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The Project Gutenberg Etext of Ulysses |
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by James Joyce |
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Title: Ulysses |
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Author: James Joyce |
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Release Date: July, 2003 [Etext #4300] |
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[Yes, we are more than one year ahead of schedule] |
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Edition: 10 |
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Language: English |
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The Project Gutenberg Etext of Ulysses |
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by James Joyce |
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******This file should be named ulyss10.txt or ulyss10.zip****** |
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This etext was prepared by Col Choat <colchoat@yahoo.com.au>. |
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Ulysses by James Joyce |
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-- I -- |
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Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of |
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lather on which a mirror and a razor lay crossed. A yellow dressinggown, |
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ungirdled, was sustained gently behind him on the mild morning air. He |
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held the bowl aloft and intoned: |
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--INTROIBO AD ALTARE DEI. |
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Halted, he peered down the dark winding stairs and called out coarsely: |
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--Come up, Kinch! Come up, you fearful jesuit! |
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Solemnly he came forward and mounted the round gunrest. He faced |
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about and blessed gravely thrice the tower, the surrounding land and the |
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awaking mountains. Then, catching sight of Stephen Dedalus, he bent |
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towards him and made rapid crosses in the air, gurgling in his throat and |
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shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms |
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on the top of the staircase and looked coldly at the shaking gurgling face |
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that blessed him, equine in its length, and at the light untonsured hair, |
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grained and hued like pale oak. |
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Buck Mulligan peeped an instant under the mirror and then covered |
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the bowl smartly. |
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--Back to barracks! he said sternly. |
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He added in a preacher's tone: |
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--For this, O dearly beloved, is the genuine Christine: body and soul and |
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blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A |
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little trouble about those white corpuscles. Silence, all. |
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He peered sideways up and gave a long slow whistle of call, then |
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paused awhile in rapt attention, his even white teeth glistening here and |
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there with gold points. Chrysostomos. Two strong shrill whistles answered |
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through the calm. |
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--Thanks, old chap, he cried briskly. That will do nicely. Switch off the |
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current, will you? |
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He skipped off the gunrest and looked gravely at his watcher, |
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gathering about his legs the loose folds of his gown. The plump shadowed |
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face and sullen oval jowl recalled a prelate, patron of arts in the middle |
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ages. A pleasant smile broke quietly over his lips. |
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--The mockery of it! he said gaily. Your absurd name, an ancient Greek! |
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He pointed his finger in friendly jest and went over to the parapet, |
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laughing to himself. Stephen Dedalus stepped up, followed him wearily |
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halfway and sat down on the edge of the gunrest, watching him still as he |
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propped his mirror on the parapet, dipped the brush in the bowl and |
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lathered cheeks and neck. |
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Buck Mulligan's gay voice went on. |
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--My name is absurd too: Malachi Mulligan, two dactyls. But it has a |
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Hellenic ring, hasn't it? Tripping and sunny like the buck himself. We |
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must go to Athens. Will you come if I can get the aunt to fork out twenty |
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quid? |
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He laid the brush aside and, laughing with delight, cried: |
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--Will he come? The jejune jesuit! |
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Ceasing, he began to shave with care. |
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--Tell me, Mulligan, Stephen said quietly. |
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--Yes, my love? |
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--How long is Haines going to stay in this tower? |
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Buck Mulligan showed a shaven cheek over his right shoulder. |
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--God, isn't he dreadful? he said frankly. A ponderous Saxon. He thinks |
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you're not a gentleman. God, these bloody English! Bursting with money |
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and indigestion. Because he comes from Oxford. You know, Dedalus, you |
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have the real Oxford manner. He can't make you out. O, my name for you |
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is the best: Kinch, the knife-blade. |
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He shaved warily over his chin. |
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--He was raving all night about a black panther, Stephen said. Where is |
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his guncase? |
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--A woful lunatic! Mulligan said. Were you in a funk? |
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--I was, Stephen said with energy and growing fear. Out here in the dark |
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with a man I don't know raving and moaning to himself about shooting a |
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black panther. You saved men from drowning. I'm not a hero, however. If |
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he stays on here I am off. |
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Buck Mulligan frowned at the lather on his razorblade. He hopped |
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down from his perch and began to search his trouser pockets hastily. |
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--Scutter! he cried thickly. |
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He came over to the gunrest and, thrusting a hand into Stephen's |
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upper pocket, said: |
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--Lend us a loan of your noserag to wipe my razor. |
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Stephen suffered him to pull out and hold up on show by its corner a |
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dirty crumpled handkerchief. Buck Mulligan wiped the razorblade neatly. |
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Then, gazing over the handkerchief, he said: |
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--The bard's noserag! A new art colour for our Irish poets: snotgreen. |
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You can almost taste it, can't you? |
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He mounted to the parapet again and gazed out over Dublin bay, his |
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fair oakpale hair stirring slightly. |
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--God! he said quietly. Isn't the sea what Algy calls it: a great sweet |
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mother? The snotgreen sea. The scrotumtightening sea. EPI OINOPA PONTON. |
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Ah, Dedalus, the Greeks! I must teach you. You must read them in the |
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original. THALATTA! THALATTA! She is our great sweet mother. Come and |
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look. |
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Stephen stood up and went over to the parapet. Leaning on it he |
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looked down on the water and on the mailboat clearing the harbourmouth |
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of Kingstown. |
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--Our mighty mother! Buck Mulligan said. |
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He turned abruptly his grey searching eyes from the sea to Stephen's |
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face. |
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--The aunt thinks you killed your mother, he said. That's why she won't |
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let me have anything to do with you. |
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--Someone killed her, Stephen said gloomily. |
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--You could have knelt down, damn it, Kinch, when your dying mother |
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asked you, Buck Mulligan said. I'm hyperborean as much as you. But to |
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think of your mother begging you with her last breath to kneel down and |
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pray for her. And you refused. There is something sinister in you ... |
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He broke off and lathered again lightly his farther cheek. A tolerant |
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smile curled his lips. |
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--But a lovely mummer! he murmured to himself. Kinch, the loveliest |
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mummer of them all! |
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He shaved evenly and with care, in silence, seriously. |
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Stephen, an elbow rested on the jagged granite, leaned his palm |
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against his brow and gazed at the fraying edge of his shiny black |
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coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. |
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Silently, in a dream she had come to him after her death, her wasted body |
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within its loose brown graveclothes giving off an odour of wax and |
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rosewood, her breath, that had bent upon him, mute, reproachful, a faint |
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odour of wetted ashes. Across the threadbare cuffedge he saw the sea |
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hailed as a great sweet mother by the wellfed voice beside him. The ring |
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of bay and skyline held a dull green mass of liquid. A bowl of white china |
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had stood beside her deathbed holding the green sluggish bile which she |
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had torn up from her rotting liver by fits of loud groaning vomiting. |
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Buck Mulligan wiped again his razorblade. |
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--Ah, poor dogsbody! he said in a kind voice. I must give you a shirt and |
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a few noserags. How are the secondhand breeks? |
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--They fit well enough, Stephen answered. |
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Buck Mulligan attacked the hollow beneath his underlip. |
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--The mockery of it, he said contentedly. Secondleg they should be. God |
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knows what poxy bowsy left them off. I have a lovely pair with a hair |
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stripe, grey. You'll look spiffing in them. I'm not joking, Kinch. You |
|
look damn well when you're dressed. |
|
|
|
--Thanks, Stephen said. I can't wear them if they are grey. |
|
|
|
--He can't wear them, Buck Mulligan told his face in the mirror. |
|
Etiquette is etiquette. He kills his mother but he can't wear grey |
|
trousers. |
|
|
|
He folded his razor neatly and with stroking palps of fingers felt the |
|
smooth skin. |
|
|
|
Stephen turned his gaze from the sea and to the plump face with its |
|
smokeblue mobile eyes. |
|
|
|
--That fellow I was with in the Ship last night, said Buck Mulligan, says |
|
you have g.p.i. He's up in Dottyville with Connolly Norman. General |
|
paralysis of the insane! |
|
|
|
He swept the mirror a half circle in the air to flash the tidings abroad |
|
in sunlight now radiant on the sea. His curling shaven lips laughed and |
|
the edges of his white glittering teeth. Laughter seized all his strong |
|
wellknit trunk. |
|
|
|
--Look at yourself, he said, you dreadful bard! |
|
|
|
Stephen bent forward and peered at the mirror held out to him, cleft |
|
by a crooked crack. Hair on end. As he and others see me. Who chose this |
|
face for me? This dogsbody to rid of vermin. It asks me too. |
|
|
|
--I pinched it out of the skivvy's room, Buck Mulligan said. It does her |
|
all right. The aunt always keeps plainlooking servants for Malachi. Lead |
|
him not into temptation. And her name is Ursula. |
|
|
|
Laughing again, he brought the mirror away from Stephen's peering |
|
eyes. |
|
|
|
--The rage of Caliban at not seeing his face in a mirror, he said. If |
|
Wilde were only alive to see you! |
|
|
|
Drawing back and pointing, Stephen said with bitterness: |
|
|
|
--It is a symbol of Irish art. The cracked looking-glass of a servant. |
|
|
|
Buck Mulligan suddenly linked his arm in Stephen's and walked with |
|
him round the tower, his razor and mirror clacking in the pocket where he |
|
had thrust them. |
|
|
|
--It's not fair to tease you like that, Kinch, is it? he said kindly. God |
|
knows you have more spirit than any of them. |
|
|
|
Parried again. He fears the lancet of my art as I fear that of his. The |
|
cold steelpen. |
|
|
|
--Cracked lookingglass of a servant! Tell that to the oxy chap downstairs |
|
and touch him for a guinea. He's stinking with money and thinks you're |
|
not a gentleman. His old fellow made his tin by selling jalap to Zulus or |
|
some bloody swindle or other. God, Kinch, if you and I could only work |
|
together we might do something for the island. Hellenise it. |
|
|
|
Cranly's arm. His arm. |
|
|
|
--And to think of your having to beg from these swine. I'm the only one |
|
that knows what you are. Why don't you trust me more? What have you up |
|
your nose against me? Is it Haines? If he makes any noise here I'll bring |
|
down Seymour and we'll give him a ragging worse than they gave Clive |
|
Kempthorpe. |
|
|
|
Young shouts of moneyed voices in Clive Kempthorpe's rooms. Palefaces: |
|
they hold their ribs with laughter, one clasping another. O, I |
|
shall expire! Break the news to her gently, Aubrey! I shall die! With slit |
|
ribbons of his shirt whipping the air he hops and hobbles round the table, |
|
with trousers down at heels, chased by Ades of Magdalen with the tailor's |
|
shears. A scared calf's face gilded with marmalade. I don't want to be |
|
debagged! Don't you play the giddy ox with me! |
|
|
|
Shouts from the open window startling evening in the quadrangle. A |
|
deaf gardener, aproned, masked with Matthew Arnold's face, pushes his |
|
mower on the sombre lawn watching narrowly the dancing motes of |
|
grasshalms. |
|
|
|
To ourselves ... new paganism ... omphalos. |
|
|
|
--Let him stay, Stephen said. There's nothing wrong with him except at |
|
night. |
|
|
|
--Then what is it? Buck Mulligan asked impatiently. Cough it up. I'm |
|
quite frank with you. What have you against me now? |
|
|
|
They halted, looking towards the blunt cape of Bray Head that lay on |
|
the water like the snout of a sleeping whale. Stephen freed his arm |
|
quietly. |
|
|
|
--Do you wish me to tell you? he asked. |
|
|
|
--Yes, what is it? Buck Mulligan answered. I don't remember anything. |
|
|
|
He looked in Stephen's face as he spoke. A light wind passed his |
|
brow, fanning softly his fair uncombed hair and stirring silver points of |
|
anxiety in his eyes. |
|
|
|
Stephen, depressed by his own voice, said: |
|
|
|
--Do you remember the first day I went to your house after my mother's |
|
death? |
|
|
|
Buck Mulligan frowned quickly and said: |
|
|
|
--What? Where? I can't remember anything. I remember only ideas and |
|
sensations. Why? What happened in the name of God? |
|
|
|
--You were making tea, Stephen said, and went across the landing to get |
|
more hot water. Your mother and some visitor came out of the |
|
drawingroom. She asked you who was in your room. |
|
|
|
--Yes? Buck Mulligan said. What did I say? I forget. |
|
|
|
--You said, Stephen answered, O, IT'S ONLY DEDALUS WHOSE MOTHER IS |
|
BEASTLY DEAD. |
|
|
|
A flush which made him seem younger and more engaging rose to |
|
Buck Mulligan's cheek. |
|
|
|
--Did I say that? he asked. Well? What harm is that? |
|
|
|
He shook his constraint from him nervously. |
|
|
|
--And what is death, he asked, your mother's or yours or my own? You |
|
saw only your mother die. I see them pop off every day in the Mater and |
|
Richmond and cut up into tripes in the dissectingroom. It's a beastly |
|
thing and nothing else. It simply doesn't matter. You wouldn't kneel down |
|
to pray for your mother on her deathbed when she asked you. Why? Because |
|
you have the cursed jesuit strain in you, only it's injected the wrong |
|
way. To me it's all a mockery and beastly. Her cerebral lobes are not |
|
functioning. She calls the doctor sir Peter Teazle and picks buttercups |
|
off the quilt. Humour her till it's over. You crossed her last wish in |
|
death and yet you sulk with me because I don't whinge like some hired mute |
|
from Lalouette's. Absurd! I suppose I did say it. I didn't mean to offend |
|
the memory of your mother. |
|
|
|
He had spoken himself into boldness. Stephen, shielding the gaping |
|
wounds which the words had left in his heart, said very coldly: |
|
|
|
--I am not thinking of the offence to my mother. |
|
|
|
--Of what then? Buck Mulligan asked. |
|
|
|
--Of the offence to me, Stephen answered. |
|
|
|
Buck Mulligan swung round on his heel. |
|
|
|
--O, an impossible person! he exclaimed. |
|
|
|
He walked off quickly round the parapet. Stephen stood at his post, |
|
gazing over the calm sea towards the headland. Sea and headland now |
|
grew dim. Pulses were beating in his eyes, veiling their sight, and he |
|
felt the fever of his cheeks. |
|
|
|
A voice within the tower called loudly: |
|
|
|
--Are you up there, Mulligan? |
|
|
|
--I'm coming, Buck Mulligan answered. |
|
|
|
He turned towards Stephen and said: |
|
|
|
--Look at the sea. What does it care about offences? Chuck Loyola, Kinch, |
|
and come on down. The Sassenach wants his morning rashers. |
|
|
|
His head halted again for a moment at the top of the staircase, level |
|
with the roof: |
|
|
|
--Don't mope over it all day, he said. I'm inconsequent. Give up the |
|
moody brooding. |
|
|
|
His head vanished but the drone of his descending voice boomed out |
|
of the stairhead: |
|
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD |
|
UPON LOVE'S BITTER MYSTERY |
|
FOR FERGUS RULES THE BRAZEN CARS. |
|
|
|
|
|
Woodshadows floated silently by through the morning peace from the |
|
stairhead seaward where he gazed. Inshore and farther out the mirror of |
|
water whitened, spurned by lightshod hurrying feet. White breast of the |
|
dim sea. The twining stresses, two by two. A hand plucking the |
|
harpstrings, merging their twining chords. Wavewhite wedded words |
|
shimmering on the dim tide. |
|
|
|
A cloud began to cover the sun slowly, wholly, shadowing the bay in |
|
deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song: I |
|
sang it alone in the house, holding down the long dark chords. Her door |
|
was open: she wanted to hear my music. Silent with awe and pity I went to |
|
her bedside. She was crying in her wretched bed. For those words, Stephen: |
|
love's bitter mystery. |
|
|
|
Where now? |
|
|
|
Her secrets: old featherfans, tasselled dancecards, powdered with |
|
musk, a gaud of amber beads in her locked drawer. A birdcage hung in the |
|
sunny window of her house when she was a girl. She heard old Royce sing |
|
in the pantomime of Turko the Terrible and laughed with others when he |
|
sang: |
|
|
|
|
|
I AM THE BOY |
|
THAT CAN ENJOY |
|
INVISIBILITY. |
|
|
|
|
|
Phantasmal mirth, folded away: muskperfumed. |
|
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD. |
|
|
|
|
|
Folded away in the memory of nature with her toys. Memories beset |
|
his brooding brain. Her glass of water from the kitchen tap when she had |
|
approached the sacrament. A cored apple, filled with brown sugar, roasting |
|
for her at the hob on a dark autumn evening. Her shapely fingernails |
|
reddened by the blood of squashed lice from the children's shirts. |
|
|
|
In a dream, silently, she had come to him, her wasted body within its |
|
loose graveclothes giving off an odour of wax and rosewood, her breath, |
|
bent over him with mute secret words, a faint odour of wetted ashes. |
|
|
|
Her glazing eyes, staring out of death, to shake and bend my soul. On |
|
me alone. The ghostcandle to light her agony. Ghostly light on the |
|
tortured face. Her hoarse loud breath rattling in horror, while all prayed |
|
on their knees. Her eyes on me to strike me down. LILIATA RUTILANTIUM TE |
|
CONFESSORUM TURMA CIRCUMDET: IUBILANTIUM TE VIRGINUM CHORUS EXCIPIAT. |
|
|
|
Ghoul! Chewer of corpses! |
|
|
|
No, mother! Let me be and let me live. |
|
|
|
--Kinch ahoy! |
|
|
|
Buck Mulligan's voice sang from within the tower. It came nearer up |
|
the staircase, calling again. Stephen, still trembling at his soul's cry, |
|
heard warm running sunlight and in the air behind him friendly words. |
|
|
|
--Dedalus, come down, like a good mosey. Breakfast is ready. Haines is |
|
apologising for waking us last night. It's all right. |
|
|
|
--I'm coming, Stephen said, turning. |
|
|
|
--Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our |
|
sakes. |
|
|
|
His head disappeared and reappeared. |
|
|
|
--I told him your symbol of Irish art. He says it's very clever. Touch |
|
him for a quid, will you? A guinea, I mean. |
|
|
|
--I get paid this morning, Stephen said. |
|
|
|
--The school kip? Buck Mulligan said. How much? Four quid? Lend us |
|
one. |
|
|
|
--If you want it, Stephen said. |
|
|
|
--Four shining sovereigns, Buck Mulligan cried with delight. We'll have a |
|
glorious drunk to astonish the druidy druids. Four omnipotent sovereigns. |
|
|
|
He flung up his hands and tramped down the stone stairs, singing out |
|
of tune with a Cockney accent: |
|
|
|
|
|
O, WON'T WE HAVE A MERRY TIME, |
|
DRINKING WHISKY, BEER AND WINE! |
|
ON CORONATION, |
|
CORONATION DAY! |
|
O, WON'T WE HAVE A MERRY TIME |
|
ON CORONATION DAY! |
|
|
|
|
|
Warm sunshine merrying over the sea. The nickel shavingbowl shone, |
|
forgotten, on the parapet. Why should I bring it down? Or leave it there |
|
all day, forgotten friendship? |
|
|
|
He went over to it, held it in his hands awhile, feeling its coolness, |
|
smelling the clammy slaver of the lather in which the brush was stuck. So |
|
I carried the boat of incense then at Clongowes. I am another now and yet |
|
the same. A servant too. A server of a servant. |
|
|
|
In the gloomy domed livingroom of the tower Buck Mulligan's |
|
gowned form moved briskly to and fro about the hearth, hiding and |
|
revealing its yellow glow. Two shafts of soft daylight fell across the |
|
flagged floor from the high barbacans: and at the meeting of their rays a |
|
cloud of coalsmoke and fumes of fried grease floated, turning. |
|
|
|
--We'll be choked, Buck Mulligan said. Haines, open that door, will you? |
|
|
|
Stephen laid the shavingbowl on the locker. A tall figure rose from the |
|
hammock where it had been sitting, went to the doorway and pulled open |
|
the inner doors. |
|
|
|
--Have you the key? a voice asked. |
|
|
|
--Dedalus has it, Buck Mulligan said. Janey Mack, I'm choked! |
|
|
|
He howled, without looking up from the fire: |
|
|
|
--Kinch! |
|
|
|
--It's in the lock, Stephen said, coming forward. |
|
|
|
The key scraped round harshly twice and, when the heavy door had |
|
been set ajar, welcome light and bright air entered. Haines stood at the |
|
doorway, looking out. Stephen haled his upended valise to the table and |
|
sat down to wait. Buck Mulligan tossed the fry on to the dish beside him. |
|
Then he carried the dish and a large teapot over to the table, set them |
|
down heavily and sighed with relief. |
|
|
|
--I'm melting, he said, as the candle remarked when ... But, hush! Not a |
|
word more on that subject! Kinch, wake up! Bread, butter, honey. Haines, |
|
come in. The grub is ready. Bless us, O Lord, and these thy gifts. Where's |
|
the sugar? O, jay, there's no milk. |
|
|
|
Stephen fetched the loaf and the pot of honey and the buttercooler |
|
from the locker. Buck Mulligan sat down in a sudden pet. |
|
|
|
--What sort of a kip is this? he said. I told her to come after eight. |
|
|
|
--We can drink it black, Stephen said thirstily. There's a lemon in the |
|
locker. |
|
|
|
--O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove |
|
milk. |
|
|
|
Haines came in from the doorway and said quietly: |
|
|
|
--That woman is coming up with the milk. |
|
|
|
--The blessings of God on you! Buck Mulligan cried, jumping up from his |
|
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here, I |
|
can't go fumbling at the damned eggs. |
|
|
|
He hacked through the fry on the dish and slapped it out on three |
|
plates, saying: |
|
|
|
--IN NOMINE PATRIS ET FILII ET SPIRITUS SANCTI. |
|
|
|
Haines sat down to pour out the tea. |
|
|
|
--I'm giving you two lumps each, he said. But, I say, Mulligan, you do |
|
make strong tea, don't you? |
|
|
|
Buck Mulligan, hewing thick slices from the loaf, said in an old |
|
woman's wheedling voice: |
|
|
|
--When I makes tea I makes tea, as old mother Grogan said. And when I |
|
makes water I makes water. |
|
|
|
--By Jove, it is tea, Haines said. |
|
|
|
Buck Mulligan went on hewing and wheedling: |
|
|
|
--SO I DO, MRS CAHILL, says she. BEGOB, MA'AM, says Mrs Cahill, GOD SEND |
|
YOU DON'T MAKE THEM IN THE ONE POT. |
|
|
|
He lunged towards his messmates in turn a thick slice of bread, |
|
impaled on his knife. |
|
|
|
--That's folk, he said very earnestly, for your book, Haines. Five lines |
|
of text and ten pages of notes about the folk and the fishgods of Dundrum. |
|
Printed by the weird sisters in the year of the big wind. |
|
|
|
He turned to Stephen and asked in a fine puzzled voice, lifting his |
|
brows: |
|
|
|
--Can you recall, brother, is mother Grogan's tea and water pot spoken of |
|
in the Mabinogion or is it in the Upanishads? |
|
|
|
--I doubt it, said Stephen gravely. |
|
|
|
--Do you now? Buck Mulligan said in the same tone. Your reasons, pray? |
|
|
|
--I fancy, Stephen said as he ate, it did not exist in or out of the |
|
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary |
|
Ann. |
|
|
|
Buck Mulligan's face smiled with delight. |
|
|
|
--Charming! he said in a finical sweet voice, showing his white teeth and |
|
blinking his eyes pleasantly. Do you think she was? Quite charming! |
|
|
|
Then, suddenly overclouding all his features, he growled in a |
|
hoarsened rasping voice as he hewed again vigorously at the loaf: |
|
|
|
|
|
--FOR OLD MARY ANN |
|
SHE DOESN'T CARE A DAMN. |
|
BUT, HISING UP HER PETTICOATS ... |
|
|
|
|
|
He crammed his mouth with fry and munched and droned. |
|
|
|
The doorway was darkened by an entering form. |
|
|
|
--The milk, sir! |
|
|
|
--Come in, ma'am, Mulligan said. Kinch, get the jug. |
|
|
|
An old woman came forward and stood by Stephen's elbow. |
|
|
|
--That's a lovely morning, sir, she said. Glory be to God. |
|
|
|
--To whom? Mulligan said, glancing at her. Ah, to be sure! |
|
|
|
Stephen reached back and took the milkjug from the locker. |
|
|
|
--The islanders, Mulligan said to Haines casually, speak frequently of |
|
the collector of prepuces. |
|
|
|
--How much, sir? asked the old woman. |
|
|
|
--A quart, Stephen said. |
|
|
|
He watched her pour into the measure and thence into the jug rich |
|
white milk, not hers. Old shrunken paps. She poured again a measureful |
|
and a tilly. Old and secret she had entered from a morning world, maybe a |
|
messenger. She praised the goodness of the milk, pouring it out. Crouching |
|
by a patient cow at daybreak in the lush field, a witch on her toadstool, |
|
her wrinkled fingers quick at the squirting dugs. They lowed about her |
|
whom they knew, dewsilky cattle. Silk of the kine and poor old woman, |
|
names given her in old times. A wandering crone, lowly form of an immortal |
|
serving her conqueror and her gay betrayer, their common cuckquean, a |
|
messenger from the secret morning. To serve or to upbraid, whether he |
|
could not tell: but scorned to beg her favour. |
|
|
|
--It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups. |
|
|
|
--Taste it, sir, she said. |
|
|
|
He drank at her bidding. |
|
|
|
--If we could live on good food like that, he said to her somewhat |
|
loudly, we wouldn't have the country full of rotten teeth and rotten guts. |
|
Living in a bogswamp, eating cheap food and the streets paved with dust, |
|
horsedung and consumptives' spits. |
|
|
|
--Are you a medical student, sir? the old woman asked. |
|
|
|
--I am, ma'am, Buck Mulligan answered. |
|
|
|
--Look at that now, she said. |
|
|
|
Stephen listened in scornful silence. She bows her old head to a voice |
|
that speaks to her loudly, her bonesetter, her medicineman: me she |
|
slights. To the voice that will shrive and oil for the grave all there is |
|
of her but her woman's unclean loins, of man's flesh made not in God's |
|
likeness, the serpent's prey. And to the loud voice that now bids her be |
|
silent with wondering unsteady eyes. |
|
|
|
--Do you understand what he says? Stephen asked her. |
|
|
|
--Is it French you are talking, sir? the old woman said to Haines. |
|
|
|
Haines spoke to her again a longer speech, confidently. |
|
|
|
--Irish, Buck Mulligan said. Is there Gaelic on you? |
|
|
|
--I thought it was Irish, she said, by the sound of it. Are you from the |
|
west, sir? |
|
|
|
--I am an Englishman, Haines answered. |
|
|
|
--He's English, Buck Mulligan said, and he thinks we ought to speak Irish |
|
in Ireland. |
|
|
|
--Sure we ought to, the old woman said, and I'm ashamed I don't speak the |
|
language myself. I'm told it's a grand language by them that knows. |
|
|
|
--Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill |
|
us out some more tea, Kinch. Would you like a cup, ma'am? |
|
|
|
--No, thank you, sir, the old woman said, slipping the ring of the |
|
milkcan on her forearm and about to go. |
|
|
|
Haines said to her: |
|
|
|
--Have you your bill? We had better pay her, Mulligan, hadn't we? |
|
|
|
Stephen filled again the three cups. |
|
|
|
--Bill, sir? she said, halting. Well, it's seven mornings a pint at |
|
twopence is seven twos is a shilling and twopence over and these three |
|
mornings a quart at fourpence is three quarts is a shilling. That's a |
|
shilling and one and two is two and two, sir. |
|
|
|
Buck Mulligan sighed and, having filled his mouth with a crust |
|
thickly buttered on both sides, stretched forth his legs and began to |
|
search his trouser pockets. |
|
|
|
--Pay up and look pleasant, Haines said to him, smiling. |
|
|
|
Stephen filled a third cup, a spoonful of tea colouring faintly the thick |
|
rich milk. Buck Mulligan brought up a florin, twisted it round in his |
|
fingers and cried: |
|
|
|
--A miracle! |
|
|
|
He passed it along the table towards the old woman, saying: |
|
|
|
--Ask nothing more of me, sweet. All I can give you I give. |
|
|
|
Stephen laid the coin in her uneager hand. |
|
|
|
--We'll owe twopence, he said. |
|
|
|
--Time enough, sir, she said, taking the coin. Time enough. Good morning, |
|
sir. |
|
|
|
She curtseyed and went out, followed by Buck Mulligan's tender |
|
chant: |
|
|
|
|
|
--HEART OF MY HEART, WERE IT MORE, |
|
MORE WOULD BE LAID AT YOUR FEET. |
|
|
|
|
|
He turned to Stephen and said: |
|
|
|
--Seriously, Dedalus. I'm stony. Hurry out to your school kip and bring |
|
us back some money. Today the bards must drink and junket. Ireland expects |
|
that every man this day will do his duty. |
|
|
|
--That reminds me, Haines said, rising, that I have to visit your |
|
national library today. |
|
|
|
--Our swim first, Buck Mulligan said. |
|
|
|
He turned to Stephen and asked blandly: |
|
|
|
--Is this the day for your monthly wash, Kinch? |
|
|
|
Then he said to Haines: |
|
|
|
--The unclean bard makes a point of washing once a month. |
|
|
|
--All Ireland is washed by the gulfstream, Stephen said as he let honey |
|
trickle over a slice of the loaf. |
|
|
|
Haines from the corner where he was knotting easily a scarf about |
|
the loose collar of his tennis shirt spoke: |
|
|
|
--I intend to make a collection of your sayings if you will let me. |
|
|
|
Speaking to me. They wash and tub and scrub. Agenbite of inwit. |
|
Conscience. Yet here's a spot. |
|
|
|
--That one about the cracked lookingglass of a servant being the symbol |
|
of Irish art is deuced good. |
|
|
|
Buck Mulligan kicked Stephen's foot under the table and said with |
|
warmth of tone: |
|
|
|
--Wait till you hear him on Hamlet, Haines. |
|
|
|
--Well, I mean it, Haines said, still speaking to Stephen. I was just |
|
thinking of it when that poor old creature came in. |
|
|
|
--Would I make any money by it? Stephen asked. |
|
|
|
Haines laughed and, as he took his soft grey hat from the holdfast of |
|
the hammock, said: |
|
|
|
--I don't know, I'm sure. |
|
|
|
He strolled out to the doorway. Buck Mulligan bent across to Stephen |
|
and said with coarse vigour: |
|
|
|
--You put your hoof in it now. What did you say that for? |
|
|
|
--Well? Stephen said. The problem is to get money. From whom? From the |
|
milkwoman or from him. It's a toss up, I think. |
|
|
|
--I blow him out about you, Buck Mulligan said, and then you come along |
|
with your lousy leer and your gloomy jesuit jibes. |
|
|
|
--I see little hope, Stephen said, from her or from him. |
|
|
|
Buck Mulligan sighed tragically and laid his hand on Stephen's arm. |
|
|
|
--From me, Kinch, he said. |
|
|
|
In a suddenly changed tone he added: |
|
|
|
--To tell you the God's truth I think you're right. Damn all else they |
|
are good for. Why don't you play them as I do? To hell with them all. Let |
|
us get out of the kip. |
|
|
|
He stood up, gravely ungirdled and disrobed himself of his gown, |
|
saying resignedly: |
|
|
|
--Mulligan is stripped of his garments. |
|
|
|
He emptied his pockets on to the table. |
|
|
|
--There's your snotrag, he said. |
|
|
|
And putting on his stiff collar and rebellious tie he spoke to them, |
|
chiding them, and to his dangling watchchain. His hands plunged and |
|
rummaged in his trunk while he called for a clean handkerchief. God, we'll |
|
simply have to dress the character. I want puce gloves and green boots. |
|
Contradiction. Do I contradict myself? Very well then, I contradict |
|
myself. Mercurial Malachi. A limp black missile flew out of his talking |
|
hands. |
|
|
|
--And there's your Latin quarter hat, he said. |
|
|
|
Stephen picked it up and put it on. Haines called to them from the |
|
doorway: |
|
|
|
--Are you coming, you fellows? |
|
|
|
--I'm ready, Buck Mulligan answered, going towards the door. Come out, |
|
Kinch. You have eaten all we left, I suppose. Resigned he passed out with |
|
grave words and gait, saying, wellnigh with sorrow: |
|
|
|
--And going forth he met Butterly. |
|
|
|
Stephen, taking his ashplant from its leaningplace, followed them out |
|
and, as they went down the ladder, pulled to the slow iron door and locked |
|
it. He put the huge key in his inner pocket. |
|
|
|
At the foot of the ladder Buck Mulligan asked: |
|
|
|
--Did you bring the key? |
|
|
|
--I have it, Stephen said, preceding them. |
|
|
|
He walked on. Behind him he heard Buck Mulligan club with his heavy |
|
bathtowel the leader shoots of ferns or grasses. |
|
|
|
--Down, sir! How dare you, sir! |
|
|
|
Haines asked: |
|
|
|
--Do you pay rent for this tower? |
|
|
|
--Twelve quid, Buck Mulligan said. |
|
|
|
--To the secretary of state for war, Stephen added over his shoulder. |
|
|
|
They halted while Haines surveyed the tower and said at last: |
|
|
|
--Rather bleak in wintertime, I should say. Martello you call it? |
|
|
|
--Billy Pitt had them built, Buck Mulligan said, when the French were on |
|
the sea. But ours is the omphalos. |
|
|
|
--What is your idea of Hamlet? Haines asked Stephen. |
|
|
|
--No, no, Buck Mulligan shouted in pain. I'm not equal to Thomas |
|
Aquinas and the fiftyfive reasons he has made out to prop it up. Wait till |
|
I have a few pints in me first. |
|
|
|
He turned to Stephen, saying, as he pulled down neatly the peaks of |
|
his primrose waistcoat: |
|
|
|
--You couldn't manage it under three pints, Kinch, could you? |
|
|
|
--It has waited so long, Stephen said listlessly, it can wait longer. |
|
|
|
--You pique my curiosity, Haines said amiably. Is it some paradox? |
|
|
|
--Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes. |
|
It's quite simple. He proves by algebra that Hamlet's grandson is |
|
Shakespeare's grandfather and that he himself is the ghost of his own |
|
father. |
|
|
|
--What? Haines said, beginning to point at Stephen. He himself? |
|
|
|
Buck Mulligan slung his towel stolewise round his neck and, bending |
|
in loose laughter, said to Stephen's ear: |
|
|
|
--O, shade of Kinch the elder! Japhet in search of a father! |
|
|
|
--We're always tired in the morning, Stephen said to Haines. And it is |
|
rather long to tell. |
|
|
|
Buck Mulligan, walking forward again, raised his hands. |
|
|
|
--The sacred pint alone can unbind the tongue of Dedalus, he said. |
|
|
|
--I mean to say, Haines explained to Stephen as they followed, this tower |
|
and these cliffs here remind me somehow of Elsinore. THAT BEETLES O'ER HIS |
|
BASE INTO THE SEA, ISN'T IT? |
|
|
|
Buck Mulligan turned suddenly. for an instant towards Stephen but |
|
did not speak. In the bright silent instant Stephen saw his own image in |
|
cheap dusty mourning between their gay attires. |
|
|
|
--It's a wonderful tale, Haines said, bringing them to halt again. |
|
|
|
Eyes, pale as the sea the wind had freshened, paler, firm and prudent. |
|
The seas' ruler, he gazed southward over the bay, empty save for the |
|
smokeplume of the mailboat vague on the bright skyline and a sail tacking |
|
by the Muglins. |
|
|
|
--I read a theological interpretation of it somewhere, he said bemused. |
|
The Father and the Son idea. The Son striving to be atoned with the |
|
Father. |
|
|
|
Buck Mulligan at once put on a blithe broadly smiling face. He |
|
looked at them, his wellshaped mouth open happily, his eyes, from which he |
|
had suddenly withdrawn all shrewd sense, blinking with mad gaiety. He |
|
moved a doll's head to and fro, the brims of his Panama hat quivering, and |
|
began to chant in a quiet happy foolish voice: |
|
|
|
|
|
--I'M THE QUEEREST YOUNG FELLOW THAT EVER YOU HEARD. |
|
MY MOTHER'S A JEW, MY FATHER'S A BIRD. |
|
WITH JOSEPH THE JOINER I CANNOT AGREE. |
|
SO HERE'S TO DISCIPLES AND CALVARY. |
|
|
|
|
|
He held up a forefinger of warning. |
|
|
|
|
|
--IF ANYONE THINKS THAT I AMN'T DIVINE |
|
HE'LL GET NO FREE DRINKS WHEN I'M MAKING THE WINE |
|
BUT HAVE TO DRINK WATER AND WISH IT WERE PLAIN |
|
THAT I MAKE WHEN THE WINE BECOMES WATER AGAIN. |
|
|
|
|
|
He tugged swiftly at Stephen's ashplant in farewell and, running |
|
forward to a brow of the cliff, fluttered his hands at his sides like fins |
|
or wings of one about to rise in the air, and chanted: |
|
|
|
|
|
--GOODBYE, NOW, GOODBYE! WRITE DOWN ALL I SAID |
|
AND TELL TOM, DIEK AND HARRY I ROSE FROM THE DEAD. |
|
WHAT'S BRED IN THE BONE CANNOT FAIL ME TO FLY |
|
AND OLIVET'S BREEZY ... GOODBYE, NOW, GOODBYE! |
|
|
|
|
|
He capered before them down towards the fortyfoot hole, fluttering |
|
his winglike hands, leaping nimbly, Mercury's hat quivering in the fresh |
|
wind that bore back to them his brief birdsweet cries. |
|
|
|
Haines, who had been laughing guardedly, walked on beside Stephen |
|
and said: |
|
|
|
--We oughtn't to laugh, I suppose. He's rather blasphemous. I'm not a |
|
believer myself, that is to say. Still his gaiety takes the harm out of it |
|
somehow, doesn't it? What did he call it? Joseph the Joiner? |
|
|
|
--The ballad of joking Jesus, Stephen answered. |
|
|
|
--O, Haines said, you have heard it before? |
|
|
|
--Three times a day, after meals, Stephen said drily. |
|
|
|
--You're not a believer, are you? Haines asked. I mean, a believer in the |
|
narrow sense of the word. Creation from nothing and miracles and a |
|
personal God. |
|
|
|
--There's only one sense of the word, it seems to me, Stephen said. |
|
|
|
Haines stopped to take out a smooth silver case in which twinkled a |
|
green stone. He sprang it open with his thumb and offered it. |
|
|
|
--Thank you, Stephen said, taking a cigarette. |
|
|
|
Haines helped himself and snapped the case to. He put it back in his |
|
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang it |
|
open too, and, having lit his cigarette, held the flaming spunk towards |
|
Stephen in the shell of his hands. |
|
|
|
--Yes, of course, he said, as they went on again. Either you believe or |
|
you don't, isn't it? Personally I couldn't stomach that idea of a personal |
|
God. You don't stand for that, I suppose? |
|
|
|
--You behold in me, Stephen said with grim displeasure, a horrible |
|
example of free thought. |
|
|
|
He walked on, waiting to be spoken to, trailing his ashplant by his |
|
side. Its ferrule followed lightly on the path, squealing at his heels. My |
|
familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along the |
|
path. They will walk on it tonight, coming here in the dark. He wants that |
|
key. It is mine. I paid the rent. Now I eat his salt bread. Give him the |
|
key too. All. He will ask for it. That was in his eyes. |
|
|
|
--After all, Haines began ... |
|
|
|
Stephen turned and saw that the cold gaze which had measured him |
|
was not all unkind. |
|
|
|
--After all, I should think you are able to free yourself. You are your |
|
own master, it seems to me. |
|
|
|
--I am a servant of two masters, Stephen said, an English and an Italian. |
|
|
|
--Italian? Haines said. |
|
|
|
A crazy queen, old and jealous. Kneel down before me. |
|
|
|
--And a third, Stephen said, there is who wants me for odd jobs. |
|
|
|
--Italian? Haines said again. What do you mean? |
|
|
|
--The imperial British state, Stephen answered, his colour rising, and |
|
the holy Roman catholic and apostolic church. |
|
|
|
Haines detached from his underlip some fibres of tobacco before he |
|
spoke. |
|
|
|
--I can quite understand that, he said calmly. An Irishman must think |
|
like that, I daresay. We feel in England that we have treated you rather |
|
unfairly. It seems history is to blame. |
|
|
|
The proud potent titles clanged over Stephen's memory the triumph |
|
of their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM |
|
ECCLESIAM: the slow growth and change of rite and dogma like his own rare |
|
thoughts, a chemistry of stars. Symbol of the apostles in the mass for |
|
pope Marcellus, the voices blended, singing alone loud in affirmation: and |
|
behind their chant the vigilant angel of the church militant disarmed and |
|
menaced her heresiarchs. A horde of heresies fleeing with mitres awry: |
|
Photius and the brood of mockers of whom Mulligan was one, and Arius, |
|
warring his life long upon the consubstantiality of the Son with the |
|
Father, and Valentine, spurning Christ's terrene body, and the subtle |
|
African heresiarch Sabellius who held that the Father was Himself His own |
|
Son. Words Mulligan had spoken a moment since in mockery to the stranger. |
|
Idle mockery. The void awaits surely all them that weave the wind: a |
|
menace, a disarming and a worsting from those embattled angels of the |
|
church, Michael's host, who defend her ever in the hour of conflict with |
|
their lances and their shields. |
|
|
|
Hear, hear! Prolonged applause. ZUT! NOM DE DIEU! |
|
|
|
--Of course I'm a Britisher, Haines's voice said, and I feel as one. I |
|
don't want to see my country fall into the hands of German jews either. |
|
That's our national problem, I'm afraid, just now. |
|
|
|
Two men stood at the verge of the cliff, watching: businessman, |
|
boatman. |
|
|
|
--She's making for Bullock harbour. |
|
|
|
The boatman nodded towards the north of the bay with some disdain. |
|
|
|
--There's five fathoms out there, he said. It'll be swept up that way |
|
when the tide comes in about one. It's nine days today. |
|
|
|
The man that was drowned. A sail veering about the blank bay |
|
waiting for a swollen bundle to bob up, roll over to the sun a puffy face, |
|
saltwhite. Here I am. |
|
|
|
They followed the winding path down to the creek. Buck Mulligan |
|
stood on a stone, in shirtsleeves, his unclipped tie rippling over his |
|
shoulder. A young man clinging to a spur of rock near him, moved slowly |
|
frogwise his green legs in the deep jelly of the water. |
|
|
|
--Is the brother with you, Malachi? |
|
|
|
--Down in Westmeath. With the Bannons. |
|
|
|
--Still there? I got a card from Bannon. Says he found a sweet young |
|
thing down there. Photo girl he calls her. |
|
|
|
--Snapshot, eh? Brief exposure. |
|
|
|
Buck Mulligan sat down to unlace his boots. An elderly man shot up |
|
near the spur of rock a blowing red face. He scrambled up by the stones, |
|
water glistening on his pate and on its garland of grey hair, water |
|
rilling over his chest and paunch and spilling jets out of his black |
|
sagging loincloth. |
|
|
|
Buck Mulligan made way for him to scramble past and, glancing at |
|
Haines and Stephen, crossed himself piously with his thumbnail at brow |
|
and lips and breastbone. |
|
|
|
--Seymour's back in town, the young man said, grasping again his spur of |
|
rock. Chucked medicine and going in for the army. |
|
|
|
--Ah, go to God! Buck Mulligan said. |
|
|
|
--Going over next week to stew. You know that red Carlisle girl, Lily? |
|
|
|
--Yes. |
|
|
|
--Spooning with him last night on the pier. The father is rotto with |
|
money. |
|
|
|
--Is she up the pole? |
|
|
|
--Better ask Seymour that. |
|
|
|
--Seymour a bleeding officer! Buck Mulligan said. |
|
|
|
|
|
He nodded to himself as he drew off his trousers and stood up, saying |
|
tritely: |
|
|
|
--Redheaded women buck like goats. |
|
|
|
He broke off in alarm, feeling his side under his flapping shirt. |
|
|
|
--My twelfth rib is gone, he cried. I'm the ubermench. Toothless Kinch |
|
and I, the supermen. |
|
|
|
He struggled out of his shirt and flung it behind him to where his |
|
clothes lay. |
|
|
|
--Are you going in here, Malachi? |
|
|
|
--Yes. Make room in the bed. |
|
|
|
The young man shoved himself backward through the water and |
|
reached the middle of the creek in two long clean strokes. Haines sat down |
|
on a stone, smoking. |
|
|
|
--Are you not coming in? Buck Mulligan asked. |
|
|
|
--Later on, Haines said. Not on my breakfast. |
|
|
|
Stephen turned away. |
|
|
|
--I'm going, Mulligan, he said. |
|
|
|
--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat. |
|
|
|
Stephen handed him the key. Buck Mulligan laid it across his heaped |
|
clothes. |
|
|
|
--And twopence, he said, for a pint. Throw it there. |
|
|
|
Stephen threw two pennies on the soft heap. Dressing, undressing. |
|
Buck Mulligan erect, with joined hands before him, said solemnly: |
|
|
|
--He who stealeth from the poor lendeth to the Lord. Thus spake |
|
Zarathustra. |
|
|
|
His plump body plunged. |
|
|
|
--We'll see you again, Haines said, turning as Stephen walked up the path |
|
and smiling at wild Irish. |
|
|
|
Horn of a bull, hoof of a horse, smile of a Saxon. |
|
|
|
--The Ship, Buck Mulligan cried. Half twelve. |
|
|
|
--Good, Stephen said. |
|
|
|
He walked along the upwardcurving path. |
|
|
|
|
|
LILIATA RUTILANTIUM. |
|
TURMA CIRCUMDET. |
|
IUBILANTIUM TE VIRGINUM. |
|
|
|
|
|
The priest's grey nimbus in a niche where he dressed discreetly. I will |
|
not sleep here tonight. Home also I cannot go. |
|
|
|
|
|
A voice, sweettoned and sustained, called to him from the sea. |
|
Turning the curve he waved his hand. It called again. A sleek brown head, |
|
a seal's, far out on the water, round. |
|
|
|
Usurper. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
--You, Cochrane, what city sent for him? |
|
|
|
--Tarentum, sir. |
|
|
|
--Very good. Well? |
|
|
|
--There was a battle, sir. |
|
|
|
--Very good. Where? |
|
|
|
The boy's blank face asked the blank window. |
|
|
|
Fabled by the daughters of memory. And yet it was in some way if not |
|
as memory fabled it. A phrase, then, of impatience, thud of Blake's wings |
|
of excess. I hear the ruin of all space, shattered glass and toppling |
|
masonry, and time one livid final flame. What's left us then? |
|
|
|
--I forget the place, sir. 279 B. C. |
|
|
|
--Asculum, Stephen said, glancing at the name and date in the gorescarred |
|
book. |
|
|
|
--Yes, sir. And he said: ANOTHER VICTORY LIKE THAT AND WE ARE DONE FOR. |
|
|
|
That phrase the world had remembered. A dull ease of the mind. |
|
From a hill above a corpsestrewn plain a general speaking to his officers, |
|
leaned upon his spear. Any general to any officers. They lend ear. |
|
|
|
--You, Armstrong, Stephen said. What was the end of Pyrrhus? |
|
|
|
--End of Pyrrhus, sir? |
|
|
|
--I know, sir. Ask me, sir, Comyn said. |
|
|
|
--Wait. You, Armstrong. Do you know anything about Pyrrhus? |
|
|
|
A bag of figrolls lay snugly in Armstrong's satchel. He curled them |
|
between his palms at whiles and swallowed them softly. Crumbs adhered to |
|
the tissue of his lips. A sweetened boy's breath. Welloff people, proud |
|
that their eldest son was in the navy. Vico road, Dalkey. |
|
|
|
--Pyrrhus, sir? Pyrrhus, a pier. |
|
|
|
All laughed. Mirthless high malicious laughter. Armstrong looked |
|
round at his classmates, silly glee in profile. In a moment they will |
|
laugh more loudly, aware of my lack of rule and of the fees their papas |
|
pay. |
|
|
|
--Tell me now, Stephen said, poking the boy's shoulder with the book, |
|
what is a pier. |
|
|
|
--A pier, sir, Armstrong said. A thing out in the water. A kind of a |
|
bridge. Kingstown pier, sir. |
|
|
|
Some laughed again: mirthless but with meaning. Two in the back |
|
bench whispered. Yes. They knew: had never learned nor ever been |
|
innocent. All. With envy he watched their faces: Edith, Ethel, Gerty, |
|
Lily. Their likes: their breaths, too, sweetened with tea and jam, their |
|
bracelets tittering in the struggle. |
|
|
|
--Kingstown pier, Stephen said. Yes, a disappointed bridge. |
|
|
|
The words troubled their gaze. |
|
|
|
--How, sir? Comyn asked. A bridge is across a river. |
|
|
|
For Haines's chapbook. No-one here to hear. Tonight deftly amid |
|
wild drink and talk, to pierce the polished mail of his mind. What then? A |
|
jester at the court of his master, indulged and disesteemed, winning a |
|
clement master's praise. Why had they chosen all that part? Not wholly for |
|
the smooth caress. For them too history was a tale like any other too |
|
often heard, their land a pawnshop. |
|
|
|
Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar |
|
not been knifed to death. They are not to be thought away. Time has |
|
branded them and fettered they are lodged in the room of the infinite |
|
possibilities they have ousted. But can those have been possible seeing |
|
that they never were? Or was that only possible which came to pass? Weave, |
|
weaver of the wind. |
|
|
|
--Tell us a story, sir. |
|
|
|
--O, do, sir. A ghoststory. |
|
|
|
--Where do you begin in this? Stephen asked, opening another book. |
|
|
|
--WEEP NO MORE, Comyn said. |
|
|
|
--Go on then, Talbot. |
|
|
|
--And the story, sir? |
|
|
|
--After, Stephen said. Go on, Talbot. |
|
|
|
A swarthy boy opened a book and propped it nimbly under the |
|
breastwork of his satchel. He recited jerks of verse with odd glances at |
|
the text: |
|
|
|
|
|
--WEEP NO MORE, WOFUL SHEPHERDS, WEEP NO MORE |
|
FOR LYCIDAS, YOUR SORROW, IS NOT DEAD, |
|
SUNK THOUGH HE BE BENEATH THE WATERY FLOOR ... |
|
|
|
|
|
It must be a movement then, an actuality of the possible as possible. |
|
Aristotle's phrase formed itself within the gabbled verses and floated out |
|
into the studious silence of the library of Saint Genevieve where he had |
|
read, sheltered from the sin of Paris, night by night. By his elbow a |
|
delicate Siamese conned a handbook of strategy. Fed and feeding brains |
|
about me: under glowlamps, impaled, with faintly beating feelers: and in |
|
my mind's darkness a sloth of the underworld, reluctant, shy of |
|
brightness, shifting her dragon scaly folds. Thought is the thought of |
|
thought. Tranquil brightness. The soul is in a manner all that is: the |
|
soul is the form of forms. Tranquility sudden, vast, candescent: form of |
|
forms. |
|
|
|
Talbot repeated: |
|
|
|
|
|
--THROUGH THE DEAR MIGHT OF HIM THAT WALKED THE WAVES, |
|
THROUGH THE DEAR MIGHT ... |
|
|
|
|
|
--Turn over, Stephen said quietly. I don't see anything. |
|
|
|
--What, sir? Talbot asked simply, bending forward. |
|
|
|
His hand turned the page over. He leaned back and went on again, |
|
having just remembered. Of him that walked the waves. Here also over |
|
these craven hearts his shadow lies and on the scoffer's heart and lips |
|
and on mine. It lies upon their eager faces who offered him a coin of the |
|
tribute. To Caesar what is Caesar's, to God what is God's. A long look |
|
from dark eyes, a riddling sentence to be woven and woven on the church's |
|
looms. Ay. |
|
|
|
|
|
RIDDLE ME, RIDDLE ME, RANDY RO. |
|
MY FATHER GAVE ME SEEDS TO SOW. |
|
|
|
|
|
Talbot slid his closed book into his satchel. |
|
|
|
--Have I heard all? Stephen asked. |
|
|
|
--Yes, sir. Hockey at ten, sir. |
|
|
|
--Half day, sir. Thursday. |
|
|
|
--Who can answer a riddle? Stephen asked. |
|
|
|
They bundled their books away, pencils clacking, pages rustling. |
|
Crowding together they strapped and buckled their satchels, all gabbling |
|
gaily: |
|
|
|
--A riddle, sir? Ask me, sir. |
|
|
|
--O, ask me, sir. |
|
|
|
--A hard one, sir. |
|
|
|
--This is the riddle, Stephen said: |
|
|
|
|
|
THE COCK CREW, |
|
THE SKY WAS BLUE: |
|
THE BELLS IN HEAVEN |
|
WERE STRIKING ELEVEN. |
|
'TIS TIME FOR THIS POOR SOUL |
|
TO GO TO HEAVEN. |
|
|
|
|
|
What is that? |
|
|
|
--What, sir? |
|
|
|
--Again, sir. We didn't hear. |
|
|
|
Their eyes grew bigger as the lines were repeated. After a silence |
|
Cochrane said: |
|
|
|
--What is it, sir? We give it up. |
|
|
|
Stephen, his throat itching, answered: |
|
|
|
--The fox burying his grandmother under a hollybush. |
|
|
|
He stood up and gave a shout of nervous laughter to which their cries |
|
echoed dismay. |
|
|
|
A stick struck the door and a voice in the corridor called: |
|
|
|
--Hockey! |
|
|
|
They broke asunder, sidling out of their benches, leaping them. |
|
Quickly they were gone and from the lumberroom came the rattle of sticks |
|
and clamour of their boots and tongues. |
|
|
|
Sargent who alone had lingered came forward slowly, showing an |
|
open copybook. His thick hair and scraggy neck gave witness of |
|
unreadiness and through his misty glasses weak eyes looked up pleading. |
|
On his cheek, dull and bloodless, a soft stain of ink lay, dateshaped, |
|
recent and damp as a snail's bed. |
|
|
|
He held out his copybook. The word Sums was written on the |
|
headline. Beneath were sloping figures and at the foot a crooked signature |
|
with blind loops and a blot. Cyril Sargent: his name and seal. |
|
|
|
--Mr Deasy told me to write them out all again, he said, and show them to |
|
you, sir. |
|
|
|
Stephen touched the edges of the book. Futility. |
|
|
|
--Do you understand how to do them now? he asked. |
|
|
|
--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to |
|
copy them off the board, sir. |
|
|
|
--Can you do them. yourself? Stephen asked. |
|
|
|
--No, sir. |
|
|
|
Ugly and futile: lean neck and thick hair and a stain of ink, a snail's |
|
bed. Yet someone had loved him, borne him in her arms and in her heart. |
|
But for her the race of the world would have trampled him underfoot, a |
|
squashed boneless snail. She had loved his weak watery blood drained from |
|
her own. Was that then real? The only true thing in life? His mother's |
|
prostrate body the fiery Columbanus in holy zeal bestrode. She was no |
|
more: the trembling skeleton of a twig burnt in the fire, an odour of |
|
rosewood and wetted ashes. She had saved him from being trampled |
|
underfoot and had gone, scarcely having been. A poor soul gone to heaven: |
|
and on a heath beneath winking stars a fox, red reek of rapine in his fur, |
|
with merciless bright eyes scraped in the earth, listened, scraped up the |
|
earth, listened, scraped and scraped. |
|
|
|
Sitting at his side Stephen solved out the problem. He proves by |
|
algebra that Shakespeare's ghost is Hamlet's grandfather. Sargent peered |
|
askance through his slanted glasses. Hockeysticks rattled in the |
|
lumberroom: the hollow knock of a ball and calls from the field. |
|
|
|
Across the page the symbols moved in grave morrice, in the mummery |
|
of their letters, wearing quaint caps of squares and cubes. Give hands, |
|
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from |
|
the world, Averroes and Moses Maimonides, dark men in mien and |
|
movement, flashing in their mocking mirrors the obscure soul of the |
|
world, a darkness shining in brightness which brightness could not |
|
comprehend. |
|
|
|
--Do you understand now? Can you work the second for yourself? |
|
|
|
--Yes, sir. |
|
|
|
In long shaky strokes Sargent copied the data. Waiting always for a |
|
word of help his hand moved faithfully the unsteady symbols, a faint hue |
|
of shame flickering behind his dull skin. Amor matris: subjective and |
|
objective genitive. With her weak blood and wheysour milk she had fed him |
|
and hid from sight of others his swaddling bands. |
|
|
|
Like him was I, these sloping shoulders, this gracelessness. My |
|
childhood bends beside me. Too far for me to lay a hand there once or |
|
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony |
|
sit in the dark palaces of both our hearts: secrets weary of their |
|
tyranny: tyrants, willing to be dethroned. |
|
|
|
The sum was done. |
|
|
|
--It is very simple, Stephen said as he stood up. |
|
|
|
--Yes, sir. Thanks, Sargent answered. |
|
|
|
He dried the page with a sheet of thin blottingpaper and carried his |
|
copybook back to his bench. |
|
|
|
--You had better get your stick and go out to the others, Stephen said as |
|
he followed towards the door the boy's graceless form. |
|
|
|
--Yes, sir. |
|
|
|
In the corridor his name was heard, called from the playfield. |
|
|
|
--Sargent! |
|
|
|
--Run on, Stephen said. Mr Deasy is calling you. |
|
|
|
He stood in the porch and watched the laggard hurry towards the |
|
scrappy field where sharp voices were in strife. They were sorted in teams |
|
and Mr Deasy came away stepping over wisps of grass with gaitered feet. |
|
When he had reached the schoolhouse voices again contending called to |
|
him. He turned his angry white moustache. |
|
|
|
--What is it now? he cried continually without listening. |
|
|
|
--Cochrane and Halliday are on the same side, sir, Stephen said. |
|
|
|
--Will you wait in my study for a moment, Mr Deasy said, till I restore |
|
order here. |
|
|
|
And as he stepped fussily back across the field his old man's voice |
|
cried sternly: |
|
|
|
--What is the matter? What is it now? |
|
|
|
Their sharp voices cried about him on all sides: their many forms |
|
closed round him, the garish sunshine bleaching the honey of his illdyed |
|
head. |
|
|
|
Stale smoky air hung in the study with the smell of drab abraded |
|
leather of its chairs. As on the first day he bargained with me here. As |
|
it was in the beginning, is now. On the sideboard the tray of Stuart |
|
coins, base treasure of a bog: and ever shall be. And snug in their |
|
spooncase of purple plush, faded, the twelve apostles having preached to |
|
all the gentiles: world without end. |
|
|
|
A hasty step over the stone porch and in the corridor. Blowing out his |
|
rare moustache Mr Deasy halted at the table. |
|
|
|
--First, our little financial settlement, he said. |
|
|
|
He brought out of his coat a pocketbook bound by a leather thong. It |
|
slapped open and he took from it two notes, one of joined halves, and laid |
|
them carefully on the table. |
|
|
|
--Two, he said, strapping and stowing his pocketbook away. |
|
|
|
And now his strongroom for the gold. Stephen's embarrassed hand |
|
moved over the shells heaped in the cold stone mortar: whelks and money |
|
cowries and leopard shells: and this, whorled as an emir's turban, and |
|
this, the scallop of saint James. An old pilgrim's hoard, dead treasure, |
|
hollow shells. |
|
|
|
A sovereign fell, bright and new, on the soft pile of the tablecloth. |
|
|
|
--Three, Mr Deasy said, turning his little savingsbox about in his hand. |
|
These are handy things to have. See. This is for sovereigns. This is for |
|
shillings. Sixpences, halfcrowns. And here crowns. See. |
|
|
|
He shot from it two crowns and two shillings. |
|
|
|
--Three twelve, he said. I think you'll find that's right. |
|
|
|
--Thank you, sir, Stephen said, gathering the money together with shy |
|
haste and putting it all in a pocket of his trousers. |
|
|
|
--No thanks at all, Mr Deasy said. You have earned it. |
|
|
|
Stephen's hand, free again, went back to the hollow shells. Symbols |
|
too of beauty and of power. A lump in my pocket: symbols soiled by greed |
|
and misery. |
|
|
|
--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere |
|
and lose it. You just buy one of these machines. You'll find them very |
|
handy. |
|
|
|
Answer something. |
|
|
|
--Mine would be often empty, Stephen said. |
|
|
|
The same room and hour, the same wisdom: and I the same. Three |
|
times now. Three nooses round me here. Well? I can break them in this |
|
instant if I will. |
|
|
|
--Because you don't save, Mr Deasy said, pointing his finger. You don't |
|
know yet what money is. Money is power. When you have lived as long as I |
|
have. I know, I know. If youth but knew. But what does Shakespeare say? |
|
PUT BUT MONEY IN THY PURSE. |
|
|
|
--Iago, Stephen murmured. |
|
|
|
He lifted his gaze from the idle shells to the old man's stare. |
|
|
|
--He knew what money was, Mr Deasy said. He made money. A poet, yes, |
|
but an Englishman too. Do you know what is the pride of the English? Do |
|
you know what is the proudest word you will ever hear from an |
|
Englishman's mouth? |
|
|
|
The seas' ruler. His seacold eyes looked on the empty bay: it seems |
|
history is to blame: on me and on my words, unhating. |
|
|
|
--That on his empire, Stephen said, the sun never sets. |
|
|
|
--Ba! Mr Deasy cried. That's not English. A French Celt said that. He |
|
tapped his savingsbox against his thumbnail. |
|
|
|
--I will tell you, he said solemnly, what is his proudest boast. I PAID |
|
MY WAY. |
|
|
|
Good man, good man. |
|
|
|
--I PAID MY WAY. I NEVER BORROWED A SHILLING IN MY LIFE. Can you feel |
|
that? I OWE NOTHING. Can you? |
|
|
|
Mulligan, nine pounds, three pairs of socks, one pair brogues, ties. |
|
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings. |
|
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob |
|
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five |
|
weeks' board. The lump I have is useless. |
|
|
|
--For the moment, no, Stephen answered. |
|
|
|
Mr Deasy laughed with rich delight, putting back his savingsbox. |
|
|
|
--I knew you couldn't, he said joyously. But one day you must feel it. We |
|
are a generous people but we must also be just. |
|
|
|
--I fear those big words, Stephen said, which make us so unhappy. |
|
|
|
Mr Deasy stared sternly for some moments over the mantelpiece at |
|
the shapely bulk of a man in tartan filibegs: Albert Edward, prince of |
|
Wales. |
|
|
|
--You think me an old fogey and an old tory, his thoughtful voice said. I |
|
saw three generations since O'Connell's time. I remember the famine |
|
in '46. Do you know that the orange lodges agitated for repeal of the |
|
union twenty years before O'Connell did or before the prelates of your |
|
communion denounced him as a demagogue? You fenians forget some things. |
|
|
|
Glorious, pious and immortal memory. The lodge of Diamond in |
|
Armagh the splendid behung with corpses of papishes. Hoarse, masked and |
|
armed, the planters' covenant. The black north and true blue bible. |
|
Croppies lie down. |
|
|
|
Stephen sketched a brief gesture. |
|
|
|
--I have rebel blood in me too, Mr Deasy said. On the spindle side. But I |
|
am descended from sir John Blackwood who voted for the union. We are all |
|
Irish, all kings' sons. |
|
|
|
--Alas, Stephen said. |
|
|
|
--PER VIAS RECTAS, Mr Deasy said firmly, was his motto. He voted for it |
|
and put on his topboots to ride to Dublin from the Ards of Down to do so. |
|
|
|
|
|
LAL THE RAL THE RA |
|
THE ROCKY ROAD TO DUBLIN. |
|
|
|
|
|
A gruff squire on horseback with shiny topboots. Soft day, sir John! |
|
Soft day, your honour! ... Day! ... Day! ... Two topboots jog dangling |
|
on to Dublin. Lal the ral the ra. Lal the ral the raddy. |
|
|
|
--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus, |
|
with some of your literary friends. I have a letter here for the press. |
|
Sit down a moment. I have just to copy the end. |
|
|
|
He went to the desk near the window, pulled in his chair twice and |
|
read off some words from the sheet on the drum of his typewriter. |
|
|
|
--Sit down. Excuse me, he said over his shoulder, THE DICTATES OF COMMON |
|
SENSE. Just a moment. |
|
|
|
He peered from under his shaggy brows at the manuscript by his |
|
elbow and, muttering, began to prod the stiff buttons of the keyboard |
|
slowly, sometimes blowing as he screwed up the drum to erase an error. |
|
|
|
Stephen seated himself noiselessly before the princely presence. |
|
Framed around the walls images of vanished horses stood in homage, their |
|
meek heads poised in air: lord Hastings' Repulse, the duke of |
|
Westminster's Shotover, the duke of Beaufort's Ceylon, PRIX DE PARIS, |
|
1866. Elfin riders sat them, watchful of a sign. He saw their speeds, |
|
backing king's colours, and shouted with the shouts of vanished crowds. |
|
|
|
--Full stop, Mr Deasy bade his keys. But prompt ventilation of this |
|
allimportant question ... |
|
|
|
Where Cranly led me to get rich quick, hunting his winners among |
|
the mudsplashed brakes, amid the bawls of bookies on their pitches and |
|
reek of the canteen, over the motley slush. Fair Rebel! Fair Rebel! Even |
|
money the favourite: ten to one the field. Dicers and thimbleriggers we |
|
hurried by after the hoofs, the vying caps and jackets and past the |
|
meatfaced woman, a butcher's dame, nuzzling thirstily her clove of orange. |
|
|
|
Shouts rang shrill from the boys' playfield and a whirring whistle. |
|
|
|
Again: a goal. I am among them, among their battling bodies in a |
|
medley, the joust of life. You mean that knockkneed mother's darling who |
|
seems to be slightly crawsick? Jousts. Time shocked rebounds, shock by |
|
shock. Jousts, slush and uproar of battles, the frozen deathspew of the |
|
slain, a shout of spearspikes baited with men's bloodied guts. |
|
|
|
--Now then, Mr Deasy said, rising. |
|
|
|
He came to the table, pinning together his sheets. Stephen stood up. |
|
|
|
--I have put the matter into a nutshell, Mr Deasy said. It's about the |
|
foot and mouth disease. Just look through it. There can be no two opinions |
|
on the matter. |
|
|
|
May I trespass on your valuable space. That doctrine of LAISSEZ FAIRE |
|
which so often in our history. Our cattle trade. The way of all our old |
|
industries. Liverpool ring which jockeyed the Galway harbour scheme. |
|
European conflagration. Grain supplies through the narrow waters of the |
|
channel. The pluterperfect imperturbability of the department of |
|
agriculture. Pardoned a classical allusion. Cassandra. By a woman who |
|
was no better than she should be. To come to the point at issue. |
|
|
|
--I don't mince words, do I? Mr Deasy asked as Stephen read on. |
|
|
|
Foot and mouth disease. Known as Koch's preparation. Serum and |
|
virus. Percentage of salted horses. Rinderpest. Emperor's horses at |
|
Murzsteg, lower Austria. Veterinary surgeons. Mr Henry Blackwood Price. |
|
Courteous offer a fair trial. Dictates of common sense. Allimportant |
|
question. In every sense of the word take the bull by the horns. Thanking |
|
you for the hospitality of your columns. |
|
|
|
--I want that to be printed and read, Mr Deasy said. You will see at the |
|
next outbreak they will put an embargo on Irish cattle. And it can be |
|
cured. It is cured. My cousin, Blackwood Price, writes to me it is |
|
regularly treated and cured in Austria by cattledoctors there. They offer |
|
to come over here. I am trying to work up influence with the department. |
|
Now I'm going to try publicity. I am surrounded by difficulties, |
|
by ... intrigues by ... backstairs influence by ... |
|
|
|
He raised his forefinger and beat the air oldly before his voice spoke. |
|
|
|
--Mark my words, Mr Dedalus, he said. England is in the hands of the |
|
jews. In all the highest places: her finance, her press. And they are the |
|
signs of a nation's decay. Wherever they gather they eat up the nation's |
|
vital strength. I have seen it coming these years. As sure as we are |
|
standing here the jew merchants are already at their work of destruction. |
|
Old England is dying. |
|
|
|
He stepped swiftly off, his eyes coming to blue life as they passed a |
|
broad sunbeam. He faced about and back again. |
|
|
|
--Dying, he said again, if not dead by now. |
|
|
|
|
|
THE HARLOT'S CRY FROM STREET TO STREET |
|
SHALL WEAVE OLD ENGLAND'S WINDINGSHEET. |
|
|
|
|
|
His eyes open wide in vision stared sternly across the sunbeam in |
|
which he halted. |
|
|
|
--A merchant, Stephen said, is one who buys cheap and sells dear, jew or |
|
gentile, is he not? |
|
|
|
--They sinned against the light, Mr Deasy said gravely. And you can see |
|
the darkness in their eyes. And that is why they are wanderers on the |
|
earth to this day. |
|
|
|
On the steps of the Paris stock exchange the goldskinned men quoting |
|
prices on their gemmed fingers. Gabble of geese. They swarmed loud, |
|
uncouth about the temple, their heads thickplotting under maladroit silk |
|
hats. Not theirs: these clothes, this speech, these gestures. Their full |
|
slow eyes belied the words, the gestures eager and unoffending, but knew |
|
the rancours massed about them and knew their zeal was vain. Vain patience |
|
to heap and hoard. Time surely would scatter all. A hoard heaped by the |
|
roadside: plundered and passing on. Their eyes knew their years of |
|
wandering and, patient, knew the dishonours of their flesh. |
|
|
|
--Who has not? Stephen said. |
|
|
|
--What do you mean? Mr Deasy asked. |
|
|
|
He came forward a pace and stood by the table. His underjaw fell |
|
sideways open uncertainly. Is this old wisdom? He waits to hear from me. |
|
|
|
--History, Stephen said, is a nightmare from which I am trying to awake. |
|
|
|
From the playfield the boys raised a shout. A whirring whistle: goal. |
|
What if that nightmare gave you a back kick? |
|
|
|
--The ways of the Creator are not our ways, Mr Deasy said. All human |
|
history moves towards one great goal, the manifestation of God. |
|
|
|
Stephen jerked his thumb towards the window, saying: |
|
|
|
--That is God. |
|
|
|
Hooray! Ay! Whrrwhee! |
|
|
|
--What? Mr Deasy asked. |
|
|
|
--A shout in the street, Stephen answered, shrugging his shoulders. |
|
|
|
Mr Deasy looked down and held for awhile the wings of his nose |
|
tweaked between his fingers. Looking up again he set them free. |
|
|
|
--I am happier than you are, he said. We have committed many errors and |
|
many sins. A woman brought sin into the world. For a woman who was no |
|
better than she should be, Helen, the runaway wife of Menelaus, ten years |
|
the Greeks made war on Troy. A faithless wife first brought the strangers |
|
to our shore here, MacMurrough's wife and her leman, O'Rourke, prince of |
|
Breffni. A woman too brought Parnell low. Many errors, many failures but |
|
not the one sin. I am a struggler now at the end of my days. But I will |
|
fight for the right till the end. |
|
|
|
|
|
FOR ULSTER WILL FIGHT |
|
AND ULSTER WILL BE RIGHT. |
|
|
|
|
|
Stephen raised the sheets in his hand. |
|
|
|
--Well, sir, he began ... |
|
|
|
--I foresee, Mr Deasy said, that you will not remain here very long at |
|
this work. You were not born to be a teacher, I think. Perhaps I am wrong. |
|
|
|
--A learner rather, Stephen said. |
|
|
|
And here what will you learn more? |
|
|
|
Mr Deasy shook his head. |
|
|
|
--Who knows? he said. To learn one must be humble. But life is the great |
|
teacher. |
|
|
|
Stephen rustled the sheets again. |
|
|
|
--As regards these, he began. |
|
|
|
--Yes, Mr Deasy said. You have two copies there. If you can have them |
|
published at once. |
|
|
|
TELEGRAPH. IRISH HOMESTEAD. |
|
|
|
--I will try, Stephen said, and let you know tomorrow. I know two editors |
|
slightly. |
|
|
|
--That will do, Mr Deasy said briskly. I wrote last night to Mr Field, |
|
M.P. There is a meeting of the cattletraders' association today at the |
|
City Arms hotel. I asked him to lay my letter before the meeting. You see |
|
if you can get it into your two papers. What are they? |
|
|
|
--THE EVENING TELEGRAPH ... |
|
|
|
--That will do, Mr Deasy said. There is no time to lose. Now I have to |
|
answer that letter from my cousin. |
|
|
|
--Good morning, sir, Stephen said, putting the sheets in his pocket. |
|
Thank you. |
|
|
|
--Not at all, Mr Deasy said as he searched the papers on his desk. I like |
|
to break a lance with you, old as I am. |
|
|
|
--Good morning, sir, Stephen said again, bowing to his bent back. |
|
|
|
He went out by the open porch and down the gravel path under the |
|
trees, hearing the cries of voices and crack of sticks from the playfield. |
|
The lions couchant on the pillars as he passed out through the gate: |
|
toothless terrors. Still I will help him in his fight. Mulligan will dub |
|
me a new name: the bullockbefriending bard. |
|
|
|
--Mr Dedalus! |
|
|
|
Running after me. No more letters, I hope. |
|
|
|
--Just one moment. |
|
|
|
--Yes, sir, Stephen said, turning back at the gate. |
|
|
|
Mr Deasy halted, breathing hard and swallowing his breath. |
|
|
|
--I just wanted to say, he said. Ireland, they say, has the honour of |
|
being the only country which never persecuted the jews. Do you know that? |
|
No. And do you know why? |
|
|
|
He frowned sternly on the bright air. |
|
|
|
--Why, sir? Stephen asked, beginning to smile. |
|
|
|
--Because she never let them in, Mr Deasy said solemnly. |
|
|
|
A coughball of laughter leaped from his throat dragging after it a |
|
rattling chain of phlegm. He turned back quickly, coughing, laughing, his |
|
lifted arms waving to the air. |
|
|
|
--She never let them in, he cried again through his laughter as he |
|
stamped on gaitered feet over the gravel of the path. That's why. |
|
|
|
On his wise shoulders through the checkerwork of leaves the sun flung |
|
spangles, dancing coins. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
Ineluctable modality of the visible: at least that if no more, thought |
|
through my eyes. Signatures of all things I am here to read, seaspawn and |
|
seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: |
|
coloured signs. Limits of the diaphane. But he adds: in bodies. Then he |
|
was aware of them bodies before of them coloured. How? By knocking his |
|
sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO |
|
DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, |
|
adiaphane. If you can put your five fingers through it it is a gate, if |
|
not a door. Shut your eyes and see. |
|
|
|
Stephen closed his eyes to hear his boots crush crackling wrack and |
|
shells. You are walking through it howsomever. I am, a stride at a time. A |
|
very short space of time through very short times of space. Five, six: the |
|
NACHEINANDER. Exactly: and that is the ineluctable modality of the |
|
audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles |
|
o'er his base, fell through the NEBENEINANDER ineluctably! I am getting on |
|
nicely in the dark. My ash sword hangs at my side. Tap with it: they do. |
|
My two feet in his boots are at the ends of his legs, NEBENEINANDER. |
|
Sounds solid: made by the mallet of LOS DEMIURGOS. Am I walking into |
|
eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea |
|
money. Dominie Deasy kens them a'. |
|
|
|
|
|
WON'T YOU COME TO SANDYMOUNT, |
|
MADELINE THE MARE? |
|
|
|
|
|
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs |
|
marching. No, agallop: DELINE THE MARE. |
|
|
|
Open your eyes now. I will. One moment. Has all vanished since? If I |
|
open and am for ever in the black adiaphane. BASTA! I will see if I can |
|
see. |
|
|
|
See now. There all the time without you: and ever shall be, world |
|
without end. |
|
|
|
They came down the steps from Leahy's terrace prudently, |
|
FRAUENZIMMER: and down the shelving shore flabbily, their splayed feet |
|
sinking in the silted sand. Like me, like Algy, coming down to our mighty |
|
mother. Number one swung lourdily her midwife's bag, the other's gamp |
|
poked in the beach. From the liberties, out for the day. Mrs Florence |
|
MacCabe, relict of the late Patk MacCabe, deeply lamented, of Bride |
|
Street. One of her sisterhood lugged me squealing into life. Creation from |
|
nothing. What has she in the bag? A misbirth with a trailing navelcord, |
|
hushed in ruddy wool. The cords of all link back, strandentwining cable of |
|
all flesh. That is why mystic monks. Will you be as gods? Gaze in your |
|
omphalos. Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought, |
|
nought, one. |
|
|
|
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had |
|
no navel. Gaze. Belly without blemish, bulging big, a buckler of taut |
|
vellum, no, whiteheaped corn, orient and immortal, standing from |
|
everlasting to everlasting. Womb of sin. |
|
|
|
Wombed in sin darkness I was too, made not begotten. By them, the |
|
man with my voice and my eyes and a ghostwoman with ashes on her |
|
breath. They clasped and sundered, did the coupler's will. From before the |
|
ages He willed me and now may not will me away or ever. A LEX ETERNA |
|
stays about Him. Is that then the divine substance wherein Father and Son |
|
are consubstantial? Where is poor dear Arius to try conclusions? Warring |
|
his life long upon the contransmagnificandjewbangtantiality. Illstarred |
|
heresiarch' In a Greek watercloset he breathed his last: euthanasia. With |
|
beaded mitre and with crozier, stalled upon his throne, widower of a |
|
widowed see, with upstiffed omophorion, with clotted hinderparts. |
|
|
|
Airs romped round him, nipping and eager airs. They are coming, |
|
waves. The whitemaned seahorses, champing, brightwindbridled, the steeds |
|
of Mananaan. |
|
|
|
I mustn't forget his letter for the press. And after? The Ship, half |
|
twelve. By the way go easy with that money like a good young imbecile. |
|
|
|
Yes, I must. |
|
|
|
His pace slackened. Here. Am I going to aunt Sara's or not? My |
|
consubstantial father's voice. Did you see anything of your artist brother |
|
Stephen lately? No? Sure he's not down in Strasburg terrace with his aunt |
|
|
|
Sally? Couldn't he fly a bit higher than that, eh? And and and and tell |
|
us, Stephen, how is uncle Si? O, weeping God, the things I married into! |
|
De boys up in de hayloft. The drunken little costdrawer and his brother, |
|
the cornet player. Highly respectable gondoliers! And skeweyed Walter |
|
sirring his father, no less! Sir. Yes, sir. No, sir. Jesus wept: and no |
|
wonder, by Christ! |
|
|
|
I pull the wheezy bell of their shuttered cottage: and wait. They take |
|
me for a dun, peer out from a coign of vantage. |
|
|
|
--It's Stephen, sir. |
|
|
|
--Let him in. Let Stephen in. |
|
|
|
A bolt drawn back and Walter welcomes me. |
|
|
|
--We thought you were someone else. |
|
|
|
In his broad bed nuncle Richie, pillowed and blanketed, extends over |
|
the hillock of his knees a sturdy forearm. Cleanchested. He has washed the |
|
upper moiety. |
|
|
|
--Morrow, nephew. |
|
|
|
He lays aside the lapboard whereon he drafts his bills of costs for the |
|
eyes of master Goff and master Shapland Tandy, filing consents and |
|
common searches and a writ of DUCES TECUM. A bogoak frame over his bald |
|
head: Wilde's REQUIESCAT. The drone of his misleading whistle brings |
|
Walter back. |
|
|
|
--Yes, sir? |
|
|
|
--Malt for Richie and Stephen, tell mother. Where is she? |
|
|
|
--Bathing Crissie, sir. |
|
|
|
Papa's little bedpal. Lump of love. |
|
|
|
--No, uncle Richie ... |
|
|
|
--Call me Richie. Damn your lithia water. It lowers. Whusky! |
|
|
|
--Uncle Richie, really ... |
|
|
|
--Sit down or by the law Harry I'll knock you down. |
|
|
|
Walter squints vainly for a chair. |
|
|
|
--He has nothing to sit down on, sir. |
|
|
|
--He has nowhere to put it, you mug. Bring in our chippendale chair. |
|
