his work. The other perk was working with Production Designer Jack Fisk and Cinematographer Emmanuel Lubezki. I've done six movies with the three of us all together, so we're kind of an ensemble. Plus, I have a ranch in South Dakota close to where this story took place. In that area Hugh Glass, the real life inspiration for Leonardo DiCaprio's character, is an icon. He was attacked by a bear and crawled from northern South Dakota to a fort in southern South Dakota with one broken leg, a dislocated ankle, shredded back, broken arm and he crawled all that way keeping the Black Hills on his right to guide him. Since this story was about him, I felt like I kind of had to do it.\nI primarily found out what 19th century frontiersman looked like from reading, because there aren't a lot of pictures or drawings. There are wonderful journals that many of the fur trappers kept on their expeditions that mention what the men wore, how their clothes were made, at what point did they get rid of their European clothing and start wearing leathers and furs. There was an incredible book I read early on called Forty Years a Fur Trapper, with the most brilliant descriptions about how when the men got off the boats in St. Louis, their clothes were so dirty and cover in bear grease after two years in the wilderness that you couldn't tell what they were made of.\nI tried to buy everything from First Nations, which is the equivalent of our Native Americans in Canada, so that the First Nations people would benefit from the film and be able to be a part of it. So most of the leathers came from a fur trading company that buys their furs from First Nations people. The bear skin was procured from the Canadian Parks Department from their lottery. So nothing was taken or killed just for the movie, everything was taken from animals that had been killed for food.\nKeeping everybody warm was a trick. People did survive that weather then. Now, people are not quite as rugged, so it was a combination of the leathers and furs, to keep them looking as authentic as possible, and things like polyurethane when they were going in the water. On the 40 below days, we had electrified clothing. I found that by a bicycle clothing maker in Calgary who was beginning to put LED's through gloves and socks for bicyclists in harsh conditions and he started making clothes for me for some of the actors who were going to be out on the ice for a sustained period of time. But it was still hard to keep them warm. One day Will Poulter's hair froze while he was sitting doing a scene.\" Jacqueline West\nPaco Delgado designed the look of The Danish Girl. He's up for an Oscar and won the Costume Designer Guild Award for Period Film\nCostumes from The Danish Girl.\n\"I learned about this project when I was doing a very different kind of movie--a crazy, contemporary movie with Sacha Baron Cohen called The Brothers Grimsby. When I finish one project, I always feel like I should do something totally different for the next, so it felt like a good moment to go back to a period film, which I love. Also, I already worked with Tom Hooper and Eddie Redmayne on Les Misérables. Tom Hooper told me, \"I'm not going to tell you what the whole thing is about,\" and even though I knew about Lile Elbe, I didn't know she was \"The Danish Girl.\" At the beginning of reading the script, I thought it was just about two painters struggling to get better, because that's what the beginning of the movie is like. And then suddenly, I was reading that Gerda asks Einar to put some stockings on, and that has an amazing reaction in Einar's psyche. And then little by little, the story started to open up and I just loved it. I called Tom and I said, \"I really really have to do this movie.\"\nWe actually had quite a small budget for costumes in this movie, because it was a little, and very intimate project. Tom Hooper, the director, wanted us to really think through the choices without having a lot of money, because he thinks this is the best way to create art. The first dress that Lile wears in the movie is a dress that she puts on for the artist ball and we just wanted to create an amazing impression of a very dramatic and theatrical dress. We found out that the fashion designer Jeanne Lanvin was creating at the end of the nineteen-teens and the beginning of the nineteen twenties, a style of clothes called Robe de Style, and we thought that was fantastic for Eddie Redmayne to wear because it was full in the waist, and very tasteful.\nThere's a lot of blue in the costumes, because to me that was the color of Copenhagen, maybe it's because of Denmark's association with the sea. Also, some tones of blue can be very cold, but some can be warm. So blue became a leitmotif through the whole movie.\nWe went to antique shops and flea markets to buy old dresses and re-make them into new dresses. It was a really really really nice project, because it felt very artistic. Sometimes when you work on bigger movies, you sit at a table and draw and draw and draw and aren't very hands on. But for this movie, it was a very hands on project.\" Paco Delgado\n\"We've got 100 costumes from more than 23 movies, including all the Academy Award-nominated movies. So you'll see costumes Cinderella and Carol, both done by costume designer Sandy Powell. You've got costumes from Mad Max: Fury Road done by Jenny Beaven, as well as the ones from The Revenant and The Danish Girl. And if that isn't enough, we also have the costumes from Star Wars: The Force Awakens, Trumbo, Straight Outta Compton, Pitch Perfect--there's such a great variety, especially this year. You'll see some period costumes, but also science fiction and contemporary. FIDM is a college, so we're here to instruct and we want to teach people about costume design. This is a town that's about movies, but also fashion. So this kind of exhibition is great for people who love both, and maybe some people who aren't necessarily interested in either, but find something here they want to see, like those Star Wars super fans.\" Nick Verreos\nCostumes from Cinderella.\nphotos courtesy Susie Goodman","docId":97868934709,"gburl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671896-diffbotxyz3527481590","lastCrawlTimeUTC":1458516935,"timestamp":"Sun, 20 Mar 2016 23:35:35 GMT"}
,
{"naturalHeight":256,"width":150,"diffbotUri":"image|3|-967300381","type":"image","url":"http://2.bp.blogspot.com/_R56ZYjfeN3o/TE5DqlOD4YI/AAAAAAAAAG4/LbcvgtisWQk/s320/Ravel+with+cat.jpg","naturalWidth":150,"height":256,"docId":100475285039,"gburl":"http://bartel.kusc.org/2008/09/ravel-photo-essay.html-diffbotxyz723039363","lastCrawlTimeUTC":1458517044,"timestamp":"Sun, 20 Mar 2016 23:37:24 GMT"}
,
 {"date":"Tue, 10 May 2011 00:00:00 GMT","images":[{"naturalHeight":312,"width":160,"diffbotUri":"image|3|-1783745663","url":"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5BZpcR0TI/AAAAAAAAAGY/jyXTCQz2YEI/s320/Ravel+as+child.jpg","naturalWidth":160,"primary":true,"height":312},{"naturalHeight":188,"width":240,"diffbotUri":"image|3|-979352799","url":"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5CApnt7kI/AAAAAAAAAGg/bH6GXREksdY/s320/Ravel+at+piano.jpg","naturalWidth":240,"height":188},{"naturalHeight":279,"width":200,"diffbotUri":"image|3|192915057","url":"http://1.bp.blogspot.com/_R56ZYjfeN3o/TE5C0d0XWSI/AAAAAAAAAGw/AHx4myZCNi0/s320/Ravel.jpg","naturalWidth":200,"height":279},{"naturalHeight":256,"width":150,"diffbotUri":"image|3|-967300381","url":"http://2.bp.blogspot.com/_R56ZYjfeN3o/TE5DqlOD4YI/AAAAAAAAAG4/LbcvgtisWQk/s320/Ravel+with+cat.jpg","naturalWidth":150,"height":256}],"estimatedDate":"Tue, 10 May 2011 00:00:00 GMT","icon":"https://www.blogger.com/favicon.ico","diffbotUri":"article|3|1491405272","siteName":"kusc.org","type":"article","title":"Ravel Photo Essay","tags":[{"score":0.92,"count":20,"label":"Maurice Ravel","uri":"http://dbpedia.org/resource/Maurice_Ravel","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.56,"count":3,"label":"France","uri":"http://dbpedia.org/resource/France","rdfTypes":["http://dbpedia.org/ontology/Country"]},{"score":0.53,"count":1,"label":"Versoix","uri":"http://dbpedia.org/resource/Versoix","rdfTypes":["http://dbpedia.org/ontology/Settlement"]}],"humanLanguage":"en","pageUrl":"http://bartel.kusc.org/2008/09/ravel-photo-essay.html","html":"<p>Ravel's family heritage can be traced to the Collogessous-Saleve, a village in France's Haute-Savoie, home to Ravel's grandfather Aime Ravel. Aime moved his family to Versoix, outside of Geneva, and became a Swiss citizen. Ravel's father, Pierre Joseph Ravel, was born there in 1832, one of five children. He pursued a career as an engineer, and would eventually play a role in France's developing automobile industry. He also maintained an interest in music.