ouzo-pinaoz.en.srt

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Soon it will be spring again.

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Grass sprouting.

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Then comes summer,

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tall grass,

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sun.

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Then comes autumn,

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leaves falling.

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And then...

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winter.

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Spring.

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Summer.

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Autumn.

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Winter!

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There are situations, of course,

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that leave you utterly speechless.

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All you can do is hint at things.

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Words, too, can't do more

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than just evoke things.

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That's where dance comes in again.

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Pina was a painter.

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She consistently questioned us.

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That's how we became the paint,

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to colour her images.

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For example she'd ask for

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"the moon"?

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I depicted the word with my body

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so that she could see and feel it.

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I danced in Café Müller myself.

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We all have our eyes closed.

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When we did a reprise,

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I couldn't get the feeling back,

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a feeling that mattered so much to me.

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All of a sudden I noticed

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that it makes a big difference,

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behind closed eyelids,

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whether I look down, or like this.

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That made all the difference!

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The right feeling
was there immediately.

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Unbelievable how crucial that is.

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The tiniest detail matters.

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It's all a language

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that you can learn to read.

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We developed the piece

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in two weeks, Dominique!

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The speed was unbelievable!

46
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Amazing how the idea materialised

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from just a table and four chairs.

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Typical Pina! I remember.

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- Then, bang, chairs!
- Exactly.

50
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Then, bang!
Rolf played with the chairs,

51
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and they became integral to the piece.

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So beautiful!

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1, 2, 3, 4, 5, 6, 7, 8, 9, 10. I'm coming!

54
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Kazuo Ohno also left us

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not too long ago.

56
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I imagine him and Pina up there

57
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dancing together...

58
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leaping from one cloud to another.

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Pina had the most penetrating eyes!

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No one has ever read me that way.

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Everything I tried or pretended to be

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disappeared under her gaze.

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Instead, she saw something

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I was afraid of

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because I didn't know it yet.

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Who was Pina?

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She combined
fragility and strength.

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She was also capable of

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endlessly listening and watching,

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and overcoming all her limits.

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So I imagine her like a house

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with a huge attic full of treasures.

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Pina wasn't going to dance.

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You always forgot your moves.

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We refused to do it without her!

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She got involved because you insisted...

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That she showed me the moves?
Come off it!

78
00:29:53,840 --> 00:29:55,512
But it's true!

79
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I insisted that she danced.

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That was the only way for people
to see her on stage!

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I never wanted
to dance Cafe Müller.

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When Pina asked me to dance her part

83
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I said yes.

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But I never really learned it.

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I wanted her to dance forever.

86
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I saw her do Cafe Müller so often.

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I wanted to sense what she was feeling.

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She moved as if she had
a hole in her tummy,

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as if she'd risen from the dead.

90
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When I'm on stage today,

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I try to imagine Pina

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in her pain,

93
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but also in her strength

94
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and her loneliness.

95
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How often

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did I dance
Café Müller with Pina,

97
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and see her hair, back, arms,

98
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knew, with my eyes shut,

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that she was aware of us all!

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She saw everything,

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even with closed eyes!

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We danced and laughed all the time.

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We were always together

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until four in the morning

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to devise something for the next day.

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That was at the beginning of the company.

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We'd meet at Barmen station

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every morning

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for coffee and a roll

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and go over the day's work.

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You always felt more than just human

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working with Pina.

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It was good

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being an older dancer with Pina!

115
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Well, the younger years were good, too.

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I was 24 when I came to Wuppertal.

117
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But at 40, more and more,

118
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I thought, "All this space,
all these opportunities!"

119
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Pina's eyes turn everything we do

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into something even more beautiful.

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To be old and a child at the same time.

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After an awful rehearsal of Iphigenia

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Pina didn't say a word to me.

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Before the performance,

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she came and said as usual,
"Lützchen, be good!"

126
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And I replied as always,

127
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"Pinchen, enjoy it!"

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She left, turned at the door, and said,

129
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"Don't forget,
you have to scare me!"

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Right away my head started to spin.

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That was more to the point
than talking for hours.

132
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New in the company, I didn't yet grasp

133
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how Pina worked.

134
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And she didn't explain it.

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I was lost.

136
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Until I realised

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I had to pull myself up by my own hair.