Would you like a bite of something? None of your damned lawdeedaw airs |
|
here. The rich of a rasher fried with a herring? Sure? So much the better. |
|
We have nothing in the house but backache pills. |
|
|
|
ALL'ERTA! |
|
|
|
He drones bars of Ferrando's ARIA DI SORTITA. The grandest number, |
|
Stephen, in the whole opera. Listen. |
|
|
|
His tuneful whistle sounds again, finely shaded, with rushes of the air, |
|
his fists bigdrumming on his padded knees. |
|
|
|
This wind is sweeter. |
|
|
|
Houses of decay, mine, his and all. You told the Clongowes gentry |
|
you had an uncle a judge and an uncle a general in the army. Come out of |
|
them, Stephen. Beauty is not there. Nor in the stagnant bay of Marsh's |
|
library where you read the fading prophecies of Joachim Abbas. For |
|
whom? The hundredheaded rabble of the cathedral close. A hater of his |
|
kind ran from them to the wood of madness, his mane foaming in the |
|
moon, his eyeballs stars. Houyhnhnm, horsenostrilled. The oval equine |
|
faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. Abbas father,-- |
|
furious dean, what offence laid fire to their brains? Paff! DESCENDE, |
|
CALVE, UT NE AMPLIUS DECALVERIS. A garland of grey hair on his comminated |
|
head see him me clambering down to the footpace (DESCENDE!), clutching a |
|
monstrance, basiliskeyed. Get down, baldpoll! A choir gives back menace |
|
and echo, assisting about the altar's horns, the snorted Latin of |
|
jackpriests moving burly in their albs, tonsured and oiled and gelded, fat |
|
with the fat of kidneys of wheat. |
|
|
|
And at the same instant perhaps a priest round the corner is elevating it. |
|
Dringdring! And two streets off another locking it into a pyx. |
|
Dringadring! And in a ladychapel another taking housel all to his own |
|
cheek. Dringdring! Down, up, forward, back. Dan Occam thought of that, |
|
invincible doctor. A misty English morning the imp hypostasis tickled his |
|
brain. Bringing his host down and kneeling he heard twine with his second |
|
bell the first bell in the transept (he is lifting his) and, rising, heard |
|
(now I am lifting) their two bells (he is kneeling) twang in diphthong. |
|
|
|
Cousin Stephen, you will never be a saint. Isle of saints. You were |
|
awfully holy, weren't you? You prayed to the Blessed Virgin that you might |
|
not have a red nose. You prayed to the devil in Serpentine avenue that the |
|
fubsy widow in front might lift her clothes still more from the wet |
|
street. O SI, CERTO! Sell your soul for that, do, dyed rags pinned round a |
|
squaw. More tell me, more still!! On the top of the Howth tram alone |
|
crying to the rain: Naked women! NAKED WOMEN! What about that, eh? |
|
|
|
What about what? What else were they invented for? |
|
|
|
Reading two pages apiece of seven books every night, eh? I was |
|
young. You bowed to yourself in the mirror, stepping forward to applause |
|
earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one |
|
saw: tell no-one. Books you were going to write with letters for titles. |
|
Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. |
|
O yes, W. Remember your epiphanies written on green oval leaves, deeply |
|
deep, copies to be sent if you died to all the great libraries of the |
|
world, including Alexandria? Someone was to read them there after a few |
|
thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like |
|
a whale. When one reads these strange pages of one long gone one feels |
|
that one is at one with one who once ... |
|
|
|
The grainy sand had gone from under his feet. His boots trod again a |
|
damp crackling mast, razorshells, squeaking pebbles, that on the |
|
unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. |
|
Unwholesome sandflats waited to suck his treading soles, breathing upward |
|
sewage breath, a pocket of seaweed smouldered in seafire under a midden |
|
of man's ashes. He coasted them, walking warily. A porterbottle stood up, |
|
stogged to its waist, in the cakey sand dough. A sentinel: isle of |
|
dreadful thirst. Broken hoops on the shore; at the land a maze of dark |
|
cunning nets; farther away chalkscrawled backdoors and on the higher beach |
|
a dryingline with two crucified shirts. Ringsend: wigwams of brown |
|
steersmen and master mariners. Human shells. |
|
|
|
He halted. I have passed the way to aunt Sara's. Am I not going |
|
there? Seems not. No-one about. He turned northeast and crossed the |
|
firmer sand towards the Pigeonhouse. |
|
|
|
--QUI VOUS A MIS DANS CETTE FICHUE POSITION? |
|
|
|
--C'EST LE PIGEON, JOSEPH. |
|
|
|
Patrice, home on furlough, lapped warm milk with me in the bar |
|
MacMahon. Son of the wild goose, Kevin Egan of Paris. My father's a bird, |
|
he lapped the sweet LAIT CHAUD with pink young tongue, plump bunny's face. |
|
Lap, LAPIN. He hopes to win in the GROS LOTS. About the nature of women he |
|
read in Michelet. But he must send me LA VIE DE JESUS by M. Leo Taxil. |
|
Lent it to his friend. |
|
|
|
--C'EST TORDANT, VOUS SAVEZ. MOI, JE SUIS SOCIALISTE. JE NE CROIS PAS EN |
|
L'EXISTENCE DE DIEU. FAUT PAS LE DIRE A MON P-RE. |
|
|
|
--IL CROIT? |
|
|
|
--MON PERE, OUI. |
|
|
|
SCHLUSS. He laps. |
|
|
|
My Latin quarter hat. God, we simply must dress the character. I |
|
want puce gloves. You were a student, weren't you? Of what in the other |
|
devil's name? Paysayenn. P. C. N., you know: PHYSIQUES, CHIMIQUES ET |
|
NATURELLES. Aha. Eating your groatsworth of MOU EN CIVET, fleshpots of |
|
Egypt, elbowed by belching cabmen. Just say in the most natural tone: |
|
when I was in Paris; BOUL' MICH', I used to. Yes, used to carry punched |
|
tickets to prove an alibi if they arrested you for murder somewhere. |
|
Justice. On the night of the seventeenth of February 1904 the prisoner was |
|
seen by two witnesses. Other fellow did it: other me. Hat, tie, overcoat, |
|
nose. LUI, C'EST MOI. You seem to have enjoyed yourself. |
|
|
|
Proudly walking. Whom were you trying to walk like? Forget: a |
|
dispossessed. With mother's money order, eight shillings, the banging door |
|
of the post office slammed in your face by the usher. Hunger toothache. |
|
ENCORE DEUX MINUTES. Look clock. Must get. FERME. Hired dog! Shoot him |
|
to bloody bits with a bang shotgun, bits man spattered walls all brass |
|
buttons. Bits all khrrrrklak in place clack back. Not hurt? O, that's all |
|
right. Shake hands. See what I meant, see? O, that's all right. Shake a |
|
shake. O, that's all only all right. |
|
|
|
You were going to do wonders, what? Missionary to Europe after |
|
fiery Columbanus. Fiacre and Scotus on their creepystools in heaven spilt |
|
from their pintpots, loudlatinlaughing: EUGE! EUGE! Pretending to speak |
|
broken English as you dragged your valise, porter threepence, across the |
|
slimy pier at Newhaven. COMMENT? Rich booty you brought back; LE TUTU, |
|
five tattered numbers of PANTALON BLANC ET CULOTTE ROUGE; a blue |
|
French telegram, curiosity to show: |
|
|
|
--Mother dying come home father. |
|
|
|
The aunt thinks you killed your mother. That's why she won't. |
|
|
|
|
|
THEN HERE'S A HEALTH TO MULLIGAN'S AUNT |
|
AND I'LL TELL YOU THE REASON WHY. |
|
SHE ALWAYS KEPT THINGS DECENT IN |
|
THE HANNIGAN FAMILEYE. |
|
|
|
|
|
His feet marched in sudden proud rhythm over the sand furrows, |
|
along by the boulders of the south wall. He stared at them proudly, piled |
|
stone mammoth skulls. Gold light on sea, on sand, on boulders. The sun is |
|
there, the slender trees, the lemon houses. |
|
|
|
Paris rawly waking, crude sunlight on her lemon streets. Moist pith of |
|
farls of bread, the froggreen wormwood, her matin incense, court the air. |
|
Belluomo rises from the bed of his wife's lover's wife, the kerchiefed |
|
housewife is astir, a saucer of acetic acid in her hand. In Rodot's Yvonne |
|
and Madeleine newmake their tumbled beauties, shattering with gold teeth |
|
CHAUSSONS of pastry, their mouths yellowed with the PUS OF FLAN BRETON. |
|
Faces of Paris men go by, their wellpleased pleasers, curled |
|
conquistadores. |
|
|
|
Noon slumbers. Kevin Egan rolls gunpowder cigarettes through |
|
fingers smeared with printer's ink, sipping his green fairy as Patrice his |
|
white. About us gobblers fork spiced beans down their gullets. UN DEMI |
|
SETIER! A jet of coffee steam from the burnished caldron. She serves me at |
|
his beck. IL EST IRLANDAIS. HOLLANDAIS? NON FROMAGE. DEUX IRLANDAIS, NOUS, |
|
IRLANDE, VOUS SAVEZ AH, OUI! She thought you wanted a cheese HOLLANDAIS. |
|
Your postprandial, do you know that word? Postprandial. There was a |
|
fellow I knew once in Barcelona, queer fellow, used to call it his |
|
postprandial. Well: SLAINTE! Around the slabbed tables the tangle of wined |
|
breaths and grumbling gorges. His breath hangs over our saucestained |
|
plates, the green fairy's fang thrusting between his lips. Of Ireland, the |
|
Dalcassians, of hopes, conspiracies, of Arthur Griffith now, A E, |
|
pimander, good shepherd of men. To yoke me as his yokefellow, our crimes |
|
our common cause. You're your father's son. I know the voice. His fustian |
|
shirt, sanguineflowered, trembles its Spanish tassels at his secrets. M. |
|
Drumont, famous journalist, Drumont, know what he called queen |
|
Victoria? Old hag with the yellow teeth. VIEILLE OGRESSE with the DENTS |
|
JAUNES. Maud Gonne, beautiful woman, LA PATRIE, M. Millevoye, Felix |
|
Faure, know how he died? Licentious men. The froeken, BONNE A TOUT FAIRE, |
|
who rubs male nakedness in the bath at Upsala. MOI FAIRE, she said, TOUS |
|
LES MESSIEURS. Not this MONSIEUR, I said. Most licentious custom. Bath a |
|
most private thing. I wouldn't let my brother, not even my own brother, |
|
most lascivious thing. Green eyes, I see you. Fang, I feel. Lascivious |
|
people. |
|
|
|
The blue fuse burns deadly between hands and burns clear. Loose |
|
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw |
|
facebones under his peep of day boy's hat. How the head centre got away, |
|
authentic version. Got up as a young bride, man, veil, orangeblossoms, |
|
drove out the road to Malahide. Did, faith. Of lost leaders, the betrayed, |
|
wild escapes. Disguises, clutched at, gone, not here. |
|
|
|
Spurned lover. I was a strapping young gossoon at that time, I tell |
|
you. I'll show you my likeness one day. I was, faith. Lover, for her love |
|
he prowled with colonel Richard Burke, tanist of his sept, under the walls |
|
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward |
|
in the fog. Shattered glass and toppling masonry. In gay Paree he hides, |
|
Egan of Paris, unsought by any save by me. Making his day's stations, the |
|
dingy printingcase, his three taverns, the Montmartre lair he sleeps short |
|
night in, rue de la Goutte-d'Or, damascened with flyblown faces of the |
|
gone. Loveless, landless, wifeless. She is quite nicey comfy without her |
|
outcast man, madame in rue GIT-LE-COEUR, canary and two buck lodgers. |
|
Peachy cheeks, a zebra skirt, frisky as a young thing's. Spurned and |
|
undespairing. Tell Pat you saw me, won't you? I wanted to get poor Pat a |
|
job one time. MON FILS, soldier of France. I taught him to sing THE BOYS |
|
OF KILKENNY ARE STOUT ROARING BLADES. Know that old lay? I taught Patrice |
|
that. Old Kilkenny: saint Canice, Strongbow's castle on the Nore. Goes |
|
like this. O, O. He takes me, Napper Tandy, by the hand. |
|
|
|
|
|
O, O THE BOYS OF |
|
KILKENNY ... |
|
|
|
|
|
Weak wasting hand on mine. They have forgotten Kevin Egan, not he |
|
them. Remembering thee, O Sion. |
|
|
|
He had come nearer the edge of the sea and wet sand slapped his |
|
boots. The new air greeted him, harping in wild nerves, wind of wild air |
|
of seeds of brightness. Here, I am not walking out to the Kish lightship, |
|
am I? He stood suddenly, his feet beginning to sink slowly in the quaking |
|
soil. Turn back. |
|
|
|
Turning, he scanned the shore south, his feet sinking again slowly in |
|
new sockets. The cold domed room of the tower waits. Through the |
|
barbacans the shafts of light are moving ever, slowly ever as my feet are |
|
sinking, creeping duskward over the dial floor. Blue dusk, nightfall, deep |
|
blue night. In the darkness of the dome they wait, their pushedback |
|
chairs, my obelisk valise, around a board of abandoned platters. Who to |
|
clear it? He has the key. I will not sleep there when this night comes. |
|
A shut door of a silent tower, entombing their--blind bodies, the |
|
panthersahib and his pointer. Call: no answer. He lifted his feet up from |
|
the suck and turned back by the mole of boulders. Take all, keep all. My |
|
soul walks with me, form of forms. So in the moon's midwatches I pace the |
|
path above the rocks, in sable silvered, hearing Elsinore's tempting |
|
flood. |
|
|
|
The flood is following me. I can watch it flow past from here. Get |
|
back then by the Poolbeg road to the strand there. He climbed over the |
|
sedge and eely oarweeds and sat on a stool of rock, resting his ashplant |
|
in a grike. |
|
|
|
A bloated carcass of a dog lay lolled on bladderwrack. Before him the |
|
gunwale of a boat, sunk in sand. UN COCHE ENSABLE Louis Veuillot called |
|
Gautier's prose. These heavy sands are language tide and wind have silted |
|
here. And these, the stoneheaps of dead builders, a warren of weasel rats. |
|
Hide gold there. Try it. You have some. Sands and stones. Heavy of the |
|
past. Sir Lout's toys. Mind you don't get one bang on the ear. I'm the |
|
bloody well gigant rolls all them bloody well boulders, bones for my |
|
steppingstones. Feefawfum. I zmellz de bloodz odz an Iridzman. |
|
|
|
A point, live dog, grew into sight running across the sweep of sand. |
|
Lord, is he going to attack me? Respect his liberty. You will not be |
|
master of others or their slave. I have my stick. Sit tight. From farther |
|
away, walking shoreward across from the crested tide, figures, two. The |
|
two maries. They have tucked it safe mong the bulrushes. Peekaboo. I see |
|
you. No, the dog. He is running back to them. Who? |
|
|
|
Galleys of the Lochlanns ran here to beach, in quest of prey, their |
|
bloodbeaked prows riding low on a molten pewter surf. Dane vikings, torcs |
|
of tomahawks aglitter on their breasts when Malachi wore the collar of |
|
gold. A school of turlehide whales stranded in hot noon, spouting, |
|
hobbling in the shallows. Then from the starving cagework city a horde of |
|
jerkined dwarfs, my people, with flayers' knives, running, scaling, |
|
hacking in green blubbery whalemeat. Famine, plague and slaughters. Their |
|
blood is in me, their lusts my waves. I moved among them on the frozen |
|
Liffey, that I, a changeling, among the spluttering resin fires. I spoke |
|
to no-one: none to me. |
|
|
|
The dog's bark ran towards him, stopped, ran back. Dog of my |
|
enemy. I just simply stood pale, silent, bayed about. TERRIBILIA MEDITANS. |
|
A primrose doublet, fortune's knave, smiled on my fear. For that are you |
|
pining, the bark of their applause? Pretenders: live their lives. The |
|
Bruce's brother, Thomas Fitzgerald, silken knight, Perkin Warbeck, York's |
|
false scion, in breeches of silk of whiterose ivory, wonder of a day, and |
|
Lambert Simnel, with a tail of nans and sutlers, a scullion crowned. All |
|
kings' sons. Paradise of pretenders then and now. He saved men from |
|
drowning and you shake at a cur's yelping. But the courtiers who mocked |
|
Guido in Or san Michele were in their own house. House of ... We don't |
|
want any of your medieval abstrusiosities. Would you do what he did? A |
|
boat would be near, a lifebuoy. NATURLICH, put there for you. Would you or |
|
would you not? The man that was drowned nine days ago off Maiden's rock. |
|
They are waiting for him now. The truth, spit it out. I would want to. |
|
I would try. I am not a strong swimmer. Water cold soft. When I put my |
|
face into it in the basin at Clongowes. Can't see! Who's behind me? Out |
|
quickly, quickly! Do you see the tide flowing quickly in on all sides, |
|
sheeting the lows of sand quickly, shellcocoacoloured? If I had land under |
|
my feet. I want his life still to be his, mine to be mine. A drowning man. |
|
His human eyes scream to me out of horror of his death. I ... With him |
|
together down ... I could not save her. Waters: bitter death: lost. |
|
|
|
A woman and a man. I see her skirties. Pinned up, I bet. |
|
|
|
Their dog ambled about a bank of dwindling sand, trotting, sniffing |
|
on all sides. Looking for something lost in a past life. Suddenly he made |
|
off like a bounding hare, ears flung back, chasing the shadow of a |
|
lowskimming gull. The man's shrieked whistle struck his limp ears. He |
|
turned, bounded back, came nearer, trotted on twinkling shanks. On a field |
|
tenney a buck, trippant, proper, unattired. At the lacefringe of the tide |
|
he halted with stiff forehoofs, seawardpointed ears. His snout lifted |
|
barked at the wavenoise, herds of seamorse. They serpented towards his |
|
feet, curling, unfurling many crests, every ninth, breaking, plashing, |
|
from far, from farther out, waves and waves. |
|
|
|
Cocklepickers. They waded a little way in the water and, stooping, |
|
soused their bags and, lifting them again, waded out. The dog yelped |
|
running to them, reared up and pawed them, dropping on all fours, again |
|
reared up at them with mute bearish fawning. Unheeded he kept by them as |
|
they came towards the drier sand, a rag of wolf's tongue redpanting from |
|
his jaws. His speckled body ambled ahead of them and then loped off at a |
|
calf's gallop. The carcass lay on his path. He stopped, sniffed, stalked |
|
round it, brother, nosing closer, went round it, sniffling rapidly like a |
|
dog all over the dead dog's bedraggled fell. Dogskull, dogsniff, eyes on |
|
the ground, moves to one great goal. Ah, poor dogsbody! Here lies poor |
|
dogsbody's body. |
|
|
|
--Tatters! Out of that, you mongrel! |
|
|
|
The cry brought him skulking back to his master and a blunt bootless |
|
kick sent him unscathed across a spit of sand, crouched in flight. He |
|
slunk back in a curve. Doesn't see me. Along by the edge of the mole he |
|
lolloped, dawdled, smelt a rock. and from under a cocked hindleg pissed |
|
against it. He trotted forward and, lifting again his hindleg, pissed |
|
quick short at an unsmelt rock. The simple pleasures of the poor. His |
|
hindpaws then scattered the sand: then his forepaws dabbled and delved. |
|
Something he buried there, his grandmother. He rooted in the sand, |
|
dabbling, delving and stopped to listen to the air, scraped up the sand |
|
again with a fury of his claws, soon ceasing, a pard, a panther, got in |
|
spousebreach, vulturing the dead. |
|
|
|
After he woke me last night same dream or was it? Wait. Open |
|
hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting |
|
it. That man led me, spoke. I was not afraid. The melon he had he held |
|
against my face. Smiled: creamfruit smell. That was the rule, said. In. |
|
Come. Red carpet spread. You will see who. |
|
|
|
Shouldering their bags they trudged, the red Egyptians. His blued |
|
feet out of turnedup trousers slapped the clammy sand, a dull brick |
|
muffler strangling his unshaven neck. With woman steps she followed: the |
|
ruffian and his strolling mort. Spoils slung at her back. Loose sand and |
|
shellgrit crusted her bare feet. About her windraw face hair trailed. |
|
Behind her lord, his helpmate, bing awast to Romeville. When night hides |
|
her body's flaws calling under her brown shawl from an archway where dogs |
|
have mired. Her fancyman is treating two Royal Dublins in O'Loughlin's of |
|
Blackpitts. Buss her, wap in rogues' rum lingo, for, O, my dimber wapping |
|
dell! A shefiend's whiteness under her rancid rags. Fumbally's lane that |
|
night: the tanyard smells. |
|
|
|
|
|
WHITE THY FAMBLES, RED THY GAN |
|
AND THY QUARRONS DAINTY IS. |
|
COUCH A HOGSHEAD WITH ME THEN. |
|
IN THE DARKMANS CLIP AND KISS. |
|
|
|
|
|
Morose delectation Aquinas tunbelly calls this, FRATE PORCOSPINO. |
|
Unfallen Adam rode and not rutted. Call away let him: THY QUARRONS DAINTY |
|
IS. Language no whit worse than his. Monkwords, marybeads jabber on |
|
their girdles: roguewords, tough nuggets patter in their pockets. |
|
|
|
Passing now. |
|
|
|
A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I |
|
am not. Across the sands of all the world, followed by the sun's flaming |
|
sword, to the west, trekking to evening lands. She trudges, schlepps, |
|
trains, drags, trascines her load. A tide westering, moondrawn, in her |
|
wake. Tides, myriadislanded, within her, blood not mine, OINOPA PONTON, |
|
a winedark sea. Behold the handmaid of the moon. In sleep the wet sign |
|
calls her hour, bids her rise. Bridebed, childbed, bed of death, |
|
ghostcandled. OMNIS CARO AD TE VENIET. He comes, pale vampire, through |
|
storm his eyes, his bat sails bloodying the sea, mouth to her mouth's |
|
kiss. |
|
|
|
Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss. |
|
|
|
No. Must be two of em. Glue em well. Mouth to her mouth's kiss. |
|
|
|
His lips lipped and mouthed fleshless lips of air: mouth to her |
|
moomb. Oomb, allwombing tomb. His mouth moulded issuing breath, |
|
unspeeched: ooeeehah: roar of cataractic planets, globed, blazing, roaring |
|
wayawayawayawayaway. Paper. The banknotes, blast them. Old Deasy's |
|
letter. Here. Thanking you for the hospitality tear the blank end off. |
|
Turning his back to the sun he bent over far to a table of rock and |
|
scribbled words. That's twice I forgot to take slips from the library |
|
counter. |
|
|
|
His shadow lay over the rocks as he bent, ending. Why not endless till |
|
the farthest star? Darkly they are there behind this light, darkness |
|
shining in the brightness, delta of Cassiopeia, worlds. Me sits there with |
|
his augur's rod of ash, in borrowed sandals, by day beside a livid sea, |
|
unbeheld, in violet night walking beneath a reign of uncouth stars. |
|
I throw this ended shadow from me, manshape ineluctable, call it back. |
|
Endless, would it be mine, form of my form? Who watches me here? Who ever |
|
anywhere will read these written words? Signs on a white field. Somewhere |
|
to someone in your flutiest voice. The good bishop of Cloyne took the veil |
|
of the temple out of his shovel hat: veil of space with coloured emblems |
|
hatched on its field. Hold hard. Coloured on a flat: yes, that's right. |
|
Flat I see, then think distance, near, far, flat I see, east, back. Ah, |
|
see now! Falls back suddenly, frozen in stereoscope. Click does the trick. |
|
You find my words dark. Darkness is in our souls do you not think? |
|
Flutier. Our souls, shamewounded by our sins, cling to us yet more, |
|
a woman to her lover clinging, the more the more. |
|
|
|
She trusts me, her hand gentle, the longlashed eyes. Now where the blue |
|
hell am I bringing her beyond the veil? Into the ineluctable modality |
|
of the ineluctable visuality. She, she, she. What she? The virgin |
|
at Hodges Figgis' window on Monday looking in for one of the alphabet |
|
books you were going to write. Keen glance you gave her. Wrist through |
|
the braided jesse of her sunshade. She lives in Leeson park with |
|
a grief and kickshaws, a lady of letters. Talk that to someone else, |
|
Stevie: a pickmeup. Bet she wears those curse of God stays suspenders |
|
and yellow stockings, darned with lumpy wool. Talk about apple dumplings, |
|
PIUTTOSTO. Where are your wits? |
|
|
|
Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch |
|
me soon, now. What is that word known to all men? I am quiet here alone. |
|
Sad too. Touch, touch me. |
|
|
|
He lay back at full stretch over the sharp rocks, cramming the |
|
scribbled note and pencil into a pock his hat. His hat down on his eyes. |
|
That is Kevin Egan's movement I made, nodding for his nap, sabbath sleep. |
|
ET VIDIT DEUS. ET ERANT VALDE BONA. Alo! BONJOUR. Welcome as the flowers |
|
in May. Under its leaf he watched through peacocktwittering lashes the |
|
southing sun. I am caught in this burning scene. Pan's hour, the faunal |
|
noon. Among gumheavy serpentplants, milkoozing fruits, where on the |
|
tawny waters leaves lie wide. Pain is far. |
|
|
|
AND NO MORE TURN ASIDE AND BROOD. |
|
|
|
His gaze brooded on his broadtoed boots, a buck's castoffs, |
|
NEBENEINANDER. He counted the creases of rucked leather wherein another's |
|
foot had nested warm. The foot that beat the ground in tripudium, foot I |
|
dislove. But you were delighted when Esther Osvalt's shoe went on you: |
|
girl I knew in Paris. TIENS, QUEL PETIT PIED! Staunch friend, a brother |
|
soul: Wilde's love that dare not speak its name. His arm: Cranly's arm. He |
|
now will leave me. And the blame? As I am. As I am. All or not at all. |
|
|
|
In long lassoes from the Cock lake the water flowed full, covering |
|
greengoldenly lagoons of sand, rising, flowing. My ashplant will float |
|
away. I shall wait. No, they will pass on, passing, chafing against the |
|
low rocks, swirling, passing. Better get this job over quick. Listen: a |
|
fourworded wavespeech: seesoo, hrss, rsseeiss, ooos. Vehement breath of |
|
waters amid seasnakes, rearing horses, rocks. In cups of rocks it slops: |
|
flop, slop, slap: bounded in barrels. And, spent, its speech ceases. It |
|
flows purling, widely flowing, floating foampool, flower unfurling. |
|
|
|
Under the upswelling tide he saw the writhing weeds lift languidly |
|
and sway reluctant arms, hising up their petticoats, in whispering water |
|
swaying and upturning coy silver fronds. Day by day: night by night: |
|
lifted, flooded and let fall. Lord, they are weary; and, whispered to, |
|
they sigh. Saint Ambrose heard it, sigh of leaves and waves, waiting, |
|
awaiting the fullness of their times, DIEBUS AC NOCTIBUS INIURIAS PATIENS |
|
INGEMISCIT. To no end gathered; vainly then released, forthflowing, |
|
wending back: loom of the moon. Weary too in sight of lovers, lascivious |
|
men, a naked woman shining in her courts, she draws a toil of waters. |
|
|
|
Five fathoms out there. Full fathom five thy father lies. At one, he |
|
said. Found drowned. High water at Dublin bar. Driving before it a loose |
|
drift of rubble, fanshoals of fishes, silly shells. A corpse rising |
|
saltwhite from the undertow, bobbing a pace a pace a porpoise landward. |
|
There he is. Hook it quick. Pull. Sunk though he be beneath the watery |
|
floor. We have him. Easy now. |
|
|
|
Bag of corpsegas sopping in foul brine. A quiver of minnows, fat of a |
|
spongy titbit, flash through the slits of his buttoned trouserfly. God |
|
becomes man becomes fish becomes barnacle goose becomes featherbed |
|
mountain. Dead breaths I living breathe, tread dead dust, devour a urinous |
|
offal from all dead. Hauled stark over the gunwale he breathes upward the |
|
stench of his green grave, his leprous nosehole snoring to the sun. |
|
|
|
A seachange this, brown eyes saltblue. Seadeath, mildest of all deaths |
|
known to man. Old Father Ocean. PRIX DE PARIS: beware of imitations. Just |
|
you give it a fair trial. We enjoyed ourselves immensely. |
|
|
|
Come. I thirst. Clouding over. No black clouds anywhere, are there? |
|
Thunderstorm. Allbright he falls, proud lightning of the intellect, |
|
LUCIFER, DICO, QUI NESCIT OCCASUM. No. My cockle hat and staff and hismy |
|
sandal shoon. Where? To evening lands. Evening will find itself. |
|
|
|
He took the hilt of his ashplant, lunging with it softly, dallying still. |
|
Yes, evening will find itself in me, without me. All days make their end. |
|
By the way next when is it Tuesday will be the longest day. Of all the |
|
glad new year, mother, the rum tum tiddledy tum. Lawn Tennyson, gentleman |
|
poet. GIA. For the old hag with the yellow teeth. And Monsieur Drumont, |
|
gentleman journalist. Gia. My teeth are very bad. Why, I wonder. Feel. |
|
That one is going too. Shells. Ought I go to a dentist, I wonder, with |
|
that money? That one. This. Toothless Kinch, the superman. Why is that, I |
|
wonder, or does it mean something perhaps? |
|
|
|
My handkerchief. He threw it. I remember. Did I not take it up? |
|
|
|
His hand groped vainly in his pockets. No, I didn't. Better buy one. |
|
|
|
He laid the dry snot picked from his nostril on a ledge of rock, |
|
carefully. For the rest let look who will. |
|
|
|
Behind. Perhaps there is someone. |
|
|
|
He turned his face over a shoulder, rere regardant. Moving through |
|
the air high spars of a threemaster, her sails brailed up on the |
|
crosstrees, homing, upstream, silently moving, a silent ship. |
|
+ |
|
|
|
-- II -- |
|
|
|
|
|
Mr Leopold Bloom ate with relish the inner organs of beasts and |
|
fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, |
|
liverslices fried with crustcrumbs, fried hencods' roes. Most of all he |
|
liked grilled mutton kidneys which gave to his palate a fine tang of |
|
faintly scented urine. |
|
|
|
Kidneys were in his mind as he moved about the kitchen softly, |
|
righting her breakfast things on the humpy tray. Gelid light and air |
|
were in the kitchen but out of doors gentle summer morning everywhere. |
|
Made him feel a bit peckish. |
|
|
|
The coals were reddening. |
|
|
|
Another slice of bread and butter: three, four: right. She didn't like |
|
her plate full. Right. He turned from the tray, lifted the kettle off the |
|
hob and set it sideways on the fire. It sat there, dull and squat, its |
|
spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked stiffly |
|
round a leg of the table with tail on high. |
|
|
|
--Mkgnao! |
|
|
|
--O, there you are, Mr Bloom said, turning from the fire. |
|
|
|
The cat mewed in answer and stalked again stiffly round a leg of the |
|
table, mewing. Just how she stalks over my writingtable. Prr. Scratch my |
|
head. Prr. |
|
|
|
Mr Bloom watched curiously, kindly the lithe black form. Clean to |
|
see: the gloss of her sleek hide, the white button under the butt of her |
|
tail, the green flashing eyes. He bent down to her, his hands on his |
|
knees. |
|
|
|
--Milk for the pussens, he said. |
|
|
|
--Mrkgnao! the cat cried. |
|
|
|
They call them stupid. They understand what we say better than we |
|
understand them. She understands all she wants to. Vindictive too. Cruel. |
|
Her nature. Curious mice never squeal. Seem to like it. Wonder what I look |
|
like to her. Height of a tower? No, she can jump me. |
|
|
|
--Afraid of the chickens she is, he said mockingly. Afraid of the |
|
chookchooks. I never saw such a stupid pussens as the pussens. |
|
|
|
Cruel. Her nature. Curious mice never squeal. Seem to like it. |
|
|
|
--Mrkrgnao! the cat said loudly. |
|
|
|
She blinked up out of her avid shameclosing eyes, mewing plaintively |
|
and long, showing him her milkwhite teeth. He watched the dark eyeslits |
|
narrowing with greed till her eyes were green stones. Then he went to the |
|
dresser, took the jug Hanlon's milkman had just filled for him, poured |
|
warmbubbled milk on a saucer and set it slowly on the floor. |
|
|
|
--Gurrhr! she cried, running to lap. |
|
|
|
He watched the bristles shining wirily in the weak light as she tipped |
|
three times and licked lightly. Wonder is it true if you clip them they |
|
can't mouse after. Why? They shine in the dark, perhaps, the tips. Or kind |
|
of feelers in the dark, perhaps. |
|
|
|
He listened to her licking lap. Ham and eggs, no. No good eggs with |
|
this drouth. Want pure fresh water. Thursday: not a good day either for a |
|
mutton kidney at Buckley's. Fried with butter, a shake of pepper. Better a |
|
pork kidney at Dlugacz's. While the kettle is boiling. She lapped slower, |
|
then licking the saucer clean. Why are their tongues so rough? To lap |
|
better, all porous holes. Nothing she can eat? He glanced round him. No. |
|
|
|
On quietly creaky boots he went up the staircase to the hall, paused |
|
by the bedroom door. She might like something tasty. Thin bread and |
|
butter she likes in the morning. Still perhaps: once in a way. |
|
|
|
He said softly in the bare hall: |
|
|
|
--I'm going round the corner. Be back in a minute. |
|
|
|
And when he had heard his voice say it he added: |
|
|
|
--You don't want anything for breakfast? |
|
|
|
A sleepy soft grunt answered: |
|
|
|
--Mn. |
|
|
|
No. She didn't want anything. He heard then a warm heavy sigh, |
|
softer, as she turned over and the loose brass quoits of the bedstead |
|
jingled. Must get those settled really. Pity. All the way from Gibraltar. |
|
Forgotten any little Spanish she knew. Wonder what her father gave for it. |
|
Old style. Ah yes! of course. Bought it at the governor's auction. Got a |
|
short knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At Plevna |
|
that was. I rose from the ranks, sir, and I'm proud of it. Still he had |
|
brains enough to make that corner in stamps. Now that was farseeing. |
|
|
|
His hand took his hat from the peg over his initialled heavy overcoat |
|
and his lost property office secondhand waterproof. Stamps: stickyback |
|
pictures. Daresay lots of officers are in the swim too. Course they do. |
|
The sweated legend in the crown of his hat told him mutely: Plasto's high |
|
grade ha. He peeped quickly inside the leather headband. White slip of |
|
paper. Quite safe. |
|
|
|
On the doorstep he felt in his hip pocket for the latchkey. Not there. |
|
In the trousers I left off. Must get it. Potato I have. Creaky wardrobe. |
|
No use disturbing her. She turned over sleepily that time. He pulled the |
|
halldoor to after him very quietly, more, till the footleaf dropped gently |
|
over the threshold, a limp lid. Looked shut. All right till I come back |
|
anyhow. |
|
|
|
He crossed to the bright side, avoiding the loose cellarflap of number |
|
seventyfive. The sun was nearing the steeple of George's church. Be a warm |
|
day I fancy. Specially in these black clothes feel it more. Black |
|
conducts, reflects, (refracts is it?), the heat. But I couldn't go in that |
|
light suit. Make a picnic of it. His eyelids sank quietly often as he |
|
walked in happy warmth. Boland's breadvan delivering with trays our daily |
|
but she prefers yesterday's loaves turnovers crisp crowns hot. Makes you |
|
feel young. Somewhere in the east: early morning: set off at dawn. Travel |
|
round in front of the sun, steal a day's march on him. Keep it up for ever |
|
never grow a day older technically. Walk along a strand, strange land, |
|
come to a city gate, sentry there, old ranker too, old Tweedy's big |
|
moustaches, leaning on a long kind of a spear. Wander through awned |
|
streets. Turbaned faces going by. Dark caves of carpet shops, big man, |
|
Turko the terrible, seated crosslegged, smoking a coiled pipe. Cries of |
|
sellers in the streets. Drink water scented with fennel, sherbet. Dander |
|
along all day. Might meet a robber or two. Well, meet him. Getting on to |
|
sundown. The shadows of the mosques among the pillars: priest with a |
|
scroll rolled up. A shiver of the trees, signal, the evening wind. I pass |
|
on. Fading gold sky. A mother watches me from her doorway. She calls her |
|
children home in their dark language. High wall: beyond strings twanged. |
|
Night sky, moon, violet, colour of Molly's new garters. Strings. Listen. |
|
A girl playing one of those instruments what do you call them: dulcimers. |
|
I pass. |
|
|
|
Probably not a bit like it really. Kind of stuff you read: in the track of |
|
the sun. Sunburst on the titlepage. He smiled, pleasing himself. What |
|
Arthur Griffith said about the headpiece over the FREEMAN leader: a |
|
homerule sun rising up in the northwest from the laneway behind the bank |
|
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule sun |
|
rising up in the north-west. |
|
|
|
He approached Larry O'Rourke's. From the cellar grating floated up |
|
the flabby gush of porter. Through the open doorway the bar squirted out |
|
whiffs of ginger, teadust, biscuitmush. Good house, however: just the end |
|
of the city traffic. For instance M'Auley's down there: n. g. as position. |
|
Of course if they ran a tramline along the North Circular from the |
|
cattlemarket to the quays value would go up like a shot. |
|
|
|
Baldhead over the blind. Cute old codger. No use canvassing him for |
|
an ad. Still he knows his own business best. There he is, sure enough, my |
|
bold Larry, leaning against the sugarbin in his shirtsleeves watching the |
|
aproned curate swab up with mop and bucket. Simon Dedalus takes him |
|
off to a tee with his eyes screwed up. Do you know what I'm going to tell |
|
you? What's that, Mr O'Rourke? Do you know what? The Russians, |
|
they'd only be an eight o'clock breakfast for the Japanese. |
|
|
|
Stop and say a word: about the funeral perhaps. Sad thing about |
|
poor Dignam, Mr O'Rourke. |
|
|
|
Turning into Dorset street he said freshly in greeting through the |
|
doorway: |
|
|
|
--Good day, Mr O'Rourke. |
|
|
|
--Good day to you. |
|
|
|
--Lovely weather, sir. |
|
|
|
--'Tis all that. |
|
|
|
Where do they get the money? Coming up redheaded curates from |
|
the county Leitrim, rinsing empties and old man in the cellar. Then, lo |
|
and behold, they blossom out as Adam Findlaters or Dan Tallons. Then thin |
|
of the competition. General thirst. Good puzzle would be cross Dublin |
|
without passing a pub. Save it they can't. Off the drunks perhaps. Put |
|
down three and carry five. What is that, a bob here and there, dribs and |
|
drabs. On the wholesale orders perhaps. Doing a double shuffle with the |
|
town travellers. Square it you with the boss and we'll split the job, see? |
|
|
|
How much would that tot to off the porter in the month? Say ten |
|
barrels of stuff. Say he got ten per cent off. O more. Fifteen. He passed |
|
Saint Joseph's National school. Brats' clamour. Windows open. Fresh air |
|
helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee |
|
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At their |
|
joggerfry. Mine. Slieve Bloom. |
|
|
|
He halted before Dlugacz's window, staring at the hanks of sausages, |
|
polonies, black and white. Fifteen multiplied by. The figures whitened in |
|
his mind, unsolved: displeased, he let them fade. The shiny links, packed |
|
with forcemeat, fed his gaze and he breathed in tranquilly the lukewarm |
|
breath of cooked spicy pigs' blood. |
|
|
|
A kidney oozed bloodgouts on the willowpatterned dish: the last. He |
|
stood by the nextdoor girl at the counter. Would she buy it too, calling |
|
the items from a slip in her hand? Chapped: washingsoda. And a pound and a |
|
half of Denny's sausages. His eyes rested on her vigorous hips. Woods his |
|
name is. Wonder what he does. Wife is oldish. New blood. No followers |
|
allowed. Strong pair of arms. Whacking a carpet on the clothesline. She |
|
does whack it, by George. The way her crooked skirt swings at each whack. |
|
|
|
The ferreteyed porkbutcher folded the sausages he had snipped off |
|
with blotchy fingers, sausagepink. Sound meat there: like a stallfed |
|
heifer. |
|
|
|
He took a page up from the pile of cut sheets: the model farm at |
|
Kinnereth on the lakeshore of Tiberias. Can become ideal winter |
|
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round it, |
|
blurred cattle cropping. He held the page from him: interesting: read it |
|
nearer, the title, the blurred cropping cattle, the page rustling. A young |
|
white heifer. Those mornings in the cattlemarket, the beasts lowing in |
|
their pens, branded sheep, flop and fall of dung, the breeders in |
|
hobnailed boots trudging through the litter, slapping a palm on a |
|
ripemeated hindquarter, there's a prime one, unpeeled switches in their |
|
hands. He held the page aslant patiently, bending his senses and his will, |
|
his soft subject gaze at rest. The crooked skirt swinging, whack by whack |
|
by whack. |
|
|
|
The porkbutcher snapped two sheets from the pile, wrapped up her |
|
prime sausages and made a red grimace. |
|
|
|
--Now, my miss, he said. |
|
|
|
She tendered a coin, smiling boldly, holding her thick wrist out. |
|
|
|
--Thank you, my miss. And one shilling threepence change. For you, |
|
please? |
|
|
|
Mr Bloom pointed quickly. To catch up and walk behind her if she |
|
went slowly, behind her moving hams. Pleasant to see first thing in the |
|
morning. Hurry up, damn it. Make hay while the sun shines. She stood |
|
outside the shop in sunlight and sauntered lazily to the right. He sighed |
|
down his nose: they never understand. Sodachapped hands. Crusted |
|
toenails too. Brown scapulars in tatters, defending her both ways. The |
|
sting of disregard glowed to weak pleasure within his breast. For another: |
|
a constable off duty cuddling her in Eccles lane. They like them sizeable. |
|
Prime sausage. O please, Mr Policeman, I'm lost in the wood. |
|
|
|
--Threepence, please. |
|
|
|
His hand accepted the moist tender gland and slid it into a sidepocket. |
|
Then it fetched up three coins from his trousers' pocket and laid them on |
|
the rubber prickles. They lay, were read quickly and quickly slid, disc by |
|
disc, into the till. |
|
|
|
--Thank you, sir. Another time. |
|
|
|
A speck of eager fire from foxeyes thanked him. He withdrew his |
|
gaze after an instant. No: better not: another time. |
|
|
|
--Good morning, he said, moving away. |
|
|
|
--Good morning, sir. |
|
|
|
No sign. Gone. What matter? |
|
|
|
He walked back along Dorset street, reading gravely. Agendath |
|
Netaim: planters' company. To purchase waste sandy tracts from Turkish |
|
government and plant with eucalyptus trees. Excellent for shade, fuel and |
|
construction. Orangegroves and immense melonfields north of Jaffa. You |
|
pay eighty marks and they plant a dunam of land for you with olives, |
|
oranges, almonds or citrons. Olives cheaper: oranges need artificial |
|
irrigation. Every year you get a sending of the crop. Your name entered |
|
for life as owner in the book of the union. Can pay ten down and the |
|
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15. |
|
|
|
Nothing doing. Still an idea behind it. |
|
|
|
He looked at the cattle, blurred in silver heat. Silverpowdered |
|
olivetrees. Quiet long days: pruning, ripening. Olives are packed in jars, |
|
eh? I have a few left from Andrews. Molly spitting them out. Knows the |
|
taste of them now. Oranges in tissue paper packed in crates. Citrons too. |
|
Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky with |
|
the old cither. Pleasant evenings we had then. Molly in Citron's |
|
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it to |
|
the nostrils and smell the perfume. Like that, heavy, sweet, wild perfume. |
|
Always the same, year after year. They fetched high prices too, Moisel |
|
told me. Arbutus place: Pleasants street: pleasant old times. Must be |
|
without a flaw, he said. Coming all that way: Spain, Gibraltar, |
|
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa, chap |
|
ticking them off in a book, navvies handling them barefoot in soiled |
|
dungarees. There's whatdoyoucallhim out of. How do you? Doesn't see. Chap |
|
you know just to salute bit of a bore. His back is like that Norwegian |
|
captain's. Wonder if I'll meet him today. Watering cart. To provoke the |
|
rain. On earth as it is in heaven. |
|
|
|
A cloud began to cover the sun slowly, wholly. Grey. Far. |
|
|
|
No, not like that. A barren land, bare waste. Vulcanic lake, the dead |
|
sea: no fish, weedless, sunk deep in the earth. No wind could lift those |
|
waves, grey metal, poisonous foggy waters. Brimstone they called it |
|
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead |
|
names. A dead sea in a dead land, grey and old. Old now. It bore the |
|
oldest, the first race. A bent hag crossed from Cassidy's, clutching a |
|
naggin bottle by the neck. The oldest people. Wandered far away over all |
|
the earth, captivity to captivity, multiplying, dying, being born |
|
everywhere. It lay there now. Now it could bear no more. Dead: an old |
|
woman's: the grey sunken cunt of the world. |
|
|
|
Desolation. |
|
|
|
Grey horror seared his flesh. Folding the page into his pocket he |
|
turned into Eccles street, hurrying homeward. Cold oils slid along his |
|
veins, chilling his blood: age crusting him with a salt cloak. Well, I am |
|
here now. Yes, I am here now. Morning mouth bad images. Got up wrong side |
|
of the bed. Must begin again those Sandow's exercises. On the hands down. |
|
Blotchy brown brick houses. Number eighty still unlet. Why is that? |
|
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur: |
|
parlour windows plastered with bills. Plasters on a sore eye. To smell the |
|
gentle smoke of tea, fume of the pan, sizzling butter. Be near her ample |
|
bedwarmed flesh. Yes, yes. |
|
|
|
Quick warm sunlight came running from Berkeley road, swiftly, in |
|
slim sandals, along the brightening footpath. Runs, she runs to meet me, a |
|
girl with gold hair on the wind. |
|
|
|
Two letters and a card lay on the hallfloor. He stooped and gathered |
|
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand. |
|
Mrs Marion. |
|
|
|
--Poldy! |
|
|
|
Entering the bedroom he halfclosed his eyes and walked through |
|
warm yellow twilight towards her tousled head. |
|
|
|
--Who are the letters for? |
|
|
|
He looked at them. Mullingar. Milly. |
|
|
|
--A letter for me from Milly, he said carefully, and a card to you. And a |
|
letter for you. |
|
|
|
He laid her card and letter on the twill bedspread near the curve of |
|
her knees. |
|
|
|
--Do you want the blind up? |
|
|
|
Letting the blind up by gentle tugs halfway his backward eye saw her |
|
glance at the letter and tuck it under her pillow. |
|
|
|
--That do? he asked, turning. |
|
|
|
She was reading the card, propped on her elbow. |
|
|
|
--She got the things, she said. |
|
|
|
He waited till she had laid the card aside and curled herself back |
|
slowly with a snug sigh. |
|
|
|
--Hurry up with that tea, she said. I'm parched. |
|
|
|
--The kettle is boiling, he said. |
|
|
|
But he delayed to clear the chair: her striped petticoat, tossed soiled |
|
linen: and lifted all in an armful on to the foot of the bed. |
|
|
|
As he went down the kitchen stairs she called: |
|
|
|
--Poldy! |
|
|
|
--What? |
|
|
|
--Scald the teapot. |
|
|
|
On the boil sure enough: a plume of steam from the spout. He |
|
scalded and rinsed out the teapot and put in four full spoons of tea, |
|
tilting the kettle then to let the water flow in. Having set it to draw he |
|
took off the kettle, crushed the pan flat on the live coals and watched |
|
the lump of butter slide and melt. While he unwrapped the kidney the cat |
|
mewed hungrily against him. Give her too much meat she won't mouse. Say |
|
they won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to |
|
her and dropped the kidney amid the sizzling butter sauce. Pepper. He |
|
sprinkled it through his fingers ringwise from the chipped eggcup. |
|
|
|
Then he slit open his letter, glancing down the page and over. |
|
Thanks: new tam: Mr Coghlan: lough Owel picnic: young student: Blazes |
|
Boylan's seaside girls. |
|
|
|
The tea was drawn. He filled his own moustachecup, sham crown |
|
|
|
Derby, smiling. Silly Milly's birthday gift. Only five she was then. No, |
|
wait: four. I gave her the amberoid necklace she broke. Putting pieces of |
|
folded brown paper in the letterbox for her. He smiled, pouring. |
|
|
|
|
|
O, MILLY BLOOM, YOU ARE MY DARLING. |
|
YOU ARE MY LOOKINGGLASS FROM NIGHT TO MORNING. |
|
I'D RATHER HAVE YOU WITHOUT A FARTHING |
|
THAN KATEY KEOGH WITH HER ASS AND GARDEN. |
|
|
|
|
|
Poor old professor Goodwin. Dreadful old case. Still he was a |
|
courteous old chap. Oldfashioned way he used to bow Molly off the |
|
platform. And the little mirror in his silk hat. The night Milly brought |
|
it into the parlour. O, look what I found in professor Goodwin's hat! All |
|
we laughed. Sex breaking out even then. Pert little piece she was. |
|
|
|
He prodded a fork into the kidney and slapped it over: then fitted the |
|
teapot on the tray. Its hump bumped as he took it up. Everything on it? |
|
Bread and butter, four, sugar, spoon, her cream. Yes. He carried it |
|
upstairs, his thumb hooked in the teapot handle. |
|
|
|
|
|
Nudging the door open with his knee he carried the tray in and set it |
|
on the chair by the bedhead. |
|
|
|
--What a time you were! she said. |
|
|
|
She set the brasses jingling as she raised herself briskly, an elbow on |
|
the pillow. He looked calmly down on her bulk and between her large soft |
|
bubs, sloping within her nightdress like a shegoat's udder. The warmth of |
|
her couched body rose on the air, mingling with the fragrance of the tea |
|
she poured. |
|
|
|
A strip of torn envelope peeped from under the dimpled pillow. In the |
|
act of going he stayed to straighten the bedspread. |
|
|
|
--Who was the letter from? he asked. |
|
|
|
Bold hand. Marion. |
|
|
|
--O, Boylan, she said. He's bringing the programme. |
|
|
|
--What are you singing? |
|
|
|
--LA CI DAREM with J. C. Doyle, she said, and LOVE'S OLD SWEET SONG. |
|
|
|
Her full lips, drinking, smiled. Rather stale smell that incense leaves |
|
next day. Like foul flowerwater. |
|
|
|
--Would you like the window open a little? |
|
|
|
She doubled a slice of bread into her mouth, asking: |
|
|
|
--What time is the funeral? |
|
|
|
--Eleven, I think, he answered. I didn't see the paper. |
|
|
|
Following the pointing of her finger he took up a leg of her soiled |
|
drawers from the bed. No? Then, a twisted grey garter looped round a |
|
stocking: rumpled, shiny sole. |
|
|
|
--No: that book. |
|
|
|
Other stocking. Her petticoat. |
|
|
|
--It must have fell down, she said. |
|
|
|
He felt here and there. VOGLIO E NON VORREI. Wonder if she pronounces |
|
that right: VOGLIO. Not in the bed. Must have slid down. He stooped and |
|
lifted the valance. The book, fallen, sprawled against the bulge of the |
|
orangekeyed chamberpot. |
|
|
|
--Show here, she said. I put a mark in it. There's a word I wanted to ask |
|
you. |
|
|
|
She swallowed a draught of tea from her cup held by nothandle and, |
|
having wiped her fingertips smartly on the blanket, began to search the |
|
text with the hairpin till she reached the word. |
|
|
|
--Met him what? he asked. |
|
|
|
--Here, she said. What does that mean? |
|
|
|
He leaned downward and read near her polished thumbnail. |
|
|
|
--Metempsychosis? |
|
|
|
--Yes. Who's he when he's at home? |
|
|
|
--Metempsychosis, he said, frowning. It's Greek: from the Greek. That |
|
means the transmigration of souls. |
|
|
|
--O, rocks! she said. Tell us in plain words. |
|
|
|
He smiled, glancing askance at her mocking eyes. The same young |
|
eyes. The first night after the charades. Dolphin's Barn. He turned over |
|
the smudged pages. RUBY: THE PRIDE OF THE RING. Hello. Illustration. |
|
Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor |
|
naked. Sheet kindly lent. THE MONSTER MAFFEI DESISTED AND FLUNG HIS |
|
VICTIM FROM HIM WITH AN OATH. Cruelty behind it all. Doped animals. |
|
Trapeze at Hengler's. Had to look the other way. Mob gaping. Break your |
|
neck and we'll break our sides. Families of them. Bone them young so they |
|
metamspychosis. That we live after death. Our souls. That a man's soul |
|
after he dies. Dignam's soul ... |
|
|
|
--Did you finish it? he asked. |
|
|
|
--Yes, she said. There's nothing smutty in it. Is she in love with the |
|
first fellow all the time? |
|
|
|
--Never read it. Do you want another? |
|
|
|
--Yes. Get another of Paul de Kock's. Nice name he has. |
|
|
|
She poured more tea into her cup, watching it flow sideways. |
|
|
|
Must get that Capel street library book renewed or they'll write to |
|
Kearney, my guarantor. Reincarnation: that's the word. |
|
|
|
--Some people believe, he said, that we go on living in another body |
|
after death, that we lived before. They call it reincarnation. That we all |
|
lived before on the earth thousands of years ago or some other planet. |
|
They say we have forgotten it. Some say they remember their past lives. |
|
|
|
The sluggish cream wound curdling spirals through her tea. Bette |
|
remind her of the word: metempsychosis. An example would be better. An |
|
example? |
|
|
|
The BATH OF THE NYMPH over the bed. Given away with the Easter |
|
number of PHOTO BITS: Splendid masterpiece in art colours. Tea before you |
|
put milk in. Not unlike her with her hair down: slimmer. Three and six I |
|
gave for the frame. She said it would look nice over the bed. Naked |
|
nymphs: Greece: and for instance all the people that lived then. |
|
|
|
He turned the pages back. |
|
|
|
--Metempsychosis, he said, is what the ancient Greeks called it. They |
|
used to believe you could be changed into an animal or a tree, for |
|
instance. What they called nymphs, for example. |
|
|
|
Her spoon ceased to stir up the sugar. She gazed straight before her, |
|
inhaling through her arched nostrils. |
|
|
|
--There's a smell of burn, she said. Did you leave anything on the fire? |
|
|
|
--The kidney! he cried suddenly. |
|
|
|
He fitted the book roughly into his inner pocket and, stubbing his toes |
|
against the broken commode, hurried out towards the smell, stepping |
|
hastily down the stairs with a flurried stork's legs. Pungent smoke shot |
|
up in an angry jet from a side of the pan. By prodding a prong of the fork |
|
under the kidney he detached it and turned it turtle on its back. Only a |
|
little burnt. He tossed it off the pan on to a plate and let the scanty |
|
brown gravy trickle over it. |
|
|
|
Cup of tea now. He sat down, cut and buttered a slice of the loaf. He |
|
shore away the burnt flesh and flung it to the cat. Then he put a forkful |
|
into his mouth, chewing with discernment the toothsome pliant meat. Done |
|
to a turn. A mouthful of tea. Then he cut away dies of bread, sopped one |
|
in the gravy and put it in his mouth. What was that about some young |
|
student and a picnic? He creased out the letter at his side, reading it |
|
slowly as he chewed, sopping another die of bread in the gravy and raising |
|
it to his mouth. |
|
|
|
|
|
Dearest Papli |
|
|
|
Thanks ever so much for the lovely birthday present. It suits me |
|
splendid. Everyone says I am quite the belle in my new tam. I got mummy's |
|
Iovely box of creams and am writing. They are lovely. I am getting on |
|
swimming in the photo business now. Mr Coghlan took one of me and Mrs. |
|
Will send when developed. We did great biz yesterday. Fair day and all the |
|
beef to the heels were in. We are going to lough Owel on Monday with a |
|
few friends to make a scrap picnic. Give my love to mummy and to yourself |
|
a big kiss and thanks. I hear them at the piano downstairs. There is to be |
|
a concert in the Greville Arms on Saturday. There is a young student comes |
|
here some evenings named Bannon his cousins or something are big swells |
|
and he sings Boylan's (I was on the pop of writing Blazes Boylan's) song |
|
about those seaside girls. Tell him silly Milly sends my best respects. I |
|
must now close with fondest love |
|
|
|
|
|
Your fond daughter, MILLY. |
|
|
|
|
|
P. S. Excuse bad writing am in hurry. Byby. M. |
|
|
|
|
|
Fifteen yesterday. Curious, fifteenth of the month too. Her first |
|
birthday away from home. Separation. Remember the summer morning she |
|
was born, running to knock up Mrs Thornton in Denzille street. Jolly old |
|
woman. Lot of babies she must have helped into the world. She knew from |
|
the first poor little Rudy wouldn't live. Well, God is good, sir. She knew |
|
at once. He would be eleven now if he had lived. |
|
|
|
His vacant face stared pityingly at the postscript. Excuse bad writing. |
|
Hurry. Piano downstairs. Coming out of her shell. Row with her in the XL |
|
Cafe about the bracelet. Wouldn't eat her cakes or speak or look. |
|
Saucebox. He sopped other dies of bread in the gravy and ate piece after |
|
piece of kidney. Twelve and six a week. Not much. Still, she might do |
|
worse. Music hall stage. Young student. He drank a draught of cooler tea |
|
to wash down his meal. Then he read the letter again: twice. |
|
|
|
O, well: she knows how to mind herself. But if not? No, nothing has |
|
happened. Of course it might. Wait in any case till it does. A wild piece |
|
of goods. Her slim legs running up the staircase. Destiny. Ripening now. |
|
|
|
Vain: very. |
|
|
|
He smiled with troubled affection at the kitchen window. Day I |
|
caught her in the street pinching her cheeks to make them red. Anemic a |
|
little. Was given milk too long. On the ERIN'S KING that day round the |
|
Kish. Damned old tub pitching about. Not a bit funky. Her pale blue scarf |
|
loose in the wind with her hair. |
|
|
|
|
|
ALL DIMPLED CHEEKS AND CURLS, |
|
YOUR HEAD IT SIMPLY SWIRLS. |
|
|
|
|
|
Seaside girls. Torn envelope. Hands stuck in his trousers' pockets, jarvey |
|
off for the day, singing. Friend of the family. Swurls, he says. Pier with |
|
lamps, summer evening, band, |
|
|
|
|
|
THOSE GIRLS, THOSE GIRLS, |
|
THOSE LOVELY SEASIDE GIRLS. |
|
|
|
|
|
Milly too. Young kisses: the first. Far away now past. Mrs Marion. |
|
Reading, lying back now, counting the strands of her hair, smiling, |
|
braiding. |
|
|
|
|
|
A soft qualm, regret, flowed down his backbone, increasing. Will |
|
happen, yes. Prevent. Useless: can't move. Girl's sweet light lips. Will |
|
happen too. He felt the flowing qualm spread over him. Useless to move |
|
now. Lips kissed, kissing, kissed. Full gluey woman's lips. |
|
|
|
Better where she is down there: away. Occupy her. Wanted a dog to |
|
pass the time. Might take a trip down there. August bank holiday, only two |
|
and six return. Six weeks off, however. Might work a press pass. Or |
|
through M'Coy. |
|
|
|
The cat, having cleaned all her fur, returned to the meatstained paper, |
|
nosed at it and stalked to the door. She looked back at him, mewing. Wants |
|
to go out. Wait before a door sometime it will open. Let her wait. Has the |
|
fidgets. Electric. Thunder in the air. Was washing at her ear with her |
|
back to the fire too. |
|
|
|
He felt heavy, full: then a gentle loosening of his bowels. He stood up, |
|
undoing the waistband of his trousers. The cat mewed to him. |
|
|
|
--Miaow! he said in answer. Wait till I'm ready. |
|
|
|
Heaviness: hot day coming. Too much trouble to fag up the stairs to |
|
the landing. |
|
|
|
A paper. He liked to read at stool. Hope no ape comes knocking just |
|
as I'm. |
|
|
|
In the tabledrawer he found an old number of TITBITS. He folded it |
|
under his armpit, went to the door and opened it. The cat went up in soft |
|
bounds. Ah, wanted to go upstairs, curl up in a ball on the bed. |
|
|
|
Listening, he heard her voice: |
|
|
|
--Come, come, pussy. Come. |
|
|
|
He went out through the backdoor into the garden: stood to listen |
|
towards the next garden. No sound. Perhaps hanging clothes out to dry. |
|
The maid was in the garden. Fine morning. |
|
|
|
He bent down to regard a lean file of spearmint growing by the wall. |
|
Make a summerhouse here. Scarlet runners. Virginia creepers. Want to |
|
manure the whole place over, scabby soil. A coat of liver of sulphur. All |
|
soil like that without dung. Household slops. Loam, what is this that is? |
|
The hens in the next garden: their droppings are very good top dressing. |
|
Best of all though are the cattle, especially when they are fed on those |
|
oilcakes. Mulch of dung. Best thing to clean ladies' kid gloves. |
|
Dirty cleans. Ashes too. Reclaim the whole place. Grow peas in that corner |
|
there. Lettuce. Always have fresh greens then. Still gardens have their |
|
drawbacks. That bee or bluebottle here Whitmonday. |
|
|
|
He walked on. Where is my hat, by the way? Must have put it back |
|
on the peg. Or hanging up on the floor. Funny I don't remember that. |
|
Hallstand too full. Four umbrellas, her raincloak. Picking up the letters. |
|
Drago's shopbell ringing. Queer I was just thinking that moment. Brown |
|
brillantined hair over his collar. Just had a wash and brushup. Wonder |
|
have I time for a bath this morning. Tara street. Chap in the paybox there |
|
got away James Stephens, they say. O'Brien. |
|
|
|
Deep voice that fellow Dlugacz has. Agendath what is it? Now, my |
|
miss. Enthusiast. |
|
|
|
He kicked open the crazy door of the jakes. Better be careful not to get |
|
these trousers dirty for the funeral. He went in, bowing his head under |
|
the low lintel. Leaving the door ajar, amid the stench of mouldy limewash |
|
and stale cobwebs he undid his braces. Before sitting down he peered |
|
through a chink up at the nextdoor windows. The king was in his |
|
countinghouse. Nobody. |
|
|
|
Asquat on the cuckstool he folded out his paper, turning its pages |
|
over on his bared knees. Something new and easy. No great hurry. Keep it |
|
a bit. Our prize titbit: MATEHAM'S MASTERSTROKE. Written by Mr Philip |
|
Beaufoy, Playgoers' Club, London. Payment at the rate of one guinea a |
|
column has been made to the writer. Three and a half. Three pounds three. |
|
Three pounds, thirteen and six. |
|
|
|
Quietly he read, restraining himself, the first column and, yielding but |
|
resisting, began the second. Midway, his last resistance yielding, he |
|
allowed his bowels to ease themselves quietly as he read, reading still |
|
patiently that slight constipation of yesterday quite gone. Hope it's not |
|
too big bring on piles again. No, just right. So. Ah! Costive. One tabloid |
|
of cascara sagrada. Life might be so. It did not move or touch him but it |
|
was something quick and neat. Print anything now. Silly season. He read |
|
on, seated calm above his own rising smell. Neat certainly. MATCHAM OFTEN |
|
THINKS OF THE MASTERSTROKE BY WHICH HE WON THE LAUGHING WITCH WHO NOW. |
|
Begins and ends morally. HAND IN HAND. Smart. He glanced back through what |
|
he had read and, while feeling his water flow quietly, he envied kindly |
|
Mr Beaufoy who had written it and received payment of three pounds, |
|
thirteen and six. |
|
|
|
Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story |
|
for some proverb. Which? Time I used to try jotting down on my cuff what |
|
she said dressing. Dislike dressing together. Nicked myself shaving. |
|
Biting her nether lip, hooking the placket of her skirt. Timing her. 9.l5. |
|
Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What |
|
possessed me to buy this comb? 9.24. I'm swelled after that cabbage. A |
|
speck of dust on the patent leather of her boot. |
|
|
|
Rubbing smartly in turn each welt against her stockinged calf. Morning |
|
after the bazaar dance when May's band played Ponchielli's dance of |
|
the hours. Explain that: morning hours, noon, then evening coming on, |
|
then night hours. Washing her teeth. That was the first night. Her head |
|
dancing. Her fansticks clicking. Is that Boylan well off? He has money. |
|
Why? I noticed he had a good rich smell off his breath dancing. No use |
|
humming then. Allude to it. Strange kind of music that last night. |
|
The mirror was in shadow. She rubbed her handglass briskly on her |
|
woollen vest against her full wagging bub. Peering into it. Lines in |
|
her eyes. It wouldn't pan out somehow. |
|
|
|
Evening hours, girls in grey gauze. Night hours then: black with |
|
daggers and eyemasks. Poetical idea: pink, then golden, then grey, then |
|
black. Still, true to life also. Day: then the night. |
|
|
|
He tore away half the prize story sharply and wiped himself with it. |
|
Then he girded up his trousers, braced and buttoned himself. He pulled |
|
back the jerky shaky door of the jakes and came forth from the gloom into |
|
the air. |
|
|
|
In the bright light, lightened and cooled in limb, he eyed carefully his |
|
black trousers: the ends, the knees, the houghs of the knees. What time is |
|
the funeral? Better find out in the paper. |
|
|
|
A creak and a dark whirr in the air high up. The bells of George's |
|
church. They tolled the hour: loud dark iron. |
|
|
|
|
|
HEIGHO! HEIGHO! |
|
HEIGHO! HEIGHO! |
|
HEIGHO! HEIGHO! |
|
|
|
|
|
Quarter to. There again: the overtone following through the air, third. |
|
|
|
Poor Dignam! |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
By lorries along sir John Rogerson's quay Mr Bloom walked soberly, |
|
past Windmill lane, Leask's the linseed crusher, the postal telegraph |
|
office. Could have given that address too. And past the sailors' home. |
|
He turned from the morning noises of the quayside and walked through Lime |
|
street. By Brady's cottages a boy for the skins lolled, his bucket of |
|
offal linked, smoking a chewed fagbutt. A smaller girl with scars of |
|
eczema on her forehead eyed him, listlessly holding her battered caskhoop. |
|
Tell him if he smokes he won't grow. O let him! His life isn't such a bed |
|
of roses. Waiting outside pubs to bring da home. Come home to ma, da. |
|
Slack hour: won't be many there. He crossed Townsend street, passed the |
|
frowning face of Bethel. El, yes: house of: Aleph, Beth. And past Nichols' |
|
the undertaker. At eleven it is. Time enough. Daresay Corny Kelleher |
|
bagged the job for O'Neill's. Singing with his eyes shut. Corny. Met her |
|
once in the park. In the dark. What a lark. Police tout. Her name and |
|
address she then told with my tooraloom tooraloom tay. O, surely he bagged |
|
it. Bury him cheap in a whatyoumaycall. With my tooraloom, tooraloom, |
|
tooraloom, tooraloom. |
|
|
|
In Westland row he halted before the window of the Belfast and |
|
Oriental Tea Company and read the legends of leadpapered packets: choice |
|
blend, finest quality, family tea. Rather warm. Tea. Must get some from |
|
Tom Kernan. Couldn't ask him at a funeral, though. While his eyes still |
|
read blandly he took off his hat quietly inhaling his hairoil and sent his |
|
right hand with slow grace over his brow and hair. Very warm morning. |
|
Under their dropped lids his eyes found the tiny bow of the leather |
|
headband inside his high grade ha. Just there. His right hand came down |
|
into the bowl of his hat. His fingers found quickly a card behind the |
|
headband and transferred it to his waistcoat pocket. |
|
|
|
So warm. His right hand once more more slowly went over his brow |
|
and hair. Then he put on his hat again, relieved: and read again: choice |
|
blend, made of the finest Ceylon brands. The far east. Lovely spot it must |
|
be: the garden of the world, big lazy leaves to float about on, cactuses, |
|
flowery meads, snaky lianas they call them. Wonder is it like that. Those |
|
Cinghalese lobbing about in the sun IN DOLCE FAR NIENTE, not doing a |
|
hand's turn all day. Sleep six months out of twelve. Too hot to quarrel. |
|
Influence of the climate. Lethargy. Flowers of idleness. The air feeds |
|
most. Azotes. Hothouse in Botanic gardens. Sensitive plants. Waterlilies. |
|
Petals too tired to. Sleeping sickness in the air. Walk on roseleaves. |
|
Imagine trying to eat tripe and cowheel. Where was the chap I saw in that |
|
picture somewhere? Ah yes, in the dead sea floating on his back, reading a |
|
book with a parasol open. Couldn't sink if you tried: so thick with salt. |
|
Because the weight of the water, no, the weight of the body in the water |
|
is equal to the weight of the what? Or is it the volume is equal to the |
|
weight? It's a law something like that. Vance in High school cracking his |
|
fingerjoints, teaching. The college curriculum. Cracking curriculum. What |
|
is weight really when you say the weight? Thirtytwo feet per second per |
|
second. Law of falling bodies: per second per second. They all fall to the |
|
ground. The earth. It's the force of gravity of the earth is the weight. |
|
|
|
He turned away and sauntered across the road. How did she walk |
|
with her sausages? Like that something. As he walked he took the folded |
|
FREEMAN from his sidepocket, unfolded it, rolled it lengthwise in a baton |
|
and tapped it at each sauntering step against his trouserleg. Careless |
|
air: just drop in to see. Per second per second. Per second for every |
|
second it means. From the curbstone he darted a keen glance through the |
|
door of the postoffice. Too late box. Post here. No-one. In. |
|
|
|
He handed the card through the brass grill. |
|
|
|
--Are there any letters for me? he asked. |
|
|
|
While the postmistress searched a pigeonhole he gazed at the |
|
recruiting poster with soldiers of all arms on parade: and held the tip of |
|
his baton against his nostrils, smelling freshprinted rag paper. No answer |
|
probably. Went too far last time. |
|
|
|
The postmistress handed him back through the grill his card with a |
|
letter. He thanked her and glanced rapidly at the typed envelope. |
|
|
|
|
|
Henry Flower Esq, |
|
c/o P. O. Westland Row, |
|
City. |
|
|
|
|
|
Answered anyhow. He slipped card and letter into his sidepocket, |
|
reviewing again the soldiers on parade. Where's old Tweedy's regiment? |
|
Castoff soldier. There: bearskin cap and hackle plume. No, he's a |
|
grenadier. Pointed cuffs. There he is: royal Dublin fusiliers. Redcoats. |
|
Too showy. That must be why the women go after them. Uniform. Easier to |
|
enlist and drill. Maud Gonne's letter about taking them off O'Connell |
|
street at night: disgrace to our Irish capital. Griffith's paper is on the |
|
same tack now: an army rotten with venereal disease: overseas or |
|
halfseasover empire. Half baked they look: hypnotised like. Eyes front. |
|
Mark time. Table: able. Bed: ed. The King's own. Never see him dressed up |
|
as a fireman or a bobby. A mason, yes. |
|
|
|
He strolled out of the postoffice and turned to the right. Talk: as if |
|
that would mend matters. His hand went into his pocket and a forefinger |
|
felt its way under the flap of the envelope, ripping it open in jerks. |
|
Women will pay a lot of heed, I don't think. His fingers drew forth the |
|
letter the letter and crumpled the envelope in his pocket. Something |
|
pinned on: photo perhaps. Hair? No. |
|
|
|
M'Coy. Get rid of him quickly. Take me out of my way. Hate company |
|
when you. |
|
|
|
--Hello, Bloom. Where are you off to? |
|
|
|
--Hello, M'Coy. Nowhere in particular. |
|
|
|
--How's the body? |
|
|
|
--Fine. How are you? |
|
|
|
--Just keeping alive, M'Coy said. |
|
|
|
His eyes on the black tie and clothes he asked with low respect: |
|
|
|
--Is there any ... no trouble I hope? I see you're ... |
|
|
|
--O, no, Mr Bloom said. Poor Dignam, you know. The funeral is today. |
|
|
|
--To be sure, poor fellow. So it is. What time? |
|
|
|
A photo it isn't. A badge maybe. |
|
|
|
--E ... eleven, Mr Bloom answered. |
|
|
|
--I must try to get out there, M'Coy said. Eleven, is it? I only heard it |
|
last night. Who was telling me? Holohan. You know Hoppy? |
|
|
|
--I know. |
|
|
|
Mr Bloom gazed across the road at the outsider drawn up before the |
|
door of the Grosvenor. The porter hoisted the valise up on the well. She |
|
stood still, waiting, while the man, husband, brother, like her, searched |
|
his pockets for change. Stylish kind of coat with that roll collar, warm |
|
for a day like this, looks like blanketcloth. Careless stand of her with |
|
her hands in those patch pockets. Like that haughty creature at the polo |
|
match. Women all for caste till you touch the spot. Handsome is and |
|
handsome does. Reserved about to yield. The honourable Mrs and Brutus is |
|
an honourable man. Possess her once take the starch out of her. |
|
|
|
--I was with Bob Doran, he's on one of his periodical bends, and what do |
|
you call him Bantam Lyons. Just down there in Conway's we were. |
|
|
|
Doran Lyons in Conway's. She raised a gloved hand to her hair. In |
|
came Hoppy. Having a wet. Drawing back his head and gazing far from |
|
beneath his vailed eyelids he saw the bright fawn skin shine in the glare, |
|
the braided drums. Clearly I can see today. Moisture about gives long |
|
sight perhaps. Talking of one thing or another. Lady's hand. Which side |
|
will she get up? |
|
|
|
--And he said: SAD THING ABOUT OUR POOR FRIEND PADDY! WHAT PADDY? I said. |
|
Poor little Paddy Dignam, he said. |
|
|
|
Off to the country: Broadstone probably. High brown boots with |
|
laces dangling. Wellturned foot. What is he foostering over that change |
|
for? Sees me looking. Eye out for other fellow always. Good fallback. Two |
|
strings to her bow. |
|
|
|
--WHY? I said. WHAT'S WRONG WITH HIM? I said. |
|
|
|
Proud: rich: silk stockings. |
|
|
|
--Yes, Mr Bloom said. |
|
|
|
He moved a little to the side of M'Coy's talking head. Getting up in a |
|
minute. |
|
|
|
--WHAT'S WRONG WITH HIM? He said. HE'S DEAD, he said. And, faith, he |
|
filled up. IS IT PADDY DIGNAM? I said. I couldn't believe it when I heard |
|
it. I was with him no later than Friday last or Thursday was it in the |
|
Arch. YES, he said. He's gone. HE DIED ON MONDAY, POOR FELLOW. Watch! |
|
Watch! Silk flash rich stockings white. Watch! |
|
|
|
A heavy tramcar honking its gong slewed between. |
|
|
|
Lost it. Curse your noisy pugnose. Feels locked out of it. Paradise and |
|
the peri. Always happening like that. The very moment. Girl in Eustace |
|
street hallway Monday was it settling her garter. Her friend covering the |
|
display of. ESPRIT DE CORPS. Well, what are you gaping at? |
|
|
|
--Yes, yes, Mr Bloom said after a dull sigh. Another gone. |
|
|
|
--One of the best, M'Coy said. |
|
|
|
The tram passed. They drove off towards the Loop Line bridge, her |
|
rich gloved hand on the steel grip. Flicker, flicker: the laceflare of her |
|
hat in the sun: flicker, flick. |
|
|
|
--Wife well, I suppose? M'Coy's changed voice said. |
|
|
|
--O, yes, Mr Bloom said. Tiptop, thanks. |
|
|
|
He unrolled the newspaper baton idly and read idly: |
|
|
|
|
|
WHAT IS HOME WITHOUT |
|
PLUMTREE'S POTTED MEAT? |
|
INCOMPLETE |
|
WITH IT AN ABODE OF BLISS. |
|
|
|
|
|
--My missus has just got an engagement. At least it's not settled yet. |
|
|
|
Valise tack again. By the way no harm. I'm off that, thanks. |
|
|
|
Mr Bloom turned his largelidded eyes with unhasty friendliness. |
|
|
|
--My wife too, he said. She's going to sing at a swagger affair in the |
|
Ulster Hall, Belfast, on the twenty-fifth. |
|
|
|
--That so? M'Coy said. Glad to hear that, old man. Who's getting it up? |
|
|
|
Mrs Marion Bloom. Not up yet. Queen was in her bedroom eating |
|
bread and. No book. Blackened court cards laid along her thigh by sevens. |
|
Dark lady and fair man. Letter. Cat furry black ball. Torn strip of |
|
envelope. |
|
|
|
LOVE'S |
|
OLD |
|
SWEET |
|
SONG |
|
COMES LO-OVE'S OLD ... |
|
|
|
--It's a kind of a tour, don't you see, Mr Bloom said thoughtfully. |
|
SWEEEET SONG. There's a committee formed. Part shares and part profits. |
|
|
|
M'Coy nodded, picking at his moustache stubble. |
|
|
|
--O, well, he said. That's good news. |
|
|
|
He moved to go. |
|
|
|
--Well, glad to see you looking fit, he said. Meet you knocking around. |
|
|
|
--Yes, Mr Bloom said. |
|
|
|
--Tell you what, M'Coy said. You might put down my name at the funeral, |
|
will you? I'd like to go but I mightn't be able, you see. There's a |
|
drowning case at Sandycove may turn up and then the coroner and myself |
|
would have to go down if the body is found. You just shove in my name if |
|
I'm not there, will you? |
|
|
|
--I'll do that, Mr Bloom said, moving to get off. That'll be all right. |
|
|
|
--Right, M'Coy said brightly. Thanks, old man. I'd go if I possibly |
|
could. Well, tolloll. Just C. P. M'Coy will do. |
|
|
|
--That will be done, Mr Bloom answered firmly. |
|
|
|
Didn't catch me napping that wheeze. The quick touch. Soft mark. |
|
I'd like my job. Valise I have a particular fancy for. Leather. Capped |
|
corners, rivetted edges, double action lever lock. Bob Cowley lent him his |
|
for the Wicklow regatta concert last year and never heard tidings of it |
|
from that good day to this. |
|
|
|
Mr Bloom, strolling towards Brunswick street, smiled. My missus has |
|
just got an. Reedy freckled soprano. Cheeseparing nose. Nice enough in its |
|
way: for a little ballad. No guts in it. You and me, don't you know: in |
|
the same boat. Softsoaping. Give you the needle that would. Can't he hear |
|
the difference? Think he's that way inclined a bit. Against my grain |
|
somehow. Thought that Belfast would fetch him. I hope that smallpox up |
|
there doesn't get worse. Suppose she wouldn't let herself be vaccinated |
|
again. Your wife and my wife. |
|
|
|
Wonder is he pimping after me? |
|
|
|
Mr Bloom stood at the corner, his eyes wandering over the |
|
multicoloured hoardings. Cantrell and Cochrane's Ginger Ale (Aromatic). |
|
Clery's Summer Sale. No, he's going on straight. Hello. LEAH tonight. Mrs |
|
Bandmann Palmer. Like to see her again in that. HAMLET she played last |
|
night. Male impersonator. Perhaps he was a woman. Why Ophelia |
|
committed suicide. Poor papa! How he used to talk of Kate Bateman in |
|
that. Outside the Adelphi in London waited all the afternoon to get in. |
|
Year before I was born that was: sixtyfive. And Ristori in Vienna. What is |
|
this the right name is? By Mosenthal it is. Rachel, is it? No. The scene |
|
he was always talking about where the old blind Abraham recognises the |
|
voice and puts his fingers on his face. |
|
|
|
Nathan's voice! His son's voice! I hear the voice of Nathan who left |
|
his father to die of grief and misery in my arms, who left the house of |
|
his father and left the God of his father. |
|
|
|
Every word is so deep, Leopold. |
|
|
|
Poor papa! Poor man! I'm glad I didn't go into the room to look at |
|
his face. That day! O, dear! O, dear! Ffoo! Well, perhaps it was best for |
|
him. |
|
|
|
Mr Bloom went round the corner and passed the drooping nags of the |
|
hazard. No use thinking of it any more. Nosebag time. Wish I hadn't met |
|
that M'Coy fellow. |
|
|
|
He came nearer and heard a crunching of gilded oats, the gently |
|
champing teeth. Their full buck eyes regarded him as he went by, amid the |
|
sweet oaten reek of horsepiss. Their Eldorado. Poor jugginses! Damn all |
|
they know or care about anything with their long noses stuck in nosebags. |
|
Too full for words. Still they get their feed all right and their doss. |
|
Gelded too: a stump of black guttapercha wagging limp between their |
|
haunches. Might be happy all the same that way. Good poor brutes they |
|
look. Still their neigh can be very irritating. |
|
|
|
He drew the letter from his pocket and folded it into the newspaper he |
|
carried. Might just walk into her here. The lane is safer. |
|
|
|
He passed the cabman's shelter. Curious the life of drifting cabbies. |
|
All weathers, all places, time or setdown, no will of their own. |
|
VOGLIO E NON. Like to give them an odd cigarette. Sociable. Shout a few |
|
flying syllables as they pass. He hummed: |
|
|
|
|
|
LA CI DAREM LA MANO |
|
LA LA LALA LA LA. |
|
|
|
|
|
He turned into Cumberland street and, going on some paces, halted |
|
in the lee of the station wall. No-one. Meade's timberyard. Piled balks. |
|
Ruins and tenements. With careful tread he passed over a hopscotch court |
|
with its forgotten pickeystone. Not a sinner. Near the timberyard a |
|
squatted child at marbles, alone, shooting the taw with a cunnythumb. A |
|
wise tabby, a blinking sphinx, watched from her warm sill. Pity to disturb |
|
them. Mohammed cut a piece out of his mantle not to wake her. Open it. |
|
And once I played marbles when I went to that old dame's school. She liked |
|
mignonette. Mrs Ellis's. And Mr? He opened the letter within the |
|
newspaper. |
|
|
|
A flower. I think it's a. A yellow flower with flattened petals. Not |
|
annoyed then? What does she say? |
|
|
|
|
|
Dear Henry |
|
|
|
I got your last letter to me and thank you very much for it. I am sorry |
|
you did not like my last letter. Why did you enclose the stamps? I am |
|
awfully angry with you. I do wish I could punish you for that. I called |
|
you naughty boy because I do not like that other world. Please tell me |
|
what is the real meaning of that word? Are you not happy in your home you |
|
poor little naughty boy? I do wish I could do something for you. Please |
|
tell me what you think of poor me. I often think of the beautiful name you |
|
have. Dear Henry, when will we meet? I think of you so often you have no |
|
idea. I have never felt myself so much drawn to a man as you. I feel so |
|
bad about. Please write me a long letter and tell me more. Remember if you |
|
do not I will punish you. So now you know what I will do to you, you |
|
naughty boy, if you do not wrote. O how I long to meet you. Henry dear, do |
|
not deny my request before my patience are exhausted. Then I will tell you |
|
all. Goodbye now, naughty darling, I have such a bad headache. today. and |
|
write BY RETURN to your longing |
|
|
|
|
|
Martha |
|
|
|
P. S. Do tell me what kind of perfume does your wife use. I want to know. |
|
|
|
|
|
He tore the flower gravely from its pinhold smelt its almost no smell |
|
and placed it in his heart pocket. Language of flowers. They like it |
|
because no-one can hear. Or a poison bouquet to strike him down. Then |
|
walking slowly forward he read the letter again, murmuring here and there |
|
a word. Angry tulips with you darling manflower punish your cactus if you |
|
don't please poor forgetmenot how I long violets to dear roses when we |
|
soon anemone meet all naughty nightstalk wife Martha's perfume. Having |
|
read it all he took it from the newspaper and put it back in his |
|
sidepocket. |
|
|
|
Weak joy opened his lips. Changed since the first letter. Wonder |
|
did she wrote it herself. Doing the indignant: a girl of good |
|
family like me, respectable character. Could meet one Sunday after the |
|
rosary. Thank you: not having any. Usual love scrimmage. Then running |
|
round corners. Bad as a row with Molly. Cigar has a cooling effect. |
|
Narcotic. Go further next time. Naughty boy: punish: afraid of words, of |
|
course. Brutal, why not? Try it anyhow. A bit at a time. |
|
|
|
Fingering still the letter in his pocket he drew the pin out of it. |
|
Common pin, eh? He threw it on the road. Out of her clothes somewhere: |
|
pinned together. Queer the number of pins they always have. No roses |
|
without thorns. |
|
|
|
Flat Dublin voices bawled in his head. Those two sluts that night in |
|
the Coombe, linked together in the rain. |
|
|
|
|
|
O, MAIRY LOST THE PIN OF HER DRAWERS. |
|
SHE DIDN'T KNOW WHAT TO DO |
|
TO KEEP IT UP |
|
TO KEEP IT UP. |
|
|
|
|
|
It? Them. Such a bad headache. Has her roses probably. Or sitting all day |
|
typing. Eyefocus bad for stomach nerves. What perfume does your wife |
|
use. Now could you make out a thing like that? |
|
|
|
TO KEEP IT UP. |
|
|
|
Martha, Mary. I saw that picture somewhere I forget now old master or |
|
faked for money. He is sitting in their house, talking. Mysterious. Also |
|
the two sluts in the Coombe would listen. |
|
|
|
TO KEEP IT UP. |
|
|
|
Nice kind of evening feeling. No more wandering about. Just loll there: |
|
quiet dusk: let everything rip. Forget. Tell about places you have been, |
|
strange customs. The other one, jar on her head, was getting the supper: |
|
fruit, olives, lovely cool water out of a well, stonecold like the hole in |
|
the wall at Ashtown. Must carry a paper goblet next time I go to the |
|
trottingmatches. She listens with big dark soft eyes. Tell her: more and |
|
more: all. Then a sigh: silence. Long long long rest. |
|
|
|
Going under the railway arch he took out the envelope, tore it swiftly |
|
in shreds and scattered them towards the road. The shreds fluttered away, |
|
sank in the dank air: a white flutter, then all sank. |
|
|
|
Henry Flower. You could tear up a cheque for a hundred pounds in |
|
the same way. Simple bit of paper. Lord Iveagh once cashed a sevenfigure |
|
cheque for a million in the bank of Ireland. Shows you the money to be |
|
made out of porter. Still the other brother lord Ardilaun has to change |
|
his shirt four times a day, they say. Skin breeds lice or vermin. A |
|
million pounds, wait a moment. Twopence a pint, fourpence a quart, |
|
eightpence a gallon of porter, no, one and fourpence a gallon of porter. |
|
One and four into twenty: fifteen about. Yes, exactly. Fifteen millions of |