<\/p>\n<figure><a href=\"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5BZpcR0TI/AAAAAAAAAGY/jyXTCQz2YEI/s1600/Ravel+as+child.jpg\"><img alt=\"\" src=\"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5BZpcR0TI/AAAAAAAAAGY/jyXTCQz2YEI/s320/Ravel+as+child.jpg\"><\/img><\/a><\/figure>\n<p>Ravel's mother, Marie Delouart, was of Basque descent. She spoke French well, but never learned to write it. Ravel was her first child, born when she was thirty-five. Her second and final child was Edouard, and it was no secret in the Ravel home that Maurice was his mother's favorite. She is said to have sung Spanish folk melodies to him in his cradle, and mother and child were very close all their life together. Three years after her death, when Ravel was thirty-nine, he wrote to a friend, &quot;My despair increases daily. I'm thinking about it even more, since I have resumed work, that I no longer have this dear silent presence enveloping me with her infinite tenderness, which was, I see it now more than ever, my only reason for living.&quot;<\/p>\n<p>At a time and place when school attendance was not mandatory, Ravel did not attend school until he entered the Paris Conservatory at age fourteen. In matters of literature, history, science, etc., he was home-schooled. But his parents are said to have been sensitive, devoted and intelligent people, and Ravel grew up with a keen curiosity for a wide range of interests.<\/p>\n<figure><a href=\"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5CApnt7kI/AAAAAAAAAGg/bH6GXREksdY/s1600/Ravel+at+piano.jpg\"><img alt=\"\" src=\"http://4.bp.blogspot.com/_R56ZYjfeN3o/TE5CApnt7kI/AAAAAAAAAGg/bH6GXREksdY/s320/Ravel+at+piano.jpg\"><\/img><\/a><\/figure>\n<p>His fourteen years at the Conservatory have been described as &quot;largely marked by one academic failure after another, but nonetheless a time of immense growth.&quot; As a pianist Ravel played a wide variety of 19th-century piano music, including works by Mendelssohn, Franck, Rimsky-Korsakov, Balakirev and Borodin, and analyzed the standard works of the Baroque, Classical and Romantic periods, notably the music of Mozart.<\/p>\n<p>Ravel's lifelong friend the pianist Marguerite Long once asked and answered the question, &quot;What place had Ravel for love? It seemed that there as none. One day I said to him: 'Maurice, you ought to marry. Nobody understands and loves children as you do. Get rid of your hermit life and have a real home.' Ravel replied: 'Love never rises above the licentious.'<\/p>\n<figure><a href=\"http://1.bp.blogspot.com/_R56ZYjfeN3o/TE5C0d0XWSI/AAAAAAAAAGw/AHx4myZCNi0/s1600/Ravel.jpg\"><img alt=\"\" src=\"http://1.bp.blogspot.com/_R56ZYjfeN3o/TE5C0d0XWSI/AAAAAAAAAGw/AHx4myZCNi0/s320/Ravel.jpg\"><\/img><\/a><\/figure>\n<p>This 'licentiousness' he was willing, within moderation, to allow to some street-walking Venus; what remained beyond that would have turned his life upside-down and he did not find the idea an encouraging one. One evening Ravel, as timid men sometimes do, asked a woman he had known for a long time to marry him. She burst out laughing and said to all and sundry: 'Ravel is crazy; he wants to marry me.' From that time he abandoned all idea of disrupting his solitude.&quot;<\/p>\n<figure><a href=\"http://2.bp.blogspot.com/_R56ZYjfeN3o/TE5DqlOD4YI/AAAAAAAAAG4/LbcvgtisWQk/s1600/Ravel+with+cat.jpg\"><img alt=\"\" src=\"http://2.bp.blogspot.com/_R56ZYjfeN3o/TE5DqlOD4YI/AAAAAAAAAG4/LbcvgtisWQk/s320/Ravel+with+cat.jpg\"><\/img><\/a><\/figure>\n<p>Ravel explained his reluctance to marry this way: &quot;You see, an artist has to be very careful when he wants to marry someone, because an artist never realizes his capacity for making his companion miserable. He's obsessed by his creative work and by the problems it poses. He lives a bit like a daydreamer and it's no joke for the woman he lives with. One always has to think of that when one wants to get married.&quot;<\/p>\n<p>Hermit life is not entirely accurate. From age 46 until his death at 62, Ravel lived at his villa Le Belv&eacute;d&egrave;re Montfort l'Amaury, with ten cats to which he spoke &quot;cat language.&quot; <\/p>","text":"Ravel's family heritage can be traced to the Collogessous-Saleve, a village in France's Haute-Savoie, home to Ravel's grandfather Aime Ravel. Aime moved his family to Versoix, outside of Geneva, and became a Swiss citizen. Ravel's father, Pierre Joseph Ravel, was born there in 1832, one of five children. He pursued a career as an engineer, and would eventually play a role in France's developing automobile industry. He also maintained an interest in music.\nRavel's mother, Marie Delouart, was of Basque descent. She spoke French well, but never learned to write it. Ravel was her first child, born when she was thirty-five. Her second and final child was Edouard, and it was no secret in the Ravel home that Maurice was his mother's favorite. She is said to have sung Spanish folk melodies to him in his cradle, and mother and child were very close all their life together. Three years after her death, when Ravel was thirty-nine, he wrote to a friend, \"My despair increases daily. I'm thinking about it even more, since I have resumed work, that I no longer have this dear silent presence enveloping me with her infinite tenderness, which was, I see it now more than ever, my only reason for living.\"\nAt a time and place when school attendance was not mandatory, Ravel did not attend school until he entered the Paris Conservatory at age fourteen. In matters of literature, history, science, etc., he was home-schooled. But his parents are said to have been sensitive, devoted and intelligent people, and Ravel grew up with a keen curiosity for a wide range of interests.\nHis fourteen years at the Conservatory have been described as \"largely marked by one academic failure after another, but nonetheless a time of immense growth.\" As a pianist Ravel played a wide variety of 19th-century piano music, including works by Mendelssohn, Franck, Rimsky-Korsakov, Balakirev and Borodin, and analyzed the standard works of the Baroque, Classical and Romantic periods, notably the music of Mozart.\nRavel's lifelong friend the pianist Marguerite Long once asked and answered the question, \"What place had Ravel for love? It seemed that there as none. One day I said to him: 'Maurice, you ought to marry. Nobody understands and loves children as you do. Get rid of your hermit life and have a real home.' Ravel replied: 'Love never rises above the licentious.'\nThis 'licentiousness' he was willing, within moderation, to allow to some street-walking Venus; what remained beyond that would have turned his life upside-down and he did not find the idea an encouraging one. One evening Ravel, as timid men sometimes do, asked a woman he had known for a long time to marry him. She burst out laughing and said to all and sundry: 'Ravel is crazy; he wants to marry me.' From that time he abandoned all idea of disrupting his solitude.\"\nRavel explained his reluctance to marry this way: \"You see, an artist has to be very careful when he wants to marry someone, because an artist never realizes his capacity for making his companion miserable. He's obsessed by his creative work and by the problems it poses. He lives a bit like a daydreamer and it's no joke for the woman he lives with. One always has to think of that when one wants to get married.\"\nHermit life is not entirely accurate. From age 46 until his death at 62, Ravel lived at his villa Le Belvédère Montfort l'Amaury, with ten cats to which he spoke \"cat language.\"","docId":104975969806,"gburl":"http://bartel.kusc.org/2008/09/ravel-photo-essay.html-diffbotxyz3920637348","lastCrawlTimeUTC":1458517044,"timestamp":"Sun, 20 Mar 2016 23:37:24 GMT"}