138
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This is veal!

139
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What is honesty?

140
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What's our responsibility

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even when we dance?

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Pina taught us to stand for what we do,

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for every gesture,

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every step and every move.

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Pina always wanted to bring out

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the best in all her dancers.

147
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Once she told me,

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"Your fragility is also your strength!"

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For Full Moon

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she requested a gesture related to "joy"

151
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or to the pleasure of moving.

152
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The question really inspired me.

153
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From the movement I presented,

154
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she created an entire scene.

155
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I was always in a corner

156
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or hiding behind someone,

157
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when she was giving corrections.

158
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Perhaps because
I respected her so much.

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Once she caught me.

160
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She asked me with a sad voice,

161
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"Ditta, why are you so afraid of me?"

162
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"I didn't do anything."

163
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She was right.

164
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And I gradually lost my shyness.

165
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Sometimes she said things like,

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"Go on searching!"

167
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But that was all she said.

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It meant you had to keep searching

169
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without knowing where to look,

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nor whether you were on the right track.

171
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Pina, I still haven't
dreamed about you!

172
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Please visit me in my dreams.

173
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I got news from Daphnis,

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who dreams of you all the time.

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It's not the same.

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It would be nice if you showed up!

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I'm waiting for you, Pina.

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Pina left us so quickly,

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so surprisingly.

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I think that in the end

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she left everything behind

182
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and was free.

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That's why I wanted to give her

184
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this moment of lightness,

185
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this feeling of weightlessness.

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As the daughter of
Dominique and Malou

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I was the first child in the company.

188
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I grew up inside the Tanztheater.

189
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Life without Pina?

190
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I just don't know what it is.

191
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When I was new in Wuppertal

192
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and confused about a few things,

193
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she simply said...

194
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For Pina,

195
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the elements were very important.

196
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Whether sand or soil,

197
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stones or water...

198
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Somehow, even icebergs
and rocks appeared on stage.

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When we dance, they become...

200
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obstacles.

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You have to go
against or through them,

202
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or climb over them...

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Pina was a radical explorer.

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She looked deep into our souls.

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There was one particular subject
she kept asking us about:

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What are we longing for?

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Where does all this
yearning come from?

translateSubtitle.py

import goslate

baseFilename = 'ouzo-pinaoz.en'
sourceLanguage = 'en'
targetLanguage = 'ko'

targetFilename = baseFilename + '-' + targetLanguage
combinedFilename = baseFilename + '-' + sourceLanguage + '+' + targetLanguage

sourceFile = open(baseFilename + '.srt', 'r')

#counts number of lines in the current block (e.g. 3 or 4 lines = 1 block)
lineCount = 0

#the text to send to google
originText = ''

#the new subtitle files to be synthesised
targetSubtitles = ''
combinedSubtitles = ''

#target = target language only
#combined = source language on top + target language on bottom

#the following code works kind of. BUT DON'T RUN IT!
#Google will block requests from your IP for a while :)

#Instead, need to put all source texts into one big string and translate all at once

#Google translate seems to respect new lines. So if we separate every subtitle by a new line
#   then we should be able to send the whole set of subtitles together and get them back in
#   the same format.
# e.g.: `Soon it will be spring again.\nGrass sprouting.\nThen comes summer,`

for line in sourceFile:
    if line.strip():
        lineCount += 1
        if(lineCount < 3):
            # this is the subtitle line number and time stamp. just pass through
            targetSubtitles += line
            combinedSubtitles += line
        else:
            # this is the origin text. if there's multiple lines then flatten into one line
            if not originText == '':
                originText += ' '
            originText = originText + line.rstrip()
        print (lineCount)
    else:
        #we've encountered the empty line (i.e. end of the block) so let's process
        print(originText)
        targetText = gs.translate(originText, 'ko')
        
        targetSubtitles += targetText + '\n'
        
        combinedSubtitles += originText + '\n'
        combinedSubtitles += targetText + '\n'
        
        targetSubtitle += '\n'
        combinedSubtitle += '\n'
        
        originText = ''
        lineCount = 0

import goslate

gs = goslate.Goslate()

baseFilename = 'ouzo-pinaoz.en'
sourceLanguage = 'en'
targetLanguage = 'ko'

targetFilename = baseFilename + '-' + targetLanguage
combinedFilename = baseFilename + '-' + sourceLanguage + '+' + targetLanguage

sourceFile = open(baseFilename + '.srt', 'r')

lineCount = 0
originText = ''

targetSubtitles = ''
combinedSubtitles = ''