|
barrels of porter. |
|
|
|
What am I saying barrels? Gallons. About a million barrels all the same. |
|
|
|
An incoming train clanked heavily above his head, coach after coach. |
|
Barrels bumped in his head: dull porter slopped and churned inside. The |
|
bungholes sprang open and a huge dull flood leaked out, flowing together, |
|
winding through mudflats all over the level land, a lazy pooling swirl of |
|
liquor bearing along wideleaved flowers of its froth. |
|
|
|
He had reached the open backdoor of All Hallows. Stepping into the |
|
porch he doffed his hat, took the card from his pocket and tucked it again |
|
behind the leather headband. Damn it. I might have tried to work M'Coy |
|
for a pass to Mullingar. |
|
|
|
Same notice on the door. Sermon by the very reverend John Conmee |
|
S.J. on saint Peter Claver S.J. and the African Mission. Prayers for the |
|
conversion of Gladstone they had too when he was almost unconscious. |
|
The protestants are the same. Convert Dr William J. Walsh D.D. to the |
|
true religion. Save China's millions. Wonder how they explain it to the |
|
heathen Chinee. Prefer an ounce of opium. Celestials. Rank heresy for |
|
them. Buddha their god lying on his side in the museum. Taking it easy |
|
with hand under his cheek. Josssticks burning. Not like Ecce Homo. Crown |
|
of thorns and cross. Clever idea Saint Patrick the shamrock. Chopsticks? |
|
Conmee: Martin Cunningham knows him: distinguishedlooking. Sorry I |
|
didn't work him about getting Molly into the choir instead of that Father |
|
Farley who looked a fool but wasn't. They're taught that. He's not going |
|
out in bluey specs with the sweat rolling off him to baptise blacks, is |
|
he? The glasses would take their fancy, flashing. Like to see them sitting |
|
round in a ring with blub lips, entranced, listening. Still life. Lap it |
|
up like milk, I suppose. |
|
|
|
|
|
The cold smell of sacred stone called him. He trod the worn steps, |
|
pushed the swingdoor and entered softly by the rere. |
|
|
|
Something going on: some sodality. Pity so empty. Nice discreet place |
|
to be next some girl. Who is my neighbour? Jammed by the hour to slow |
|
music. That woman at midnight mass. Seventh heaven. Women knelt in the |
|
benches with crimson halters round their necks, heads bowed. A batch knelt |
|
at the altarrails. The priest went along by them, murmuring, holding the |
|
thing in his hands. He stopped at each, took out a communion, shook a |
|
drop or two (are they in water?) off it and put it neatly into her mouth. |
|
Her hat and head sank. Then the next one. Her hat sank at once. Then the |
|
next one: a small old woman. The priest bent down to put it into her |
|
mouth, murmuring all the time. Latin. The next one. Shut your eyes and |
|
open your mouth. What? CORPUS: body. Corpse. Good idea the Latin. |
|
Stupefies them first. Hospice for the dying. They don't seem to chew it: |
|
only swallow it down. Rum idea: eating bits of a corpse. Why the cannibals |
|
cotton to it. |
|
|
|
He stood aside watching their blind masks pass down the aisle, one by |
|
one, and seek their places. He approached a bench and seated himself in |
|
its corner, nursing his hat and newspaper. These pots we have to wear. We |
|
ought to have hats modelled on our heads. They were about him here and |
|
there, with heads still bowed in their crimson halters, waiting for it to |
|
melt in their stomachs. Something like those mazzoth: it's that sort of |
|
bread: unleavened shewbread. Look at them. Now I bet it makes them feel |
|
happy. Lollipop. It does. Yes, bread of angels it's called. There's a big |
|
idea behind it, kind of kingdom of God is within you feel. First |
|
communicants. Hokypoky penny a lump. Then feel all like one family party, |
|
same in the theatre, all in the same swim. They do. I'm sure of that. Not |
|
so lonely. In our confraternity. Then come out a bit spreeish. Let off |
|
steam. Thing is if you really believe in it. Lourdes cure, waters of |
|
oblivion, and the Knock apparition, statues bleeding. Old fellow asleep |
|
near that confessionbox. Hence those snores. Blind faith. Safe in the arms |
|
of kingdom come. Lulls all pain. Wake this time next year. |
|
|
|
He saw the priest stow the communion cup away, well in, and kneel |
|
an instant before it, showing a large grey bootsole from under the lace |
|
affair he had on. Suppose he lost the pin of his. He wouldn't know what to |
|
do to. Bald spot behind. Letters on his back: I.N.R.I? No: I.H.S. |
|
Molly told me one time I asked her. I have sinned: or no: I have suffered, |
|
it is. And the other one? Iron nails ran in. |
|
|
|
Meet one Sunday after the rosary. Do not deny my request. Turn up |
|
with a veil and black bag. Dusk and the light behind her. She might be |
|
here with a ribbon round her neck and do the other thing all the same on |
|
the sly. Their character. That fellow that turned queen's evidence on the |
|
invincibles he used to receive the, Carey was his name, the communion |
|
every morning. This very church. Peter Carey, yes. No, Peter Claver I am |
|
thinking of. Denis Carey. And just imagine that. Wife and six children |
|
at home. And plotting that murder all the time. Those crawthumpers, |
|
now that's a good name for them, there's always something shiftylooking |
|
about them. They're not straight men of business either. O, no, she's |
|
not here: the flower: no, no. By the way, did I tear up that envelope? |
|
Yes: under the bridge. |
|
|
|
The priest was rinsing out the chalice: then he tossed off the dregs |
|
smartly. Wine. Makes it more aristocratic than for example if he drank |
|
what they are used to Guinness's porter or some temperance beverage |
|
Wheatley's Dublin hop bitters or Cantrell and Cochrane's ginger ale |
|
(aromatic). Doesn't give them any of it: shew wine: only the other. Cold |
|
comfort. Pious fraud but quite right: otherwise they'd have one old booser |
|
worse than another coming along, cadging for a drink. Queer the whole |
|
atmosphere of the. Quite right. Perfectly right that is. |
|
|
|
Mr Bloom looked back towards the choir. Not going to be any music. |
|
Pity. Who has the organ here I wonder? Old Glynn he knew how to make |
|
that instrument talk, the VIBRATO: fifty pounds a year they say he had in |
|
Gardiner street. Molly was in fine voice that day, the STABAT MATER of |
|
Rossini. Father Bernard Vaughan's sermon first. Christ or Pilate? Christ, |
|
but don't keep us all night over it. Music they wanted. Footdrill stopped. |
|
Could hear a pin drop. I told her to pitch her voice against that corner. |
|
I could feel the thrill in the air, the full, the people looking up: |
|
|
|
QUIS EST HOMO. |
|
|
|
Some of that old sacred music splendid. Mercadante: seven last |
|
words. Mozart's twelfth mass: GLORIA in that. Those old popes keen on |
|
music, on art and statues and pictures of all kinds. Palestrina for |
|
example too. They had a gay old time while it lasted. Healthy too, |
|
chanting, regular hours, then brew liqueurs. Benedictine. Green |
|
Chartreuse. Still, having eunuchs in their choir that was coming it a bit |
|
thick. What kind of voice is it? Must be curious to hear after their own |
|
strong basses. Connoisseurs. Suppose they wouldn't feel anything after. |
|
Kind of a placid. No worry. Fall into flesh, don't they? Gluttons, tall, |
|
long legs. Who knows? Eunuch. One way out of it. |
|
|
|
He saw the priest bend down and kiss the altar and then face about |
|
and bless all the people. All crossed themselves and stood up. Mr Bloom |
|
glanced about him and then stood up, looking over the risen hats. Stand up |
|
at the gospel of course. Then all settled down on their knees again and he |
|
sat back quietly in his bench. The priest came down from the altar, |
|
holding the thing out from him, and he and the massboy answered each other |
|
in Latin. Then the priest knelt down and began to read off a card: |
|
|
|
--O God, our refuge and our strength ... |
|
|
|
Mr Bloom put his face forward to catch the words. English. Throw |
|
them the bone. I remember slightly. How long since your last mass? |
|
Glorious and immaculate virgin. Joseph, her spouse. Peter and Paul. More |
|
interesting if you understood what it was all about. Wonderful |
|
organisation certainly, goes like clockwork. Confession. Everyone wants |
|
to. Then I will tell you all. Penance. Punish me, please. Great weapon in |
|
their hands. More than doctor or solicitor. Woman dying to. And I |
|
schschschschschsch. And did you chachachachacha? And why did you? Look |
|
down at her ring to find an excuse. Whispering gallery walls have ears. |
|
Husband learn to his surprise. God's little joke. Then out she comes. |
|
Repentance skindeep. Lovely shame. Pray at an altar. Hail Mary and |
|
Holy Mary. Flowers, incense, candles melting. Hide her blushes. |
|
Salvation army blatant imitation. Reformed prostitute will address |
|
the meeting. How I found the Lord. Squareheaded chaps those must be |
|
in Rome: they work the whole show. And don't they rake in the money too? |
|
Bequests also: to the P.P. for the time being in his absolute discretion. |
|
Masses for the repose of my soul to be said publicly with open doors. |
|
Monasteries and convents. The priest in that Fermanagh will case in |
|
the witnessbox. No browbeating him. He had his answer pat for everything. |
|
Liberty and exaltation of our holy mother the church. The doctors of the |
|
church: they mapped out the whole theology of it. |
|
|
|
The priest prayed: |
|
|
|
--Blessed Michael, archangel, defend us in the hour of conflict. Be our |
|
safeguard against the wickedness and snares of the devil (may God restrain |
|
him, we humbly pray!): and do thou, O prince of the heavenly host, by the |
|
power of God thrust Satan down to hell and with him those other wicked |
|
spirits who wander through the world for the ruin of souls. |
|
|
|
The priest and the massboy stood up and walked off. All over. The |
|
women remained behind: thanksgiving. |
|
|
|
Better be shoving along. Brother Buzz. Come around with the plate |
|
perhaps. Pay your Easter duty. |
|
|
|
He stood up. Hello. Were those two buttons of my waistcoat open all |
|
the time? Women enjoy it. Never tell you. But we. Excuse, miss, there's a |
|
(whh!) just a (whh!) fluff. Or their skirt behind, placket unhooked. |
|
Glimpses of the moon. Annoyed if you don't. Why didn't you tell me |
|
before. Still like you better untidy. Good job it wasn't farther south. He |
|
passed, discreetly buttoning, down the aisle and out through the main door |
|
into the light. He stood a moment unseeing by the cold black marble bowl |
|
while before him and behind two worshippers dipped furtive hands in the |
|
low tide of holy water. Trams: a car of Prescott's dyeworks: a widow in |
|
her weeds. Notice because I'm in mourning myself. He covered himself. How |
|
goes the time? Quarter past. Time enough yet. Better get that lotion made |
|
up. Where is this? Ah yes, the last time. Sweny's in Lincoln place. |
|
Chemists rarely move. Their green and gold beaconjars too heavy to stir. |
|
Hamilton Long's, founded in the year of the flood. Huguenot churchyard |
|
near there. Visit some day. |
|
|
|
He walked southward along Westland row. But the recipe is in the |
|
other trousers. O, and I forgot that latchkey too. Bore this funeral |
|
affair. O well, poor fellow, it's not his fault. When was it I got it made |
|
up last? Wait. I changed a sovereign I remember. First of the month it |
|
must have been or the second. O, he can look it up in the prescriptions |
|
book. |
|
|
|
The chemist turned back page after page. Sandy shrivelled smell he |
|
seems to have. Shrunken skull. And old. Quest for the philosopher's stone. |
|
The alchemists. Drugs age you after mental excitement. Lethargy then. |
|
Why? Reaction. A lifetime in a night. Gradually changes your character. |
|
Living all the day among herbs, ointments, disinfectants. All his |
|
alabaster lilypots. Mortar and pestle. Aq. Dist. Fol. Laur. Te Virid. |
|
Smell almost cure you like the dentist's doorbell. Doctor Whack. He ought |
|
to physic himself a bit. Electuary or emulsion. The first fellow that |
|
picked an herb to cure himself had a bit of pluck. Simples. Want to be |
|
careful. Enough stuff here to chloroform you. Test: turns blue litmus |
|
paper red. Chloroform. Overdose of laudanum. Sleeping draughts. |
|
Lovephiltres. Paragoric poppysyrup bad for cough. Clogs the pores or the |
|
phlegm. Poisons the only cures. Remedy where you least expect it. Clever |
|
of nature. |
|
|
|
--About a fortnight ago, sir? |
|
|
|
--Yes, Mr Bloom said. |
|
|
|
He waited by the counter, inhaling slowly the keen reek of drugs, the |
|
dusty dry smell of sponges and loofahs. Lot of time taken up telling your |
|
aches and pains. |
|
|
|
--Sweet almond oil and tincture of benzoin, Mr Bloom said, and then |
|
orangeflower water ... |
|
|
|
It certainly did make her skin so delicate white like wax. |
|
|
|
--And white wax also, he said. |
|
|
|
Brings out the darkness of her eyes. Looking at me, the sheet up to |
|
her eyes, Spanish, smelling herself, when I was fixing the links in my |
|
cuffs. Those homely recipes are often the best: strawberries for the |
|
teeth: nettles and rainwater: oatmeal they say steeped in buttermilk. |
|
Skinfood. One of the old queen's sons, duke of Albany was it? had only one |
|
skin. Leopold, yes. Three we have. Warts, bunions and pimples to make it |
|
worse. But you want a perfume too. What perfume does your? PEAU D'ESPAGNE. |
|
That orangeflower water is so fresh. Nice smell these soaps have. Pure |
|
curd soap. Time to get a bath round the corner. Hammam. Turkish. Massage. |
|
Dirt gets rolled up in your navel. Nicer if a nice girl did it. Also I |
|
think I. Yes I. Do it in the bath. Curious longing I. Water to water. |
|
Combine business with pleasure. Pity no time for massage. Feel fresh then |
|
all the day. Funeral be rather glum. |
|
|
|
--Yes, sir, the chemist said. That was two and nine. Have you brought a |
|
bottle? |
|
|
|
--No, Mr Bloom said. Make it up, please. I'll call later in the day and |
|
I'll take one of these soaps. How much are they? |
|
|
|
--Fourpence, sir. |
|
|
|
Mr Bloom raised a cake to his nostrils. Sweet lemony wax. |
|
|
|
--I'll take this one, he said. That makes three and a penny. |
|
|
|
--Yes, sir, the chemist said. You can pay all together, sir, when you |
|
come back. |
|
|
|
--Good, Mr Bloom said. |
|
|
|
He strolled out of the shop, the newspaper baton under his armpit, |
|
the coolwrappered soap in his left hand. |
|
|
|
At his armpit Bantam Lyons' voice and hand said: |
|
|
|
--Hello, Bloom. What's the best news? Is that today's? Show us a minute. |
|
|
|
Shaved off his moustache again, by Jove! Long cold upper lip. To |
|
look younger. He does look balmy. Younger than I am. |
|
|
|
Bantam Lyons's yellow blacknailed fingers unrolled the baton. Wants |
|
a wash too. Take off the rough dirt. Good morning, have you used Pears' |
|
soap? Dandruff on his shoulders. Scalp wants oiling. |
|
|
|
--I want to see about that French horse that's running today, Bantam |
|
Lyons said. Where the bugger is it? |
|
|
|
He rustled the pleated pages, jerking his chin on his high collar. |
|
Barber's itch. Tight collar he'll lose his hair. Better leave him the |
|
paper and get shut of him. |
|
|
|
--You can keep it, Mr Bloom said. |
|
|
|
--Ascot. Gold cup. Wait, Bantam Lyons muttered. Half a mo. Maximum |
|
the second. |
|
|
|
--I was just going to throw it away, Mr Bloom said. |
|
|
|
Bantam Lyons raised his eyes suddenly and leered weakly. |
|
|
|
--What's that? his sharp voice said. |
|
|
|
--I say you can keep it, Mr Bloom answered. I was going to throw it away |
|
that moment. |
|
|
|
Bantam Lyons doubted an instant, leering: then thrust the outspread |
|
sheets back on Mr Bloom's arms. |
|
|
|
--I'll risk it, he said. Here, thanks. |
|
|
|
He sped off towards Conway's corner. God speed scut. |
|
|
|
Mr Bloom folded the sheets again to a neat square and lodged the |
|
soap in it, smiling. Silly lips of that chap. Betting. Regular hotbed of |
|
it lately. Messenger boys stealing to put on sixpence. Raffle for large |
|
tender turkey. Your Christmas dinner for threepence. Jack Fleming |
|
embezzling to gamble then smuggled off to America. Keeps a hotel now. They |
|
never come back. Fleshpots of Egypt. |
|
|
|
He walked cheerfully towards the mosque of the baths. Remind you |
|
of a mosque, redbaked bricks, the minarets. College sports today I see. He |
|
eyed the horseshoe poster over the gate of college park: cyclist doubled |
|
up like a cod in a pot. Damn bad ad. Now if they had made it round like a |
|
wheel. Then the spokes: sports, sports, sports: and the hub big: college. |
|
Something to catch the eye. |
|
|
|
There's Hornblower standing at the porter's lodge. Keep him on |
|
hands: might take a turn in there on the nod. How do you do, Mr |
|
Hornblower? How do you do, sir? |
|
|
|
Heavenly weather really. If life was always like that. Cricket weather. |
|
Sit around under sunshades. Over after over. Out. They can't play it here. |
|
Duck for six wickets. Still Captain Culler broke a window in the Kildare |
|
street club with a slog to square leg. Donnybrook fair more in their line. |
|
And the skulls we were acracking when M'Carthy took the floor. |
|
Heatwave. Won't last. Always passing, the stream of life, which in the |
|
stream of life we trace is dearer than them all. |
|
|
|
Enjoy a bath now: clean trough of water, cool enamel, the gentle |
|
tepid stream. This is my body. |
|
|
|
He foresaw his pale body reclined in it at full, naked, in a womb of |
|
warmth, oiled by scented melting soap, softly laved. He saw his trunk and |
|
limbs riprippled over and sustained, buoyed lightly upward, lemonyellow: |
|
his navel, bud of flesh: and saw the dark tangled curls of his bush |
|
floating, floating hair of the stream around the limp father of thousands, |
|
a languid floating flower. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
Martin Cunningham, first, poked his silkhatted head into the creaking |
|
carriage and, entering deftly, seated himself. Mr Power stepped in after |
|
him, curving his height with care. |
|
|
|
--Come on, Simon. |
|
|
|
--After you, Mr Bloom said. |
|
|
|
Mr Dedalus covered himself quickly and got in, saying: |
|
|
|
Yes, yes. |
|
|
|
--Are we all here now? Martin Cunningham asked. Come along, Bloom. |
|
|
|
Mr Bloom entered and sat in the vacant place. He pulled the door to |
|
after him and slammed it twice till it shut tight. He passed an arm |
|
through the armstrap and looked seriously from the open carriagewindow at |
|
the lowered blinds of the avenue. One dragged aside: an old woman peeping. |
|
Nose whiteflattened against the pane. Thanking her stars she was passed |
|
over. Extraordinary the interest they take in a corpse. Glad to see us go |
|
we give them such trouble coming. Job seems to suit them. Huggermugger in |
|
corners. Slop about in slipperslappers for fear he'd wake. Then getting it |
|
ready. Laying it out. Molly and Mrs Fleming making the bed. Pull it more |
|
to your side. Our windingsheet. Never know who will touch you dead. |
|
Wash and shampoo. I believe they clip the nails and the hair. Keep a bit |
|
in an envelope. Grows all the same after. Unclean job. |
|
|
|
All waited. Nothing was said. Stowing in the wreaths probably. I am |
|
sitting on something hard. Ah, that soap: in my hip pocket. Better shift |
|
it out of that. Wait for an opportunity. |
|
|
|
All waited. Then wheels were heard from in front, turning: then |
|
nearer: then horses' hoofs. A jolt. Their carriage began to move, creaking |
|
and swaying. Other hoofs and creaking wheels started behind. The blinds |
|
of the avenue passed and number nine with its craped knocker, door ajar. |
|
At walking pace. |
|
|
|
They waited still, their knees jogging, till they had turned and were |
|
passing along the tramtracks. Tritonville road. Quicker. The wheels |
|
rattled rolling over the cobbled causeway and the crazy glasses shook |
|
rattling in the doorframes. |
|
|
|
--What way is he taking us? Mr Power asked through both windows. |
|
|
|
--Irishtown, Martin Cunningham said. Ringsend. Brunswick street. |
|
|
|
Mr Dedalus nodded, looking out. |
|
|
|
--That's a fine old custom, he said. I am glad to see it has not died out. |
|
|
|
All watched awhile through their windows caps and hats lifted by |
|
passers. Respect. The carriage swerved from the tramtrack to the smoother |
|
road past Watery lane. Mr Bloom at gaze saw a lithe young man, clad in |
|
mourning, a wide hat. |
|
|
|
--There's a friend of yours gone by, Dedalus, he said. |
|
|
|
--Who is that? |
|
|
|
--Your son and heir. |
|
|
|
--Where is he? Mr Dedalus said, stretching over across. |
|
|
|
The carriage, passing the open drains and mounds of rippedup |
|
roadway before the tenement houses, lurched round the corner and, |
|
swerving back to the tramtrack, rolled on noisily with chattering wheels. |
|
Mr Dedalus fell back, saying: |
|
|
|
--Was that Mulligan cad with him? His FIDUS ACHATES! |
|
|
|
--No, Mr Bloom said. He was alone. |
|
|
|
--Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding |
|
faction, the drunken little costdrawer and Crissie, papa's little lump of |
|
dung, the wise child that knows her own father. |
|
|
|
Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the |
|
bottleworks: Dodder bridge. |
|
|
|
Richie Goulding and the legal bag. Goulding, Collis and Ward he |
|
calls the firm. His jokes are getting a bit damp. Great card he was. |
|
Waltzing in Stamer street with Ignatius Gallaher on a Sunday morning, the |
|
landlady's two hats pinned on his head. Out on the rampage all night. |
|
Beginning to tell on him now: that backache of his, I fear. Wife ironing |
|
his back. Thinks he'll cure it with pills. All breadcrumbs they are. |
|
About six hundred per cent profit. |
|
|
|
--He's in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a |
|
contaminated bloody doubledyed ruffian by all accounts. His name stinks |
|
all over Dublin. But with the help of God and His blessed mother I'll make |
|
it my business to write a letter one of those days to his mother or his |
|
aunt or whatever she is that will open her eye as wide as a gate. I'll |
|
tickle his catastrophe, believe you me. |
|
|
|
He cried above the clatter of the wheels: |
|
|
|
--I won't have her bastard of a nephew ruin my son. A counterjumper's |
|
son. Selling tapes in my cousin, Peter Paul M'Swiney's. Not likely. |
|
|
|
He ceased. Mr Bloom glanced from his angry moustache to Mr Power's |
|
mild face and Martin Cunningham's eyes and beard, gravely shaking. |
|
Noisy selfwilled man. Full of his son. He is right. Something to |
|
hand on. If little Rudy had lived. See him grow up. Hear his voice in the |
|
house. Walking beside Molly in an Eton suit. My son. Me in his eyes. |
|
Strange feeling it would be. From me. Just a chance. Must have been that |
|
morning in Raymond terrace she was at the window watching the two dogs |
|
at it by the wall of the cease to do evil. And the sergeant grinning up. |
|
She had that cream gown on with the rip she never stitched. Give us a |
|
touch, Poldy. God, I'm dying for it. How life begins. |
|
|
|
Got big then. Had to refuse the Greystones concert. My son inside |
|
her. I could have helped him on in life. I could. Make him independent. |
|
Learn German too. |
|
|
|
--Are we late? Mr Power asked. |
|
|
|
--Ten minutes, Martin Cunningham said, looking at his watch. |
|
|
|
Molly. Milly. Same thing watered down. Her tomboy oaths. O jumping |
|
Jupiter! Ye gods and little fishes! Still, she's a dear girl. Soon |
|
be a woman. Mullingar. Dearest Papli. Young student. Yes, yes: a woman |
|
too. Life, life. |
|
|
|
The carriage heeled over and back, their four trunks swaying. |
|
|
|
--Corny might have given us a more commodious yoke, Mr Power said. |
|
|
|
--He might, Mr Dedalus said, if he hadn't that squint troubling him. Do |
|
you follow me? |
|
|
|
He closed his left eye. Martin Cunningham began to brush away |
|
crustcrumbs from under his thighs. |
|
|
|
--What is this, he said, in the name of God? Crumbs? |
|
|
|
--Someone seems to have been making a picnic party here lately, Mr Power |
|
said. |
|
|
|
All raised their thighs and eyed with disfavour the mildewed |
|
buttonless leather of the seats. Mr Dedalus, twisting his nose, frowned |
|
downward and said: |
|
|
|
--Unless I'm greatly mistaken. What do you think, Martin? |
|
|
|
--It struck me too, Martin Cunningham said. |
|
|
|
Mr Bloom set his thigh down. Glad I took that bath. Feel my feet |
|
quite clean. But I wish Mrs Fleming had darned these socks better. |
|
|
|
Mr Dedalus sighed resignedly. |
|
|
|
--After all, he said, it's the most natural thing in the world. |
|
|
|
--Did Tom Kernan turn up? Martin Cunningham asked, twirling the peak |
|
of his beard gently. |
|
|
|
--Yes, Mr Bloom answered. He's behind with Ned Lambert and Hynes. |
|
|
|
--And Corny Kelleher himself? Mr Power asked. |
|
|
|
--At the cemetery, Martin Cunningham said. |
|
|
|
--I met M'Coy this morning, Mr Bloom said. He said he'd try to come. |
|
|
|
The carriage halted short. |
|
|
|
--What's wrong? |
|
|
|
--We're stopped. |
|
|
|
--Where are we? |
|
|
|
Mr Bloom put his head out of the window. |
|
|
|
--The grand canal, he said. |
|
|
|
Gasworks. Whooping cough they say it cures. Good job Milly never |
|
got it. Poor children! Doubles them up black and blue in convulsions. |
|
Shame really. Got off lightly with illnesses compared. Only measles. |
|
Flaxseed tea. Scarlatina, influenza epidemics. Canvassing for death. Don't |
|
miss this chance. Dogs' home over there. Poor old Athos! Be good to Athos, |
|
Leopold, is my last wish. Thy will be done. We obey them in the grave. A |
|
dying scrawl. He took it to heart, pined away. Quiet brute. Old men's dogs |
|
usually are. |
|
|
|
A raindrop spat on his hat. He drew back and saw an instant of |
|
shower spray dots over the grey flags. Apart. Curious. Like through a |
|
colander. I thought it would. My boots were creaking I remember now. |
|
|
|
--The weather is changing, he said quietly. |
|
|
|
--A pity it did not keep up fine, Martin Cunningham said. |
|
|
|
--Wanted for the country, Mr Power said. There's the sun again coming out. |
|
|
|
Mr Dedalus, peering through his glasses towards the veiled sun, |
|
hurled a mute curse at the sky. |
|
|
|
--It's as uncertain as a child's bottom, he said. |
|
|
|
--We're off again. |
|
|
|
The carriage turned again its stiff wheels and their trunks swayed |
|
gently. Martin Cunningham twirled more quickly the peak of his beard. |
|
|
|
--Tom Kernan was immense last night, he said. And Paddy Leonard taking |
|
him off to his face. |
|
|
|
--O, draw him out, Martin, Mr Power said eagerly. Wait till you hear him, |
|
Simon, on Ben Dollard's singing of THE CROPPY BOY. |
|
|
|
--Immense, Martin Cunningham said pompously. HIS SINGING OF THAT SIMPLE |
|
BALLAD, MARTIN, IS THE MOST TRENCHANT RENDERING I EVER HEARD IN THE WHOLE |
|
COURSE OF MY EXPERIENCE. |
|
|
|
--Trenchant, Mr Power said laughing. He's dead nuts on that. And the |
|
retrospective arrangement. |
|
|
|
--Did you read Dan Dawson's speech? Martin Cunningham asked. |
|
|
|
--I did not then, Mr Dedalus said. Where is it? |
|
|
|
--In the paper this morning. |
|
|
|
Mr Bloom took the paper from his inside pocket. That book I must |
|
change for her. |
|
|
|
--No, no, Mr Dedalus said quickly. Later on please. |
|
|
|
Mr Bloom's glance travelled down the edge of the paper, scanning the |
|
deaths: Callan, Coleman, Dignam, Fawcett, Lowry, Naumann, Peake, what |
|
Peake is that? is it the chap was in Crosbie and Alleyne's? no, Sexton, |
|
Urbright. Inked characters fast fading on the frayed breaking paper. |
|
Thanks to the Little Flower. Sadly missed. To the inexpressible grief of |
|
his. Aged 88 after a long and tedious illness. Month's mind: Quinlan. |
|
On whose soul Sweet Jesus have mercy. |
|
|
|
|
|
IT IS NOW A MONTH SINCE DEAR HENRY FLED |
|
TO HIS HOME UP ABOVE IN THE SKY |
|
WHILE HIS FAMILY WEEPS AND MOURNS HIS LOSS |
|
HOPING SOME DAY TO MEET HIM ON HIGH. |
|
|
|
|
|
I tore up the envelope? Yes. Where did I put her letter after I read it in |
|
the bath? He patted his waistcoatpocket. There all right. Dear Henry fled. |
|
Before my patience are exhausted. |
|
|
|
National school. Meade's yard. The hazard. Only two there now. |
|
Nodding. Full as a tick. Too much bone in their skulls. The other trotting |
|
round with a fare. An hour ago I was passing there. The jarvies raised |
|
their hats. |
|
|
|
A pointsman's back straightened itself upright suddenly against a |
|
tramway standard by Mr Bloom's window. Couldn't they invent something |
|
automatic so that the wheel itself much handier? Well but that fellow |
|
would lose his job then? Well but then another fellow would get a job |
|
making the new invention? |
|
|
|
Antient concert rooms. Nothing on there. A man in a buff suit with a |
|
crape armlet. Not much grief there. Quarter mourning. People in law |
|
perhaps. |
|
|
|
They went past the bleak pulpit of saint Mark's, under the railway |
|
bridge, past the Queen's theatre: in silence. Hoardings: Eugene Stratton, |
|
Mrs Bandmann Palmer. Could I go to see LEAH tonight, I wonder. I said I. |
|
Or the LILY OF KILLARNEY? Elster Grimes Opera Company. Big powerful |
|
change. Wet bright bills for next week. FUN ON THE BRISTOL. Martin |
|
Cunningham could work a pass for the Gaiety. Have to stand a drink or |
|
two. As broad as it's long. |
|
|
|
He's coming in the afternoon. Her songs. |
|
|
|
Plasto's. Sir Philip Crampton's memorial fountain bust. Who was he? |
|
|
|
--How do you do? Martin Cunningham said, raising his palm to his brow |
|
in salute. |
|
|
|
--He doesn't see us, Mr Power said. Yes, he does. How do you do? |
|
|
|
--Who? Mr Dedalus asked. |
|
|
|
--Blazes Boylan, Mr Power said. There he is airing his quiff. |
|
|
|
Just that moment I was thinking. |
|
|
|
Mr Dedalus bent across to salute. From the door of the Red Bank the |
|
white disc of a straw hat flashed reply: spruce figure: passed. |
|
|
|
Mr Bloom reviewed the nails of his left hand, then those of his right |
|
hand. The nails, yes. Is there anything more in him that they she sees? |
|
Fascination. Worst man in Dublin. That keeps him alive. They sometimes |
|
feel what a person is. Instinct. But a type like that. My nails. I am just |
|
looking at them: well pared. And after: thinking alone. Body getting a bit |
|
softy. I would notice that: from remembering. What causes that? I suppose |
|
the skin can't contract quickly enough when the flesh falls off. But the |
|
shape is there. The shape is there still. Shoulders. Hips. Plump. Night of |
|
the dance dressing. Shift stuck between the cheeks behind. |
|
|
|
He clasped his hands between his knees and, satisfied, sent his vacant |
|
glance over their faces. |
|
|
|
Mr Power asked: |
|
|
|
--How is the concert tour getting on, Bloom? |
|
|
|
--O, very well, Mr Bloom said. I hear great accounts of it. It's a good |
|
idea, you see ... |
|
|
|
--Are you going yourself? |
|
|
|
--Well no, Mr Bloom said. In point of fact I have to go down to the |
|
county Clare on some private business. You see the idea is to tour the |
|
chief towns. What you lose on one you can make up on the other. |
|
|
|
--Quite so, Martin Cunningham said. Mary Anderson is up there now. |
|
|
|
Have you good artists? |
|
|
|
--Louis Werner is touring her, Mr Bloom said. O yes, we'll have all |
|
topnobbers. J. C. Doyle and John MacCormack I hope and. The best, in |
|
fact. |
|
|
|
--And MADAME, Mr Power said smiling. Last but not least. |
|
|
|
Mr Bloom unclasped his hands in a gesture of soft politeness and |
|
clasped them. Smith O'Brien. Someone has laid a bunch of flowers there. |
|
Woman. Must be his deathday. For many happy returns. The carriage |
|
wheeling by Farrell's statue united noiselessly their unresisting knees. |
|
|
|
Oot: a dullgarbed old man from the curbstone tendered his wares, his |
|
mouth opening: oot. |
|
|
|
--Four bootlaces for a penny. |
|
|
|
Wonder why he was struck off the rolls. Had his office in Hume |
|
street. Same house as Molly's namesake, Tweedy, crown solicitor for |
|
Waterford. Has that silk hat ever since. Relics of old decency. Mourning |
|
too. Terrible comedown, poor wretch! Kicked about like snuff at a wake. |
|
O'Callaghan on his last legs. |
|
|
|
And MADAME. Twenty past eleven. Up. Mrs Fleming is in to clean. |
|
Doing her hair, humming. VOGLIO E NON VORREI. No. VORREI E NON. Looking |
|
at the tips of her hairs to see if they are split. MI TREMA UN POCO IL. |
|
Beautiful on that TRE her voice is: weeping tone. A thrush. A throstle. |
|
There is a word throstle that expresses that. |
|
|
|
His eyes passed lightly over Mr Power's goodlooking face. Greyish |
|
over the ears. MADAME: smiling. I smiled back. A smile goes a long way. |
|
Only politeness perhaps. Nice fellow. Who knows is that true about the |
|
woman he keeps? Not pleasant for the wife. Yet they say, who was it told |
|
me, there is no carnal. You would imagine that would get played out pretty |
|
quick. Yes, it was Crofton met him one evening bringing her a pound of |
|
rumpsteak. What is this she was? Barmaid in Jury's. Or the Moira, was it? |
|
|
|
They passed under the hugecloaked Liberator's form. |
|
|
|
Martin Cunningham nudged Mr Power. |
|
|
|
--Of the tribe of Reuben, he said. |
|
|
|
A tall blackbearded figure, bent on a stick, stumping round the corner |
|
of Elvery's Elephant house, showed them a curved hand open on his spine. |
|
|
|
--In all his pristine beauty, Mr Power said. |
|
|
|
Mr Dedalus looked after the stumping figure and said mildly: |
|
|
|
--The devil break the hasp of your back! |
|
|
|
Mr Power, collapsing in laughter, shaded his face from the window as |
|
the carriage passed Gray's statue. |
|
|
|
--We have all been there, Martin Cunningham said broadly. |
|
|
|
His eyes met Mr Bloom's eyes. He caressed his beard, adding: |
|
|
|
--Well, nearly all of us. |
|
|
|
Mr Bloom began to speak with sudden eagerness to his companions' faces. |
|
|
|
--That's an awfully good one that's going the rounds about Reuben J and |
|
the son. |
|
|
|
--About the boatman? Mr Power asked. |
|
|
|
--Yes. Isn't it awfully good? |
|
|
|
--What is that? Mr Dedalus asked. I didn't hear it. |
|
|
|
--There was a girl in the case, Mr Bloom began, and he determined to send |
|
him to the Isle of Man out of harm's way but when they were both ... |
|
|
|
--What? Mr Dedalus asked. That confirmed bloody hobbledehoy is it? |
|
|
|
--Yes, Mr Bloom said. They were both on the way to the boat and he tried |
|
to drown ... |
|
|
|
--Drown Barabbas! Mr Dedalus cried. I wish to Christ he did! |
|
|
|
Mr Power sent a long laugh down his shaded nostrils. |
|
|
|
--No, Mr Bloom said, the son himself ... |
|
|
|
Martin Cunningham thwarted his speech rudely: |
|
|
|
--Reuben and the son were piking it down the quay next the river on their |
|
way to the Isle of Man boat and the young chiseller suddenly got loose and |
|
over the wall with him into the Liffey. |
|
|
|
--For God's sake! Mr Dedalus exclaimed in fright. Is he dead? |
|
|
|
--Dead! Martin Cunningham cried. Not he! A boatman got a pole and |
|
fished him out by the slack of the breeches and he was landed up to the |
|
father on the quay more dead than alive. Half the town was there. |
|
|
|
--Yes, Mr Bloom said. But the funny part is ... |
|
|
|
--And Reuben J, Martin Cunningham said, gave the boatman a florin for |
|
saving his son's life. |
|
|
|
A stifled sigh came from under Mr Power's hand. |
|
|
|
--O, he did, Martin Cunningham affirmed. Like a hero. A silver florin. |
|
|
|
--Isn't it awfully good? Mr Bloom said eagerly. |
|
|
|
--One and eightpence too much, Mr Dedalus said drily. |
|
|
|
Mr Power's choked laugh burst quietly in the carriage. |
|
|
|
Nelson's pillar. |
|
|
|
--Eight plums a penny! Eight for a penny! |
|
|
|
--We had better look a little serious, Martin Cunningham said. |
|
|
|
Mr Dedalus sighed. |
|
|
|
--Ah then indeed, he said, poor little Paddy wouldn't grudge us a laugh. |
|
Many a good one he told himself. |
|
|
|
--The Lord forgive me! Mr Power said, wiping his wet eyes with his |
|
fingers. Poor Paddy! I little thought a week ago when I saw him last and |
|
he was in his usual health that I'd be driving after him like this. He's |
|
gone from us. |
|
|
|
--As decent a little man as ever wore a hat, Mr Dedalus said. He went |
|
very suddenly. |
|
|
|
--Breakdown, Martin Cunningham said. Heart. |
|
|
|
He tapped his chest sadly. |
|
|
|
Blazing face: redhot. Too much John Barleycorn. Cure for a red |
|
nose. Drink like the devil till it turns adelite. A lot of money he spent |
|
colouring it. |
|
|
|
Mr Power gazed at the passing houses with rueful apprehension. |
|
|
|
--He had a sudden death, poor fellow, he said. |
|
|
|
--The best death, Mr Bloom said. |
|
|
|
Their wide open eyes looked at him. |
|
|
|
--No suffering, he said. A moment and all is over. Like dying in sleep. |
|
|
|
No-one spoke. |
|
|
|
Dead side of the street this. Dull business by day, land agents, |
|
temperance hotel, Falconer's railway guide, civil service college, Gill's, |
|
catholic club, the industrious blind. Why? Some reason. Sun or wind. At |
|
night too. Chummies and slaveys. Under the patronage of the late Father |
|
Mathew. Foundation stone for Parnell. Breakdown. Heart. |
|
|
|
White horses with white frontlet plumes came round the Rotunda |
|
corner, galloping. A tiny coffin flashed by. In a hurry to bury. A |
|
mourning coach. Unmarried. Black for the married. Piebald for bachelors. |
|
Dun for a nun. |
|
|
|
--Sad, Martin Cunningham said. A child. |
|
|
|
A dwarf's face, mauve and wrinkled like little Rudy's was. Dwarf's |
|
body, weak as putty, in a whitelined deal box. Burial friendly society |
|
pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby. |
|
Meant nothing. Mistake of nature. If it's healthy it's from the mother. |
|
If not from the man. Better luck next time. |
|
|
|
--Poor little thing, Mr Dedalus said. It's well out of it. |
|
|
|
The carriage climbed more slowly the hill of Rutland square. Rattle |
|
his bones. Over the stones. Only a pauper. Nobody owns. |
|
|
|
--In the midst of life, Martin Cunningham said. |
|
|
|
--But the worst of all, Mr Power said, is the man who takes his own life. |
|
|
|
Martin Cunningham drew out his watch briskly, coughed and put it back. |
|
|
|
--The greatest disgrace to have in the family, Mr Power added. |
|
|
|
--Temporary insanity, of course, Martin Cunningham said decisively. We |
|
must take a charitable view of it. |
|
|
|
--They say a man who does it is a coward, Mr Dedalus said. |
|
|
|
--It is not for us to judge, Martin Cunningham said. |
|
|
|
Mr Bloom, about to speak, closed his lips again. Martin Cunningham's |
|
large eyes. Looking away now. Sympathetic human man he is. Intelligent. |
|
Like Shakespeare's face. Always a good word to say. They have no |
|
mercy on that here or infanticide. Refuse christian burial. They |
|
used to drive a stake of wood through his heart in the grave. As if it |
|
wasn't broken already. Yet sometimes they repent too late. Found in the |
|
riverbed clutching rushes. He looked at me. And that awful drunkard of a |
|
wife of his. Setting up house for her time after time and then pawning the |
|
furniture on him every Saturday almost. Leading him the life of the |
|
damned. Wear the heart out of a stone, that. Monday morning. Start afresh. |
|
Shoulder to the wheel. Lord, she must have looked a sight that night |
|
Dedalus told me he was in there. Drunk about the place and capering with |
|
Martin's umbrella. |
|
|
|
|
|
AND THEY CALL ME THE JEWEL OF ASIA, |
|
OF ASIA, |
|
THE GEISHA. |
|
|
|
|
|
He looked away from me. He knows. Rattle his bones. |
|
|
|
That afternoon of the inquest. The redlabelled bottle on the table. The |
|
room in the hotel with hunting pictures. Stuffy it was. Sunlight through |
|
the slats of the Venetian blind. The coroner's sunlit ears, big and hairy. |
|
Boots giving evidence. Thought he was asleep first. Then saw like yellow |
|
streaks on his face. Had slipped down to the foot of the bed. Verdict: |
|
overdose. Death by misadventure. The letter. For my son Leopold. |
|
|
|
No more pain. Wake no more. Nobody owns. |
|
|
|
The carriage rattled swiftly along Blessington street. Over the stones. |
|
|
|
--We are going the pace, I think, Martin Cunningham said. |
|
|
|
--God grant he doesn't upset us on the road, Mr Power said. |
|
|
|
--I hope not, Martin Cunningham said. That will be a great race tomorrow |
|
in Germany. The Gordon Bennett. |
|
|
|
--Yes, by Jove, Mr Dedalus said. That will be worth seeing, faith. |
|
|
|
As they turned into Berkeley street a streetorgan near the Basin sent |
|
over and after them a rollicking rattling song of the halls. Has anybody |
|
here seen Kelly? Kay ee double ell wy. Dead March from SAUL. He's as bad |
|
as old Antonio. He left me on my ownio. Pirouette! The MATER |
|
MISERICORDIAE. Eccles street. My house down there. Big place. Ward for |
|
incurables there. Very encouraging. Our Lady's Hospice for the dying. |
|
Deadhouse handy underneath. Where old Mrs Riordan died. They look |
|
terrible the women. Her feeding cup and rubbing her mouth with the |
|
spoon. Then the screen round her bed for her to die. Nice young student |
|
that was dressed that bite the bee gave me. He's gone over to the lying-in |
|
hospital they told me. From one extreme to the other. The carriage |
|
galloped round a corner: stopped. |
|
|
|
--What's wrong now? |
|
|
|
A divided drove of branded cattle passed the windows, lowing, |
|
slouching by on padded hoofs, whisking their tails slowly on their clotted |
|
bony croups. Outside them and through them ran raddled sheep bleating |
|
their fear. |
|
|
|
--Emigrants, Mr Power said. |
|
|
|
--Huuuh! the drover's voice cried, his switch sounding on their flanks. |
|
|
|
Huuuh! out of that! |
|
|
|
Thursday, of course. Tomorrow is killing day. Springers. Cuffe sold |
|
them about twentyseven quid each. For Liverpool probably. Roastbeef for |
|
old England. They buy up all the juicy ones. And then the fifth quarter |
|
lost: all that raw stuff, hide, hair, horns. Comes to a big thing in a |
|
year. Dead meat trade. Byproducts of the slaughterhouses for tanneries, |
|
soap, margarine. Wonder if that dodge works now getting dicky meat off the |
|
train at Clonsilla. |
|
|
|
The carriage moved on through the drove. |
|
|
|
--I can't make out why the corporation doesn't run a tramline from the |
|
parkgate to the quays, Mr Bloom said. All those animals could be taken in |
|
trucks down to the boats. |
|
|
|
--Instead of blocking up the thoroughfare, Martin Cunningham said. Quite |
|
right. They ought to. |
|
|
|
--Yes, Mr Bloom said, and another thing I often thought, is to have |
|
municipal funeral trams like they have in Milan, you know. Run the line |
|
out to the cemetery gates and have special trams, hearse and carriage and |
|
all. Don't you see what I mean? |
|
|
|
--O, that be damned for a story, Mr Dedalus said. Pullman car and saloon |
|
diningroom. |
|
|
|
--A poor lookout for Corny, Mr Power added. |
|
|
|
--Why? Mr Bloom asked, turning to Mr Dedalus. Wouldn't it be more |
|
decent than galloping two abreast? |
|
|
|
--Well, there's something in that, Mr Dedalus granted. |
|
|
|
--And, Martin Cunningham said, we wouldn't have scenes like that when |
|
the hearse capsized round Dunphy's and upset the coffin on to the road. |
|
|
|
--That was terrible, Mr Power's shocked face said, and the corpse fell |
|
about the road. Terrible! |
|
|
|
--First round Dunphy's, Mr Dedalus said, nodding. Gordon Bennett cup. |
|
|
|
--Praises be to God! Martin Cunningham said piously. |
|
|
|
Bom! Upset. A coffin bumped out on to the road. Burst open. Paddy |
|
Dignam shot out and rolling over stiff in the dust in a brown habit too |
|
large for him. Red face: grey now. Mouth fallen open. Asking what's up |
|
now. Quite right to close it. Looks horrid open. Then the insides |
|
decompose quickly. Much better to close up all the orifices. Yes, also. |
|
With wax. The sphincter loose. Seal up all. |
|
|
|
--Dunphy's, Mr Power announced as the carriage turned right. |
|
|
|
Dunphy's corner. Mourning coaches drawn up, drowning their grief. |
|
A pause by the wayside. Tiptop position for a pub. Expect we'll pull up |
|
here on the way back to drink his health. Pass round the consolation. |
|
Elixir of life. |
|
|
|
But suppose now it did happen. Would he bleed if a nail say cut him in |
|
the knocking about? He would and he wouldn't, I suppose. Depends on |
|
where. The circulation stops. Still some might ooze out of an artery. It |
|
would be better to bury them in red: a dark red. |
|
|
|
In silence they drove along Phibsborough road. An empty hearse |
|
trotted by, coming from the cemetery: looks relieved. |
|
|
|
Crossguns bridge: the royal canal. |
|
|
|
Water rushed roaring through the sluices. A man stood on his |
|
dropping barge, between clamps of turf. On the towpath by the lock a |
|
slacktethered horse. Aboard of the BUGABU. |
|
|
|
Their eyes watched him. On the slow weedy waterway he had floated |
|
on his raft coastward over Ireland drawn by a haulage rope past beds of |
|
reeds, over slime, mudchoked bottles, carrion dogs. Athlone, Mullingar, |
|
Moyvalley, I could make a walking tour to see Milly by the canal. Or cycle |
|
down. Hire some old crock, safety. Wren had one the other day at the |
|
auction but a lady's. Developing waterways. James M'Cann's hobby to row |
|
me o'er the ferry. Cheaper transit. By easy stages. Houseboats. Camping |
|
out. Also hearses. To heaven by water. Perhaps I will without writing. |
|
Come as a surprise, Leixlip, Clonsilla. Dropping down lock by lock to |
|
Dublin. With turf from the midland bogs. Salute. He lifted his brown straw |
|
hat, saluting Paddy Dignam. |
|
|
|
They drove on past Brian Boroimhe house. Near it now. |
|
|
|
--I wonder how is our friend Fogarty getting on, Mr Power said. |
|
|
|
--Better ask Tom Kernan, Mr Dedalus said. |
|
|
|
--How is that? Martin Cunningham said. Left him weeping, I suppose? |
|
|
|
--Though lost to sight, Mr Dedalus said, to memory dear. |
|
|
|
The carriage steered left for Finglas road. |
|
|
|
The stonecutter's yard on the right. Last lap. Crowded on the spit of |
|
land silent shapes appeared, white, sorrowful, holding out calm hands, |
|
knelt in grief, pointing. Fragments of shapes, hewn. In white silence: |
|
appealing. The best obtainable. Thos. H. Dennany, monumental builder and |
|
sculptor. |
|
|
|
Passed. |
|
|
|
On the curbstone before Jimmy Geary, the sexton's, an old tramp sat, |
|
grumbling, emptying the dirt and stones out of his huge dustbrown |
|
yawning boot. After life's journey. |
|
|
|
Gloomy gardens then went by: one by one: gloomy houses. |
|
|
|
Mr Power pointed. |
|
|
|
--That is where Childs was murdered, he said. The last house. |
|
|
|
--So it is, Mr Dedalus said. A gruesome case. Seymour Bushe got him off. |
|
Murdered his brother. Or so they said. |
|
|
|
--The crown had no evidence, Mr Power said. |
|
|
|
--Only circumstantial, Martin Cunningham added. That's the maxim of |
|
the law. Better for ninetynine guilty to escape than for one innocent |
|
person to be wrongfully condemned. |
|
|
|
They looked. Murderer's ground. It passed darkly. Shuttered, |
|
tenantless, unweeded garden. Whole place gone to hell. Wrongfully |
|
condemned. Murder. The murderer's image in the eye of the murdered. |
|
They love reading about it. Man's head found in a garden. Her clothing |
|
consisted of. How she met her death. Recent outrage. The weapon used. |
|
Murderer is still at large. Clues. A shoelace. The body to be exhumed. |
|
Murder will out. |
|
|
|
Cramped in this carriage. She mightn't like me to come that way |
|
without letting her know. Must be careful about women. Catch them once |
|
with their pants down. Never forgive you after. Fifteen. |
|
|
|
The high railings of Prospect rippled past their gaze. Dark poplars, |
|
rare white forms. Forms more frequent, white shapes thronged amid the |
|
trees, white forms and fragments streaming by mutely, sustaining vain |
|
gestures on the air. |
|
|
|
The felly harshed against the curbstone: stopped. Martin |
|
Cunningham put out his arm and, wrenching back the handle, shoved the |
|
door open with his knee. He stepped out. Mr Power and Mr Dedalus |
|
followed. |
|
|
|
Change that soap now. Mr Bloom's hand unbuttoned his hip pocket |
|
swiftly and transferred the paperstuck soap to his inner handkerchief |
|
pocket. He stepped out of the carriage, replacing the newspaper his other |
|
hand still held. |
|
|
|
Paltry funeral: coach and three carriages. It's all the same. |
|
Pallbearers, gold reins, requiem mass, firing a volley. Pomp of death. |
|
Beyond the hind carriage a hawker stood by his barrow of cakes and fruit. |
|
Simnel cakes those are, stuck together: cakes for the dead. Dogbiscuits. |
|
Who ate them? Mourners coming out. |
|
|
|
He followed his companions. Mr Kernan and Ned Lambert followed, |
|
Hynes walking after them. Corny Kelleher stood by the opened hearse and |
|
took out the two wreaths. He handed one to the boy. |
|
|
|
Where is that child's funeral disappeared to? |
|
|
|
A team of horses passed from Finglas with toiling plodding tread, |
|
dragging through the funereal silence a creaking waggon on which lay a |
|
granite block. The waggoner marching at their head saluted. |
|
|
|
Coffin now. Got here before us, dead as he is. Horse looking round at it |
|
with his plume skeowways. Dull eye: collar tight on his neck, pressing on |
|
a bloodvessel or something. Do they know what they cart out here every |
|
day? Must be twenty or thirty funerals every day. Then Mount Jerome for |
|
the protestants. Funerals all over the world everywhere every minute. |
|
Shovelling them under by the cartload doublequick. Thousands every hour. |
|
Too many in the world. |
|
|
|
Mourners came out through the gates: woman and a girl. Leanjawed |
|
harpy, hard woman at a bargain, her bonnet awry. Girl's face stained with |
|
dirt and tears, holding the woman's arm, looking up at her for a sign to |
|
cry. Fish's face, bloodless and livid. |
|
|
|
The mutes shouldered the coffin and bore it in through the gates. So |
|
much dead weight. Felt heavier myself stepping out of that bath. First the |
|
stiff: then the friends of the stiff. Corny Kelleher and the boy followed |
|
with their wreaths. Who is that beside them? Ah, the brother-in-law. |
|
|
|
All walked after. |
|
|
|
Martin Cunningham whispered: |
|
|
|
--I was in mortal agony with you talking of suicide before Bloom. |
|
|
|
--What? Mr Power whispered. How so? |
|
|
|
--His father poisoned himself, Martin Cunningham whispered. Had the |
|
Queen's hotel in Ennis. You heard him say he was going to Clare. |
|
Anniversary. |
|
|
|
--O God! Mr Power whispered. First I heard of it. Poisoned himself? |
|
|
|
He glanced behind him to where a face with dark thinking eyes |
|
followed towards the cardinal's mausoleum. Speaking. |
|
|
|
--Was he insured? Mr Bloom asked. |
|
|
|
--I believe so, Mr Kernan answered. But the policy was heavily mortgaged. |
|
Martin is trying to get the youngster into Artane. |
|
|
|
--How many children did he leave? |
|
|
|
--Five. Ned Lambert says he'll try to get one of the girls into Todd's. |
|
|
|
--A sad case, Mr Bloom said gently. Five young children. |
|
|
|
--A great blow to the poor wife, Mr Kernan added. |
|
|
|
--Indeed yes, Mr Bloom agreed. |
|
|
|
Has the laugh at him now. |
|
|
|
He looked down at the boots he had blacked and polished. She had |
|
outlived him. Lost her husband. More dead for her than for me. One must |
|
outlive the other. Wise men say. There are more women than men in the |
|
world. Condole with her. Your terrible loss. I hope you'll soon follow |
|
him. For Hindu widows only. She would marry another. Him? No. Yet who |
|
knows after. Widowhood not the thing since the old queen died. Drawn on |
|
a guncarriage. Victoria and Albert. Frogmore memorial mourning. But in |
|
the end she put a few violets in her bonnet. Vain in her heart of hearts. |
|
All for a shadow. Consort not even a king. Her son was the substance. |
|
Something new to hope for not like the past she wanted back, waiting. It |
|
never comes. One must go first: alone, under the ground: and lie no more |
|
in her warm bed. |
|
|
|
--How are you, Simon? Ned Lambert said softly, clasping hands. Haven't |
|
seen you for a month of Sundays. |
|
|
|
--Never better. How are all in Cork's own town? |
|
|
|
--I was down there for the Cork park races on Easter Monday, Ned |
|
Lambert said. Same old six and eightpence. Stopped with Dick Tivy. |
|
|
|
--And how is Dick, the solid man? |
|
|
|
--Nothing between himself and heaven, Ned Lambert answered. |
|
|
|
--By the holy Paul! Mr Dedalus said in subdued wonder. Dick Tivy bald? |
|
|
|
--Martin is going to get up a whip for the youngsters, Ned Lambert said, |
|
pointing ahead. A few bob a skull. Just to keep them going till the |
|
insurance is cleared up. |
|
|
|
--Yes, yes, Mr Dedalus said dubiously. Is that the eldest boy in front? |
|
|
|
--Yes, Ned Lambert said, with the wife's brother. John Henry Menton is |
|
behind. He put down his name for a quid. |
|
|
|
--I'll engage he did, Mr Dedalus said. I often told poor Paddy he ought |
|
to mind that job. John Henry is not the worst in the world. |
|
|
|
--How did he lose it? Ned Lambert asked. Liquor, what? |
|
|
|
--Many a good man's fault, Mr Dedalus said with a sigh. |
|
|
|
They halted about the door of the mortuary chapel. Mr Bloom stood |
|
behind the boy with the wreath looking down at his sleekcombed hair and |
|
at the slender furrowed neck inside his brandnew collar. Poor boy! Was he |
|
there when the father? Both unconscious. Lighten up at the last moment |
|
and recognise for the last time. All he might have done. I owe three |
|
shillings to O'Grady. Would he understand? The mutes bore the coffin into |
|
the chapel. Which end is his head? |
|
|
|
After a moment he followed the others in, blinking in the screened |
|
light. The coffin lay on its bier before the chancel, four tall yellow |
|
candles at its corners. Always in front of us. Corny Kelleher, laying a |
|
wreath at each fore corner, beckoned to the boy to kneel. The mourners |
|
knelt here and there in prayingdesks. Mr Bloom stood behind near the font |
|
and, when all had knelt, dropped carefully his unfolded newspaper from his |
|
pocket and knelt his right knee upon it. He fitted his black hat gently on |
|
his left knee and, holding its brim, bent over piously. |
|
|
|
A server bearing a brass bucket with something in it came out through |
|
a door. The whitesmocked priest came after him, tidying his stole with one |
|
hand, balancing with the other a little book against his toad's belly. |
|
Who'll read the book? I, said the rook. |
|
|
|
They halted by the bier and the priest began to read out of his book |
|
with a fluent croak. |
|
|
|
Father Coffey. I knew his name was like a coffin. DOMINE-NAMINE. |
|
Bully about the muzzle he looks. Bosses the show. Muscular christian. Woe |
|
betide anyone that looks crooked at him: priest. Thou art Peter. Burst |
|
sideways like a sheep in clover Dedalus says he will. With a belly on him |
|
like a poisoned pup. Most amusing expressions that man finds. Hhhn: burst |
|
sideways. |
|
|
|
--NON INTRES IN JUDICIUM CUM SERVO TUO, DOMINE. |
|
|
|
Makes them feel more important to be prayed over in Latin. Requiem |
|
mass. Crape weepers. Blackedged notepaper. Your name on the altarlist. |
|
Chilly place this. Want to feed well, sitting in there all the morning in |
|
the gloom kicking his heels waiting for the next please. Eyes of a toad |
|
too. What swells him up that way? Molly gets swelled after cabbage. Air of |
|
the place maybe. Looks full up of bad gas. Must be an infernal lot of bad |
|
gas round the place. Butchers, for instance: they get like raw beefsteaks. |
|
Who was telling me? Mervyn Browne. Down in the vaults of saint Werburgh's |
|
lovely old organ hundred and fifty they have to bore a hole in the coffins |
|
sometimes to let out the bad gas and burn it. Out it rushes: blue. One |
|
whiff of that and you're a goner. |
|
|
|
My kneecap is hurting me. Ow. That's better. |
|
|
|
The priest took a stick with a knob at the end of it out of the boy's |
|
bucket and shook it over the coffin. Then he walked to the other end and |
|
shook it again. Then he came back and put it back in the bucket. As you |
|
were before you rested. It's all written down: he has to do it. |
|
|
|
--ET NE NOS INDUCAS IN TENTATIONEM. |
|
|
|
The server piped the answers in the treble. I often thought it would be |
|
better to have boy servants. Up to fifteen or so. After that, of |
|
course ... |
|
|
|
Holy water that was, I expect. Shaking sleep out of it. He must be fed |
|
up with that job, shaking that thing over all the corpses they trot up. |
|
What harm if he could see what he was shaking it over. Every mortal day a |
|
fresh batch: middleaged men, old women, children, women dead in |
|
childbirth, men with beards, baldheaded businessmen, consumptive girls |
|
with little sparrows' breasts. All the year round he prayed the same thing |
|
over them all and shook water on top of them: sleep. On Dignam now. |
|
|
|
--IN PARADISUM. |
|
|
|
Said he was going to paradise or is in paradise. Says that over everybody. |
|
Tiresome kind of a job. But he has to say something. |
|
|
|
The priest closed his book and went off, followed by the server. |
|
Corny Kelleher opened the sidedoors and the gravediggers came in, hoisted |
|
the coffin again, carried it out and shoved it on their cart. Corny |
|
Kelleher gave one wreath to the boy and one to the brother-in-law. All |
|
followed them out of the sidedoors into the mild grey air. Mr Bloom came |
|
last folding his paper again into his pocket. He gazed gravely at the |
|
ground till the coffincart wheeled off to the left. The metal wheels |
|
ground the gravel with a sharp grating cry and the pack of blunt boots |
|
followed the trundled barrow along a lane of sepulchres. |
|
|
|
The ree the ra the ree the ra the roo. Lord, I mustn't lilt here. |
|
|
|
--The O'Connell circle, Mr Dedalus said about him. |
|
|
|
Mr Power's soft eyes went up to the apex of the lofty cone. |
|
|
|
--He's at rest, he said, in the middle of his people, old Dan O'. But his |
|
heart is buried in Rome. How many broken hearts are buried here, Simon! |
|
|
|
--Her grave is over there, Jack, Mr Dedalus said. I'll soon be stretched |
|
beside her. Let Him take me whenever He likes. |
|
|
|
Breaking down, he began to weep to himself quietly, stumbling a little |
|
in his walk. Mr Power took his arm. |
|
|
|
--She's better where she is, he said kindly. |
|
|
|
--I suppose so, Mr Dedalus said with a weak gasp. I suppose she is in |
|
heaven if there is a heaven. |
|
|
|
Corny Kelleher stepped aside from his rank and allowed the mourners to |
|
plod by. |
|
|
|
--Sad occasions, Mr Kernan began politely. |
|
|
|
Mr Bloom closed his eyes and sadly twice bowed his head. |
|
|
|
--The others are putting on their hats, Mr Kernan said. I suppose we can |
|
do so too. We are the last. This cemetery is a treacherous place. |
|
|
|
They covered their heads. |
|
|
|
--The reverend gentleman read the service too quickly, don't you think? |
|
Mr Kernan said with reproof. |
|
|
|
Mr Bloom nodded gravely looking in the quick bloodshot eyes. Secret |
|
eyes, secretsearching. Mason, I think: not sure. Beside him again. We are |
|
the last. In the same boat. Hope he'll say something else. |
|
|
|
Mr Kernan added: |
|
|
|
--The service of the Irish church used in Mount Jerome is simpler, more |
|
impressive I must say. |
|
|
|
Mr Bloom gave prudent assent. The language of course was another thing. |
|
|
|
Mr Kernan said with solemnity: |
|
|
|
--I AM THE RESURRECTION AND THE LIFE. That touches a man's inmost heart. |
|
|
|
--It does, Mr Bloom said. |
|
|
|
Your heart perhaps but what price the fellow in the six feet by two |
|
with his toes to the daisies? No touching that. Seat of the affections. |
|
Broken heart. A pump after all, pumping thousands of gallons of blood |
|
every day. One fine day it gets bunged up: and there you are. Lots of |
|
them lying around here: lungs, hearts, livers. Old rusty pumps: damn the |
|
thing else. The resurrection and the life. Once you are dead you are dead. |
|
That last day idea. Knocking them all up out of their graves. Come forth, |
|
Lazarus! And he came fifth and lost the job. Get up! Last day! Then every |
|
fellow mousing around for his liver and his lights and the rest of his |
|
traps. Find damn all of himself that morning. Pennyweight of powder in |
|
a skull. Twelve grammes one pennyweight. Troy measure. |
|
|
|
Corny Kelleher fell into step at their side. |
|
|
|
--Everything went off A1, he said. What? |
|
|
|
He looked on them from his drawling eye. Policeman's shoulders. With |
|
your tooraloom tooraloom. |
|
|
|
--As it should be, Mr Kernan said. |
|
|
|
--What? Eh? Corny Kelleher said. |
|
|
|
Mr Kernan assured him. |
|
|
|
--Who is that chap behind with Tom Kernan? John Henry Menton asked. I |
|
know his face. |
|
|
|
Ned Lambert glanced back. |
|
|
|
--Bloom, he said, Madame Marion Tweedy that was, is, I mean, the |
|
soprano. She's his wife. |
|
|
|
--O, to be sure, John Henry Menton said. I haven't seen her for some time. |
|
he was a finelooking woman. I danced with her, wait, fifteen seventeen |
|
golden years ago, at Mat Dillon's in Roundtown. And a good armful she |
|
was. |
|
|
|
He looked behind through the others. |
|
|
|
--What is he? he asked. What does he do? Wasn't he in the stationery line? |
|
I fell foul of him one evening, I remember, at bowls. |
|
|
|
Ned Lambert smiled. |
|
|
|
--Yes, he was, he said, in Wisdom Hely's. A traveller for blottingpaper. |
|
|
|
--In God's name, John Henry Menton said, what did she marry a coon like |
|
that for? She had plenty of game in her then. |
|
|
|
--Has still, Ned Lambert said. He does some canvassing for ads. |
|
|
|
John Henry Menton's large eyes stared ahead. |
|
|
|
The barrow turned into a side lane. A portly man, ambushed among |
|
the grasses, raised his hat in homage. The gravediggers touched their |
|
caps. |
|
|
|
--John O'Connell, Mr Power said pleased. He never forgets a friend. |
|
|
|
Mr O'Connell shook all their hands in silence. Mr Dedalus said: |
|
|
|
--I am come to pay you another visit. |
|
|
|
--My dear Simon, the caretaker answered in a low voice. I don't want your |
|
custom at all. |
|
|
|
Saluting Ned Lambert and John Henry Menton he walked on at Martin |
|
Cunningham's side puzzling two long keys at his back. |
|
|
|
--Did you hear that one, he asked them, about Mulcahy from the Coombe? |
|
|
|
--I did not, Martin Cunningham said. |
|
|
|
They bent their silk hats in concert and Hynes inclined his ear. The |
|
caretaker hung his thumbs in the loops of his gold watchchain and spoke in |
|
a discreet tone to their vacant smiles. |
|
|
|
--They tell the story, he said, that two drunks came out here one foggy |
|
evening to look for the grave of a friend of theirs. They asked for |
|
Mulcahy from the Coombe and were told where he was buried. After traipsing |
|
about in the fog they found the grave sure enough. One of the drunks spelt |
|
out the name: Terence Mulcahy. The other drunk was blinking up at a statue |
|
of Our Saviour the widow had got put up. |
|
|
|
The caretaker blinked up at one of the sepulchres they passed. He |
|
resumed: |
|
|
|
--And, after blinking up at the sacred figure, NOT A BLOODY BIT LIKE THE |
|
MAN, SAYS HE. THAT'S NOT MULCAHY, says he, WHOEVER DONE IT. |
|
|
|
Rewarded by smiles he fell back and spoke with Corny Kelleher, accepting |
|
the dockets given him, turning them over and scanning them as he walked. |
|
|
|
--That's all done with a purpose, Martin Cunningham explained to Hynes. |
|
|
|
--I know, Hynes said. I know that. |
|
|
|
--To cheer a fellow up, Martin Cunningham said. It's pure goodheartedness: |
|
damn the thing else. |
|
|
|
Mr Bloom admired the caretaker's prosperous bulk. All want to be on |
|
good terms with him. Decent fellow, John O'Connell, real good sort. Keys: |
|
like Keyes's ad: no fear of anyone getting out. No passout checks. HABEAS |
|
CORPUS. I must see about that ad after the funeral. Did I write |
|
Ballsbridge on the envelope I took to cover when she disturbed me writing |
|
to Martha? Hope it's not chucked in the dead letter office. Be the better |
|
of a shave. Grey sprouting beard. That's the first sign when the hairs |
|
come out grey. And temper getting cross. Silver threads among the grey. |
|
Fancy being his wife. Wonder he had the gumption to propose to any girl. |
|
Come out and live in the graveyard. Dangle that before her. It might |
|
thrill her first. Courting death ... Shades of night hovering here with |
|
all the dead stretched about. The shadows of the tombs when churchyards |
|
yawn and Daniel O'Connell must be a descendant I suppose who is this used |
|
to say he was a queer breedy man great catholic all the same like a big |
|
giant in the dark. Will o' the wisp. Gas of graves. Want to keep her mind |
|
off it to conceive at all. Women especially are so touchy. Tell her a |
|
ghost story in bed to make her sleep. Have you ever seen a ghost? Well, I |
|
have. It was a pitchdark night. The clock was on the stroke of twelve. |
|
Still they'd kiss all right if properly keyed up. Whores in Turkish |
|
graveyards. Learn anything if taken young. You might pick up a young |
|
widow here. Men like that. Love among the tombstones. Romeo. Spice of |
|
pleasure. In the midst of death we are in life. Both ends meet. |
|
Tantalising for the poor dead. Smell of grilled beefsteaks to the |
|
starving. Gnawing their vitals. Desire to grig people. Molly wanting to |
|
do it at the window. Eight children he has anyway. |
|
|
|
He has seen a fair share go under in his time, lying around him field |
|
after field. Holy fields. More room if they buried them standing. Sitting |
|
or kneeling you couldn't. Standing? His head might come up some day above |
|
ground in a landslip with his hand pointing. All honeycombed the ground |
|
must be: oblong cells. And very neat he keeps it too: trim grass and |
|
edgings. His garden Major Gamble calls Mount Jerome. Well, so it is. |
|
Ought to be flowers of sleep. Chinese cemeteries with giant poppies |
|
growing produce the best opium Mastiansky told me. The Botanic Gardens |
|
are just over there. It's the blood sinking in the earth gives new life. |
|
Same idea those jews they said killed the christian boy. Every man |
|
his price. Well preserved fat corpse, gentleman, epicure, invaluable |
|
for fruit garden. A bargain. By carcass of William Wilkinson, auditor |
|
and accountant, lately deceased, three pounds thirteen and six. |
|
With thanks. |
|
|
|
I daresay the soil would be quite fat with corpsemanure, bones, flesh, |
|
nails. Charnelhouses. Dreadful. Turning green and pink decomposing. Rot |
|
quick in damp earth. The lean old ones tougher. Then a kind of a tallowy |
|
kind of a cheesy. Then begin to get black, black treacle oozing out of |
|
them. Then dried up. Deathmoths. Of course the cells or whatever they are |
|
go on living. Changing about. Live for ever practically. Nothing to feed |
|
on feed on themselves. |
|
|
|
But they must breed a devil of a lot of maggots. Soil must be simply |
|
swirling with them. Your head it simply swurls. Those pretty little |
|
seaside gurls. He looks cheerful enough over it. Gives him a sense of |
|
power seeing all the others go under first. Wonder how he looks at life. |
|
Cracking his jokes too: warms the cockles of his heart. The one about the |
|
bulletin. Spurgeon went to heaven 4 a.m. this morning. 11 p.m. |
|
(closing time). Not arrived yet. Peter. The dead themselves the men |
|
anyhow would like to hear an odd joke or the women to know what's in |
|
fashion. A juicy pear or ladies' punch, hot, strong and sweet. Keep out |
|
the damp. You must laugh sometimes so better do it that way. Gravediggers |
|
in HAMLET. Shows the profound knowledge of the human heart. Daren't joke |
|
about the dead for two years at least. DE MORTUIS NIL NISI PRIUS. Go out |
|
of mourning first. Hard to imagine his funeral. Seems a sort of a joke. |
|
Read your own obituary notice they say you live longer. Gives you second |
|
wind. New lease of life. |
|
|
|
--How many have-you for tomorrow? the caretaker asked. |
|
|
|
--Two, Corny Kelleher said. Half ten and eleven. |
|
|
|
The caretaker put the papers in his pocket. The barrow had ceased to |
|
trundle. The mourners split and moved to each side of the hole, stepping |
|
with care round the graves. The gravediggers bore the coffin and set its |
|
nose on the brink, looping the bands round it. |
|
|
|
Burying him. We come to bury Caesar. His ides of March or June. |
|
He doesn't know who is here nor care. |
|
Now who is that lankylooking galoot over there in the macintosh? |
|
Now who is he I'd like to know? Now I'd give a trifle to know who he is. |
|
Always someone turns up you never dreamt of. A fellow could live on his |
|
lonesome all his life. Yes, he could. Still he'd have to get someone to |
|
sod him after he died though he could dig his own grave. We all do. Only |
|
man buries. No, ants too. First thing strikes anybody. Bury the dead. Say |
|
Robinson Crusoe was true to life. Well then Friday buried him. Every |
|
Friday buries a Thursday if you come to look at it. |
|
|
|
|
|
O, POOR ROBINSON CRUSOE! |
|
HOW COULD YOU POSSIBLY DO SO? |
|
|
|
|
|
Poor Dignam! His last lie on the earth in his box. When you think of |
|
them all it does seem a waste of wood. All gnawed through. They could |
|
invent a handsome bier with a kind of panel sliding, let it down that way. |
|
Ay but they might object to be buried out of another fellow's. They're so |
|
particular. Lay me in my native earth. Bit of clay from the holy land. |
|
Only a mother and deadborn child ever buried in the one coffin. I see what |
|
it means. I see. To protect him as long as possible even in the earth. The |
|
Irishman's house is his coffin. Embalming in catacombs, mummies the same |
|
idea. |
|
|
|
Mr Bloom stood far back, his hat in his hand, counting the bared |
|
heads. Twelve. I'm thirteen. No. The chap in the macintosh is thirteen. |
|
Death's number. Where the deuce did he pop out of? He wasn't in the |
|
chapel, that I'll swear. Silly superstition that about thirteen. |
|
|
|
Nice soft tweed Ned Lambert has in that suit. Tinge of purple. I had |
|
one like that when we lived in Lombard street west. Dressy fellow he was |
|
once. Used to change three suits in the day. Must get that grey suit of |
|
mine turned by Mesias. Hello. It's dyed. His wife I forgot he's not |
|
married or his landlady ought to have picked out those threads for him. |
|
|
|
The coffin dived out of sight, eased down by the men straddled on the |
|
gravetrestles. They struggled up and out: and all uncovered. Twenty. |
|
|
|
Pause. |
|
|
|
If we were all suddenly somebody else. |
|
|
|
Far away a donkey brayed. Rain. No such ass. Never see a dead one, |
|
they say. Shame of death. They hide. Also poor papa went away. |
|
|
|
Gentle sweet air blew round the bared heads in a whisper. Whisper. |
|
The boy by the gravehead held his wreath with both hands staring quietly |
|
in the black open space. Mr Bloom moved behind the portly kindly |
|
caretaker. Wellcut frockcoat. Weighing them up perhaps to see which will |
|
go next. Well, it is a long rest. Feel no more. It's the moment you feel. |
|
Must be damned unpleasant. Can't believe it at first. Mistake must be: |
|
someone else. Try the house opposite. Wait, I wanted to. I haven't yet. |
|
Then darkened deathchamber. Light they want. Whispering around you. Would |
|
you like to see a priest? Then rambling and wandering. Delirium all you |
|
hid all your life. The death struggle. His sleep is not natural. Press his |
|
lower eyelid. Watching is his nose pointed is his jaw sinking are the |
|
soles of his feet yellow. Pull the pillow away and finish it off on the |
|
floor since he's doomed. Devil in that picture of sinner's death showing |
|
him a woman. Dying to embrace her in his shirt. Last act of LUCIA. |
|
SHALL I NEVERMORE BEHOLD THEE? Bam! He expires. Gone at last. People |
|
talk about you a bit: forget you. Don't forget to pray for him. |
|
Remember him in your prayers. Even Parnell. Ivy day dying out. Then |
|
they follow: dropping into a hole, one after the other. |
|
|
|
We are praying now for the repose of his soul. Hoping you're well |
|
and not in hell. Nice change of air. Out of the fryingpan of life into the |
|
fire of purgatory. |
|
|
|
Does he ever think of the hole waiting for himself? They say you do |
|
when you shiver in the sun. Someone walking over it. Callboy's warning. |
|
Near you. Mine over there towards Finglas, the plot I bought. Mamma, |
|
poor mamma, and little Rudy. |
|
|
|
The gravediggers took up their spades and flung heavy clods of clay |
|
in on the coffin. Mr Bloom turned away his face. And if he was alive all |
|
the time? Whew! By jingo, that would be awful! No, no: he is dead, of |
|
course. Of course he is dead. Monday he died. They ought to have |
|
some law to pierce the heart and make sure or an electric clock or |
|
a telephone in the coffin and some kind of a canvas airhole. Flag of |
|
distress. Three days. Rather long to keep them in summer. Just as well |
|
to get shut of them as soon as you are sure there's no. |
|
|
|
The clay fell softer. Begin to be forgotten. Out of sight, out of mind. |
|
|
|
The caretaker moved away a few paces and put on his hat. Had |
|
enough of it. The mourners took heart of grace, one by one, covering |
|
themselves without show. Mr Bloom put on his hat and saw the portly |
|
figure make its way deftly through the maze of graves. Quietly, sure of |
|
his ground, he traversed the dismal fields. |
|
|
|
Hynes jotting down something in his notebook. Ah, the names. But he |
|
knows them all. No: coming to me. |
|
|
|
--I am just taking the names, Hynes said below his breath. What is your |
|
christian name? I'm not sure. |
|
|
|
--L, Mr Bloom said. Leopold. And you might put down M'Coy's name too. |
|
He asked me to. |
|
|
|
--Charley, Hynes said writing. I know. He was on the FREEMAN once. |
|
|
|
So he was before he got the job in the morgue under Louis Byrne. |
|
Good idea a postmortem for doctors. Find out what they imagine they |
|
know. He died of a Tuesday. Got the run. Levanted with the cash of a few |
|
ads. Charley, you're my darling. That was why he asked me to. O well, |
|
does no harm. I saw to that, M'Coy. Thanks, old chap: much obliged. |
|
Leave him under an obligation: costs nothing. |
|
|
|
--And tell us, Hynes said, do you know that fellow in the, fellow was |
|
over there in the ... |
|
|
|
He looked around. |
|
|
|
--Macintosh. Yes, I saw him, Mr Bloom said. Where is he now? |
|
|
|
--M'Intosh, Hynes said scribbling. I don't know who he is. Is that |
|
his name? |
|
|
|
He moved away, looking about him. |
|
|
|
--No, Mr Bloom began, turning and stopping. I say, Hynes! |
|
|
|
Didn't hear. What? Where has he disappeared to? Not a sign. Well of |
|
all the. Has anybody here seen? Kay ee double ell. Become invisible. Good |
|
Lord, what became of him? |
|
|
|
A seventh gravedigger came beside Mr Bloom to take up an idle spade. |
|
|
|
--O, excuse me! |
|
|
|
He stepped aside nimbly. |
|
|
|
Clay, brown, damp, began to be seen in the hole. It rose. Nearly over. |
|
A mound of damp clods rose more, rose, and the gravediggers rested their |
|
spades. All uncovered again for a few instants. The boy propped his wreath |
|
against a corner: the brother-in-law his on a lump. The gravediggers put |
|
on their caps and carried their earthy spades towards the barrow. Then |
|
knocked the blades lightly on the turf: clean. One bent to pluck from the |
|
haft a long tuft of grass. One, leaving his mates, walked slowly on with |
|
shouldered weapon, its blade blueglancing. Silently at the gravehead |
|
another coiled the coffinband. His navelcord. The brother-in-law, turning |
|
away, placed something in his free hand. Thanks in silence. Sorry, sir: |
|
trouble. Headshake. I know that. For yourselves just. |
|
|
|
The mourners moved away slowly without aim, by devious paths, |
|
staying at whiles to read a name on a tomb. |
|
|
|
--Let us go round by the chief's grave, Hynes said. We have time. |
|
|
|
--Let us, Mr Power said. |
|
|
|
They turned to the right, following their slow thoughts. With awe Mr |
|
Power's blank voice spoke: |
|
|
|
--Some say he is not in that grave at all. That the coffin was filled |
|
with stones. That one day he will come again. |
|
|
|
Hynes shook his head. |
|
|
|
--Parnell will never come again, he said. He's there, all that was mortal |
|
of him. Peace to his ashes. |
|
|
|
Mr Bloom walked unheeded along his grove by saddened angels, |
|
crosses, broken pillars, family vaults, stone hopes praying with upcast |
|
eyes, old Ireland's hearts and hands. More sensible to spend the money on |
|
some charity for the living. Pray for the repose of the soul of. Does |
|
anybody really? Plant him and have done with him. Like down a coalshoot. |
|
Then lump them together to save time. All souls' day. Twentyseventh I'll |
|
be at his grave. Ten shillings for the gardener. He keeps it free of |
|
weeds. Old man himself. Bent down double with his shears clipping. Near |
|
death's door. Who passed away. Who departed this life. As if they did it |
|
of their own accord. Got the shove, all of them. Who kicked the bucket. |
|
More interesting if they told you what they were. So and So, wheelwright. |
|
I travelled for cork lino. I paid five shillings in the pound. Or a |
|
woman's with her saucepan. I cooked good Irish stew. Eulogy in a country |
|
churchyard it ought to be that poem of whose is it Wordsworth or Thomas |
|
Campbell. Entered into rest the protestants put it. Old Dr Murren's. |
|
The great physician called him home. Well it's God's acre for them. |
|
Nice country residence. Newly plastered and painted. Ideal spot to |
|
have a quiet smoke and read the CHURCH TIMES. Marriage ads they never |
|
try to beautify. Rusty wreaths hung on knobs, garlands of bronzefoil. |
|
Better value that for the money. Still, the flowers are more poetical. |
|
The other gets rather tiresome, never withering. Expresses nothing. |
|
Immortelles. |
|
|
|
A bird sat tamely perched on a poplar branch. Like stuffed. Like the |
|
wedding present alderman Hooper gave us. Hoo! Not a budge out of him. |
|
Knows there are no catapults to let fly at him. Dead animal even sadder. |
|
Silly-Milly burying the little dead bird in the kitchen matchbox, a |
|
daisychain and bits of broken chainies on the grave. |
|
|
|
The Sacred Heart that is: showing it. Heart on his sleeve. Ought to be |
|
sideways and red it should be painted like a real heart. Ireland was |
|
dedicated to it or whatever that. Seems anything but pleased. Why this |
|
infliction? Would birds come then and peck like the boy with the basket of |
|
fruit but he said no because they ought to have been afraid of the boy. |
|
Apollo that was. |
|
|
|
How many! All these here once walked round Dublin. Faithful departed. |
|
As you are now so once were we. |
|
|
|
Besides how could you remember everybody? Eyes, walk, voice. Well, |
|
the voice, yes: gramophone. Have a gramophone in every grave or keep it |
|
in the house. After dinner on a Sunday. Put on poor old greatgrandfather. |
|
Kraahraark! Hellohellohello amawfullyglad kraark awfullygladaseeagain |
|
hellohello amawf krpthsth. Remind you of the voice like the photograph |
|
reminds you of the face. Otherwise you couldn't remember the face after |
|
fifteen years, say. For instance who? For instance some fellow that died |
|
when I was in Wisdom Hely's. |
|
|
|
Rtststr! A rattle of pebbles. Wait. Stop! |
|
|
|
He looked down intently into a stone crypt. Some animal. Wait. |
|
There he goes. |
|
|
|
An obese grey rat toddled along the side of the crypt, moving the |
|
pebbles. An old stager: greatgrandfather: he knows the ropes. The grey |
|
alive crushed itself in under the plinth, wriggled itself in under it. |
|
Good hidingplace for treasure. |
|
|
|
Who lives there? Are laid the remains of Robert Emery. Robert |
|
Emmet was buried here by torchlight, wasn't he? Making his rounds. |
|
|
|
Tail gone now. |
|
|
|
One of those chaps would make short work of a fellow. Pick the |
|
bones clean no matter who it was. Ordinary meat for them. A corpse is |
|
meat gone bad. Well and what's cheese? Corpse of milk. I read in that |
|
VOYAGES IN CHINA that the Chinese say a white man smells like a corpse. |
|
Cremation better. Priests dead against it. Devilling for the other firm. |
|
Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime |
|
feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea. |
|
Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water. |
|
Drowning they say is the pleasantest. See your whole life in a flash. But |
|
being brought back to life no. Can't bury in the air however. Out of a |
|
flying machine. Wonder does the news go about whenever a fresh one is let |
|
down. Underground communication. We learned that from them. Wouldn't be |
|
surprised. Regular square feed for them. Flies come before he's well dead. |
|
Got wind of Dignam. They wouldn't care about the smell of it. Saltwhite |
|
crumbling mush of corpse: smell, taste like raw white turnips. |
|
|
|
The gates glimmered in front: still open. Back to the world again. |
|
Enough of this place. Brings you a bit nearer every time. Last time I was |
|
here was Mrs Sinico's funeral. Poor papa too. The love that kills. And |
|
even scraping up the earth at night with a lantern like that case I read |
|
of to get at fresh buried females or even putrefied with running |
|
gravesores. Give you the creeps after a bit. I will appear to you after |
|
death. You will see my ghost after death. My ghost will haunt you after |
|
death. There is another world after death named hell. I do not like that |
|
other world she wrote. No more do I. Plenty to see and hear and feel yet. |
|
Feel live warm beings near you. Let them sleep in their maggoty beds. They |
|
are not going to get me this innings. Warm beds: warm fullblooded life. |
|
|
|
Martin Cunningham emerged from a sidepath, talking gravely. |
|
|
|
Solicitor, I think. I know his face. Menton, John Henry, solicitor, |
|
commissioner for oaths and affidavits. Dignam used to be in his office. |
|
Mat Dillon's long ago. Jolly Mat. Convivial evenings. Cold fowl, cigars, |
|
the Tantalus glasses. Heart of gold really. Yes, Menton. Got his rag out |
|
that evening on the bowlinggreen because I sailed inside him. Pure fluke |
|
of mine: the bias. Why he took such a rooted dislike to me. Hate at first |
|
sight. Molly and Floey Dillon linked under the lilactree, laughing. |
|
Fellow always like that, mortified if women are by. |
|
|
|
Got a dinge in the side of his hat. Carriage probably. |
|
|
|
--Excuse me, sir, Mr Bloom said beside them. |
|
|
|
They stopped. |
|
|
|
--Your hat is a little crushed, Mr Bloom said pointing. |
|
|
|
John Henry Menton stared at him for an instant without moving. |
|
|
|
--There, Martin Cunningham helped, pointing also. John Henry Menton took |
|
off his hat, bulged out the dinge and smoothed the nap with care on his |
|
coatsleeve. He clapped the hat on his head again. |
|
|
|
--It's all right now, Martin Cunningham said. |
|
|
|
John Henry Menton jerked his head down in acknowledgment. |
|
|
|
--Thank you, he said shortly. |
|
|
|
They walked on towards the gates. Mr Bloom, chapfallen, drew |
|
behind a few paces so as not to overhear. Martin laying down the law. |
|
Martin could wind a sappyhead like that round his little finger, without |
|
his seeing it. |
|
|
|
Oyster eyes. Never mind. Be sorry after perhaps when it dawns on him. |
|
Get the pull over him that way. |
|
|
|
Thank you. How grand we are this morning! |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