,
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,
 {"images":[{"naturalHeight":250,"width":375,"diffbotUri":"image|3|-2110521248","url":"http://www.kusc.org/Pics/hosts/gail-eichenthal.jpg","naturalWidth":373,"primary":true,"height":252}],"breadcrumb":[{"link":"http://www.kusc.org/Channels/hosts/home.aspx","name":"Hosts"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"Programs"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|1839379640","siteName":"KUSC","pageUrl":"http://www.kusc.org/hosts/gail-eichenthal.aspx","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/hosts/gail-eichenthal.jpg\"><\/img><\/figure>\n<p>Gail Eichenthal is Executive Producer of KUSC and our sister station in San Francisco, KDFC. For both stations, she oversees arts coverage, concert broadcasts, and live productions.<\/p>\n<p>After more or less growing up at KUSC in the late 1970&rsquo;s and 80&rsquo;s, Gail rejoined the KUSC staff in 2005 following an absence of 16 years, during which she pursued a broadcast news career.<\/p>\n<p>Gail began her association with KUSC as Abram Chasins Intern in 1976, joining the staff the following year, as an editor, on-air host, and documentary producer. She began her association with the LA Philharmonic in 1978, becoming the first woman to host the radio broadcasts of a major American orchestra. Gail handed the LA Phil baton (well, microphone) over to KUSC colleague Brian Lauritzen in 2008.<\/p>\n<p>From 1994-2005, Gail was a staff news reporter and news anchor at KNX-AM, the CBS News station in Los Angeles. At KNX, she picked up 13 Golden Mikes, the Bill Stout Enterprise Award, Associated Press awards, and other regional and national honors.<\/p>\n<p>Gail has also published articles for the LA Times Calendar, LA Times Sunday Magazine, and Symphony Magazine.<\/p>","text":"Gail Eichenthal is Executive Producer of KUSC and our sister station in San Francisco, KDFC. For both stations, she oversees arts coverage, concert broadcasts, and live productions.\nAfter more or less growing up at KUSC in the late 1970\u2019s and 80\u2019s, Gail rejoined the KUSC staff in 2005 following an absence of 16 years, during which she pursued a broadcast news career.\nGail began her association with KUSC as Abram Chasins Intern in 1976, joining the staff the following year, as an editor, on-air host, and documentary producer. She began her association with the LA Philharmonic in 1978, becoming the first woman to host the radio broadcasts of a major American orchestra. Gail handed the LA Phil baton (well, microphone) over to KUSC colleague Brian Lauritzen in 2008.\nFrom 1994-2005, Gail was a staff news reporter and news anchor at KNX-AM, the CBS News station in Los Angeles. At KNX, she picked up 13 Golden Mikes, the Bill Stout Enterprise Award, Associated Press awards, and other regional and national honors.\nGail has also published articles for the LA Times Calendar, LA Times Sunday Magazine, and Symphony Magazine.","type":"article","title":"Gail Eichenthal","tags":[{"score":0.58,"count":5,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.51,"count":1,"label":"KDFC","uri":"http://dbpedia.org/resource/KDFC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]}],"docId":107863830056,"gburl":"http://www.kusc.org/hosts/gail-eichenthal.aspx-diffbotxyz106166793","lastCrawlTimeUTC":1458516951,"timestamp":"Sun, 20 Mar 2016 23:35:51 GMT"}
,
 {"date":"Thu, 18 Feb 2016 09:09:00 GMT","author":"Gail Eichenthal","estimatedDate":"Thu, 18 Feb 2016 09:09:00 GMT","diffbotUri":"article|3|988091460","siteName":"KUSC","videos":[{"diffbotUri":"video|3|-710778082","url":"https://www.youtube.com/embed/14ujeaLF6hs","primary":true},{"diffbotUri":"video|3|685268088","url":"https://www.youtube.com/embed/RfHm-Gxv3-8","primary":true}],"type":"article","title":"A KUSC Tribute to Composer Steven Stucky","tags":[{"score":0.97,"count":7,"label":"Steven Stucky","uri":"http://dbpedia.org/resource/Steven_Stucky","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.74,"count":4,"label":"Composer","uri":"http://dbpedia.org/resource/Composer","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.68,"count":2,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.63,"count":1,"label":"Tribute (1980 film)","uri":"http://dbpedia.org/resource/Tribute_(1980_film)","rdfTypes":["http://dbpedia.org/ontology/Film"]},{"score":0.55,"count":4,"label":"Los Angeles Philharmonic","uri":"http://dbpedia.org/resource/Los_Angeles_Philharmonic","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.53,"count":2,"label":"The Classical Style","uri":"http://dbpedia.org/resource/The_Classical_Style","rdfTypes":["http://dbpedia.org/ontology/Book"]},{"score":0.52,"count":3,"label":"Conducting","uri":"http://dbpedia.org/resource/Conducting","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.51,"count":2,"label":"Musicology","uri":"http://dbpedia.org/resource/Musicology","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"breadcrumb":[{"link":"http://www.kusc.org/blog/artsalive/home.aspx?BlogID=1003192","name":"Blog Home"},{"link":"http://www.kusc.org/Blog/bartel/home.aspx?BlogID=1003097","name":"Bartel's Blog"},{"link":"http://www.kusc.org/Blog/kusc/home.aspx?BlogID=1003151","name":"KUSC Blog"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671884","html":"<p>My only quibble with <a href=\"http://www.latimes.com/entertainment/arts/classical/la-et-cm-steven-stucky-appreciation-20160217-column.html\">Mark Swed&rsquo;s lovely and thoughtful memorial tribute<\/a> to composer, teacher, conductor, and musicologist Steven Stucky in the LA Times is this sentence: &ldquo;Everybody, and I mean everybody, liked Stucky.&rdquo; I would simply exchange the word &lsquo;liked&rsquo; for &lsquo;loved&rsquo;.<\/p>\n<p>Stucky, who died Sunday at 66 of brain cancer, was blessed with a rare combination of brilliance and modesty. He was so affable that it was sometimes hard to square the native Kansan&rsquo;s self-deprecating humor with the glittering genius of his achievements, both as a Pulitzer Prize-winning composer and as an influential teacher for decades at Cornell, his alma mater, and more recently at the Juilliard School.<\/p>\n<p>Steve&rsquo;s 21-year association with the LA Philharmonic as its composer-in-residence and new music advisor is believed to be the longest such partnership in American music, and has had far-reaching impact. He acted as a tour guide through the contemporary American orchestral repertoire for the orchestra&rsquo;s longtime music director, Esa-Pekka Salonen. Together, along with LA Phil top brass Ernest Fleischmann and then Deborah Borda, they reinvented the American orchestra. They also formed a great friendship.<\/p>\n<p>On a personal note, those years in L.A. afforded my KUSC colleagues and me the chance to get to know Steve well, and to interview him frequently. We never encountered a finer intellect, a gentler soul, or a more generous colleague. We will always cherish his music, his friendship, his memory.<\/p>\n<p>Last spring, KUSC&rsquo;s Sheila Tepper interviewed Steve about his new Piano Sonata. Gloria Cheng was about to play the world premiere at <a href=\"http://pianospheres.org/\">PianoSpheres<\/a> in April 2015.<\/p>\n<figure><iframe frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/201909284&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\"><\/iframe><\/figure>\n<p>In June 2014, Steven Stucky made a big splash at the Ojai Festival with his new opera written in collaboration with pianist and writer Jeremy Denk, improbably based on Charles Rosen&rsquo;s musicology tome, &ldquo;The Classical Style&rdquo;. Typically, Stucky called it an &ldquo;Opera of Sorts&rdquo;. Yet Mark Swed has dubbed it one of the &ldquo;tiny but important handful of great American comic operas, the kind that can gently help us get through the day.