#need to do everything in one call to google translate!

for line in sourceFile:
if line.strip():
lineCount += 1
if(lineCount < 3):
targetSubtitles += line
combinedSubtitles += line
else:
print(originText)
targetText = gs.translate(originText, 'ko')

      targetSubtitles += targetText + '\n'
    
      combinedSubtitles += originText + '\n'
      combinedSubtitles += targetText + '\n'
    
     targetSubtitles += '\n'
     combinedSubtitles += '\n'
    
     originText = ''
     lineCount = 0

1
00 : 01 : 03,240 -> 00 : 01 : 06,312
곧 다시 봄이 될 것입니다.

2
00 : 01 : 06,360 -> 00 : 01 : 08,669
잔디 돋아.

3
00 : 01 : 10,080 -> 00 : 01 : 12,435
그렇다면 여름,

4
00 : 01 : 13,360-> 00 : 01 : 15,430
키 큰 잔디,

5
00 : 01 : 15,480 -> 00 : 01 : 16,629
태양.

6
00 : 01 : 17,760 -> 00 : 01 : 20,558
다음 가을,

7
00 : 01 : 21,360 -> 00 : 01 : 23,191
나뭇잎 떨어지고.

8
00 : 01 : 24,400 -> 00 : 01 : 26,118
그리고...

9
00 : 01 : 26,160 -> 00 : 01 : 27,639
겨울.

10
00 : 01 : 29,040 -> 00 : 01 : 30,871
봄.

11
00 : 01 : 32,560 -> 00 : 01 : 33,595
여름.

12
00 : 01 : 35,160 -> 00 : 01 : 36,195
가을.

13
00 : 01 : 37,920 -> 00 : 01 : 39,194
겨울!

14
00 : 09 : 04,800 -> 00 : 09 : 07,872
물론 상황이 있습니다.

15
00 : 09 : 07,920 -> 00 : 09 : 11,230
너는 완전히 말문이 막힌다.

16
00 : 09 : 11,800 -> 00 : 09 : 14,519
당신이 할 수있는 것은 사물에 대한 힌트입니다.

17
00 : 09 : 16,920 -> 00 : 09 : 19,957
단어들도 더 이상 할 수 없다.

18
00 : 09 : 20,800 -> 00 : 09 : 24,588
사물을 불러 일으키는 것보다.

19
00 : 09 : 25,480 -> 00 : 09 : 29,189
그것이 댄스가 다시 시작되는 곳입니다.

20
00 : 16 : 08,440 -> 00 : 16 : 10,874
피나는 화가였습니다.

21
00 : 16 : 10,920 -> 00 : 16 : 15,391
그녀는 끊임없이 우리에게 질문했습니다.

22
00 : 16 : 16,040 -> 00 : 16 : 17,917
그것이 우리가 페인트가 된 방법입니다.

23
00 : 16 : 17,960 -> 00 : 16 : 19,632
그녀의 이미지를 색칠하기.

24
00 : 16 : 19,680 -> 00 : 16 : 21,830
예를 들어 그녀는

25
00 : 16 : 21,880 -> 00 : 16 : 23,757
"달"?

26
00 : 16 : 23,800 -> 00 : 16 : 25,995
나는 내 몸으로 그 말을 묘사했다.

27
00 : 16 : 27,280 -> 00 : 16 : 29,669
그래서 그녀는 그것을보고 느낄 수있었습니다.

28
00 : 17 : 09,800 -> 00 : 17 : 14,078
나는 카페 뮐러에서 춤을 췄다.

29
00 : 17 : 14,120 -> 00 : 17 : 17,749
우리 모두 눈을 감았습니다.

30
00 : 17 : 17,800 -> 00 : 17 : 20,678
우리가 회상을했을 때,

31
00 : 17 : 20,720 -> 00 : 17 : 23,518
나는 감정을 되 찾을 수 없었다.