IN THE HEART OF THE HIBERNIAN METROPOLIS |
|
|
|
|
|
Before Nelson's pillar trams slowed, shunted, changed trolley, started |
|
for Blackrock, Kingstown and Dalkey, Clonskea, Rathgar and Terenure, |
|
Palmerston Park and upper Rathmines, Sandymount Green, Rathmines, |
|
Ringsend and Sandymount Tower, Harold's Cross. The hoarse Dublin |
|
United Tramway Company's timekeeper bawled them off: |
|
|
|
--Rathgar and Terenure! |
|
|
|
--Come on, Sandymount Green! |
|
|
|
Right and left parallel clanging ringing a doubledecker and a |
|
singledeck moved from their railheads, swerved to the down line, glided |
|
parallel. |
|
|
|
--Start, Palmerston Park! |
|
|
|
|
|
THE WEARER OF THE CROWN |
|
|
|
|
|
Under the porch of the general post office shoeblacks called and |
|
polished. Parked in North Prince's street His Majesty's vermilion |
|
mailcars, bearing on their sides the royal initials, E. R., received |
|
loudly flung sacks of letters, postcards, lettercards, parcels, insured |
|
and paid, for local, provincial, British and overseas delivery. |
|
|
|
|
|
GENTLEMEN OF THE PRESS |
|
|
|
|
|
Grossbooted draymen rolled barrels dullthudding out of Prince's |
|
stores and bumped them up on the brewery float. On the brewery float |
|
bumped dullthudding barrels rolled by grossbooted draymen out of |
|
Prince's stores. |
|
|
|
--There it is, Red Murray said. Alexander Keyes. |
|
|
|
--Just cut it out, will you? Mr Bloom said, and I'll take it round to the |
|
TELEGRAPH office. |
|
|
|
The door of Ruttledge's office creaked again. Davy Stephens, minute |
|
in a large capecoat, a small felt hat crowning his ringlets, passed out |
|
with a roll of papers under his cape, a king's courier. |
|
|
|
Red Murray's long shears sliced out the advertisement from the |
|
newspaper in four clean strokes. Scissors and paste. |
|
|
|
--I'll go through the printingworks, Mr Bloom said, taking the cut square. |
|
|
|
--Of course, if he wants a par, Red Murray said earnestly, a pen behind |
|
his ear, we can do him one. |
|
|
|
--Right, Mr Bloom said with a nod. I'll rub that in. |
|
|
|
We. |
|
|
|
|
|
WILLIAM BRAYDEN, |
|
ESQUIRE, OF OAKLANDS, SANDYMOUNT |
|
|
|
|
|
Red Murray touched Mr Bloom's arm with the shears and whispered: |
|
|
|
--Brayden. |
|
|
|
Mr Bloom turned and saw the liveried porter raise his lettered cap as a |
|
stately figure entered between the newsboards of the WEEKLY FREEMAN AND |
|
NATIONAL PRESS and the FREEMAN'S JOURNAL AND NATIONAL PRESS. Dullthudding |
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Guinness's barrels. It passed statelily up the staircase, steered by an |
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umbrella, a solemn beardframed face. The broadcloth back ascended each |
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step: back. All his brains are in the nape of his neck, Simon Dedalus |
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says. Welts of flesh behind on him. Fat folds of neck, fat, neck, fat, |
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neck. |
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--Don't you think his face is like Our Saviour? Red Murray whispered. |
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The door of Ruttledge's office whispered: ee: cree. They always build |
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one door opposite another for the wind to. Way in. Way out. |
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Our Saviour: beardframed oval face: talking in the dusk. Mary, |
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Martha. Steered by an umbrella sword to the footlights: Mario the tenor. |
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--Or like Mario, Mr Bloom said. |
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|
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--Yes, Red Murray agreed. But Mario was said to be the picture of Our |
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Saviour. |
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Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his |
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heart. In MARTHA. |
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CO-OME THOU LOST ONE, |
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CO-OME THOU DEAR ONE! |
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THE CROZIER AND THE PEN |
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--His grace phoned down twice this morning, Red Murray said gravely. |
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They watched the knees, legs, boots vanish. Neck. |
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A telegram boy stepped in nimbly, threw an envelope on the counter |
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and stepped off posthaste with a word: |
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--FREEMAN! |
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Mr Bloom said slowly: |
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--Well, he is one of our saviours also. |
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A meek smile accompanied him as he lifted the counterflap, as he |
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passed in through a sidedoor and along the warm dark stairs and passage, |
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along the now reverberating boards. But will he save the circulation? |
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Thumping. Thumping. |
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He pushed in the glass swingdoor and entered, stepping over strewn |
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packing paper. Through a lane of clanking drums he made his way towards |
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Nannetti's reading closet. |
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WITH UNFEIGNED REGRET IT IS WE ANNOUNCE THE DISSOLUTION |
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OF A MOST RESPECTED DUBLIN BURGESS |
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Hynes here too: account of the funeral probably. Thumping. Thump. |
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This morning the remains of the late Mr Patrick Dignam. Machines. |
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Smash a man to atoms if they got him caught. Rule the world today. His |
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machineries are pegging away too. Like these, got out of hand: fermenting. |
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Working away, tearing away. And that old grey rat tearing to get in. |
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HOW A GREAT DAILY ORGAN IS TURNED OUT |
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Mr Bloom halted behind the foreman's spare body, admiring a glossy crown. |
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Strange he never saw his real country. Ireland my country. Member |
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for College green. He boomed that workaday worker tack for all it was |
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worth. It's the ads and side features sell a weekly, not the stale news in |
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the official gazette. Queen Anne is dead. Published by authority in the |
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year one thousand and. Demesne situate in the townland of Rosenallis, |
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barony of Tinnahinch. To all whom it may concern schedule pursuant to |
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statute showing return of number of mules and jennets exported from |
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Ballina. Nature notes. Cartoons. Phil Blake's weekly Pat and Bull story. |
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Uncle Toby's page for tiny tots. Country bumpkin's queries. Dear Mr |
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Editor, what is a good cure for flatulence? I'd like that part. Learn a |
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lot teaching others. The personal note. M. A. P. Mainly all pictures. |
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Shapely bathers on golden strand. World's biggest balloon. Double marriage |
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of sisters celebrated. Two bridegrooms laughing heartily at each other. |
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Cuprani too, printer. More Irish than the Irish. |
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The machines clanked in threefour time. Thump, thump, thump. |
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Now if he got paralysed there and no-one knew how to stop them they'd |
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clank on and on the same, print it over and over and up and back. |
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Monkeydoodle the whole thing. Want a cool head. |
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--Well, get it into the evening edition, councillor, Hynes said. |
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Soon be calling him my lord mayor. Long John is backing him, they say. |
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The foreman, without answering, scribbled press on a corner of the |
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sheet and made a sign to a typesetter. He handed the sheet silently over |
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the dirty glass screen. |
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--Right: thanks, Hynes said moving off. |
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Mr Bloom stood in his way. |
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--If you want to draw the cashier is just going to lunch, he said, |
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pointing backward with his thumb. |
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--Did you? Hynes asked. |
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--Mm, Mr Bloom said. Look sharp and you'll catch him. |
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--Thanks, old man, Hynes said. I'll tap him too. |
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He hurried on eagerly towards the FREEMAN'S JOURNAL. |
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Three bob I lent him in Meagher's. Three weeks. Third hint. |
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WE SEE THE CANVASSER AT WORK |
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Mr Bloom laid his cutting on Mr Nannetti's desk. |
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--Excuse me, councillor, he said. This ad, you see. Keyes, you remember? |
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Mr Nannetti considered the cutting awhile and nodded. |
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--He wants it in for July, Mr Bloom said. |
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The foreman moved his pencil towards it. |
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--But wait, Mr Bloom said. He wants it changed. Keyes, you see. He wants |
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two keys at the top. |
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Hell of a racket they make. He doesn't hear it. Nannan. Iron nerves. |
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Maybe he understands what I. |
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The foreman turned round to hear patiently and, lifting an elbow, |
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began to scratch slowly in the armpit of his alpaca jacket. |
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--Like that, Mr Bloom said, crossing his forefingers at the top. |
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Let him take that in first. |
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Mr Bloom, glancing sideways up from the cross he had made, saw the |
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foreman's sallow face, think he has a touch of jaundice, and beyond the |
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obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles of |
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it unreeled. What becomes of it after? O, wrap up meat, parcels: various |
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uses, thousand and one things. |
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Slipping his words deftly into the pauses of the clanking he drew |
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swiftly on the scarred woodwork. |
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HOUSE OF KEY(E)S |
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--Like that, see. Two crossed keys here. A circle. Then here the name. |
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Alexander Keyes, tea, wine and spirit merchant. So on. |
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Better not teach him his own business. |
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--You know yourself, councillor, just what he wants. Then round the top |
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in leaded: the house of keys. You see? Do you think that's a good idea? |
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The foreman moved his scratching hand to his lower ribs and scratched |
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there quietly. |
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--The idea, Mr Bloom said, is the house of keys. You know, councillor, |
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the Manx parliament. Innuendo of home rule. Tourists, you know, from the |
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isle of Man. Catches the eye, you see. Can you do that? |
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|
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I could ask him perhaps about how to pronounce that voglio. But |
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then if he didn't know only make it awkward for him. Better not. |
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--We can do that, the foreman said. Have you the design? |
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--I can get it, Mr Bloom said. It was in a Kilkenny paper. He has a house |
|
there too. I'll just run out and ask him. Well, you can do that and just a |
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little par calling attention. You know the usual. Highclass licensed |
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premises. Longfelt want. So on. |
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The foreman thought for an instant. |
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--We can do that, he said. Let him give us a three months' renewal. |
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A typesetter brought him a limp galleypage. He began to check it |
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silently. Mr Bloom stood by, hearing the loud throbs of cranks, watching |
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the silent typesetters at their cases. |
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ORTHOGRAPHICAL |
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Want to be sure of his spelling. Proof fever. Martin Cunningham |
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forgot to give us his spellingbee conundrum this morning. It is amusing to |
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view the unpar one ar alleled embarra two ars is it? double ess ment of a |
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harassed pedlar while gauging au the symmetry with a y of a peeled pear |
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under a cemetery wall. Silly, isn't it? Cemetery put in of course on |
|
account of the symmetry. |
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I should have said when he clapped on his topper. Thank you. I ought |
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to have said something about an old hat or something. No. I could have |
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said. Looks as good as new now. See his phiz then. |
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Sllt. The nethermost deck of the first machine jogged forward its |
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flyboard with sllt the first batch of quirefolded papers. Sllt. Almost |
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human the way it sllt to call attention. Doing its level best to speak. |
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That door too sllt creaking, asking to be shut. Everything speaks in its |
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own way. Sllt. |
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NOTED CHURCHMAN AN OCCASIONAL CONTRIBUTOR |
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The foreman handed back the galleypage suddenly, saying: |
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|
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--Wait. Where's the archbishop's letter? It's to be repeated in the |
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TELEGRAPH. Where's what's his name? |
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He looked about him round his loud unanswering machines. |
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--Monks, sir? a voice asked from the castingbox. |
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--Ay. Where's Monks? |
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--Monks! |
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Mr Bloom took up his cutting. Time to get out. |
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--Then I'll get the design, Mr Nannetti, he said, and you'll give it a |
|
good place I know. |
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--Monks! |
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--Yes, sir. |
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Three months' renewal. Want to get some wind off my chest first. Try |
|
it anyhow. Rub in August: good idea: horseshow month. Ballsbridge. |
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Tourists over for the show. |
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A DAYFATHER |
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He walked on through the caseroom passing an old man, bowed, |
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spectacled, aproned. Old Monks, the dayfather. Queer lot of stuff he must |
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have put through his hands in his time: obituary notices, pubs' ads, |
|
speeches, divorce suits, found drowned. Nearing the end of his tether now. |
|
Sober serious man with a bit in the savingsbank I'd say. Wife a good cook |
|
and washer. Daughter working the machine in the parlour. Plain Jane, no |
|
damn nonsense. |
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AND IT WAS THE FEAST OF THE PASSOVER |
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He stayed in his walk to watch a typesetter neatly distributing type. |
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Reads it backwards first. Quickly he does it. Must require some practice |
|
that. mangiD kcirtaP. Poor papa with his hagadah book, reading |
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backwards with his finger to me. Pessach. Next year in Jerusalem. Dear, O |
|
dear! All that long business about that brought us out of the land of |
|
Egypt and into the house of bondage ALLELUIA. SHEMA ISRAEL ADONAI ELOHENU. |
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No, that's the other. Then the twelve brothers, Jacob's sons. And then the |
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lamb and the cat and the dog and the stick and the water and the butcher. |
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And then the angel of death kills the butcher and he kills the ox and the |
|
dog kills the cat. Sounds a bit silly till you come to look into it well. |
|
Justice it means but it's everybody eating everyone else. That's what life |
|
is after all. How quickly he does that job. Practice makes perfect. Seems |
|
to see with his fingers. |
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Mr Bloom passed on out of the clanking noises through the gallery on |
|
to the landing. Now am I going to tram it out all the way and then catch |
|
him out perhaps. Better phone him up first. Number? Yes. Same as Citron's |
|
house. Twentyeight. Twentyeight double four. |
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ONLY ONCE MORE THAT SOAP |
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He went down the house staircase. Who the deuce scrawled all over |
|
those walls with matches? Looks as if they did it for a bet. Heavy greasy |
|
smell there always is in those works. Lukewarm glue in Thom's next door |
|
when I was there. |
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|
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He took out his handkerchief to dab his nose. Citronlemon? Ah, the |
|
soap I put there. Lose it out of that pocket. Putting back his |
|
handkerchief he took out the soap and stowed it away, buttoned, into the |
|
hip pocket of his trousers. |
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What perfume does your wife use? I could go home still: tram: |
|
something I forgot. Just to see: before: dressing. No. Here. No. |
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|
|
A sudden screech of laughter came from the EVENING TELEGRAPH office. Know |
|
who that is. What's up? Pop in a minute to phone. Ned Lambert it is. |
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|
He entered softly. |
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ERIN, GREEN GEM OF THE SILVER SEA |
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--The ghost walks, professor MacHugh murmured softly, biscuitfully to |
|
the dusty windowpane. |
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|
Mr Dedalus, staring from the empty fireplace at Ned Lambert's |
|
quizzing face, asked of it sourly: |
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--Agonising Christ, wouldn't it give you a heartburn on your arse? |
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Ned Lambert, seated on the table, read on: |
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--OR AGAIN, NOTE THE MEANDERINGS OF SOME PURLING RILL AS IT BABBLES ON |
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ITS WAY, THO' QUARRELLING WITH THE STONY OBSTACLES, TO THE TUMBLING WATERS |
|
OF NEPTUNE'S BLUE DOMAIN, 'MID MOSSY BANKS, FANNED BY GENTLEST ZEPHYRS, |
|
PLAYED ON BY THE GLORIOUS SUNLIGHT OR 'NEATH THE SHADOWS CAST O'ER ITS |
|
PENSIVE BOSOM BY THE OVERARCHING LEAFAGE OF THE GIANTS OF THE FOREST. What |
|
about that, Simon? he asked over the fringe of his newspaper. How's that |
|
for high? |
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--Changing his drink, Mr Dedalus said. |
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|
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Ned Lambert, laughing, struck the newspaper on his knees, repeating: |
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|
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--THE PENSIVE BOSOM AND THE OVERARSING LEAFAGE. O boys! O boys! |
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|
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--And Xenophon looked upon Marathon, Mr Dedalus said, looking again |
|
on the fireplace and to the window, and Marathon looked on the sea. |
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|
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--That will do, professor MacHugh cried from the window. I don't want to |
|
hear any more of the stuff. |
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|
He ate off the crescent of water biscuit he had been nibbling and, |
|
hungered, made ready to nibble the biscuit in his other hand. |
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|
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High falutin stuff. Bladderbags. Ned Lambert is taking a day off I |
|
see. Rather upsets a man's day, a funeral does. He has influence they say. |
|
Old Chatterton, the vicechancellor, is his granduncle or his |
|
greatgranduncle. Close on ninety they say. Subleader for his death written |
|
this long time perhaps. Living to spite them. Might go first himself. |
|
Johnny, make room for your uncle. The right honourable Hedges Eyre |
|
Chatterton. Daresay he writes him an odd shaky cheque or two on gale days. |
|
Windfall when he kicks out. Alleluia. |
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|
|
--Just another spasm, Ned Lambert said. |
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|
|
--What is it? Mr Bloom asked. |
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|
|
--A recently discovered fragment of Cicero, professor MacHugh answered |
|
with pomp of tone. OUR LOVELY LAND. |
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SHORT BUT TO THE POINT |
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--Whose land? Mr Bloom said simply. |
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|
|
--Most pertinent question, the professor said between his chews. With an |
|
accent on the whose. |
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|
|
--Dan Dawson's land Mr Dedalus said. |
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|
|
--Is it his speech last night? Mr Bloom asked. |
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|
|
Ned Lambert nodded. |
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|
|
--But listen to this, he said. |
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|
The doorknob hit Mr Bloom in the small of the back as the door was |
|
pushed in. |
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--Excuse me, J. J. O'Molloy said, entering. |
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Mr Bloom moved nimbly aside. |
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|
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--I beg yours, he said. |
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|
--Good day, Jack. |
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--Come in. Come in. |
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--Good day. |
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--How are you, Dedalus? |
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--Well. And yourself? |
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|
J. J. O'Molloy shook his head. |
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SAD |
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Cleverest fellow at the junior bar he used to be. Decline, poor chap. |
|
That hectic flush spells finis for a man. Touch and go with him. What's in |
|
the wind, I wonder. Money worry. |
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|
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--OR AGAIN IF WE BUT CLIMB THE SERRIED MOUNTAIN PEAKS. |
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|
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--You're looking extra. |
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|
|
--Is the editor to be seen? J. J. O'Molloy asked, looking towards the |
|
inner door. |
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|
|
--Very much so, professor MacHugh said. To be seen and heard. He's in |
|
his sanctum with Lenehan. |
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|
|
J. J. O'Molloy strolled to the sloping desk and began to turn back the |
|
pink pages of the file. |
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|
|
Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts |
|
of honour. Reaping the whirlwind. Used to get good retainers from D. and |
|
T. Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve |
|
like the statue in Glasnevin. Believe he does some literary work for the |
|
EXPRESS with Gabriel Conroy. Wellread fellow. Myles Crawford began on |
|
the INDEPENDENT. Funny the way those newspaper men veer about when |
|
they get wind of a new opening. Weathercocks. Hot and cold in the same |
|
breath. Wouldn't know which to believe. One story good till you hear the |
|
next. Go for one another baldheaded in the papers and then all blows over. |
|
Hail fellow well met the next moment. |
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|
|
--Ah, listen to this for God' sake, Ned Lambert pleaded. OR AGAIN IF WE |
|
BUT CLIMB THE SERRIED MOUNTAIN PEAKS ... |
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|
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--Bombast! the professor broke in testily. Enough of the inflated |
|
windbag! |
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|
|
--Peaks, Ned Lambert went on, TOWERING HIGH ON HIGH, TO BATHE OUR SOULS, |
|
AS IT WERE ... |
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|
|
--Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is he |
|
taking anything for it? |
|
|
|
--AS 'TWERE, IN THE PEERLESS PANORAMA OF IRELAND'S PORTFOLIO, UNMATCHED, |
|
DESPITE THEIR WELLPRAISED PROTOTYPES IN OTHER VAUNTED PRIZE REGIONS, FOR |
|
VERY BEAUTY, OF BOSKY GROVE AND UNDULATING PLAIN AND LUSCIOUS PASTURELAND |
|
OF VERNAL GREEN, STEEPED IN THE TRANSCENDENT TRANSLUCENT GLOW OF OUR MILD |
|
MYSTERIOUS IRISH TWILIGHT ... |
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|
HIS NATIVE DORIC |
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|
|
--The moon, professor MacHugh said. He forgot Hamlet. |
|
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|
--THAT MANTLES THE VISTA FAR AND WIDE AND WAIT TILL THE GLOWING ORB OF |
|
THE MOON SHINE FORTH TO IRRADIATE HER SILVER EFFULGENCE ... |
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|
|
--O! Mr Dedalus cried, giving vent to a hopeless groan. Shite and onions! |
|
That'll do, Ned. Life is too short. |
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|
He took off his silk hat and, blowing out impatiently his bushy |
|
moustache, welshcombed his hair with raking fingers. |
|
|
|
Ned Lambert tossed the newspaper aside, chuckling with delight. An |
|
instant after a hoarse bark of laughter burst over professor MacHugh's |
|
unshaven blackspectacled face. |
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|
|
--Doughy Daw! he cried. |
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|
WHAT WETHERUP SAID |
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|
All very fine to jeer at it now in cold print but it goes down like hot |
|
cake that stuff. He was in the bakery line too, wasn't he? Why they call |
|
him Doughy Daw. Feathered his nest well anyhow. Daughter engaged to that |
|
chap in the inland revenue office with the motor. Hooked that nicely. |
|
Entertainments. Open house. Big blowout. Wetherup always said that. Get |
|
a grip of them by the stomach. |
|
|
|
The inner door was opened violently and a scarlet beaked face, |
|
crested by a comb of feathery hair, thrust itself in. The bold blue eyes |
|
stared about them and the harsh voice asked: |
|
|
|
--What is it? |
|
|
|
--And here comes the sham squire himself! professor MacHugh said grandly. |
|
|
|
--Getonouthat, you bloody old pedagogue! the editor said in recognition. |
|
|
|
--Come, Ned, Mr Dedalus said, putting on his hat. I must get a drink |
|
after that. |
|
|
|
--Drink! the editor cried. No drinks served before mass. |
|
|
|
--Quite right too, Mr Dedalus said, going out. Come on, Ned. |
|
|
|
Ned Lambert sidled down from the table. The editor's blue eyes roved |
|
towards Mr Bloom's face, shadowed by a smile. |
|
|
|
--Will you join us, Myles? Ned Lambert asked. |
|
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|
|
MEMORABLE BATTLES RECALLED |
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|
|
--North Cork militia! the editor cried, striding to the mantelpiece. We |
|
won every time! North Cork and Spanish officers! |
|
|
|
--Where was that, Myles? Ned Lambert asked with a reflective glance at |
|
his toecaps. |
|
|
|
--In Ohio! the editor shouted. |
|
|
|
--So it was, begad, Ned Lambert agreed. |
|
|
|
Passing out he whispered to J. J. O'Molloy: |
|
|
|
--Incipient jigs. Sad case. |
|
|
|
--Ohio! the editor crowed in high treble from his uplifted scarlet face. |
|
My Ohio! |
|
|
|
--A perfect cretic! the professor said. Long, short and long. |
|
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|
O, HARP EOLIAN! |
|
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|
He took a reel of dental floss from his waistcoat pocket and, breaking |
|
off a piece, twanged it smartly between two and two of his resonant |
|
unwashed teeth. |
|
|
|
--Bingbang, bangbang. |
|
|
|
Mr Bloom, seeing the coast clear, made for the inner door. |
|
|
|
--Just a moment, Mr Crawford, he said. I just want to phone about an ad. |
|
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|
He went in. |
|
|
|
--What about that leader this evening? professor MacHugh asked, coming |
|
to the editor and laying a firm hand on his shoulder. |
|
|
|
--That'll be all right, Myles Crawford said more calmly. Never you fret. |
|
Hello, Jack. That's all right. |
|
|
|
--Good day, Myles, J. J. O'Molloy said, letting the pages he held slip |
|
limply back on the file. Is that Canada swindle case on today? |
|
|
|
The telephone whirred inside. |
|
|
|
--Twentyeight ... No, twenty ... Double four ... Yes. |
|
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|
|
SPOT THE WINNER |
|
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|
Lenehan came out of the inner office with SPORT'S tissues. |
|
|
|
--Who wants a dead cert for the Gold cup? he asked. Sceptre with O. |
|
Madden up. |
|
|
|
He tossed the tissues on to the table. |
|
|
|
Screams of newsboys barefoot in the hall rushed near and the door |
|
was flung open. |
|
|
|
--Hush, Lenehan said. I hear feetstoops. |
|
|
|
Professor MacHugh strode across the room and seized the cringing |
|
urchin by the collar as the others scampered out of the hall and down the |
|
steps. The tissues rustled up in the draught, floated softly in the air |
|
blue scrawls and under the table came to earth. |
|
|
|
--It wasn't me, sir. It was the big fellow shoved me, sir. |
|
|
|
--Throw him out and shut the door, the editor said. There's a hurricane |
|
blowing. |
|
|
|
Lenehan began to paw the tissues up from the floor, grunting as he |
|
stooped twice. |
|
|
|
--Waiting for the racing special, sir, the newsboy said. It was Pat |
|
Farrell shoved me, sir. |
|
|
|
He pointed to two faces peering in round the doorframe. |
|
|
|
--Him, sir. |
|
|
|
--Out of this with you, professor MacHugh said gruffly. |
|
|
|
He hustled the boy out and banged the door to. |
|
|
|
J. J. O'Molloy turned the files crackingly over, murmuring, seeking: |
|
|
|
--Continued on page six, column four. |
|
|
|
--Yes, EVENING TELEGRAPH here, Mr Bloom phoned from the inner office. Is |
|
the boss ...? Yes, TELEGRAPH ... To where? Aha! Which auction rooms ?... |
|
Aha! I see ... Right. I'll catch him. |
|
|
|
|
|
A COLLISION ENSUES |
|
|
|
|
|
The bell whirred again as he rang off. He came in quickly and |
|
bumped against Lenehan who was struggling up with the second tissue. |
|
|
|
--PARDON, MONSIEUR, Lenehan said, clutching him for an instant and making |
|
a grimace. |
|
|
|
--My fault, Mr Bloom said, suffering his grip. Are you hurt? I'm in a |
|
hurry. |
|
|
|
--Knee, Lenehan said. |
|
|
|
He made a comic face and whined, rubbing his knee: |
|
|
|
--The accumulation of the ANNO DOMINI. |
|
|
|
--Sorry, Mr Bloom said. |
|
|
|
He went to the door and, holding it ajar, paused. J. J. O'Molloy |
|
slapped the heavy pages over. The noise of two shrill voices, a |
|
mouthorgan, echoed in the bare hallway from the newsboys squatted on the |
|
doorsteps: |
|
|
|
|
|
--WE ARE THE BOYS OF WEXFORD |
|
WHO FOUGHT WITH HEART AND HAND. |
|
|
|
|
|
EXIT BLOOM |
|
|
|
|
|
--I'm just running round to Bachelor's walk, Mr Bloom said, about this ad |
|
of Keyes's. Want to fix it up. They tell me he's round there in Dillon's. |
|
|
|
He looked indecisively for a moment at their faces. The editor who, |
|
leaning against the mantelshelf, had propped his head on his hand, |
|
suddenly stretched forth an arm amply. |
|
|
|
--Begone! he said. The world is before you. |
|
|
|
--Back in no time, Mr Bloom said, hurrying out. |
|
|
|
J. J. O'Molloy took the tissues from Lenehan's hand and read them, |
|
blowing them apart gently, without comment. |
|
|
|
--He'll get that advertisement, the professor said, staring through his |
|
blackrimmed spectacles over the crossblind. Look at the young scamps after |
|
him. |
|
|
|
--Show. Where? Lenehan cried, running to the window. |
|
|
|
|
|
A STREET CORTEGE |
|
|
|
|
|
Both smiled over the crossblind at the file of capering newsboys in Mr |
|
Bloom's wake, the last zigzagging white on the breeze a mocking kite, a |
|
tail of white bowknots. |
|
|
|
--Look at the young guttersnipe behind him hue and cry, Lenehan said, and |
|
you'll kick. O, my rib risible! Taking off his flat spaugs and the walk. |
|
Small nines. Steal upon larks. |
|
|
|
He began to mazurka in swift caricature across the floor on sliding |
|
feet past the fireplace to J. J. O'Molloy who placed the tissues in his |
|
receiving hands. |
|
|
|
--What's that? Myles Crawford said with a start. Where are the other two |
|
gone? |
|
|
|
--Who? the professor said, turning. They're gone round to the Oval for a |
|
drink. Paddy Hooper is there with Jack Hall. Came over last night. |
|
|
|
--Come on then, Myles Crawford said. Where's my hat? |
|
|
|
He walked jerkily into the office behind, parting the vent of his jacket, |
|
jingling his keys in his back pocket. They jingled then in the air and |
|
against the wood as he locked his desk drawer. |
|
|
|
--He's pretty well on, professor MacHugh said in a low voice. |
|
|
|
--Seems to be, J. J. O'Molloy said, taking out a cigarettecase in |
|
murmuring meditation, but it is not always as it seems. Who has the most |
|
matches? |
|
|
|
|
|
THE CALUMET OF PEACE |
|
|
|
|
|
He offered a cigarette to the professor and took one himself. Lenehan |
|
promptly struck a match for them and lit their cigarettes in turn. J. J. |
|
O'Molloy opened his case again and offered it. |
|
|
|
--THANKY VOUS, Lenehan said, helping himself. |
|
|
|
The editor came from the inner office, a straw hat awry on his brow. |
|
He declaimed in song, pointing sternly at professor MacHugh: |
|
|
|
|
|
--'TWAS RANK AND FAME THAT TEMPTED THEE, |
|
'TWAS EMPIRE CHARMED THY HEART. |
|
|
|
|
|
The professor grinned, locking his long lips. |
|
|
|
--Eh? You bloody old Roman empire? Myles Crawford said. |
|
|
|
He took a cigarette from the open case. Lenehan, lighting it for him |
|
with quick grace, said: |
|
|
|
--Silence for my brandnew riddle! |
|
|
|
--IMPERIUM ROMANUM, J. J. O'Molloy said gently. It sounds nobler than |
|
British or Brixton. The word reminds one somehow of fat in the fire. |
|
|
|
Myles Crawford blew his first puff violently towards the ceiling. |
|
|
|
--That's it, he said. We are the fat. You and I are the fat in the fire. |
|
We haven't got the chance of a snowball in hell. |
|
|
|
|
|
THE GRANDEUR THAT WAS ROME |
|
|
|
|
|
--Wait a moment, professor MacHugh said, raising two quiet claws. We |
|
mustn't be led away by words, by sounds of words. We think of Rome, |
|
imperial, imperious, imperative. |
|
|
|
He extended elocutionary arms from frayed stained shirtcuffs, pausing: |
|
|
|
--What was their civilisation? Vast, I allow: but vile. Cloacae: sewers. |
|
The Jews in the wilderness and on the mountaintop said: IT IS MEET TO BE |
|
HERE. LET US BUILD AN ALTAR TO JEHOVAH. The Roman, like the Englishman who |
|
follows in his footsteps, brought to every new shore on which he set his |
|
foot (on our shore he never set it) only his cloacal obsession. He gazed |
|
about him in his toga and he said: IT IS MEET TO BE HERE. LET US CONSTRUCT |
|
A WATERCLOSET. |
|
|
|
--Which they accordingly did do, Lenehan said. Our old ancient ancestors, |
|
as we read in the first chapter of Guinness's, were partial to the running |
|
stream. |
|
|
|
--They were nature's gentlemen, J. J. O'Molloy murmured. But we have |
|
also Roman law. |
|
|
|
--And Pontius Pilate is its prophet, professor MacHugh responded. |
|
|
|
--Do you know that story about chief baron Palles? J. J. O'Molloy asked. |
|
It was at the royal university dinner. Everything was going |
|
swimmingly ... |
|
|
|
--First my riddle, Lenehan said. Are you ready? |
|
|
|
Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in |
|
from the hallway. Stephen Dedalus, behind him, uncovered as he entered. |
|
|
|
--ENTREZ, MES ENFANTS! Lenehan cried. |
|
|
|
--I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led by |
|
Experience visits Notoriety. |
|
|
|
--How do you do? the editor said, holding out a hand. Come in. Your |
|
governor is just gone. |
|
|
|
|
|
? ? ? |
|
|
|
|
|
Lenehan said to all: |
|
|
|
--Silence! What opera resembles a railwayline? Reflect, ponder, |
|
excogitate, reply. |
|
|
|
Stephen handed over the typed sheets, pointing to the title and signature. |
|
|
|
--Who? the editor asked. |
|
|
|
Bit torn off. |
|
|
|
--Mr Garrett Deasy, Stephen said. |
|
|
|
--That old pelters, the editor said. Who tore it? Was he short taken? |
|
|
|
|
|
ON SWIFT SAIL FLAMING |
|
FROM STORM AND SOUTH |
|
HE COMES, PALE VAMPIRE, |
|
MOUTH TO MY MOUTH. |
|
|
|
|
|
--Good day, Stephen, the professor said, coming to peer over their |
|
shoulders. Foot and mouth? Are you turned ...? |
|
|
|
Bullockbefriending bard. |
|
|
|
|
|
SHINDY IN WELLKNOWN RESTAURANT |
|
|
|
|
|
--Good day, sir, Stephen answered blushing. The letter is not mine. Mr |
|
Garrett Deasy asked me to ... |
|
|
|
--O, I know him, Myles Crawford said, and I knew his wife too. The |
|
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth |
|
disease and no mistake! The night she threw the soup in the waiter's face |
|
in the Star and Garter. Oho! |
|
|
|
A woman brought sin into the world. For Helen, the runaway wife of |
|
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni. |
|
|
|
--Is he a widower? Stephen asked. |
|
|
|
--Ay, a grass one, Myles Crawford said, his eye running down the |
|
typescript. Emperor's horses. Habsburg. An Irishman saved his life on the |
|
ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell, graf |
|
von Tirconnell in Ireland. Sent his heir over to make the king an Austrian |
|
fieldmarshal now. Going to be trouble there one day. Wild geese. O yes, |
|
every time. Don't you forget that! |
|
|
|
--The moot point is did he forget it, J. J. O'Molloy said quietly, |
|
turning a horseshoe paperweight. Saving princes is a thank you job. |
|
|
|
Professor MacHugh turned on him. |
|
|
|
--And if not? he said. |
|
|
|
--I'll tell you how it was, Myles Crawford began. A Hungarian it was one |
|
day ... |
|
|
|
|
|
LOST CAUSES |
|
|
|
|
|
NOBLE MARQUESS MENTIONED |
|
|
|
|
|
--We were always loyal to lost causes, the professor said. Success for us |
|
is the death of the intellect and of the imagination. We were never loyal |
|
to the successful. We serve them. I teach the blatant Latin language. I |
|
speak the tongue of a race the acme of whose mentality is the maxim: time |
|
is money. Material domination. DOMINUS! Lord! Where is the spirituality? |
|
Lord Jesus? Lord Salisbury? A sofa in a westend club. But the Greek! |
|
|
|
|
|
KYRIE ELEISON! |
|
|
|
|
|
A smile of light brightened his darkrimmed eyes, lengthened his long |
|
lips. |
|
|
|
--The Greek! he said again. KYRIOS! Shining word! The vowels the Semite |
|
and the Saxon know not. KYRIE! The radiance of the intellect. I ought to |
|
profess Greek, the language of the mind. KYRIE ELEISON! The closetmaker |
|
and the cloacamaker will never be lords of our spirit. We are liege |
|
subjects of the catholic chivalry of Europe that foundered at Trafalgar |
|
and of the empire of the spirit, not an IMPERIUM, that went under with the |
|
Athenian fleets at Aegospotami. Yes, yes. They went under. Pyrrhus, misled |
|
by an oracle, made a last attempt to retrieve the fortunes of Greece. |
|
Loyal to a lost cause. |
|
|
|
He strode away from them towards the window. |
|
|
|
--They went forth to battle, Mr O'Madden Burke said greyly, but they |
|
always fell. |
|
|
|
--Boohoo! Lenehan wept with a little noise. Owing to a brick received in |
|
the latter half of the matinee. Poor, poor, poor Pyrrhus! |
|
|
|
He whispered then near Stephen's ear: |
|
|
|
|
|
LENEHAN'S LIMERICK |
|
|
|
--THERE'S A PONDEROUS PUNDIT MACHUGH |
|
WHO WEARS GOGGLES OF EBONY HUE. |
|
AS HE MOSTLY SEES DOUBLE |
|
TO WEAR THEM WHY TROUBLE? |
|
I CAN'T SEE THE JOE MILLER. CAN YOU? |
|
|
|
|
|
In mourning for Sallust, Mulligan says. Whose mother is beastly dead. |
|
|
|
Myles Crawford crammed the sheets into a sidepocket. |
|
|
|
--That'll be all right, he said. I'll read the rest after. That'll be all |
|
right. |
|
|
|
Lenehan extended his hands in protest. |
|
|
|
--But my riddle! he said. What opera is like a railwayline? |
|
|
|
--Opera? Mr O'Madden Burke's sphinx face reriddled. |
|
|
|
Lenehan announced gladly: |
|
|
|
|
|
--THE ROSE OF CASTILE. See the wheeze? Rows of cast steel. Gee! |
|
|
|
He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke |
|
fell back with grace on his umbrella, feigning a gasp. |
|
|
|
--Help! he sighed. I feel a strong weakness. |
|
|
|
Lenehan, rising to tiptoe, fanned his face rapidly with the rustling |
|
tissues. |
|
|
|
The professor, returning by way of the files, swept his hand across |
|
Stephen's and Mr O'Madden Burke's loose ties. |
|
|
|
--Paris, past and present, he said. You look like communards. |
|
|
|
--Like fellows who had blown up the Bastile, J. J. O'Molloy said in quiet |
|
mockery. Or was it you shot the lord lieutenant of Finland between you? |
|
You look as though you had done the deed. General Bobrikoff. |
|
|
|
|
|
OMNIUM GATHERUM |
|
|
|
|
|
--We were only thinking about it, Stephen said. |
|
|
|
--All the talents, Myles Crawford said. Law, the classics ... |
|
|
|
--The turf, Lenehan put in. |
|
|
|
--Literature, the press. |
|
|
|
--If Bloom were here, the professor said. The gentle art of advertisement. |
|
|
|
--And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's |
|
prime favourite. |
|
|
|
Lenehan gave a loud cough. |
|
|
|
--Ahem! he said very softly. O, for a fresh of breath air! I caught a |
|
cold in the park. The gate was open. |
|
|
|
|
|
YOU CAN DO IT! |
|
|
|
|
|
The editor laid a nervous hand on Stephen's shoulder. |
|
|
|
--I want you to write something for me, he said. Something with a bite in |
|
it. You can do it. I see it in your face. IN THE LEXICON OF YOUTH ... |
|
|
|
See it in your face. See it in your eye. Lazy idle little schemer. |
|
|
|
--Foot and mouth disease! the editor cried in scornful invective. Great |
|
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the public! |
|
Give them something with a bite in it. Put us all into it, damn its soul. |
|
Father, Son and Holy Ghost and Jakes M'Carthy. |
|
|
|
--We can all supply mental pabulum, Mr O'Madden Burke said. |
|
|
|
Stephen raised his eyes to the bold unheeding stare. |
|
|
|
--He wants you for the pressgang, J. J. O'Molloy said. |
|
|
|
|
|
THE GREAT GALLAHER |
|
|
|
|
|
--You can do it, Myles Crawford repeated, clenching his hand in emphasis. |
|
Wait a minute. We'll paralyse Europe as Ignatius Gallaher used to say when |
|
he was on the shaughraun, doing billiardmarking in the Clarence. Gallaher, |
|
that was a pressman for you. That was a pen. You know how he made his |
|
mark? I'll tell you. That was the smartest piece of journalism ever known. |
|
That was in eightyone, sixth of May, time of the invincibles, murder in |
|
the Phoenix park, before you were born, I suppose. I'll show you. |
|
|
|
He pushed past them to the files. |
|
|
|
--Look at here, he said turning. The NEW YORK WORLD cabled for a special. |
|
Remember that time? |
|
|
|
Professor MacHugh nodded. |
|
|
|
--NEW YORK WORLD, the editor said, excitedly pushing back his straw hat. |
|
Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and the |
|
rest of them. Where Skin-the-Goat drove the car. Whole route, see? |
|
|
|
--Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that |
|
cabman's shelter, they say, down there at Butt bridge. Holohan told me. |
|
You know Holohan? |
|
|
|
--Hop and carry one, is it? Myles Crawford said. |
|
|
|
--And poor Gumley is down there too, so he told me, minding stones for |
|
the corporation. A night watchman. |
|
|
|
Stephen turned in surprise. |
|
|
|
--Gumley? he said. You don't say so? A friend of my father's, is it? |
|
|
|
--Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind |
|
the stones, see they don't run away. Look at here. What did Ignatius |
|
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away. Have |
|
you WEEKLY FREEMAN of 17 March? Right. Have you got that? |
|
|
|
He flung back pages of the files and stuck his finger on a point. |
|
|
|
--Take page four, advertisement for Bransome's coffee, let us say. Have |
|
you got that? Right. |
|
|
|
The telephone whirred. |
|
|
|
|
|
A DISTANT VOICE |
|
|
|
|
|
--I'll answer it, the professor said, going. |
|
|
|
--B is parkgate. Good. |
|
|
|
His finger leaped and struck point after point, vibrating. |
|
|
|
--T is viceregal lodge. C is where murder took place. K is Knockmaroon |
|
gate. |
|
|
|
The loose flesh of his neck shook like a cock's wattles. An illstarched |
|
dicky jutted up and with a rude gesture he thrust it back into his |
|
waistcoat. |
|
|
|
--Hello? EVENING TELEGRAPH here ... Hello?... Who's there? ... |
|
Yes ... Yes ... Yes. |
|
|
|
--F to P is the route Skin-the-Goat drove the car for an alibi, Inchicore, |
|
Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P. Got that? |
|
X is Davy's publichouse in upper Leeson street. |
|
|
|
The professor came to the inner door. |
|
|
|
--Bloom is at the telephone, he said. |
|
|
|
--Tell him go to hell, the editor said promptly. X is Davy's publichouse, |
|
see? |
|
|
|
|
|
CLEVER, VERY |
|
|
|
|
|
--Clever, Lenehan said. Very. |
|
|
|
--Gave it to them on a hot plate, Myles Crawford said, the whole bloody |
|
history. |
|
|
|
Nightmare from which you will never awake. |
|
|
|
--I saw it, the editor said proudly. I was present. Dick Adams, the |
|
besthearted bloody Corkman the Lord ever put the breath of life in, and |
|
myself. |
|
|
|
Lenehan bowed to a shape of air, announcing: |
|
|
|
--Madam, I'm Adam. And Able was I ere I saw Elba. |
|
|
|
--History! Myles Crawford cried. The Old Woman of Prince's street was |
|
there first. There was weeping and gnashing of teeth over that. Out of an |
|
advertisement. Gregor Grey made the design for it. That gave him the leg |
|
up. Then Paddy Hooper worked Tay Pay who took him on to the Star. |
|
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He |
|
was all their daddies! |
|
|
|
--The father of scare journalism, Lenehan confirmed, and the |
|
brother-in-law of Chris Callinan. |
|
|
|
--Hello? ... Are you there? ... Yes, he's here still. Come across |
|
yourself. |
|
|
|
--Where do you find a pressman like that now, eh? the editor cried. |
|
He flung the pages down. |
|
|
|
--Clamn dever, Lenehan said to Mr O'Madden Burke. |
|
|
|
--Very smart, Mr O'Madden Burke said. |
|
|
|
Professor MacHugh came from the inner office. |
|
|
|
--Talking about the invincibles, he said, did you see that some hawkers |
|
were up before the recorder |
|
|
|
--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home |
|
through the park to see all the trees that were blown down by that cyclone |
|
last year and thought she'd buy a view of Dublin. And it turned out to be |
|
a commemoration postcard of Joe Brady or Number One or Skin-the-Goat. |
|
Right outside the viceregal lodge, imagine! |
|
|
|
--They're only in the hook and eye department, Myles Crawford said. |
|
Psha! Press and the bar! Where have you a man now at the bar like those |
|
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan. Eh? |
|
Ah, bloody nonsense. Psha! Only in the halfpenny place. |
|
|
|
His mouth continued to twitch unspeaking in nervous curls of disdain. |
|
|
|
Would anyone wish that mouth for her kiss? How do you know? Why did |
|
you write it then? |
|
|
|
|
|
RHYMES AND REASONS |
|
|
|
|
|
Mouth, south. Is the mouth south someway? Or the south a mouth? |
|
Must be some. South, pout, out, shout, drouth. Rhymes: two men dressed |
|
the same, looking the same, two by two. |
|
|
|
|
|
. . . . . . . . . . . . . . . . . . .LA TUA PACE |
|
. . . . . . . . . . . . . . .CHE PARLAR TI PIACE |
|
. . . . .MENTREM CHE IL VENTO, COME FA, SI TACE. |
|
|
|
|
|
He saw them three by three, approaching girls, in green, in rose, in |
|
russet, entwining, PER L'AER PERSO, in mauve, in purple, QUELLA PACIFICA |
|
ORIAFIAMMA, gold of oriflamme, DI RIMIRAR FE PIU ARDENTI. But I old men, |
|
penitent, leadenfooted, underdarkneath the night: mouth south: tomb womb. |
|
|
|
--Speak up for yourself, Mr O'Madden Burke said. |
|
|
|
|
|
SUFFICIENT FOR THE DAY ... |
|
|
|
|
|
J. J. O'Molloy, smiling palely, took up the gage. |
|
|
|
--My dear Myles, he said, flinging his cigarette aside, you put a false |
|
construction on my words. I hold no brief, as at present advised, for the |
|
third profession qua profession but your Cork legs are running away with |
|
you. Why not bring in Henry Grattan and Flood and Demosthenes and |
|
Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss, |
|
Harmsworth of the farthing press, and his American cousin of the Bowery |
|
guttersheet not to mention PADDY KELLY'S BUDGET, PUE'S OCCURRENCES and our |
|
watchful friend THE SKIBBEREEN EAGLE. Why bring in a master of forensic |
|
eloquence like Whiteside? Sufficient for the day is the newspaper thereof. |
|
|
|
|
|
LINKS WITH BYGONE DAYS OF YORE |
|
|
|
|
|
--Grattan and Flood wrote for this very paper, the editor cried in his |
|
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas. |
|
Who have you now like John Philpot Curran? Psha! |
|
|
|
--Well, J. J. O'Molloy said, Bushe K.C., for example. |
|
|
|
--Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it in |
|
his blood. Kendal Bushe or I mean Seymour Bushe. |
|
|
|
--He would have been on the bench long ago, the professor said, only |
|
for ... But no matter. |
|
|
|
J. J. O'Molloy turned to Stephen and said quietly and slowly: |
|
|
|
--One of the most polished periods I think I ever listened to in my life |
|
fell from the lips of Seymour Bushe. It was in that case of fratricide, |
|
the Childs murder case. Bushe defended him. |
|
|
|
|
|
AND IN THE PORCHES OF MINE EAR DID POUR. |
|
|
|
|
|
By the way how did he find that out? He died in his sleep. Or the |
|
other story, beast with two backs? |
|
|
|
--What was that? the professor asked. |
|
|
|
|
|
ITALIA, MAGISTRA ARTIUM |
|
|
|
|
|
--He spoke on the law of evidence, J. J. O'Molloy said, of Roman justice |
|
as contrasted with the earlier Mosaic code, the LEX TALIONIS. And he cited |
|
the Moses of Michelangelo in the vatican. |
|
|
|
--Ha. |
|
|
|
--A few wellchosen words, Lenehan prefaced. Silence! |
|
|
|
Pause. J. J. O'Molloy took out his cigarettecase. |
|
|
|
False lull. Something quite ordinary. |
|
|
|
Messenger took out his matchbox thoughtfully and lit his cigar. |
|
|
|
I have often thought since on looking back over that strange time that |
|
it was that small act, trivial in itself, that striking of that match, |
|
that determined the whole aftercourse of both our lives. |
|
|
|
|
|
A POLISHED PERIOD |
|
|
|
|
|
J. J. O'Molloy resumed, moulding his words: |
|
|
|
--He said of it: THAT STONY EFFIGY IN FROZEN MUSIC, HORNED AND TERRIBLE, |
|
OF THE HUMAN FORM DIVINE, THAT ETERNAL SYMBOL OF WISDOM AND OF PROPHECY |
|
WHICH, IF AUGHT THAT THE IMAGINATION OR THE HAND OF SCULPTOR HAS WROUGHT |
|
IN MARBLE OF SOULTRANSFIGURED AND OF SOULTRANSFIGURING DESERVES TO LIVE, |
|
DESERVES TO LIVE. |
|
|
|
His slim hand with a wave graced echo and fall. |
|
|
|
--Fine! Myles Crawford said at once. |
|
|
|
--The divine afflatus, Mr O'Madden Burke said. |
|
|
|
--You like it? J. J. O'Molloy asked Stephen. |
|
|
|
Stephen, his blood wooed by grace of language and gesture, blushed. |
|
He took a cigarette from the case. J. J. O'Molloy offered his case to |
|
Myles Crawford. Lenehan lit their cigarettes as before and took his |
|
trophy, saying: |
|
|
|
--Muchibus thankibus. |
|
|
|
|
|
A MAN OF HIGH MORALE |
|
|
|
|
|
--Professor Magennis was speaking to me about you, J. J. O'Molloy said to |
|
Stephen. What do you think really of that hermetic crowd, the opal hush |
|
poets: A. E. the mastermystic? That Blavatsky woman started it. She was a |
|
nice old bag of tricks. A. E. has been telling some yankee interviewer |
|
that you came to him in the small hours of the morning to ask him about |
|
planes of consciousness. Magennis thinks you must have been pulling |
|
A. E.'s leg. He is a man of the very highest morale, Magennis. |
|
|
|
Speaking about me. What did he say? What did he say? What did he |
|
say about me? Don't ask. |
|
|
|
--No, thanks, professor MacHugh said, waving the cigarettecase aside. |
|
Wait a moment. Let me say one thing. The finest display of oratory I ever |
|
heard was a speech made by John F Taylor at the college historical |
|
society. Mr Justice Fitzgibbon, the present lord justice of appeal, had |
|
spoken and the paper under debate was an essay (new for those days), |
|
advocating the revival of the Irish tongue. |
|
|
|
He turned towards Myles Crawford and said: |
|
|
|
--You know Gerald Fitzgibbon. Then you can imagine the style of his |
|
discourse. |
|
|
|
--He is sitting with Tim Healy, J. J. O'Molloy said, rumour has it, on |
|
the Trinity college estates commission. |
|
|
|
--He is sitting with a sweet thing, Myles Crawford said, in a child's |
|
frock. Go on. Well? |
|
|
|
--It was the speech, mark you, the professor said, of a finished orator, |
|
full of courteous haughtiness and pouring in chastened diction I will not |
|
say the vials of his wrath but pouring the proud man's contumely upon the |
|
new movement. It was then a new movement. We were weak, therefore |
|
worthless. |
|
|
|
He closed his long thin lips an instant but, eager to be on, raised an |
|
outspanned hand to his spectacles and, with trembling thumb and |
|
ringfinger touching lightly the black rims, steadied them to a new focus. |
|
|
|
|
|
IMPROMPTU |
|
|
|
|
|
In ferial tone he addressed J. J. O'Molloy: |
|
|
|
--Taylor had come there, you must know, from a sickbed. That he had |
|
prepared his speech I do not believe for there was not even one |
|
shorthandwriter in the hall. His dark lean face had a growth of shaggy |
|
beard round it. He wore a loose white silk neckcloth and altogether he |
|
looked (though he was not) a dying man. |
|
|
|
His gaze turned at once but slowly from J. J. O'Molloy's towards |
|
Stephen's face and then bent at once to the ground, seeking. His unglazed |
|
linen collar appeared behind his bent head, soiled by his withering hair. |
|
Still seeking, he said: |
|
|
|
--When Fitzgibbon's speech had ended John F Taylor rose to reply. |
|
Briefly, as well as I can bring them to mind, his words were these. |
|
|
|
He raised his head firmly. His eyes bethought themselves once more. |
|
Witless shellfish swam in the gross lenses to and fro, seeking outlet. |
|
|
|
He began: |
|
|
|
--MR CHAIRMAN, LADIES AND GENTLEMEN: GREAT WAS MY ADMIRATION IN LISTENING |
|
TO THE REMARKS ADDRESSED TO THE YOUTH OF IRELAND A MOMENT SINCE BY MY |
|
LEARNED FRIEND. IT SEEMED TO ME THAT I HAD BEEN TRANSPORTED INTO A COUNTRY |
|
FAR AWAY FROM THIS COUNTRY, INTO AN AGE REMOTE FROM THIS AGE, THAT I STOOD |
|
IN ANCIENT EGYPT AND THAT I WAS LISTENING TO THE SPEECH OF SOME HIGHPRIEST |
|
OF THAT LAND ADDRESSED TO THE YOUTHFUL MOSES. |
|
|
|
His listeners held their cigarettes poised to hear, their smokes |
|
ascending in frail stalks that flowered with his speech. And let our |
|
crooked smokes. Noble words coming. Look out. Could you try your hand at |
|
it yourself? |
|
|
|
--AND IT SEEMED TO ME THAT I HEARD THE VOICE OF THAT EGYPTIAN HIGHPRIEST |
|
RAISED IN A TONE OF LIKE HAUGHTINESS AND LIKE PRIDE. I HEARD HIS WORDS AND |
|
THEIR MEANING WAS REVEALED TO ME. |
|
|
|
|
|
FROM THE FATHERS |
|
|
|
|
|
It was revealed to me that those things are good which yet are |
|
corrupted which neither if they were supremely good nor unless they were |
|
good could be corrupted. Ah, curse you! That's saint Augustine. |
|
|
|
--WHY WILL YOU JEWS NOT ACCEPT OUR CULTURE, OUR RELIGION AND OUR |
|
LANGUAGE? YOU ARE A TRIBE OF NOMAD HERDSMEN: WE ARE A MIGHTY PEOPLE. YOU |
|
HAVE NO CITIES NOR NO WEALTH: OUR CITIES ARE HIVES OF HUMANITY AND OUR |
|
GALLEYS, TRIREME AND QUADRIREME, LADEN WITH ALL MANNER MERCHANDISE FURROW |
|
THE WATERS OF THE KNOWN GLOBE. YOU HAVE BUT EMERGED FROM PRIMITIVE |
|
CONDITIONS: WE HAVE A LITERATURE, A PRIESTHOOD, AN AGELONG HISTORY AND A |
|
POLITY. |
|
|
|
Nile. |
|
|
|
Child, man, effigy. |
|
|
|
By the Nilebank the babemaries kneel, cradle of bulrushes: a man |
|
supple in combat: stonehorned, stonebearded, heart of stone. |
|
|
|
--YOU PRAY TO A LOCAL AND OBSCURE IDOL: OUR TEMPLES, MAJESTIC AND |
|
MYSTERIOUS, ARE THE ABODES OF ISIS AND OSIRIS, OF HORUS AND AMMON RA. |
|
YOURS SERFDOM, AWE AND HUMBLENESS: OURS THUNDER AND THE SEAS. ISRAEL IS |
|
WEAK AND FEW ARE HER CHILDREN: EGYPT IS AN HOST AND TERRIBLE ARE HER ARMS. |
|
VAGRANTS AND DAYLABOURERS ARE YOU CALLED: THE WORLD TREMBLES AT OUR NAME. |
|
|
|
A dumb belch of hunger cleft his speech. He lifted his voice above it |
|
boldly: |
|
|
|
--BUT, LADIES AND GENTLEMEN, HAD THE YOUTHFUL MOSES LISTENED TO AND |
|
ACCEPTED THAT VIEW OF LIFE, HAD HE BOWED HIS HEAD AND BOWED HIS WILL AND |
|
BOWED HIS SPIRIT BEFORE THAT ARROGANT ADMONITION HE WOULD NEVER HAVE |
|
BROUGHT THE CHOSEN PEOPLE OUT OF THEIR HOUSE OF BONDAGE, NOR FOLLOWED THE |
|
PILLAR OF THE CLOUD BY DAY. HE WOULD NEVER HAVE SPOKEN WITH THE ETERNAL |
|
AMID LIGHTNINGS ON SINAI'S MOUNTAINTOP NOR EVER HAVE COME DOWN WITH THE |
|
LIGHT OF INSPIRATION SHINING IN HIS COUNTENANCE AND BEARING IN HIS ARMS |
|
THE TABLES OF THE LAW, GRAVEN IN THE LANGUAGE OF THE OUTLAW. |
|
|
|
He ceased and looked at them, enjoying a silence. |
|
|
|
|
|
OMINOUS--FOR HIM! |
|
|
|
|
|
J. J. O'Molloy said not without regret: |
|
|
|
--And yet he died without having entered the land of promise. |
|
|
|
--A sudden--at--the--moment--though--from--lingering--illness-- |
|
often--previously--expectorated--demise, Lenehan added. And with a |
|
great future behind him. |
|
|
|
The troop of bare feet was heard rushing along the hallway and |
|
pattering up the staircase. |
|
|
|
--That is oratory, the professor said uncontradicted. Gone with the wind. |
|
Hosts at Mullaghmast and Tara of the kings. Miles of ears of porches. |
|
The tribune's words, howled and scattered to the four winds. A people |
|
sheltered within his voice. Dead noise. Akasic records of all that ever |
|
anywhere wherever was. Love and laud him: me no more. |
|
|
|
I have money. |
|
|
|
--Gentlemen, Stephen said. As the next motion on the agenda paper may I |
|
suggest that the house do now adjourn? |
|
|
|
--You take my breath away. It is not perchance a French compliment? Mr |
|
O'Madden Burke asked. 'Tis the hour, methinks, when the winejug, |
|
metaphorically speaking, is most grateful in Ye ancient hostelry. |
|
|
|
--That it be and hereby is resolutely resolved. All that are in favour |
|
say ay, Lenehan announced. The contrary no. I declare it carried. To which |
|
particular boosing shed? ... My casting vote is: Mooney's! |
|
|
|
He led the way, admonishing: |
|
|
|
--We will sternly refuse to partake of strong waters, will we not? Yes, |
|
we will not. By no manner of means. |
|
|
|
Mr O'Madden Burke, following close, said with an ally's lunge of his |
|
umbrella: |
|
|
|
--Lay on, Macduff! |
|
|
|
--Chip of the old block! the editor cried, clapping Stephen on the |
|
shoulder. Let us go. Where are those blasted keys? |
|
|
|
He fumbled in his pocket pulling out the crushed typesheets. |
|
|
|
--Foot and mouth. I know. That'll be all right. That'll go in. Where are |
|
they? That's all right. |
|
|
|
He thrust the sheets back and went into the inner office. |
|
|
|
|
|
LET US HOPE |
|
|
|
|
|
J. J. O'Molloy, about to follow him in, said quietly to Stephen: |
|
|
|
--I hope you will live to see it published. Myles, one moment. |
|
|
|
He went into the inner office, closing the door behind him. |
|
|
|
--Come along, Stephen, the professor said. That is fine, isn't it? It has |
|
the prophetic vision. FUIT ILIUM! The sack of windy Troy. Kingdoms of this |
|
world. The masters of the Mediterranean are fellaheen today. |
|
|
|
The first newsboy came pattering down the stairs at their heels and |
|
rushed out into the street, yelling: |
|
|
|
--Racing special! |
|
|
|
Dublin. I have much, much to learn. |
|
|
|
They turned to the left along Abbey street. |
|
|
|
--I have a vision too, Stephen said. |
|
|
|
--Yes? the professor said, skipping to get into step. Crawford will |
|
follow. |
|
|
|
Another newsboy shot past them, yelling as he ran: |
|
|
|
--Racing special! |
|
|
|
|
|
DEAR DIRTY DUBLIN |
|
|
|
|
|
Dubliners. |
|
|
|
--Two Dublin vestals, Stephen said, elderly and pious, have lived fifty |
|
and fiftythree years in Fumbally's lane. |
|
|
|
--Where is that? the professor asked. |
|
|
|
--Off Blackpitts, Stephen said. |
|
|
|
Damp night reeking of hungry dough. Against the wall. Face |
|
glistering tallow under her fustian shawl. Frantic hearts. Akasic records. |
|
Quicker, darlint! |
|
|
|
On now. Dare it. Let there be life. |
|
|
|
--They want to see the views of Dublin from the top of Nelson's pillar. |
|
They save up three and tenpence in a red tin letterbox moneybox. They |
|
shake out the threepenny bits and sixpences and coax out the pennies with |
|
the blade of a knife. Two and three in silver and one and seven in |
|
coppers. They put on their bonnets and best clothes and take their |
|
umbrellas for fear it may come on to rain. |
|
|
|
--Wise virgins, professor MacHugh said. |
|
|
|
|
|
LIFE ON THE RAW |
|
|
|
|
|
--They buy one and fourpenceworth of brawn and four slices of panloaf at |
|
the north city diningrooms in Marlborough street from Miss Kate Collins, |
|
proprietress ... They purchase four and twenty ripe plums from a girl at |
|
the foot of Nelson's pillar to take off the thirst of the brawn. They give |
|
two threepenny bits to the gentleman at the turnstile and begin to waddle |
|
slowly up the winding staircase, grunting, encouraging each other, afraid |
|
of the dark, panting, one asking the other have you the brawn, praising |
|
God and the Blessed Virgin, threatening to come down, peeping at the |
|
airslits. Glory be to God. They had no idea it was that high. |
|
|
|
Their names are Anne Kearns and Florence MacCabe. Anne Kearns |
|
has the lumbago for which she rubs on Lourdes water, given her by a lady |
|
who got a bottleful from a passionist father. Florence MacCabe takes a |
|
crubeen and a bottle of double X for supper every Saturday. |
|
|
|
--Antithesis, the professor said nodding twice. Vestal virgins. I can see |
|
them. What's keeping our friend? |
|
|
|
He turned. |
|
|
|
A bevy of scampering newsboys rushed down the steps, scattering in |
|
all directions, yelling, their white papers fluttering. Hard after them |
|
Myles Crawford appeared on the steps, his hat aureoling his scarlet face, |
|
talking with J. J. O'Molloy. |
|
|
|
--Come along, the professor cried, waving his arm. |
|
|
|
He set off again to walk by Stephen's side. |
|
|
|
|
|
RETURN OF BLOOM |
|
|
|
|
|
--Yes, he said. I see them. |
|
|
|
Mr Bloom, breathless, caught in a whirl of wild newsboys near the |
|
offices of the IRISH CATHOLIC AND DUBLIN PENNY JOURNAL, called: |
|
|
|
--Mr Crawford! A moment! |
|
|
|
--TELEGRAPH! Racing special! |
|
|
|
--What is it? Myles Crawford said, falling back a pace. |
|
|
|
A newsboy cried in Mr Bloom's face: |
|
|
|
--Terrible tragedy in Rathmines! A child bit by a bellows! |
|
|
|
|
|
|
|
INTERVIEW WITH THE EDITOR |
|
|
|
|
|
--Just this ad, Mr Bloom said, pushing through towards the steps, |
|
puffing, and taking the cutting from his pocket. I spoke with Mr Keyes |
|
just now. He'll give a renewal for two months, he says. After he'll see. |
|
But he wants a par to call attention in the TELEGRAPH too, the Saturday |
|
pink. And he wants it copied if it's not too late I told councillor |
|
Nannetti from the KILKENNY PEOPLE. I can have access to it in the national |
|
library. House of keys, don't you see? His name is Keyes. It's a play on |
|
the name. But he practically promised he'd give the renewal. But he wants |
|
just a little puff. What will I tell him, Mr Crawford? |
|
|
|
|
|
|
|
K.M.A. |
|
|
|
|
|
--Will you tell him he can kiss my arse? Myles Crawford said throwing out |
|
his arm for emphasis. Tell him that straight from the stable. |
|
|
|
A bit nervy. Look out for squalls. All off for a drink. Arm in arm. |
|
Lenehan's yachting cap on the cadge beyond. Usual blarney. Wonder is |
|
that young Dedalus the moving spirit. Has a good pair of boots on him |
|
today. Last time I saw him he had his heels on view. Been walking in muck |
|
somewhere. Careless chap. What was he doing in Irishtown? |
|
|
|
--Well, Mr Bloom said, his eyes returning, if I can get the design I |
|
suppose it's worth a short par. He'd give the ad, I think. I'll tell |
|
him ... |
|
|
|
|
|
K.M.R.I.A. |
|
|
|
|
|
--He can kiss my royal Irish arse, Myles Crawford cried loudly over his |
|
shoulder. Any time he likes, tell him. |
|
|
|
While Mr Bloom stood weighing the point and about to smile he strode |
|
on jerkily. |
|
|
|
|
|
RAISING THE WIND |
|
|
|
|
|
--NULLA BONA, Jack, he said, raising his hand to his chin. I'm up to |
|
here. I've been through the hoop myself. I was looking for a fellow to |
|
back a bill for me no later than last week. Sorry, Jack. You must take the |
|
will for the deed. With a heart and a half if I could raise the wind |
|
anyhow. |
|
|
|
J. J. O'Molloy pulled a long face and walked on silently. They caught |
|
up on the others and walked abreast. |
|
|
|
--When they have eaten the brawn and the bread and wiped their twenty |
|
fingers in the paper the bread was wrapped in they go nearer to the |
|
railings. |
|
|
|
--Something for you, the professor explained to Myles Crawford. Two old |
|
Dublin women on the top of Nelson's pillar. |
|
|
|
|
|
SOME COLUMN!-- |
|
THAT'S WHAT WADDLER ONE SAID |
|
|
|
|
|
--That's new, Myles Crawford said. That's copy. Out for the waxies |
|
Dargle. Two old trickies, what? |
|
|
|
--But they are afraid the pillar will fall, Stephen went on. They see the |
|
roofs and argue about where the different churches are: Rathmines' blue |
|
dome, Adam and Eve's, saint Laurence O'Toole's. But it makes them giddy to |
|
look so they pull up their skirts ... |
|
|
|
|
|
THOSE SLIGHTLY RAMBUNCTIOUS FEMALES |
|
|
|
|
|
--Easy all, Myles Crawford said. No poetic licence. We're in the |
|
archdiocese here. |
|
|
|
--And settle down on their striped petticoats, peering up at the statue |
|
of the onehandled adulterer. |
|
|
|
--Onehandled adulterer! the professor cried. I like that. I see the idea. |
|
I see what you mean. |
|
|
|
|
|
DAMES DONATE DUBLIN'S CITS SPEEDPILLS |
|
VELOCITOUS AEROLITHS, BELIEF |
|
|
|
|
|
--It gives them a crick in their necks, Stephen said, and they are too |
|
tired to look up or down or to speak. They put the bag of plums between |
|
them and eat the plums out of it, one after another, wiping off with their |
|
handkerchiefs the plumjuice that dribbles out of their mouths and spitting |
|
the plumstones slowly out between the railings. |
|
|
|
He gave a sudden loud young laugh as a close. Lenehan and Mr O'Madden |
|
Burke, hearing, turned, beckoned and led on across towards Mooney's. |
|
|
|
--Finished? Myles Crawford said. So long as they do no worse. |
|
|
|
|
|
SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON |
|
PROBOSCIS. SPARTANS GNASH MOLARS. ITHACANS |
|
VOW PEN IS CHAMP. |
|
|
|
|
|
--You remind me of Antisthenes, the professor said, a disciple of |
|
Gorgias, the sophist. It is said of him that none could tell if he were |
|
bitterer against others or against himself. He was the son of a noble and |
|
a bondwoman. And he wrote a book in which he took away the palm of beauty |
|
from Argive Helen and handed it to poor Penelope. |
|
|
|
Poor Penelope. Penelope Rich. |
|
|
|
They made ready to cross O'Connell street. |
|
|
|
|
|
HELLO THERE, CENTRAL! |
|
|
|
|
|
At various points along the eight lines tramcars with motionless |
|
trolleys stood in their tracks, bound for or from Rathmines, Rathfarnham, |
|
Blackrock, Kingstown and Dalkey, Sandymount Green, Ringsend and |
|
Sandymount Tower, Donnybrook, Palmerston Park and Upper Rathmines, |
|
all still, becalmed in short circuit. Hackney cars, cabs, delivery |
|
waggons, mailvans, private broughams, aerated mineral water floats with |
|
rattling crates of bottles, rattled, rolled, horsedrawn, rapidly. |
|
|
|
|
|
|
|
WHAT?--AND LIKEWISE--WHERE? |
|
|
|
|
|
--But what do you call it? Myles Crawford asked. Where did they get the |
|
plums? |
|
|
|
|
|
VIRGILIAN, SAYS PEDAGOGUE. |
|
SOPHOMORE PLUMPS FOR OLD MAN MOSES. |
|
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|
|
--Call it, wait, the professor said, opening his long lips wide to |
|
reflect. Call it, let me see. Call it: DEUS NOBIS HAEC OTIA FECIT. |
|
|
|
--No, Stephen said. I call it A PISGAH SIGHT OF PALESTINE OR THE PARABLE |
|
OF THE PLUMS. |
|
|
|
--I see, the professor said. |
|
|
|
He laughed richly. |
|
|
|
--I see, he said again with new pleasure. Moses and the promised land. We |
|
gave him that idea, he added to J. J. O'Molloy. |
|
|
|
|
|
HORATIO IS CYNOSURE THIS FAIR JUNE DAY |
|
|
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|
|
J. J. O'Molloy sent a weary sidelong glance towards the statue and |
|
held his peace. |
|
|
|
--I see, the professor said. |
|
|
|
He halted on sir John Gray's pavement island and peered aloft at Nelson |
|
through the meshes of his wry smile. |
|
|
|
|
|
DIMINISHED DIGITS PROVE TOO TITILLATING |
|
FOR FRISKY FRUMPS. ANNE WIMBLES, FLO |
|
WANGLES--YET CAN YOU BLAME THEM? |
|
|
|
|
|
--Onehandled adulterer, he said smiling grimly. That tickles me, I must |
|
say. |
|
|
|
--Tickled the old ones too, Myles Crawford said, if the God Almighty's |
|
truth was known. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
Pineapple rock, lemon platt, butter scotch. A sugarsticky girl |
|
shovelling scoopfuls of creams for a christian brother. Some school treat. |
|
Bad for their tummies. Lozenge and comfit manufacturer to His Majesty |
|
the King. God. Save. Our. Sitting on his throne sucking red jujubes white. |
|
|
|
A sombre Y.M.C.A. young man, watchful among the warm sweet |
|
fumes of Graham Lemon's, placed a throwaway in a hand of Mr Bloom. |
|
|
|
Heart to heart talks. |
|
|
|
Bloo ... Me? No. |
|
|
|
Blood of the Lamb. |
|
|
|
His slow feet walked him riverward, reading. Are you saved? All are |
|
washed in the blood of the lamb. God wants blood victim. Birth, hymen, |
|
martyr, war, foundation of a building, sacrifice, kidney burntoffering, |
|
druids' altars. Elijah is coming. Dr John Alexander Dowie restorer of the |
|
church in Zion is coming. |
|
|
|
|
|
IS COMING! IS COMING!! IS COMING!!! |
|
ALL HEARTILY WELCOME. |
|
|
|
|
|
Paying game. Torry and Alexander last year. Polygamy. His wife will |
|
put the stopper on that. Where was that ad some Birmingham firm the |
|
luminous crucifix. Our Saviour. Wake up in the dead of night and see him |
|
on the wall, hanging. Pepper's ghost idea. Iron nails ran in. |
|
|
|
Phosphorus it must be done with. If you leave a bit of codfish for |
|
instance. I could see the bluey silver over it. Night I went down to the |
|
pantry in the kitchen. Don't like all the smells in it waiting to rush |
|
out. What was it she wanted? The Malaga raisins. Thinking of Spain. Before |
|
Rudy was born. The phosphorescence, that bluey greeny. Very good for the |
|
brain. |
|
|
|
From Butler's monument house corner he glanced along Bachelor's |
|
walk. Dedalus' daughter there still outside Dillon's auctionrooms. Must be |
|
selling off some old furniture. Knew her eyes at once from the father. |
|
Lobbing about waiting for him. Home always breaks up when the mother |
|
goes. Fifteen children he had. Birth every year almost. That's in their |
|
theology or the priest won't give the poor woman the confession, the |
|
absolution. Increase and multiply. Did you ever hear such an idea? Eat you |
|
out of house and home. No families themselves to feed. Living on the fat |
|
of the land. Their butteries and larders. I'd like to see them do the |
|
black fast Yom Kippur. Crossbuns. One meal and a collation for fear he'd |
|
collapse on the altar. A housekeeper of one of those fellows if you could |
|
pick it out of her. Never pick it out of her. Like getting l.s.d. out of |
|
him. Does himself well. No guests. All for number one. Watching his water. |
|
Bring your own bread and butter. His reverence: mum's the word. |
|
|
|
Good Lord, that poor child's dress is in flitters. Underfed she looks |
|
too. Potatoes and marge, marge and potatoes. It's after they feel it. |
|
Proof of the pudding. Undermines the constitution. |
|
|
|
As he set foot on O'Connell bridge a puffball of smoke plumed up |
|
from the parapet. Brewery barge with export stout. England. Sea air sours |
|
it, I heard. Be interesting some day get a pass through Hancock to see the |
|
brewery. Regular world in itself. Vats of porter wonderful. Rats get in |
|
too. Drink themselves bloated as big as a collie floating. Dead drunk on |
|
the porter. Drink till they puke again like christians. Imagine drinking |
|
that! Rats: vats. Well, of course, if we knew all the things. |
|
|
|
Looking down he saw flapping strongly, wheeling between the gaunt |
|
quaywalls, gulls. Rough weather outside. If I threw myself down? |
|
Reuben J's son must have swallowed a good bellyful of that sewage. One and |
|
eightpence too much. Hhhhm. It's the droll way he comes out with the |
|
things. Knows how to tell a story too. |
|
|
|
They wheeled lower. Looking for grub. Wait. |
|
|
|
He threw down among them a crumpled paper ball. Elijah thirtytwo |
|
feet per sec is com. Not a bit. The ball bobbed unheeded on the wake of |
|
swells, floated under by the bridgepiers. Not such damn fools. Also the |
|
day I threw that stale cake out of the Erin's King picked it up in the |
|
wake fifty yards astern. Live by their wits. They wheeled, flapping. |
|
|
|
THE HUNGRY FAMISHED GULL |
|
FLAPS O'ER THE WATERS DULL. |
|
|
|
|
|
That is how poets write, the similar sounds. But then Shakespeare has |
|
no rhymes: blank verse. The flow of the language it is. The thoughts. |
|
Solemn. |
|
|
|
|
|
HAMLET, I AM THY FATHER'S SPIRIT |
|
DOOMED FOR A CERTAIN TIME TO WALK THE EARTH. |
|
|
|
|
|
--Two apples a penny! Two for a penny! |
|
|
|
His gaze passed over the glazed apples serried on her stand. |
|
Australians they must be this time of year. Shiny peels: polishes them up |
|
with a rag or a handkerchief. |
|
|
|
Wait. Those poor birds. |
|
|
|
He halted again and bought from the old applewoman two Banbury |
|
cakes for a penny and broke the brittle paste and threw its fragments down |
|
into the Liffey. See that? The gulls swooped silently, two, then all from |
|
their heights, pouncing on prey. Gone. Every morsel. |
|
|
|
Aware of their greed and cunning he shook the powdery crumb from his |
|
hands. They never expected that. Manna. Live on fish, fishy flesh |
|
they have, all seabirds, gulls, seagoose. Swans from Anna Liffey swim |
|
down here sometimes to preen themselves. No accounting for tastes. |
|
Wonder what kind is swanmeat. Robinson Crusoe had to live on them. |
|
|
|
They wheeled flapping weakly. I'm not going to throw any more. |
|
Penny quite enough. Lot of thanks I get. Not even a caw. They spread foot |
|
and mouth disease too. If you cram a turkey say on chestnutmeal it tastes |
|
like that. Eat pig like pig. But then why is it that saltwater fish are |
|
not salty? How is that? |
|
|
|
His eyes sought answer from the river and saw a rowboat rock at anchor |
|
on the treacly swells lazily its plastered board. |
|
|
|
KINO'S |
|
11/- |
|
TROUSERS |
|
|
|
Good idea that. Wonder if he pays rent to the corporation. How can |
|
you own water really? It's always flowing in a stream, never the same, |
|
which in the stream of life we trace. Because life is a stream. All kinds |
|
of places are good for ads. That quack doctor for the clap used to be |
|
stuck up in all the greenhouses. Never see it now. Strictly confidential. |
|
Dr Hy Franks. Didn't cost him a red like Maginni the dancing master self |
|
advertisement. Got fellows to stick them up or stick them up himself for |
|
that matter on the q. t. running in to loosen a button. Flybynight. Just |
|
the place too. POST NO BILLS. POST 110 PILLS. Some chap with a dose |
|
burning him. |
|
|
|
If he ...? |
|
|
|
O! |
|
|
|
Eh? |
|
|
|
No ... No. |
|
|
|
No, no. I don't believe it. He wouldn't surely? |
|
|
|
No, no. |
|
|
|
Mr Bloom moved forward, raising his troubled eyes. Think no more about |
|
that. After one. Timeball on the ballastoffice is down. Dunsink time. |
|
Fascinating little book that is of sir Robert Ball's. Parallax. I never |
|
exactly understood. There's a priest. Could ask him. Par it's Greek: |
|
parallel, parallax. Met him pike hoses she called it till I told her about |
|
the transmigration. O rocks! |
|
|
|
Mr Bloom smiled O rocks at two windows of the ballastoffice. She's |
|
right after all. Only big words for ordinary things on account of the |
|
sound. She's not exactly witty. Can be rude too. Blurt out what I was |
|
thinking. Still, I don't know. She used to say Ben Dollard had a base |
|
barreltone voice. He has legs like barrels and you'd think he was singing |
|
into a barrel. Now, isn't that wit. They used to call him big Ben. Not |
|
half as witty as calling him base barreltone. Appetite like an albatross. |
|
Get outside of a baron of beef. Powerful man he was at stowing away number |
|
one Bass. Barrel of Bass. See? It all works out. |
|
|
|
|
|
A procession of whitesmocked sandwichmen marched slowly towards |
|
him along the gutter, scarlet sashes across their boards. Bargains. Like |
|
that priest they are this morning: we have sinned: we have suffered. He |
|
read the scarlet letters on their five tall white hats: H. E. L. Y. S. |
|
Wisdom Hely's. Y lagging behind drew a chunk of bread from under his |
|
foreboard, crammed it into his mouth and munched as he walked. Our staple |
|
food. Three bob a day, walking along the gutters, street after street. |
|
Just keep skin and bone together, bread and skilly. They are not Boyl: |
|
no, M Glade's men. Doesn't bring in any business either. I suggested |
|
to him about a transparent showcart with two smart girls sitting |
|
inside writing letters, copybooks, envelopes, blottingpaper. I bet that |
|
would have caught on. Smart girls writing something catch the eye at once. |
|
Everyone dying to know what she's writing. Get twenty of them round you |
|
if you stare at nothing. Have a finger in the pie. Women too. Curiosity. |
|
Pillar of salt. Wouldn't have it of course because he didn't think |
|
of it himself first. Or the inkbottle I suggested with a false stain |
|
of black celluloid. His ideas for ads like Plumtree's potted under |
|
the obituaries, cold meat department. You can't lick 'em. What? Our |
|
envelopes. Hello, Jones, where are you going? Can't stop, Robinson, |
|
I am hastening to purchase the only reliable inkeraser KANSELL, |
|
sold by Hely's Ltd, 85 Dame street. Well out of that ruck I am. |
|
Devil of a job it was collecting accounts of those convents. Tranquilla |