&rdquo; At an Ojai caf&eacute; during the Festival, I asked Steve how this strange and wonderful project came about. He told me he entered kicking and screaming.<\/p>\n<figure><iframe frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/247726178&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\"><\/iframe><\/figure>\n<p>Below are a couple of the many great recordings of Steven Stucky&rsquo;s music (the complete discography is at his website <a href=\"http://www.stevenstucky.com/recordings.shtml\">here<\/a>).<\/p>\n<p><em>Son et Lumi&egrave;re<\/em>, written in 1988, was one of Stucky&rsquo;s first orchestral works to be played by the LA Philharmonic, led by then music director Andr&eacute; Previn. Here is a performance by the Albany Symphony conducted by its music director, former LA Phil Associate Conductor David Alan Miller.<\/p>\n<figure><iframe frameborder=\"0\" src=\"https://www.youtube.com/embed/14ujeaLF6hs\"><\/iframe><\/figure>\n<p>Throughout his career, Stucky also wrote prolifically for the human voice, from art songs to choral works to an acclaimed oratorio, <em>August 4, 1964,<\/em> to &ldquo;The Classical Style, An Opera of Sorts.&rdquo; Here is one of his Cradle Songs, a carol of consolation, sung by Chanticleer<\/p>\n<figure><iframe frameborder=\"0\" src=\"https://www.youtube.com/embed/RfHm-Gxv3-8\"><\/iframe><\/figure>","text":"My only quibble with Mark Swed\u2019s lovely and thoughtful memorial tribute to composer, teacher, conductor, and musicologist Steven Stucky in the LA Times is this sentence: \u201cEverybody, and I mean everybody, liked Stucky.\u201d I would simply exchange the word \u2018liked\u2019 for \u2018loved\u2019.\nStucky, who died Sunday at 66 of brain cancer, was blessed with a rare combination of brilliance and modesty. He was so affable that it was sometimes hard to square the native Kansan\u2019s self-deprecating humor with the glittering genius of his achievements, both as a Pulitzer Prize-winning composer and as an influential teacher for decades at Cornell, his alma mater, and more recently at the Juilliard School.\nSteve\u2019s 21-year association with the LA Philharmonic as its composer-in-residence and new music advisor is believed to be the longest such partnership in American music, and has had far-reaching impact. He acted as a tour guide through the contemporary American orchestral repertoire for the orchestra\u2019s longtime music director, Esa-Pekka Salonen. Together, along with LA Phil top brass Ernest Fleischmann and then Deborah Borda, they reinvented the American orchestra. They also formed a great friendship.\nOn a personal note, those years in L.A. afforded my KUSC colleagues and me the chance to get to know Steve well, and to interview him frequently. We never encountered a finer intellect, a gentler soul, or a more generous colleague. We will always cherish his music, his friendship, his memory.\nLast spring, KUSC\u2019s Sheila Tepper interviewed Steve about his new Piano Sonata. Gloria Cheng was about to play the world premiere at PianoSpheres in April 2015.\nIn June 2014, Steven Stucky made a big splash at the Ojai Festival with his new opera written in collaboration with pianist and writer Jeremy Denk, improbably based on Charles Rosen\u2019s musicology tome, \u201cThe Classical Style\u201d. Typically, Stucky called it an \u201cOpera of Sorts\u201d. Yet Mark Swed has dubbed it one of the \u201ctiny but important handful of great American comic operas, the kind that can gently help us get through the day.\u201d At an Ojai café during the Festival, I asked Steve how this strange and wonderful project came about. He told me he entered kicking and screaming.\nBelow are a couple of the many great recordings of Steven Stucky\u2019s music (the complete discography is at his website here).\nSon et Lumière, written in 1988, was one of Stucky\u2019s first orchestral works to be played by the LA Philharmonic, led by then music director André Previn. Here is a performance by the Albany Symphony conducted by its music director, former LA Phil Associate Conductor David Alan Miller.\nThroughout his career, Stucky also wrote prolifically for the human voice, from art songs to choral works to an acclaimed oratorio, August 4, 1964, to \u201cThe Classical Style, An Opera of Sorts.\u201d Here is one of his Cradle Songs, a carol of consolation, sung by Chanticleer","docId":110606937662,"gburl":"http://www.kusc.org/blog/artsalive/blogentry.aspx?BlogEntryID=10671884-diffbotxyz1864448372","lastCrawlTimeUTC":1458517048,"timestamp":"Sun, 20 Mar 2016 23:37:28 GMT"}
,
 {"images":[{"naturalHeight":250,"width":375,"diffbotUri":"image|3|-1553808462","url":"http://www.kusc.org/Pics/hosts/duff-murphy.jpg","naturalWidth":373,"primary":true,"height":252}],"breadcrumb":[{"link":"http://www.kusc.org/Channels/hosts/home.aspx","name":"Hosts"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"Programs"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-639032717","siteName":"KUSC","pageUrl":"http://www.kusc.org/hosts/duff-murphy.aspx","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/hosts/duff-murphy.jpg\"><\/img><\/figure>\n<p>On Saturday mornings 9:00 - 12:00 noon, busy Los Angeles attorney Duff Murphy trades depositions for divas and other things operatic as host of Classical KUSC's popular &quot;Opera Show.&quot; The erudite and enthusiastic world class opera fan has been presenting opera on Los Angeles radio for many years, having joined Classical KUSC in 1994. During the Metropolitan Opera's December to April season, he introduces opera's historic performances and colorful personages; and during the Met's off-season he features favorites among composers, conductors and artists. Recognizing that operatic music spans generations, continents and centuries, Murphy imbues each program with a range of musical historical experience, often creating programs around specific themes.<\/p>","text":"On Saturday mornings 9:00 - 12:00 noon, busy Los Angeles attorney Duff Murphy trades depositions for divas and other things operatic as host of Classical KUSC's popular \"Opera Show.\" The erudite and enthusiastic world class opera fan has been presenting opera on Los Angeles radio for many years, having joined Classical KUSC in 1994. During the Metropolitan Opera's December to April season, he introduces opera's historic performances and colorful personages; and during the Met's off-season he features favorites among composers, conductors and artists. Recognizing that operatic music spans generations, continents and centuries, Murphy imbues each program with a range of musical historical experience, often creating programs around specific themes.","type":"article","title":"Duff Murphy","tags":[{"score":0.6,"count":2,"label":"Los Angeles","uri":"http://dbpedia.org/resource/Los_Angeles","rdfTypes":["http://dbpedia.org/ontology/City"]},{"score":0.56,"count":5,"label":"Opera","uri":"http://dbpedia.org/resource/Opera","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":116632841738,"gburl":"http://www.kusc.org/hosts/duff-murphy.aspx-diffbotxyz2683064144","lastCrawlTimeUTC":1458517018,"timestamp":"Sun, 20 Mar 2016 23:36:58 GMT"}