32
00 : 17 : 23,560 -> 00 : 17 : 27,553
나에게 너무 중요한 느낌.

33
00 : 17 : 27,600 -> 00 : 17 : 30,194
갑자기 나는 주목했다.

34
00 : 17 : 30,240 -> 00 : 17 : 32,071
그것은 큰 차이를 만든다.

35
00 : 17 : 32,120 -> 00 : 17 : 35,279
닫힌 눈꺼풀 뒤,

36
00 : 17 : 35,280 -> 00 : 17 : 38,875
내가 내려다 보든, 이렇게 했든.

37
00 : 17 : 39,920 -> 00 : 17 : 42,480
그것은 모든 차이를 만들었습니다!

38
00 : 17 : 42,520 -> 00 : 17 : 45,796
올바른 느낌
즉시 거기에 있었다.

39
00 : 17 : 47,880 -> 00 : 17 : 52,351
얼마나 중요한지는 믿기지 않습니다.

40
00 : 17 : 52,400 -> 00 : 17 : 57,155
가장 작은 세부 사항이 중요합니다.

41
00 : 17 : 57,200 -> 00 : 17 : 58,997
모든 언어

42
00 : 17 : 59,040 -> 00 : 18 : 01,031
읽는 법을 배울 수 있습니다.

43
00 : 18 : 15,360 -> 00 : 18 : 17,157
우리는 조각을 개발했습니다.

44
00 : 18 : 17,200 -> 00 : 18 : 18,758
2 주 만에 도미니크!

45
00 : 18 : 18,800 -> 00 : 18 : 21,234
속도는 믿을 수 없었다!

46
00 : 18 : 21,280 -> 00 : 18 : 24,033
그 아이디어가 어떻게 구체화되었는지 놀랍다.

47
00 : 18 : 24,080 -> 00 : 18 : 28,631
그냥 테이블과 네 의자에서.

48
00 : 18 : 28,680 -> 00 : 18 : 30,875
전형적인 피나! 기억해.

49
00 : 18 : 39,000 -> 00 : 18 : 41,389

• 그럼, 쾅, 의자!
• 맞아.

50
00 : 18 : 41,440 -> 00 : 18 : 45,638
그럼, 쾅!
Rolf는 의자들과 놀았고,

51
00 : 18 : 45,680 -> 00 : 18 : 48,638
그리고 그것들은 조각에 필수 요소가되었습니다.

52
00 : 18 : 48,680 -> 00 : 18 : 51,035
너무 아름다워!

53
00 : 20 : 25,960 -> 00 : 20 : 27,951
1, 2, 3, 4, 5, 6, 7, 8, 9, 10.

54
00 : 21 : 07,480 -> 00 : 21 : 09,835
오노 카즈오도 우리를 떠났어.

55
00 : 21 : 09,880 -> 00 : 21 : 11,279
그리 오래 전에.

56
00 : 21 : 12,320 -> 00 : 21 : 14,550
나는 그와 피나를 거기에서 상상한다.

57
00 : 21 : 14,600 -> 00 : 21 : 16,556
함께 춤을 추는 ...

58
00 : 21 : 16,600 -> 00 : 21 : 18,989
한 구름에서 다른 구름으로 도약.

59
00 : 24 : 06,160 -> 00 : 24 : 08,515
피나는 가장 관통하는 눈을 가졌다!

60
00 : 24 : 09,080 -> 00 : 24 : 11,878
아무도 그처럼 나를 읽지 못했습니다.

61
00 : 24 : 12,760 -> 00 : 24 : 15,513
내가 시도했거나 척한 모든 것

62
00 : 24 : 15,560 -> 00 : 24 : 18,313
그녀의 시선 아래에서 사라졌다.

63
00 : 24 : 18,360 -> 00 : 24 : 20,669
대신, 그녀는 뭔가를 보았습니다.

64
00 : 24 : 20,720 -> 00 : 24 : 22,711
나는 두려웠다.

65
00 : 24 : 22,760 -> 00 : 24 : 25,399
왜냐하면 나는 아직 그것을 모르기 때문이다.

66
00 : 26 : 12,360 -> 00 : 26 : 13,998
피나가 누군 데?

67
00 : 26 : 14,640 -> 00 : 26 : 17,677
그녀는 결합했다.
취약성과 강도.