|
convent. That was a nice nun there, really sweet face. Wimple suited her |
|
small head. Sister? Sister? I am sure she was crossed in love by her eyes. |
|
Very hard to bargain with that sort of a woman. I disturbed her at her |
|
devotions that morning. But glad to communicate with the outside world. |
|
Our great day, she said. Feast of Our Lady of Mount Carmel. Sweet name |
|
too: caramel. She knew I, I think she knew by the way she. If she had |
|
married she would have changed. I suppose they really were short of |
|
money. Fried everything in the best butter all the same. No lard for them. |
|
My heart's broke eating dripping. They like buttering themselves in and |
|
out. Molly tasting it, her veil up. Sister? Pat Claffey, the pawnbroker's |
|
daughter. It was a nun they say invented barbed wire. |
|
|
|
He crossed Westmoreland street when apostrophe S had plodded by. |
|
Rover cycleshop. Those races are on today. How long ago is that? Year |
|
Phil Gilligan died. We were in Lombard street west. Wait: was in Thom's. |
|
Got the job in Wisdom Hely's year we married. Six years. Ten years ago: |
|
ninetyfour he died yes that's right the big fire at Arnott's. Val Dillon |
|
was lord mayor. The Glencree dinner. Alderman Robert O'Reilly emptying the |
|
port into his soup before the flag fell. Bobbob lapping it for the inner |
|
alderman. Couldn't hear what the band played. For what we have already |
|
received may the Lord make us. Milly was a kiddy then. Molly had that |
|
elephantgrey dress with the braided frogs. Mantailored with selfcovered |
|
buttons. She didn't like it because I sprained my ankle first day she wore |
|
choir picnic at the Sugarloaf. As if that. Old Goodwin's tall hat done up |
|
with some sticky stuff. Flies' picnic too. Never put a dress on her back |
|
like it. Fitted her like a glove, shoulders and hips. Just beginning to |
|
plump it out well. Rabbitpie we had that day. People looking after her. |
|
|
|
Happy. Happier then. Snug little room that was with the red |
|
wallpaper. Dockrell's, one and ninepence a dozen. Milly's tubbing night. |
|
American soap I bought: elderflower. Cosy smell of her bathwater. Funny |
|
she looked soaped all over. Shapely too. Now photography. Poor papa's |
|
daguerreotype atelier he told me of. Hereditary taste. |
|
|
|
He walked along the curbstone. |
|
|
|
Stream of life. What was the name of that priestylooking chap was |
|
always squinting in when he passed? Weak eyes, woman. Stopped in |
|
Citron's saint Kevin's parade. Pen something. Pendennis? My memory is |
|
getting. Pen ...? Of course it's years ago. Noise of the trams probably. |
|
Well, if he couldn't remember the dayfather's name that he sees every day. |
|
|
|
Bartell d'Arcy was the tenor, just coming out then. Seeing her home |
|
after practice. Conceited fellow with his waxedup moustache. Gave her that |
|
song WINDS THAT BLOW FROM THE SOUTH. |
|
|
|
Windy night that was I went to fetch her there was that lodge meeting |
|
on about those lottery tickets after Goodwin's concert in the supperroom |
|
or oakroom of the Mansion house. He and I behind. Sheet of her music blew |
|
out of my hand against the High school railings. Lucky it didn't. Thing |
|
like that spoils the effect of a night for her. Professor Goodwin linking |
|
her in front. Shaky on his pins, poor old sot. His farewell concerts. |
|
Positively last appearance on any stage. May be for months and may be for |
|
never. Remember her laughing at the wind, her blizzard collar up. Corner |
|
of Harcourt road remember that gust. Brrfoo! Blew up all her skirts and |
|
her boa nearly smothered old Goodwin. She did get flushed in the wind. |
|
Remember when we got home raking up the fire and frying up those pieces |
|
of lap of mutton for her supper with the Chutney sauce she liked. And the |
|
mulled rum. Could see her in the bedroom from the hearth unclamping the |
|
busk of her stays: white. |
|
|
|
Swish and soft flop her stays made on the bed. Always warm from |
|
her. Always liked to let her self out. Sitting there after till near two |
|
taking out her hairpins. Milly tucked up in beddyhouse. Happy. Happy. |
|
That was the night ... |
|
|
|
--O, Mr Bloom, how do you do? |
|
|
|
--O, how do you do, Mrs Breen? |
|
|
|
--No use complaining. How is Molly those times? Haven't seen her for ages. |
|
|
|
--In the pink, Mr Bloom said gaily. Milly has a position down in |
|
Mullingar, you know. |
|
|
|
--Go away! Isn't that grand for her? |
|
|
|
--Yes. In a photographer's there. Getting on like a house on fire. How are |
|
all your charges? |
|
|
|
--All on the baker's list, Mrs Breen said. |
|
|
|
How many has she? No other in sight. |
|
|
|
--You're in black, I see. You have no ... |
|
|
|
--No, Mr Bloom said. I have just come from a funeral. |
|
|
|
Going to crop up all day, I foresee. Who's dead, when and what did |
|
he die of? Turn up like a bad penny. |
|
|
|
--O, dear me, Mrs Breen said. I hope it wasn't any near relation. |
|
|
|
May as well get her sympathy. |
|
|
|
--Dignam, Mr Bloom said. An old friend of mine. He died quite suddenly, |
|
poor fellow. Heart trouble, I believe. Funeral was this morning. |
|
|
|
|
|
YOUR FUNERAL'S TOMORROW |
|
WHILE YOU'RE COMING THROUGH THE RYE. |
|
DIDDLEDIDDLE DUMDUM |
|
DIDDLEDIDDLE ... |
|
|
|
|
|
--Sad to lose the old friends, Mrs Breen's womaneyes said melancholily. |
|
|
|
Now that's quite enough about that. Just: quietly: husband. |
|
|
|
--And your lord and master? |
|
|
|
Mrs Breen turned up her two large eyes. Hasn't lost them anyhow. |
|
|
|
--O, don't be talking! she said. He's a caution to rattlesnakes. He's in |
|
there now with his lawbooks finding out the law of libel. He has me |
|
heartscalded. Wait till I show you. |
|
|
|
Hot mockturtle vapour and steam of newbaked jampuffs rolypoly |
|
poured out from Harrison's. The heavy noonreek tickled the top of Mr |
|
Bloom's gullet. Want to make good pastry, butter, best flour, Demerara |
|
sugar, or they'd taste it with the hot tea. Or is it from her? A barefoot |
|
arab stood over the grating, breathing in the fumes. Deaden the gnaw of |
|
hunger that way. Pleasure or pain is it? Penny dinner. Knife and fork |
|
chained to the table. |
|
|
|
Opening her handbag, chipped leather. Hatpin: ought to have a |
|
guard on those things. Stick it in a chap's eye in the tram. Rummaging. |
|
Open. Money. Please take one. Devils if they lose sixpence. Raise Cain. |
|
Husband barging. Where's the ten shillings I gave you on Monday? Are |
|
you feeding your little brother's family? Soiled handkerchief: |
|
medicinebottle. Pastille that was fell. What is she? ... |
|
|
|
--There must be a new moon out, she said. He's always bad then. Do you |
|
know what he did last night? |
|
|
|
Her hand ceased to rummage. Her eyes fixed themselves on him, wide |
|
in alarm, yet smiling. |
|
|
|
--What? Mr Bloom asked. |
|
|
|
Let her speak. Look straight in her eyes. I believe you. Trust me. |
|
|
|
--Woke me up in the night, she said. Dream he had, a nightmare. |
|
|
|
Indiges. |
|
|
|
--Said the ace of spades was walking up the stairs. |
|
|
|
--The ace of spades! Mr Bloom said. |
|
|
|
She took a folded postcard from her handbag. |
|
|
|
--Read that, she said. He got it this morning. |
|
|
|
--What is it? Mr Bloom asked, taking the card. U.P.? |
|
|
|
--U.P.: up, she said. Someone taking a rise out of him. It's a great shame |
|
for them whoever he is. |
|
|
|
--Indeed it is, Mr Bloom said. |
|
|
|
She took back the card, sighing. |
|
|
|
--And now he's going round to Mr Menton's office. He's going to take an |
|
action for ten thousand pounds, he says. |
|
|
|
She folded the card into her untidy bag and snapped the catch. |
|
|
|
Same blue serge dress she had two years ago, the nap bleaching. Seen |
|
its best days. Wispish hair over her ears. And that dowdy toque: three old |
|
grapes to take the harm out of it. Shabby genteel. She used to be a tasty |
|
dresser. Lines round her mouth. Only a year or so older than Molly. |
|
|
|
See the eye that woman gave her, passing. Cruel. The unfair sex. |
|
|
|
He looked still at her, holding back behind his look his discontent. |
|
Pungent mockturtle oxtail mulligatawny. I'm hungry too. Flakes of pastry |
|
on the gusset of her dress: daub of sugary flour stuck to her cheek. |
|
Rhubarb tart with liberal fillings, rich fruit interior. Josie Powell that |
|
was. In Luke Doyle's long ago. Dolphin's Barn, the charades. U.P.: up. |
|
|
|
Change the subject. |
|
|
|
--Do you ever see anything of Mrs Beaufoy? Mr Bloom asked. |
|
|
|
--Mina Purefoy? she said. |
|
|
|
Philip Beaufoy I was thinking. Playgoers' Club. Matcham often |
|
thinks of the masterstroke. Did I pull the chain? Yes. The last act. |
|
|
|
--Yes. |
|
|
|
--I just called to ask on the way in is she over it. She's in the lying-in |
|
hospital in Holles street. Dr Horne got her in. She's three days bad now. |
|
|
|
--O, Mr Bloom said. I'm sorry to hear that. |
|
|
|
--Yes, Mrs Breen said. And a houseful of kids at home. It's a very stiff |
|
birth, the nurse told me. |
|
|
|
---O, Mr Bloom said. |
|
|
|
His heavy pitying gaze absorbed her news. His tongue clacked in |
|
compassion. Dth! Dth! |
|
|
|
--I'm sorry to hear that, he said. Poor thing! Three days! That's terrible |
|
for her. |
|
|
|
Mrs Breen nodded. |
|
|
|
--She was taken bad on the Tuesday ... |
|
|
|
Mr Bloom touched her funnybone gently, warning her: |
|
|
|
--Mind! Let this man pass. |
|
|
|
A bony form strode along the curbstone from the river staring with a |
|
rapt gaze into the sunlight through a heavystringed glass. Tight as a |
|
skullpiece a tiny hat gripped his head. From his arm a folded dustcoat, a |
|
stick and an umbrella dangled to his stride. |
|
|
|
--Watch him, Mr Bloom said. He always walks outside the lampposts. Watch! |
|
|
|
--Who is he if it's a fair question? Mrs Breen asked. Is he dotty? |
|
|
|
--His name is Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, Mr |
|
Bloom said smiling. Watch! |
|
|
|
--He has enough of them, she said. Denis will be like that one of these |
|
days. |
|
|
|
She broke off suddenly. |
|
|
|
--There he is, she said. I must go after him. Goodbye. Remember me to |
|
Molly, won't you? |
|
|
|
--I will, Mr Bloom said. |
|
|
|
He watched her dodge through passers towards the shopfronts. Denis |
|
Breen in skimpy frockcoat and blue canvas shoes shuffled out of Harrison's |
|
hugging two heavy tomes to his ribs. Blown in from the bay. Like old |
|
times. He suffered her to overtake him without surprise and thrust his |
|
dull grey beard towards her, his loose jaw wagging as he spoke earnestly. |
|
|
|
Meshuggah. Off his chump. |
|
|
|
Mr Bloom walked on again easily, seeing ahead of him in sunlight the |
|
tight skullpiece, the dangling stickumbrelladustcoat. Going the two days. |
|
Watch him! Out he goes again. One way of getting on in the world. And |
|
that other old mosey lunatic in those duds. Hard time she must have with |
|
him. |
|
|
|
U.P.: up. I'll take my oath that's Alf Bergan or Richie Goulding. |
|
Wrote it for a lark in the Scotch house I bet anything. Round to Menton's |
|
office. His oyster eyes staring at the postcard. Be a feast for the gods. |
|
|
|
He passed the IRISH TIMES. There might be other answers Iying there. |
|
Like to answer them all. Good system for criminals. Code. At their lunch |
|
now. Clerk with the glasses there doesn't know me. O, leave them there to |
|
simmer. Enough bother wading through fortyfour of them. Wanted, smart |
|
lady typist to aid gentleman in literary work. I called you naughty |
|
darling because I do not like that other world. Please tell me what is the |
|
meaning. Please tell me what perfume does your wife. Tell me who made the |
|
world. The way they spring those questions on you. And the other one |
|
Lizzie Twigg. My literary efforts have had the good fortune to meet with |
|
the approval of the eminent poet A. E. (Mr Geo. Russell). No time to do |
|
her hair drinking sloppy tea with a book of poetry. |
|
|
|
Best paper by long chalks for a small ad. Got the provinces now. |
|
Cook and general, exc. cuisine, housemaid kept. Wanted live man for spirit |
|
counter. Resp. girl (R.C.) wishes to hear of post in fruit or pork shop. |
|
James Carlisle made that. Six and a half per cent dividend. Made a big |
|
deal on Coates's shares. Ca' canny. Cunning old Scotch hunks. All the |
|
toady news. Our gracious and popular vicereine. Bought the IRISH FIELD |
|
now. Lady Mountcashel has quite recovered after her confinement and rode |
|
out with the Ward Union staghounds at the enlargement yesterday at |
|
Rathoath. Uneatable fox. Pothunters too. Fear injects juices make it |
|
tender enough for them. Riding astride. Sit her horse like a man. |
|
Weightcarrying huntress. No sidesaddle or pillion for her, not for Joe. |
|
First to the meet and in at the death. Strong as a brood mare some of |
|
those horsey women. Swagger around livery stables. Toss off a glass of |
|
brandy neat while you'd say knife. That one at the Grosvenor this morning. |
|
Up with her on the car: wishswish. Stonewall or fivebarred gate |
|
put her mount to it. Think that pugnosed driver did it out of spite. |
|
Who is this she was like? O yes! Mrs Miriam Dandrade that sold me |
|
her old wraps and black underclothes in the Shelbourne hotel. |
|
Divorced Spanish American. Didn't take a feather out of her |
|
my handling them. As if I was her clotheshorse. Saw her in the |
|
viceregal party when Stubbs the park ranger got me in with Whelan of the |
|
Express. Scavenging what the quality left. High tea. Mayonnaise I poured |
|
on the plums thinking it was custard. Her ears ought to have tingled for a |
|
few weeks after. Want to be a bull for her. Born courtesan. No nursery |
|
work for her, thanks. |
|
|
|
Poor Mrs Purefoy! Methodist husband. Method in his madness. |
|
Saffron bun and milk and soda lunch in the educational dairy. Y. M. C. A. |
|
Eating with a stopwatch, thirtytwo chews to the minute. And still his |
|
muttonchop whiskers grew. Supposed to be well connected. Theodore's |
|
cousin in Dublin Castle. One tony relative in every family. Hardy annuals |
|
he presents her with. Saw him out at the Three Jolly Topers marching along |
|
bareheaded and his eldest boy carrying one in a marketnet. The squallers. |
|
Poor thing! Then having to give the breast year after year all hours of |
|
the night. Selfish those t.t's are. Dog in the manger. Only one lump of |
|
sugar in my tea, if you please. |
|
|
|
He stood at Fleet street crossing. Luncheon interval. A sixpenny at |
|
Rowe's? Must look up that ad in the national library. An eightpenny in the |
|
Burton. Better. On my way. |
|
|
|
He walked on past Bolton's Westmoreland house. Tea. Tea. Tea. I forgot |
|
to tap Tom Kernan. |
|
|
|
Sss. Dth, dth, dth! Three days imagine groaning on a bed with a |
|
vinegared handkerchief round her forehead, her belly swollen out. Phew! |
|
Dreadful simply! Child's head too big: forceps. Doubled up inside her |
|
trying to butt its way out blindly, groping for the way out. Kill me that |
|
would. Lucky Molly got over hers lightly. They ought to invent something |
|
to stop that. Life with hard labour. Twilight sleep idea: queen Victoria |
|
was given that. Nine she had. A good layer. Old woman that lived in a shoe |
|
she had so many children. Suppose he was consumptive. Time someone thought |
|
about it instead of gassing about the what was it the pensive bosom of the |
|
silver effulgence. Flapdoodle to feed fools on. They could easily have big |
|
establishments whole thing quite painless out of all the taxes give every |
|
child born five quid at compound interest up to twentyone five per cent is |
|
a hundred shillings and five tiresome pounds multiply by twenty decimal |
|
system encourage people to put by money save hundred and ten and a bit |
|
twentyone years want to work it out on paper come to a tidy sum more than |
|
you think. |
|
|
|
Not stillborn of course. They are not even registered. Trouble for |
|
nothing. |
|
|
|
Funny sight two of them together, their bellies out. Molly and Mrs |
|
Moisel. Mothers' meeting. Phthisis retires for the time being, then |
|
returns. How flat they look all of a sudden after. Peaceful eyes. |
|
Weight off their mind. Old Mrs Thornton was a jolly old soul. All |
|
my babies, she said. The spoon of pap in her mouth before she fed |
|
them. O, that's nyumnyum. Got her hand crushed by old Tom Wall's son. |
|
His first bow to the public. Head like a prize pumpkin. Snuffy Dr Murren. |
|
People knocking them up at all hours. For God' sake, doctor. Wife in |
|
her throes. Then keep them waiting months for their fee. To attendance |
|
on your wife. No gratitude in people. Humane doctors, most of them. |
|
|
|
Before the huge high door of the Irish house of parliament a flock of |
|
pigeons flew. Their little frolic after meals. Who will we do it on? I |
|
pick the fellow in black. Here goes. Here's good luck. Must be thrilling |
|
from the air. Apjohn, myself and Owen Goldberg up in the trees near Goose |
|
green playing the monkeys. Mackerel they called me. |
|
|
|
A squad of constables debouched from College street, marching in |
|
Indian file. Goosestep. Foodheated faces, sweating helmets, patting their |
|
truncheons. After their feed with a good load of fat soup under their |
|
belts. Policeman's lot is oft a happy one. They split up in groups and |
|
scattered, saluting, towards their beats. Let out to graze. Best moment to |
|
attack one in pudding time. A punch in his dinner. A squad of others, |
|
marching irregularly, rounded Trinity railings making for the station. |
|
Bound for their troughs. Prepare to receive cavalry. Prepare to receive |
|
soup. |
|
|
|
He crossed under Tommy Moore's roguish finger. They did right to |
|
put him up over a urinal: meeting of the waters. Ought to be places for |
|
women. Running into cakeshops. Settle my hat straight. THERE IS NOT IN |
|
THIS WIDE WORLD A VALLEE. Great song of Julia Morkan's. Kept her voice up |
|
to the very last. Pupil of Michael Balfe's, wasn't she? |
|
|
|
He gazed after the last broad tunic. Nasty customers to tackle. Jack |
|
Power could a tale unfold: father a G man. If a fellow gave them trouble |
|
being lagged they let him have it hot and heavy in the bridewell. Can't |
|
blame them after all with the job they have especially the young hornies. |
|
That horsepoliceman the day Joe Chamberlain was given his degree in |
|
Trinity he got a run for his money. My word he did! His horse's hoofs |
|
clattering after us down Abbey street. Lucky I had the presence of mind to |
|
dive into Manning's or I was souped. He did come a wallop, by George. |
|
Must have cracked his skull on the cobblestones. I oughtn't to have got |
|
myself swept along with those medicals. And the Trinity jibs in their |
|
mortarboards. Looking for trouble. Still I got to know that young Dixon |
|
who dressed that sting for me in the Mater and now he's in Holles street |
|
where Mrs Purefoy. Wheels within wheels. Police whistle in my ears still. |
|
All skedaddled. Why he fixed on me. Give me in charge. Right here it |
|
began. |
|
|
|
--Up the Boers! |
|
|
|
--Three cheers for De Wet! |
|
|
|
--We'll hang Joe Chamberlain on a sourapple tree. |
|
|
|
Silly billies: mob of young cubs yelling their guts out. Vinegar hill. |
|
The Butter exchange band. Few years' time half of them magistrates and |
|
civil servants. War comes on: into the army helterskelter: same fellows |
|
used to. Whether on the scaffold high. |
|
|
|
Never know who you're talking to. Corny Kelleher he has Harvey |
|
Duff in his eye. Like that Peter or Denis or James Carey that blew the |
|
gaff on the invincibles. Member of the corporation too. Egging raw youths |
|
on to get in the know all the time drawing secret service pay from the |
|
castle. Drop him like a hot potato. Why those plainclothes men are always |
|
courting slaveys. Easily twig a man used to uniform. Squarepushing up |
|
against a backdoor. Maul her a bit. Then the next thing on the menu. And |
|
who is the gentleman does be visiting there? Was the young master saying |
|
anything? Peeping Tom through the keyhole. Decoy duck. Hotblooded young |
|
student fooling round her fat arms ironing. |
|
|
|
--Are those yours, Mary? |
|
|
|
--I don't wear such things ... Stop or I'll tell the missus on you. |
|
Out half the night. |
|
|
|
--There are great times coming, Mary. Wait till you see. |
|
|
|
--Ah, gelong with your great times coming. |
|
|
|
Barmaids too. Tobaccoshopgirls. |
|
|
|
James Stephens' idea was the best. He knew them. Circles of ten so |
|
that a fellow couldn't round on more than his own ring. Sinn Fein. Back |
|
out you get the knife. Hidden hand. Stay in. The firing squad. Turnkey's |
|
daughter got him out of Richmond, off from Lusk. Putting up in the |
|
Buckingham Palace hotel under their very noses. Garibaldi. |
|
|
|
You must have a certain fascination: Parnell. Arthur Griffith is a |
|
squareheaded fellow but he has no go in him for the mob. Or gas about our |
|
lovely land. Gammon and spinach. Dublin Bakery Company's tearoom. |
|
Debating societies. That republicanism is the best form of government. |
|
That the language question should take precedence of the economic |
|
question. Have your daughters inveigling them to your house. Stuff them |
|
up with meat and drink. Michaelmas goose. Here's a good lump of thyme |
|
seasoning under the apron for you. Have another quart of goosegrease |
|
before it gets too cold. Halffed enthusiasts. Penny roll and a walk with |
|
the band. No grace for the carver. The thought that the other chap pays |
|
best sauce in the world. Make themselves thoroughly at home. Show us over |
|
those apricots, meaning peaches. The not far distant day. Homerule sun |
|
rising up in the northwest. |
|
|
|
His smile faded as he walked, a heavy cloud hiding the sun slowly, |
|
shadowing Trinity's surly front. Trams passed one another, ingoing, |
|
outgoing, clanging. Useless words. Things go on same, day after day: |
|
squads of police marching out, back: trams in, out. Those two loonies |
|
mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed |
|
groaning to have a child tugged out of her. One born every second |
|
somewhere. Other dying every second. Since I fed the birds five minutes. |
|
Three hundred kicked the bucket. Other three hundred born, washing the |
|
blood off, all are washed in the blood of the lamb, bawling maaaaaa. |
|
|
|
Cityful passing away, other cityful coming, passing away too: other |
|
coming on, passing on. Houses, lines of houses, streets, miles of |
|
pavements, piledup bricks, stones. Changing hands. This owner, that. |
|
Landlord never dies they say. Other steps into his shoes when he gets |
|
his notice to quit. They buy the place up with gold and still they |
|
have all the gold. Swindle in it somewhere. Piled up in cities, worn |
|
away age after age. Pyramids in sand. Built on bread and onions. |
|
Slaves Chinese wall. Babylon. Big stones left. Round towers. Rest rubble, |
|
sprawling suburbs, jerrybuilt. Kerwan's mushroom houses built of breeze. |
|
Shelter, for the night. |
|
|
|
No-one is anything. |
|
|
|
This is the very worst hour of the day. Vitality. Dull, gloomy: hate |
|
this hour. Feel as if I had been eaten and spewed. |
|
|
|
Provost's house. The reverend Dr Salmon: tinned salmon. Well |
|
tinned in there. Like a mortuary chapel. Wouldn't live in it if they paid |
|
me. Hope they have liver and bacon today. Nature abhors a vacuum. |
|
|
|
The sun freed itself slowly and lit glints of light among the silverware |
|
opposite in Walter Sexton's window by which John Howard Parnell passed, |
|
unseeing. |
|
|
|
There he is: the brother. Image of him. Haunting face. Now that's a |
|
coincidence. Course hundreds of times you think of a person and don't |
|
meet him. Like a man walking in his sleep. No-one knows him. Must be a |
|
corporation meeting today. They say he never put on the city marshal's |
|
uniform since he got the job. Charley Kavanagh used to come out on his |
|
high horse, cocked hat, puffed, powdered and shaved. Look at the |
|
woebegone walk of him. Eaten a bad egg. Poached eyes on ghost. I have a |
|
pain. Great man's brother: his brother's brother. He'd look nice on the |
|
city charger. Drop into the D.B.C. probably for his coffee, play chess |
|
there. His brother used men as pawns. Let them all go to pot. Afraid to |
|
pass a remark on him. Freeze them up with that eye of his. That's the |
|
fascination: the name. All a bit touched. Mad Fanny and his other sister |
|
Mrs Dickinson driving about with scarlet harness. Bolt upright lik |
|
surgeon M'Ardle. Still David Sheehy beat him for south Meath. |
|
Apply for the Chiltern Hundreds and retire into public life. The patriot's |
|
banquet. Eating orangepeels in the park. Simon Dedalus said when they put |
|
him in parliament that Parnell would come back from the grave and lead |
|
him out of the house of commons by the arm. |
|
|
|
--Of the twoheaded octopus, one of whose heads is the head upon which |
|
the ends of the world have forgotten to come while the other speaks with a |
|
Scotch accent. The tentacles ... |
|
|
|
They passed from behind Mr Bloom along the curbstone. Beard and |
|
bicycle. Young woman. |
|
|
|
And there he is too. Now that's really a coincidence: second time. |
|
Coming events cast their shadows before. With the approval of the eminent |
|
poet, Mr Geo. Russell. That might be Lizzie Twigg with him. A. E.: what |
|
does that mean? Initials perhaps. Albert Edward, Arthur Edmund, |
|
Alphonsus Eb Ed El Esquire. What was he saying? The ends of the world |
|
with a Scotch accent. Tentacles: octopus. Something occult: symbolism. |
|
Holding forth. She's taking it all in. Not saying a word. To aid gentleman |
|
in literary work. |
|
|
|
His eyes followed the high figure in homespun, beard and bicycle, a |
|
listening woman at his side. Coming from the vegetarian. Only |
|
weggebobbles and fruit. Don't eat a beefsteak. If you do the eyes of that |
|
cow will pursue you through all eternity. They say it's healthier. |
|
Windandwatery though. Tried it. Keep you on the run all day. Bad as a |
|
bloater. Dreams all night. Why do they call that thing they gave me |
|
nutsteak? Nutarians. Fruitarians. To give you the idea you are eating |
|
rumpsteak. Absurd. Salty too. They cook in soda. Keep you sitting by the |
|
tap all night. |
|
|
|
Her stockings are loose over her ankles. I detest that: so tasteless. |
|
Those literary etherial people they are all. Dreamy, cloudy, symbolistic. |
|
Esthetes they are. I wouldn't be surprised if it was that kind of food you |
|
see produces the like waves of the brain the poetical. For example one of |
|
those policemen sweating Irish stew into their shirts you couldn't squeeze |
|
a line of poetry out of him. Don't know what poetry is even. Must be in a |
|
certain mood. |
|
|
|
|
|
THE DREAMY CLOUDY GULL |
|
WAVES O'ER THE WATERS DULL. |
|
|
|
|
|
He crossed at Nassau street corner and stood before the window of |
|
Yeates and Son, pricing the fieldglasses. Or will I drop into old Harris's |
|
and have a chat with young Sinclair? Wellmannered fellow. Probably at his |
|
lunch. Must get those old glasses of mine set right. Goerz lenses six |
|
guineas. Germans making their way everywhere. Sell on easy terms to |
|
capture trade. Undercutting. Might chance on a pair in the railway lost |
|
property office. Astonishing the things people leave behind them in trains |
|
and cloakrooms. What do they be thinking about? Women too. Incredible. |
|
Last year travelling to Ennis had to pick up that farmer's daughter's ba |
|
and hand it to her at Limerick junction. Unclaimed money too. There's a |
|
little watch up there on the roof of the bank to test those glasses by. |
|
|
|
His lids came down on the lower rims of his irides. Can't see it. If you |
|
imagine it's there you can almost see it. Can't see it. |
|
|
|
He faced about and, standing between the awnings, held out his right |
|
hand at arm's length towards the sun. Wanted to try that often. Yes: |
|
completely. The tip of his little finger blotted out the sun's disk. Must |
|
be the focus where the rays cross. If I had black glasses. Interesting. |
|
There was a lot of talk about those sunspots when we were in Lombard |
|
street west. Looking up from the back garden. Terrific explosions they |
|
are. There will be a total eclipse this year: autumn some time. |
|
|
|
Now that I come to think of it that ball falls at Greenwich time. It's |
|
the clock is worked by an electric wire from Dunsink. Must go out there |
|
some first Saturday of the month. If I could get an introduction to |
|
professor Joly or learn up something about his family. That would do to: |
|
man always feels complimented. Flattery where least expected. Nobleman |
|
proud to be descended from some king's mistress. His foremother. Lay it on |
|
with a trowel. Cap in hand goes through the land. Not go in and blurt out |
|
what you know you're not to: what's parallax? Show this gentleman the |
|
door. |
|
|
|
Ah. |
|
|
|
His hand fell to his side again. |
|
|
|
Never know anything about it. Waste of time. Gasballs spinning |
|
about, crossing each other, passing. Same old dingdong always. Gas: then |
|
solid: then world: then cold: then dead shell drifting around, frozen |
|
rock, like that pineapple rock. The moon. Must be a new moon out, she |
|
said. I believe there is. |
|
|
|
He went on by la maison Claire. |
|
|
|
Wait. The full moon was the night we were Sunday fortnight exactly |
|
there is a new moon. Walking down by the Tolka. Not bad for a Fairview |
|
moon. She was humming. The young May moon she's beaming, love. He |
|
other side of her. Elbow, arm. He. Glowworm's la-amp is gleaming, love. |
|
Touch. Fingers. Asking. Answer. Yes. |
|
|
|
Stop. Stop. If it was it was. Must. |
|
|
|
Mr Bloom, quickbreathing, slowlier walking passed Adam court. |
|
|
|
With a keep quiet relief his eyes took note this is the street here |
|
middle of the day of Bob Doran's bottle shoulders. On his annual bend, |
|
M Coy said. They drink in order to say or do something or CHERCHEZ LA |
|
FEMME. Up in the Coombe with chummies and streetwalkers and then the |
|
rest of the year sober as a judge. |
|
|
|
Yes. Thought so. Sloping into the Empire. Gone. Plain soda would do |
|
him good. Where Pat Kinsella had his Harp theatre before Whitbred ran |
|
the Queen's. Broth of a boy. Dion Boucicault business with his |
|
harvestmoon face in a poky bonnet. Three Purty Maids from School. How |
|
time flies, eh? Showing long red pantaloons under his skirts. Drinkers, |
|
drinking, laughed spluttering, their drink against their breath. More |
|
power, Pat. Coarse red: fun for drunkards: guffaw and smoke. Take off that |
|
white hat. His parboiled eyes. Where is he now? Beggar somewhere. The harp |
|
that once did starve us all. |
|
|
|
I was happier then. Or was that I? Or am I now I? Twentyeight I was. |
|
She twentythree. When we left Lombard street west something changed. |
|
Could never like it again after Rudy. Can't bring back time. Like holding |
|
water in your hand. Would you go back to then? Just beginning then. |
|
Would you? Are you not happy in your home you poor little naughty boy? |
|
Wants to sew on buttons for me. I must answer. Write it in the library. |
|
|
|
Grafton street gay with housed awnings lured his senses. Muslin |
|
prints, silkdames and dowagers, jingle of harnesses, hoofthuds lowringing |
|
in the baking causeway. Thick feet that woman has in the white stockings. |
|
Hope the rain mucks them up on her. Countrybred chawbacon. All the beef |
|
to the heels were in. Always gives a woman clumsy feet. Molly looks out of |
|
plumb. |
|
|
|
He passed, dallying, the windows of Brown Thomas, silk mercers. |
|
Cascades of ribbons. Flimsy China silks. A tilted urn poured from its |
|
mouth a flood of bloodhued poplin: lustrous blood. The huguenots brought |
|
that here. LA CAUSA E SANTA! TARA TARA. Great chorus that. Taree tara. |
|
Must be washed in rainwater. Meyerbeer. Tara: bom bom bom. |
|
|
|
Pincushions. I'm a long time threatening to buy one. Sticking them all |
|
over the place. Needles in window curtains. |
|
|
|
He bared slightly his left forearm. Scrape: nearly gone. Not today |
|
anyhow. Must go back for that lotion. For her birthday perhaps. |
|
Junejulyaugseptember eighth. Nearly three months off. Then she mightn't |
|
like it. Women won't pick up pins. Say it cuts lo. |
|
|
|
Gleaming silks, petticoats on slim brass rails, rays of flat silk |
|
stockings. |
|
|
|
Useless to go back. Had to be. Tell me all. |
|
|
|
High voices. Sunwarm silk. Jingling harnesses. All for a woman, |
|
home and houses, silkwebs, silver, rich fruits spicy from Jaffa. Agendath |
|
Netaim. Wealth of the world. |
|
|
|
A warm human plumpness settled down on his brain. His brain |
|
yielded. Perfume of embraces all him assailed. With hungered flesh |
|
obscurely, he mutely craved to adore. |
|
|
|
Duke street. Here we are. Must eat. The Burton. Feel better then. |
|
|
|
He turned Combridge's corner, still pursued. Jingling, hoofthuds. |
|
Perfumed bodies, warm, full. All kissed, yielded: in deep summer fields, |
|
tangled pressed grass, in trickling hallways of tenements, along sofas, |
|
creaking beds. |
|
|
|
--Jack, love! |
|
|
|
--Darling! |
|
|
|
--Kiss me, Reggy! |
|
|
|
--My boy! |
|
|
|
--Love! |
|
|
|
His heart astir he pushed in the door of the Burton restaurant. Stink |
|
gripped his trembling breath: pungent meatjuice, slush of greens. See the |
|
animals feed. |
|
|
|
Men, men, men. |
|
|
|
Perched on high stools by the bar, hats shoved back, at the tables |
|
calling for more bread no charge, swilling, wolfing gobfuls of sloppy |
|
food, their eyes bulging, wiping wetted moustaches. A pallid suetfaced |
|
young man polished his tumbler knife fork and spoon with his napkin. New |
|
set of microbes. A man with an infant's saucestained napkin tucked round |
|
him shovelled gurgling soup down his gullet. A man spitting back on his |
|
plate: halfmasticated gristle: gums: no teeth to chewchewchew it. Chump |
|
chop from the grill. Bolting to get it over. Sad booser's eyes. Bitten off |
|
more than he can chew. Am I like that? See ourselves as others see us. |
|
Hungry man is an angry man. Working tooth and jaw. Don't! O! A bone! That |
|
last pagan king of Ireland Cormac in the schoolpoem choked himself at |
|
Sletty southward of the Boyne. Wonder what he was eating. Something |
|
galoptious. Saint Patrick converted him to Christianity. Couldn't swallow |
|
it all however. |
|
|
|
--Roast beef and cabbage. |
|
|
|
--One stew. |
|
|
|
Smells of men. His gorge rose. Spaton sawdust, sweetish warmish |
|
cigarette smoke, reek of plug, spilt beer, men's beery piss, the stale of |
|
ferment. |
|
|
|
Couldn't eat a morsel here. Fellow sharpening knife and fork to eat |
|
all before him, old chap picking his tootles. Slight spasm, full, chewing |
|
the cud. Before and after. Grace after meals. Look on this picture then on |
|
that. Scoffing up stewgravy with sopping sippets of bread. Lick it off the |
|
plate, man! Get out of this. |
|
|
|
He gazed round the stooled and tabled eaters, tightening the wings of |
|
his nose. |
|
|
|
--Two stouts here. |
|
|
|
--One corned and cabbage. |
|
|
|
That fellow ramming a knifeful of cabbage down as if his life |
|
depended on it. Good stroke. Give me the fidgets to look. Safer to eat |
|
from his three hands. Tear it limb from limb. Second nature to him. Born |
|
with a silver knife in his mouth. That's witty, I think. Or no. Silver |
|
means born rich. Born with a knife. But then the allusion is lost. |
|
|
|
An illgirt server gathered sticky clattering plates. Rock, the head |
|
bailiff, standing at the bar blew the foamy crown from his tankard. Well |
|
up: it splashed yellow near his boot. A diner, knife and fork upright, |
|
elbows on table, ready for a second helping stared towards the foodlift |
|
across his stained square of newspaper. Other chap telling him something |
|
with his mouth full. Sympathetic listener. Table talk. I munched hum un |
|
thu Unchster Bunk un Munchday. Ha? Did you, faith? |
|
|
|
Mr Bloom raised two fingers doubtfully to his lips. His eyes said: |
|
|
|
--Not here. Don't see him. |
|
|
|
Out. I hate dirty eaters. |
|
|
|
He backed towards the door. Get a light snack in Davy Byrne's. Stopgap. |
|
Keep me going. Had a good breakfast. |
|
|
|
--Roast and mashed here. |
|
|
|
--Pint of stout. |
|
|
|
Every fellow for his own, tooth and nail. Gulp. Grub. Gulp. Gobstuff. |
|
|
|
He came out into clearer air and turned back towards Grafton street. |
|
Eat or be eaten. Kill! Kill! |
|
|
|
Suppose that communal kitchen years to come perhaps. All trotting |
|
down with porringers and tommycans to be filled. Devour contents in the |
|
street. John Howard Parnell example the provost of Trinity every mother's |
|
son don't talk of your provosts and provost of Trinity women and children |
|
cabmen priests parsons fieldmarshals archbishops. From Ailesbury road, |
|
Clyde road, artisans' dwellings, north Dublin union, lord mayor in his |
|
gingerbread coach, old queen in a bathchair. My plate's empty. After you |
|
with our incorporated drinkingcup. Like sir Philip Crampton's fountain. |
|
Rub off the microbes with your handkerchief. Next chap rubs on a new |
|
batch with his. Father O'Flynn would make hares of them all. Have rows |
|
all the same. All for number one. Children fighting for the scrapings of |
|
the pot. Want a souppot as big as the Phoenix park. Harpooning flitches |
|
and hindquarters out of it. Hate people all round you. City Arms hotel |
|
TABLE D'HOTE she called it. Soup, joint and sweet. Never know whose |
|
thoughts you're chewing. Then who'd wash up all the plates and forks? |
|
Might be all feeding on tabloids that time. Teeth getting worse and worse. |
|
|
|
After all there's a lot in that vegetarian fine flavour of things from the |
|
earth garlic of course it stinks after Italian organgrinders crisp of |
|
onions mushrooms truffles. Pain to the animal too. Pluck and draw fowl. |
|
Wretched brutes there at the cattlemarket waiting for the poleaxe to split |
|
their skulls open. Moo. Poor trembling calves. Meh. Staggering bob. Bubble |
|
and squeak. Butchers' buckets wobbly lights. Give us that brisket off the |
|
hook. Plup. Rawhead and bloody bones. Flayed glasseyed sheep hung from |
|
their haunches, sheepsnouts bloodypapered snivelling nosejam on sawdust. |
|
Top and lashers going out. Don't maul them pieces, young one. |
|
|
|
Hot fresh blood they prescribe for decline. Blood always needed. |
|
Insidious. Lick it up smokinghot, thick sugary. Famished ghosts. |
|
|
|
Ah, I'm hungry. |
|
|
|
He entered Davy Byrne's. Moral pub. He doesn't chat. Stands a |
|
drink now and then. But in leapyear once in four. Cashed a cheque for me |
|
once. |
|
|
|
What will I take now? He drew his watch. Let me see now. Shandygaff? |
|
|
|
--Hello, Bloom, Nosey Flynn said from his nook. |
|
|
|
--Hello, Flynn. |
|
|
|
--How's things? |
|
|
|
--Tiptop ... Let me see. I'll take a glass of burgundy and ... let |
|
me see. |
|
|
|
Sardines on the shelves. Almost taste them by looking. Sandwich? |
|
Ham and his descendants musterred and bred there. Potted meats. What is |
|
home without Plumtree's potted meat? Incomplete. What a stupid ad! |
|
Under the obituary notices they stuck it. All up a plumtree. Dignam's |
|
potted meat. Cannibals would with lemon and rice. White missionary too |
|
salty. Like pickled pork. Expect the chief consumes the parts of honour. |
|
Ought to be tough from exercise. His wives in a row to watch the effect. |
|
THERE WAS A RIGHT ROYAL OLD NIGGER. WHO ATE OR SOMETHING THE SOMETHINGS OF |
|
THE REVEREND MR MACTRIGGER. With it an abode of bliss. Lord knows what |
|
concoction. Cauls mouldy tripes windpipes faked and minced up. Puzzle |
|
find the meat. Kosher. No meat and milk together. Hygiene that was what |
|
they call now. Yom Kippur fast spring cleaning of inside. Peace and war |
|
depend on some fellow's digestion. Religions. Christmas turkeys and geese. |
|
Slaughter of innocents. Eat drink and be merry. Then casual wards full |
|
after. Heads bandaged. Cheese digests all but itself. Mity cheese. |
|
|
|
--Have you a cheese sandwich? |
|
|
|
--Yes, sir. |
|
|
|
Like a few olives too if they had them. Italian I prefer. Good glass of |
|
burgundy take away that. Lubricate. A nice salad, cool as a cucumber, Tom |
|
Kernan can dress. Puts gusto into it. Pure olive oil. Milly served me that |
|
cutlet with a sprig of parsley. Take one Spanish onion. God made food, the |
|
devil the cooks. Devilled crab. |
|
|
|
--Wife well? |
|
|
|
--Quite well, thanks ... A cheese sandwich, then. Gorgonzola, have you? |
|
|
|
--Yes, sir. |
|
|
|
Nosey Flynn sipped his grog. |
|
|
|
--Doing any singing those times? |
|
|
|
Look at his mouth. Could whistle in his own ear. Flap ears to match. |
|
Music. Knows as much about it as my coachman. Still better tell him. Does |
|
no harm. Free ad. |
|
|
|
--She's engaged for a big tour end of this month. You may have heard |
|
perhaps. |
|
|
|
--No. O, that's the style. Who's getting it up? |
|
|
|
The curate served. |
|
|
|
--How much is that? |
|
|
|
--Seven d., sir ... Thank you, sir. |
|
|
|
Mr Bloom cut his sandwich into slender strips. MR MACTRIGGER. Easier |
|
than the dreamy creamy stuff. HIS FIVE HUNDRED WIVES. HAD THE TIME OF |
|
THEIR LIVES. |
|
|
|
--Mustard, sir? |
|
|
|
--Thank you. |
|
|
|
He studded under each lifted strip yellow blobs. THEIR LIVES. I have it. |
|
IT GREW BIGGER AND BIGGER AND BIGGER. |
|
|
|
--Getting it up? he said. Well, it's like a company idea, you see. Part |
|
shares and part profits. |
|
|
|
--Ay, now I remember, Nosey Flynn said, putting his hand in his pocket to |
|
scratch his groin. Who is this was telling me? Isn't Blazes Boylan mixed |
|
up in it? |
|
|
|
A warm shock of air heat of mustard hanched on Mr Bloom's heart. |
|
He raised his eyes and met the stare of a bilious clock. Two. Pub clock |
|
five minutes fast. Time going on. Hands moving. Two. Not yet. |
|
|
|
His midriff yearned then upward, sank within him, yearned more longly, |
|
longingly. |
|
|
|
Wine. |
|
|
|
He smellsipped the cordial juice and, bidding his throat strongly to |
|
speed it, set his wineglass delicately down. |
|
|
|
--Yes, he said. He's the organiser in point of fact. |
|
|
|
No fear: no brains. |
|
|
|
Nosey Flynn snuffled and scratched. Flea having a good square meal. |
|
|
|
--He had a good slice of luck, Jack Mooney was telling me, over that |
|
boxingmatch Myler Keogh won again that soldier in the Portobello |
|
barracks. By God, he had the little kipper down in the county Carlow he |
|
was telling me ... |
|
|
|
Hope that dewdrop doesn't come down into his glass. No, snuffled it |
|
up. |
|
|
|
--For near a month, man, before it came off. Sucking duck eggs by God till |
|
further orders. Keep him off the boose, see? O, by God, Blazes is a hairy |
|
chap. |
|
|
|
Davy Byrne came forward from the hindbar in tuckstitched |
|
shirtsleeves, cleaning his lips with two wipes of his napkin. Herring's |
|
blush. Whose smile upon each feature plays with such and such replete. |
|
Too much fat on the parsnips. |
|
|
|
--And here's himself and pepper on him, Nosey Flynn said. Can you give |
|
us a good one for the Gold cup? |
|
|
|
--I'm off that, Mr Flynn, Davy Byrne answered. I never put anything on a |
|
horse. |
|
|
|
--You're right there, Nosey Flynn said. |
|
|
|
Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of |
|
disgust pungent mustard, the feety savour of green cheese. Sips of his |
|
wine soothed his palate. Not logwood that. Tastes fuller this weather with |
|
the chill off. |
|
|
|
Nice quiet bar. Nice piece of wood in that counter. Nicely planed. |
|
Like the way it curves there. |
|
|
|
--I wouldn't do anything at all in that line, Davy Byrne said. It ruined |
|
many a man, the same horses. |
|
|
|
Vintners' sweepstake. Licensed for the sale of beer, wine and spirits |
|
for consumption on the premises. Heads I win tails you lose. |
|
|
|
--True for you, Nosey Flynn said. Unless you're in the know. There's no |
|
straight sport going now. Lenehan gets some good ones. He's giving |
|
Sceptre today. Zinfandel's the favourite, lord Howard de Walden's, won at |
|
Epsom. Morny Cannon is riding him. I could have got seven to one against |
|
Saint Amant a fortnight before. |
|
|
|
--That so? Davy Byrne said ... |
|
|
|
He went towards the window and, taking up the pettycash book, scanned |
|
its pages. |
|
|
|
--I could, faith, Nosey Flynn said, snuffling. That was a rare bit of |
|
horseflesh. Saint Frusquin was her sire. She won in a thunderstorm, |
|
Rothschild's filly, with wadding in her ears. Blue jacket and yellow cap. |
|
Bad luck to big Ben Dollard and his John O'Gaunt. He put me off it. Ay. |
|
|
|
He drank resignedly from his tumbler, running his fingers down the flutes. |
|
|
|
--Ay, he said, sighing. |
|
|
|
Mr Bloom, champing, standing, looked upon his sigh. Nosey |
|
numbskull. Will I tell him that horse Lenehan? He knows already. Better |
|
let him forget. Go and lose more. Fool and his money. Dewdrop coming down |
|
again. Cold nose he'd have kissing a woman. Still they might like. Prickly |
|
beards they like. Dogs' cold noses. Old Mrs Riordan with the rumbling |
|
stomach's Skye terrier in the City Arms hotel. Molly fondling him in her |
|
lap. O, the big doggybowwowsywowsy! |
|
|
|
Wine soaked and softened rolled pith of bread mustard a moment |
|
mawkish cheese. Nice wine it is. Taste it better because I'm not thirsty. |
|
Bath of course does that. Just a bite or two. Then about six o'clock I can. |
|
Six. Six. Time will be gone then. She ... |
|
|
|
Mild fire of wine kindled his veins. I wanted that badly. Felt so off |
|
colour. His eyes unhungrily saw shelves of tins: sardines, gaudy lobsters' |
|
claws. All the odd things people pick up for food. Out of shells, periwinkles |
|
with a pin, off trees, snails out of the ground the French eat, out of the sea |
|
with bait on a hook. Silly fish learn nothing in a thousand years. If you |
|
didn't know risky putting anything into your mouth. Poisonous berries. |
|
Johnny Magories. Roundness you think good. Gaudy colour warns you |
|
off. One fellow told another and so on. Try it on the dog first. Led on by the |
|
smell or the look. Tempting fruit. Ice cones. Cream. Instinct. Orangegroves |
|
for instance. Need artificial irrigation. Bleibtreustrasse. Yes but what about |
|
oysters. Unsightly like a clot of phlegm. Filthy shells. Devil to open them |
|
too. Who found them out? Garbage, sewage they feed on. Fizz and Red |
|
bank oysters. Effect on the sexual. Aphrodis. He was in the Red Bank this |
|
morning. Was he oysters old fish at table perhaps he young flesh in bed no |
|
June has no ar no oysters. But there are people like things high. Tainted |
|
game. Jugged hare. First catch your hare. Chinese eating eggs fifty years |
|
old, blue and green again. Dinner of thirty courses. Each dish harmless |
|
might mix inside. Idea for a poison mystery. That archduke Leopold was it |
|
no yes or was it Otto one of those Habsburgs? Or who was it used to eat |
|
the scruff off his own head? Cheapest lunch in town. Of course aristocrats, |
|
then the others copy to be in the fashion. Milly too rock oil and flour. Raw |
|
pastry I like myself. Half the catch of oysters they throw back in the sea to |
|
keep up the price. Cheap no-one would buy. Caviare. Do the grand. Hock |
|
in green glasses. Swell blowout. Lady this. Powdered bosom pearls. The |
|
ELITE. CREME DE LA CREME. They want special dishes to pretend they're. |
|
Hermit with a platter of pulse keep down the stings of the flesh. Know me |
|
come eat with me. Royal sturgeon high sheriff, Coffey, the butcher, right to |
|
venisons of the forest from his ex. Send him back the half of a cow. Spread |
|
I saw down in the Master of the Rolls' kitchen area. Whitehatted CHEF like a |
|
rabbi. Combustible duck. Curly cabbage A LA DUCHESSE DE PARME. Just as |
|
well to write it on the bill of fare so you can know what you've eaten. Too |
|
many drugs spoil the broth. I know it myself. Dosing it with Edwards' |
|
desiccated soup. Geese stuffed silly for them. Lobsters boiled alive. Do |
|
ptake some ptarmigan. Wouldn't mind being a waiter in a swell hotel. Tips, |
|
evening dress, halfnaked ladies. May I tempt you to a little more filleted |
|
lemon sole, miss Dubedat? Yes, do bedad. And she did bedad. Huguenot |
|
name I expect that. A miss Dubedat lived in Killiney, I remember. |
|
DU, DE LA French. Still it's the same fish perhaps old Micky Hanlon of |
|
Moore street ripped the guts out of making money hand over fist finger in |
|
fishes' gills can't write his name on a cheque think he was painting the |
|
landscape with his mouth twisted. Moooikill A Aitcha Ha ignorant as a kish |
|
of brogues, worth fifty thousand pounds. |
|
|
|
Stuck on the pane two flies buzzed, stuck. |
|
|
|
Glowing wine on his palate lingered swallowed. Crushing in the |
|
winepress grapes of Burgundy. Sun's heat it is. Seems to a secret touch |
|
telling me memory. Touched his sense moistened remembered. Hidden |
|
under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. |
|
The bay purple by the Lion's head. Green by Drumleck. Yellowgreen |
|
towards Sutton. Fields of undersea, the lines faint brown in grass, buried |
|
cities. Pillowed on my coat she had her hair, earwigs in the heather scrub |
|
my hand under her nape, you'll toss me all. O wonder! Coolsoft with |
|
ointments her hand touched me, caressed: her eyes upon me did not turn |
|
away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. |
|
Softly she gave me in my mouth the seedcake warm and chewed. Mawkish |
|
pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. |
|
Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. |
|
Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A |
|
goat. No-one. High on Ben Howth rhododendrons a nannygoat walking |
|
surefooted, dropping currants. Screened under ferns she laughed |
|
warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched |
|
neck beating, woman's breasts full in her blouse of nun's veiling, fat nipples |
|
upright. Hot I tongued her. She kissed me. I was kissed. All yielding she |
|
tossed my hair. Kissed, she kissed me. |
|
|
|
Me. And me now. |
|
|
|
Stuck, the flies buzzed. |
|
|
|
His downcast eyes followed the silent veining of the oaken slab. |
|
Beauty: it curves: curves are beauty. Shapely goddesses, Venus, Juno: |
|
curves the world admires. Can see them library museum standing in the |
|
round hall, naked goddesses. Aids to digestion. They don't care what man |
|
looks. All to see. Never speaking. I mean to say to fellows like Flynn. |
|
Suppose she did Pygmalion and Galatea what would she say first? Mortal! |
|
Put you in your proper place. Quaffing nectar at mess with gods golden |
|
dishes, all ambrosial. Not like a tanner lunch we have, boiled mutton, |
|
carrots and turnips, bottle of Allsop. Nectar imagine it drinking electricity: |
|
gods' food. Lovely forms of women sculped Junonian. Immortal lovely. |
|
And we stuffing food in one hole and out behind: food, chyle, blood, dung, |
|
earth, food: have to feed it like stoking an engine. They have no. Never |
|
looked. I'll look today. Keeper won't see. Bend down let something drop |
|
see if she. |
|
|
|
Dribbling a quiet message from his bladder came to go to do not to do |
|
there to do. A man and ready he drained his glass to the lees and walked, to |
|
men too they gave themselves, manly conscious, lay with men lovers, a |
|
youth enjoyed her, to the yard. |
|
|
|
When the sound of his boots had ceased Davy Byrne said from his book: |
|
|
|
--What is this he is? Isn't he in the insurance line? |
|
|
|
--He's out of that long ago, Nosey Flynn said. He does canvassing for the |
|
FREEMAN. |
|
|
|
--I know him well to see, Davy Byrne said. Is he in trouble? |
|
|
|
--Trouble? Nosey Flynn said. Not that I heard of. Why? |
|
|
|
--I noticed he was in mourning. |
|
|
|
--Was he? Nosey Flynn said. So he was, faith. I asked him how was all at |
|
home. You're right, by God. So he was. |
|
|
|
--I never broach the subject, Davy Byrne said humanely, if I see a |
|
gentleman is in trouble that way. It only brings it up fresh in their minds. |
|
|
|
--It's not the wife anyhow, Nosey Flynn said. I met him the day before |
|
yesterday and he coming out of that Irish farm dairy John Wyse Nolan's |
|
wife has in Henry street with a jar of cream in his hand taking it home to |
|
his better half. She's well nourished, I tell you. Plovers on toast. |
|
|
|
--And is he doing for the Freeman? Davy Byrne said. |
|
|
|
Nosey Flynn pursed his lips. |
|
|
|
---He doesn't buy cream on the ads he picks up. You can make bacon of |
|
that. |
|
|
|
--How so? Davy Byrne asked, coming from his book. |
|
|
|
Nosey Flynn made swift passes in the air with juggling fingers. He |
|
winked. |
|
|
|
--He's in the craft, he said. |
|
|
|
---Do you tell me so? Davy Byrne said. |
|
|
|
--Very much so, Nosey Flynn said. Ancient free and accepted order. He's |
|
an excellent brother. Light, life and love, by God. They give him a leg up. I |
|
was told that by a--well, I won't say who. |
|
|
|
--Is that a fact? |
|
|
|
--O, it's a fine order, Nosey Flynn said. They stick to you when you're |
|
down. I know a fellow was trying to get into it. But they're as close as damn |
|
it. By God they did right to keep the women out of it. |
|
|
|
Davy Byrne smiledyawnednodded all in one: |
|
|
|
--Iiiiiichaaaaaaach! |
|
|
|
--There was one woman, Nosey Flynn said, hid herself in a clock to find |
|
out what they do be doing. But be damned but they smelt her out and swore |
|
her in on the spot a master mason. That was one of the saint Legers of |
|
Doneraile. |
|
|
|
Davy Byrne, sated after his yawn, said with tearwashed eyes: |
|
|
|
--And is that a fact? Decent quiet man he is. I often saw him in here and I |
|
never once saw him--you know, over the line. |
|
|
|
--God Almighty couldn't make him drunk, Nosey Flynn said firmly. Slips |
|
off when the fun gets too hot. Didn't you see him look at his watch? Ah, |
|
you weren't there. If you ask him to have a drink first thing he does he outs |
|
with the watch to see what he ought to imbibe. Declare to God he does. |
|
|
|
--There are some like that, Davy Byrne said. He's a safe man, I'd say. |
|
|
|
--He's not too bad, Nosey Flynn said, snuffling it up. He's been known to |
|
put his hand down too to help a fellow. Give the devil his due. O, Bloom has |
|
his good points. But there's one thing he'll never do. |
|
|
|
His hand scrawled a dry pen signature beside his grog. |
|
|
|
--I know, Davy Byrne said. |
|
|
|
--Nothing in black and white, Nosey Flynn said. |
|
|
|
Paddy Leonard and Bantam Lyons came in. Tom Rochford followed frowning, |
|
a plaining hand on his claret waistcoat. |
|
|
|
--Day, Mr Byrne. |
|
|
|
--Day, gentlemen. |
|
|
|
They paused at the counter. |
|
|
|
--Who's standing? Paddy Leonard asked. |
|
|
|
--I'm sitting anyhow, Nosey Flynn answered. |
|
|
|
--Well, what'll it be? Paddy Leonard asked. |
|
|
|
--I'll take a stone ginger, Bantam Lyons said. |
|
|
|
--How much? Paddy Leonard cried. Since when, for God' sake? What's |
|
yours, Tom? |
|
|
|
--How is the main drainage? Nosey Flynn asked, sipping. |
|
|
|
For answer Tom Rochford pressed his hand to his breastbone and hiccupped. |
|
|
|
--Would I trouble you for a glass of fresh water, Mr Byrne? he said. |
|
|
|
--Certainly, sir. |
|
|
|
Paddy Leonard eyed his alemates. |
|
|
|
--Lord love a duck, he said. Look at what I'm standing drinks to! Cold |
|
water and gingerpop! Two fellows that would suck whisky off a sore leg. |
|
He has some bloody horse up his sleeve for the Gold cup. A dead snip. |
|
|
|
--Zinfandel is it? Nosey Flynn asked. |
|
|
|
Tom Rochford spilt powder from a twisted paper into the water set |
|
before him. |
|
|
|
--That cursed dyspepsia, he said before drinking. |
|
|
|
--Breadsoda is very good, Davy Byrne said. |
|
|
|
Tom Rochford nodded and drank. |
|
|
|
--Is it Zinfandel? |
|
|
|
--Say nothing! Bantam Lyons winked. I'm going to plunge five bob on my |
|
own. |
|
|
|
--Tell us if you're worth your salt and be damned to you, Paddy Leonard |
|
said. Who gave it to you? |
|
|
|
Mr Bloom on his way out raised three fingers in greeting. |
|
|
|
--So long! Nosey Flynn said. |
|
|
|
The others turned. |
|
|
|
--That's the man now that gave it to me, Bantam Lyons whispered. |
|
|
|
--Prrwht! Paddy Leonard said with scorn. Mr Byrne, sir, we'll take two of |
|
your small Jamesons after that and a ... |
|
|
|
--Stone ginger, Davy Byrne added civilly. |
|
|
|
--Ay, Paddy Leonard said. A suckingbottle for the baby. |
|
|
|
Mr Bloom walked towards Dawson street, his tongue brushing his |
|
teeth smooth. Something green it would have to be: spinach, say. Then with |
|
those Rontgen rays searchlight you could. |
|
|
|
At Duke lane a ravenous terrier choked up a sick knuckly cud on the |
|
cobblestones and lapped it with new zest. Surfeit. Returned with thanks |
|
having fully digested the contents. First sweet then savoury. Mr Bloom |
|
coasted warily. Ruminants. His second course. Their upper jaw they move. |
|
Wonder if Tom Rochford will do anything with that invention of his? |
|
Wasting time explaining it to Flynn's mouth. Lean people long mouths. |
|
Ought to be a hall or a place where inventors could go in and invent free. |
|
Course then you'd have all the cranks pestering. |
|
|
|
He hummed, prolonging in solemn echo the closes of the bars: |
|
|
|
|
|
DON GIOVANNI, A CENAR TECO |
|
M'INVITASTI. |
|
|
|
|
|
Feel better. Burgundy. Good pick me up. Who distilled first? Some |
|
chap in the blues. Dutch courage. That KILKENNY PEOPLE in the national |
|
library now I must. |
|
|
|
Bare clean closestools waiting in the window of William Miller, |
|
plumber, turned back his thoughts. They could: and watch it all the way |
|
down, swallow a pin sometimes come out of the ribs years after, tour round |
|
the body changing biliary duct spleen squirting liver gastric juice coils of |
|
intestines like pipes. But the poor buffer would have to stand all the time |
|
with his insides entrails on show. Science. |
|
|
|
--A CENAR TECO. |
|
|
|
What does that teco mean? Tonight perhaps. |
|
|
|
|
|
DON GIOVANNI, THOU HAST ME INVITED |
|
TO COME TO SUPPER TONIGHT, |
|
THE RUM THE RUMDUM. |
|
|
|
|
|
Doesn't go properly. |
|
|
|
Keyes: two months if I get Nannetti to. That'll be two pounds ten |
|
about two pounds eight. Three Hynes owes me. Two eleven. Prescott's |
|
dyeworks van over there. If I get Billy Prescott's ad: two fifteen. Five |
|
guineas about. On the pig's back. |
|
|
|
Could buy one of those silk petticoats for Molly, colour of her new |
|
garters. |
|
|
|
Today. Today. Not think. |
|
|
|
Tour the south then. What about English wateringplaces? Brighton, |
|
Margate. Piers by moonlight. Her voice floating out. Those lovely seaside |
|
girls. Against John Long's a drowsing loafer lounged in heavy thought, |
|
gnawing a crusted knuckle. Handy man wants job. Small wages. Will eat |
|
anything. |
|
|
|
Mr Bloom turned at Gray's confectioner's window of unbought tarts |
|
and passed the reverend Thomas Connellan's bookstore. WHY I LEFT THE |
|
CHURCH OF ROME? BIRDS' NEST. Women run him. They say they used to give |
|
pauper children soup to change to protestants in the time of the potato |
|
blight. Society over the way papa went to for the conversion of poor jews. |
|
Same bait. Why we left the church of Rome. |
|
|
|
A blind stripling stood tapping the curbstone with his slender cane. |
|
No tram in sight. Wants to cross. |
|
|
|
--Do you want to cross? Mr Bloom asked. |
|
|
|
The blind stripling did not answer. His wallface frowned weakly. He |
|
moved his head uncertainly. |
|
|
|
--You're in Dawson street, Mr Bloom said. Molesworth street is opposite. |
|
Do you want to cross? There's nothing in the way. |
|
|
|
The cane moved out trembling to the left. Mr Bloom's eye followed its |
|
line and saw again the dyeworks' van drawn up before Drago's. Where I |
|
saw his brillantined hair just when I was. Horse drooping. Driver in John |
|
Long's. Slaking his drouth. |
|
|
|
--There's a van there, Mr Bloom said, but it's not moving. I'll see you |
|
across. Do you want to go to Molesworth street? |
|
|
|
--Yes, the stripling answered. South Frederick street. |
|
|
|
--Come, Mr Bloom said. |
|
|
|
He touched the thin elbow gently: then took the limp seeing hand to |
|
guide it forward. |
|
|
|
Say something to him. Better not do the condescending. They mistrust |
|
what you tell them. Pass a common remark. |
|
|
|
--The rain kept off. |
|
|
|
No answer. |
|
|
|
Stains on his coat. Slobbers his food, I suppose. Tastes all different for |
|
him. Have to be spoonfed first. Like a child's hand, his hand. Like Milly's |
|
was. Sensitive. Sizing me up I daresay from my hand. Wonder if he has a |
|
name. Van. Keep his cane clear of the horse's legs: tired drudge get his |
|
doze. That's right. Clear. Behind a bull: in front of a horse. |
|
|
|
--Thanks, sir. |
|
|
|
Knows I'm a man. Voice. |
|
|
|
--Right now? First turn to the left. |
|
|
|
The blind stripling tapped the curbstone and went on his way, drawing |
|
his cane back, feeling again. |
|
|
|
Mr Bloom walked behind the eyeless feet, a flatcut suit of herringbone |
|
tweed. Poor young fellow! How on earth did he know that van was there? |
|
Must have felt it. See things in their forehead perhaps: kind of sense of |
|
volume. Weight or size of it, something blacker than the dark. Wonder |
|
would he feel it if something was removed. Feel a gap. Queer idea of |
|
Dublin he must have, tapping his way round by the stones. Could he walk |
|
in a beeline if he hadn't that cane? Bloodless pious face like a fellow |
|
going in to be a priest. |
|
|
|
Penrose! That was that chap's name. |
|
|
|
Look at all the things they can learn to do. Read with their fingers. |
|
Tune pianos. Or we are surprised they have any brains. Why we think a |
|
deformed person or a hunchback clever if he says something we might say. |
|
Of course the other senses are more. Embroider. Plait baskets. People |
|
ought to help. Workbasket I could buy for Molly's birthday. Hates sewing. |
|
Might take an objection. Dark men they call them. |
|
|
|
Sense of smell must be stronger too. Smells on all sides, bunched |
|
together. Each street different smell. Each person too. Then the spring, the |
|
summer: smells. Tastes? They say you can't taste wines with your eyes shut |
|
or a cold in the head. Also smoke in the dark they say get no pleasure. |
|
|
|
And with a woman, for instance. More shameless not seeing. That girl |
|
passing the Stewart institution, head in the air. Look at me. I have them all |
|
on. Must be strange not to see her. Kind of a form in his mind's eye. The |
|
voice, temperatures: when he touches her with his fingers must almost see |
|
the lines, the curves. His hands on her hair, for instance. Say it was black, |
|
for instance. Good. We call it black. Then passing over her white skin. |
|
Different feel perhaps. Feeling of white. |
|
|
|
Postoffice. Must answer. Fag today. Send her a postal order two |
|
shillings, half a crown. Accept my little present. Stationer's just here too. |
|
Wait. Think over it. |
|
|
|
With a gentle finger he felt ever so slowly the hair combed back above |
|
his ears. Again. Fibres of fine fine straw. Then gently his finger felt the |
|
skin of his right cheek. Downy hair there too. Not smooth enough. The belly is |
|
the smoothest. No-one about. There he goes into Frederick street. Perhaps |
|
to Levenston's dancing academy piano. Might be settling my braces. |
|
|
|
Walking by Doran's publichouse he slid his hand between his |
|
waistcoat and trousers and, pulling aside his shirt gently, felt a slack |
|
fold of his belly. But I know it's whitey yellow. Want to try in the dark |
|
to see. |
|
|
|
He withdrew his hand and pulled his dress to. |
|
|
|
Poor fellow! Quite a boy. Terrible. Really terrible. What dreams |
|
would he have, not seeing? Life a dream for him. Where is the justice being |
|
born that way? All those women and children excursion beanfeast burned |
|
and drowned in New York. Holocaust. Karma they call that transmigration |
|
for sins you did in a past life the reincarnation met him pike hoses. |
|
Dear, dear, dear. Pity, of course: but somehow you can't cotton on to |
|
them someway. |
|
|
|
Sir Frederick Falkiner going into the freemasons' hall. Solemn as |
|
Troy. After his good lunch in Earlsfort terrace. Old legal cronies |
|
cracking a magnum. Tales of the bench and assizes and annals of the |
|
bluecoat school. I sentenced him to ten years. I suppose he'd turn up |
|
his nose at that stuff I drank. Vintage wine for them, the year |
|
marked on a dusty bottle. Has his own ideas of justice in the recorder's |
|
court. Wellmeaning old man. Police chargesheets crammed with cases |
|
get their percentage manufacturing crime. Sends them to the rightabout. |
|
The devil on moneylenders. Gave Reuben J. a great strawcalling. Now he's |
|
really what they call a dirty jew. Power those judges have. Crusty |
|
old topers in wigs. Bear with a sore paw. And may the Lord have mercy |
|
on your soul. |
|
|
|
Hello, placard. Mirus bazaar. His Excellency the lord lieutenant. |
|
Sixteenth. Today it is. In aid of funds for Mercer's hospital. THE MESSIAH |
|
was first given for that. Yes. Handel. What about going out there: |
|
Ballsbridge. Drop in on Keyes. No use sticking to him like a leech. Wear |
|
out my welcome. Sure to know someone on the gate. |
|
|
|
Mr Bloom came to Kildare street. First I must. Library. |
|
|
|
Straw hat in sunlight. Tan shoes. Turnedup trousers. It is. It is. |
|
|
|
His heart quopped softly. To the right. Museum. Goddesses. He swerved |
|
to the right. |
|
|
|
Is it? Almost certain. Won't look. Wine in my face. Why did I? Too heady. |
|
Yes, it is. The walk. Not see. Get on. |
|
|
|
Making for the museum gate with long windy steps he lifted his eyes. |
|
Handsome building. Sir Thomas Deane designed. Not following me? |
|
|
|
Didn't see me perhaps. Light in his eyes. |
|
|
|
The flutter of his breath came forth in short sighs. Quick. Cold |
|
statues: quiet there. Safe in a minute. |
|
|
|
No. Didn't see me. After two. Just at the gate. |
|
|
|
My heart! |
|
|
|
His eyes beating looked steadfastly at cream curves of stone. Sir |
|
Thomas Deane was the Greek architecture. |
|
|
|
Look for something I. |
|
|
|
His hasty hand went quick into a pocket, took out, read unfolded |
|
Agendath Netaim. Where did I? |
|
|
|
Busy looking. |
|
|
|
He thrust back quick Agendath. |
|
|
|
Afternoon she said. |
|
|
|
I am looking for that. Yes, that. Try all pockets. Handker. Freeman. |
|
Where did I? Ah, yes. Trousers. Potato. Purse. Where? |
|
|
|
Hurry. Walk quietly. Moment more. My heart. |
|
|
|
His hand looking for the where did I put found in his hip pocket soap |
|
lotion have to call tepid paper stuck. Ah soap there I yes. Gate. |
|
|
|
Safe! |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
Urbane, to comfort them, the quaker librarian purred: |
|
|
|
--And we have, have we not, those priceless pages of WILHELM MEISTER. A |
|
great poet on a great brother poet. A hesitating soul taking arms against a |
|
sea of troubles, torn by conflicting doubts, as one sees in real life. |
|
|
|
He came a step a sinkapace forward on neatsleather creaking and a |
|
step backward a sinkapace on the solemn floor. |
|
|
|
A noiseless attendant setting open the door but slightly made him a |
|
noiseless beck. |
|
|
|
--Directly, said he, creaking to go, albeit lingering. The beautiful |
|
ineffectual dreamer who comes to grief against hard facts. One always feels |
|
that Goethe's judgments are so true. True in the larger analysis. |
|
|
|
Twicreakingly analysis he corantoed off. Bald, most zealous by the |
|
door he gave his large ear all to the attendant's words: heard them: and was |
|
gone. |
|
|
|
Two left. |
|
|
|
--Monsieur de la Palice, Stephen sneered, was alive fifteen minutes before |
|
his death. |
|
|
|
--Have you found those six brave medicals, John Eglinton asked with |
|
elder's gall, to write PARADISE LOST at your dictation? THE SORROWS |
|
OF SATAN he calls it. |
|
|
|
Smile. Smile Cranly's smile. |
|
|
|
|
|
FIRST HE TICKLED HER |
|
THEN HE PATTED HER |
|
THEN HE PASSED THE FEMALE CATHETER. |
|
FOR HE WAS A MEDICAL |
|
JOLLY OLD MEDI ... |
|
|
|
|
|
--I feel you would need one more for HAMLET. Seven is dear to the mystic |
|
mind. The shining seven W.B. calls them. |
|
|
|
Glittereyed his rufous skull close to his greencapped desklamp sought |
|
the face bearded amid darkgreener shadow, an ollav, holyeyed. He laughed |
|
low: a sizar's laugh of Trinity: unanswered. |
|
|
|
|
|
ORCHESTRAL SATAN, WEEPING MANY A ROOD |
|
TEARS SUCH AS ANGELS WEEP. |
|
ED EGLI AVEA DEL CUL FATTO TROMBETTA. |
|
|
|
|
|
He holds my follies hostage. |
|
|
|
Cranly's eleven true Wicklowmen to free their sireland. Gaptoothed |
|
Kathleen, her four beautiful green fields, the stranger in her house. And one |
|
more to hail him: AVE, RABBI: the Tinahely twelve. In the shadow of the glen |
|
he cooees for them. My soul's youth I gave him, night by night. God speed. |
|
Good hunting. |
|
|
|
Mulligan has my telegram. |
|
|
|
Folly. Persist. |
|
|
|
--Our young Irish bards, John Eglinton censured, have yet to create a |
|
figure which the world will set beside Saxon Shakespeare's Hamlet though |
|
I admire him, as old Ben did, on this side idolatry. |
|
|
|
--All these questions are purely academic, Russell oracled out of his |
|
shadow. I mean, whether Hamlet is Shakespeare or James I or Essex. |
|
Clergymen's discussions of the historicity of Jesus. Art has to reveal to us |
|
ideas, formless spiritual essences. The supreme question about a work of art |
|
is out of how deep a life does it spring. The painting of Gustave Moreau is |
|
the painting of ideas. The deepest poetry of Shelley, the words of Hamlet |
|
bring our minds into contact with the eternal wisdom, Plato's world of |
|
ideas. All the rest is the speculation of schoolboys for schoolboys. |
|
|
|
A. E. has been telling some yankee interviewer. Wall, tarnation strike me! |
|
|
|
--The schoolmen were schoolboys first, Stephen said superpolitely. |
|
Aristotle was once Plato's schoolboy. |
|
|
|
--And has remained so, one should hope, John Eglinton sedately said. One |
|
can see him, a model schoolboy with his diploma under his arm. |
|
|
|
He laughed again at the now smiling bearded face. |
|
|
|
Formless spiritual. Father, Word and Holy Breath. Allfather, the |
|
heavenly man. Hiesos Kristos, magician of the beautiful, the Logos who |
|
suffers in us at every moment. This verily is that. I am the fire upon the |
|
altar. I am the sacrificial butter. |
|
|
|
Dunlop, Judge, the noblest Roman of them all, A.E., Arval, the Name |
|
Ineffable, in heaven hight: K.H., their master, whose identity is no |
|
secret to adepts. Brothers of the great white lodge always watching to |
|
see if they can help. The Christ with the bridesister, moisture of light, |
|
born of an ensouled virgin, repentant sophia, departed to the plane of |
|
buddhi. The life esoteric is not for ordinary person. O.P. must work off |
|
bad karma first. Mrs Cooper Oakley once glimpsed our very illustrious |
|
sister H.P.B.'s elemental. |
|
|
|
O, fie! Out on't! PFUITEUFEL! You naughtn't to look, missus, so you |
|
naughtn't when a lady's ashowing of her elemental. |
|
|
|
Mr Best entered, tall, young, mild, light. He bore in his hand with |
|
grace a notebook, new, large, clean, bright. |
|
|
|
--That model schoolboy, Stephen said, would find Hamlet's musings about |
|
the afterlife of his princely soul, the improbable, insignificant and |
|
undramatic monologue, as shallow as Plato's. |
|
|
|
John Eglinton, frowning, said, waxing wroth: |
|
|
|
--Upon my word it makes my blood boil to hear anyone compare Aristotle |
|
with Plato. |
|
|
|
--Which of the two, Stephen asked, would have banished me from his |
|
commonwealth? |
|
|
|
Unsheathe your dagger definitions. Horseness is the whatness of |
|
allhorse. Streams of tendency and eons they worship. God: noise in the |
|
street: very peripatetic. Space: what you damn well have to see. Through |
|
spaces smaller than red globules of man's blood they creepycrawl after |
|
Blake's buttocks into eternity of which this vegetable world is but a shadow. |
|
Hold to the now, the here, through which all future plunges to the past. |
|
|
|
Mr Best came forward, amiable, towards his colleague. |
|
|
|
--Haines is gone, he said. |
|
|
|
--Is he? |
|
|
|
--I was showing him Jubainville's book. He's quite enthusiastic, don't you |
|
know, about Hyde's LOVESONGS OF CONNACHT. I couldn't bring him in to |
|
hear the discussion. He's gone to Gill's to buy it. |
|
|
|
|
|
BOUND THEE FORTH, MY BOOKLET, QUICK |
|
TO GREET THE CALLOUS PUBLIC. |
|
WRIT, I WEEN, 'TWAS NOT MY WISH |
|
IN LEAN UNLOVELY ENGLISH. |
|
|
|
|
|
--The peatsmoke is going to his head, John Eglinton opined. |
|
|
|
We feel in England. Penitent thief. Gone. I smoked his baccy. Green |
|
twinkling stone. An emerald set in the ring of the sea. |
|
|
|
--People do not know how dangerous lovesongs can be, the auric egg of |
|
Russell warned occultly. The movements which work revolutions in the |
|
world are born out of the dreams and visions in a peasant's heart on the |
|
hillside. For them the earth is not an exploitable ground but the living |
|
mother. The rarefied air of the academy and the arena produce the |
|
sixshilling novel, the musichall song. France produces the finest flower |
|
of corruption in Mallarme but the desirable life is revealed only to the |
|
poor of heart, the life of Homer's Phaeacians. |
|
|
|
From these words Mr Best turned an unoffending face to Stephen. |
|
|
|
--Mallarme, don't you know, he said, has written those wonderful prose |
|
poems Stephen MacKenna used to read to me in Paris. The one about |
|
HAMLET. He says: IL SE PROMENE, LISANT AU LIVRE DE LUI-MEME, don't you |
|
know, READING THE BOOK OF HIMSELF. He describes HAMLET given in a French |
|
town, don't you know, a provincial town. They advertised it. |
|
|
|
His free hand graciously wrote tiny signs in air. |
|
|
|
|
|
HAMLET |
|
OU |
|
LE DISTRAIT |
|
PIECE DE SHAKESPEARE |
|
|
|
|
|
He repeated to John Eglinton's newgathered frown: |
|
|
|
--PIECE DE SHAKESPEARE, don't you know. It's so French. The French point |
|
of view. HAMLET OU ... |
|
|
|
--The absentminded beggar, Stephen ended. |
|
|
|
John Eglinton laughed. |
|
|
|
--Yes, I suppose it would be, he said. Excellent people, no doubt, but |
|
distressingly shortsighted in some matters. |
|
|
|
Sumptuous and stagnant exaggeration of murder. |
|
|
|
--A deathsman of the soul Robert Greene called him, Stephen said. Not for |
|
nothing was he a butcher's son, wielding the sledded poleaxe and spitting |
|
in his palms. Nine lives are taken off for his father's one. Our Father |
|
who art in purgatory. Khaki Hamlets don't hesitate to shoot. The |
|
bloodboltered shambles in act five is a forecast of the concentration camp |
|
sung by Mr Swinburne. |
|
|
|
Cranly, I his mute orderly, following battles from afar. |
|
|
|
WHELPS AND DAMS OF MURDEROUS FOES WHOM NONE |
|
BUT WE HAD SPARED ... |
|
|
|
|
|
Between the Saxon smile and yankee yawp. The devil and the deep sea. |
|
|
|
--He will have it that HAMLET is a ghoststory, John Eglinton said for Mr |
|
Best's behoof. Like the fat boy in Pickwick he wants to make our flesh |
|
creep. |
|
|
|
|
|
LIST! LIST! O LIST! |
|
|
|
|
|
My flesh hears him: creeping, hears. |
|
|
|
|
|
IF THOU DIDST EVER ... |
|
|
|
|
|
--What is a ghost? Stephen said with tingling energy. One who has faded |
|
into impalpability through death, through absence, through change of |
|
manners. Elizabethan London lay as far from Stratford as corrupt Paris |
|
lies from virgin Dublin. Who is the ghost from LIMBO PATRUM, returning to |
|
the world that has forgotten him? Who is King Hamlet? |
|
|
|
John Eglinton shifted his spare body, leaning back to judge. |
|
|
|
Lifted. |
|
|
|
--It is this hour of a day in mid June, Stephen said, begging with a swift |
|
glance their hearing. The flag is up on the playhouse by the bankside. The |
|
bear Sackerson growls in the pit near it, Paris garden. Canvasclimbers who |
|
sailed with Drake chew their sausages among the groundlings. |
|
|
|
Local colour. Work in all you know. Make them accomplices. |
|
|
|
--Shakespeare has left the huguenot's house in Silver street and walks by |
|
the swanmews along the riverbank. But he does not stay to feed the pen |
|
chivying her game of cygnets towards the rushes. The swan of Avon has |
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other thoughts. |
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|
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Composition of place. Ignatius Loyola, make haste to help me! |
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|
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--The play begins. A player comes on under the shadow, made up in the |
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castoff mail of a court buck, a wellset man with a bass voice. It is the |
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ghost, the king, a king and no king, and the player is Shakespeare who has |
|
studied HAMLET all the years of his life which were not vanity in order to |
|
play the part of the spectre. He speaks the words to Burbage, the young player |
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who stands before him beyond the rack of cerecloth, calling him by a name: |
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HAMLET, I AM THY FATHER'S SPIRIT, |
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bidding him list. To a son he speaks, the son of his soul, the prince, young |
|
Hamlet and to the son of his body, Hamnet Shakespeare, who has died in |
|
Stratford that his namesake may live for ever. |
|
|
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Is it possible that that player Shakespeare, a ghost by absence, and in the |
|
vesture of buried Denmark, a ghost by death, speaking his own words to |
|
his own son's name (had Hamnet Shakespeare lived he would have been |
|
prince Hamlet's twin), is it possible, I want to know, or probable that he |
|
did not draw or foresee the logical conclusion of those premises: you are |
|
the dispossessed son: I am the murdered father: your mother is the |
|
guilty queen, Ann Shakespeare, born Hathaway? |
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|
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--But this prying into the family life of a great man, Russell began |
|
impatiently. |
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Art thou there, truepenny? |
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|
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--Interesting only to the parish clerk. I mean, we have the plays. I mean |
|
when we read the poetry of KING LEAR what is it to us how the poet lived? |
|
As for living our servants can do that for us, Villiers de l'Isle has said. |
|
Peeping and prying into greenroom gossip of the day, the poet's drinking, |
|
the poet's debts. We have KING LEAR: and it is immortal. |
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Mr Best's face, appealed to, agreed. |
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FLOW OVER THEM WITH YOUR WAVES AND WITH YOUR WATERS, MANANAAN, |
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MANANAAN MACLIR ... |
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How now, sirrah, that pound he lent you when you were hungry? |
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Marry, I wanted it. |
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Take thou this noble. |
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Go to! You spent most of it in Georgina Johnson's bed, clergyman's |
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daughter. Agenbite of inwit. |
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Do you intend to pay it back? |
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O, yes. |
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When? Now? |
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Well ... No. |
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When, then? |
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I paid my way. I paid my way. |
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Steady on. He's from beyant Boyne water. The northeast corner. You owe it. |
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Wait. Five months. Molecules all change. I am other I now. Other I got |
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pound. |
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Buzz. Buzz. |
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But I, entelechy, form of forms, am I by memory because under |
|
everchanging forms. |
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I that sinned and prayed and fasted. |
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A child Conmee saved from pandies. |
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I, I and I. I. |
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A.E.I.O.U. |
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|
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--Do you mean to fly in the face of the tradition of three centuries? John |
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Eglinton's carping voice asked. Her ghost at least has been laid for ever. |
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She died, for literature at least, before she was born. |
|
|
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--She died, Stephen retorted, sixtyseven years after she was born. She saw |
|
him into and out of the world. She took his first embraces. She bore his |
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children and she laid pennies on his eyes to keep his eyelids closed when he |
|
lay on his deathbed. |
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Mother's deathbed. Candle. The sheeted mirror. Who brought me |
|
into this world lies there, bronzelidded, under few cheap flowers. LILIATA |
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RUTILANTIUM. |
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I wept alone. |
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|
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John Eglinton looked in the tangled glowworm of his lamp. |
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|
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--The world believes that Shakespeare made a mistake, he said, and got out |
|
of it as quickly and as best he could. |
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|
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--Bosh! Stephen said rudely. A man of genius makes no mistakes. His |
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errors are volitional and are the portals of discovery. |
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Portals of discovery opened to let in the quaker librarian, |
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softcreakfooted, bald, eared and assiduous. |
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|
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--A shrew, John Eglinton said shrewdly, is not a useful portal of discovery, |
|
one should imagine. What useful discovery did Socrates learn from |
|
Xanthippe? |
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--Dialectic, Stephen answered: and from his mother how to bring thoughts |
|
into the world. What he learnt from his other wife Myrto (ABSIT NOMEN!), |
|
Socratididion's Epipsychidion, no man, not a woman, will ever know. But |
|
neither the midwife's lore nor the caudlelectures saved him from the |
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archons of Sinn Fein and their naggin of hemlock. |