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 {"breadcrumb":[{"link":"http://www.kusc.org","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"All Programs"}],"originalType":"other","humanLanguage":"en","diffbotUri":"article|3|-629718631","siteName":"KUSC","pageUrl":"http://www.kusc.org/fromthetop/index.aspx","html":"<p>Sundays at 6 p.m.<\/p>\n<p>From the Top is hosted by Christopher O'Riley and celebrates the passion, dedication and personal stories of the nation's outstanding young classical musicians. Through entertaining live events and outreach programs, these performers inspire the pursuit of excellence and encourage participation in the arts as an integral part of a vibrant and civil society.<\/p>\n<p><a href=\"http://www.kusc.org/localvocals\">KUSC Local Vocals High School Choir Competition<\/a><\/p>","text":"Sundays at 6 p.m.\nFrom the Top is hosted by Christopher O'Riley and celebrates the passion, dedication and personal stories of the nation's outstanding young classical musicians. Through entertaining live events and outreach programs, these performers inspire the pursuit of excellence and encourage participation in the arts as an integral part of a vibrant and civil society.\nKUSC Local Vocals High School Choir Competition","type":"article","title":"From the Top with Christopher O'Riley","tags":[{"score":0.94,"count":2,"label":"From the Top","uri":"http://dbpedia.org/resource/From_the_Top"},{"score":0.88,"count":2,"label":"Christopher O'Riley","uri":"http://dbpedia.org/resource/Christopher_O'Riley"}],"docId":121493777957,"gburl":"http://www.kusc.org/fromthetop/index.aspx-diffbotxyz3645137224","lastCrawlTimeUTC":1458516957,"timestamp":"Sun, 20 Mar 2016 23:35:57 GMT"}
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,
 {"images":[{"naturalHeight":166,"width":325,"diffbotUri":"image|3|2043637306","url":"http://www.kusc.org/Pics/Donations/donate-car-new.jpg","naturalWidth":325,"primary":true,"height":166}],"breadcrumb":[{"link":"http://www.kusc.org/membership","name":"Membership"},{"link":"http://www.kusc.org/leadership","name":"Leadership Circle"},{"link":"http://www.kusc.org/legacy","name":"Legacy Society"},{"link":"http://www.kusc.org/donatecar","name":"Donate Your Car"},{"link":"http://www.kusc.org/membership/membership-faqs.aspx","name":"FAQ's"}],"humanLanguage":"en","diffbotUri":"article|3|-1611848369","siteName":"KUSC","pageUrl":"http://www.kusc.org/donatecar/","html":"<figure><img alt=\"\" src=\"http://www.kusc.org/Pics/Donations/donate-car-new.jpg\"><\/img><\/figure>\n<p>Do you have a vehicle that you&rsquo;re thinking of trading in or that you simply don&rsquo;t drive any longer? You can support Classical KUSC by donating your used car, motorcycle, RV, or boat. Just call toll free 1-877-KUSC-CAR (1-877-587-2227) for information and to schedule a pickup that&rsquo;s convenient for you - or click here:<\/p>\n<p>You don&rsquo;t have to go through any extra hassles such as getting a smog check or going to the DMV. As our thanks, you will receive a one-year membership in Classical KUSC!<\/p>\n<h2>What are the benefits of donating my car to Classical KUSC?<\/h2>\n<p>KUSC benefits by receiving a cash donation to fund its classical music and arts programming. You benefit by being able to reduce your taxable income when taxes are itemized. Plus you avoid the costs associated with selling your car. No need to pay for advertising, no loss of privacy and possible security risk, and no need to pay for vehicle registration, insurance, and repairs to keep your car in running condition while you wait for a buyer.<\/p>\n<h2>Does my car have to be running to donate it?<\/h2>\n<p>In some cases we can take your car, running or not. However, it must have an engine and be tow-able. Contact a representative at 1-877-KUSC-CAR (877-587-2227) to find out if your vehicle qualifies for pick-up.<\/p>\n<h2>Do you only accept cars for donation?<\/h2>\n<p>Many types of motor vehicles are accepted including boats, motorcycles, trucks, and cars. If you are uncertain as to whether or not your vehicle is eligible, please contact the vehicle donation program toll free at 1-877-KUSC-CAR (877-587-2227).<\/p>\n<h2>How long will it take to pick up my vehicle?<\/h2>\n<p>We make donating your car as simple and convenient as possible. A tow company will contact you within two to three business days.<\/p>\n<h2>Do I have to be with the vehicle at the time of pick-up?<\/h2>\n<p>No, special arrangements can be made by calling our representative.<\/p>\n<h2>What paperwork do I need?<\/h2>\n<p>The only paperwork needed is a signed, clear title (pink slip California only). Have your title with you when you call-in your donation. [Please note: a clear title indicates the title is in the name of the donor without a lien].<\/p>\n<h2>Do I need a smog certificate in order to donate my car?<\/h2>\n<p>For states that require smog certificates or safety inspections, you may donate your vehicle without these documents.<\/p>\n<h2>What if I receive legal notices?<\/h2>\n<p>In the rare event that you receive any notification of a lien sale, DMV actions or other activity related to your donated vehicle, please contact us at immediately for assistance at 1-877-KUSC-CAR (877-587-2227).<\/p>\n<h2>How does the new law effect my tax deduction?<\/h2>\n<p>Donors are no longer responsible for determining the deductible value of their donation. Instead, they will receive IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, if the proceeds from the sale exceed $500. This form will state the amount of the gross proceeds from the sale of the donated vehicle. The amount listed on IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, will be the gross proceeds of the deductible donation.<\/p>\n<h2>Will I get a tax receipt for my donation?<\/h2>\n<p>Yes, our driver will issue a receipt at the time of pick-up. This is not your final tax receipt unless the sale of your vehicle does not exceed $500. This initial acknowledgement will indicate your name as well as the year, make, model and condition of the car you are donating. It will be your only receipt if your vehicle sells for less than $500.<\/p>\n<h2>What can I claim as a deduction?<\/h2>\n<p>According to the tax law effective January 1, 2005, if the claimed value of the donated vehicle exceeds $500, the taxpayer is limited to the gross proceeds of the sale.<\/p>\n<p>An IRS Form 1098-C, &ldquo;Contributions of Motor Vehicles, Boats, and Airplanes&rdquo;, will be mailed to you within 30 days of the sale stating the amount of gross proceeds received from your car, provided your vehicle sold for more than $500. This will be your tax receipt for your charitable contribution.<\/p>\n<h2>How is the value determined on the vehicle donated?<\/h2>\n<p>The value is determined by the gross proceeds raised from the sale of the donated vehicle. You no longer have the burden of determining the value yourself.<\/p>\n<h2>What if my car is valued over $5000?<\/h2>\n<p>Effective January 1, 2005, you are no longer required to have vehicles appraised. The value you may claim will be the amount of gross proceeds received from your car. The car must have an engine and be towable. Cars that are in extremely poor condition may be declined, as the cost to tow them may be more than the value of the vehicle.<\/p>\n<p>For information and to schedule a pickup that's convenient for you, call toll free: 1-877-KUSC-CAR (1-877-587-2227)<\/p>","text":"Do you have a vehicle that you\u2019re thinking of trading in or that you simply don\u2019t drive any longer? You can support Classical KUSC by donating your used car, motorcycle, RV, or boat. Just call toll free 1-877-KUSC-CAR (1-877-587-2227) for information and to schedule a pickup that\u2019s convenient for you - or click here:\nYou don\u2019t have to go through any extra hassles such as getting a smog check or going to the DMV. As our thanks, you will receive a one-year membership in Classical KUSC!\nWhat are the benefits of donating my car to Classical KUSC?\nKUSC benefits by receiving a cash donation to fund its classical music and arts programming. You benefit by being able to reduce your taxable income when taxes are itemized. Plus you avoid the costs associated with selling your car. No need to pay for advertising, no loss of privacy and possible security risk, and no need to pay for vehicle registration, insurance, and repairs to keep your car in running condition while you wait for a buyer.\nDoes my car have to be running to donate it?\nIn some cases we can take your car, running or not. However, it must have an engine and be tow-able. Contact a representative at 1-877-KUSC-CAR (877-587-2227) to find out if your vehicle qualifies for pick-up.\nDo you only accept cars for donation?\nMany types of motor vehicles are accepted including boats, motorcycles, trucks, and cars. If you are uncertain as to whether or not your vehicle is eligible, please contact the vehicle donation program toll free at 1-877-KUSC-CAR (877-587-2227).