68
00 : 26 : 18,320 -> 00 : 26 : 20,276
그녀는 또한 능력이 있었다.

69
00 : 26 : 20,320 -> 00 : 26 : 22,595
끝없이 듣고보고,

70
00 : 26 : 22,640 -> 00 : 26 : 25,791
그녀의 모든 한계를 극복했다.

71
00 : 26 : 25,840 -> 00 : 26 : 27,990
그래서 나는 그녀를 집처럼 상상해.

72
00 : 26 : 28,040 -> 00 : 26 : 31,635
보물로 가득 찬 커다란 다락방이 있습니다.

73
00 : 29 : 39,680 -> 00 : 29 : 42,148
피나는 춤을 추지 않을거야.

74
00 : 29 : 42,200 -> 00 : 29 : 44,509
당신은 항상 당신의 움직임을 잊었습니다.

75
00 : 29 : 44,560 -> 00 : 29 : 47,199
우리는 그녀 없이는 그것을 거부했습니다!

76
00 : 29 : 47,240 -> 00 : 29 : 51,358
네가 주장했기 때문에 그녀가 참여했다.

77
00 : 29 : 51,400 -> 00 : 29 : 53,789
그녀가 내게 그 움직임을 보여줬습니까?
그것을 벗겨!

78
00 : 29 : 53,840 -> 00 : 29 : 55,512
그러나 사실입니다!

79
00 : 29 : 56,360 -> 00 : 29 : 58,920
나는 그녀가 춤을 추 었다고 주장했다.

80
00 : 29 : 58,960 -> 00 : 30 : 01,758
그게 사람들을위한 유일한 길 이었어.
무대에서 그녀를 만나러!

81
00 : 31 : 02,320 -> 00 : 31 : 04,880
나는 절대로 원했다.
Cafe Müller를 춤을 추기.

82
00 : 31 : 06,040 -> 00 : 31 : 08,508
언제

83
00 : 31 : 09,240 -> 00 : 31 : 10,798
나는 '예'라고 말했다.

84
00 : 31 : 10,840 -> 00 : 31 : 12,876
그러나 나는 결코 그것을 정말로 배웠다.

85
00 : 31 : 13,840 -> 00 : 31 : 16,274
나는 그녀가 영원히 춤을 추길 원했다.

86
00 : 31 : 17,000 -> 00 : 31 : 19,560
나는 그녀가 카페 뮐러를 그렇게 자주 만나는 것을 보았다.

87
00 : 31 : 20,400 -> 00 : 31 : 24,439
나는 그녀가 느끼는 것을 느끼고 싶었다.

88
00 : 31 : 25,080 -> 00 : 31 : 28,356
그녀는 마치 그녀가 가진 것처럼 움직였다.
그녀의 배에 구멍,

89
00 : 31 : 28,960 -> 00 : 31 : 31,997
그녀가 죽은 자 가운데서 살아난 것처럼.

90
00 : 31 : 32,040 -> 00 : 31 : 35,112
오늘 무대에 올 때,

91
00 : 31 : 36,000 -> 00 : 31 : 37,991
나는 Pina를 상상하려고 노력한다.

92
00 : 31 : 38,960 -> 00 : 31 : 40,996
그녀의 고통에서,

93
00 : 31 : 41,040 -> 00 : 31 : 43,031
그녀의 힘으로도

94
00 : 31 : 44,080 -> 00 : 31 : 45,991
그리고 그녀의 외로움.

95
00 : 33 : 46,840 -> 00 : 33 : 48,239
얼마나 자주

96
00 : 33 : 48,280 -> 00 : 33 : 51,556
내가 춤 췄나?
피나와 카페 뮐러,

97
00 : 33 : 51,600 -> 00 : 33 : 55,559
그녀의 머리카락, 등, 팔,

98
00 : 33 : 56,200 -> 00 : 33 : 58,111
알았어, 내 눈을 감고,

99
00 : 33 : 58,160 -> 00 : 34 : 01,277
그녀는 우리 모두를 알고 있었어!

100
00 : 34 : 02,320 -> 00 : 34 : 03,912
그녀는 모든 것을 보았습니다.

101
00 : 34 : 03,960 -> 00 : 34 : 05,871
눈을 감고도!