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|
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--But Ann Hathaway? Mr Best's quiet voice said forgetfully. Yes, we seem |
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to be forgetting her as Shakespeare himself forgot her. |
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|
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His look went from brooder's beard to carper's skull, to remind, to |
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chide them not unkindly, then to the baldpink lollard costard, guiltless |
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though maligned. |
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|
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--He had a good groatsworth of wit, Stephen said, and no truant memory. |
|
He carried a memory in his wallet as he trudged to Romeville whistling THE |
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GIRL I LEFT BEHIND ME. If the earthquake did not time it we should know |
|
where to place poor Wat, sitting in his form, the cry of hounds, the studded |
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bridle and her blue windows. That memory, VENUS AND ADONIS, lay in the |
|
bedchamber of every light-of-love in London. Is Katharine the shrew |
|
illfavoured? Hortensio calls her young and beautiful. Do you think the |
|
writer of ANTONY AND CLEOPATRA, a passionate pilgrim, had his eyes in the |
|
back of his head that he chose the ugliest doxy in all Warwickshire to lie |
|
withal? Good: he left her and gained the world of men. But his boywomen |
|
are the women of a boy. Their life, thought, speech are lent them by males. |
|
He chose badly? He was chosen, it seems to me. If others have their will |
|
Ann hath a way. By cock, she was to blame. She put the comether on him, |
|
sweet and twentysix. The greyeyed goddess who bends over the boy Adonis, |
|
stooping to conquer, as prologue to the swelling act, is a boldfaced |
|
Stratford wench who tumbles in a cornfield a lover younger than herself. |
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And my turn? When? |
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Come! |
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|
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--Ryefield, Mr Best said brightly, gladly, raising his new book, gladly, |
|
brightly. |
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He murmured then with blond delight for all: |
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BETWEEN THE ACRES OF THE RYE |
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THESE PRETTY COUNTRYFOLK WOULD LIE. |
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Paris: the wellpleased pleaser. |
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|
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A tall figure in bearded homespun rose from shadow and unveiled its |
|
cooperative watch. |
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--I am afraid I am due at the HOMESTEAD. |
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Whither away? Exploitable ground. |
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|
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--Are you going? John Eglinton's active eyebrows asked. Shall we see you |
|
at Moore's tonight? Piper is coming. |
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|
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--Piper! Mr Best piped. Is Piper back? |
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|
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Peter Piper pecked a peck of pick of peck of pickled pepper. |
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|
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--I don't know if I can. Thursday. We have our meeting. If I can get away |
|
in time. |
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|
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Yogibogeybox in Dawson chambers. ISIS UNVEILED. Their Pali book |
|
we tried to pawn. Crosslegged under an umbrel umbershoot he thrones an |
|
Aztec logos, functioning on astral levels, their oversoul, mahamahatma. The |
|
faithful hermetists await the light, ripe for chelaship, ringroundabout him. |
|
Louis H. Victory. T. Caulfield Irwin. Lotus ladies tend them i'the eyes, their |
|
pineal glands aglow. Filled with his god, he thrones, Buddh under plantain. |
|
Gulfer of souls, engulfer. Hesouls, shesouls, shoals of souls. Engulfed with |
|
wailing creecries, whirled, whirling, they bewail. |
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IN QUINTESSENTIAL TRIVIALITY |
|
FOR YEARS IN THIS FLESHCASE A SHESOUL DWELT. |
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|
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--They say we are to have a literary surprise, the quaker librarian said, |
|
friendly and earnest. Mr Russell, rumour has it, is gathering together a |
|
sheaf of our younger poets' verses. We are all looking forward anxiously. |
|
|
|
Anxiously he glanced in the cone of lamplight where three faces, |
|
lighted, shone. |
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|
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See this. Remember. |
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|
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Stephen looked down on a wide headless caubeen, hung on his |
|
ashplanthandle over his knee. My casque and sword. Touch lightly with |
|
two index fingers. Aristotle's experiment. One or two? Necessity is that in |
|
virtue of which it is impossible that one can be otherwise. Argal, one hat is |
|
one hat. |
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|
|
Listen. |
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|
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Young Colum and Starkey. George Roberts is doing the commercial part. |
|
Longworth will give it a good puff in the EXPRESS. O, will he? I liked |
|
Colum's DROVER. Yes, I think he has that queer thing genius. Do you think |
|
he has genius really? Yeats admired his line: AS IN WILD EARTH A GRECIAN |
|
VASE. Did he? I hope you'll be able to come tonight. Malachi Mulligan is |
|
coming too. Moore asked him to bring Haines. Did you hear Miss |
|
Mitchell's joke about Moore and Martyn? That Moore is Martyn's wild |
|
oats? Awfully clever, isn't it? They remind one of Don Quixote and Sancho |
|
Panza. Our national epic has yet to be written, Dr Sigerson says. Moore is |
|
the man for it. A knight of the rueful countenance here in Dublin. With a |
|
saffron kilt? O'Neill Russell? O, yes, he must speak the grand old tongue. |
|
And his Dulcinea? James Stephens is doing some clever sketches. We are |
|
becoming important, it seems. |
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|
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Cordelia. CORDOGLIO. Lir's loneliest daughter. |
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Nookshotten. Now your best French polish. |
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--Thank you very much, Mr Russell, Stephen said, rising. If you will be so |
|
kind as to give the letter to Mr Norman ... |
|
|
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--O, yes. If he considers it important it will go in. We have so much |
|
correspondence. |
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--I understand, Stephen said. Thanks. |
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God ild you. The pigs' paper. Bullockbefriending. |
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Synge has promised me an article for DANA too. Are we going to be |
|
read? I feel we are. The Gaelic league wants something in Irish. I hope you |
|
will come round tonight. Bring Starkey. |
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|
|
Stephen sat down. |
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|
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The quaker librarian came from the leavetakers. Blushing, his mask |
|
said: |
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|
|
--Mr Dedalus, your views are most illuminating. |
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|
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He creaked to and fro, tiptoing up nearer heaven by the altitude of a |
|
chopine, and, covered by the noise of outgoing, said low: |
|
|
|
--Is it your view, then, that she was not faithful to the poet? |
|
|
|
Alarmed face asks me. Why did he come? Courtesy or an inward |
|
light? |
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|
|
--Where there is a reconciliation, Stephen said, there must have been first a |
|
sundering. |
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|
|
--Yes. |
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|
Christfox in leather trews, hiding, a runaway in blighted treeforks, |
|
from hue and cry. Knowing no vixen, walking lonely in the chase. Women |
|
he won to him, tender people, a whore of Babylon, ladies of justices, bully |
|
tapsters' wives. Fox and geese. And in New Place a slack dishonoured body |
|
that once was comely, once as sweet, as fresh as cinnamon, now her leaves |
|
falling, all, bare, frighted of the narrow grave and unforgiven. |
|
|
|
--Yes. So you think ... |
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|
The door closed behind the outgoer. |
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|
|
Rest suddenly possessed the discreet vaulted cell, rest of warm and |
|
brooding air. |
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|
|
A vestal's lamp. |
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|
|
Here he ponders things that were not: what Caesar would have lived |
|
to do had he believed the soothsayer: what might have been: possibilities of |
|
the possible as possible: things not known: what name Achilles bore when |
|
he lived among women. |
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|
|
Coffined thoughts around me, in mummycases, embalmed in spice of |
|
words. Thoth, god of libraries, a birdgod, moonycrowned. And I heard the |
|
voice of that Egyptian highpriest. IN PAINTED CHAMBERS LOADED WITH |
|
TILEBOOKS. |
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|
They are still. Once quick in the brains of men. Still: but an itch of |
|
death is in them, to tell me in my ear a maudlin tale, urge me to wreak their |
|
will. |
|
|
|
--Certainly, John Eglinton mused, of all great men he is the most enigmatic. |
|
We know nothing but that he lived and suffered. Not even so much. Others |
|
abide our question. A shadow hangs over all the rest. |
|
|
|
--But HAMLET is so personal, isn't it? Mr Best pleaded. I mean, a kind of |
|
private paper, don't you know, of his private life. I mean, I don't care a |
|
button, don't you know, who is killed or who is guilty ... |
|
|
|
He rested an innocent book on the edge of the desk, smiling his |
|
defiance. His private papers in the original. TA AN BAD AR AN TIR. TAIM IN MO |
|
SHAGART. Put beurla on it, littlejohn. |
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|
|
Quoth littlejohn Eglinton: |
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|
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--I was prepared for paradoxes from what Malachi Mulligan told us but I |
|
may as well warn you that if you want to shake my belief that Shakespeare |
|
is Hamlet you have a stern task before you. |
|
|
|
Bear with me. |
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|
|
Stephen withstood the bane of miscreant eyes glinting stern under |
|
wrinkled brows. A basilisk. E QUANDO VEDE L'UOMO L'ATTOSCA. Messer |
|
Brunetto, I thank thee for the word. |
|
|
|
--As we, or mother Dana, weave and unweave our bodies, Stephen said, |
|
from day to day, their molecules shuttled to and fro, so does the artist |
|
weave and unweave his image. And as the mole on my right breast is where |
|
it was when I was born, though all my body has been woven of new stuff |
|
time after time, so through the ghost of the unquiet father the image of the |
|
unliving son looks forth. In the intense instant of imagination, when the |
|
mind, Shelley says, is a fading coal, that which I was is that which I am and |
|
that which in possibility I may come to be. So in the future, the sister of |
|
the past, I may see myself as I sit here now but by reflection from that which |
|
then I shall be. |
|
|
|
Drummond of Hawthornden helped you at that stile. |
|
|
|
--Yes, Mr Best said youngly. I feel Hamlet quite young. The bitterness |
|
might be from the father but the passages with Ophelia are surely from the |
|
son. |
|
|
|
Has the wrong sow by the lug. He is in my father. I am in his son. |
|
|
|
--That mole is the last to go, Stephen said, laughing. |
|
|
|
John Eglinton made a nothing pleasing mow. |
|
|
|
--If that were the birthmark of genius, he said, genius would be a drug in |
|
the market. The plays of Shakespeare's later years which Renan admired so |
|
much breathe another spirit. |
|
|
|
--The spirit of reconciliation, the quaker librarian breathed. |
|
|
|
--There can be no reconciliation, Stephen said, if there has not been a |
|
sundering. |
|
|
|
Said that. |
|
|
|
--If you want to know what are the events which cast their shadow over the |
|
hell of time of KING LEAR, OTHELLO, HAMLET, TROILUS AND CRESSIDA, look to |
|
see when and how the shadow lifts. What softens the heart of a man, |
|
shipwrecked in storms dire, Tried, like another Ulysses, Pericles, prince of |
|
Tyre? |
|
|
|
Head, redconecapped, buffeted, brineblinded. |
|
|
|
--A child, a girl, placed in his arms, Marina. |
|
|
|
--The leaning of sophists towards the bypaths of apocrypha is a constant |
|
quantity, John Eglinton detected. The highroads are dreary but they lead to |
|
the town. |
|
|
|
Good Bacon: gone musty. Shakespeare Bacon's wild oats. |
|
Cypherjugglers going the highroads. Seekers on the great quest. What |
|
town, good masters? Mummed in names: A. E., eon: Magee, John Eglinton. |
|
East of the sun, west of the moon: TIR NA N-OG. Booted the twain and |
|
staved. |
|
|
|
|
|
HOW MANY MILES TO DUBLIN? |
|
THREE SCORE AND TEN, SIR. |
|
WILL WE BE THERE BY CANDLELIGHT? |
|
|
|
|
|
--Mr Brandes accepts it, Stephen said, as the first play of the closing |
|
period. |
|
|
|
--Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver |
|
his name is, say of it? |
|
|
|
--Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita, that |
|
which was lost. What was lost is given back to him: his daughter's child. |
|
MY DEAREST WIFE, Pericles says, WAS LIKE THIS MAID. Will any man love the |
|
daughter if he has not loved the mother? |
|
|
|
--The art of being a grandfather, Mr Best gan murmur. L'ART D'ETRE |
|
GRAND ... |
|
|
|
--Will he not see reborn in her, with the memory of his own youth added, |
|
another image? |
|
|
|
Do you know what you are talking about? Love, yes. Word known to |
|
all men. Amor vero aliquid alicui bonum vult unde et ea quae |
|
concupiscimus ... |
|
|
|
--His own image to a man with that queer thing genius is the standard of |
|
all experience, material and moral. Such an appeal will touch him. The |
|
images of other males of his blood will repel him. He will see in them |
|
grotesque attempts of nature to foretell or to repeat himself. |
|
|
|
The benign forehead of the quaker librarian enkindled rosily with hope. |
|
|
|
--I hope Mr Dedalus will work out his theory for the enlightenment of the |
|
public. And we ought to mention another Irish commentator, Mr George |
|
Bernard Shaw. Nor should we forget Mr Frank Harris. His articles on |
|
Shakespeare in the SATURDAY REVIEW were surely brilliant. Oddly enough |
|
he too draws for us an unhappy relation with the dark lady of the sonnets. |
|
The favoured rival is William Herbert, earl of Pembroke. I own that if the |
|
poet must be rejected such a rejection would seem more in harmony |
|
with--what shall I say?--our notions of what ought not to have been. |
|
|
|
Felicitously he ceased and held a meek head among them, auk's egg, |
|
prize of their fray. |
|
|
|
He thous and thees her with grave husbandwords. Dost love, Miriam? |
|
Dost love thy man? |
|
|
|
--That may be too, Stephen said. There's a saying of Goethe's which Mr |
|
Magee likes to quote. Beware of what you wish for in youth because you |
|
will get it in middle life. Why does he send to one who is a BUONAROBA, a |
|
bay where all men ride, a maid of honour with a scandalous girlhood, a |
|
lordling to woo for him? He was himself a lord of language and had made |
|
himself a coistrel gentleman and he had written ROMEO AND JULIET. Why? |
|
Belief in himself has been untimely killed. He was overborne in a |
|
cornfield first (ryefield, I should say) and he will never be a victor |
|
in his own eyes after nor play victoriously the game of laugh and lie |
|
down. Assumed dongiovannism will not save him. No later undoing will undo |
|
the first undoing. The tusk of the boar has wounded him there where love |
|
lies ableeding. If the shrew is worsted yet there remains to her woman's |
|
invisible weapon. There is, I feel in the words, some goad of the flesh |
|
driving him into a new passion, a darker shadow of the first, darkening |
|
even his own understanding of himself. A like fate awaits him and the two |
|
rages commingle in a whirlpool. |
|
|
|
They list. And in the porches of their ears I pour. |
|
|
|
--The soul has been before stricken mortally, a poison poured in the porch |
|
of a sleeping ear. But those who are done to death in sleep cannot know |
|
the manner of their quell unless their Creator endow their souls with that |
|
knowledge in the life to come. The poisoning and the beast with two backs |
|
that urged it King Hamlet's ghost could not know of were he not endowed |
|
with knowledge by his creator. That is why the speech (his lean unlovely |
|
English) is always turned elsewhere, backward. Ravisher and ravished, |
|
what he would but would not, go with him from Lucrece's bluecircled ivory |
|
globes to Imogen's breast, bare, with its mole cinquespotted. He goes |
|
back, weary of the creation he has piled up to hide him from himself, an |
|
old dog licking an old sore. But, because loss is his gain, he passes on |
|
towards eternity in undiminished personality, untaught by the wisdom he |
|
has written or by the laws he has revealed. His beaver is up. He is a |
|
ghost, a shadow now, the wind by Elsinore's rocks or what you will, the |
|
sea's voice, a voice heard only in the heart of him who is the substance |
|
of his shadow, the son consubstantial with the father. |
|
|
|
--Amen! was responded from the doorway. |
|
|
|
Hast thou found me, O mine enemy? |
|
|
|
ENTR'ACTE. |
|
|
|
A ribald face, sullen as a dean's, Buck Mulligan came forward, then |
|
blithe in motley, towards the greeting of their smiles. My telegram. |
|
|
|
--You were speaking of the gaseous vertebrate, if I mistake not? he asked |
|
of Stephen. |
|
|
|
Primrosevested he greeted gaily with his doffed Panama as with a bauble. |
|
|
|
They make him welcome. WAS DU VERLACHST WIRST DU NOCH DIENEN. |
|
|
|
Brood of mockers: Photius, pseudomalachi, Johann Most. |
|
|
|
He Who Himself begot middler the Holy Ghost and Himself sent |
|
Himself, Agenbuyer, between Himself and others, Who, put upon by His |
|
fiends, stripped and whipped, was nailed like bat to barndoor, starved on |
|
crosstree, Who let Him bury, stood up, harrowed hell, fared into heaven |
|
and there these nineteen hundred years sitteth on the right hand of His |
|
Own Self but yet shall come in the latter day to doom the quick and dead |
|
when all the quick shall be dead already. |
|
|
|
Glo--o--ri--a in ex--cel--sis De--o. |
|
|
|
He lifts his hands. Veils fall. O, flowers! Bells with bells with bells |
|
aquiring. |
|
|
|
--Yes, indeed, the quaker librarian said. A most instructive discussion. |
|
Mr Mulligan, I'll be bound, has his theory too of the play and of |
|
Shakespeare. All sides of life should be represented. |
|
|
|
He smiled on all sides equally. |
|
|
|
Buck Mulligan thought, puzzled: |
|
|
|
--Shakespeare? he said. I seem to know the name. |
|
|
|
A flying sunny smile rayed in his loose features. |
|
|
|
--To be sure, he said, remembering brightly. The chap that writes like |
|
Synge. |
|
|
|
Mr Best turned to him. |
|
|
|
--Haines missed you, he said. Did you meet him? He'll see you after at the |
|
D. B. C. He's gone to Gill's to buy Hyde's LOVESONGS OF CONNACHT. |
|
|
|
--I came through the museum, Buck Mulligan said. Was he here? |
|
|
|
--The bard's fellowcountrymen, John Eglinton answered, are rather tired |
|
perhaps of our brilliancies of theorising. I hear that an actress played |
|
Hamlet for the fourhundredandeighth time last night in Dublin. Vining |
|
held that the prince was a woman. Has no-one made him out to be an |
|
Irishman? Judge Barton, I believe, is searching for some clues. He swears |
|
(His Highness not His Lordship) by saint Patrick. |
|
|
|
--The most brilliant of all is that story of Wilde's, Mr Best said, |
|
lifting his brilliant notebook. THAT PORTRAIT OF MR W. H. where he proves |
|
that the sonnets were written by a Willie Hughes, a man all hues. |
|
|
|
--For Willie Hughes, is it not? the quaker librarian asked. |
|
|
|
Or Hughie Wills? Mr William Himself. W. H.: who am I? |
|
|
|
--I mean, for Willie Hughes, Mr Best said, amending his gloss easily. Of |
|
course it's all paradox, don't you know, Hughes and hews and hues, the |
|
colour, but it's so typical the way he works it out. It's the very essence |
|
of Wilde, don't you know. The light touch. |
|
|
|
His glance touched their faces lightly as he smiled, a blond ephebe. |
|
Tame essence of Wilde. |
|
|
|
You're darned witty. Three drams of usquebaugh you drank with Dan Deasy's |
|
ducats. |
|
|
|
How much did I spend? O, a few shillings. |
|
|
|
For a plump of pressmen. Humour wet and dry. |
|
|
|
Wit. You would give your five wits for youth's proud livery he pranks |
|
in. Lineaments of gratified desire. |
|
|
|
There be many mo. Take her for me. In pairing time. Jove, a cool |
|
ruttime send them. Yea, turtledove her. |
|
|
|
Eve. Naked wheatbellied sin. A snake coils her, fang in's kiss. |
|
|
|
--Do you think it is only a paradox? the quaker librarian was asking. The |
|
mocker is never taken seriously when he is most serious. |
|
|
|
They talked seriously of mocker's seriousness. |
|
|
|
Buck Mulligan's again heavy face eyed Stephen awhile. Then, his |
|
head wagging, he came near, drew a folded telegram from his pocket. His |
|
mobile lips read, smiling with new delight. |
|
|
|
--Telegram! he said. Wonderful inspiration! Telegram! A papal bull! |
|
|
|
He sat on a corner of the unlit desk, reading aloud joyfully: |
|
|
|
--THE SENTIMENTALIST IS HE WHO WOULD ENJOY WITHOUT INCURRING THE IMMENSE |
|
DEBTORSHIP FOR A THING DONE. Signed: Dedalus. Where did you launch it |
|
from? The kips? No. College Green. Have you drunk the four quid? The |
|
aunt is going to call on your unsubstantial father. Telegram! Malachi |
|
Mulligan, The Ship, lower Abbey street. O, you peerless mummer! O, you |
|
priestified Kinchite! |
|
|
|
Joyfully he thrust message and envelope into a pocket but keened in a |
|
querulous brogue: |
|
|
|
--It's what I'm telling you, mister honey, it's queer and sick we were, |
|
Haines and myself, the time himself brought it in. 'Twas murmur we did for |
|
a gallus potion would rouse a friar, I'm thinking, and he limp with |
|
leching. And we one hour and two hours and three hours in Connery's |
|
sitting civil waiting for pints apiece. |
|
|
|
He wailed: |
|
|
|
--And we to be there, mavrone, and you to be unbeknownst sending us |
|
your conglomerations the way we to have our tongues out a yard long like |
|
the drouthy clerics do be fainting for a pussful. |
|
|
|
Stephen laughed. |
|
|
|
Quickly, warningfully Buck Mulligan bent down. |
|
|
|
--The tramper Synge is looking for you, he said, to murder you. He heard |
|
you pissed on his halldoor in Glasthule. He's out in pampooties to murder |
|
you. |
|
|
|
--Me! Stephen exclaimed. That was your contribution to literature. |
|
|
|
Buck Mulligan gleefully bent back, laughing to the dark eavesdropping |
|
ceiling. |
|
|
|
--Murder you! he laughed. |
|
|
|
Harsh gargoyle face that warred against me over our mess of hash of |
|
lights in rue Saint-Andre-des-Arts. In words of words for words, palabras. |
|
Oisin with Patrick. Faunman he met in Clamart woods, brandishing a |
|
winebottle. C'EST VENDREDI SAINT! Murthering Irish. His image, wandering, |
|
he met. I mine. I met a fool i'the forest. |
|
|
|
--Mr Lyster, an attendant said from the door ajar. |
|
|
|
-- ... in which everyone can find his own. So Mr Justice Madden in his |
|
DIARY OF MASTER WILLIAM SILENCE has found the hunting terms ... Yes? What |
|
is it? |
|
|
|
--There's a gentleman here, sir, the attendant said, coming forward and |
|
offering a card. From the Freeman. He wants to see the files of the |
|
KILKENNY PEOPLE for last year. |
|
|
|
--Certainly, certainly, certainly. Is the gentleman? ... |
|
|
|
He took the eager card, glanced, not saw, laid down unglanced, |
|
looked, asked, creaked, asked: |
|
|
|
--Is he? ... O, there! |
|
|
|
Brisk in a galliard he was off, out. In the daylit corridor he talked |
|
with voluble pains of zeal, in duty bound, most fair, most kind, most |
|
honest broadbrim. |
|
|
|
--This gentleman? FREEMAN'S JOURNAL? KILKENNY PEOPLE? To be sure. Good |
|
day, sir. KILKENNY ... We have certainly ... |
|
|
|
A patient silhouette waited, listening. |
|
|
|
--All the leading provincial ... NORTHERN WHIG, CORK EXAMINER, |
|
ENNISCORTHY GUARDIAN, 1903 ... Will you please? ... Evans, |
|
conduct this gentleman ... If you just follow the atten ... Or, please |
|
allow me ... This way ... Please, sir ... |
|
|
|
Voluble, dutiful, he led the way to all the provincial papers, a bowing |
|
dark figure following his hasty heels. |
|
|
|
The door closed. |
|
|
|
--The sheeny! Buck Mulligan cried. |
|
|
|
He jumped up and snatched the card. |
|
|
|
--What's his name? Ikey Moses? Bloom. |
|
|
|
He rattled on: |
|
|
|
--Jehovah, collector of prepuces, is no more. I found him over in the |
|
museum where I went to hail the foamborn Aphrodite. The Greek mouth |
|
that has never been twisted in prayer. Every day we must do homage to her. |
|
LIFE OF LIFE, THY LIPS ENKINDLE. |
|
|
|
Suddenly he turned to Stephen: |
|
|
|
--He knows you. He knows your old fellow. O, I fear me, he is Greeker |
|
than the Greeks. His pale Galilean eyes were upon her mesial groove. |
|
Venus Kallipyge. O, the thunder of those loins! THE GOD PURSUING THE |
|
MAIDEN HID. |
|
|
|
--We want to hear more, John Eglinton decided with Mr Best's approval. |
|
We begin to be interested in Mrs S. Till now we had thought of her, if at |
|
all, as a patient Griselda, a Penelope stayathome. |
|
|
|
--Antisthenes, pupil of Gorgias, Stephen said, took the palm of beauty |
|
from Kyrios Menelaus' brooddam, Argive Helen, the wooden mare of Troy in |
|
whom a score of heroes slept, and handed it to poor Penelope. Twenty years |
|
he lived in London and, during part of that time, he drew a salary equal |
|
to that of the lord chancellor of Ireland. His life was rich. His art, |
|
more than the art of feudalism as Walt Whitman called it, is the art of |
|
surfeit. Hot herringpies, green mugs of sack, honeysauces, sugar of roses, |
|
marchpane, gooseberried pigeons, ringocandies. Sir Walter Raleigh, when |
|
they arrested him, had half a million francs on his back including a pair |
|
of fancy stays. The gombeenwoman Eliza Tudor had underlinen enough to vie |
|
with her of Sheba. Twenty years he dallied there between conjugial love |
|
and its chaste delights and scortatory love and its foul pleasures. |
|
You know Manningham's story of the burgher's wife who bade Dick Burbage |
|
to her bed after she had seen him in RICHARD III and how Shakespeare, |
|
overhearing, without more ado about nothing, took the cow by the horns |
|
and, when Burbage came knocking at the gate, answered from the capon's |
|
blankets: WILLIAM THE CONQUEROR CAME BEFORE RICHARD III. And the gay |
|
lakin, mistress Fitton, mount and cry O, and his dainty birdsnies, lady |
|
Penelope Rich, a clean quality woman is suited for a player, and the punks |
|
of the bankside, a penny a time. |
|
|
|
Cours la Reine. ENCORE VINGT SOUS. NOUS FERONS DE PETITES COCHONNERIES. |
|
MINETTE? TU VEUX? |
|
|
|
--The height of fine society. And sir William Davenant of oxford's mother |
|
with her cup of canary for any cockcanary. |
|
|
|
Buck Mulligan, his pious eyes upturned, prayed: |
|
|
|
--Blessed Margaret Mary Anycock! |
|
|
|
--And Harry of six wives' daughter. And other lady friends from |
|
neighbour seats as Lawn Tennyson, gentleman poet, sings. But all those |
|
twenty years what do you suppose poor Penelope in Stratford was doing |
|
behind the diamond panes? |
|
|
|
Do and do. Thing done. In a rosery of Fetter lane of Gerard, |
|
herbalist, he walks, greyedauburn. An azured harebell like her veins. Lids |
|
of Juno's eyes, violets. He walks. One life is all. One body. Do. But do. |
|
Afar, in a reek of lust and squalor, hands are laid on whiteness. |
|
|
|
Buck Mulligan rapped John Eglinton's desk sharply. |
|
|
|
--Whom do you suspect? he challenged. |
|
|
|
--Say that he is the spurned lover in the sonnets. Once spurned twice |
|
spurned. But the court wanton spurned him for a lord, his dearmylove. |
|
|
|
Love that dare not speak its name. |
|
|
|
--As an Englishman, you mean, John sturdy Eglinton put in, he loved |
|
a lord. |
|
|
|
Old wall where sudden lizards flash. At Charenton I watched them. |
|
|
|
--It seems so, Stephen said, when he wants to do for him, and for all |
|
other and singular uneared wombs, the holy office an ostler does for the |
|
stallion. Maybe, like Socrates, he had a midwife to mother as he had a |
|
shrew to wife. But she, the giglot wanton, did not break a bedvow. Two |
|
deeds are rank in that ghost's mind: a broken vow and the dullbrained |
|
yokel on whom her favour has declined, deceased husband's brother. Sweet |
|
Ann, I take it, was hot in the blood. Once a wooer, twice a wooer. |
|
|
|
Stephen turned boldly in his chair. |
|
|
|
--The burden of proof is with you not with me, he said frowning. If you |
|
deny that in the fifth scene of HAMLET he has branded her with infamy tell |
|
me why there is no mention of her during the thirtyfour years between the |
|
day she married him and the day she buried him. All those women saw their |
|
men down and under: Mary, her goodman John, Ann, her poor dear |
|
Willun, when he went and died on her, raging that he was the first to go, |
|
Joan, her four brothers, Judith, her husband and all her sons, Susan, her |
|
husband too, while Susan's daughter, Elizabeth, to use granddaddy's |
|
words, wed her second, having killed her first. |
|
|
|
O, yes, mention there is. In the years when he was living richly in royal |
|
London to pay a debt she had to borrow forty shillings from her father's |
|
shepherd. Explain you then. Explain the swansong too wherein he has |
|
commended her to posterity. |
|
|
|
He faced their silence. |
|
|
|
To whom thus Eglinton: |
|
|
|
|
|
You mean the will. |
|
But that has been explained, I believe, by jurists. |
|
She was entitled to her widow's dower |
|
At common law. His legal knowledge was great |
|
Our judges tell us. |
|
Him Satan fleers, |
|
Mocker: |
|
And therefore he left out her name |
|
From the first draft but he did not leave out |
|
The presents for his granddaughter, for his daughters, |
|
For his sister, for his old cronies in Stratford |
|
And in London. And therefore when he was urged, |
|
As I believe, to name her |
|
He left her his |
|
Secondbest |
|
Bed. |
|
PUNKT. |
|
Leftherhis |
|
Secondbest |
|
Leftherhis |
|
Bestabed |
|
Secabest |
|
Leftabed. |
|
|
|
|
|
Woa! |
|
|
|
--Pretty countryfolk had few chattels then, John Eglinton observed, as |
|
they have still if our peasant plays are true to type. |
|
|
|
--He was a rich country gentleman, Stephen said, with a coat of arms and |
|
landed estate at Stratford and a house in Ireland yard, a capitalist |
|
shareholder, a bill promoter, a tithefarmer. Why did he not leave her his |
|
best bed if he wished her to snore away the rest of her nights in peace? |
|
|
|
--It is clear that there were two beds, a best and a secondbest, |
|
Mr Secondbest Best said finely. |
|
|
|
--SEPARATIO A MENSA ET A THALAMO, bettered Buck Mulligan and was |
|
smiled on. |
|
|
|
--Antiquity mentions famous beds, Second Eglinton puckered, bedsmiling. |
|
Let me think. |
|
|
|
--Antiquity mentions that Stagyrite schoolurchin and bald heathen sage, |
|
Stephen said, who when dying in exile frees and endows his slaves, pays |
|
tribute to his elders, wills to be laid in earth near the bones of his |
|
dead wife and bids his friends be kind to an old mistress (don't forget |
|
Nell Gwynn Herpyllis) and let her live in his villa. |
|
|
|
--Do you mean he died so? Mr Best asked with slight concern. I mean ... |
|
|
|
--He died dead drunk, Buck Mulligan capped. A quart of ale is a dish for a |
|
king. O, I must tell you what Dowden said! |
|
|
|
--What? asked Besteglinton. |
|
|
|
William Shakespeare and company, limited. The people's William. |
|
For terms apply: E. Dowden, Highfield house ... |
|
|
|
--Lovely! Buck Mulligan suspired amorously. I asked him what he thought |
|
of the charge of pederasty brought against the bard. He lifted his hands |
|
and said: ALL WE CAN SAY IS THAT LIFE RAN VERY HIGH IN THOSE DAYS. Lovely! |
|
|
|
Catamite. |
|
|
|
--The sense of beauty leads us astray, said beautifulinsadness Best to |
|
ugling Eglinton. |
|
|
|
Steadfast John replied severe: |
|
|
|
--The doctor can tell us what those words mean. You cannot eat your cake |
|
and have it. |
|
|
|
Sayest thou so? Will they wrest from us, from me, the palm of beauty? |
|
|
|
--And the sense of property, Stephen said. He drew Shylock out of his own |
|
long pocket. The son of a maltjobber and moneylender he was himself a |
|
cornjobber and moneylender, with ten tods of corn hoarded in the famine |
|
riots. His borrowers are no doubt those divers of worship mentioned by |
|
Chettle Falstaff who reported his uprightness of dealing. He sued a |
|
fellowplayer for the price of a few bags of malt and exacted his pound of |
|
flesh in interest for every money lent. How else could Aubrey's ostler and |
|
callboy get rich quick? All events brought grist to his mill. Shylock |
|
chimes with the jewbaiting that followed the hanging and quartering of the |
|
queen's leech Lopez, his jew's heart being plucked forth while the sheeny |
|
was yet alive: HAMLET AND MACBETH with the coming to the throne of a |
|
Scotch philosophaster with a turn for witchroasting. The lost armada is |
|
his jeer in LOVE'S LABOUR LOST. His pageants, the histories, sail |
|
fullbellied on a tide of Mafeking enthusiasm. Warwickshire jesuits are |
|
tried and we have a porter's theory of equivocation. The SEA VENTURE comes |
|
home from Bermudas and the play Renan admired is written with Patsy |
|
Caliban, our American cousin. The sugared sonnets follow Sidney's. As for |
|
fay Elizabeth, otherwise carrotty Bess, the gross virgin who inspired THE |
|
MERRY WIVES OF WINDSOR, let some meinherr from Almany grope his life long |
|
for deephid meanings in the depths of the buckbasket. |
|
|
|
I think you're getting on very nicely. Just mix up a mixture of |
|
theolologicophilolological. MINGO, MINXI, MICTUM, MINGERE. |
|
|
|
--Prove that he was a jew, John Eglinton dared,'expectantly. Your dean of |
|
studies holds he was a holy Roman. |
|
|
|
SUFFLAMINANDUS SUM. |
|
|
|
--He was made in Germany, Stephen replied, as the champion French |
|
polisher of Italian scandals. |
|
|
|
--A myriadminded man, Mr Best reminded. Coleridge called him myriadminded. |
|
|
|
|
|
AMPLIUS. IN SOCIETATE HUMANA HOC EST MAXIME NECESSARIUM UT SIT AMICITIA |
|
INTER MULTOS. |
|
|
|
--Saint Thomas, Stephen began ... |
|
|
|
--Ora pro nobis, Monk Mulligan groaned, sinking to a chair. |
|
|
|
There he keened a wailing rune. |
|
|
|
--POGUE MAHONE! ACUSHLA MACHREE! It's destroyed we are from this day! It's |
|
destroyed we are surely! |
|
|
|
All smiled their smiles. |
|
|
|
--Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy |
|
reading in the original, writing of incest from a standpoint different |
|
from that of the new Viennese school Mr Magee spoke of, likens it in his |
|
wise and curious way to an avarice of the emotions. He means that the love |
|
so given to one near in blood is covetously withheld from some |
|
stranger who, it may be, hungers for it. Jews, whom christians tax |
|
with avarice, are of all races the most given to intermarriage. |
|
Accusations are made in anger. The christian laws which built up |
|
the hoards of the jews (for whom, as for the lollards, storm was shelter) |
|
bound their affections too with hoops of steel. Whether these be sins |
|
or virtues old Nobodaddy will tell us at doomsday leet. But a man who |
|
holds so tightly to what he calls his rights over what he calls his debts |
|
will hold tightly also to what he calls his rights over her whom he calls |
|
his wife. No sir smile neighbour shall covet his ox or his wife or his |
|
manservant or his maidservant or his jackass. |
|
|
|
--Or his jennyass, Buck Mulligan antiphoned. |
|
|
|
--Gentle Will is being roughly handled, gentle Mr Best said gently. |
|
|
|
--Which will? gagged sweetly Buck Mulligan. We are getting mixed. |
|
|
|
--The will to live, John Eglinton philosophised, for poor Ann, Will's |
|
widow, is the will to die. |
|
|
|
--REQUIESCAT! Stephen prayed. |
|
|
|
|
|
WHAT OF ALL THE WILL TO DO? |
|
IT HAS VANISHED LONG AGO ... |
|
|
|
|
|
--She lies laid out in stark stiffness in that secondbest bed, the mobled |
|
queen, even though you prove that a bed in those days was as rare as a |
|
motorcar is now and that its carvings were the wonder of seven parishes. |
|
In old age she takes up with gospellers (one stayed with her at New Place |
|
and drank a quart of sack the town council paid for but in which bed he |
|
slept it skills not to ask) and heard she had a soul. She read or had read |
|
to her his chapbooks preferring them to the MERRY WIVES and, loosing her |
|
nightly waters on the jordan, she thought over HOOKS AND EYES FOR |
|
BELIEVERS' BREECHES and THE MOST SPIRITUAL SNUFFBOX TO MAKE THE MOST |
|
DEVOUT SOULS SNEEZE. Venus has twisted her lips in prayer. Agenbite of |
|
inwit: remorse of conscience. It is an age of exhausted whoredom groping |
|
for its god. |
|
|
|
--History shows that to be true, INQUIT EGLINTONUS CHRONOLOLOGOS. The ages |
|
succeed one another. But we have it on high authority that a man's worst |
|
enemies shall be those of his own house and family. I feel that Russell is |
|
right. What do we care for his wife or father? I should say that only |
|
family poets have family lives. Falstaff was not a family man. I feel that |
|
the fat knight is his supreme creation. |
|
|
|
Lean, he lay back. Shy, deny thy kindred, the unco guid. Shy, supping |
|
with the godless, he sneaks the cup. A sire in Ultonian Antrim bade it |
|
him. Visits him here on quarter days. Mr Magee, sir, there's a gentleman |
|
to see you. Me? Says he's your father, sir. Give me my Wordsworth. Enter |
|
Magee Mor Matthew, a rugged rough rugheaded kern, in strossers with a |
|
buttoned codpiece, his nether stocks bemired with clauber of ten forests, |
|
a wand of wilding in his hand. |
|
|
|
Your own? He knows your old fellow. The widower. |
|
|
|
Hurrying to her squalid deathlair from gay Paris on the quayside I |
|
touched his hand. The voice, new warmth, speaking. Dr Bob Kenny is |
|
attending her. The eyes that wish me well. But do not know me. |
|
|
|
--A father, Stephen said, battling against hopelessness, is a necessary |
|
evil. He wrote the play in the months that followed his father's death. If |
|
you hold that he, a greying man with two marriageable daughters, with |
|
thirtyfive years of life, NEL MEZZO DEL CAMMIN DI NOSTRA VITA, with fifty |
|
of experience, is the beardless undergraduate from Wittenberg then you |
|
must hold that his seventyyear old mother is the lustful queen. No. The |
|
corpse of John Shakespeare does not walk the night. From hour to hour it |
|
rots and rots. He rests, disarmed of fatherhood, having devised that |
|
mystical estate upon his son. Boccaccio's Calandrino was the first and |
|
last man who felt himself with child. Fatherhood, in the sense of |
|
conscious begetting, is unknown to man. It is a mystical estate, an |
|
apostolic succession, from only begetter to only begotten. On that mystery |
|
and not on the madonna which the cunning Italian intellect flung |
|
to the mob of Europe the church is founded and founded irremovably |
|
because founded, like the world, macro and microcosm, upon the void. Upon |
|
incertitude, upon unlikelihood. AMOR MATRIS, subjective and objective |
|
genitive, may be the only true thing in life. Paternity may be a legal |
|
fiction. Who is the father of any son that any son should love him or he |
|
any son? |
|
|
|
What the hell are you driving at? |
|
|
|
I know. Shut up. Blast you. I have reasons. |
|
|
|
AMPLIUS. ADHUC. ITERUM. POSTEA. |
|
|
|
Are you condemned to do this? |
|
|
|
--They are sundered by a bodily shame so steadfast that the criminal |
|
annals of the world, stained with all other incests and bestialities, |
|
hardly record its breach. Sons with mothers, sires with daughters, lesbic |
|
sisters, loves that dare not speak their name, nephews with grandmothers, |
|
jailbirds with keyholes, queens with prize bulls. The son unborn mars |
|
beauty: born, he brings pain, divides affection, increases care. He is a |
|
new male: his growth is his father's decline, his youth his father's envy, |
|
his friend his father's enemy. |
|
|
|
In rue Monsieur-le-Prince I thought it. |
|
|
|
--What links them in nature? An instant of blind rut. |
|
|
|
Am I a father? If I were? |
|
|
|
Shrunken uncertain hand. |
|
|
|
--Sabellius, the African, subtlest heresiarch of all the beasts of the |
|
field, held that the Father was Himself His Own Son. The bulldog of Aquin, |
|
with whom no word shall be impossible, refutes him. Well: if the father |
|
who has not a son be not a father can the son who has not a father be a |
|
son? When Rutlandbaconsouthamptonshakespeare or another poet of the same |
|
name in the comedy of errors wrote Hamlet he was not the father of his own |
|
son merely but, being no more a son, he was and felt himself the father of |
|
all his race, the father of his own grandfather, the father of his unborn |
|
grandson who, by the same token, never was born, for nature, as Mr Magee |
|
understands her, abhors perfection. |
|
|
|
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly |
|
glancing, a merry puritan, through the twisted eglantine. |
|
|
|
Flatter. Rarely. But flatter. |
|
|
|
--Himself his own father, Sonmulligan told himself. Wait. I am big with |
|
child. I have an unborn child in my brain. Pallas Athena! A play! The |
|
play's the thing! Let me parturiate! |
|
|
|
He clasped his paunchbrow with both birthaiding hands. |
|
|
|
--As for his family, Stephen said, his mother's name lives in the forest |
|
of Arden. Her death brought from him the scene with Volumnia in |
|
CORIOLANUS. His boyson's death is the deathscene of young Arthur in KING |
|
JOHN. Hamlet, the black prince, is Hamnet Shakespeare. Who the girls in |
|
THE TEMPEST, in PERICLES, in WINTER'S TALE are we know. Who Cleopatra, |
|
fleshpot of Egypt, and Cressid and Venus are we may guess. But there is |
|
another member of his family who is recorded. |
|
|
|
--The plot thickens, John Eglinton said. |
|
|
|
The quaker librarian, quaking, tiptoed in, quake, his mask, quake, |
|
with haste, quake, quack. |
|
|
|
Door closed. Cell. Day. |
|
|
|
They list. Three. They. |
|
|
|
I you he they. |
|
|
|
Come, mess. |
|
|
|
|
|
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in his |
|
old age told some cavaliers he got a pass for nowt from Maister Gatherer |
|
one time mass he did and he seen his brud Maister Wull the playwriter up |
|
in Lunnon in a wrastling play wud a man on's back. The playhouse sausage |
|
filled Gilbert's soul. He is nowhere: but an Edmund and a Richard are |
|
recorded in the works of sweet William. |
|
|
|
MAGEEGLINJOHN: Names! What's in a name? |
|
|
|
BEST: That is my name, Richard, don't you know. I hope you are going to |
|
say a good word for Richard, don't you know, for my sake. |
|
|
|
(Laughter) |
|
|
|
BUCKMULLIGAN: (PIANO, DIMINUENDO) |
|
Then outspoke medical Dick |
|
To his comrade medical Davy ... |
|
|
|
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago, |
|
Richard Crookback, Edmund in King Lear, two bear the wicked uncles' names. |
|
Nay, that last play was written or being written while his brother Edmund |
|
lay dying in Southwark. |
|
|
|
BEST: I hope Edmund is going to catch it. I don't want Richard, |
|
my name ... |
|
|
|
(Laughter) |
|
|
|
QUAKERLYSTER: (A TEMPO) But he that filches from me my good name ... |
|
|
|
STEPHEN: (STRINGENDO) He has hidden his own name, a fair name, William, |
|
in the plays, a super here, a clown there, as a painter of old Italy set |
|
his face in a dark corner of his canvas. He has revealed it in the sonnets |
|
where there is Will in overplus. Like John o'Gaunt his name is dear to him, |
|
as dear as the coat and crest he toadied for, on a bend sable a spear or |
|
steeled argent, honorificabilitudinitatibus, dearer than his glory of |
|
greatest shakescene in the country. What's in a name? That is what we ask |
|
ourselves in childhood when we write the name that we are told is ours. A |
|
star, a daystar, a firedrake, rose at his birth. It shone by day in the |
|
heavens alone, brighter than Venus in the night, and by night it shone |
|
over delta in Cassiopeia, the recumbent constellation which is the |
|
signature of his initial among the stars. His eyes watched it, lowlying on |
|
the horizon, eastward of the bear, as he walked by the slumberous summer |
|
fields at midnight returning from Shottery and from her arms. |
|
|
|
|
|
Both satisfied. I too. |
|
|
|
Don't tell them he was nine years old when it was quenched. |
|
|
|
And from her arms. |
|
|
|
Wait to be wooed and won. Ay, meacock. Who will woo you? |
|
|
|
Read the skies. AUTONTIMORUMENOS. BOUS STEPHANOUMENOS. Where's |
|
your configuration? Stephen, Stephen, cut the bread even. S. D: SUA DONNA. |
|
GIA: DI LUI. GELINDO RISOLVE DI NON AMARE S. D. |
|
|
|
--What is that, Mr Dedalus? the quaker librarian asked. Was it a celestial |
|
phenomenon? |
|
|
|
--A star by night, Stephen said. A pillar of the cloud by day. |
|
|
|
What more's to speak? |
|
|
|
Stephen looked on his hat, his stick, his boots. |
|
|
|
STEPHANOS, my crown. My sword. His boots are spoiling the shape of |
|
my feet. Buy a pair. Holes in my socks. Handkerchief too. |
|
|
|
--You make good use of the name, John Eglinton allowed. Your own name |
|
is strange enough. I suppose it explains your fantastical humour. |
|
|
|
Me, Magee and Mulligan. |
|
|
|
Fabulous artificer. The hawklike man. You flew. Whereto? |
|
Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus. |
|
PATER, AIT. Seabedabbled, fallen, weltering. Lapwing you are. Lapwing be. |
|
|
|
Mr Best eagerquietly lifted his book to say: |
|
|
|
--That's very interesting because that brother motive, don't you know, we |
|
find also in the old Irish myths. Just what you say. The three brothers |
|
Shakespeare. In Grimm too, don't you know, the fairytales. The third |
|
brother that always marries the sleeping beauty and wins the best prize. |
|
|
|
Best of Best brothers. Good, better, best. |
|
|
|
The quaker librarian springhalted near. |
|
|
|
--I should like to know, he said, which brother you ... I understand you |
|
to suggest there was misconduct with one of the brothers ... But |
|
perhaps I am anticipating? |
|
|
|
He caught himself in the act: looked at all: refrained. |
|
|
|
An attendant from the doorway called: |
|
|
|
--Mr Lyster! Father Dineen wants ... |
|
|
|
--O, Father Dineen! Directly. |
|
|
|
Swiftly rectly creaking rectly rectly he was rectly gone. |
|
|
|
John Eglinton touched the foil. |
|
|
|
--Come, he said. Let us hear what you have to say of Richard and |
|
Edmund. You kept them for the last, didn't you? |
|
|
|
--In asking you to remember those two noble kinsmen nuncle Richie and |
|
nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A |
|
brother is as easily forgotten as an umbrella. |
|
|
|
Lapwing. |
|
|
|
Where is your brother? Apothecaries' hall. My whetstone. Him, then |
|
Cranly, Mulligan: now these. Speech, speech. But act. Act speech. They |
|
mock to try you. Act. Be acted on. |
|
|
|
Lapwing. |
|
|
|
I am tired of my voice, the voice of Esau. My kingdom for a drink. |
|
|
|
On. |
|
|
|
--You will say those names were already in the chronicles from which he |
|
took the stuff of his plays. Why did he take them rather than others? |
|
Richard, a whoreson crookback, misbegotten, makes love to a widowed |
|
Ann (what's in a name?), woos and wins her, a whoreson merry widow. |
|
Richard the conqueror, third brother, came after William the conquered. |
|
The other four acts of that play hang limply from that first. Of all his |
|
kings Richard is the only king unshielded by Shakespeare's reverence, |
|
the angel of the world. Why is the underplot of KING LEAR in which Edmund |
|
figures lifted out of Sidney's ARCADIA and spatchcocked on to a Celtic |
|
legend older than history? |
|
|
|
--That was Will's way, John Eglinton defended. We should not now |
|
combine a Norse saga with an excerpt from a novel by George Meredith. |
|
QUE VOULEZ-VOUS? Moore would say. He puts Bohemia on the seacoast and |
|
makes Ulysses quote Aristotle. |
|
|
|
--Why? Stephen answered himself. Because the theme of the false or the |
|
usurping or the adulterous brother or all three in one is to Shakespeare, |
|
what the poor are not, always with him. The note of banishment, |
|
banishment from the heart, banishment from home, sounds uninterruptedly |
|
from THE TWO GENTLEMEN OF VERONA onward till Prospero breaks his staff, |
|
buries it certain fathoms in the earth and drowns his book. It doubles |
|
itself in the middle of his life, reflects itself in another, repeats |
|
itself, protasis, epitasis, catastasis, catastrophe. It repeats |
|
itself again when he is near the grave, when his married daughter |
|
Susan, chip of the old block, is accused of adultery. But it was |
|
the original sin that darkened his understanding, weakened his |
|
will and left in him a strong inclination to evil. The words are |
|
those of my lords bishops of Maynooth. An original sin and, like original |
|
sin, committed by another in whose sin he too has sinned. It is between |
|
the lines of his last written words, it is petrified on his tombstone |
|
under which her four bones are not to be laid. Age has not withered it. |
|
Beauty and peace have not done it away. It is in infinite variety |
|
everywhere in the world he has created, in MUCH ADO ABOUT NOTHING, twice |
|
in AS YOU LIKE IT, in THE TEMPEST, in HAMLET, in MEASURE FOR MEASURE--and |
|
in all the other plays which I have not read. |
|
|
|
He laughed to free his mind from his mind's bondage. |
|
|
|
Judge Eglinton summed up. |
|
|
|
--The truth is midway, he affirmed. He is the ghost and the prince. He is |
|
all in all. |
|
|
|
--He is, Stephen said. The boy of act one is the mature man of act five. |
|
All in all. In CYMBELINE, in OTHELLO he is bawd and cuckold. He acts and |
|
is acted on. Lover of an ideal or a perversion, like Jose he kills the |
|
real Carmen. His unremitting intellect is the hornmad Iago ceaselessly |
|
willing that the moor in him shall suffer. |
|
|
|
--Cuckoo! Cuckoo! Cuck Mulligan clucked lewdly. O word of fear! |
|
|
|
Dark dome received, reverbed. |
|
|
|
--And what a character is Iago! undaunted John Eglinton exclaimed. |
|
When all is said Dumas FILS (or is it Dumas PERE?) is right. After God |
|
Shakespeare has created most. |
|
|
|
--Man delights him not nor woman neither, Stephen said. He returns after |
|
a life of absence to that spot of earth where he was born, where he has |
|
always been, man and boy, a silent witness and there, his journey of life |
|
ended, he plants his mulberrytree in the earth. Then dies. The motion is |
|
ended. Gravediggers bury Hamlet PERE and Hamlet FILS. A king and a |
|
prince at last in death, with incidental music. And, what though murdered |
|
and betrayed, bewept by all frail tender hearts for, Dane or Dubliner, |
|
sorrow for the dead is the only husband from whom they refuse to be |
|
divorced. If you like the epilogue look long on it: prosperous Prospero, |
|
the good man rewarded, Lizzie, grandpa's lump of love, and nuncle Richie, |
|
the bad man taken off by poetic justice to the place where the bad niggers |
|
go. Strong curtain. He found in the world without as actual what was in his |
|
world within as possible. Maeterlinck says: IF SOCRATES LEAVE HIS HOUSE |
|
TODAY HE WILL FIND THE SAGE SEATED ON HIS DOORSTEP. IF JUDAS GO FORTH |
|
TONIGHT IT IS TO JUDAS HIS STEPS WILL TEND. Every life is many days, |
|
day after day. We walk through ourselves, meeting robbers, ghosts, giants, |
|
old men, young men, wives, widows, brothers-in-love, but always meeting |
|
ourselves. The playwright who wrote the folio of this world and wrote it |
|
badly (He gave us light first and the sun two days later), the lord of |
|
things as they are whom the most Roman of catholics call DIO BOIA, |
|
hangman god, is doubtless all in all in all of us, ostler and butcher, |
|
and would be bawd and cuckold too but that in the economy of heaven, |
|
foretold by Hamlet, there are no more marriages, glorified man, an |
|
androgynous angel, being a wife unto himself. |
|
|
|
--EUREKA! Buck Mulligan cried. EUREKA! |
|
|
|
Suddenly happied he jumped up and reached in a stride John Eglinton's |
|
desk. |
|
|
|
--May I? he said. The Lord has spoken to Malachi. |
|
|
|
He began to scribble on a slip of paper. |
|
|
|
Take some slips from the counter going out. |
|
|
|
--Those who are married, Mr Best, douce herald, said, all save one, shall |
|
live. The rest shall keep as they are. |
|
|
|
He laughed, unmarried, at Eglinton Johannes, of arts a bachelor. |
|
|
|
Unwed, unfancied, ware of wiles, they fingerponder nightly each his |
|
variorum edition of THE TAMING OF THE SHREW. |
|
|
|
--You are a delusion, said roundly John Eglinton to Stephen. You have |
|
brought us all this way to show us a French triangle. Do you believe your |
|
own theory? |
|
|
|
--No, Stephen said promptly. |
|
|
|
--Are you going to write it? Mr Best asked. You ought to make it a |
|
dialogue, don't you know, like the Platonic dialogues Wilde wrote. |
|
|
|
John Eclecticon doubly smiled. |
|
|
|
--Well, in that case, he said, I don't see why you should expect payment |
|
for it since you don't believe it yourself. Dowden believes there is some |
|
mystery in HAMLET but will say no more. Herr Bleibtreu, the man Piper met |
|
in Berlin, who is working up that Rutland theory, believes that the secret |
|
is hidden in the Stratford monument. He is going to visit the present |
|
duke, Piper says, and prove to him that his ancestor wrote the plays. |
|
It will come as a surprise to his grace. But he believes his theory. |
|
|
|
I believe, O Lord, help my unbelief. That is, help me to believe or help |
|
me to unbelieve? Who helps to believe? EGOMEN. Who to unbelieve? Other |
|
chap. |
|
|
|
--You are the only contributor to DANA who asks for pieces of silver. Then |
|
I don't know about the next number. Fred Ryan wants space for an article |
|
on economics. |
|
|
|
Fraidrine. Two pieces of silver he lent me. Tide you over. Economics. |
|
|
|
--For a guinea, Stephen said, you can publish this interview. |
|
|
|
Buck Mulligan stood up from his laughing scribbling, laughing: and |
|
then gravely said, honeying malice: |
|
|
|
--I called upon the bard Kinch at his summer residence in upper |
|
Mecklenburgh street and found him deep in the study of the SUMMA CONTRA |
|
GENTILES in the company of two gonorrheal ladies, Fresh Nelly and Rosalie, |
|
the coalquay whore. |
|
|
|
He broke away. |
|
|
|
--Come, Kinch. Come, wandering Aengus of the birds. |
|
|
|
Come, Kinch. You have eaten all we left. Ay. I will serve you your orts |
|
and offals. |
|
|
|
Stephen rose. |
|
|
|
Life is many days. This will end. |
|
|
|
--We shall see you tonight, John Eglinton said. NOTRE AMI Moore says |
|
Malachi Mulligan must be there. |
|
|
|
Buck Mulligan flaunted his slip and panama. |
|
|
|
--Monsieur Moore, he said, lecturer on French letters to the youth of |
|
Ireland. I'll be there. Come, Kinch, the bards must drink. Can you walk |
|
straight? |
|
|
|
Laughing, he ... |
|
|
|
Swill till eleven. Irish nights entertainment. |
|
|
|
Lubber ... |
|
|
|
Stephen followed a lubber ... |
|
|
|
One day in the national library we had a discussion. Shakes. After. |
|
His lub back: I followed. I gall his kibe. |
|
|
|
Stephen, greeting, then all amort, followed a lubber jester, a |
|
wellkempt head, newbarbered, out of the vaulted cell into a shattering |
|
daylight of no thought. |
|
|
|
What have I learned? Of them? Of me? |
|
|
|
Walk like Haines now. |
|
|
|
The constant readers' room. In the readers' book Cashel Boyle |
|
O'Connor Fitzmaurice Tisdall Farrell parafes his polysyllables. Item: was |
|
Hamlet mad? The quaker's pate godlily with a priesteen in booktalk. |
|
|
|
--O please do, sir ... I shall be most pleased ... |
|
|
|
Amused Buck Mulligan mused in pleasant murmur with himself, selfnodding: |
|
|
|
--A pleased bottom. |
|
|
|
The turnstile. |
|
|
|
Is that? ... Blueribboned hat ... Idly writing ... What? Looked? ... |
|
|
|
The curving balustrade: smoothsliding Mincius. |
|
|
|
Puck Mulligan, panamahelmeted, went step by step, iambing, trolling: |
|
|
|
|
|
JOHN EGLINTON, MY JO, JOHN, |
|
WHY WON'T YOU WED A WIFE? |
|
|
|
|
|
He spluttered to the air: |
|
|
|
--O, the chinless Chinaman! Chin Chon Eg Lin Ton. We went over to their |
|
playbox, Haines and I, the plumbers' hall. Our players are creating a new |
|
art for Europe like the Greeks or M. Maeterlinck. Abbey Theatre! I smell |
|
the pubic sweat of monks. |
|
|
|
He spat blank. |
|
|
|
Forgot: any more than he forgot the whipping lousy Lucy gave him. |
|
And left the FEMME DE TRENTE ANS. And why no other children born? And his |
|
first child a girl? |
|
|
|
Afterwit. Go back. |
|
|
|
The dour recluse still there (he has his cake) and the douce youngling, |
|
minion of pleasure, Phedo's toyable fair hair. |
|
|
|
Eh ... I just eh ... wanted ... I forgot ... he ... |
|
|
|
--Longworth and M'Curdy Atkinson were there ... |
|
|
|
Puck Mulligan footed featly, trilling: |
|
|
|
I HARDLY HEAR THE PURLIEU CRY |
|
OR A TOMMY TALK AS I PASS ONE BY |
|
BEFORE MY THOUGHTS BEGIN TO RUN |
|
ON F. M'CURDY ATKINSON, |
|
THE SAME THAT HAD THE WOODEN LEG |
|
AND THAT FILIBUSTERING FILIBEG |
|
THAT NEVER DARED TO SLAKE HIS DROUTH, |
|
MAGEE THAT HAD THE CHINLESS MOUTH. |
|
BEING AFRAID TO MARRY ON EARTH |
|
THEY MASTURBATED FOR ALL THEY WERE WORTH. |
|
|
|
Jest on. Know thyself. |
|
|
|
Halted, below me, a quizzer looks at me. I halt. |
|
|
|
--Mournful mummer, Buck Mulligan moaned. Synge has left off wearing |
|
black to be like nature. Only crows, priests and English coal are black. |
|
|
|
A laugh tripped over his lips. |
|
|
|
--Longworth is awfully sick, he said, after what you wrote about that old |
|
hake Gregory. O you inquisitional drunken jewjesuit! She gets you a job on |
|
the paper and then you go and slate her drivel to Jaysus. Couldn't you do |
|
the Yeats touch? |
|
|
|
He went on and down, mopping, chanting with waving graceful arms: |
|
|
|
--The most beautiful book that has come out of our country in my time. |
|
One thinks of Homer. |
|
|
|
He stopped at the stairfoot. |
|
|
|
--I have conceived a play for the mummers, he said solemnly. |
|
|
|
The pillared Moorish hall, shadows entwined. Gone the nine men's |
|
morrice with caps of indices. |
|
|
|
In sweetly varying voices Buck Mulligan read his tablet: |
|
|
|
|
|
EVERYMAN HIS OWN WIFE |
|
OR |
|
A HONEYMOON IN THE HAND |
|
(A NATIONAL IMMORALITY IN THREE ORGASMS) |
|
BY |
|
BALLOCKY MULLIGAN |
|
|
|
|
|
He turned a happy patch's smirk to Stephen, saying: |
|
|
|
--The disguise, I fear, is thin. But listen. |
|
|
|
He read, MARCATO: |
|
|
|
--Characters: |
|
|
|
|
|
TODY TOSTOFF (a ruined Pole) |
|
CRAB (a bushranger) |
|
MEDICAL DICK ) |
|
and ) (two birds with one stone) |
|
MEDICAL DAVY ) |
|
MOTHER GROGAN (a watercarrier) |
|
FRESH NELLY |
|
and |
|
ROSALIE (the coalquay whore). |
|
|
|
|
|
He laughed, lolling a to and fro head, walking on, followed by Stephen: |
|
and mirthfully he told the shadows, souls of men: |
|
|
|
--O, the night in the Camden hall when the daughters of Erin had to lift |
|
their skirts to step over you as you lay in your mulberrycoloured, |
|
multicoloured, multitudinous vomit! |
|
|
|
--The most innocent son of Erin, Stephen said, for whom they ever lifted |
|
them. |
|
|
|
About to pass through the doorway, feeling one behind, he stood aside. |
|
|
|
Part. The moment is now. Where then? If Socrates leave his house |
|
today, if Judas go forth tonight. Why? That lies in space which I in time |
|
must come to, ineluctably. |
|
|
|
My will: his will that fronts me. Seas between. |
|
|
|
A man passed out between them, bowing, greeting. |
|
|
|
--Good day again, Buck Mulligan said. |
|
|
|
The portico. |
|
|
|
Here I watched the birds for augury. Aengus of the birds. They go, |
|
they come. Last night I flew. Easily flew. Men wondered. Street of harlots |
|
after. A creamfruit melon he held to me. In. You will see. |
|
|
|
--The wandering jew, Buck Mulligan whispered with clown's awe. Did you |
|
see his eye? He looked upon you to lust after you. I fear thee, ancient |
|
mariner. O, Kinch, thou art in peril. Get thee a breechpad. |
|
|
|
Manner of Oxenford. |
|
|
|
Day. Wheelbarrow sun over arch of bridge. |
|
|
|
A dark back went before them, step of a pard, down, out by the |
|
gateway, under portcullis barbs. |
|
|
|
They followed. |
|
|
|
Offend me still. Speak on. |
|
|
|
Kind air defined the coigns of houses in Kildare street. No birds. Frail |
|
from the housetops two plumes of smoke ascended, pluming, and in a flaw |
|
of softness softly were blown. |
|
|
|
Cease to strive. Peace of the druid priests of Cymbeline: hierophantic: |
|
from wide earth an altar. |
|
|
|
|
|
LAUD WE THE GODS |
|
AND LET OUR CROOKED SMOKES CLIMB TO THEIR NOSTRILS |
|
FROM OUR BLESS'D ALTARS. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
The superior, the very reverend John Conmee S.J. reset his smooth |
|
watch in his interior pocket as he came down the presbytery steps. Five to |
|
three. Just nice time to walk to Artane. What was that boy's name again? |
|
Dignam. Yes. VERE DIGNUM ET IUSTUM EST. Brother Swan was the person to |
|
see. Mr Cunningham's letter. Yes. Oblige him, if possible. Good practical |
|
catholic: useful at mission time. |
|
|
|
A onelegged sailor, swinging himself onward by lazy jerks of his |
|
crutches, growled some notes. He jerked short before the convent of the |
|
sisters of charity and held out a peaked cap for alms towards the very |
|
reverend John Conmee S. J. Father Conmee blessed him in the sun for his |
|
purse held, he knew, one silver crown. |
|
|
|
Father Conmee crossed to Mountjoy square. He thought, but not for |
|
long, of soldiers and sailors, whose legs had been shot off by |
|
cannonballs, ending their days in some pauper ward, and of cardinal |
|
Wolsey's words: IF I HAD SERVED MY GOD AS I HAVE SERVED MY KING HE WOULD |
|
NOT HAVE ABANDONED ME IN MY OLD DAYS. He walked by the treeshade of |
|
sunnywinking leaves: and towards him came the wife of Mr David Sheehy |
|
M.P. |
|
|
|
--Very well, indeed, father. And you, father? |
|
|
|
Father Conmee was wonderfully well indeed. He would go to Buxton |
|
probably for the waters. And her boys, were they getting on well at |
|
Belvedere? Was that so? Father Conmee was very glad indeed to hear that. |
|
And Mr Sheehy himself? Still in London. The house was still sitting, to be |
|
sure it was. Beautiful weather it was, delightful indeed. Yes, it was very |
|
probable that Father Bernard Vaughan would come again to preach. O, |
|
yes: a very great success. A wonderful man really. |
|
|
|
Father Conmee was very glad to see the wife of Mr David Sheehy |
|
M.P. Iooking so well and he begged to be remembered to Mr David Sheehy |
|
M.P. Yes, he would certainly call. |
|
|
|
--Good afternoon, Mrs Sheehy. |
|
|
|
Father Conmee doffed his silk hat and smiled, as he took leave, at the |
|
jet beads of her mantilla inkshining in the sun. And smiled yet again, in |
|
going. He had cleaned his teeth, he knew, with arecanut paste. |
|
|
|
Father Conmee walked and, walking, smiled for he thought on Father |
|
Bernard Vaughan's droll eyes and cockney voice. |
|
|
|
--Pilate! Wy don't you old back that owlin mob? |
|
|
|
A zealous man, however. Really he was. And really did great good in. |
|
his way. Beyond a doubt. He loved Ireland, he said, and he loved the |
|
Irish. Of good family too would one think it? Welsh, were they not? |
|
|
|
O, lest he forget. That letter to father provincial. |
|
|
|
Father Conmee stopped three little schoolboys at the corner of |
|
Mountjoy square. Yes: they were from Belvedere. The little house. Aha. |
|
And were they good boys at school? O. That was very good now. And what |
|
was his name? Jack Sohan. And his name? Ger. Gallaher. And the other |
|
little man? His name was Brunny Lynam. O, that was a very nice name to |
|
have. |
|
|
|
Father Conmee gave a letter from his breast to Master Brunny Lynam |
|
and pointed to the red pillarbox at the corner of Fitzgibbon street. |
|
|
|
--But mind you don't post yourself into the box, little man, he said. |
|
|
|
The boys sixeyed Father Conmee and laughed: |
|
|
|
--O, sir. |
|
|
|
--Well, let me see if you can post a letter, Father Conmee said. |
|
|
|
Master Brunny Lynam ran across the road and put Father Conmee's |
|
letter to father provincial into the mouth of the bright red letterbox. |
|
Father Conmee smiled and nodded and smiled and walked along Mountjoy |
|
square east. |
|
|
|
Mr Denis J Maginni, professor of dancing &c, in silk hat, slate |
|
frockcoat with silk facings, white kerchief tie, tight lavender trousers, |
|
canary gloves and pointed patent boots, walking with grave deportment |
|
most respectfully took the curbstone as he passed lady Maxwell at the |
|
corner of Dignam's court. |
|
|
|
Was that not Mrs M'Guinness? |
|
|
|
Mrs M'Guinness, stately, silverhaired, bowed to Father Conmee from |
|
the farther footpath along which she sailed. And Father Conmee smiled and |
|
saluted. How did she do? |
|
|
|
A fine carriage she had. Like Mary, queen of Scots, something. And to |
|
think that she was a pawnbroker! Well, now! Such a ... what should he |
|
say? ... such a queenly mien. |
|
|
|
Father Conmee walked down Great Charles street and glanced at the |
|
shutup free church on his left. The reverend T. R. Greene B.A. will(D.V.) |
|
speak. The incumbent they called him. He felt it incumbent on him to say a |
|
few words. But one should be charitable. Invincible ignorance. They acted |
|
according to their lights. |
|
|
|
Father Conmee turned the corner and walked along the North |
|
Circular road. It was a wonder that there was not a tramline in such an |
|
important thoroughfare. Surely, there ought to be. |
|
|
|
A band of satchelled schoolboys crossed from Richmond street. All |
|
raised untidy caps. Father Conmee greeted them more than once benignly. |
|
Christian brother boys. |
|
|
|
Father Conmee smelt incense on his right hand as he walked. Saint |
|
Joseph's church, Portland row. For aged and virtuous females. Father |
|
Conmee raised his hat to the Blessed Sacrament. Virtuous: but occasionally |
|
they were also badtempered. |
|
|
|
Near Aldborough house Father Conmee thought of that spendthrift |
|
nobleman. And now it was an office or something. |
|
|
|
Father Conmee began to walk along the North Strand road and was |
|
saluted by Mr William Gallagher who stood in the doorway of his shop. |
|
Father Conmee saluted Mr William Gallagher and perceived the odours |
|
that came from baconflitches and ample cools of butter. He passed |
|
Grogan's the Tobacconist against which newsboards leaned and told of a |
|
dreadful catastrophe in New York. In America those things were |
|
continually happening. Unfortunate people to die like that, unprepared. |
|
Still, an act of perfect contrition. |
|
|
|
Father Conmee went by Daniel Bergin's publichouse against the |
|
window of which two unlabouring men lounged. They saluted him and |
|
were saluted. |
|
|
|
Father Conmee passed H. J. O'Neill's funeral establishment where |
|
Corny Kelleher totted figures in the daybook while he chewed a blade of |
|
hay. A constable on his beat saluted Father Conmee and Father Conmee |
|
saluted the constable. In Youkstetter's, the porkbutcher's, Father Conmee |
|
observed pig's puddings, white and black and red, lie neatly curled in |
|
tubes. |
|
|
|
Moored under the trees of Charleville Mall Father Conmee saw a |
|
turfbarge, a towhorse with pendent head, a bargeman with a hat of dirty |
|
straw seated amidships, smoking and staring at a branch of poplar above |
|
him. It was idyllic: and Father Conmee reflected on the providence of the |
|
Creator who had made turf to be in bogs whence men might dig it out and |
|
bring it to town and hamlet to make fires in the houses of poor people. |
|
|
|
On Newcomen bridge the very reverend John Conmee S.J. of saint |
|
Francis Xavier's church, upper Gardiner street, stepped on to an outward |
|
bound tram. |
|
|
|
Off an inward bound tram stepped the reverend Nicholas Dudley |
|
C. C. of saint Agatha's church, north William street, on to Newcomen |
|
bridge. |
|
|
|
At Newcomen bridge Father Conmee stepped into an outward bound |
|
tram for he disliked to traverse on foot the dingy way past Mud Island. |
|
|
|
Father Conmee sat in a corner of the tramcar, a blue ticket tucked |
|
with care in the eye of one plump kid glove, while four shillings, a |
|
sixpence and five pennies chuted from his other plump glovepalm into his |
|
purse. Passing the ivy church he reflected that the ticket inspector |
|
usually made his visit when one had carelessly thrown away the ticket. |
|
The solemnity of the occupants of the car seemed to Father Conmee |
|
excessive for a journey so short and cheap. Father Conmee liked cheerful |
|
decorum. |
|
|
|
It was a peaceful day. The gentleman with the glasses opposite Father |
|
Conmee had finished explaining and looked down. His wife, Father |
|
Conmee supposed. A tiny yawn opened the mouth of the wife of the gentleman |
|
with the glasses. She raised her small gloved fist, yawned ever so gently, |
|
tiptapping her small gloved fist on her opening mouth and smiled tinily, |
|
sweetly. |
|
|
|
Father Conmee perceived her perfume in the car. He perceived also |
|
that the awkward man at the other side of her was sitting on the edge of |
|
the seat. |
|
|
|
Father Conmee at the altarrails placed the host with difficulty in the |
|
mouth of the awkward old man who had the shaky head. |
|
|
|
At Annesley bridge the tram halted and, when it was about to go, an |
|
old woman rose suddenly from her place to alight. The conductor pulled |
|
the bellstrap to stay the car for her. She passed out with her basket and |
|
a marketnet: and Father Conmee saw the conductor help her and net and |
|
basket down: and Father Conmee thought that, as she had nearly passed |
|
the end of the penny fare, she was one of those good souls who had always |
|
to be told twice BLESS YOU, MY CHILD, that they have been absolved, PRAY |
|
FOR ME. But they had so many worries in life, so many cares, poor |
|
creatures. |
|
|
|
From the hoardings Mr Eugene Stratton grimaced with thick niggerlips at |
|
Father Conmee. |
|
|
|
Father Conmee thought of the souls of black and brown and yellow |
|
men and of his sermon on saint Peter Claver S.J. and the African mission |
|
and of the propagation of the faith and of the millions of black and brown |
|
and yellow souls that had not received the baptism of water when their last |
|
hour came like a thief in the night. That book by the Belgian jesuit, LE |
|
NOMBRE DES ELUS, seemed to Father Conmee a reasonable plea. Those were |
|
millions of human souls created by God in His Own likeness to whom the |
|
faith had not (D.V.) been brought. But they were God's souls, created by |
|
God. It seemed to Father Conmee a pity that they should all be lost, a |
|
waste, if one might say. |
|
|
|
At the Howth road stop Father Conmee alighted, was saluted by the |
|
conductor and saluted in his turn. |
|
|
|
The Malahide road was quiet. It pleased Father Conmee, road and |
|
name. The joybells were ringing in gay Malahide. Lord Talbot de Malahide, |
|
immediate hereditary lord admiral of Malahide and the seas adjoining. |
|
Then came the call to arms and she was maid, wife and widow in one day. |
|
Those were old worldish days, loyal times in joyous townlands, old times |
|
in the barony. |
|
|
|
Father Conmee, walking, thought of his little book OLD TIMES IN THE |
|
BARONY and of the book that might be written about jesuit houses and of |
|
Mary Rochfort, daughter of lord Molesworth, first countess of Belvedere. |
|
|
|
A listless lady, no more young, walked alone the shore of lough |
|
Ennel, Mary, first countess of Belvedere, listlessly walking in the |
|
evening, not startled when an otter plunged. Who could know the truth? |
|
Not the jealous lord Belvedere and not her confessor if she had not |
|
committed adultery fully, EIACULATIO SEMINIS INTER VAS NATURALE MULIERIS, |
|
with her husband's brother? She would half confess if she had not all |
|
sinned as women did. Only God knew and she and he, her husband's brother. |
|
|
|
Father Conmee thought of that tyrannous incontinence, needed |
|
however for man's race on earth, and of the ways of God which were not |
|
our ways. |
|
|
|
Don John Conmee walked and moved in times of yore. He was |
|
humane and honoured there. He bore in mind secrets confessed and he |
|
smiled at smiling noble faces in a beeswaxed drawingroom, ceiled with full |
|
fruit clusters. And the hands of a bride and of a bridegroom, noble to |
|
noble, were impalmed by Don John Conmee. |
|
|
|
It was a charming day. |
|
|
|
The lychgate of a field showed Father Conmee breadths of cabbages, |
|
curtseying to him with ample underleaves. The sky showed him a flock of |
|
small white clouds going slowly down the wind. MOUTONNER, the French |
|
said. A just and homely word. |
|
|
|
Father Conmee, reading his office, watched a flock of muttoning |
|
clouds over Rathcoffey. His thinsocked ankles were tickled by the stubble |
|
of Clongowes field. He walked there, reading in the evening, and heard the |
|
cries of the boys' lines at their play, young cries in the quiet evening. |
|
He was their rector: his reign was mild. |
|
|
|
Father Conmee drew off his gloves and took his rededged breviary out. |
|
An ivory bookmark told him the page. |
|
|
|
Nones. He should have read that before lunch. But lady Maxwell had come. |
|
|
|
Father Conmee read in secret PATER and AVE and crossed his breast. |
|
DEUS IN ADIUTORIUM. |
|
|
|
He walked calmly and read mutely the nones, walking and reading till |
|
he came to RES in BEATI IMMACULATI: PRINCIPIUM VERBORUM TUORUM VERITAS: |
|
IN ETERNUM OMNIA INDICIA IUSTITIAE TUAE. |
|
|
|
A flushed young man came from a gap of a hedge and after him came |
|
a young woman with wild nodding daisies in her hand. The young man |
|
raised his cap abruptly: the young woman abruptly bent and with slow care |
|
detached from her light skirt a clinging twig. |
|
|
|
Father Conmee blessed both gravely and turned a thin page of his |
|
breviary. Sin: PRINCIPES PERSECUTI SUNT ME GRATIS: ET A VERBIS TUIS |
|
FORMIDAVIT COR MEUM. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Corny Kelleher closed his long daybook and glanced with his |
|
drooping eye at a pine coffinlid sentried in a corner. He pulled himself |
|
erect, went to it and, spinning it on its axle, viewed its shape and brass |
|
furnishings. Chewing his blade of hay he laid the coffinlid by and came to |
|
the doorway. There he tilted his hatbrim to give shade to his eyes and |
|
leaned against the doorcase, looking idly out. |
|
|
|
Father John Conmee stepped into the Dollymount tram on |
|
Newcomen bridge. |
|
|
|
Corny Kelleher locked his largefooted boots and gazed, his hat |
|
downtilted, chewing his blade of hay. |
|
|
|
Constable 57C, on his beat, stood to pass the time of day. |
|
|
|
--That's a fine day, Mr Kelleher. |
|
|
|
--Ay, Corny Kelleher said. |
|
|
|
--It's very close, the constable said. |
|
|
|
Corny Kelleher sped a silent jet of hayjuice arching from his mouth |
|
while a generous white arm from a window in Eccles street flung forth a |
|
coin. |
|
|
|
--What's the best news? he asked. |
|
|
|
--I seen that particular party last evening, the constable said with bated |
|
breath. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
A onelegged sailor crutched himself round MacConnell's corner, |
|
skirting Rabaiotti's icecream car, and jerked himself up Eccles street. |
|
Towards Larry O'Rourke, in shirtsleeves in his doorway, he growled |
|
unamiably: |
|
|
|
--For England ... |
|
|
|
He swung himself violently forward past Katey and Boody Dedalus, |
|
halted and growled: |
|
|
|
--HOME AND BEAUTY. |
|
|
|
J. J. O'Molloy's white careworn face was told that Mr Lambert was |
|
in the warehouse with a visitor. |
|
|
|
A stout lady stopped, took a copper coin from her purse and dropped |
|
it into the cap held out to her. The sailor grumbled thanks, glanced |
|
sourly at the unheeding windows, sank his head and swung himself forward |
|
four strides. |
|
|
|
He halted and growled angrily: |
|
|
|
--FOR ENGLAND ... |
|
|
|
Two barefoot urchins, sucking long liquorice laces, halted near him, |
|
gaping at his stump with their yellowslobbered mouths. |
|
|
|
He swung himself forward in vigorous jerks, halted, lifted his head |
|
towards a window and bayed deeply: |
|
|
|
--HOME AND BEAUTY. |
|
|
|
The gay sweet chirping whistling within went on a bar or two, ceased. |
|
The blind of the window was drawn aside. A card UNFURNISHED APARTMENTS |
|
slipped from the sash and fell. A plump bare generous arm shone, was seen, |
|
held forth from a white petticoatbodice and taut shiftstraps. A woman's |
|
hand flung forth a coin over the area railings. It fell on the path. |
|
|
|
One of the urchins ran to it, picked it up and dropped it into the |
|
minstrel's cap, saying: |
|
|
|
--There, sir. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Katey and Boody Dedalus shoved in the door of the closesteaming |
|
kitchen. |
|
|
|
--Did you put in the books? Boody asked. |
|
|
|
Maggy at the range rammed down a greyish mass beneath bubbling |
|
suds twice with her potstick and wiped her brow. |
|
|
|
--They wouldn't give anything on them, she said. |
|
|
|
Father Conmee walked through Clongowes fields, his thinsocked |
|
ankles tickled by stubble. |
|
|
|
--Where did you try? Boody asked. |
|
|
|
--M'Guinness's. |
|
|
|
Boody stamped her foot and threw her satchel on the table. |
|
|
|
--Bad cess to her big face! she cried. |
|
|
|
Katey went to the range and peered with squinting eyes. |
|
|
|
--What's in the pot? she asked. |
|
|
|
--Shirts, Maggy said. |
|
|
|
Boody cried angrily: |
|
|
|
--Crickey, is there nothing for us to eat? |
|
|
|
Katey, lifting the kettlelid in a pad of her stained skirt, asked: |
|
|
|
--And what's in this? |
|
|
|
A heavy fume gushed in answer. |
|
|
|
--Peasoup, Maggy said. |
|
|
|
--Where did you get it? Katey asked. |
|
|
|
--Sister Mary Patrick, Maggy said. |
|
|
|
The lacquey rang his bell. |
|
|
|
--Barang! |
|
|
|
Boody sat down at the table and said hungrily: |
|
|
|
--Give us it here. |
|
|
|
Maggy poured yellow thick soup from the kettle into a bowl. Katey, |
|
sitting opposite Boody, said quietly, as her fingertip lifted to her mouth |
|
random crumbs: |
|
|
|
--A good job we have that much. Where's Dilly? |
|
|
|
--Gone to meet father, Maggy said. |
|
|
|
Boody, breaking big chunks of bread into the yellow soup, added: |
|
|
|
--Our father who art not in heaven. |
|
|
|
Maggy, pouring yellow soup in Katey's bowl, exclaimed: |
|
|
|
--Boody! For shame! |
|
|
|
A skiff, a crumpled throwaway, Elijah is coming, rode lightly down |
|
the Liffey, under Loopline bridge, shooting the rapids where water chafed |
|
around the bridgepiers, sailing eastward past hulls and anchorchains, |
|
between the Customhouse old dock and George's quay. |
|
|
|
* * * * * |
|
|
|
|
|
The blond girl in Thornton's bedded the wicker basket with rustling |
|
fibre. Blazes Boylan handed her the bottle swathed in pink tissue paper |
|
and a small jar. |
|
|
|
--Put these in first, will you? he said. |
|
|
|
--Yes, sir, the blond girl said. And the fruit on top. |
|
|
|
--That'll do, game ball, Blazes Boylan said. |
|
|
|
She bestowed fat pears neatly, head by tail, and among them ripe |
|
shamefaced peaches. |
|
|
|
Blazes Boylan walked here and there in new tan shoes about the |
|
fruitsmelling shop, lifting fruits, young juicy crinkled and plump red |
|
tomatoes, sniffing smells. |
|
|
|
H. E. L. Y.'S filed before him, tallwhitehatted, past Tangier lane, |
|
plodding towards their goal. |
|
|
|
He turned suddenly from a chip of strawberries, drew a gold watch |
|
from his fob and held it at its chain's length. |
|
|
|
--Can you send them by tram? Now? |
|
|
|
A darkbacked figure under Merchants' arch scanned books on the |
|
hawker's cart. |
|
|
|
--Certainly, sir. Is it in the city? |
|
|
|
--O, yes, Blazes Boylan said. Ten minutes. |
|
|
|
The blond girl handed him a docket and pencil. |
|
|
|
--Will you write the address, sir? |
|
|
|
Blazes Boylan at the counter wrote and pushed the docket to her. |
|
|
|
--Send it at once, will you? he said. It's for an invalid. |
|
|
|
--Yes, sir. I will, sir. |
|
|
|
Blazes Boylan rattled merry money in his trousers' pocket. |
|
|
|
--What's the damage? he asked. |
|
|
|
The blond girl's slim fingers reckoned the fruits. |
|
|
|
Blazes Boylan looked into the cut of her blouse. A young pullet. He |
|
took a red carnation from the tall stemglass. |
|
|
|
--This for me? he asked gallantly. |
|
|
|
The blond girl glanced sideways at him, got up regardless, with his tie |
|
a bit crooked, blushing. |
|
|
|
--Yes, sir, she said. |
|
|
|
Bending archly she reckoned again fat pears and blushing peaches. |
|
|
|
Blazes Boylan looked in her blouse with more favour, the stalk of the |
|
red flower between his smiling teeth. |
|
|
|
--May I say a word to your telephone, missy? he asked roguishly. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
--MA! Almidano Artifoni said. |
|
|
|
He gazed over Stephen's shoulder at Goldsmith's knobby poll. |
|
|
|
Two carfuls of tourists passed slowly, their women sitting fore, |
|
gripping the handrests. Palefaces. Men's arms frankly round their stunted |
|
forms. They looked from Trinity to the blind columned porch of the bank |
|
of Ireland where pigeons roocoocooed. |
|
|
|
--ANCH'IO HO AVUTO DI QUESTE IDEE, ALMIDANO ARTIFONI SAID, QUAND' ERO |
|
GIOVINE COME LEI. EPPOI MI SONO CONVINTO CHE IL MONDO E UNA BESTIA. |
|
PECCATO. PERCHE LA SUA VOCE ... SAREBBE UN CESPITE DI RENDITA, VIA. |
|
INVECE, LEI SI SACRIFICA. |
|
|
|
--SACRIFIZIO INCRUENTO, Stephen said smiling, swaying his ashplant in slow |
|
swingswong from its midpoint, lightly. |
|
|
|
--SPERIAMO, the round mustachioed face said pleasantly. MA, DIA RETTA A |
|
ME. CI RIFLETTA. |
|
|
|
By the stern stone hand of Grattan, bidding halt, an Inchicore tram |
|
unloaded straggling Highland soldiers of a band. |
|
|
|
--CI RIFLETTERO, Stephen said, glancing down the solid trouserleg. |
|
|
|