\nHow long will it take to pick up my vehicle?\nWe make donating your car as simple and convenient as possible. A tow company will contact you within two to three business days.\nDo I have to be with the vehicle at the time of pick-up?\nNo, special arrangements can be made by calling our representative.\nWhat paperwork do I need?\nThe only paperwork needed is a signed, clear title (pink slip California only). Have your title with you when you call-in your donation. [Please note: a clear title indicates the title is in the name of the donor without a lien].\nDo I need a smog certificate in order to donate my car?\nFor states that require smog certificates or safety inspections, you may donate your vehicle without these documents.\nWhat if I receive legal notices?\nIn the rare event that you receive any notification of a lien sale, DMV actions or other activity related to your donated vehicle, please contact us at immediately for assistance at 1-877-KUSC-CAR (877-587-2227).\nHow does the new law effect my tax deduction?\nDonors are no longer responsible for determining the deductible value of their donation. Instead, they will receive IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, if the proceeds from the sale exceed $500. This form will state the amount of the gross proceeds from the sale of the donated vehicle. The amount listed on IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, will be the gross proceeds of the deductible donation.\nWill I get a tax receipt for my donation?\nYes, our driver will issue a receipt at the time of pick-up. This is not your final tax receipt unless the sale of your vehicle does not exceed $500. This initial acknowledgement will indicate your name as well as the year, make, model and condition of the car you are donating. It will be your only receipt if your vehicle sells for less than $500.\nWhat can I claim as a deduction?\nAccording to the tax law effective January 1, 2005, if the claimed value of the donated vehicle exceeds $500, the taxpayer is limited to the gross proceeds of the sale.\nAn IRS Form 1098-C, \u201cContributions of Motor Vehicles, Boats, and Airplanes\u201d, will be mailed to you within 30 days of the sale stating the amount of gross proceeds received from your car, provided your vehicle sold for more than $500. This will be your tax receipt for your charitable contribution.\nHow is the value determined on the vehicle donated?\nThe value is determined by the gross proceeds raised from the sale of the donated vehicle. You no longer have the burden of determining the value yourself.\nWhat if my car is valued over $5000?\nEffective January 1, 2005, you are no longer required to have vehicles appraised. The value you may claim will be the amount of gross proceeds received from your car. The car must have an engine and be towable. Cars that are in extremely poor condition may be declined, as the cost to tow them may be more than the value of the vehicle.\nFor information and to schedule a pickup that's convenient for you, call toll free: 1-877-KUSC-CAR (1-877-587-2227)","type":"article","title":"Membership - Donate Your Car","tags":[{"score":0.76,"count":20,"label":"Vehicle","uri":"http://dbpedia.org/resource/Vehicle","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":16,"label":"Car","uri":"http://dbpedia.org/resource/Car","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.59,"count":4,"label":"Classical music","uri":"http://dbpedia.org/resource/Classical_music","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.58,"count":3,"label":"Toll-free telephone number","uri":"http://dbpedia.org/resource/Toll-free_telephone_number"},{"score":0.56,"count":9,"label":"KUSC","uri":"http://dbpedia.org/resource/KUSC","rdfTypes":["http://dbpedia.org/ontology/RadioStation"]},{"score":0.54,"count":1,"label":"Taxable income","uri":"http://dbpedia.org/resource/Taxable_income"},{"score":0.53,"count":17,"label":"Donation","uri":"http://dbpedia.org/resource/Donation","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.5,"count":5,"label":"Boat","uri":"http://dbpedia.org/resource/Boat","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"docId":138586074687,"gburl":"http://www.kusc.org/donatecar/-diffbotxyz3672579288","lastCrawlTimeUTC":1458516944,"timestamp":"Sun, 20 Mar 2016 23:35:44 GMT"}
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{"diffbotUri":"image|3|-2056383094","title":"\n\tClassical KUSC\n","type":"image","url":"http://www.kusc.org/Pics/Podcasts/2141/kusc-mic.jpg","docId":197084605978,"gburl":"http://www.kusc.org/Episodes.aspx?PID=2141-diffbotxyz3787428828","lastCrawlTimeUTC":1458516971,"timestamp":"Sun, 20 Mar 2016 23:36:11 GMT"}
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 {"images":[{"naturalHeight":200,"width":299,"diffbotUri":"image|3|-402488850","url":"http://www.kusc.org/Pics/hosts/programs-alan-chapman.jpg","naturalWidth":299,"primary":true,"height":200}],"breadcrumb":[{"link":"http://www.kusc.org","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"All Programs"}],"originalType":"other","author":"with Alan Chapman","humanLanguage":"en","diffbotUri":"article|3|-592793035","siteName":"KUSC","pageUrl":"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407598","html":"<table> <tbody> <tr> <td valign=\"top\"><strong><em>(Sundays, 9-11am) <\/em><\/strong>The Baroque period, from the innovations of Monteverdi to the mastery of J.S. Bach, marks the beginning of &ldquo;modern&rdquo; music. Hosted by Alan Chapman, this two-hour weekly program offers splendid performances of this rich repertoire.<\/td> <td valign=\"top\"><figure><img alt=\"\" src=\"http://www.kusc.org/Pics/hosts/programs-alan-chapman.jpg\"><\/img><\/figure><br> <\/td> <\/tr> <\/tbody> <\/table>","text":"(Sundays, 9-11am) The Baroque period, from the innovations of Monteverdi to the mastery of J.S. Bach, marks the beginning of \u201cmodern\u201d music. Hosted by Alan Chapman, this two-hour weekly program offers splendid performances of this rich repertoire.","type":"article","title":"A Musical Offering","docId":199871376940,"gburl":"http://www.kusc.org/Channels/programs/Story.aspx?ID=1407598-diffbotxyz2205312998","lastCrawlTimeUTC":1458517001,"timestamp":"Sun, 20 Mar 2016 23:36:41 GMT"}
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{"originalType":"other","naturalHeight":250,"width":375,"diffbotUri":"image|3|-1553808462","type":"image","url":"http://www.kusc.org/Pics/hosts/duff-murphy.jpg","naturalWidth":373,"primary":true,"height":252,"docId":208972983832,"gburl":"http://www.kusc.org/hosts/duff-murphy.aspx-diffbotxyz3329875156","lastCrawlTimeUTC":1458517018,"timestamp":"Sun, 20 Mar 2016 23:36:58 GMT"}
,
 {"date":"Sat, 16 May 2015 00:00:00 GMT","originalType":"other","estimatedDate":"Sat, 16 May 2015 00:00:00 GMT","diffbotUri":"article|3|-1495475266","siteName":"KUSC","type":"article","title":"LA Opera On Air","tags":[{"score":0.83,"count":5,"label":"Los Angeles Opera","uri":"http://dbpedia.org/resource/Los_Angeles_Opera"},{"score":0.58,"count":2,"label":"Thaïs (opera)","uri":"http://dbpedia.org/resource/Thaïs_(opera)","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.58,"count":3,"label":"Los Angeles","uri":"http://dbpedia.org/resource/Los_Angeles","rdfTypes":["http://dbpedia.org/ontology/City"]},{"score":0.56,"count":3,"label":"Jules Massenet","uri":"http://dbpedia.org/resource/Jules_Massenet","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]}],"breadcrumb":[{"link":"http://www.kusc.org","name":"Home"},{"link":"http://www.kusc.org/programs/schedule.aspx","name":"Schedule"},{"link":"http://www.kusc.org/Channels/programs/home.aspx","name":"All Programs"}],"humanLanguage":"en","pageUrl":"http://www.kusc.org/laopera/index.aspx","html":"<p>Saturdays at 10 a.m.<\/p>\n<p>Classical KUSC and LA Opera present the ninth consecutive season of LA Opera On Air, a weekly broadcast series of LA Opera performances recorded live at the Dorothy Chandler Pavilion. The series is hosted by KUSC&rsquo;s <a href=\"http://www.kusc.org/hosts/duff-murphy.aspx\">Duff Murphy<\/a> and features <strong>five performances from LA Opera&rsquo;s 2014/15 season<\/strong> and a special encore broadcast of Jules Massenet's <em>Tha&iuml;s<\/em> from the 2013/14 season.