102
00 : 34 : 39,360 -> 00 : 34 : 41,669
우리는 항상 춤을 추며 웃었습니다.

103
00 : 34 : 41,720 -> 00 : 34 : 43,073
우리는 항상 함께했습니다.

104
00 : 34 : 43,120 -> 00 : 34 : 45,190
아침 4 시까 지

105
00 : 34 : 45,240 -> 00 : 34 : 48,073
다음날 무언가를 고안하는 것.

106
00 : 34 : 48,120 -> 00 : 34 : 50,429
그것은 회사 초기에있었습니다.

107
00 : 34 : 50,800 -> 00 : 34 : 53,917
우리는 Barmen 역에서 만났어.

108
00 : 34 : 53,960 -> 00 : 34 : 55,393
매일 아침

109
00 : 34 : 55,440 -> 00 : 34 : 57,078
커피와 롤을위한

110
00 : 34 : 57,120 -> 00 : 34 : 59,076
그날의 일을 끝내라.

111
00 : 35 : 03,440 -> 00 : 35 : 07,274
너는 항상 인간 이상을 느꼈다.

112
00 : 35 : 07,320 -> 00 : 35 : 09,311
피나와 일하고있어.

113
00 : 35 : 55,440 -> 00 : 35 : 56,759
좋았어요.

114
00 : 35 : 56,800 -> 00 : 35 : 59,553
피나와 함께 늙은 댄서가되고있어!

115
00 : 35 : 59,600 -> 00 : 36 : 02,910
음, 젊은 나이도 좋았습니다.

116
00 : 36 : 05,560 -> 00 : 36 : 09,439
나는 부퍼 탈에 왔을 때 24 살이었다.

117
00 : 36 : 09,480 -> 00 : 36 : 12,472
그러나 40 세가되면 점점 더 많이,

118
00 : 36 : 12,520 -> 00 : 36 : 16,752
나는이 모든 공간,
이 모든 기회! "

119
00 : 36 : 16,800 -> 00 : 36 : 19,598
피나의 눈은 우리가하는 모든 것을 바꾼다.

120
00 : 36 : 19,640 -> 00 : 36 : 23,235
훨씬 더 아름다운 무언가로.

121
00 : 36 : 23,800 -> 00 : 36 : 26,792
동시에 나이가 많고 어린 시절.

122
00 : 38 : 55,040 -> 00 : 38 : 57,759
Iphigenia의 엄청난 리허설 후에

123
00 : 38 : 57,800 -> 00 : 39 : 00,951
피나는 나에게 한 마디도하지 않았다.

124
00 : 39 : 01,000 -> 00 : 39 : 03,719
공연 전에,

125
00 : 39 : 03,760 -> 00 : 39 : 07,150
그녀는 평상시 와서 말했다.
"뤼첸, 좋지!"

126
00 : 39 : 07,200 -> 00 : 39 : 09,191
그리고 나는 언제나처럼 대답했다.

127
00 : 39 : 09,240 -> 00 : 39 : 11,071
"Pinchen, 그것을 즐겨라!"

128
00 : 39 : 11,120 -> 00 : 39 : 14,317
그녀는 떠났고, 문을 열고 말했습니다.

129
00 : 39 : 14,360 -> 00 : 39 : 17,397
"잊지 마라.
너 나를 놀라게해야 해! "

130
00 : 39 : 17,440 -> 00 : 39 : 19,396
바로 저의 머리가 회전하기 시작했습니다.

131
00 : 39 : 19,440 -> 00 : 39 : 22,671
그게 더 중요했습니다.
몇 시간 동안 이야기하는 것보다.

132
00 : 44 : 06,120 -> 00 : 44 : 08,839
회사의 새로운, 나는 아직 파악하지 않았다.

133
00 : 44 : 08,880 -> 00 : 44 : 10,393
피나가 어떻게 일했는지.

134
00 : 44 : 10,440-> 00 : 44 : 11,873
그리고 그녀는 그것을 설명하지 않았다.

135
00 : 44 : 12,280 -> 00 : 44 : 13,679
나는 길을 잃었다.