--MA, SUL SERIO, EH? Almidano Artifoni said. |
|
|
|
His heavy hand took Stephen's firmly. Human eyes. They gazed |
|
curiously an instant and turned quickly towards a Dalkey tram. |
|
|
|
--ECCOLO, Almidano Artifoni said in friendly haste. Venga a trovarmi e ci |
|
pensi. ADDIO, CARO. |
|
|
|
--ARRIVEDERLA, MAESTRO, Stephen said, raising his hat when his hand was |
|
freed. E GRAZIE. |
|
|
|
--DI CHE? Almidano Artifoni said. Scusi, eh? TANTE BELLE COSE! |
|
|
|
Almidano Artifoni, holding up a baton of rolled music as a signal, |
|
trotted on stout trousers after the Dalkey tram. In vain he trotted, |
|
signalling in vain among the rout of barekneed gillies smuggling |
|
implements of music through Trinity gates. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Miss Dunne hid the Capel street library copy of THE WOMAN IN WHITE |
|
far back in her drawer and rolled a sheet of gaudy notepaper into her |
|
typewriter. |
|
|
|
Too much mystery business in it. Is he in love with that one, Marion? |
|
Change it and get another by Mary Cecil Haye. |
|
|
|
The disk shot down the groove, wobbled a while, ceased and ogled |
|
them: six. |
|
|
|
Miss Dunne clicked on the keyboard: |
|
|
|
--16 June 1904. |
|
|
|
Five tallwhitehatted sandwichmen between Monypeny's corner and |
|
the slab where Wolfe Tone's statue was not, eeled themselves turning |
|
H. E. L. Y.'S and plodded back as they had come. |
|
|
|
|
|
Then she stared at the large poster of Marie Kendall, charming soubrette, |
|
and, listlessly lolling, scribbled on the jotter sixteens and capital |
|
esses. Mustard hair and dauby cheeks. She's not nicelooking, is she? The |
|
way she's holding up her bit of a skirt. Wonder will that fellow be at the |
|
band tonight. If I could get that dressmaker to make a concertina skirt |
|
like Susy Nagle's. They kick out grand. Shannon and all the boatclub |
|
swells never took his eyes off her. Hope to goodness he won't keep me here |
|
till seven. |
|
|
|
The telephone rang rudely by her ear. |
|
|
|
--Hello. Yes, sir. No, sir. Yes, sir. I'll ring them up after five. Only |
|
those two, sir, for Belfast and Liverpool. All right, sir. Then I can go |
|
after six if you're not back. A quarter after. Yes, sir. Twentyseven and |
|
six. I'll tell him. Yes: one, seven, six. |
|
|
|
She scribbled three figures on an envelope. |
|
|
|
--Mr Boylan! Hello! That gentleman from SPORT was in looking for you. |
|
Mr Lenehan, yes. He said he'll be in the Ormond at four. No, sir. Yes, |
|
sir. I'll ring them up after five. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Two pink faces turned in the flare of the tiny torch. |
|
|
|
--Who's that? Ned Lambert asked. Is that Crotty? |
|
|
|
--Ringabella and Crosshaven, a voice replied groping for foothold. |
|
|
|
--Hello, Jack, is that yourself? Ned Lambert said, raising in salute his |
|
pliant lath among the flickering arches. Come on. Mind your steps there. |
|
|
|
The vesta in the clergyman's uplifted hand consumed itself in a long soft |
|
flame and was let fall. At their feet its red speck died: and mouldy air |
|
closed round them. |
|
|
|
--How interesting! a refined accent said in the gloom. |
|
|
|
--Yes, sir, Ned Lambert said heartily. We are standing in the historic |
|
council chamber of saint Mary's abbey where silken Thomas proclaimed |
|
himself a rebel in 1534. This is the most historic spot in all Dublin. |
|
O'Madden Burke is going to write something about it one of these days. The |
|
old bank of Ireland was over the way till the time of the union and the |
|
original jews' temple was here too before they built their synagogue over |
|
in Adelaide road. You were never here before, Jack, were you? |
|
|
|
--No, Ned. |
|
|
|
--He rode down through Dame walk, the refined accent said, if my |
|
memory serves me. The mansion of the Kildares was in Thomas court. |
|
|
|
--That's right, Ned Lambert said. That's quite right, sir. |
|
|
|
--If you will be so kind then, the clergyman said, the next time to allow |
|
me perhaps ... |
|
|
|
--Certainly, Ned Lambert said. Bring the camera whenever you like. I'll |
|
get those bags cleared away from the windows. You can take it from here or |
|
from here. |
|
|
|
In the still faint light he moved about, tapping with his lath the piled |
|
seedbags and points of vantage on the floor. |
|
|
|
From a long face a beard and gaze hung on a chessboard. |
|
|
|
--I'm deeply obliged, Mr Lambert, the clergyman said. I won't trespass on |
|
your valuable time ... |
|
|
|
--You're welcome, sir, Ned Lambert said. Drop in whenever you like. Next |
|
week, say. Can you see? |
|
|
|
--Yes, yes. Good afternoon, Mr Lambert. Very pleased to have met you. |
|
|
|
--Pleasure is mine, sir, Ned Lambert answered. |
|
|
|
He followed his guest to the outlet and then whirled his lath away |
|
among the pillars. With J. J. O'Molloy he came forth slowly into Mary's |
|
abbey where draymen were loading floats with sacks of carob and palmnut |
|
meal, O'Connor, Wexford. |
|
|
|
He stood to read the card in his hand. |
|
|
|
--The reverend Hugh C. Love, Rathcoffey. Present address: Saint |
|
Michael's, Sallins. Nice young chap he is. He's writing a book about the |
|
Fitzgeralds he told me. He's well up in history, faith. |
|
|
|
The young woman with slow care detached from her light skirt a |
|
clinging twig. |
|
|
|
--I thought you were at a new gunpowder plot, J. J. O'Molloy said. |
|
|
|
Ned Lambert cracked his fingers in the air. |
|
|
|
--God! he cried. I forgot to tell him that one about the earl of Kildare |
|
after he set fire to Cashel cathedral. You know that one? I'M BLOODY SORRY |
|
I DID IT, says he, BUT I DECLARE TO GOD I THOUGHT THE ARCHBISHOP WAS |
|
INSIDE. He mightn't like it, though. What? God, I'll tell him anyhow. |
|
That was the great earl, the Fitzgerald Mor. Hot members they were all of |
|
them, the Geraldines. |
|
|
|
The horses he passed started nervously under their slack harness. He |
|
slapped a piebald haunch quivering near him and cried: |
|
|
|
--Woa, sonny! |
|
|
|
He turned to J. J. O'Molloy and asked: |
|
|
|
--Well, Jack. What is it? What's the trouble? Wait awhile. Hold hard. |
|
|
|
With gaping mouth and head far back he stood still and, after an |
|
instant, sneezed loudly. |
|
|
|
--Chow! he said. Blast you! |
|
|
|
--The dust from those sacks, J. J. O'Molloy said politely. |
|
|
|
--No, Ned Lambert gasped, I caught a ... cold night before ... blast |
|
your soul ... night before last ... and there was a hell of a lot of |
|
draught ... |
|
|
|
He held his handkerchief ready for the coming ... |
|
|
|
--I was ... Glasnevin this morning ... poor little ... what do you call |
|
him ... Chow! ... Mother of Moses! |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Tom Rochford took the top disk from the pile he clasped against his |
|
claret waistcoat. |
|
|
|
--See? he said. Say it's turn six. In here, see. Turn Now On. |
|
|
|
He slid it into the left slot for them. It shot down the groove, wobbled |
|
a while, ceased, ogling them: six. |
|
|
|
Lawyers of the past, haughty, pleading, beheld pass from the |
|
consolidated taxing office to Nisi Prius court Richie Goulding carrying |
|
the costbag of Goulding, Collis and Ward and heard rustling from the |
|
admiralty division of king's bench to the court of appeal an elderly |
|
female with false teeth smiling incredulously and a black silk skirt of |
|
great amplitude. |
|
|
|
--See? he said. See now the last one I put in is over here: Turns Over. |
|
The impact. Leverage, see? |
|
|
|
He showed them the rising column of disks on the right. |
|
|
|
--Smart idea, Nosey Flynn said, snuffling. So a fellow coming in late can |
|
see what turn is on and what turns are over. |
|
|
|
--See? Tom Rochford said. |
|
|
|
He slid in a disk for himself: and watched it shoot, wobble, ogle, stop: |
|
four. Turn Now On. |
|
|
|
--I'll see him now in the Ormond, Lenehan said, and sound him. One good |
|
turn deserves another. |
|
|
|
--Do, Tom Rochford said. Tell him I'm Boylan with impatience. |
|
|
|
--Goodnight, M'Coy said abruptly. When you two begin |
|
|
|
Nosey Flynn stooped towards the lever, snuffling at it. |
|
|
|
--But how does it work here, Tommy? he asked. |
|
|
|
--Tooraloo, Lenehan said. See you later. |
|
|
|
He followed M'Coy out across the tiny square of Crampton court. |
|
|
|
--He's a hero, he said simply. |
|
|
|
--I know, M'Coy said. The drain, you mean. |
|
|
|
--Drain? Lenehan said. It was down a manhole. |
|
|
|
They passed Dan Lowry's musichall where Marie Kendall, charming |
|
soubrette, smiled on them from a poster a dauby smile. |
|
|
|
Going down the path of Sycamore street beside the Empire musichall |
|
Lenehan showed M'Coy how the whole thing was. One of those manholes |
|
like a bloody gaspipe and there was the poor devil stuck down in it, half |
|
choked with sewer gas. Down went Tom Rochford anyhow, booky's vest |
|
and all, with the rope round him. And be damned but he got the rope round |
|
the poor devil and the two were hauled up. |
|
|
|
--The act of a hero, he said. |
|
|
|
At the Dolphin they halted to allow the ambulance car to gallop past |
|
them for Jervis street. |
|
|
|
--This way, he said, walking to the right. I want to pop into Lynam's to |
|
see Sceptre's starting price. What's the time by your gold watch and |
|
chain? |
|
|
|
M'Coy peered into Marcus Tertius Moses' sombre office, then at |
|
O'Neill's clock. |
|
|
|
--After three, he said. Who's riding her? |
|
|
|
--O. Madden, Lenehan said. And a game filly she is. |
|
|
|
While he waited in Temple bar M'Coy dodged a banana peel with |
|
gentle pushes of his toe from the path to the gutter. Fellow might damn |
|
easy get a nasty fall there coming along tight in the dark. |
|
|
|
The gates of the drive opened wide to give egress to the viceregal |
|
cavalcade. |
|
|
|
--Even money, Lenehan said returning. I knocked against Bantam Lyons in |
|
there going to back a bloody horse someone gave him that hasn't an |
|
earthly. Through here. |
|
|
|
They went up the steps and under Merchants' arch. A darkbacked |
|
figure scanned books on the hawker's cart. |
|
|
|
--There he is, Lenehan said. |
|
|
|
--Wonder what he's buying, M'Coy said, glancing behind. |
|
|
|
--LEOPOLDO OR THE BLOOM IS ON THE RYE, Lenehan said. |
|
|
|
--He's dead nuts on sales, M'Coy said. I was with him one day and he |
|
bought a book from an old one in Liffey street for two bob. There were |
|
fine plates in it worth double the money, the stars and the moon and |
|
comets with long tails. Astronomy it was about. |
|
|
|
Lenehan laughed. |
|
|
|
--I'll tell you a damn good one about comets' tails, he said. Come over in |
|
the sun. |
|
|
|
They crossed to the metal bridge and went along Wellington quay by |
|
the riverwall. |
|
|
|
Master Patrick Aloysius Dignam came out of Mangan's, late |
|
Fehrenbach's, carrying a pound and a half of porksteaks. |
|
|
|
--There was a long spread out at Glencree reformatory, Lenehan said |
|
eagerly. The annual dinner, you know. Boiled shirt affair. The lord mayor |
|
was there, Val Dillon it was, and sir Charles Cameron and Dan Dawson |
|
spoke and there was music. Bartell d'Arcy sang and Benjamin Dollard ... |
|
|
|
--I know, M'Coy broke in. My missus sang there once. |
|
|
|
--Did she? Lenehan said. |
|
|
|
A card UNFURNISHED APARTMENTS reappeared on the windowsash of |
|
number 7 Eccles street. |
|
|
|
He checked his tale a moment but broke out in a wheezy laugh. |
|
|
|
--But wait till I tell you, he said. Delahunt of Camden street had the |
|
catering and yours truly was chief bottlewasher. Bloom and the wife were |
|
there. Lashings of stuff we put up: port wine and sherry and curacao to |
|
which we did ample justice. Fast and furious it was. After liquids came |
|
solids. Cold joints galore and mince pies ... |
|
|
|
--I know, M'Coy said. The year the missus was there ... |
|
|
|
Lenehan linked his arm warmly. |
|
|
|
--But wait till I tell you, he said. We had a midnight lunch too after all |
|
the jollification and when we sallied forth it was blue o'clock the |
|
morning after the night before. Coming home it was a gorgeous winter's |
|
night on the Featherbed Mountain. Bloom and Chris Callinan were on one |
|
side of the car and I was with the wife on the other. We started singing |
|
glees and duets: LO, THE EARLY BEAM OF MORNING. She was well primed with a |
|
good load of Delahunt's port under her bellyband. Every jolt the bloody |
|
car gave I had her bumping up against me. Hell's delights! She has a fine |
|
pair, God bless her. Like that. |
|
|
|
|
|
He held his caved hands a cubit from him, frowning: |
|
|
|
--I was tucking the rug under her and settling her boa all the time. Know |
|
what I mean? |
|
|
|
His hands moulded ample curves of air. He shut his eyes tight in |
|
delight, his body shrinking, and blew a sweet chirp from his lips. |
|
|
|
--The lad stood to attention anyhow, he said with a sigh. She's a gamey |
|
mare and no mistake. Bloom was pointing out all the stars and the comets |
|
in the heavens to Chris Callinan and the jarvey: the great bear and |
|
Hercules and the dragon, and the whole jingbang lot. But, by God, I was |
|
lost, so to speak, in the milky way. He knows them all, faith. At last she |
|
spotted a weeny weeshy one miles away. AND WHAT STAR IS THAT, POLDY? says |
|
she. By God, she had Bloom cornered. THAT ONE, IS IT? says Chris Callinan, |
|
SURE THAT'S ONLY WHAT YOU MIGHT CALL A PINPRICK. By God, he wasn't far |
|
wide of the mark. |
|
|
|
Lenehan stopped and leaned on the riverwall, panting with soft |
|
laughter. |
|
|
|
--I'm weak, he gasped. |
|
|
|
M'Coy's white face smiled about it at instants and grew grave. |
|
Lenehan walked on again. He lifted his yachtingcap and scratched his |
|
hindhead rapidly. He glanced sideways in the sunlight at M'Coy. |
|
|
|
--He's a cultured allroundman, Bloom is, he said seriously. He's not one |
|
of your common or garden ... you know ... There's a touch of the artist |
|
about old Bloom. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Mr Bloom turned over idly pages of THE AWFUL DISCLOSURES OF MARIA |
|
MONK, then of Aristotle's MASTERPIECE. Crooked botched print. Plates: |
|
infants cuddled in a ball in bloodred wombs like livers of slaughtered |
|
cows. Lots of them like that at this moment all over the world. All |
|
butting with their skulls to get out of it. Child born every minute |
|
somewhere. Mrs Purefoy. |
|
|
|
He laid both books aside and glanced at the third: TALES OF THE GHETTO |
|
by Leopold von Sacher Masoch. |
|
|
|
--That I had, he said, pushing it by. |
|
|
|
The shopman let two volumes fall on the counter. |
|
|
|
--Them are two good ones, he said. |
|
|
|
Onions of his breath came across the counter out of his ruined |
|
mouth. He bent to make a bundle of the other books, hugged them against |
|
his unbuttoned waistcoat and bore them off behind the dingy curtain. |
|
|
|
On O'Connell bridge many persons observed the grave deportment |
|
and gay apparel of Mr Denis J Maginni, professor of dancing &c. |
|
|
|
Mr Bloom, alone, looked at the titles. FAIR TYRANTS by James Lovebirch. |
|
Know the kind that is. Had it? Yes. |
|
|
|
He opened it. Thought so. |
|
|
|
A woman's voice behind the dingy curtain. Listen: the man. |
|
|
|
No: she wouldn't like that much. Got her it once. |
|
|
|
He read the other title: SWEETS OF SIN. More in her line. Let us see. |
|
|
|
He read where his finger opened. |
|
|
|
--ALL THE DOLLARBILLS HER HUSBAND GAVE HER WERE SPENT IN THE STORES ON |
|
WONDROUS GOWNS AND COSTLIEST FRILLIES. FOR HIM! FOR RAOUL! |
|
|
|
Yes. This. Here. Try. |
|
|
|
--HER MOUTH GLUED ON HIS IN A LUSCIOUS VOLUPTUOUS KISS WHILE HIS HANDS |
|
FELT FOR THE OPULENT CURVES INSIDE HER DESHABILLE. |
|
|
|
Yes. Take this. The end. |
|
|
|
--YOU ARE LATE, HE SPOKE HOARSELY, EYING HER WITH A SUSPICIOUS GLARE. |
|
THE BEAUTIFUL WOMAN THREW OFF HER SABLETRIMMED WRAP, DISPLAYING HER |
|
QUEENLY SHOULDERS AND HEAVING EMBONPOINT. AN IMPERCEPTIBLE SMILE PLAYED |
|
ROUND HER PERFECT LIPS AS SHE TURNED TO HIM CALMLY. |
|
|
|
Mr Bloom read again: THE BEAUTIFUL WOMAN. |
|
|
|
Warmth showered gently over him, cowing his flesh. Flesh yielded |
|
amply amid rumpled clothes: whites of eyes swooning up. His nostrils |
|
arched themselves for prey. Melting breast ointments (FOR HIM! FOR |
|
RAOUL!). Armpits' oniony sweat. Fishgluey slime (HER HEAVING EMBONPOINT!). |
|
Feel! Press! Crushed! Sulphur dung of lions! |
|
|
|
Young! Young! |
|
|
|
An elderly female, no more young, left the building of the courts of |
|
chancery, king's bench, exchequer and common pleas, having heard in the |
|
lord chancellor's court the case in lunacy of Potterton, in the admiralty |
|
division the summons, exparte motion, of the owners of the Lady Cairns |
|
versus the owners of the barque Mona, in the court of appeal reservation |
|
of judgment in the case of Harvey versus the Ocean Accident and Guarantee |
|
Corporation. |
|
|
|
Phlegmy coughs shook the air of the bookshop, bulging out the dingy |
|
curtains. The shopman's uncombed grey head came out and his unshaven |
|
reddened face, coughing. He raked his throat rudely, puked phlegm on the |
|
floor. He put his boot on what he had spat, wiping his sole along it, and |
|
bent, showing a rawskinned crown, scantily haired. |
|
|
|
Mr Bloom beheld it. |
|
|
|
Mastering his troubled breath, he said: |
|
|
|
--I'll take this one. |
|
|
|
The shopman lifted eyes bleared with old rheum. |
|
|
|
--SWEETS OF SIN, he said, tapping on it. That's a good one. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
The lacquey by the door of Dillon's auctionrooms shook his handbell |
|
twice again and viewed himself in the chalked mirror of the cabinet. |
|
|
|
Dilly Dedalus, loitering by the curbstone, heard the beats of the bell, |
|
the cries of the auctioneer within. Four and nine. Those lovely curtains. |
|
Five shillings. Cosy curtains. Selling new at two guineas. Any advance on |
|
five shillings? Going for five shillings. |
|
|
|
The lacquey lifted his handbell and shook it: |
|
|
|
--Barang! |
|
|
|
Bang of the lastlap bell spurred the halfmile wheelmen to their sprint. |
|
J. A. Jackson, W. E. Wylie, A. Munro and H. T. Gahan, their stretched |
|
necks wagging, negotiated the curve by the College library. |
|
|
|
Mr Dedalus, tugging a long moustache, came round from Williams's |
|
row. He halted near his daughter. |
|
|
|
--It's time for you, she said. |
|
|
|
--Stand up straight for the love of the lord Jesus, Mr Dedalus said. Are you |
|
trying to imitate your uncle John, the cornetplayer, head upon shoulder? |
|
Melancholy God! |
|
|
|
Dilly shrugged her shoulders. Mr Dedalus placed his hands on them |
|
and held them back. |
|
|
|
--Stand up straight, girl, he said. You'll get curvature of the spine. |
|
Do you know what you look like? |
|
|
|
He let his head sink suddenly down and forward, hunching his |
|
shoulders and dropping his underjaw. |
|
|
|
--Give it up, father, Dilly said. All the people are looking at you. |
|
|
|
Mr Dedalus drew himself upright and tugged again at his moustache. |
|
|
|
--Did you get any money? Dilly asked. |
|
|
|
--Where would I get money? Mr Dedalus said. There is no-one in Dublin |
|
would lend me fourpence. |
|
|
|
--You got some, Dilly said, looking in his eyes. |
|
|
|
--How do you know that? Mr Dedalus asked, his tongue in his cheek. |
|
|
|
Mr Kernan, pleased with the order he had booked, walked boldly |
|
along James's street. |
|
|
|
--I know you did, Dilly answered. Were you in the Scotch house now? |
|
|
|
--I was not, then, Mr Dedalus said, smiling. Was it the little nuns taught |
|
you to be so saucy? Here. |
|
|
|
He handed her a shilling. |
|
|
|
--See if you can do anything with that, he said. |
|
|
|
--I suppose you got five, Dilly said. Give me more than that. |
|
|
|
--Wait awhile, Mr Dedalus said threateningly. You're like the rest of |
|
them, are you? An insolent pack of little bitches since your poor mother |
|
died. But wait awhile. You'll all get a short shrift and a long day from |
|
me. Low blackguardism! I'm going to get rid of you. Wouldn't care if I was |
|
stretched out stiff. He's dead. The man upstairs is dead. |
|
|
|
He left her and walked on. Dilly followed quickly and pulled his coat. |
|
|
|
--Well, what is it? he said, stopping. |
|
|
|
The lacquey rang his bell behind their backs. |
|
|
|
--Barang! |
|
|
|
--Curse your bloody blatant soul, Mr Dedalus cried, turning on him. |
|
|
|
The lacquey, aware of comment, shook the lolling clapper of his bell |
|
but feebly: |
|
|
|
--Bang! |
|
|
|
Mr Dedalus stared at him. |
|
|
|
--Watch him, he said. It's instructive. I wonder will he allow us to talk. |
|
|
|
--You got more than that, father, Dilly said. |
|
|
|
--I'm going to show you a little trick, Mr Dedalus said. I'll leave you |
|
all where Jesus left the jews. Look, there's all I have. I got two |
|
shillings from Jack Power and I spent twopence for a shave for the |
|
funeral. |
|
|
|
He drew forth a handful of copper coins, nervously. |
|
|
|
--Can't you look for some money somewhere? Dilly said. |
|
|
|
Mr Dedalus thought and nodded. |
|
|
|
--I will, he said gravely. I looked all along the gutter in O'Connell |
|
street. I'll try this one now. |
|
|
|
--You're very funny, Dilly said, grinning. |
|
|
|
--Here, Mr Dedalus said, handing her two pennies. Get a glass of milk for |
|
yourself and a bun or a something. I'll be home shortly. |
|
|
|
He put the other coins in his pocket and started to walk on. |
|
|
|
The viceregal cavalcade passed, greeted by obsequious policemen, out |
|
of Parkgate. |
|
|
|
--I'm sure you have another shilling, Dilly said. |
|
|
|
The lacquey banged loudly. |
|
|
|
Mr Dedalus amid the din walked off, murmuring to himself with a |
|
pursing mincing mouth gently: |
|
|
|
--The little nuns! Nice little things! O, sure they wouldn't do anything! |
|
O, sure they wouldn't really! Is it little sister Monica! |
|
|
|
|
|
* * * * * |
|
|
|
|
|
From the sundial towards James's gate walked Mr Kernan, pleased |
|
with the order he had booked for Pulbrook Robertson, boldly along |
|
James's street, past Shackleton's offices. Got round him all right. How do |
|
you do, Mr Crimmins? First rate, sir. I was afraid you might be up in your |
|
other establishment in Pimlico. How are things going? Just keeping alive. |
|
Lovely weather we're having. Yes, indeed. Good for the country. Those |
|
farmers are always grumbling. I'll just take a thimbleful of your best |
|
gin, Mr Crimmins. A small gin, sir. Yes, sir. Terrible affair that General |
|
Slocum explosion. Terrible, terrible! A thousand casualties. And |
|
heartrending scenes. Men trampling down women and children. Most brutal |
|
thing. What do they say was the cause? Spontaneous combustion. Most |
|
scandalous revelation. Not a single lifeboat would float and the firehose |
|
all burst. What I can't understand is how the inspectors ever allowed a |
|
boat like that ... Now, you're talking straight, Mr Crimmins. You know |
|
why? Palm oil. Is that a fact? Without a doubt. Well now, look at that. |
|
And America they say is the land of the free. I thought we were bad here. |
|
|
|
I smiled at him. AMERICA, I said quietly, just like that. WHAT IS IT? THE |
|
SWEEPINGS OF EVERY COUNTRY INCLUDING OUR OWN. ISN'T THAT TRUE? That's |
|
a fact. |
|
|
|
Graft, my dear sir. Well, of course, where there's money going there's |
|
always someone to pick it up. |
|
|
|
Saw him looking at my frockcoat. Dress does it. Nothing like a |
|
dressy appearance. Bowls them over. |
|
|
|
--Hello, Simon, Father Cowley said. How are things? |
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping. |
|
|
|
Mr Kernan halted and preened himself before the sloping mirror of Peter |
|
Kennedy, hairdresser. Stylish coat, beyond a doubt. Scott of Dawson |
|
street. Well worth the half sovereign I gave Neary for it. Never built |
|
under three guineas. Fits me down to the ground. Some Kildare street club |
|
toff had it probably. John Mulligan, the manager of the Hibernian bank, |
|
gave me a very sharp eye yesterday on Carlisle bridge as if he remembered |
|
me. |
|
|
|
Aham! Must dress the character for those fellows. Knight of the road. |
|
Gentleman. And now, Mr Crimmins, may we have the honour of your |
|
custom again, sir. The cup that cheers but not inebriates, as the old |
|
saying has it. |
|
|
|
North wall and sir John Rogerson's quay, with hulls and |
|
anchorchains, sailing westward, sailed by a skiff, a crumpled throwaway, |
|
rocked on the ferrywash, Elijah is coming. |
|
|
|
Mr Kernan glanced in farewell at his image. High colour, of course. |
|
Grizzled moustache. Returned Indian officer. Bravely he bore his stumpy |
|
body forward on spatted feet, squaring his shoulders. Is that Ned |
|
Lambert's brother over the way, Sam? What? Yes. He's as like it as damn |
|
it. No. The windscreen of that motorcar in the sun there. Just a flash |
|
like that. Damn like him. |
|
|
|
Aham! Hot spirit of juniper juice warmed his vitals and his breath. Good |
|
drop of gin, that was. His frocktails winked in bright sunshine to his |
|
fat strut. |
|
|
|
Down there Emmet was hanged, drawn and quartered. Greasy black |
|
rope. Dogs licking the blood off the street when the lord lieutenant's |
|
wife drove by in her noddy. |
|
|
|
Bad times those were. Well, well. Over and done with. Great topers |
|
too. Fourbottle men. |
|
|
|
Let me see. Is he buried in saint Michan's? Or no, there was a |
|
midnight burial in Glasnevin. Corpse brought in through a secret door in |
|
the wall. Dignam is there now. Went out in a puff. Well, well. Better turn |
|
down here. Make a detour. |
|
|
|
Mr Kernan turned and walked down the slope of Watling street by |
|
the corner of Guinness's visitors' waitingroom. Outside the Dublin |
|
Distillers Company's stores an outside car without fare or jarvey stood, |
|
the reins knotted to the wheel. Damn dangerous thing. Some Tipperary |
|
bosthoon endangering the lives of the citizens. Runaway horse. |
|
|
|
Denis Breen with his tomes, weary of having waited an hour in John |
|
Henry Menton's office, led his wife over O'Connell bridge, bound for the |
|
office of Messrs Collis and Ward. |
|
|
|
Mr Kernan approached Island street. |
|
|
|
Times of the troubles. Must ask Ned Lambert to lend me those reminiscences |
|
of sir Jonah Barrington. When you look back on it all now in a kind of |
|
retrospective arrangement. Gaming at Daly's. No cardsharping then. |
|
One of those fellows got his hand nailed to the table by a dagger. |
|
Somewhere here lord Edward Fitzgerald escaped from major Sirr. Stables |
|
behind Moira house. |
|
|
|
Damn good gin that was. |
|
|
|
Fine dashing young nobleman. Good stock, of course. That ruffian, that |
|
sham squire, with his violet gloves gave him away. Course they were on |
|
the wrong side. They rose in dark and evil days. Fine poem that is: |
|
Ingram. They were gentlemen. Ben Dollard does sing that ballad touchingly. |
|
Masterly rendition. |
|
|
|
|
|
AT THE SIEGE OF ROSS DID MY FATHER FALL. |
|
|
|
|
|
A cavalcade in easy trot along Pembroke quay passed, outriders |
|
leaping, leaping in their, in their saddles. Frockcoats. Cream sunshades. |
|
|
|
Mr Kernan hurried forward, blowing pursily. |
|
|
|
His Excellency! Too bad! Just missed that by a hair. Damn it! What a pity! |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Stephen Dedalus watched through the webbed window the lapidary's |
|
fingers prove a timedulled chain. Dust webbed the window and the |
|
showtrays. Dust darkened the toiling fingers with their vulture nails. |
|
Dust slept on dull coils of bronze and silver, lozenges of cinnabar, |
|
on rubies, leprous and winedark stones. |
|
|
|
Born all in the dark wormy earth, cold specks of fire, evil, lights |
|
shining in the darkness. Where fallen archangels flung the stars of their |
|
brows. Muddy swinesnouts, hands, root and root, gripe and wrest them. |
|
|
|
She dances in a foul gloom where gum bums with garlic. A |
|
sailorman, rustbearded, sips from a beaker rum and eyes her. A long and |
|
seafed silent rut. She dances, capers, wagging her sowish haunches and her |
|
hips, on her gross belly flapping a ruby egg. |
|
|
|
Old Russell with a smeared shammy rag burnished again his gem, |
|
turned it and held it at the point of his Moses' beard. Grandfather ape |
|
gloating on a stolen hoard. |
|
|
|
And you who wrest old images from the burial earth? The brainsick |
|
words of sophists: Antisthenes. A lore of drugs. Orient and immortal wheat |
|
standing from everlasting to everlasting. |
|
|
|
Two old women fresh from their whiff of the briny trudged through |
|
Irishtown along London bridge road, one with a sanded tired umbrella, one |
|
with a midwife's bag in which eleven cockles rolled. |
|
|
|
The whirr of flapping leathern bands and hum of dynamos from the |
|
powerhouse urged Stephen to be on. Beingless beings. Stop! Throb always |
|
without you and the throb always within. Your heart you sing of. I between |
|
them. Where? Between two roaring worlds where they swirl, I. Shatter |
|
them, one and both. But stun myself too in the blow. Shatter me you who |
|
can. Bawd and butcher were the words. I say! Not yet awhile. A look |
|
around. |
|
|
|
Yes, quite true. Very large and wonderful and keeps famous time. You |
|
say right, sir. A Monday morning, 'twas so, indeed. |
|
|
|
Stephen went down Bedford row, the handle of the ash clacking |
|
against his shoulderblade. In Clohissey's window a faded 186O print of |
|
Heenan boxing Sayers held his eye. Staring backers with square hats stood |
|
round the roped prizering. The heavyweights in tight loincloths proposed |
|
gently each to other his bulbous fists. And they are throbbing: heroes' |
|
hearts. |
|
|
|
He turned and halted by the slanted bookcart. |
|
|
|
--Twopence each, the huckster said. Four for sixpence. |
|
|
|
Tattered pages. THE IRISH BEEKEEPER. LIFE AND MIRACLES OF THE CURE' OF |
|
ARS. POCKET GUIDE TO KILLARNEY. |
|
|
|
I might find here one of my pawned schoolprizes. STEPHANO DEDALO, |
|
ALUMNO OPTIMO, PALMAM FERENTI. |
|
|
|
Father Conmee, having read his little hours, walked through the |
|
hamlet of Donnycarney, murmuring vespers. |
|
|
|
Binding too good probably. What is this? Eighth and ninth book of |
|
Moses. Secret of all secrets. Seal of King David. Thumbed pages: read and |
|
read. Who has passed here before me? How to soften chapped hands. |
|
Recipe for white wine vinegar. How to win a woman's love. For me this. |
|
Say the following talisman three times with hands folded: |
|
|
|
--SE EL YILO NEBRAKADA FEMININUM! AMOR ME SOLO! SANKTUS! AMEN. |
|
|
|
Who wrote this? Charms and invocations of the most blessed abbot |
|
Peter Salanka to all true believers divulged. As good as any other abbot's |
|
charms, as mumbling Joachim's. Down, baldynoddle, or we'll wool your wool. |
|
|
|
--What are you doing here, Stephen? |
|
|
|
Dilly's high shoulders and shabby dress. |
|
|
|
Shut the book quick. Don't let see. |
|
|
|
--What are you doing? Stephen said. |
|
|
|
A Stuart face of nonesuch Charles, lank locks falling at its sides. It |
|
glowed as she crouched feeding the fire with broken boots. I told her of |
|
Paris. Late lieabed under a quilt of old overcoats, fingering a pinchbeck |
|
bracelet, Dan Kelly's token. NEBRAKADA FEMININUM. |
|
|
|
--What have you there? Stephen asked. |
|
|
|
--I bought it from the other cart for a penny, Dilly said, laughing |
|
nervously. Is it any good? |
|
|
|
My eyes they say she has. Do others see me so? Quick, far and |
|
daring. Shadow of my mind. |
|
|
|
He took the coverless book from her hand. Chardenal's French primer. |
|
|
|
--What did you buy that for? he asked. To learn French? |
|
|
|
She nodded, reddening and closing tight her lips. |
|
|
|
Show no surprise. Quite natural. |
|
|
|
--Here, Stephen said. It's all right. Mind Maggy doesn't pawn it on you. I |
|
suppose all my books are gone. |
|
|
|
--Some, Dilly said. We had to. |
|
|
|
She is drowning. Agenbite. Save her. Agenbite. All against us. She will |
|
drown me with her, eyes and hair. Lank coils of seaweed hair around me, |
|
my heart, my soul. Salt green death. |
|
|
|
We. |
|
|
|
Agenbite of inwit. Inwit's agenbite. |
|
|
|
Misery! Misery! |
|
|
|
|
|
* * * * * |
|
|
|
|
|
--Hello, Simon, Father Cowley said. How are things? |
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping. |
|
|
|
They clasped hands loudly outside Reddy and Daughter's. Father |
|
Cowley brushed his moustache often downward with a scooping hand. |
|
|
|
--What's the best news? Mr Dedalus said. |
|
|
|
--Why then not much, Father Cowley said. I'm barricaded up, Simon, with |
|
two men prowling around the house trying to effect an entrance. |
|
|
|
--Jolly, Mr Dedalus said. Who is it? |
|
|
|
--O, Father Cowley said. A certain gombeen man of our acquaintance. |
|
|
|
--With a broken back, is it? Mr Dedalus asked. |
|
|
|
--The same, Simon, Father Cowley answered. Reuben of that ilk. I'm just |
|
waiting for Ben Dollard. He's going to say a word to long John to get him |
|
to take those two men off. All I want is a little time. |
|
|
|
He looked with vague hope up and down the quay, a big apple bulging |
|
in his neck. |
|
|
|
--I know, Mr Dedalus said, nodding. Poor old bockedy Ben! He's always |
|
doing a good turn for someone. Hold hard! |
|
|
|
He put on his glasses and gazed towards the metal bridge an instant. |
|
|
|
--There he is, by God, he said, arse and pockets. |
|
|
|
Ben Dollard's loose blue cutaway and square hat above large slops |
|
crossed the quay in full gait from the metal bridge. He came towards them |
|
at an amble, scratching actively behind his coattails. |
|
|
|
As he came near Mr Dedalus greeted: |
|
|
|
--Hold that fellow with the bad trousers. |
|
|
|
--Hold him now, Ben Dollard said. |
|
|
|
Mr Dedalus eyed with cold wandering scorn various points of Ben |
|
Dollard's figure. Then, turning to Father Cowley with a nod, he muttered |
|
sneeringly: |
|
|
|
--That's a pretty garment, isn't it, for a summer's day? |
|
|
|
--Why, God eternally curse your soul, Ben Dollard growled furiously, I |
|
threw out more clothes in my time than you ever saw. |
|
|
|
He stood beside them beaming, on them first and on his roomy |
|
clothes from points of which Mr Dedalus flicked fluff, saying: |
|
|
|
--They were made for a man in his health, Ben, anyhow. |
|
|
|
--Bad luck to the jewman that made them, Ben Dollard said. Thanks be to |
|
God he's not paid yet. |
|
|
|
--And how is that BASSO PROFONDO, Benjamin? Father Cowley asked. |
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, murmuring, |
|
glassyeyed, strode past the Kildare street club. |
|
|
|
Ben Dollard frowned and, making suddenly a chanter's mouth, gave |
|
forth a deep note. |
|
|
|
--Aw! he said. |
|
|
|
--That's the style, Mr Dedalus said, nodding to its drone. |
|
|
|
--What about that? Ben Dollard said. Not too dusty? What? |
|
|
|
He turned to both. |
|
|
|
--That'll do, Father Cowley said, nodding also. |
|
|
|
The reverend Hugh C. Love walked from the old chapterhouse of |
|
saint Mary's abbey past James and Charles Kennedy's, rectifiers, attended |
|
by Geraldines tall and personable, towards the Tholsel beyond the ford of |
|
hurdles. |
|
|
|
Ben Dollard with a heavy list towards the shopfronts led them forward, |
|
his joyful fingers in the air. |
|
|
|
--Come along with me to the subsheriff's office, he said. I want to show |
|
you the new beauty Rock has for a bailiff. He's a cross between Lobengula |
|
and Lynchehaun. He's well worth seeing, mind you. Come along. I saw John |
|
Henry Menton casually in the Bodega just now and it will cost me a fall if |
|
I don't ... Wait awhile ... We're on the right lay, Bob, believe you me. |
|
|
|
--For a few days tell him, Father Cowley said anxiously. |
|
|
|
Ben Dollard halted and stared, his loud orifice open, a dangling |
|
button of his coat wagging brightbacked from its thread as he wiped away |
|
the heavy shraums that clogged his eyes to hear aright. |
|
|
|
--What few days? he boomed. Hasn't your landlord distrained for rent? |
|
|
|
--He has, Father Cowley said. |
|
|
|
--Then our friend's writ is not worth the paper it's printed on, Ben Dollard |
|
said. The landlord has the prior claim. I gave him all the particulars. 29 |
|
Windsor avenue. Love is the name? |
|
|
|
--That's right, Father Cowley said. The reverend Mr Love. He's a minister |
|
in the country somewhere. But are you sure of that? |
|
|
|
--You can tell Barabbas from me, Ben Dollard said, that he can put that |
|
writ where Jacko put the nuts. |
|
|
|
He led Father Cowley boldly forward, linked to his bulk. |
|
|
|
--Filberts I believe they were, Mr Dedalus said, as he dropped his glasses |
|
on his coatfront, following them. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
--The youngster will be all right, Martin Cunningham said, as they passed |
|
out of the Castleyard gate. |
|
|
|
The policeman touched his forehead. |
|
|
|
--God bless you, Martin Cunningham said, cheerily. |
|
|
|
He signed to the waiting jarvey who chucked at the reins and set on |
|
towards Lord Edward street. |
|
|
|
Bronze by gold, Miss Kennedy's head by Miss Douce's head, |
|
appeared above the crossblind of the Ormond hotel. |
|
|
|
--Yes, Martin Cunningham said, fingering his beard. I wrote to Father |
|
Conmee and laid the whole case before him. |
|
|
|
--You could try our friend, Mr Power suggested backward. |
|
|
|
--Boyd? Martin Cunningham said shortly. Touch me not. |
|
|
|
John Wyse Nolan, lagging behind, reading the list, came after them |
|
quickly down Cork hill. |
|
|
|
On the steps of the City hall Councillor Nannetti, descending, hailed |
|
Alderman Cowley and Councillor Abraham Lyon ascending. |
|
|
|
The castle car wheeled empty into upper Exchange street. |
|
|
|
--Look here, Martin, John Wyse Nolan said, overtaking them at the MAIL |
|
office. I see Bloom put his name down for five shillings. |
|
|
|
--Quite right, Martin Cunningham said, taking the list. And put down the |
|
five shillings too. |
|
|
|
--Without a second word either, Mr Power said. |
|
|
|
--Strange but true, Martin Cunningham added. |
|
|
|
John Wyse Nolan opened wide eyes. |
|
|
|
--I'll say there is much kindness in the jew, he quoted, elegantly. |
|
|
|
They went down Parliament street. |
|
|
|
--There's Jimmy Henry, Mr Power said, just heading for Kavanagh's. |
|
|
|
--Righto, Martin Cunningham said. Here goes. |
|
|
|
Outside LA MAISON CLAIRE Blazes Boylan waylaid Jack Mooney's |
|
brother-in-law, humpy, tight, making for the liberties. |
|
|
|
John Wyse Nolan fell back with Mr Power, while Martin |
|
Cunningham took the elbow of a dapper little man in a shower of hail suit, |
|
who walked uncertainly, with hasty steps past Micky Anderson's watches. |
|
|
|
--The assistant town clerk's corns are giving him some trouble, John Wyse |
|
Nolan told Mr Power. |
|
|
|
They followed round the corner towards James Kavanagh's |
|
winerooms. The empty castle car fronted them at rest in Essex gate. Martin |
|
Cunningham, speaking always, showed often the list at which Jimmy Henry |
|
did not glance. |
|
|
|
--And long John Fanning is here too, John Wyse Nolan said, as large as |
|
life. |
|
|
|
The tall form of long John Fanning filled the doorway where he |
|
stood. |
|
|
|
--Good day, Mr Subsheriff, Martin Cunningham said, as all halted and |
|
greeted. |
|
|
|
Long John Fanning made no way for them. He removed his large Henry Clay |
|
decisively and his large fierce eyes scowled intelligently over all |
|
their faces. |
|
|
|
--Are the conscript fathers pursuing their peaceful deliberations? he said |
|
with rich acrid utterance to the assistant town clerk. |
|
|
|
Hell open to christians they were having, Jimmy Henry said pettishly, |
|
about their damned Irish language. Where was the marshal, he wanted to |
|
know, to keep order in the council chamber. And old Barlow the |
|
macebearer laid up with asthma, no mace on the table, nothing in order, no |
|
quorum even, and Hutchinson, the lord mayor, in Llandudno and little |
|
Lorcan Sherlock doing LOCUM TENENS for him. Damned Irish language, |
|
language of our forefathers. |
|
|
|
Long John Fanning blew a plume of smoke from his lips. |
|
|
|
Martin Cunningham spoke by turns, twirling the peak of his beard, to |
|
the assistant town clerk and the subsheriff, while John Wyse Nolan held |
|
his peace. |
|
|
|
--What Dignam was that? long John Fanning asked. |
|
|
|
Jimmy Henry made a grimace and lifted his left foot. |
|
|
|
--O, my corns! he said plaintively. Come upstairs for goodness' sake till |
|
I sit down somewhere. Uff! Ooo! Mind! |
|
|
|
Testily he made room for himself beside long John Fanning's flank |
|
and passed in and up the stairs. |
|
|
|
--Come on up, Martin Cunningham said to the subsheriff. I don't think |
|
you knew him or perhaps you did, though. |
|
|
|
With John Wyse Nolan Mr Power followed them in. |
|
|
|
--Decent little soul he was, Mr Power said to the stalwart back of long |
|
John Fanning ascending towards long John Fanning in the mirror. |
|
|
|
--Rather lowsized. Dignam of Menton's office that was, Martin |
|
Cunningham said. |
|
|
|
Long John Fanning could not remember him. |
|
|
|
Clatter of horsehoofs sounded from the air. |
|
|
|
--What's that? Martin Cunningham said. |
|
|
|
All turned where they stood. John Wyse Nolan came down again. |
|
From the cool shadow of the doorway he saw the horses pass Parliament |
|
street, harness and glossy pasterns in sunlight shimmering. Gaily they |
|
went past before his cool unfriendly eyes, not quickly. In saddles of the |
|
leaders, leaping leaders, rode outriders. |
|
|
|
--What was it? Martin Cunningham asked, as they went on up the |
|
staircase. |
|
|
|
--The lord lieutenantgeneral and general governor of Ireland, John Wyse |
|
Nolan answered from the stairfoot. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
As they trod across the thick carpet Buck Mulligan whispered behind |
|
his Panama to Haines: |
|
|
|
--Parnell's brother. There in the corner. |
|
|
|
They chose a small table near the window, opposite a longfaced man |
|
whose beard and gaze hung intently down on a chessboard. |
|
|
|
--Is that he? Haines asked, twisting round in his seat. |
|
|
|
--Yes, Mulligan said. That's John Howard, his brother, our city marshal. |
|
|
|
John Howard Parnell translated a white bishop quietly and his grey |
|
claw went up again to his forehead whereat it rested. An instant after, |
|
under its screen, his eyes looked quickly, ghostbright, at his foe and |
|
fell once more upon a working corner. |
|
|
|
--I'll take a MELANGE, Haines said to the waitress. |
|
|
|
--Two MELANGES, Buck Mulligan said. And bring us some scones and butter |
|
and some cakes as well. |
|
|
|
When she had gone he said, laughing: |
|
|
|
--We call it D.B.C. because they have damn bad cakes. O, but you missed |
|
Dedalus on HAMLET. |
|
|
|
Haines opened his newbought book. |
|
|
|
--I'm sorry, he said. Shakespeare is the happy huntingground of all minds |
|
that have lost their balance. |
|
|
|
The onelegged sailor growled at the area of 14 Nelson street: |
|
|
|
--ENGLAND EXPECTS ... |
|
|
|
Buck Mulligan's primrose waistcoat shook gaily to his laughter. |
|
|
|
--You should see him, he said, when his body loses its balance. Wandering |
|
Aengus I call him. |
|
|
|
--I am sure he has an IDEE FIXE, Haines said, pinching his chin |
|
thoughtfully with thumb and forefinger. Now I am speculating what it would |
|
be likely to be. Such persons always have. |
|
|
|
Buck Mulligan bent across the table gravely. |
|
|
|
--They drove his wits astray, he said, by visions of hell. He will never |
|
capture the Attic note. The note of Swinburne, of all poets, the white |
|
death and the ruddy birth. That is his tragedy. He can never be a poet. |
|
The joy of creation ... |
|
|
|
--Eternal punishment, Haines said, nodding curtly. I see. I tackled him |
|
this morning on belief. There was something on his mind, I saw. It's |
|
rather interesting because professor Pokorny of Vienna makes an |
|
interesting point out of that. |
|
|
|
Buck Mulligan's watchful eyes saw the waitress come. He helped her |
|
to unload her tray. |
|
|
|
--He can find no trace of hell in ancient Irish myth, Haines said, amid |
|
the cheerful cups. The moral idea seems lacking, the sense of destiny, of |
|
retribution. Rather strange he should have just that fixed idea. Does he |
|
write anything for your movement? |
|
|
|
He sank two lumps of sugar deftly longwise through the whipped |
|
cream. Buck Mulligan slit a steaming scone in two and plastered butter |
|
over its smoking pith. He bit off a soft piece hungrily. |
|
|
|
--Ten years, he said, chewing and laughing. He is going to write something |
|
in ten years. |
|
|
|
--Seems a long way off, Haines said, thoughtfully lifting his spoon. |
|
Still, I shouldn't wonder if he did after all. |
|
|
|
He tasted a spoonful from the creamy cone of his cup. |
|
|
|
--This is real Irish cream I take it, he said with forbearance. |
|
I don't want to be imposed on. |
|
|
|
Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of |
|
ships and trawlers, amid an archipelago of corks, beyond new Wapping |
|
street past Benson's ferry, and by the threemasted schooner ROSEVEAN from |
|
Bridgwater with bricks. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Almidano Artifoni walked past Holles street, past Sewell's yard. |
|
Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with |
|
stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's |
|
house and, crossing, walked along Merrion square. Distantly behind him a |
|
blind stripling tapped his way by the wall of College park. |
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as |
|
Mr Lewis Werner's cheerful windows, then turned and strode back along |
|
Merrion square, his stickumbrelladustcoat dangling. |
|
|
|
At the corner of Wilde's house he halted, frowned at Elijah's name |
|
announced on the Metropolitan hall, frowned at the distant pleasance of |
|
duke's lawn. His eyeglass flashed frowning in the sun. With ratsteeth |
|
bared he muttered: |
|
|
|
--COACTUS VOLUI. |
|
|
|
He strode on for Clare street, grinding his fierce word. |
|
|
|
As he strode past Mr Bloom's dental windows the sway of his |
|
dustcoat brushed rudely from its angle a slender tapping cane and swept |
|
onwards, having buffeted a thewless body. The blind stripling turned his |
|
sickly face after the striding form. |
|
|
|
--God's curse on you, he said sourly, whoever you are! You're blinder nor |
|
I am, you bitch's bastard! |
|
|
|
|
|
* * * * * |
|
|
|
|
|
Opposite Ruggy O'Donohoe's Master Patrick Aloysius Dignam, |
|
pawing the pound and a half of Mangan's, late Fehrenbach's, porksteaks he |
|
had been sent for, went along warm Wicklow street dawdling. It was too |
|
blooming dull sitting in the parlour with Mrs Stoer and Mrs Quigley and |
|
Mrs MacDowell and the blind down and they all at their sniffles and |
|
sipping sups of the superior tawny sherry uncle Barney brought from |
|
Tunney's. And they eating crumbs of the cottage fruitcake, jawing the |
|
whole blooming time and sighing. |
|
|
|
After Wicklow lane the window of Madame Doyle, courtdress |
|
milliner, stopped him. He stood looking in at the two puckers stripped to |
|
their pelts and putting up their props. From the sidemirrors two mourning |
|
Masters Dignam gaped silently. Myler Keogh, Dublin's pet lamb, will meet |
|
sergeantmajor Bennett, the Portobello bruiser, for a purse of fifty |
|
sovereigns. Gob, that'd be a good pucking match to see. Myler Keogh, |
|
that's the chap sparring out to him with the green sash. Two bar entrance, |
|
soldiers half price. I could easy do a bunk on ma. Master Dignam on his |
|
left turned as he turned. That's me in mourning. When is it? May the |
|
twentysecond. Sure, the blooming thing is all over. He turned to the right |
|
and on his right Master Dignam turned, his cap awry, his collar sticking |
|
up. Buttoning it down, his chin lifted, he saw the image of Marie Kendall, |
|
charming soubrette, beside the two puckers. One of them mots that do be in |
|
the packets of fags Stoer smokes that his old fellow welted hell out of |
|
him for one time he found out. |
|
|
|
Master Dignam got his collar down and dawdled on. The best pucker |
|
going for strength was Fitzsimons. One puck in the wind from that fellow |
|
would knock you into the middle of next week, man. But the best pucker |
|
for science was Jem Corbet before Fitzsimons knocked the stuffings out of |
|
him, dodging and all. |
|
|
|
In Grafton street Master Dignam saw a red flower in a toff's mouth |
|
and a swell pair of kicks on him and he listening to what the drunk was |
|
telling him and grinning all the time. |
|
|
|
No Sandymount tram. |
|
|
|
Master Dignam walked along Nassau street, shifted the porksteaks to |
|
his other hand. His collar sprang up again and he tugged it down. The |
|
blooming stud was too small for the buttonhole of the shirt, blooming end |
|
to it. He met schoolboys with satchels. I'm not going tomorrow either, |
|
stay away till Monday. He met other schoolboys. Do they notice I'm in |
|
mourning? Uncle Barney said he'd get it into the paper tonight. Then |
|
they'll all see it in the paper and read my name printed and pa's name. |
|
|
|
His face got all grey instead of being red like it was and there was a |
|
fly walking over it up to his eye. The scrunch that was when they were |
|
screwing the screws into the coffin: and the bumps when they were bringing |
|
it downstairs. |
|
|
|
Pa was inside it and ma crying in the parlour and uncle Barney telling |
|
the men how to get it round the bend. A big coffin it was, and high and |
|
heavylooking. How was that? The last night pa was boosed he was standing |
|
on the landing there bawling out for his boots to go out to Tunney's for |
|
to boose more and he looked butty and short in his shirt. Never see him |
|
again. Death, that is. Pa is dead. My father is dead. He told me to be a |
|
good son to ma. I couldn't hear the other things he said but I saw his |
|
tongue and his teeth trying to say it better. Poor pa. That was Mr Dignam, |
|
my father. I hope he's in purgatory now because he went to confession to |
|
Father Conroy on Saturday night. |
|
|
|
|
|
* * * * * |
|
|
|
|
|
William Humble, earl of Dudley, and lady Dudley, accompanied by |
|
lieutenantcolonel Heseltine, drove out after luncheon from the viceregal |
|
lodge. In the following carriage were the honourable Mrs Paget, Miss de |
|
Courcy and the honourable Gerald Ward A.D.C. in attendance. |
|
|
|
The cavalcade passed out by the lower gate of Phoenix park saluted |
|
by obsequious policemen and proceeded past Kingsbridge along the |
|
northern quays. The viceroy was most cordially greeted on his way through |
|
the metropolis. At Bloody bridge Mr Thomas Kernan beyond the river |
|
greeted him vainly from afar Between Queen's and Whitworth bridges lord |
|
Dudley's viceregal carriages passed and were unsaluted by Mr Dudley |
|
White, B. L., M. A., who stood on Arran quay outside Mrs M. E. White's, |
|
the pawnbroker's, at the corner of Arran street west stroking his nose |
|
with his forefinger, undecided whether he should arrive at Phibsborough |
|
more quickly by a triple change of tram or by hailing a car or on foot |
|
through Smithfield, Constitution hill and Broadstone terminus. In the |
|
porch of Four Courts Richie Goulding with the costbag of Goulding, |
|
Collis and Ward saw him with surprise. Past Richmond bridge at the |
|
doorstep of the office of Reuben J Dodd, solicitor, agent for the |
|
Patriotic Insurance Company, an elderly female about to enter changed |
|
her plan and retracing her steps by King's windows smiled credulously |
|
on the representative of His Majesty. From its sluice in Wood quay |
|
wall under Tom Devan's office Poddle river hung out in fealty a tongue |
|
of liquid sewage. Above the crossblind of the Ormond hotel, gold by |
|
bronze, Miss Kennedy's head by Miss Douce's head watched and admired. |
|
On Ormond quay Mr Simon Dedalus, steering his way from the greenhouse |
|
for the subsheriff's office, stood still in midstreet and brought his |
|
hat low. His Excellency graciously returned Mr Dedalus' greeting. From |
|
Cahill's corner the reverend Hugh C. Love, M.A., made obeisance |
|
unperceived, mindful of lords deputies whose hands benignant |
|
had held of yore rich advowsons. On Grattan bridge Lenehan and M'Coy, |
|
taking leave of each other, watched the carriages go by. Passing by Roger |
|
Greene's office and Dollard's big red printinghouse Gerty MacDowell, |
|
carrying the Catesby's cork lino letters for her father who was laid up, |
|
knew by the style it was the lord and lady lieutenant but she couldn't see |
|
what Her Excellency had on because the tram and Spring's big yellow |
|
furniture van had to stop in front of her on account of its being the lord |
|
lieutenant. Beyond Lundy Foot's from the shaded door of Kavanagh's |
|
winerooms John Wyse Nolan smiled with unseen coldness towards the lord |
|
lieutenantgeneral and general governor of Ireland. The Right Honourable |
|
William Humble, earl of Dudley, G. C. V. O., passed Micky Anderson's |
|
all times ticking watches and Henry and James's wax smartsuited |
|
freshcheeked models, the gentleman Henry, DERNIER CRI James. Over against |
|
Dame gate Tom Rochford and Nosey Flynn watched the approach of the |
|
cavalcade. Tom Rochford, seeing the eyes of lady Dudley fixed on him, |
|
took his thumbs quickly out of the pockets of his claret waistcoat and |
|
doffed his cap to her. A charming SOUBRETTE, great Marie Kendall, with |
|
dauby cheeks and lifted skirt smiled daubily from her poster upon William |
|
Humble, earl of Dudley, and upon lieutenantcolonel H. G. Heseltine, and |
|
also upon the honourable Gerald Ward A. D. C. From the window of the |
|
D. B. C. Buck Mulligan gaily, and Haines gravely, gazed down on the |
|
viceregal equipage over the shoulders of eager guests, whose mass of forms |
|
darkened the chessboard whereon John Howard Parnell looked intently. In |
|
Fownes's street Dilly Dedalus, straining her sight upward from |
|
Chardenal's first French primer, saw sunshades spanned and wheelspokes |
|
spinning in the glare. John Henry Menton, filling the doorway of |
|
Commercial Buildings, stared from winebig oyster eyes, holding a fat gold |
|
hunter watch not looked at in his fat left hand not feeling it. Where the |
|
foreleg of King Billy's horse pawed the air Mrs Breen plucked her |
|
hastening husband back from under the hoofs of the outriders. She shouted |
|
in his ear the tidings. Understanding, he shifted his tomes to his left |
|
breast and saluted the second carriage. The honourable Gerald Ward A.D.C., |
|
agreeably surprised, made haste to reply. At Ponsonby's corner a jaded |
|
white flagon H. halted and four tallhatted white flagons halted behind |
|
him, E.L.Y'S, while outriders pranced past and carriages. Opposite |
|
Pigott's music warerooms Mr Denis J Maginni, professor of dancing &c, |
|
gaily apparelled, gravely walked, outpassed by a viceroy and unobserved. |
|
By the provost's wall came jauntily Blazes Boylan, stepping in tan shoes |
|
and socks with skyblue clocks to the refrain of MY GIRL'S A YORKSHIRE |
|
GIRL. |
|
|
|
Blazes Boylan presented to the leaders' skyblue frontlets and high |
|
action a skyblue tie, a widebrimmed straw hat at a rakish angle and a suit |
|
of indigo serge. His hands in his jacket pockets forgot to salute but he |
|
offered to the three ladies the bold admiration of his eyes and the red |
|
flower between his lips. As they drove along Nassau street His Excellency |
|
drew the attention of his bowing consort to the programme of music which |
|
was being discoursed in College park. Unseen brazen highland laddies |
|
blared and drumthumped after the CORTEGE: |
|
|
|
|
|
BUT THOUGH SHE'S A FACTORY LASS |
|
AND WEARS NO FANCY CLOTHES. |
|
BARAABUM. |
|
YET I'VE A SORT OF A |
|
YORKSHIRE RELISH FOR |
|
MY LITTLE YORKSHIRE ROSE. |
|
BARAABUM. |
|
|
|
|
|
Thither of the wall the quartermile flat handicappers, M. C. Green, H. |
|
Shrift, T. M. Patey, C. Scaife, J. B. Jeffs, G. N. Morphy, F. Stevenson, |
|
C. Adderly and W. C. Huggard, started in pursuit. Striding past Finn's |
|
hotel Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell stared through a |
|
fierce eyeglass across the carriages at the head of Mr M. E. Solomons in |
|
the window of the Austro-Hungarian viceconsulate. Deep in Leinster street |
|
by Trinity's postern a loyal king's man, Hornblower, touched his tallyho |
|
cap. As the glossy horses pranced by Merrion square Master Patrick |
|
Aloysius Dignam, waiting, saw salutes being given to the gent with the |
|
topper and raised also his new black cap with fingers greased by |
|
porksteak paper. His collar too sprang up. The viceroy, on his way to |
|
inaugurate the Mirus bazaar in aid of funds for Mercer's hospital, |
|
drove with his following towards Lower Mount street. He passed a blind |
|
stripling opposite Broadbent's. In Lower Mount street a pedestrian in a |
|
brown macintosh, eating dry bread, passed swiftly and unscathed across the |
|
viceroy's path. At the Royal Canal bridge, from his hoarding, Mr Eugene |
|
Stratton, his blub lips agrin, bade all comers welcome to Pembroke |
|
township. At Haddington road corner two sanded women halted themselves, |
|
an umbrella and a bag in which eleven cockles rolled to view with wonder |
|
the lord mayor and lady mayoress without his golden chain. On |
|
Northumberland and Lansdowne roads His Excellency acknowledged punctually |
|
salutes from rare male walkers, the salute of two small schoolboys at the |
|
garden gate of the house said to have been admired by the late queen when |
|
visiting the Irish capital with her husband, the prince consort, in 1849 |
|
and the salute of Almidano Artifoni's sturdy trousers swallowed by a |
|
closing door. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
Bronze by gold heard the hoofirons, steelyringing Imperthnthn thnthnthn. |
|
|
|
Chips, picking chips off rocky thumbnail, chips. |
|
|
|
Horrid! And gold flushed more. |
|
|
|
A husky fifenote blew. |
|
|
|
Blew. Blue bloom is on the. |
|
|
|
Goldpinnacled hair. |
|
|
|
A jumping rose on satiny breast of satin, rose of Castile. |
|
|
|
Trilling, trilling: Idolores. |
|
|
|
Peep! Who's in the ... peepofgold? |
|
|
|
Tink cried to bronze in pity. |
|
|
|
And a call, pure, long and throbbing. Longindying call. |
|
|
|
Decoy. Soft word. But look: the bright stars fade. Notes chirruping |
|
answer. |
|
|
|
O rose! Castile. The morn is breaking. |
|
|
|
Jingle jingle jaunted jingling. |
|
|
|
Coin rang. Clock clacked. |
|
|
|
Avowal. SONNEZ. I could. Rebound of garter. Not leave thee. Smack. LA |
|
CLOCHE! Thigh smack. Avowal. Warm. Sweetheart, goodbye! |
|
|
|
Jingle. Bloo. |
|
|
|
Boomed crashing chords. When love absorbs. War! War! The tympanum. |
|
|
|
A sail! A veil awave upon the waves. |
|
|
|
Lost. Throstle fluted. All is lost now. |
|
|
|
Horn. Hawhorn. |
|
|
|
When first he saw. Alas! |
|
|
|
Full tup. Full throb. |
|
|
|
Warbling. Ah, lure! Alluring. |
|
|
|
Martha! Come! |
|
|
|
Clapclap. Clipclap. Clappyclap. |
|
|
|
Goodgod henev erheard inall. |
|
|
|
Deaf bald Pat brought pad knife took up. |
|
|
|
A moonlit nightcall: far, far. |
|
|
|
I feel so sad. P. S. So lonely blooming. |
|
|
|
Listen! |
|
|
|
The spiked and winding cold seahorn. Have you the? Each, and for other, |
|
plash and silent roar. |
|
|
|
Pearls: when she. Liszt's rhapsodies. Hissss. |
|
|
|
You don't? |
|
|
|
Did not: no, no: believe: Lidlyd. With a cock with a carra. |
|
|
|
Black. Deepsounding. Do, Ben, do. |
|
|
|
Wait while you wait. Hee hee. Wait while you hee. |
|
|
|
But wait! |
|
|
|
Low in dark middle earth. Embedded ore. |
|
|
|
Naminedamine. Preacher is he: |
|
|
|
All gone. All fallen. |
|
|
|
Tiny, her tremulous fernfoils of maidenhair. |
|
|
|
Amen! He gnashed in fury. |
|
|
|
Fro. To, fro. A baton cool protruding. |
|
|
|
Bronzelydia by Minagold. |
|
|
|
By bronze, by gold, in oceangreen of shadow. Bloom. Old Bloom. |
|
|
|
One rapped, one tapped, with a carra, with a cock. |
|
|
|
Pray for him! Pray, good people! |
|
|
|
His gouty fingers nakkering. |
|
|
|
Big Benaben. Big Benben. |
|
|
|
Last rose Castile of summer left bloom I feel so sad alone. |
|
|
|
Pwee! Little wind piped wee. |
|
|
|
True men. Lid Ker Cow De and Doll. Ay, ay. Like you men. Will lift your |
|
tschink with tschunk. |
|
|
|
Fff! Oo! |
|
|
|
Where bronze from anear? Where gold from afar? Where hoofs? |
|
|
|
Rrrpr. Kraa. Kraandl. |
|
|
|
Then not till then. My eppripfftaph. Be pfrwritt. |
|
|
|
Done. |
|
|
|
Begin! |
|
|
|
Bronze by gold, miss Douce's head by miss Kennedy's head, over the |
|
crossblind of the Ormond bar heard the viceregal hoofs go by, ringing |
|
steel. |
|
|
|
--Is that her? asked miss Kennedy. |
|
|
|
Miss Douce said yes, sitting with his ex, pearl grey and EAU DE NIL. |
|
|
|
--Exquisite contrast, miss Kennedy said. |
|
|
|
|
|
When all agog miss Douce said eagerly: |
|
|
|
--Look at the fellow in the tall silk. |
|
|
|
--Who? Where? gold asked more eagerly. |
|
|
|
--In the second carriage, miss Douce's wet lips said, laughing in the sun. |
|
|
|
He's looking. Mind till I see. |
|
|
|
She darted, bronze, to the backmost corner, flattening her face |
|
against the pane in a halo of hurried breath. |
|
|
|
Her wet lips tittered: |
|
|
|
--He's killed looking back. |
|
|
|
She laughed: |
|
|
|
--O wept! Aren't men frightful idiots? |
|
|
|
With sadness. |
|
|
|
Miss Kennedy sauntered sadly from bright light, twining a loose hair |
|
behind an ear. Sauntering sadly, gold no more, she twisted twined a hair. |
|
|
|
Sadly she twined in sauntering gold hair behind a curving ear. |
|
|
|
--It's them has the fine times, sadly then she said. |
|
|
|
A man. |
|
|
|
Bloowho went by by Moulang's pipes bearing in his breast the sweets |
|
of sin, by Wine's antiques, in memory bearing sweet sinful words, by |
|
Carroll's dusky battered plate, for Raoul. |
|
|
|
The boots to them, them in the bar, them barmaids came. For them |
|
unheeding him he banged on the counter his tray of chattering china. And |
|
|
|
--There's your teas, he said. |
|
|
|
Miss Kennedy with manners transposed the teatray down to an |
|
upturned lithia crate, safe from eyes, low. |
|
|
|
--What is it? loud boots unmannerly asked. |
|
|
|
--Find out, miss Douce retorted, leaving her spyingpoint. |
|
|
|
--Your BEAU, is it? |
|
|
|
A haughty bronze replied: |
|
|
|
--I'll complain to Mrs de Massey on you if I hear any more of your |
|
impertinent insolence. |
|
|
|
--Imperthnthn thnthnthn, bootssnout sniffed rudely, as he retreated as she |
|
threatened as he had come. |
|
|
|
Bloom. |
|
|
|
On her flower frowning miss Douce said: |
|
|
|
--Most aggravating that young brat is. If he doesn't conduct himself I'll |
|
wring his ear for him a yard long. |
|
|
|
Ladylike in exquisite contrast. |
|
|
|
--Take no notice, miss Kennedy rejoined. |
|
|
|
She poured in a teacup tea, then back in the teapot tea. They cowered |
|
under their reef of counter, waiting on footstools, crates upturned, |
|
waiting for their teas to draw. They pawed their blouses, both of black |
|
satin, two and nine a yard, waiting for their teas to draw, and two and |
|
seven. |
|
|
|
Yes, bronze from anear, by gold from afar, heard steel from anear, |
|
hoofs ring from afar, and heard steelhoofs ringhoof ringsteel. |
|
|
|
--Am I awfully sunburnt? |
|
|
|
Miss bronze unbloused her neck. |
|
|
|
--No, said miss Kennedy. It gets brown after. Did you try the borax with |
|
the cherry laurel water? |
|
|
|
Miss Douce halfstood to see her skin askance in the barmirror |
|
gildedlettered where hock and claret glasses shimmered and in their midst |
|
a shell. |
|
|
|
--And leave it to my hands, she said. |
|
|
|
--Try it with the glycerine, miss Kennedy advised. |
|
|
|
Bidding her neck and hands adieu miss Douce |
|
|
|
--Those things only bring out a rash, replied, reseated. I asked that old |
|
fogey in Boyd's for something for my skin. |
|
|
|
Miss Kennedy, pouring now a fulldrawn tea, grimaced and prayed: |
|
|
|
--O, don't remind me of him for mercy' sake! |
|
|
|
--But wait till I tell you, miss Douce entreated. |
|
|
|
Sweet tea miss Kennedy having poured with milk plugged both two |
|
ears with little fingers. |
|
|
|
--No, don't, she cried. |
|
|
|
--I won't listen, she cried. |
|
|
|
But Bloom? |
|
|
|
Miss Douce grunted in snuffy fogey's tone: |
|
|
|
--For your what? says he. |
|
|
|
Miss Kennedy unplugged her ears to hear, to speak: but said, but |
|
prayed again: |
|
|
|
--Don't let me think of him or I'll expire. The hideous old wretch! That |
|
night in the Antient Concert Rooms. |
|
|
|
She sipped distastefully her brew, hot tea, a sip, sipped, sweet tea. |
|
|
|
--Here he was, miss Douce said, cocking her bronze head three quarters, |
|
ruffling her nosewings. Hufa! Hufa! |
|
|
|
Shrill shriek of laughter sprang from miss Kennedy's throat. Miss |
|
Douce huffed and snorted down her nostrils that quivered imperthnthn like |
|
a snout in quest. |
|
|
|
--O! shrieking, miss Kennedy cried. Will you ever forget his goggle eye? |
|
|
|
Miss Douce chimed in in deep bronze laughter, shouting: |
|
|
|
--And your other eye! |
|
|
|
Bloowhose dark eye read Aaron Figatner's name. Why do I always |
|
think Figather? Gathering figs, I think. And Prosper Lore's huguenot name. |
|
By Bassi's blessed virgins Bloom's dark eyes went by. Bluerobed, white |
|
under, come to me. God they believe she is: or goddess. Those today. I |
|
could not see. That fellow spoke. A student. After with Dedalus' son. He |
|
might be Mulligan. All comely virgins. That brings those rakes of fellows |
|
in: her white. |
|
|
|
By went his eyes. The sweets of sin. Sweet are the sweets. |
|
|
|
Of sin. |
|
|
|
In a giggling peal young goldbronze voices blended, Douce with |
|
Kennedy your other eye. They threw young heads back, bronze gigglegold, |
|
to let freefly their laughter, screaming, your other, signals to each |
|
other, high piercing notes. |
|
|
|
Ah, panting, sighing, sighing, ah, fordone, their mirth died down. |
|
|
|
Miss Kennedy lipped her cup again, raised, drank a sip and |
|
gigglegiggled. Miss Douce, bending over the teatray, ruffled again her |
|
nose and rolled droll fattened eyes. Again Kennygiggles, stooping, her |
|
fair pinnacles of hair, stooping, her tortoise napecomb showed, spluttered |
|
out of her mouth her tea, choking in tea and laughter, coughing with |
|
choking, crying: |
|
|
|
--O greasy eyes! Imagine being married to a man like that! she cried. With |
|
his bit of beard! |
|
|
|
Douce gave full vent to a splendid yell, a full yell of full woman, |
|
delight, joy, indignation. |
|
|
|
--Married to the greasy nose! she yelled. |
|
|
|
Shrill, with deep laughter, after, gold after bronze, they urged each |
|
each to peal after peal, ringing in changes, bronzegold, goldbronze, |
|
shrilldeep, to laughter after laughter. And then laughed more. Greasy I |
|
knows. Exhausted, breathless, their shaken heads they laid, braided and |
|
pinnacled by glossycombed, against the counterledge. All flushed (O!), |
|
panting, sweating (O!), all breathless. |
|
|
|
Married to Bloom, to greaseabloom. |
|
|
|
--O saints above! miss Douce said, sighed above her jumping rose. I wished |
|
|
|
I hadn't laughed so much. I feel all wet. |
|
|
|
--O, miss Douce! miss Kennedy protested. You horrid thing! |
|
|
|
And flushed yet more (you horrid!), more goldenly. |
|
|
|
By Cantwell's offices roved Greaseabloom, by Ceppi's virgins, bright |
|
of their oils. Nannetti's father hawked those things about, wheedling at |
|
doors as I. Religion pays. Must see him for that par. Eat first. I want. |
|
Not yet. At four, she said. Time ever passing. Clockhands turning. On. |
|
Where eat? The Clarence, Dolphin. On. For Raoul. Eat. If I net five |
|
guineas with those ads. The violet silk petticoats. Not yet. The sweets |
|
of sin. |
|
|
|
Flushed less, still less, goldenly paled. |
|
|
|
Into their bar strolled Mr Dedalus. Chips, picking chips off one of his |
|
rocky thumbnails. Chips. He strolled. |
|
|
|
--O, welcome back, miss Douce. |
|
|
|
He held her hand. Enjoyed her holidays? |
|
|
|
--Tiptop. |
|
|
|
He hoped she had nice weather in Rostrevor. |
|
|
|
--Gorgeous, she said. Look at the holy show I am. Lying out on the strand |
|
all day. |
|
|
|
Bronze whiteness. |
|
|
|
--That was exceedingly naughty of you, Mr Dedalus told her and pressed |
|
her hand indulgently. Tempting poor simple males. |
|
|
|
Miss Douce of satin douced her arm away. |
|
|
|
--O go away! she said. You're very simple, I don't think. |
|
|
|
He was. |
|
|
|
--Well now I am, he mused. I looked so simple in the cradle they christened |
|
me simple Simon. |
|
|
|
--You must have been a doaty, miss Douce made answer. And what did the |
|
doctor order today? |
|
|
|
--Well now, he mused, whatever you say yourself. I think I'll trouble you |
|
for some fresh water and a half glass of whisky. |
|
|
|
Jingle. |
|
|
|
--With the greatest alacrity, miss Douce agreed. |
|
|
|
With grace of alacrity towards the mirror gilt Cantrell and |
|
Cochrane's she turned herself. With grace she tapped a measure of gold |
|
whisky from her crystal keg. Forth from the skirt of his coat Mr Dedalus |
|
brought pouch and pipe. Alacrity she served. He blew through the flue two |
|
husky fifenotes. |
|
|
|
--By Jove, he mused, I often wanted to see the Mourne mountains. Must be |
|
a great tonic in the air down there. But a long threatening comes at last, |
|
they say. Yes. Yes. |
|
|
|
Yes. He fingered shreds of hair, her maidenhair, her mermaid's, into |
|
the bowl. Chips. Shreds. Musing. Mute. |
|
|
|
None nought said nothing. Yes. |
|
|
|
Gaily miss Douce polished a tumbler, trilling: |
|
|
|
--O, IDOLORES, QUEEN OF THE EASTERN SEAS! |
|
|
|
--Was Mr Lidwell in today? |
|
|
|
In came Lenehan. Round him peered Lenehan. Mr Bloom reached Essex bridge. |
|
Yes, Mr Bloom crossed bridge of Yessex. To Martha I must write. Buy paper. |
|
Daly's. Girl there civil. Bloom. Old Bloom. Blue bloom is on the rye. |
|
|
|
--He was in at lunchtime, miss Douce said. |
|
|
|
Lenehan came forward. |
|
|
|
--Was Mr Boylan looking for me? |
|
|
|
He asked. She answered: |
|
|
|
--Miss Kennedy, was Mr Boylan in while I was upstairs? |
|
|
|
She asked. Miss voice of Kennedy answered, a second teacup poised, |
|
her gaze upon a page: |
|
|
|
--No. He was not. |
|
|
|
Miss gaze of Kennedy, heard, not seen, read on. Lenehan round the |
|
sandwichbell wound his round body round. |
|
|
|
--Peep! Who's in the corner? |
|
|
|
No glance of Kennedy rewarding him he yet made overtures. To mind |
|
her stops. To read only the black ones: round o and crooked ess. |
|
|
|
Jingle jaunty jingle. |
|
|
|
Girlgold she read and did not glance. Take no notice. She took no |
|
notice while he read by rote a solfa fable for her, plappering flatly: |
|
|
|
--Ah fox met ah stork. Said thee fox too thee stork: Will you put your |
|
bill down inn my troath and pull upp ah bone? |
|
|
|
He droned in vain. Miss Douce turned to her tea aside. |
|
|
|
He sighed aside: |
|
|
|
--Ah me! O my! |
|
|
|
He greeted Mr Dedalus and got a nod. |
|
|
|
--Greetings from the famous son of a famous father. |
|
|
|
--Who may he be? Mr Dedalus asked. |
|
|
|
Lenehan opened most genial arms. Who? |
|
|
|
--Who may he be? he asked. Can you ask? Stephen, the youthful bard. |
|
|
|
Dry. |
|
|
|
Mr Dedalus, famous father, laid by his dry filled pipe. |
|
|
|
--I see, he said. I didn't recognise him for the moment. I hear he is |
|
keeping very select company. Have you seen him lately? |
|
|
|
He had. |
|
|
|
--I quaffed the nectarbowl with him this very day, said Lenehan. In |
|
Mooney's EN VILLE and in Mooney's SUR MER. He had received the rhino for |
|
the labour of his muse. |
|
|
|
He smiled at bronze's teabathed lips, at listening lips and eyes: |
|
|
|
--The ELITE of Erin hung upon his lips. The ponderous pundit, Hugh |
|
|
|
MacHugh, Dublin's most brilliant scribe and editor and that minstrel boy |
|
of the wild wet west who is known by the euphonious appellation of the |
|
O'Madden Burke. |
|
|
|
After an interval Mr Dedalus raised his grog and |
|
|
|
--That must have been highly diverting, said he. I see. |
|
|
|
He see. He drank. With faraway mourning mountain eye. Set down |
|
his glass. |
|
|
|
He looked towards the saloon door. |
|
|
|
--I see you have moved the piano. |
|
|
|
--The tuner was in today, miss Douce replied, tuning it for the smoking |
|
concert and I never heard such an exquisite player. |
|
|
|
--Is that a fact? |
|
|
|
--Didn't he, miss Kennedy? The real classical, you know. And blind too, |
|
poor fellow. Not twenty I'm sure he was. |
|
|
|
--Is that a fact? Mr Dedalus said. |
|
|
|
He drank and strayed away. |
|
|
|
--So sad to look at his face, miss Douce condoled. |
|
|
|
God's curse on bitch's bastard. |
|
|
|
Tink to her pity cried a diner's bell. To the door of the bar and |
|
diningroom came bald Pat, came bothered Pat, came Pat, waiter of |
|
Ormond. Lager for diner. Lager without alacrity she served. |
|
|
|
With patience Lenehan waited for Boylan with impatience, for |
|
jinglejaunty blazes boy. |
|
|
|
Upholding the lid he (who?) gazed in the coffin (coffin?) at the |
|
oblique triple (piano!) wires. He pressed (the same who pressed |
|
indulgently her hand), soft pedalling, a triple of keys to see the |
|
thicknesses of felt advancing, to hear the muffled hammerfall in action. |
|
|
|
Two sheets cream vellum paper one reserve two envelopes when I was |
|
in Wisdom Hely's wise Bloom in Daly's Henry Flower bought. Are you not |
|
happy in your home? Flower to console me and a pin cuts lo. Means |
|
something, language of flow. Was it a daisy? Innocence that is. |
|
Respectable girl meet after mass. Thanks awfully muchly. Wise Bloom eyed |
|
on the door a poster, a swaying mermaid smoking mid nice waves. Smoke |
|
mermaids, coolest whiff of all. Hair streaming: lovelorn. For some man. |
|
For Raoul. He eyed and saw afar on Essex bridge a gay hat riding on a |
|
jaunting car. It is. Again. Third time. Coincidence. |
|
|
|
Jingling on supple rubbers it jaunted from the bridge to Ormond |
|
quay. Follow. Risk it. Go quick. At four. Near now. Out. |
|
|
|
--Twopence, sir, the shopgirl dared to say. |
|
|
|
--Aha ... I was forgetting ... Excuse ... |
|
|
|
--And four. |
|
|
|
At four she. Winsomely she on Bloohimwhom smiled. Bloo smi qui |
|
go. Ternoon. Think you're the only pebble on the beach? Does that to all. |
|
|
|
For men. |
|
|
|
In drowsy silence gold bent on her page. |
|
|
|
From the saloon a call came, long in dying. That was a tuningfork the |
|
tuner had that he forgot that he now struck. A call again. That he now |
|
poised that it now throbbed. You hear? It throbbed, pure, purer, softly |
|
and softlier, its buzzing prongs. Longer in dying call. |
|
|
|
Pat paid for diner's popcorked bottle: and over tumbler, tray and |
|
popcorked bottle ere he went he whispered, bald and bothered, with miss |
|
|
|
Douce. |
|
|
|
--THE BRIGHT STARS FADE ... |
|
|
|
A voiceless song sang from within, singing: |
|
|
|
-- ... THE MORN IS BREAKING. |
|
|
|
A duodene of birdnotes chirruped bright treble answer under sensitive |
|
hands. Brightly the keys, all twinkling, linked, all harpsichording, |
|
called to a voice to sing the strain of dewy morn, of youth, of love's |
|
leavetaking, life's, love's morn. |
|
|
|
--THE DEWDROPS PEARL ... |
|
|
|
Lenehan's lips over the counter lisped a low whistle of decoy. |
|
|
|
--But look this way, he said, rose of Castile. |
|
|
|
Jingle jaunted by the curb and stopped. |
|
|
|
She rose and closed her reading, rose of Castile: fretted, forlorn, |
|
dreamily rose. |
|
|
|
--Did she fall or was she pushed? he asked her. |
|
|
|
She answered, slighting: |
|
|
|
--Ask no questions and you'll hear no lies. |
|
|
|
Like lady, ladylike. |
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor where he |
|
strode. Yes, gold from anear by bronze from afar. Lenehan heard and knew |
|
and hailed him: |
|
|
|
--See the conquering hero comes. |
|
|
|
Between the car and window, warily walking, went Bloom, |
|
unconquered hero. See me he might. The seat he sat on: warm. Black wary |
|
hecat walked towards Richie Goulding's legal bag, lifted aloft, saluting. |
|
|
|
--AND I FROM THEE ... |
|
|
|
--I heard you were round, said Blazes Boylan. |
|
|
|
He touched to fair miss Kennedy a rim of his slanted straw. She |
|
smiled on him. But sister bronze outsmiled her, preening for him her |
|
richer hair, a bosom and a rose. |
|
|
|
Smart Boylan bespoke potions. |
|
|
|
--What's your cry? Glass of bitter? Glass of bitter, please, and a sloegin |
|
for me. Wire in yet? |
|
|
|
Not yet. At four she. Who said four? |
|
|
|
Cowley's red lugs and bulging apple in the door of the sheriff's office. |
|
|
|
Avoid. Goulding a chance. What is he doing in the Ormond? Car waiting. |
|
|
|
Wait. |
|
|
|
Hello. Where off to? Something to eat? I too was just. In here. What, |
|
Ormond? Best value in Dublin. Is that so? Diningroom. Sit tight there. |
|
See, not be seen. I think I'll join you. Come on. Richie led on. Bloom |
|
followed bag. Dinner fit for a prince. |
|
|
|
Miss Douce reached high to take a flagon, stretching her satin arm, |
|
her bust, that all but burst, so high. |
|
|
|
--O! O! jerked Lenehan, gasping at each stretch. O! |
|
|
|
But easily she seized her prey and led it low in triumph. |
|
|
|
--Why don't you grow? asked Blazes Boylan. |
|
|
|
Shebronze, dealing from her oblique jar thick syrupy liquor for his |
|
lips, looked as it flowed (flower in his coat: who gave him?), and |
|
syrupped with her voice: |
|
|
|
--Fine goods in small parcels. |
|
|
|
That is to say she. Neatly she poured slowsyrupy sloe. |
|
|
|
--Here's fortune, Blazes said. |
|
|
|
He pitched a broad coin down. Coin rang. |
|
|
|
--Hold on, said Lenehan, till I ... |
|
|
|
--Fortune, he wished, lifting his bubbled ale. |
|
|
|
--Sceptre will win in a canter, he said. |
|
|
|
--I plunged a bit, said Boylan winking and drinking. Not on my own, you |
|
know. Fancy of a friend of mine. |
|
|
|
Lenehan still drank and grinned at his tilted ale and at miss Douce's |
|
lips that all but hummed, not shut, the oceansong her lips had trilled. |
|
|
|
Idolores. The eastern seas. |
|
|
|
Clock whirred. Miss Kennedy passed their way (flower, wonder who |
|
gave), bearing away teatray. Clock clacked. |
|
|
|
Miss Douce took Boylan's coin, struck boldly the cashregister. It |
|
clanged. Clock clacked. Fair one of Egypt teased and sorted in the till |
|
and hummed and handed coins in change. Look to the west. A clack. For me. |
|
|
|
--What time is that? asked Blazes Boylan. Four? |
|
|
|
O'clock. |
|
|
|
Lenehan, small eyes ahunger on her humming, bust ahumming, |
|
tugged Blazes Boylan's elbowsleeve. |
|
|
|
--Let's hear the time, he said. |
|
|
|
|
|
The bag of Goulding, Collis, Ward led Bloom by ryebloom flowered |
|
tables. Aimless he chose with agitated aim, bald Pat attending, a table |
|
near the door. Be near. At four. Has he forgotten? Perhaps a trick. Not |
|
come: whet appetite. I couldn't do. Wait, wait. Pat, waiter, waited. |
|
|
|
Sparkling bronze azure eyed Blazure's skyblue bow and eyes. |
|
|
|
--Go on, pressed Lenehan. There's no-one. He never heard. |
|
|
|
-- ... TO FLORA'S LIPS DID HIE. |
|
|
|
High, a high note pealed in the treble clear. |
|
|
|
Bronzedouce communing with her rose that sank and rose sought |
|
|
|
Blazes Boylan's flower and eyes. |
|
|
|
--Please, please. |
|
|
|
He pleaded over returning phrases of avowal. |
|
|
|
--I COULD NOT LEAVE THEE ... |
|
|
|
--Afterwits, miss Douce promised coyly. |
|
|
|
--No, now, urged Lenehan. SONNEZLACLOCHE! O do! There's no-one. |
|
|
|
She looked. Quick. Miss Kenn out of earshot. Sudden bent. Two |
|
kindling faces watched her bend. |
|
|
|
Quavering the chords strayed from the air, found it again, lost chord, |
|
and lost and found it, faltering. |
|
|
|
--Go on! Do! SONNEZ! |
|
|
|
Bending, she nipped a peak of skirt above her knee. Delayed. Taunted |
|
them still, bending, suspending, with wilful eyes. |
|
|
|
--SONNEZ! |
|
|
|
Smack. She set free sudden in rebound her nipped elastic garter |
|
smackwarm against her smackable a woman's warmhosed thigh. |
|
|
|
--LA CLOCHE! cried gleeful Lenehan. Trained by owner. No sawdust there. |
|
|
|
She smilesmirked supercilious (wept! aren't men?), but, lightward |
|
gliding, mild she smiled on Boylan. |
|
|
|
--You're the essence of vulgarity, she in gliding said. |
|
|
|
Boylan, eyed, eyed. Tossed to fat lips his chalice, drank off his chalice |
|
tiny, sucking the last fat violet syrupy drops. His spellbound eyes went |
|
after, after her gliding head as it went down the bar by mirrors, gilded |
|
arch for ginger ale, hock and claret glasses shimmering, a spiky shell, |
|
where it concerted, mirrored, bronze with sunnier bronze. |
|
|
|
Yes, bronze from anearby. |
|
|
|
-- ... SWEETHEART, GOODBYE! |
|
|
|
--I'm off, said Boylan with impatience. |
|
|
|
He slid his chalice brisk away, grasped his change. |
|
|
|
--Wait a shake, begged Lenehan, drinking quickly. I wanted to tell you. |
|
|
|
Tom Rochford ... |
|
|
|
--Come on to blazes, said Blazes Boylan, going. |
|
|
|
Lenehan gulped to go. |
|
|
|
--Got the horn or what? he said. Wait. I'm coming. |
|
|
|
He followed the hasty creaking shoes but stood by nimbly by the |
|
threshold, saluting forms, a bulky with a slender. |
|
|
|
--How do you do, Mr Dollard? |
|
|
|
--Eh? How do? How do? Ben Dollard's vague bass answered, turning an |
|
instant from Father Cowley's woe. He won't give you any trouble, Bob. Alf |
|
Bergan will speak to the long fellow. We'll put a barleystraw in that |
|
Judas Iscariot's ear this time. |
|
|
|
Sighing Mr Dedalus came through the saloon, a finger soothing an |
|
eyelid. |
|
|
|
--Hoho, we will, Ben Dollard yodled jollily. Come on, Simon. Give us a |
|
ditty. We heard the piano. |
|
|
|
Bald Pat, bothered waiter, waited for drink orders. Power for Richie. |
|
And Bloom? Let me see. Not make him walk twice. His corns. Four now. |
|
How warm this black is. Course nerves a bit. Refracts (is it?) heat. Let |
|
me see. Cider. Yes, bottle of cider. |
|
|
|
--What's that? Mr Dedalus said. I was only vamping, man. |
|
|
|
--Come on, come on, Ben Dollard called. Begone dull care. Come, Bob. |
|
|
|
He ambled Dollard, bulky slops, before them (hold that fellow with |
|
the: hold him now) into the saloon. He plumped him Dollard on the stool. |
|
His gouty paws plumped chords. Plumped, stopped abrupt. |
|
|
|
Bald Pat in the doorway met tealess gold returning. Bothered, he |
|
wanted Power and cider. Bronze by the window, watched, bronze from |
|
afar. |
|
|
|
Jingle a tinkle jaunted. |
|
|
|
Bloom heard a jing, a little sound. He's off. Light sob of breath Bloom |
|
sighed on the silent bluehued flowers. Jingling. He's gone. Jingle. Hear. |
|
|
|
--Love and War, Ben, Mr Dedalus said. God be with old times. |
|
|
|
Miss Douce's brave eyes, unregarded, turned from the crossblind, |
|
smitten by sunlight. Gone. Pensive (who knows?), smitten (the smiting |
|
light), she lowered the dropblind with a sliding cord. She drew down |
|
pensive (why did he go so quick when I?) about her bronze, over the bar |
|
where bald stood by sister gold, inexquisite contrast, contrast |
|
inexquisite nonexquisite, slow cool dim seagreen sliding depth of shadow, |
|
EAU DE NIL. |
|
|
|
--Poor old Goodwin was the pianist that night, Father Cowley reminded |
|
them. There was a slight difference of opinion between himself and the |
|
Collard grand. |
|
|
|
There was. |
|
|
|
--A symposium all his own, Mr Dedalus said. The devil wouldn't stop him. |
|
He was a crotchety old fellow in the primary stage of drink. |
|
|
|
--God, do you remember? Ben bulky Dollard said, turning from the |
|
punished keyboard. And by Japers I had no wedding garment. |
|
|
|
They laughed all three. He had no wed. All trio laughed. No wedding |
|
garment. |
|
|
|
--Our friend Bloom turned in handy that night, Mr Dedalus said. Where's |
|
my pipe, by the way? |
|
|
|
He wandered back to the bar to the lost chord pipe. Bald Pat carried |