<\/p>\n<p>LA Opera on Air is made possible through the generous support of Los Angeles County Supervisor Sheila Kuehl. Original program created with support from former Los Angeles County Supervisor Zev Yaroslavsky.<\/p>\n<p><strong>La Traviata (by Giuseppe Verdi)<\/strong><\/p>\n<p>Georgian soprano Nino Machaidze sings the leading role of Violetta, joined by tenor Arturo Chac&oacute;n-Cruz as Alfredo and Pl&aacute;cido Domingo as Germont, in a performance conducted by James Conlon.<\/p>\n<p>May 23<br>\n <strong>Dido and Aeneas (by Henry Purcell) and Bluebeard's Castle (by Bela Bartok)<\/strong><\/p>\n<p>Steven Sloane conducts a double bill of one-act operas. Paula Murrihy and Liam Bonner sing the title roles in Dido and Aeneas, joined by Kateryna Kasper as Belinda and John Holiday as the Sorceress. Robert Hayward and Claudia Mahnke sing the roles of Bluebeard and his ill-fated wife Judith in Bluebeard's Castle.<\/p>\n<p>May 30<br>\n <strong>The Barber of Seville (by Gioachino Rossini)<\/strong><\/p>\n<p>LA Opera's &quot;Figaro Trilogy,&quot; conducted by James Conlon, begins with The Barber of Seville, starring Rodion Pogossov as Figaro, Ren&eacute; Barbera as Count Almaviva and Elizabeth DeShong as Rosina.<\/p>\n<p>June 6<br>\n <strong>The Marriage of Figaro (by Wolfgang Amadeus Mozart)<\/strong><\/p>\n<p>James Conlon conducts a cast featuring Roberto Tagliavini as Figaro, Pretty Yende as Susanna, Ryan McKinny as Count Almaviva, Guanqun Yu as the Countess and Ren&eacute;e Rapier as Cherubino.<\/p>\n<p>June 13<br>\n <strong>The Ghosts of Versailles (by John Corigliano)<\/strong><\/p>\n<p>James Conlon conducts the west coast premiere of Corigliano's &quot;grand opera buffa,&quot; which incorporates the major plot elements of The Guilty Mother, the third &quot;Figaro&quot; play by Beaumarchais. Patricia Racette and Christopher Maltman star as the ghosts of Marie Antoinette and Beaumarchais, with Lucas Meachem as Figaro, Robert Brubaker as B&eacute;gearss and Patti LuPone as Samira.<\/p>\n<p>June 20<br>\n <strong>Tha&iuml;s (by Jules Massenet)<\/strong><\/p>\n<p>Soprano Nino Machaidze sings the title role of Massenet's rarely performed gem, appearing as a glamorous courtesan opposite Pl&aacute;cido Domingo as the holy man determined to save her soul. Patrick Fournillier conducts this performance from LA Opera's 2013/14 season.<\/p>","text":"Saturdays at 10 a.m.\nClassical KUSC and LA Opera present the ninth consecutive season of LA Opera On Air, a weekly broadcast series of LA Opera performances recorded live at the Dorothy Chandler Pavilion. The series is hosted by KUSC\u2019s Duff Murphy and features five performances from LA Opera\u2019s 2014/15 season and a special encore broadcast of Jules Massenet's Thaïs from the 2013/14 season.\nLA Opera on Air is made possible through the generous support of Los Angeles County Supervisor Sheila Kuehl. Original program created with support from former Los Angeles County Supervisor Zev Yaroslavsky.\nLa Traviata (by Giuseppe Verdi)\nGeorgian soprano Nino Machaidze sings the leading role of Violetta, joined by tenor Arturo Chacón-Cruz as Alfredo and Plácido Domingo as Germont, in a performance conducted by James Conlon.\nMay 23\nDido and Aeneas (by Henry Purcell) and Bluebeard's Castle (by Bela Bartok)\nSteven Sloane conducts a double bill of one-act operas. Paula Murrihy and Liam Bonner sing the title roles in Dido and Aeneas, joined by Kateryna Kasper as Belinda and John Holiday as the Sorceress. Robert Hayward and Claudia Mahnke sing the roles of Bluebeard and his ill-fated wife Judith in Bluebeard's Castle.\nMay 30\nThe Barber of Seville (by Gioachino Rossini)\nLA Opera's \"Figaro Trilogy,\" conducted by James Conlon, begins with The Barber of Seville, starring Rodion Pogossov as Figaro, René Barbera as Count Almaviva and Elizabeth DeShong as Rosina.\nJune 6\nThe Marriage of Figaro (by Wolfgang Amadeus Mozart)\nJames Conlon conducts a cast featuring Roberto Tagliavini as Figaro, Pretty Yende as Susanna, Ryan McKinny as Count Almaviva, Guanqun Yu as the Countess and Renée Rapier as Cherubino.\nJune 13\nThe Ghosts of Versailles (by John Corigliano)\nJames Conlon conducts the west coast premiere of Corigliano's \"grand opera buffa,\" which incorporates the major plot elements of The Guilty Mother, the third \"Figaro\" play by Beaumarchais. Patricia Racette and Christopher Maltman star as the ghosts of Marie Antoinette and Beaumarchais, with Lucas Meachem as Figaro, Robert Brubaker as Bégearss and Patti LuPone as Samira.\nJune 20\nThaïs (by Jules Massenet)\nSoprano Nino Machaidze sings the title role of Massenet's rarely performed gem, appearing as a glamorous courtesan opposite Plácido Domingo as the holy man determined to save her soul. Patrick Fournillier conducts this performance from LA Opera's 2013/14 season.","docId":209237339678,"gburl":"http://www.kusc.org/laopera/index.aspx-diffbotxyz1002005980","lastCrawlTimeUTC":1458516978,"timestamp":"Sun, 20 Mar 2016 23:36:18 GMT"}
,
 {"date":"Tue, 21 Jun 2011 00:00:00 GMT","images":[{"naturalHeight":266,"width":177,"diffbotUri":"image|3|127630423","url":"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s320/Diabelli%252C%2BAtnon.jpg","naturalWidth":177,"primary":true,"height":266},{"naturalHeight":180,"width":156,"diffbotUri":"image|3|1399129465","url":"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s320/Beethoven.jpg","naturalWidth":156,"height":180}],"estimatedDate":"Tue, 21 Jun 2011 00:00:00 GMT","icon":"https://www.blogger.com/favicon.ico","diffbotUri":"article|3|-1400183508","siteName":"kusc.org","type":"article","title":"Dennis Bartel - KUSC","tags":[{"score":0.92,"count":20,"label":"Anton Diabelli","uri":"http://dbpedia.org/resource/Anton_Diabelli","rdfTypes":["http://www.w3.org/2002/07/owl#Thing"]},{"score":0.64,"count":1,"label":"Mattsee","uri":"http://dbpedia.org/resource/Mattsee","rdfTypes":["http://dbpedia.org/ontology/Settlement"]},{"score":0.54,"count":21,"label":"Ludwig van Beethoven","type":"person","uri":"http://dbpedia.org/resource/Ludwig_van_Beethoven","rdfTypes":["http://dbpedia.org/ontology/Person"]}],"humanLanguage":"en","pageUrl":"http://bartel.kusc.org/","html":"<p>Did Anton Diabelli get lucky despite or because of his overbearing nature? He set out in life with serious intent. Born in Mattsee, near Salzburg, he studied music as a boy with Joseph Haydn&rsquo;s brother Michael, though his primary training was for the priesthood. At nineteen he moved north to Upper Bavaria to enter the Raitenhasslach monastery. Three years into his theological work political forces within the Hapsburg Empire secularized the Bavarian monasteries, converting them from ecclesiastical to civil entities, shutting them down for the purposes of spiritual introspection. It was a moment of crisis in Diabelli&rsquo;s young life. He gave up his journey to the priesthood, moved to Vienna, and went into business, first giving lessons in piano and guitar and later joining the Steiner publishing firm as a music editor.<\/p>\n<figure><a href=\"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s1600/Diabelli%252C%2BAtnon.jpg\"><img alt=\"\" src=\"http://2.bp.blogspot.com/-yn20khMPFR8/Tf_6TLXoDAI/AAAAAAAAAK8/3zwe0kCoUF4/s320/Diabelli%252C%2BAtnon.jpg\"><\/img><\/a><\/figure>\n<p>A decade passed; it was 1814. Beethoven had begun publishing some of his work with the Steiner firm, including in the next four years the Seventh and Eighth Symphonies, the Op.95 String Quartet, and the best-selling &ldquo;Wellington&rsquo;s Victory&rdquo; among others. Through Steiner, Beethoven first encountered Diabelli, whose nature by age thirty-three was no longer monk-like. Though it may tell us as much about Beethoven as it does about Diabelli, the Great Composer used to routinely refer to Diabelli in correspondence as &ldquo;<em>Generalprofoss und diabolus Diabelli<\/em>.