136
00 : 44 : 14,400 -> 00 : 44 : 15,992
깨달을 때까지

137
00 : 44 : 16,040 -> 00 : 44 : 18,918
나는 내 자신의 머리카락으로 자신을 끌어 올려야했다.

138
00 : 49 : 17,720 -> 00 : 49 : 19,915
송아지 고기 야!

139
00 : 52 : 43,760 -> 00 : 52 : 45,478
정직이란 무엇입니까?

140
00 : 52 : 45,520 -> 00 : 52 : 47,317
우리의 책임은 무엇입니까?

141
00 : 52 : 47,360 -> 00 : 52 : 49,874
우리가 춤을 출 때라도?

142
00 : 52 : 50,480 -> 00 : 52 : 53,916
피나는 우리에게 우리가하는 일에 설 수 있다고 가르쳤습니다.

143
00 : 52 : 53,960 -> 00 : 52 : 55,996
모든 제스처에 대해,

144
00 : 52 : 56,040 -> 00 : 52 : 58,235
모든 단계와 모든 움직임.

145
00 : 54 : 36,680 -> 00 : 54 : 39,399
피나는 항상 꺼내기를 원했어.

146
00 : 54 : 39,440 -> 00 : 54 : 41,908
그녀의 모든 댄서들에게 최고입니다.

147
00 : 54 : 43,200 -> 00 : 54 : 44,713
그녀가 나에게 말하면,

148
00 : 54 : 44,760 -> 00 : 54 : 48,036
"당신의 허약함도 당신의 힘입니다!"

149
01 : 04 : 11,000 -> 01 : 04 : 13,275
보름달을 위해

150
01 : 04 : 13,320 -> 01 : 04 : 17,233
그녀는 "기쁨"과 관련된 제스처를 요청했다.

151
01 : 04 : 17,920 -> 01 : 04 : 21,037
또는 움직이는 즐거움에.

152
01 : 04 : 21,600 -> 01 : 04 : 24,433
그 질문은 정말로 저에게 영감을주었습니다.

153
01 : 04 : 24,480 -> 01 : 04 : 28,598
내가 제시 한 운동에서,

154
01 : 04 : 28,640 -> 01 : 04 : 31,154
그녀는 전체 장면을 만들었습니다.

155
01 : 05 : 14,920 -> 01 : 05 : 16,592
나는 항상 구석에 있었다.

156
01 : 05 : 16,640 -> 01 : 05 : 18,949
또는 누군가 뒤에 숨어있는,

157
01 : 05 : 19,000 -> 01 : 05 : 20,911
그녀가 교정을 줄 때.

158
01 : 05 : 20,960 -> 01 : 05 : 24,316
아마 때문에
나는 그녀를 너무 존경했다.

159
01 : 05 : 24,360 -> 01 : 05 : 26,396
일단 그녀가 날 잡았어.

160
01 : 05 : 26,440 -> 01 : 05 : 28,795
그녀는 슬픈 목소리로 나에게 물었다.

161
01 : 05 : 28,840 -> 01 : 05 : 31,513
"Ditta, 왜 너는 나를 두려워하니?"

162
01 : 05 : 31,560-> 01 : 05 : 33,357
"나는 아무것도하지 않았다."

163
01 : 05 : 33,400 -> 01 : 05 : 34,958
그녀가 옳았다.

164
01 : 05 : 35,000 -> 01 : 05 : 38,470
그리고 점차 내 수줍음을 잃어 버렸습니다.

165
01 : 09 : 02,720 -> 01 : 09 : 05,075
가끔은 그녀가 말한 것처럼,

166
01 : 09 : 05,120 -> 01 : 09 : 06,872
"계속 검색!"

167
01 : 09 : 06,920 -> 01 : 09 : 08,956
그러나 그것이 그녀가 말한 전부입니다.

168
01 : 09 : 09,000 -> 01 : 09 : 11,309
계속 찾아야한다는 뜻 이었어.

169
01 : 09 : 11,360 -> 01 : 09 : 13,078
어디를보아야할지 모른 채

170
01 : 09 : 13,120 -> 01 : 09 : 16,271
당신이 옳은 길을 가고 있는지 여부도 아닙니다.

171
01 : 13 : 34,800 -> 01 : 13 : 38,270
피나, 아직 안 했어.
꿈꿔 왔어!

172
01 : 13 : 38,960 -> 01 : 13 : 42,350
꿈에 나를 방문하십시오.

173
01 : 13 : 42,400 -> 01 : 13 : 43,913
Daphnis로부터 소식을 받았습니다.

174
01 : 13 : 43,960 -> 01 : 13 : 45,678
누가 너를 항상 꿈꾸 느냐.

175
01 : 13 : 45,720 -> 01 : 13 : 47,438
그것은 동일하지 않습니다.

176
01 : 13 : 47,480 -> 01 : 13 : 50,153
네가 나타나면 좋을거야!

177
01 : 13 : 50,200 -> 01 : 13 : 52,191
나는 너를 기다리고있어, 피나.

178
01 : 14 : 36,720 -> 01 : 14 : 38,711
피나가 우리를 너무 빨리 떠났어.

179
01 : 14 : 39,760 -> 01 : 14 : 41,318
그래서 놀랍게도.

180
01 : 14 : 42,320 -> 01 : 14 : 44,515
나는 그것이 결국 생각한다.

181
01 : 14 : 44,560 -> 01 : 14 : 46,994
그녀는 뒤에 모든 것을 남겼다.

182
01 : 14 : 47,800 -> 01 : 14 : 49,518
그리고 자유 롭다.

183
01 : 14 : 50,400 -> 01 : 14 : 52,709
그래서 내가 그녀에게주고 싶었던거야.

184
01 : 14 : 53,240 -> 01 : 14 : 54,958
이 가벼운 순간,

185
01 : 14 : 55,760 -> 01 : 14 : 58,797
무중력의 느낌.

186
01 : 19 : 33,920 -> 01 : 19 : 36,275
의 딸로
도미니크와 말루

187
01 : 19 : 36,320 -> 01 : 19 : 39,118
나는 회사의 첫 아이였습니다.

188
01 : 19 : 39,160 -> 01 : 19 : 41,958
나는 Tanztheater에서 자랐다.

189
01 : 19 : 42,880 -> 01 : 19 : 44,757
피나없는 인생?

190
01 : 19 : 44,800 -> 01 : 19 : 46,677
나는 그것이 무엇인지 모른다.

191
01 : 20 : 28,320 -> 01 : 20 : 31,551
내가 부퍼 탈에서 새로 왔을 때

192
01 : 20 : 31,600 -> 01 : 20 : 34,512
몇 가지 사항에 대해 혼란 스러울 때,

193
01 : 20 : 34,560 -> 01 : 20 : 36,516
그녀는 간단하게 말했다 ...

194
01 : 21 : 42,880 -> 01 : 21 : 44,279
피나 (Pina)

195
01 : 21 : 44,320 -> 01 : 21 : 46,470
요소들은 매우 중요했습니다.

196
01 : 21 : 46,520 -> 01 : 21 : 49,159
모래 든 토양이든,

197
01 : 21 : 49,200 -> 01 : 21 : 51,395
돌 또는 물 ...

198
01 : 21 : 51,440 -> 01 : 21 : 54,955
어떻게 든 빙산
무대에 바위가 나타났습니다.

199
01 : 21 : 55,000 -> 01 : 21 : 57,639
우리가 춤을 추면 ...

200
01 : 21 : 57,680 -> 01 : 21 : 59,033
장애물.

201
01 : 21 : 59,080 -> 01 : 22 : 02,834
너는 가야 해.
또는 그들을 통해,

202
01 : 22 : 02,880 -> 01 : 22 : 04,871
또는 그들을 등반하십시오 ...

203
01 : 29 : 25,800 -> 01 : 29 : 28,360
피나는 급진적 인 탐험가였다.

204
01 : 29 : 28,400 -> 01 : 29 : 31,039
그녀는 우리 영혼을 깊이 들여다 보았다.

205
01 : 29 : 31,080 -> 01 : 29 : 34,629
특정 주제가 하나있었습니다.
그녀는 계속 우리에게 다음과 같이 묻고 있었다.

206
01 : 29 : 34,680 -> 01 : 29 : 37,035
우리는 무엇을 갈망 하는가?

207
01 : 29 : 37,080 -> 01 : 29 : 40,356
이 모든 것은 어디에서 발생합니까?
갈망은 어디서 온거야?