&rdquo; Apparently this was funny to Beethoven because it was so true.<\/p>\n<p>In his late thirties, Diabelli left Steiner and joined his colleague Peter Cappi in founding their own publishing firm, but while this new enterprise got off to a good start, after six years Diabelli was ready to move on again, and left Cappi to continue on his own with the firm Diabelli &amp; Co. Among Diabelli &amp; Co&rsquo;s first actions was to request Beethoven to write a work, a certain seller, to help firm solidify its place in the marketplace, perhaps something like a &ldquo;Wellington&rsquo;s Victory&rdquo; for the Biedermeier parlor, specifically a work for four-hand piano. Was it a bold affront to the genius and acknowledged master Beethoven, then deep into the metaphysical thicket of his late quartets, to write such drivel as this proposed parlor music? Whatever Beethoven&rsquo;s response, if any, the project went unrealized.<\/p>\n<p>Diabelli, as was his way, persisted. Upon learning that Beethoven was writing quartets, he commissioned the great man to write a string quartet. Beethoven appears to have cast off a fragment from his on-going quartet excursions to fulfill Diabelli&rsquo;s commission, but set it aside without making delivery.<\/p>\n<p>Then an idea descended upon Diabelli, The Idea which indirectly won him immortality. He asked several composers in the Hapsburg Empire to write a single variation on one of his own waltz themes, a silly tune, a noodle really. He would publish the collection. Beethoven was among those asked; he declined.<\/p>\n<p>It is an interesting historical document, Diabelli&rsquo;s famous collective work <em>Vaterl&auml;ndischer K&uuml;nstlerverein<\/em>. The first variation, of more than two dozen, is by the young Franz Schubert, whose music Diabelli &amp; Co. would one day champion. Among the other notable names in the history of pianism that are represented are Ignaz Moscheles, Carl Czerny, and a boy, age eleven, here publishing his first work, Franz Liszt.<\/p>\n<figure><a href=\"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s1600/Beethoven.jpg\"><img alt=\"\" src=\"http://4.bp.blogspot.com/-7YY1VtYPZcM/Tf_6mmb8BiI/AAAAAAAAALE/ypZppBb7Xig/s320/Beethoven.jpg\"><\/img><\/a><\/figure>\n<p>The Viennese hubbub over Diabelli&rsquo;s commercial project caught Beethoven&rsquo;s attention. He began a set of variations on the silly waltz. Sometime during the ensuing two years that he worked on what would become his profound final statement for the piano Beethoven let it be known to Diabelli that he had been following through on the publisher&rsquo;s initial request to write a waltz variation. One might imagine the chuckle this gave the Master.<\/p>\n<p>Inevitably, Diabolus Diabelli began hounding Beethoven to finish the &ldquo;variation&rdquo; and send it to him forthwith. Upon one such entreaty, Beethoven incorporated his response to Diabelli into the work &ndash; Variation No.22, in which Beethoven quotes Leporello, servant to the demanding Don Giovanni, complaining of his lot, &ldquo;<em>Notte a giorno faticar<\/em>&rdquo; (Night and day I slave.) This was exactly the sort of thing that made Beethoven laugh.<\/p>\n<p>Well, the rest, to coin a phrase, is history. Beethoven completed his stupendous masterpiece and it was published by Diabelli &amp; Co. as Op.120, <em>33 Ver&auml;nderungen<\/em> (instead of <em>Variationen<\/em>, as a nod to Bach&rsquo;s <em>Aria mit 30 Ver&auml;nderungen, &ldquo;Goldberg&quot;<\/em>) <em>C-dur &uuml;ber einen Walzer von Anton Diabelli<\/em>, which is known to us today as <em>Diabelli Variations<\/em>.<\/p>\n<p>The immense complexity and transcendent sweep of Op.120 is too much for discussion here. Suffice it for now only to recall what Hans von B&uuml;low called it: &ldquo;The microcosmos of Beethoven&rsquo;s genius.&rdquo;<\/p>\n<p><em>Diabelli postscript<\/em>. Following Beethoven&rsquo;s death four years later, Diabelli managed to acquire from the Master&rsquo;s estate the string quartet fragment he&rsquo;d written in response to the long ago commission, but set aside. Diabelli rushed it into print under the title &ldquo;Beethoven&rsquo;s Last Musical Thought&rdquo; and had it arranged from string quartet to four-hand piano, perfect for parlor playing. Likely, Beethoven would not have found that amusing. <\/p>","text":"Did Anton Diabelli get lucky despite or because of his overbearing nature? He set out in life with serious intent. Born in Mattsee, near Salzburg, he studied music as a boy with Joseph Haydn\u2019s brother Michael, though his primary training was for the priesthood. At nineteen he moved north to Upper Bavaria to enter the Raitenhasslach monastery. Three years into his theological work political forces within the Hapsburg Empire secularized the Bavarian monasteries, converting them from ecclesiastical to civil entities, shutting them down for the purposes of spiritual introspection. It was a moment of crisis in Diabelli\u2019s young life. He gave up his journey to the priesthood, moved to Vienna, and went into business, first giving lessons in piano and guitar and later joining the Steiner publishing firm as a music editor.\nA decade passed; it was 1814. Beethoven had begun publishing some of his work with the Steiner firm, including in the next four years the Seventh and Eighth Symphonies, the Op.95 String Quartet, and the best-selling \u201cWellington\u2019s Victory\u201d among others. Through Steiner, Beethoven first encountered Diabelli, whose nature by age thirty-three was no longer monk-like. Though it may tell us as much about Beethoven as it does about Diabelli, the Great Composer used to routinely refer to Diabelli in correspondence as \u201cGeneralprofoss und diabolus Diabelli.\u201d Apparently this was funny to Beethoven because it was so true.\nIn his late thirties, Diabelli left Steiner and joined his colleague Peter Cappi in founding their own publishing firm, but while this new enterprise got off to a good start, after six years Diabelli was ready to move on again, and left Cappi to continue on his own with the firm Diabelli & Co. Among Diabelli & Co\u2019s first actions was to request Beethoven to write a work, a certain seller, to help firm solidify its place in the marketplace, perhaps something like a \u201cWellington\u2019s Victory\u201d for the Biedermeier parlor, specifically a work for four-hand piano. Was it a bold affront to the genius and acknowledged master Beethoven, then deep into the metaphysical thicket of his late quartets, to write such drivel as this proposed parlor music? Whatever Beethoven\u2019s response, if any, the project went unrealized.\nDiabelli, as was his way, persisted. Upon learning that Beethoven was writing quartets, he commissioned the great man to write a string quartet. Beethoven appears to have cast off a fragment from his on-going quartet excursions to fulfill Diabelli\u2019s commission, but set it aside without making delivery.\nThen an idea descended upon Diabelli, The Idea which indirectly won him immortality. He asked several composers in the Hapsburg Empire to write a single variation on one of his own waltz themes, a silly tune, a noodle really. He would publish the collection. Beethoven was among those asked; he declined.\nIt is an interesting historical document, Diabelli\u2019s famous collective work Vaterländischer Künstlerverein. The first variation, of more than two dozen, is by the young Franz Schubert, whose music Diabelli & Co. would one day champion. Among the other notable names in the history of pianism that are represented are Ignaz Moscheles, Carl Czerny, and a boy, age eleven, here publishing his first work, Franz Liszt.\nThe Viennese hubbub over Diabelli\u2019s commercial project caught Beethoven\u2019s attention. He began a set of variations on the silly waltz. Sometime during the ensuing two years that he worked on what would become his profound final statement for the piano Beethoven let it be known to Diabelli that he had been following through on the publisher\u2019s initial request to write a waltz variation.