|
two diners' drinks, Richie and Poldy. And Father Cowley laughed again. |
|
|
|
--I saved the situation, Ben, I think. |
|
|
|
--You did, averred Ben Dollard. I remember those tight trousers too. That |
|
was a brilliant idea, Bob. |
|
|
|
Father Cowley blushed to his brilliant purply lobes. He saved the |
|
situa. Tight trou. Brilliant ide. |
|
|
|
--I knew he was on the rocks, he said. The wife was playing the piano in |
|
the coffee palace on Saturdays for a very trifling consideration and who |
|
was it gave me the wheeze she was doing the other business? Do you |
|
remember? We had to search all Holles street to find them till the chap in |
|
Keogh's gave us the number. Remember? Ben remembered, his broad visage |
|
wondering. |
|
|
|
--By God, she had some luxurious operacloaks and things there. |
|
|
|
Mr Dedalus wandered back, pipe in hand. |
|
|
|
--Merrion square style. Balldresses, by God, and court dresses. He |
|
wouldn't take any money either. What? Any God's quantity of cocked hats |
|
and boleros and trunkhose. What? |
|
|
|
--Ay, ay, Mr Dedalus nodded. Mrs Marion Bloom has left off clothes of all |
|
descriptions. |
|
|
|
Jingle jaunted down the quays. Blazes sprawled on bounding tyres. |
|
|
|
Liver and bacon. Steak and kidney pie. Right, sir. Right, Pat. |
|
|
|
Mrs Marion. Met him pike hoses. Smell of burn. Of Paul de Kock. Nice |
|
name he. |
|
|
|
--What's this her name was? A buxom lassy. Marion ... |
|
|
|
--Tweedy. |
|
|
|
--Yes. Is she alive? |
|
|
|
--And kicking. |
|
|
|
--She was a daughter of ... |
|
|
|
--Daughter of the regiment. |
|
|
|
--Yes, begad. I remember the old drummajor. |
|
|
|
Mr Dedalus struck, whizzed, lit, puffed savoury puff after |
|
|
|
--Irish? I don't know, faith. Is she, Simon? |
|
|
|
Puff after stiff, a puff, strong, savoury, crackling. |
|
|
|
--Buccinator muscle is ... What? ... Bit rusty ... O, she is ... My |
|
Irish Molly, O. |
|
|
|
He puffed a pungent plumy blast. |
|
|
|
--From the rock of Gibraltar... all the way. |
|
|
|
They pined in depth of ocean shadow, gold by the beerpull, bronze by |
|
maraschino, thoughtful all two. Mina Kennedy, 4 Lismore terrace, |
|
Drumcondra with Idolores, a queen, Dolores, silent. |
|
|
|
Pat served, uncovered dishes. Leopold cut liverslices. As said before he |
|
ate with relish the inner organs, nutty gizzards, fried cods' roes while |
|
Richie Goulding, Collis, Ward ate steak and kidney, steak then kidney, |
|
bite by bite of pie he ate Bloom ate they ate. |
|
|
|
Bloom with Goulding, married in silence, ate. Dinners fit for princes. |
|
|
|
By Bachelor's walk jogjaunty jingled Blazes Boylan, bachelor, in sun |
|
in heat, mare's glossy rump atrot, with flick of whip, on bounding tyres: |
|
sprawled, warmseated, Boylan impatience, ardentbold. Horn. Have you |
|
the? Horn. Have you the? Haw haw horn. |
|
|
|
Over their voices Dollard bassooned attack, booming over bombarding |
|
chords: |
|
|
|
--WHEN LOVE ABSORBS MY ARDENT SOUL ... |
|
|
|
Roll of Bensoulbenjamin rolled to the quivery loveshivery roofpanes. |
|
|
|
--War! War! cried Father Cowley. You're the warrior. |
|
|
|
--So I am, Ben Warrior laughed. I was thinking of your landlord. Love or |
|
money. |
|
|
|
He stopped. He wagged huge beard, huge face over his blunder huge. |
|
|
|
--Sure, you'd burst the tympanum of her ear, man, Mr Dedalus said |
|
through smoke aroma, with an organ like yours. |
|
|
|
In bearded abundant laughter Dollard shook upon the keyboard. He |
|
would. |
|
|
|
--Not to mention another membrane, Father Cowley added. Half time, |
|
Ben. AMOROSO MA NON TROPPO. Let me there. |
|
|
|
Miss Kennedy served two gentlemen with tankards of cool stout. She |
|
passed a remark. It was indeed, first gentleman said, beautiful weather. |
|
They drank cool stout. Did she know where the lord lieutenant was going? |
|
And heard steelhoofs ringhoof ring. No, she couldn't say. But it would be |
|
in the paper. O, she need not trouble. No trouble. She waved about her |
|
outspread INDEPENDENT, searching, the lord lieutenant, her pinnacles of |
|
hair slowmoving, lord lieuten. Too much trouble, first gentleman said. O, |
|
not in the least. Way he looked that. Lord lieutenant. Gold by bronze |
|
heard iron steel. |
|
|
|
-- ............ MY ARDENT SOUL |
|
I CARE NOT FOROR THE MORROW. |
|
|
|
In liver gravy Bloom mashed mashed potatoes. Love and War |
|
someone is. Ben Dollard's famous. Night he ran round to us to borrow a |
|
dress suit for that concert. Trousers tight as a drum on him. Musical |
|
porkers. Molly did laugh when he went out. Threw herself back across the |
|
bed, screaming, kicking. With all his belongings on show. O saints above, |
|
I'm drenched! O, the women in the front row! O, I never laughed so many! |
|
Well, of course that's what gives him the base barreltone. For instance |
|
eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical. |
|
Knows whatever note you play. Bad breath he has, poor chap. Stopped. |
|
|
|
Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George |
|
Lidwell, gentleman, entering. Good afternoon. She gave her moist |
|
(a lady's) hand to his firm clasp. Afternoon. Yes, she was back. To the |
|
old dingdong again. |
|
|
|
--Your friends are inside, Mr Lidwell. |
|
|
|
George Lidwell, suave, solicited, held a lydiahand. |
|
|
|
Bloom ate liv as said before. Clean here at least. That chap in the |
|
Burton, gummy with gristle. No-one here: Goulding and I. Clean tables, |
|
flowers, mitres of napkins. Pat to and fro. Bald Pat. Nothing to do. Best |
|
value in Dub. |
|
|
|
Piano again. Cowley it is. Way he sits in to it, like one together, |
|
mutual understanding. Tiresome shapers scraping fiddles, eye on the |
|
bowend, sawing the cello, remind you of toothache. Her high long snore. |
|
Night we were in the box. Trombone under blowing like a grampus, |
|
between the acts, other brass chap unscrewing, emptying spittle. |
|
Conductor's legs too, bagstrousers, jiggedy jiggedy. Do right to hide |
|
them. |
|
|
|
Jiggedy jingle jaunty jaunty. |
|
|
|
Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of |
|
a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that |
|
once or twice. Cool hands. Ben Howth, the rhododendrons. We are their |
|
harps. I. He. Old. Young. |
|
|
|
--Ah, I couldn't, man, Mr Dedalus said, shy, listless. |
|
|
|
Strongly. |
|
|
|
--Go on, blast you! Ben Dollard growled. Get it out in bits. |
|
|
|
--M'APPARI, Simon, Father Cowley said. |
|
|
|
Down stage he strode some paces, grave, tall in affliction, his long |
|
arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he |
|
sang to a dusty seascape there: A LAST FAREWELL. A headland, a ship, a |
|
sail upon the billows. Farewell. A lovely girl, her veil awave upon the |
|
wind upon the headland, wind around her. |
|
|
|
Cowley sang: |
|
|
|
|
|
--M'APPARI TUTT'AMOR: |
|
IL MIO SGUARDO L'INCONTR ... |
|
|
|
|
|
She waved, unhearing Cowley, her veil, to one departing, dear one, to |
|
wind, love, speeding sail, return. |
|
|
|
--Go on, Simon. |
|
|
|
--Ah, sure, my dancing days are done, Ben ... Well ... |
|
|
|
Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting, |
|
touched the obedient keys. |
|
|
|
--No, Simon, Father Cowley turned. Play it in the original. One flat. |
|
|
|
The keys, obedient, rose higher, told, faltered, confessed, confused. |
|
|
|
Up stage strode Father Cowley. |
|
|
|
--Here, Simon, I'll accompany you, he said. Get up. |
|
|
|
By Graham Lemon's pineapple rock, by Elvery's elephant jingly |
|
jogged. Steak, kidney, liver, mashed, at meat fit for princes sat princes |
|
Bloom and Goulding. Princes at meat they raised and drank, Power and |
|
cider. |
|
|
|
Most beautiful tenor air ever written, Richie said: SONNAMBULA. He |
|
heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way. |
|
Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like. |
|
Never forget it. Never. |
|
|
|
Tenderly Bloom over liverless bacon saw the tightened features strain. |
|
Backache he. Bright's bright eye. Next item on the programme. Paying the |
|
piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile. |
|
Sings too: DOWN AMONG THE DEAD MEN. Appropriate. Kidney pie. Sweets to |
|
the. Not making much hand of it. Best value in. Characteristic of him. |
|
Power. Particular about his drink. Flaw in the glass, fresh Vartry water. |
|
Fecking matches from counters to save. Then squander a sovereign in dribs |
|
and drabs. And when he's wanted not a farthing. Screwed refusing to pay |
|
his fare. Curious types. |
|
|
|
Never would Richie forget that night. As long as he lived: never. In |
|
the gods of the old Royal with little Peake. And when the first note. |
|
|
|
Speech paused on Richie's lips. |
|
|
|
Coming out with a whopper now. Rhapsodies about damn all. |
|
|
|
Believes his own lies. Does really. Wonderful liar. But want a good |
|
memory. |
|
|
|
--Which air is that? asked Leopold Bloom. |
|
|
|
--ALL IS LOST NOW. |
|
|
|
Richie cocked his lips apout. A low incipient note sweet banshee murmured: |
|
all. A thrush. A throstle. His breath, birdsweet, good teeth he's |
|
proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one |
|
there. Blackbird I heard in the hawthorn valley. Taking my motives he |
|
twined and turned them. All most too new call is lost in all. Echo. How |
|
sweet the answer. How is that done? All lost now. Mournful he whistled. |
|
Fall, surrender, lost. |
|
|
|
Bloom bent leopold ear, turning a fringe of doyley down under the |
|
vase. Order. Yes, I remember. Lovely air. In sleep she went to him. |
|
Innocence in the moon. Brave. Don't know their danger. Still hold her |
|
back. Call name. Touch water. Jingle jaunty. Too late. She longed to go. |
|
That's why. Woman. As easy stop the sea. Yes: all is lost. |
|
|
|
--A beautiful air, said Bloom lost Leopold. I know it well. |
|
|
|
Never in all his life had Richie Goulding. |
|
|
|
He knows it well too. Or he feels. Still harping on his daughter. Wise |
|
child that knows her father, Dedalus said. Me? |
|
|
|
Bloom askance over liverless saw. Face of the all is lost. Rollicking |
|
Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye. |
|
Now begging letters he sends his son with. Crosseyed Walter sir I did sir. |
|
Wouldn't trouble only I was expecting some money. Apologise. |
|
|
|
Piano again. Sounds better than last time I heard. Tuned probably. |
|
Stopped again. |
|
|
|
Dollard and Cowley still urged the lingering singer out with it. |
|
|
|
--With it, Simon. |
|
|
|
--It, Simon. |
|
|
|
--Ladies and gentlemen, I am most deeply obliged by your kind |
|
solicitations. |
|
|
|
--It, Simon. |
|
|
|
--I have no money but if you will lend me your attention I shall endeavour |
|
to sing to you of a heart bowed down. |
|
|
|
By the sandwichbell in screening shadow Lydia, her bronze and rose, |
|
a lady's grace, gave and withheld: as in cool glaucous EAU DE NIL Mina |
|
to tankards two her pinnacles of gold. |
|
|
|
The harping chords of prelude closed. A chord, longdrawn, expectant, |
|
drew a voice away. |
|
|
|
--WHEN FIRST I SAW THAT FORM ENDEARING ... |
|
|
|
Richie turned. |
|
|
|
--Si Dedalus' voice, he said. |
|
|
|
Braintipped, cheek touched with flame, they listened feeling that flow |
|
endearing flow over skin limbs human heart soul spine. Bloom signed to |
|
Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the |
|
bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting |
|
to hear, for he was hard of hear by the door. |
|
|
|
--SORROW FROM ME SEEMED TO DEPART. |
|
|
|
Through the hush of air a voice sang to them, low, not rain, not leaves |
|
in murmur, like no voice of strings or reeds or whatdoyoucallthem |
|
dulcimers touching their still ears with words, still hearts of their each |
|
his remembered lives. Good, good to hear: sorrow from them each seemed to |
|
from both depart when first they heard. When first they saw, lost Richie |
|
Poldy, mercy of beauty, heard from a person wouldn't expect it in the |
|
least, her first merciful lovesoft oftloved word. |
|
|
|
Love that is singing: love's old sweet song. Bloom unwound slowly |
|
the elastic band of his packet. Love's old sweet SONNEZ LA gold. Bloom |
|
wound a skein round four forkfingers, stretched it, relaxed, and wound it |
|
round his troubled double, fourfold, in octave, gyved them fast. |
|
|
|
--FULL OF HOPE AND ALL DELIGHTED ... |
|
|
|
Tenors get women by the score. Increase their flow. Throw flower at |
|
his feet. When will we meet? My head it simply. Jingle all delighted. He |
|
can't sing for tall hats. Your head it simply swurls. Perfumed for him. |
|
What perfume does your wife? I want to know. Jing. Stop. Knock. Last look |
|
at mirror always before she answers the door. The hall. There? How do you? |
|
I do well. There? What? Or? Phial of cachous, kissing comfits, in her |
|
satchel. Yes? Hands felt for the opulent. |
|
|
|
Alas the voice rose, sighing, changed: loud, full, shining, proud. |
|
|
|
--BUT ALAS, 'TWAS IDLE DREAMING ... |
|
|
|
Glorious tone he has still. Cork air softer also their brogue. Silly man! |
|
Could have made oceans of money. Singing wrong words. Wore out his |
|
wife: now sings. But hard to tell. Only the two themselves. If he doesn't |
|
break down. Keep a trot for the avenue. His hands and feet sing too. |
|
Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup: |
|
stock, sage, raw eggs, half pint of cream. For creamy dreamy. |
|
|
|
Tenderness it welled: slow, swelling, full it throbbed. That's the chat. |
|
Ha, give! Take! Throb, a throb, a pulsing proud erect. |
|
|
|
Words? Music? No: it's what's behind. |
|
|
|
Bloom looped, unlooped, noded, disnoded. |
|
|
|
Bloom. Flood of warm jamjam lickitup secretness flowed to flow in |
|
music out, in desire, dark to lick flow invading. Tipping her tepping her |
|
tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the |
|
feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush, |
|
flow, joygush, tupthrob. Now! Language of love. |
|
|
|
-- ... RAY OF HOPE IS ... |
|
|
|
Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse |
|
unsqueaked a ray of hopk. |
|
|
|
MARTHA it is. Coincidence. Just going to write. Lionel's song. Lovely |
|
name you have. Can't write. Accept my little pres. Play on her |
|
heartstrings pursestrings too. She's a. I called you naughty boy. Still |
|
the name: Martha. How strange! Today. |
|
|
|
The voice of Lionel returned, weaker but unwearied. It sang again to |
|
Richie Poldy Lydia Lidwell also sang to Pat open mouth ear waiting to |
|
wait. How first he saw that form endearing, how sorrow seemed to part, |
|
how look, form, word charmed him Gould Lidwell, won Pat Bloom's heart. |
|
|
|
Wish I could see his face, though. Explain better. Why the barber in |
|
Drago's always looked my face when I spoke his face in the glass. Still |
|
hear it better here than in the bar though farther. |
|
|
|
--EACH GRACEFUL LOOK ... |
|
|
|
First night when first I saw her at Mat Dillon's in Terenure. Yellow, |
|
black lace she wore. Musical chairs. We two the last. Fate. After her. |
|
Fate. |
|
|
|
Round and round slow. Quick round. We two. All looked. Halt. Down she |
|
sat. All ousted looked. Lips laughing. Yellow knees. |
|
|
|
--CHARMED MY EYE ... |
|
|
|
Singing. WAITING she sang. I turned her music. Full voice of perfume |
|
of what perfume does your lilactrees. Bosom I saw, both full, throat |
|
warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy |
|
eyes. Under a peartree alone patio this hour in old Madrid one side in |
|
shadow Dolores shedolores. At me. Luring. Ah, alluring. |
|
|
|
--MARTHA! AH, MARTHA! |
|
|
|
Quitting all languor Lionel cried in grief, in cry of passion dominant |
|
to love to return with deepening yet with rising chords of harmony. In cry |
|
of lionel loneliness that she should know, must martha feel. For only her |
|
he waited. Where? Here there try there here all try where. Somewhere. |
|
|
|
--CO-OME, THOU LOST ONE! |
|
CO-OME, THOU DEAR ONE! |
|
|
|
Alone. One love. One hope. One comfort me. Martha, chestnote, return! |
|
|
|
--COME! |
|
|
|
It soared, a bird, it held its flight, a swift pure cry, soar silver orb |
|
it leaped serene, speeding, sustained, to come, don't spin it out too long |
|
long breath he breath long life, soaring high, high resplendent, aflame, |
|
crowned, high in the effulgence symbolistic, high, of the etherial bosom, |
|
high, of the high vast irradiation everywhere all soaring all around about |
|
the all, the endlessnessnessness ... |
|
|
|
--TO ME! |
|
|
|
Siopold! |
|
|
|
Consumed. |
|
|
|
Come. Well sung. All clapped. She ought to. Come. To me, to him, to |
|
her, you too, me, us. |
|
|
|
--Bravo! Clapclap. Good man, Simon. Clappyclapclap. Encore! |
|
Clapclipclap clap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore, |
|
enclap, said, cried, clapped all, Ben Dollard, Lydia Douce, George |
|
Lidwell, Pat, Mina Kennedy, two gentlemen with two tankards, Cowley, |
|
first gent with tank and bronze miss Douce and gold MJiss Mina. |
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor, said before. |
|
Jingle by monuments of sir John Gray, Horatio onehandled Nelson, |
|
reverend father Theobald Mathew, jaunted, as said before just now. Atrot, |
|
in heat, heatseated. CLOCHE. SONNEZ LA. CLOCHE. SONNEZ LA. Slower the mare |
|
went up the hill by the Rotunda, Rutland square. Too slow for Boylan, |
|
blazes Boylan, impatience Boylan, joggled the mare. |
|
|
|
An afterclang of Cowley's chords closed, died on the air made richer. |
|
|
|
And Richie Goulding drank his Power and Leopold Bloom his cider |
|
drank, Lidwell his Guinness, second gentleman said they would partake of |
|
two more tankards if she did not mind. Miss Kennedy smirked, disserving, |
|
coral lips, at first, at second. She did not mind. |
|
|
|
--Seven days in jail, Ben Dollard said, on bread and water. Then you'd |
|
sing, Simon, like a garden thrush. |
|
|
|
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina |
|
Kennedy served. Second gentleman paid. Tom Kernan strutted in. Lydia, |
|
admired, admired. But Bloom sang dumb. |
|
|
|
Admiring. |
|
|
|
Richie, admiring, descanted on that man's glorious voice. He |
|
remembered one night long ago. Never forget that night. Si sang 'TWAS |
|
RANK AND FAME: in Ned Lambert's 'twas. Good God he never heard in all his |
|
life a note like that he never did THEN FALSE ONE WE HAD BETTER PART so |
|
clear so God he never heard SINCE LOVE LIVES NOT a clinking voice lives |
|
not ask Lambert he can tell you too. |
|
|
|
Goulding, a flush struggling in his pale, told Mr Bloom, face of the |
|
night, Si in Ned Lambert's, Dedalus house, sang 'TWAS RANK AND FAME. |
|
|
|
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr |
|
Bloom, of the night he, Richie, heard him, Si Dedalus, sing 'TWAS RANK AND |
|
FAME in his, Ned Lambert's, house. |
|
|
|
Brothers-in-law: relations. We never speak as we pass by. Rift in the |
|
lute I think. Treats him with scorn. See. He admires him all the more. The |
|
night Si sang. The human voice, two tiny silky chords, wonderful, more |
|
than all others. |
|
|
|
That voice was a lamentation. Calmer now. It's in the silence after |
|
you feel you hear. Vibrations. Now silent air. |
|
|
|
Bloom ungyved his crisscrossed hands and with slack fingers plucked |
|
the slender catgut thong. He drew and plucked. It buzz, it twanged. While |
|
Goulding talked of Barraclough's voice production, while Tom Kernan, |
|
harking back in a retrospective sort of arrangement talked to listening |
|
Father Cowley, who played a voluntary, who nodded as he played. While |
|
big Ben Dollard talked with Simon Dedalus, lighting, who nodded as he |
|
smoked, who smoked. |
|
|
|
Thou lost one. All songs on that theme. Yet more Bloom stretched his |
|
string. Cruel it seems. Let people get fond of each other: lure them on. |
|
Then tear asunder. Death. Explos. Knock on the head. Outtohelloutofthat. |
|
Human life. Dignam. Ugh, that rat's tail wriggling! Five bob I gave. |
|
CORPUS PARADISUM. Corncrake croaker: belly like a poisoned pup. Gone. |
|
They sing. Forgotten. I too; And one day she with. Leave her: get tired. |
|
Suffer then. Snivel. Big spanishy eyes goggling at nothing. Her |
|
wavyavyeavyheavyeavyevyevyhair un comb:'d. |
|
|
|
Yet too much happy bores. He stretched more, more. Are you not |
|
happy in your? Twang. It snapped. |
|
|
|
Jingle into Dorset street. |
|
|
|
Miss Douce withdrew her satiny arm, reproachful, pleased. |
|
|
|
--Don't make half so free, said she, till we are better acquainted. |
|
|
|
George Lidwell told her really and truly: but she did not believe. |
|
|
|
First gentleman told Mina that was so. She asked him was that so. |
|
And second tankard told her so. That that was so. |
|
|
|
Miss Douce, miss Lydia, did not believe: miss Kennedy, Mina, did not |
|
believe: George Lidwell, no: miss Dou did not: the first, the first: gent |
|
with the tank: believe, no, no: did not, miss Kenn: Lidlydiawell: the |
|
tank. |
|
|
|
Better write it here. Quills in the postoffice chewed and twisted. |
|
|
|
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He |
|
went. A pad to blot. He heard, deaf Pat. |
|
|
|
--Yes, Mr Bloom said, teasing the curling catgut line. It certainly is. |
|
Few lines will do. My present. All that Italian florid music is. Who is |
|
this wrote? Know the name you know better. Take out sheet notepaper, |
|
envelope: unconcerned. It's so characteristic. |
|
|
|
--Grandest number in the whole opera, Goulding said. |
|
|
|
--It is, Bloom said. |
|
|
|
Numbers it is. All music when you come to think. Two multiplied by two |
|
divided by half is twice one. Vibrations: chords those are. One plus two |
|
plus six is seven. Do anything you like with figures juggling. Always find |
|
out this equal to that. Symmetry under a cemetery wall. He doesn't see my |
|
mourning. Callous: all for his own gut. Musemathematics. And you think |
|
you're listening to the etherial. But suppose you said it like: Martha, |
|
seven times nine minus x is thirtyfive thousand. Fall quite flat. It's on |
|
account of the sounds it is. |
|
|
|
Instance he's playing now. Improvising. Might be what you like, till |
|
you hear the words. Want to listen sharp. Hard. Begin all right: then hear |
|
chords a bit off: feel lost a bit. In and out of sacks, over barrels, |
|
through wirefences, obstacle race. Time makes the tune. Question of mood |
|
you're in. Still always nice to hear. Except scales up and down, girls |
|
learning. Two together nextdoor neighbours. Ought to invent dummy pianos |
|
for that. BLUMENLIED I bought for her. The name. Playing it slow, a girl, |
|
night I came home, the girl. Door of the stables near Cecilia street. |
|
Milly no taste. Queer because we both, I mean. |
|
|
|
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite |
|
flat pad. Pat took plate dish knife fork. Pat went. |
|
|
|
It was the only language Mr Dedalus said to Ben. He heard them as a |
|
boy in Ringabella, Crosshaven, Ringabella, singing their barcaroles. |
|
Queenstown harbour full of Italian ships. Walking, you know, Ben, in the |
|
moonlight with those earthquake hats. Blending their voices. God, such |
|
music, Ben. Heard as a boy. Cross Ringabella haven mooncarole. |
|
|
|
Sour pipe removed he held a shield of hand beside his lips that cooed |
|
a moonlight nightcall, clear from anear, a call from afar, replying. |
|
|
|
Down the edge of his FREEMAN baton ranged Bloom's, your other eye, |
|
scanning for where did I see that. Callan, Coleman, Dignam Patrick. |
|
Heigho! Heigho! Fawcett. Aha! Just I was looking ... |
|
|
|
Hope he's not looking, cute as a rat. He held unfurled his FREEMAN. |
|
Can't see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear |
|
sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I put? |
|
Some pock or oth. It is utterl imposs. Underline IMPOSS. To write today. |
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|
|
Bore this. Bored Bloom tambourined gently with I am just reflecting |
|
fingers on flat pad Pat brought. |
|
|
|
On. Know what I mean. No, change that ee. Accep my poor litt pres |
|
enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the |
|
gulls. Elijah is com. Seven Davy Byrne's. Is eight about. Say half a |
|
crown. My poor little pres: p. o. two and six. Write me a long. Do you |
|
despise? Jingle, have you the? So excited. Why do you call me naught? |
|
You naughty too? O, Mairy lost the string of her. Bye for today. Yes, yes, |
|
will tell you. Want to. To keep it up. Call me that other. Other world she |
|
wrote. My patience are exhaust. To keep it up. You must believe. Believe. |
|
The tank. It. Is. True. |
|
|
|
Folly am I writing? Husbands don't. That's marriage does, their |
|
wives. Because I'm away from. Suppose. But how? She must. Keep young. |
|
If she found out. Card in my high grade ha. No, not tell all. Useless |
|
pain. If they don't see. Woman. Sauce for the gander. |
|
|
|
A hackney car, number three hundred and twentyfour, driver Barton James of |
|
number one Harmony avenue, Donnybrook, on which sat a fare, a young |
|
gentleman, stylishly dressed in an indigoblue serge suit made by |
|
George Robert Mesias, tailor and cutter, of number five Eden quay, and |
|
wearing a straw hat very dressy, bought of John Plasto of number one |
|
Great Brunswick street, hatter. Eh? This is the jingle that joggled and |
|
jingled. By Dlugacz' porkshop bright tubes of Agendath trotted a |
|
gallantbuttocked mare. |
|
|
|
--Answering an ad? keen Richie's eyes asked Bloom. |
|
|
|
--Yes, Mr Bloom said. Town traveller. Nothing doing, I expect. |
|
|
|
Bloom mur: best references. But Henry wrote: it will excite me. You |
|
know how. In haste. Henry. Greek ee. Better add postscript. What is he |
|
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will |
|
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want |
|
to. Know. O. Course if I didn't I wouldn't ask. La la la ree. Trails off |
|
there sad in minor. Why minor sad? Sign H. They like sad tail at end. |
|
P. P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee. |
|
|
|
He blotted quick on pad of Pat. Envel. Address. Just copy out of |
|
paper. Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote: |
|
|
|
|
|
Miss Martha Clifford |
|
c/o P. O. |
|
Dolphin's Barn Lane |
|
Dublin |
|
|
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|
|
Blot over the other so he can't read. There. Right. Idea prize titbit. |
|
Something detective read off blottingpad. Payment at the rate of guinea |
|
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U. P: |
|
up. |
|
|
|
Too poetical that about the sad. Music did that. Music hath charms. |
|
Shakespeare said. Quotations every day in the year. To be or not to be. |
|
Wisdom while you wait. |
|
|
|
In Gerard's rosery of Fetter lane he walks, greyedauburn. One life is |
|
all. One body. Do. But do. |
|
|
|
Done anyhow. Postal order, stamp. Postoffice lower down. Walk |
|
now. Enough. Barney Kiernan's I promised to meet them. Dislike that job. |
|
|
|
House of mourning. Walk. Pat! Doesn't hear. Deaf beetle he is. |
|
|
|
Car near there now. Talk. Talk. Pat! Doesn't. Settling those napkins. |
|
Lot of ground he must cover in the day. Paint face behind on him then he'd |
|
be two. Wish they'd sing more. Keep my mind off. |
|
|
|
Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of |
|
his hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He |
|
waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits |
|
while you wait. While you wait if you wait he will wait while you wait. |
|
Hee hee hee hee. Hoh. Wait while you wait. |
|
|
|
Douce now. Douce Lydia. Bronze and rose. |
|
|
|
She had a gorgeous, simply gorgeous, time. And look at the lovely |
|
shell she brought. |
|
|
|
To the end of the bar to him she bore lightly the spiked and winding |
|
seahorn that he, George Lidwell, solicitor, might hear. |
|
|
|
--Listen! she bade him. |
|
|
|
Under Tom Kernan's ginhot words the accompanist wove music slow. |
|
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband |
|
took him by the throat. SCOUNDREL, said he, YOU'LL SING NO MORE LOVESONGS. |
|
He did, faith, sir Tom. Bob Cowley wove. Tenors get wom. Cowley lay back. |
|
|
|
Ah, now he heard, she holding it to his ear. Hear! He heard. |
|
|
|
Wonderful. She held it to her own. And through the sifted light pale gold |
|
in contrast glided. To hear. |
|
|
|
Tap. |
|
|
|
Bloom through the bardoor saw a shell held at their ears. He heard |
|
more faintly that that they heard, each for herself alone, then each for |
|
other, hearing the plash of waves, loudly, a silent roar. |
|
|
|
Bronze by a weary gold, anear, afar, they listened. |
|
|
|
Her ear too is a shell, the peeping lobe there. Been to the seaside. |
|
Lovely seaside girls. Skin tanned raw. Should have put on coldcream first |
|
make it brown. Buttered toast. O and that lotion mustn't forget. Fever |
|
near her mouth. Your head it simply. Hair braided over: shell with |
|
seaweed. Why do they hide their ears with seaweed hair? And Turks the |
|
mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave. No |
|
admittance except on business. |
|
|
|
The sea they think they hear. Singing. A roar. The blood it is. Souse |
|
in the ear sometimes. Well, it's a sea. Corpuscle islands. |
|
|
|
Wonderful really. So distinct. Again. George Lidwell held its murmur, |
|
hearing: then laid it by, gently. |
|
|
|
--What are the wild waves saying? he asked her, smiled. |
|
|
|
Charming, seasmiling and unanswering Lydia on Lidwell smiled. |
|
|
|
Tap. |
|
|
|
By Larry O'Rourke's, by Larry, bold Larry O', Boylan swayed and |
|
Boylan turned. |
|
|
|
From the forsaken shell miss Mina glided to her tankards waiting. |
|
No, she was not so lonely archly miss Douce's head let Mr Lidwell know. |
|
Walks in the moonlight by the sea. No, not alone. With whom? She nobly |
|
answered: with a gentleman friend. |
|
|
|
Bob Cowley's twinkling fingers in the treble played again. The |
|
landlord has the prior. A little time. Long John. Big Ben. Lightly he |
|
played a light bright tinkling measure for tripping ladies, arch and |
|
smiling, and for their gallants, gentlemen friends. One: one, one, one, |
|
one, one: two, one, three, four. |
|
|
|
Sea, wind, leaves, thunder, waters, cows lowing, the cattlemarket, |
|
cocks, hens don't crow, snakes hissss. There's music everywhere. |
|
Ruttledge's door: ee creaking. No, that's noise. Minuet of DON GIOVANNI |
|
he's playing now. Court dresses of all descriptions in castle chambers |
|
dancing. Misery. Peasants outside. Green starving faces eating |
|
dockleaves. Nice that is. Look: look, look, look, look, look: you |
|
look at us. |
|
|
|
That's joyful I can feel. Never have written it. Why? My joy is other |
|
joy. But both are joys. Yes, joy it must be. Mere fact of music shows you |
|
are. Often thought she was in the dumps till she began to lilt. Then |
|
know. |
|
|
|
M'Coy valise. My wife and your wife. Squealing cat. Like tearing silk. |
|
Tongue when she talks like the clapper of a bellows. They can't manage |
|
men's intervals. Gap in their voices too. Fill me. I'm warm, dark, open. |
|
Molly IN QUIS EST HOMO: Mercadante. My ear against the wall to hear. Want |
|
a woman who can deliver the goods. |
|
|
|
Jog jig jogged stopped. Dandy tan shoe of dandy Boylan socks |
|
skyblue clocks came light to earth. |
|
|
|
O, look we are so! Chamber music. Could make a kind of pun on |
|
that. It is a kind of music I often thought when she. Acoustics that is. |
|
Tinkling. Empty vessels make most noise. Because the acoustics, the |
|
resonance changes according as the weight of the water is equal to the law |
|
of falling water. Like those rhapsodies of Liszt's, Hungarian, gipsyeyed. |
|
Pearls. Drops. Rain. Diddleiddle addleaddle ooddleooddle. Hissss. Now. |
|
Maybe now. Before. |
|
|
|
One rapped on a door, one tapped with a knock, did he knock Paul |
|
de Kock with a loud proud knocker with a cock carracarracarra cock. |
|
Cockcock. |
|
|
|
Tap. |
|
|
|
--QUI SDEGNO, Ben, said Father Cowley. |
|
|
|
--No, Ben, Tom Kernan interfered. The Croppy Boy. Our native Doric. |
|
|
|
--Ay do, Ben, Mr Dedalus said. Good men and true. |
|
|
|
--Do, do, they begged in one. |
|
|
|
I'll go. Here, Pat, return. Come. He came, he came, he did not stay. |
|
To me. How much? |
|
|
|
--What key? Six sharps? |
|
|
|
--F sharp major, Ben Dollard said. |
|
|
|
Bob Cowley's outstretched talons griped the black deepsounding chords. |
|
|
|
Must go prince Bloom told Richie prince. No, Richie said. Yes, must. |
|
Got money somewhere. He's on for a razzle backache spree. Much? He |
|
seehears lipspeech. One and nine. Penny for yourself. Here. Give him |
|
twopence tip. Deaf, bothered. But perhaps he has wife and family waiting, |
|
waiting Patty come home. Hee hee hee hee. Deaf wait while they wait. |
|
|
|
But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of |
|
the dark middle earth. Embedded ore. Lumpmusic. |
|
|
|
The voice of dark age, of unlove, earth's fatigue made grave approach |
|
and painful, come from afar, from hoary mountains, called on good men |
|
and true. The priest he sought. With him would he speak a word. |
|
|
|
Tap. |
|
|
|
Ben Dollard's voice. Base barreltone. Doing his level best to say it. |
|
Croak of vast manless moonless womoonless marsh. Other comedown. Big |
|
ships' chandler's business he did once. Remember: rosiny ropes, ships' |
|
lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh |
|
home. Cubicle number so and so. Number one Bass did that for him. |
|
|
|
The priest's at home. A false priest's servant bade him welcome. Step |
|
in. The holy father. With bows a traitor servant. Curlycues of chords. |
|
|
|
Ruin them. Wreck their lives. Then build them cubicles to end their |
|
days in. Hushaby. Lullaby. Die, dog. Little dog, die. |
|
|
|
The voice of warning, solemn warning, told them the youth had |
|
entered a lonely hall, told them how solemn fell his footsteps there, told |
|
them the gloomy chamber, the vested priest sitting to shrive. |
|
|
|
Decent soul. Bit addled now. Thinks he'll win in ANSWERS, poets' |
|
picture puzzle. We hand you crisp five pound note. Bird sitting hatching |
|
in a nest. Lay of the last minstrel he thought it was. See blank tee what |
|
domestic animal? Tee dash ar most courageous mariner. Good voice he has |
|
still. No eunuch yet with all his belongings. |
|
|
|
Listen. Bloom listened. Richie Goulding listened. And by the door |
|
deaf Pat, bald Pat, tipped Pat, listened. The chords harped slower. |
|
|
|
The voice of penance and of grief came slow, embellished, tremulous. |
|
Ben's contrite beard confessed. IN NOMINE DOMINI, in God's name he knelt. |
|
He beat his hand upon his breast, confessing: MEA CULPA. |
|
|
|
Latin again. That holds them like birdlime. Priest with the |
|
communion corpus for those women. Chap in the mortuary, coffin or |
|
coffey, CORPUSNOMINE. Wonder where that rat is by now. Scrape. |
|
|
|
Tap. |
|
|
|
They listened. Tankards and miss Kennedy. George Lidwell, eyelid |
|
well expressive, fullbusted satin. Kernan. Si. |
|
|
|
The sighing voice of sorrow sang. His sins. Since Easter he had |
|
cursed three times. You bitch's bast. And once at masstime he had gone to |
|
play. Once by the churchyard he had passed and for his mother's rest he |
|
had not prayed. A boy. A croppy boy. |
|
|
|
Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't |
|
half know I'm. Molly great dab at seeing anyone looking. |
|
|
|
Bronze gazed far sideways. Mirror there. Is that best side of her face? |
|
They always know. Knock at the door. Last tip to titivate. |
|
|
|
Cockcarracarra. |
|
|
|
What do they think when they hear music? Way to catch rattlesnakes. |
|
Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked that |
|
best. Remind him of home sweet home. Wiped his nose in curtain too. |
|
Custom his country perhaps. That's music too. Not as bad as it sounds. |
|
Tootling. Brasses braying asses through uptrunks. Doublebasses helpless, |
|
gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile |
|
music hath jaws. Woodwind like Goodwin's name. |
|
|
|
She looked fine. Her crocus dress she wore lowcut, belongings on |
|
show. Clove her breath was always in theatre when she bent to ask a |
|
question. Told her what Spinoza says in that book of poor papa's. |
|
Hypnotised, listening. Eyes like that. She bent. Chap in dresscircle |
|
staring down into her with his operaglass for all he was worth. Beauty |
|
of music you must hear twice. Nature woman half a look. God made the |
|
country man the tune. Met him pike hoses. Philosophy. O rocks! |
|
|
|
All gone. All fallen. At the siege of Ross his father, at Gorey all his |
|
brothers fell. To Wexford, we are the boys of Wexford, he would. Last of |
|
his name and race. |
|
|
|
I too. Last of my race. Milly young student. Well, my fault perhaps. |
|
No son. Rudy. Too late now. Or if not? If not? If still? |
|
|
|
He bore no hate. |
|
|
|
Hate. Love. Those are names. Rudy. Soon I am old. Big Ben his voice |
|
unfolded. Great voice Richie Goulding said, a flush struggling in his |
|
pale, to Bloom soon old. But when was young? |
|
|
|
Ireland comes now. My country above the king. She listens. Who |
|
fears to speak of nineteen four? Time to be shoving. Looked enough. |
|
|
|
--BLESS ME, FATHER, Dollard the croppy cried. BLESS ME AND LET ME GO. |
|
|
|
Tap. |
|
|
|
Bloom looked, unblessed to go. Got up to kill: on eighteen bob a |
|
week. Fellows shell out the dibs. Want to keep your weathereye open. Those |
|
girls, those lovely. By the sad sea waves. Chorusgirl's romance. Letters |
|
read out for breach of promise. From Chickabiddy's owny Mumpsypum. |
|
Laughter in court. Henry. I never signed it. The lovely name you. |
|
|
|
Low sank the music, air and words. Then hastened. The false priest |
|
rustling soldier from his cassock. A yeoman captain. They know it all by |
|
heart. The thrill they itch for. Yeoman cap. |
|
|
|
Tap. Tap. |
|
|
|
Thrilled she listened, bending in sympathy to hear. |
|
|
|
Blank face. Virgin should say: or fingered only. Write something on |
|
it: page. If not what becomes of them? Decline, despair. Keeps them young. |
|
Even admire themselves. See. Play on her. Lip blow. Body of white woman, |
|
a flute alive. Blow gentle. Loud. Three holes, all women. Goddess I didn't |
|
see. They want it. Not too much polite. That's why he gets them. Gold in |
|
your pocket, brass in your face. Say something. Make her hear. With look |
|
to look. Songs without words. Molly, that hurdygurdy boy. She knew he |
|
meant the monkey was sick. Or because so like the Spanish. Understand |
|
animals too that way. Solomon did. Gift of nature. |
|
|
|
Ventriloquise. My lips closed. Think in my stom. What? |
|
|
|
Will? You? I. Want. You. To. |
|
|
|
With hoarse rude fury the yeoman cursed, swelling in apoplectic |
|
bitch's bastard. A good thought, boy, to come. One hour's your time to |
|
live, your last. |
|
|
|
Tap. Tap. |
|
|
|
Thrill now. Pity they feel. To wipe away a tear for martyrs that want |
|
to, dying to, die. For all things dying, for all things born. Poor Mrs |
|
Purefoy. Hope she's over. Because their wombs. |
|
|
|
A liquid of womb of woman eyeball gazed under a fence of lashes, |
|
calmly, hearing. See real beauty of the eye when she not speaks. On yonder |
|
river. At each slow satiny heaving bosom's wave (her heaving embon) red |
|
rose rose slowly sank red rose. Heartbeats: her breath: breath that is |
|
life. And all the tiny tiny fernfoils trembled of maidenhair. |
|
|
|
But look. The bright stars fade. O rose! Castile. The morn. Ha. |
|
Lidwell. For him then not for. Infatuated. I like that? See her |
|
from here though. Popped corks, splashes of beerfroth, stacks of empties. |
|
|
|
On the smooth jutting beerpull laid Lydia hand, lightly, plumply, leave |
|
it to my hands. All lost in pity for croppy. Fro, to: to, fro: over the |
|
polished knob (she knows his eyes, my eyes, her eyes) her thumb and finger |
|
passed in pity: passed, reposed and, gently touching, then slid so |
|
smoothly, slowly down, a cool firm white enamel baton protruding through |
|
their sliding ring. |
|
|
|
With a cock with a carra. |
|
|
|
Tap. Tap. Tap. |
|
|
|
I hold this house. Amen. He gnashed in fury. Traitors swing. |
|
|
|
The chords consented. Very sad thing. But had to be. Get out before |
|
the end. Thanks, that was heavenly. Where's my hat. Pass by her. Can |
|
leave that Freeman. Letter I have. Suppose she were the? No. Walk, |
|
walk, walk. Like Cashel Boylo Connoro Coylo Tisdall Maurice Tisntdall |
|
Farrell. Waaaaaaalk. |
|
|
|
Well, I must be. Are you off? Yrfmstbyes. Blmstup. O'er ryehigh blue. |
|
Ow. Bloom stood up. Soap feeling rather sticky behind. Must have |
|
sweated: music. That lotion, remember. Well, so long. High grade. Card |
|
inside. Yes. |
|
|
|
By deaf Pat in the doorway straining ear Bloom passed. |
|
|
|
At Geneva barrack that young man died. At Passage was his body |
|
laid. Dolor! O, he dolores! The voice of the mournful chanter called to |
|
dolorous prayer. |
|
|
|
By rose, by satiny bosom, by the fondling hand, by slops, by empties, |
|
by popped corks, greeting in going, past eyes and maidenhair, bronze and |
|
faint gold in deepseashadow, went Bloom, soft Bloom, I feel so lonely |
|
Bloom. |
|
|
|
Tap. Tap. Tap. |
|
|
|
Pray for him, prayed the bass of Dollard. You who hear in peace. Breathe |
|
a prayer, drop a tear, good men, good people. He was the croppy boy. |
|
|
|
Scaring eavesdropping boots croppy bootsboy Bloom in the Ormond |
|
hallway heard the growls and roars of bravo, fat backslapping, their boots |
|
all treading, boots not the boots the boy. General chorus off for a swill |
|
to wash it down. Glad I avoided. |
|
|
|
--Come on, Ben, Simon Dedalus cried. By God, you're as good as ever you |
|
were. |
|
|
|
--Better, said Tomgin Kernan. Most trenchant rendition of that ballad, |
|
upon my soul and honour It is. |
|
|
|
--Lablache, said Father Cowley. |
|
|
|
Ben Dollard bulkily cachuchad towards the bar, mightily praisefed and all |
|
big roseate, on heavyfooted feet, his gouty fingers nakkering castagnettes |
|
in the air. |
|
|
|
Big Benaben Dollard. Big Benben. Big Benben. |
|
|
|
Rrr. |
|
|
|
And deepmoved all, Simon trumping compassion from foghorn nose, |
|
all laughing they brought him forth, Ben Dollard, in right good cheer. |
|
|
|
--You're looking rubicund, George Lidwell said. |
|
|
|
Miss Douce composed her rose to wait. |
|
|
|
--Ben machree, said Mr Dedalus, clapping Ben's fat back shoulderblade. |
|
Fit as a fiddle only he has a lot of adipose tissue concealed about his |
|
person. |
|
|
|
Rrrrrrrsss. |
|
|
|
--Fat of death, Simon, Ben Dollard growled. |
|
|
|
Richie rift in the lute alone sat: Goulding, Collis, Ward. Uncertainly |
|
he waited. Unpaid Pat too. |
|
|
|
Tap. Tap. Tap. Tap. |
|
|
|
Miss Mina Kennedy brought near her lips to ear of tankard one. |
|
|
|
--Mr Dollard, they murmured low. |
|
|
|
--Dollard, murmured tankard. |
|
|
|
Tank one believed: miss Kenn when she: that doll he was: she doll: |
|
the tank. |
|
|
|
He murmured that he knew the name. The name was familiar to him, |
|
that is to say. That was to say he had heard the name of. Dollard, was it? |
|
Dollard, yes. |
|
|
|
Yes, her lips said more loudly, Mr Dollard. He sang that song lovely, |
|
murmured Mina. Mr Dollard. And THE LAST ROSE OF SUMMER was a lovely |
|
song. Mina loved that song. Tankard loved the song that Mina. |
|
|
|
'Tis the last rose of summer dollard left bloom felt wind wound round |
|
inside. |
|
|
|
Gassy thing that cider: binding too. Wait. Postoffice near Reuben J's |
|
one and eightpence too. Get shut of it. Dodge round by Greek street. Wish |
|
I hadn't promised to meet. Freer in air. Music. Gets on your nerves. |
|
Beerpull. Her hand that rocks the cradle rules the. Ben Howth. That rules |
|
the world. |
|
|
|
Far. Far. Far. Far. |
|
|
|
Tap. Tap. Tap. Tap. |
|
|
|
Up the quay went Lionelleopold, naughty Henry with letter for |
|
Mady, with sweets of sin with frillies for Raoul with met him pike hoses |
|
went Poldy on. |
|
|
|
Tap blind walked tapping by the tap the curbstone tapping, tap by tap. |
|
|
|
Cowley, he stuns himself with it: kind of drunkenness. Better give |
|
way only half way the way of a man with a maid. Instance enthusiasts. All |
|
ears. Not lose a demisemiquaver. Eyes shut. Head nodding in time. Dotty. |
|
You daren't budge. Thinking strictly prohibited. Always talking shop. |
|
Fiddlefaddle about notes. |
|
|
|
All a kind of attempt to talk. Unpleasant when it stops because you |
|
never know exac. Organ in Gardiner street. Old Glynn fifty quid a year. |
|
Queer up there in the cockloft, alone, with stops and locks and keys. |
|
Seated all day at the organ. Maunder on for hours, talking to himself or |
|
the other fellow blowing the bellows. Growl angry, then shriek cursing |
|
(want to have wadding or something in his no don't she cried), then all of |
|
a soft sudden wee little wee little pipy wind. |
|
|
|
Pwee! A wee little wind piped eeee. In Bloom's little wee. |
|
|
|
--Was he? Mr Dedalus said, returning with fetched pipe. I was with him |
|
this morning at poor little Paddy Dignam's ... |
|
|
|
--Ay, the Lord have mercy on him. |
|
|
|
--By the bye there's a tuningfork in there on the ... |
|
|
|
Tap. Tap. Tap. Tap. |
|
|
|
--The wife has a fine voice. Or had. What? Lidwell asked. |
|
|
|
--O, that must be the tuner, Lydia said to Simonlionel first I saw, forgot |
|
it when he was here. |
|
|
|
Blind he was she told George Lidwell second I saw. And played so |
|
exquisitely, treat to hear. Exquisite contrast: bronzelid, minagold. |
|
|
|
--Shout! Ben Dollard shouted, pouring. Sing out! |
|
|
|
--'lldo! cried Father Cowley. |
|
|
|
Rrrrrr. |
|
|
|
I feel I want ... |
|
|
|
Tap. Tap. Tap. Tap. Tap |
|
|
|
--Very, Mr Dedalus said, staring hard at a headless sardine. |
|
|
|
Under the sandwichbell lay on a bier of bread one last, one lonely, last |
|
sardine of summer. Bloom alone. |
|
|
|
--Very, he stared. The lower register, for choice. |
|
|
|
Tap. Tap. Tap. Tap. Tap. Tap. Tap. Tap. |
|
|
|
Bloom went by Barry's. Wish I could. Wait. That wonderworker if I |
|
had. Twentyfour solicitors in that one house. Counted them. Litigation. |
|
Love one another. Piles of parchment. Messrs Pick and Pocket have power |
|
of attorney. Goulding, Collis, Ward. |
|
|
|
But for example the chap that wallops the big drum. His vocation: |
|
Mickey Rooney's band. Wonder how it first struck him. Sitting at home |
|
after pig's cheek and cabbage nursing it in the armchair. Rehearsing his |
|
band part. Pom. Pompedy. Jolly for the wife. Asses' skins. Welt them |
|
through life, then wallop after death. Pom. Wallop. Seems to be what you |
|
call yashmak or I mean kismet. Fate. |
|
|
|
Tap. Tap. A stripling, blind, with a tapping cane came taptaptapping |
|
by Daly's window where a mermaid hair all streaming (but he couldn't see) |
|
blew whiffs of a mermaid (blind couldn't), mermaid, coolest whiff of all. |
|
|
|
Instruments. A blade of grass, shell of her hands, then blow. Even |
|
comb and tissuepaper you can knock a tune out of. Molly in her shift in |
|
Lombard street west, hair down. I suppose each kind of trade made its own, |
|
don't you see? Hunter with a horn. Haw. Have you the? CLOCHE. SONNEZ LA. |
|
Shepherd his pipe. Pwee little wee. Policeman a whistle. Locks and keys! |
|
Sweep! Four o'clock's all's well! Sleep! All is lost now. Drum? Pompedy. |
|
Wait. I know. Towncrier, bumbailiff. Long John. Waken the dead. Pom. |
|
Dignam. Poor little NOMINEDOMINE. Pom. It is music. I mean of course it's |
|
all pom pom pom very much what they call DA CAPO. Still you can hear. As |
|
we march, we march along, march along. Pom. |
|
|
|
I must really. Fff. Now if I did that at a banquet. Just a question of |
|
custom shah of Persia. Breathe a prayer, drop a tear. All the same he must |
|
have been a bit of a natural not to see it was a yeoman cap. Muffled up. |
|
Wonder who was that chap at the grave in the brown macin. O, the whore |
|
of the lane! |
|
|
|
A frowsy whore with black straw sailor hat askew came glazily in the |
|
day along the quay towards Mr Bloom. When first he saw that form |
|
endearing? Yes, it is. I feel so lonely. Wet night in the lane. Horn. Who |
|
had the? Heehaw shesaw. Off her beat here. What is she? Hope she. Psst! |
|
Any chance of your wash. Knew Molly. Had me decked. Stout lady does be |
|
with you in the brown costume. Put you off your stroke, that. Appointment |
|
we made knowing we'd never, well hardly ever. Too dear too near to home |
|
sweet home. Sees me, does she? Looks a fright in the day. Face like dip. |
|
Damn her. O, well, she has to live like the rest. Look in here. |
|
|
|
In Lionel Marks's antique saleshop window haughty Henry Lionel |
|
Leopold dear Henry Flower earnestly Mr Leopold Bloom envisaged |
|
battered candlesticks melodeon oozing maggoty blowbags. Bargain: six bob. |
|
Might learn to play. Cheap. Let her pass. Course everything is dear if |
|
you don't want it. That's what good salesman is. Make you buy what he |
|
wants to sell. Chap sold me the Swedish razor he shaved me with. Wanted |
|
to charge me for the edge he gave it. She's passing now. Six bob. |
|
|
|
Must be the cider or perhaps the burgund. |
|
|
|
Near bronze from anear near gold from afar they chinked their clinking |
|
glasses all, brighteyed and gallant, before bronze Lydia's tempting |
|
last rose of summer, rose of Castile. First Lid, De, Cow, Ker, Doll, a |
|
fifth: Lidwell, Si Dedalus, Bob Cowley, Kernan and big Ben Dollard. |
|
|
|
Tap. A youth entered a lonely Ormond hall. |
|
|
|
Bloom viewed a gallant pictured hero in Lionel Marks's window. Robert |
|
Emmet's last words. Seven last words. Of Meyerbeer that is. |
|
|
|
--True men like you men. |
|
|
|
--Ay, ay, Ben. |
|
|
|
--Will lift your glass with us. |
|
|
|
They lifted. |
|
|
|
Tschink. Tschunk. |
|
|
|
Tip. An unseeing stripling stood in the door. He saw not bronze. He |
|
saw not gold. Nor Ben nor Bob nor Tom nor Si nor George nor tanks nor |
|
Richie nor Pat. Hee hee hee hee. He did not see. |
|
|
|
Seabloom, greaseabloom viewed last words. Softly. WHEN MY COUNTRY |
|
TAKES HER PLACE AMONG. |
|
|
|
Prrprr. |
|
|
|
Must be the bur. |
|
|
|
Fff! Oo. Rrpr. |
|
|
|
NATIONS OF THE EARTH. No-one behind. She's passed. THEN AND NOT TILL |
|
THEN. Tram kran kran kran. Good oppor. Coming. Krandlkrankran. I'm |
|
sure it's the burgund. Yes. One, two. LET MY EPITAPH BE. Kraaaaaa. |
|
WRITTEN. I HAVE. |
|
|
|
Pprrpffrrppffff. |
|
|
|
DONE. |
|
|
|
|
|
* * * * * * * |
|
|
|
|
|
I was just passing the time of day with old Troy of the D. M. P. at the |
|
corner of Arbour hill there and be damned but a bloody sweep came along |
|
and he near drove his gear into my eye. I turned around to let him have |
|
the weight of my tongue when who should I see dodging along Stony Batter |
|
only Joe Hynes. |
|
|
|
--Lo, Joe, says I. How are you blowing? Did you see that bloody |
|
chimneysweep near shove my eye out with his brush? |
|
|
|
--Soot's luck, says Joe. Who's the old ballocks you were talking to? |
|
|
|
--Old Troy, says I, was in the force. I'm on two minds not to give that |
|
fellow in charge for obstructing the thoroughfare with his brooms and |
|
ladders. |
|
|
|
--What are you doing round those parts? says Joe. |
|
|
|
--Devil a much, says I. There's a bloody big foxy thief beyond by the |
|
garrison church at the corner of Chicken lane--old Troy was just giving |
|
me a wrinkle about him--lifted any God's quantity of tea and sugar to pay |
|
three bob a week said he had a farm in the county Down off a |
|
hop-of-my-thumb by the name of Moses Herzog over there near Heytesbury |
|
street. |
|
|
|
--Circumcised? says Joe. |
|
|
|
--Ay, says I. A bit off the top. An old plumber named Geraghty. I'm |
|
hanging on to his taw now for the past fortnight and I can't get a penny |
|
out of him. |
|
|
|
--That the lay you're on now? says Joe. |
|
|
|
--Ay, says I. How are the mighty fallen! Collector of bad and doubtful |
|
debts. But that's the most notorious bloody robber you'd meet in a day's |
|
walk and the face on him all pockmarks would hold a shower of rain. TELL |
|
HIM, says he, I DARE HIM, says he, AND I DOUBLEDARE HIM TO SEND YOU ROUND |
|
HERE AGAIN OR IF HE DOES, says he, I'LL HAVE HIM SUMMONSED UP BEFORE THE |
|
COURT, SO I WILL, FOR TRADING WITHOUT A LICENCE. And he after stuffing |
|
himself till he's fit to burst. Jesus, I had to laugh at the little jewy |
|
getting his shirt out. HE DRINK ME MY TEAS. HE EAT ME MY SUGARS. BECAUSE |
|
HE NO PAY ME MY MONEYS? |
|
|
|
For nonperishable goods bought of Moses Herzog, of 13 Saint |
|
Kevin's parade in the city of Dublin, Wood quay ward, merchant, |
|
hereinafter called the vendor, and sold and delivered to Michael E. |
|
Geraghty, esquire, of 29 Arbour hill in the city of Dublin, Arran quay |
|
ward, gentleman, hereinafter called the purchaser, videlicet, five pounds |
|
avoirdupois of first choice tea at three shillings and no pence per pound |
|
avoirdupois and three stone avoirdupois of sugar, crushed crystal, at |
|
threepence per pound avoirdupois, the said purchaser debtor to the said |
|
vendor of one pound five shillings and sixpence sterling for value |
|
received which amount shall be paid by said purchaser to said vendor in |
|
weekly instalments every seven calendar days of three shillings and no |
|
pence sterling: and the said nonperishable goods shall not be pawned or |
|
pledged or sold or otherwise alienated by the said purchaser but shall be |
|
and remain and be held to be the sole and exclusive property of the said |
|
vendor to be disposed of at his good will and pleasure until the said |
|
amount shall have been duly paid by the said purchaser to the said vendor |
|
in the manner herein set forth as this day hereby agreed between the said |
|
vendor, his heirs, successors, trustees and assigns of the one part and |
|
the said purchaser, his heirs, successors, trustees and assigns of the |
|
other part. |
|
|
|
--Are you a strict t.t.? says Joe. |
|
|
|
--Not taking anything between drinks, says I. |
|
|
|
--What about paying our respects to our friend? says Joe. |
|
|
|
--Who? says I. Sure, he's out in John of God's off his head, poor man. |
|
|
|
--Drinking his own stuff? says Joe. |
|
|
|
--Ay, says I. Whisky and water on the brain. |
|
|
|
--Come around to Barney Kiernan's, says Joe. I want to see the citizen. |
|
|
|
--Barney mavourneen's be it, says I. Anything strange or wonderful, Joe? |
|
|
|
--Not a word, says Joe. I was up at that meeting in the City Arms. |
|
|
|
---What was that, Joe? says I. |
|
|
|
--Cattle traders, says Joe, about the foot and mouth disease. I want to |
|
give the citizen the hard word about it. |
|
|
|
So we went around by the Linenhall barracks and the back of the |
|
courthouse talking of one thing or another. Decent fellow Joe when he has |
|
it but sure like that he never has it. Jesus, I couldn't get over that |
|
bloody foxy Geraghty, the daylight robber. For trading without a licence, |
|
says he. |
|
|
|
In Inisfail the fair there lies a land, the land of holy Michan. There |
|
rises a watchtower beheld of men afar. There sleep the mighty dead as in |
|
life they slept, warriors and princes of high renown. A pleasant land it |
|
is in sooth of murmuring waters, fishful streams where sport the gurnard, |
|
the plaice, the roach, the halibut, the gibbed haddock, the grilse, |
|
the dab, the brill, the flounder, the pollock, the mixed coarse fish |
|
generally and other denizens of the aqueous kingdom too numerous to be |
|
enumerated. In the mild breezes of the west and of the east the lofty |
|
trees wave in different directions their firstclass foliage, the wafty |
|
sycamore, the Lebanonian cedar, the exalted planetree, the eugenic |
|
eucalyptus and other ornaments of the arboreal world with which that |
|
region is thoroughly well supplied. Lovely maidens sit in close proximity |
|
to the roots of the lovely trees singing the most lovely songs while they |
|
play with all kinds of lovely objects as for example golden ingots, |
|
silvery fishes, crans of herrings, drafts of eels, codlings, creels of |
|
fingerlings, purple seagems and playful insects. And heroes voyage from |
|
afar to woo them, from Eblana to Slievemargy, the peerless princes of |
|
unfettered Munster and of Connacht the just and of smooth sleek Leinster |
|
and of Cruahan's land and of Armagh the splendid and of the noble district |
|
of Boyle, princes, the sons of kings. |
|
|
|
And there rises a shining palace whose crystal glittering roof is seen by |
|
mariners who traverse the extensive sea in barks built expressly for that |
|
purpose, and thither come all herds and fatlings and firstfruits of that |
|
land for O'Connell Fitzsimon takes toll of them, a chieftain descended |
|
from chieftains. Thither the extremely large wains bring foison of the |
|
fields, flaskets of cauliflowers, floats of spinach, pineapple chunks, |
|
Rangoon beans, strikes of tomatoes, drums of figs, drills of Swedes, |
|
spherical potatoes and tallies of iridescent kale, York and Savoy, and |
|
trays of onions, pearls of the earth, and punnets of mushrooms and |
|
custard marrows and fat vetches and bere and rape and red green yellow |
|
brown russet sweet big bitter ripe pomellated apples and chips of |
|
strawberries and sieves of gooseberries, pulpy and pelurious, and |
|
strawberries fit for princes and raspberries from their canes. |
|
|
|
I dare him, says he, and I doubledare him. Come out here, Geraghty, |
|
you notorious bloody hill and dale robber! |
|
|
|
And by that way wend the herds innumerable of bellwethers and |
|
flushed ewes and shearling rams and lambs and stubble geese and medium |
|
steers and roaring mares and polled calves and longwoods and storesheep |
|
and Cuffe's prime springers and culls and sowpigs and baconhogs and the |
|
various different varieties of highly distinguished swine and Angus |
|
heifers and polly bulllocks of immaculate pedigree together with prime |
|
premiated milchcows and beeves: and there is ever heard a trampling, |
|
cackling, roaring, lowing, bleating, bellowing, rumbling, grunting, |
|
champing, chewing, of sheep and pigs and heavyhooved kine from |
|
pasturelands of Lusk and Rush and Carrickmines and from the streamy vales |
|
of Thomond, from the M'Gillicuddy's reeks the inaccessible and lordly |
|
Shannon the unfathomable, and from the gentle declivities of the place of |
|
the race of Kiar, their udders distended with superabundance of milk and |
|
butts of butter and rennets of cheese and farmer's firkins and targets of |
|
lamb and crannocks of corn and oblong eggs in great hundreds, various in |
|
size, the agate with this dun. |
|
|
|
So we turned into Barney Kiernan's and there, sure enough, was the citizen |
|
up in the corner having a great confab with himself and that bloody |
|
mangy mongrel, Garryowen, and he waiting for what the sky would drop |
|
in the way of drink. |
|
|
|
--There he is, says I, in his gloryhole, with his cruiskeen lawn and his |
|
load of papers, working for the cause. |
|
|
|
The bloody mongrel let a grouse out of him would give you the creeps. Be |
|
a corporal work of mercy if someone would take the life of that |
|
bloody dog. I'm told for a fact he ate a good part of the breeches off a |
|
constabulary man in Santry that came round one time with a blue paper |
|
about a licence. |
|
|
|
--Stand and deliver, says he. |
|
|
|
--That's all right, citizen, says Joe. Friends here. |
|
|
|
--Pass, friends, says he. |
|
|
|
Then he rubs his hand in his eye and says he: |
|
|
|
--What's your opinion of the times? |
|
|
|
Doing the rapparee and Rory of the hill. But, begob, Joe was equal to |
|
the occasion. |
|
|
|
--I think the markets are on a rise, says he, sliding his hand down his |
|
fork. |
|
|
|
So begob the citizen claps his paw on his knee and he says: |
|
|
|
--Foreign wars is the cause of it. |
|
|
|
And says Joe, sticking his thumb in his pocket: |
|
|
|
--It's the Russians wish to tyrannise. |
|
|
|
--Arrah, give over your bloody codding, Joe, says I. I've a thirst on me I |
|
wouldn't sell for half a crown. |
|
|
|
--Give it a name, citizen, says Joe. |
|
|
|
--Wine of the country, says he. |
|
|
|
--What's yours? says Joe. |
|
|
|
--Ditto MacAnaspey, says I. |
|
|
|
--Three pints, Terry, says Joe. And how's the old heart, citizen? says he. |
|
|
|
--Never better, A CHARA, says he. What Garry? Are we going to win? Eh? |
|
|
|
And with that he took the bloody old towser by the scruff of the neck |
|
and, by Jesus, he near throttled him. |
|
|
|
The figure seated on a large boulder at the foot of a round tower |
|
was that of a broadshouldered deepchested stronglimbed frankeyed |
|
redhaired freelyfreckled shaggybearded widemouthed largenosed |
|
longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced |
|
sinewyarmed hero. From shoulder to shoulder he measured several ells and |
|
his rocklike mountainous knees were covered, as was likewise the rest of |
|
his body wherever visible, with a strong growth of tawny prickly hair in |
|
hue and toughness similar to the mountain gorse (ULEX EUROPEUS). The |
|
widewinged nostrils, from which bristles of the same tawny hue projected, |
|
were of such capaciousness that within their cavernous obscurity the |
|
fieldlark might easily have lodged her nest. The eyes in which a tear and |
|
a smile strove ever for the mastery were of the dimensions of a goodsized |
|
cauliflower. A powerful current of warm breath issued at regular intervals |
|
from the profound cavity of his mouth while in rhythmic resonance the |
|
loud strong hale reverberations of his formidable heart thundered |
|
rumblingly causing the ground, the summit of the lofty tower and the still |
|
loftier walls of the cave to vibrate and tremble. |
|
|
|
He wore a long unsleeved garment of recently flayed oxhide reaching to the |
|
knees in a loose kilt and this was bound about his middle by a girdle of |
|
plaited straw and rushes. Beneath this he wore trews of deerskin, roughly |
|
stitched with gut. His nether extremities were encased in high Balbriggan |
|
buskins dyed in lichen purple, the feet being shod with brogues of salted |
|
cowhide laced with the windpipe of the same beast. From his girdle hung a |
|
row of seastones which jangled at every movement of his portentous frame |
|
and on these were graven with rude yet striking art the tribal images of |
|
many Irish heroes and heroines of antiquity, Cuchulin, Conn of hundred |
|
battles, Niall of nine hostages, Brian of Kincora, the ardri Malachi, Art |
|
MacMurragh, Shane O'Neill, Father John Murphy, Owen Roe, Patrick |
|
Sarsfield, Red Hugh O'Donnell, Red Jim MacDermott, Soggarth Eoghan |
|
O'Growney, Michael Dwyer, Francy Higgins, Henry Joy M'Cracken, |
|
Goliath, Horace Wheatley, Thomas Conneff, Peg Woffington, the Village |
|
Blacksmith, Captain Moonlight, Captain Boycott, Dante Alighieri, |
|
Christopher Columbus, S. Fursa, S. Brendan, Marshal MacMahon, |
|
Charlemagne, Theobald Wolfe Tone, the Mother of the Maccabees, the Last |
|
of the Mohicans, the Rose of Castile, the Man for Galway, The Man that |
|
Broke the Bank at Monte Carlo, The Man in the Gap, The Woman Who |
|
Didn't, Benjamin Franklin, Napoleon Bonaparte, John L. Sullivan, |
|
Cleopatra, Savourneen Deelish, Julius Caesar, Paracelsus, sir Thomas |
|
Lipton, William Tell, Michelangelo Hayes, Muhammad, the Bride of |
|
Lammermoor, Peter the Hermit, Peter the Packer, Dark Rosaleen, Patrick |
|
W. Shakespeare, Brian Confucius, Murtagh Gutenberg, Patricio |
|
Velasquez, Captain Nemo, Tristan and Isolde, the first Prince of Wales, |
|
Thomas Cook and Son, the Bold Soldier Boy, Arrah na Pogue, Dick |
|
Turpin, Ludwig Beethoven, the Colleen Bawn, Waddler Healy, Angus the |
|
Culdee, Dolly Mount, Sidney Parade, Ben Howth, Valentine Greatrakes, |
|
Adam and Eve, Arthur Wellesley, Boss Croker, Herodotus, Jack the |
|
Giantkiller, Gautama Buddha, Lady Godiva, The Lily of Killarney, Balor |
|
of the Evil Eye, the Queen of Sheba, Acky Nagle, Joe Nagle, Alessandro |
|
Volta, Jeremiah O'Donovan Rossa, Don Philip O'Sullivan Beare. A |
|
couched spear of acuminated granite rested by him while at his feet |
|
reposed a savage animal of the canine tribe whose stertorous gasps |
|
announced that he was sunk in uneasy slumber, a supposition confirmed by |
|
hoarse growls and spasmodic movements which his master repressed from time |
|
to time by tranquilising blows of a mighty cudgel rudely fashioned out of |
|
paleolithic stone. |
|
|
|
So anyhow Terry brought the three pints Joe was standing and begob |
|
the sight nearly left my eyes when I saw him land out a quid O, as true as |
|
I'm telling you. A goodlooking sovereign. |
|
|
|
--And there's more where that came from, says he. |
|
|
|
--Were you robbing the poorbox, Joe? says I. |
|
|
|
--Sweat of my brow, says Joe. 'Twas the prudent member gave me the wheeze. |
|
|
|
--I saw him before I met you, says I, sloping around by Pill lane and |
|
Greek street with his cod's eye counting up all the guts of the fish. |
|
|
|
Who comes through Michan's land, bedight in sable armour? O'Bloom, |
|
the son of Rory: it is he. Impervious to fear is Rory's son: he |
|
of the prudent soul. |
|
|
|
--For the old woman of Prince's street, says the citizen, the subsidised |
|
organ. The pledgebound party on the floor of the house. And look at this |
|
blasted rag, says he. Look at this, says he. THE IRISH INDEPENDENT, if you |
|
please, founded by Parnell to be the workingman's friend. Listen to the |
|
births and deaths in the IRISH ALL FOR IRELAND INDEPENDENT, and I'll thank |
|
you and the marriages. |
|
|
|
And he starts reading them out: |
|
|
|
--Gordon, Barnfield crescent, Exeter; Redmayne of Iffley, Saint Anne's on |
|
Sea: the wife of William T Redmayne of a son. How's that, eh? Wright and |
|
Flint, Vincent and Gillett to Rotha Marion daughter of Rosa and the late |
|
George Alfred Gillett, 179 Clapham road, Stockwell, Playwood and |
|
Ridsdale at Saint Jude's, Kensington by the very reverend Dr Forrest, dean |
|
of Worcester. Eh? Deaths. Bristow, at Whitehall lane, London: Carr, Stoke |
|
Newington, of gastritis and heart disease: Cockburn, at the Moat house, |
|
Chepstow ... |
|
|
|
--I know that fellow, says Joe, from bitter experience. |
|
|
|
--Cockburn. Dimsey, wife of David Dimsey, late of the admiralty: Miller, |
|
Tottenham, aged eightyfive: Welsh, June 12, at 35 Canning street, |
|
Liverpool, Isabella Helen. How's that for a national press, eh, my brown |
|
son! How's that for Martin Murphy, the Bantry jobber? |
|
|
|
--Ah, well, says Joe, handing round the boose. Thanks be to God they had |
|
the start of us. Drink that, citizen. |
|
|
|
--I will, says he, honourable person. |
|
|
|
--Health, Joe, says I. And all down the form. |
|
|
|
Ah! Ow! Don't be talking! I was blue mouldy for the want of that |
|
pint. Declare to God I could hear it hit the pit of my stomach with a |
|
click. |
|
|
|
And lo, as they quaffed their cup of joy, a godlike messenger came |
|
swiftly in, radiant as the eye of heaven, a comely youth and behind him |
|
there passed an elder of noble gait and countenance, bearing the sacred |
|
scrolls of law and with him his lady wife a dame of peerless lineage, |
|
fairest of her race. |
|
|
|
Little Alf Bergan popped in round the door and hid behind Barney's |
|
snug, squeezed up with the laughing. And who was sitting up there in the |
|
corner that I hadn't seen snoring drunk blind to the world only Bob Doran. |
|
I didn't know what was up and Alf kept making signs out of the door. And |
|
begob what was it only that bloody old pantaloon Denis Breen in his |
|
bathslippers with two bloody big books tucked under his oxter and the wife |
|
hotfoot after him, unfortunate wretched woman, trotting like a poodle. I |
|
thought Alf would split. |
|
|
|
--Look at him, says he. Breen. He's traipsing all round Dublin with a |
|
postcard someone sent him with U. p: up on it to take a li ... |
|
|
|
And he doubled up. |
|
|
|
--Take a what? says I. |
|
|
|
--Libel action, says he, for ten thousand pounds. |
|
|
|
--O hell! says I. |
|
|
|
The bloody mongrel began to growl that'd put the fear of God in you |
|
seeing something was up but the citizen gave him a kick in the ribs. |
|
|
|
--BI I DHO HUSHT, says he. |
|
|
|
--Who? says Joe. |
|
|
|
--Breen, says Alf. He was in John Henry Menton's and then he went round |
|
to Collis and Ward's and then Tom Rochford met him and sent him round |
|
to the subsheriff's for a lark. O God, I've a pain laughing. U. p: up. The |
|
long fellow gave him an eye as good as a process and now the bloody old |
|
lunatic is gone round to Green street to look for a G man. |
|
|
|
--When is long John going to hang that fellow in Mountjoy? says Joe. |
|
|
|
--Bergan, says Bob Doran, waking up. Is that Alf Bergan? |
|
|
|
--Yes, says Alf. Hanging? Wait till I show you. Here, Terry, give us a |
|
pony. That bloody old fool! Ten thousand pounds. You should have seen long |
|
John's eye. U. p ... |
|
|
|
And he started laughing. |
|
|
|
--Who are you laughing at? says Bob Doran. Is that Bergan? |
|
|
|
--Hurry up, Terry boy, says Alf. |
|
|
|
Terence O'Ryan heard him and straightway brought him a crystal |
|
cup full of the foamy ebon ale which the noble twin brothers Bungiveagh |
|
and Bungardilaun brew ever in their divine alevats, cunning as the sons of |
|
deathless Leda. For they garner the succulent berries of the hop and mass |
|
and sift and bruise and brew them and they mix therewith sour juices and |
|
bring the must to the sacred fire and cease not night or day from their |
|
toil, those cunning brothers, lords of the vat. |
|
|
|
|
|
Then did you, chivalrous Terence, hand forth, as to the manner born, |
|
that nectarous beverage and you offered the crystal cup to him that |
|
thirsted, the soul of chivalry, in beauty akin to the immortals. |
|
|
|
But he, the young chief of the O'Bergan's, could ill brook to be outdone |
|
in generous deeds but gave therefor with gracious gesture a testoon |
|
of costliest bronze. Thereon embossed in excellent smithwork was seen the |
|
image of a queen of regal port, scion of the house of Brunswick, Victoria |
|
her name, Her Most Excellent Majesty, by grace of God of the United |
|
Kingdom of Great Britain and Ireland and of the British dominions beyond |
|
the sea, queen, defender of the faith, Empress of India, even she, who |
|
bore rule, a victress over many peoples, the wellbeloved, for they knew |
|
and loved her from the rising of the sun to the going down thereof, the |
|
pale, the dark, the ruddy and the ethiop. |
|
|
|
--What's that bloody freemason doing, says the citizen, prowling up and |
|
down outside? |
|
|
|
--What's that? says Joe. |
|
|
|
--Here you are, says Alf, chucking out the rhino. Talking about hanging, |
|
I'll show you something you never saw. Hangmen's letters. Look at here. |
|
|
|
So he took a bundle of wisps of letters and envelopes out of his pocket. |
|
|
|
--Are you codding? says I. |
|
|
|
--Honest injun, says Alf. Read them. |
|
|
|
So Joe took up the letters. |
|
|
|
--Who are you laughing at? says Bob Doran. |
|
|
|
So I saw there was going to be a bit of a dust Bob's a queer chap |
|
when the porter's up in him so says I just to make talk: |
|
|
|
--How's Willy Murray those times, Alf? |
|
|
|
--I don't know, says Alf I saw him just now in Capel street with Paddy |
|
Dignam. Only I was running after that ... |
|
|
|
--You what? says Joe, throwing down the letters. With who? |
|
|
|
--With Dignam, says Alf. |
|
|
|
--Is it Paddy? says Joe. |
|
|
|
--Yes, says Alf. Why? |
|
|
|
--Don't you know he's dead? says Joe. |
|
|
|
--Paddy Dignam dead! says Alf. |
|
|
|
--Ay, says Joe. |
|
|
|
--Sure I'm after seeing him not five minutes ago, says Alf, as plain as a |
|
pikestaff. |
|
|
|
--Who's dead? says Bob Doran. |
|
|
|
--You saw his ghost then, says Joe, God between us and harm. |
|
|
|
--What? says Alf. Good Christ, only five ... What? ... And Willy Murray |
|
with him, the two of them there near whatdoyoucallhim's ... What? |
|
Dignam dead? |
|
|
|
--What about Dignam? says Bob Doran. Who's talking about ...? |
|
|
|
--Dead! says Alf. He's no more dead than you are. |
|
|
|
--Maybe so, says Joe. They took the liberty of burying him this morning |
|
anyhow. |
|
|
|
--Paddy? says Alf. |
|
|
|
--Ay, says Joe. He paid the debt of nature, God be merciful to him. |
|
|
|
--Good Christ! says Alf. |
|
|
|
Begob he was what you might call flabbergasted. |
|
|
|
In the darkness spirit hands were felt to flutter and when prayer by |
|
tantras had been directed to the proper quarter a faint but increasing |
|
luminosity of ruby light became gradually visible, the apparition of the |
|
etheric double being particularly lifelike owing to the discharge of jivic |
|
rays from the crown of the head and face. Communication was effected |
|
through the pituitary body and also by means of the orangefiery and |
|
scarlet rays emanating from the sacral region and solar plexus. Questioned |
|
by his earthname as to his whereabouts in the heavenworld he stated that |
|
he was now on the path of pr l ya or return but was still submitted to |
|
trial at the hands of certain bloodthirsty entities on the lower astral |
|
levels. In reply to a question as to his first sensations in the great |
|
divide beyond he stated that previously he had seen as in a glass darkly |
|
but that those who had passed over had summit possibilities of atmic |
|
development opened up to them. Interrogated as to whether life there |
|
resembled our experience in the flesh he stated that he had heard from |
|
more favoured beings now in the spirit that their abodes were equipped |
|
with every modern home comfort such as talafana, alavatar, hatakalda, |
|
wataklasat and that the highest adepts were steeped in waves of volupcy |
|
of the very purest nature. Having requested a quart of buttermilk this was |
|
brought and evidently afforded relief. Asked if he had any message |
|
for the living he exhorted all who were still at the wrong side of Maya |
|
to acknowledge the true path for it was reported in devanic circles that |
|
Mars and Jupiter were out for mischief on the eastern angle where the |
|
ram has power. It was then queried whether there were any special |
|
desires on the part of the defunct and the reply was: WE GREET YOU, |
|
FRIENDS OF EARTH, WHO ARE STILL IN THE BODY. MIND C. K. DOESN'T PILE IT |
|
ON. It was ascertained that the reference was to Mr Cornelius Kelleher, |
|
manager of Messrs H. J. O'Neill's popular funeral establishment, a |
|
personal friend of the defunct, who had been responsible for the carrying |
|
out of the interment arrangements. Before departing he requested that it |
|
should be told to his dear son Patsy that the other boot which he had been |
|
looking for was at present under the commode in the return room and that |
|
the pair should be sent to Cullen's to be soled only as the heels were |
|
still good. He stated that this had greatly perturbed his peace of mind in |
|
the other region and earnestly requested that his desire should be made |
|
known. |
|
|
|
Assurances were given that the matter would be attended to and it was |
|
intimated that this had given satisfaction. |
|
|
|
He is gone from mortal haunts: O'Dignam, sun of our morning. Fleet |
|
was his foot on the bracken: Patrick of the beamy brow. Wail, Banba, with |
|
your wind: and wail, O ocean, with your whirlwind. |
|
|
|
--There he is again, says the citizen, staring out. |
|
|
|
--Who? says I. |
|
|
|
--Bloom, says he. He's on point duty up and down there for the last ten |
|
minutes. |
|
|
|
And, begob, I saw his physog do a peep in and then slidder off again. |
|
|
|
Little Alf was knocked bawways. Faith, he was. |
|
|
|
--Good Christ! says he. I could have sworn it was him. |
|
|
|
And says Bob Doran, with the hat on the back of his poll, lowest |
|
blackguard in Dublin when he's under the influence: |
|
|
|
--Who said Christ is good? |
|
|
|
--I beg your parsnips, says Alf. |
|
|
|
--Is that a good Christ, says Bob Doran, to take away poor little Willy |
|
Dignam? |
|
|
|
--Ah, well, says Alf, trying to pass it off. He's over all his troubles. |
|
|
|
But Bob Doran shouts out of him. |
|
|
|
--He's a bloody ruffian, I say, to take away poor little Willy Dignam. |
|
|
|
Terry came down and tipped him the wink to keep quiet, that they |
|
didn't want that kind of talk in a respectable licensed premises. And Bob |
|
Doran starts doing the weeps about Paddy Dignam, true as you're there. |
|
|
|
--The finest man, says he, snivelling, the finest purest character. |
|
|
|
The tear is bloody near your eye. Talking through his bloody hat. |
|
Fitter for him go home to the little sleepwalking bitch he married, |
|
Mooney, the bumbailiff's daughter, mother kept a kip in Hardwicke street, |
|
that used to be stravaging about the landings Bantam Lyons told me that |
|
was stopping there at two in the morning without a stitch on her, exposing |
|
her person, open to all comers, fair field and no favour. |
|
|
|
--The noblest, the truest, says he. And he's gone, poor little Willy, poor |
|
little Paddy Dignam. |
|
|
|
And mournful and with a heavy heart he bewept the extinction of that |
|
beam of heaven. |
|
|
|
Old Garryowen started growling again at Bloom that was skeezing |
|
round the door. |
|
|
|
--Come in, come on, he won't eat you, says the citizen. |
|
|
|
So Bloom slopes in with his cod's eye on the dog and he asks Terry |
|
was Martin Cunningham there. |
|
|
|
--O, Christ M'Keown, says Joe, reading one of the letters. Listen to this, |
|
will you? |
|
|
|
And he starts reading out one. |
|
|
|
|
|
7 HUNTER STREET, LIVERPOOL. |
|
TO THE HIGH SHERIFF OF DUBLIN, DUBLIN. |
|
|
|
HONOURED SIR I BEG TO OFFER MY SERVICES IN THE ABOVEMENTIONED PAINFUL |
|
CASE I HANGED JOE GANN IN BOOTLE JAIL ON THE 12 OF FEBUARY 1900 AND I |
|
HANGED ... |
|
|
|
--Show us, Joe, says I. |
|
|
|
-- ... PRIVATE ARTHUR CHACE FOR FOWL MURDER OF JESSIE TILSIT IN |
|
PENTONVILLE PRISON AND I WAS ASSISTANT WHEN ... |
|
|
|
--Jesus, says I. |
|
|
|
-- ... BILLINGTON EXECUTED THE AWFUL MURDERER TOAD SMITH ... |
|
|
|
The citizen made a grab at the letter. |
|
|
|
--Hold hard, says Joe, I HAVE A SPECIAL NACK OF PUTTING THE NOOSE ONCE IN |
|
HE CAN'T GET OUT HOPING TO BE FAVOURED I REMAIN, HONOURED SIR, MY TERMS IS |
|
FIVE GINNEES. |
|
|
|
H. RUMBOLD, |
|
MASTER BARBER. |
|
|
|
|
|
--And a barbarous bloody barbarian he is too, says the citizen. |
|
|
|
--And the dirty scrawl of the wretch, says Joe. Here, says he, take them |
|
to hell out of my sight, Alf. Hello, Bloom, says he, what will you have? |
|
|
|
So they started arguing about the point, Bloom saying he wouldn't |
|
and he couldn't and excuse him no offence and all to that and then he said |
|
well he'd just take a cigar. Gob, he's a prudent member and no mistake. |
|
|
|
--Give us one of your prime stinkers, Terry, says Joe. |
|
|
|
And Alf was telling us there was one chap sent in a mourning card |
|
with a black border round it. |
|
|
|
--They're all barbers, says he, from the black country that would hang |
|
their own fathers for five quid down and travelling expenses. |
|
|
|
And he was telling us there's two fellows waiting below to pull his |
|
heels down when he gets the drop and choke him properly and then they |
|
chop up the rope after and sell the bits for a few bob a skull. |
|
|
|
In the dark land they bide, the vengeful knights of the razor. Their |
|
deadly coil they grasp: yea, and therein they lead to Erebus whatsoever |
|
wight hath done a deed of blood for I will on nowise suffer it even so |
|
saith the Lord. |
|
|
|
So they started talking about capital punishment and of course Bloom |
|
comes out with the why and the wherefore and all the codology of the |
|
business and the old dog smelling him all the time I'm told those jewies |
|
does have a sort of a queer odour coming off them for dogs about I don't |
|
know what all deterrent effect and so forth and so on. |
|
|
|
--There's one thing it hasn't a deterrent effect on, says Alf. |
|
|
|
--What's that? says Joe. |
|
|
|
--The poor bugger's tool that's being hanged, says Alf. |
|
|
|
--That so? says Joe. |
|
|
|
--God's truth, says Alf. I heard that from the head warder that was in |
|
|
|
Kilmainham when they hanged Joe Brady, the invincible. He told me when |
|
they cut him down after the drop it was standing up in their faces like a |
|
poker. |
|
|
|
--Ruling passion strong in death, says Joe, as someone said. |
|
|
|
--That can be explained by science, says Bloom. It's only a natural |
|
phenomenon, don't you see, because on account of the ... |
|
|
|
And then he starts with his jawbreakers about phenomenon and |
|
science and this phenomenon and the other phenomenon. |
|
|
|
The distinguished scientist Herr Professor Luitpold Blumenduft |
|
tendered medical evidence to the effect that the instantaneous fracture of |
|
the cervical vertebrae and consequent scission of the spinal cord would, |
|
according to the best approved tradition of medical science, be calculated |
|
to inevitably produce in the human subject a violent ganglionic stimulus |
|
of the nerve centres of the genital apparatus, thereby causing the elastic |
|
pores of the CORPORA CAVERNOSA to rapidly dilate in such a way as to |
|
instantaneously facilitate the flow of blood to that part of the human |
|
anatomy known as the penis or male organ resulting in the phenomenon which |
|
has been denominated by the faculty a morbid upwards and outwards |
|
philoprogenitive erection IN ARTICULO MORTIS PER DIMINUTIONEM CAPITIS. |
|
|
|
So of course the citizen was only waiting for the wink of the word and |
|
he starts gassing out of him about the invincibles and the old guard and |
|
the men of sixtyseven and who fears to speak of ninetyeight and Joe with |
|
him about all the fellows that were hanged, drawn and transported for the |
|
cause by drumhead courtmartial and a new Ireland and new this, that and |
|
the other. Talking about new Ireland he ought to go and get a new dog so |
|
he ought. Mangy ravenous brute sniffing and sneezing all round the place |
|
and scratching his scabs. And round he goes to Bob Doran that was |
|
standing Alf a half one sucking up for what he could get. So of course Bob |
|
Doran starts doing the bloody fool with him: |
|
|
|
--Give us the paw! Give the paw, doggy! Good old doggy! Give the paw |
|
here! Give us the paw! |
|
|
|
Arrah, bloody end to the paw he'd paw and Alf trying to keep him |
|
from tumbling off the bloody stool atop of the bloody old dog and he |
|
talking all kinds of drivel about training by kindness and thoroughbred |
|
dog and intelligent dog: give you the bloody pip. Then he starts scraping |
|
a few bits of old biscuit out of the bottom of a Jacobs' tin he told Terry |
|
to bring. Gob, he golloped it down like old boots and his tongue hanging |
|
out of him a yard long for more. Near ate the tin and all, hungry bloody |
|
mongrel. |
|
|
|
And the citizen and Bloom having an argument about the point, the |
|
brothers Sheares and Wolfe Tone beyond on Arbour Hill and Robert |
|
Emmet and die for your country, the Tommy Moore touch about Sara |
|
Curran and she's far from the land. And Bloom, of course, with his |
|
knockmedown cigar putting on swank with his lardy face. Phenomenon! |
|
The fat heap he married is a nice old phenomenon with a back on her like a |
|
ballalley. Time they were stopping up in the CITY ARMS pisser Burke told |
|
me there was an old one there with a cracked loodheramaun of a nephew and |
|
Bloom trying to get the soft side of her doing the mollycoddle playing |
|
bezique to come in for a bit of the wampum in her will and not eating meat |
|
of a Friday because the old one was always thumping her craw and taking |
|
the lout out for a walk. And one time he led him the rounds of Dublin and, |
|
by the holy farmer, he never cried crack till he brought him home as drunk |
|
as a boiled owl and he said he did it to teach him the evils of alcohol |
|
and by herrings, if the three women didn't near roast him, it's a queer |
|
story, the old one, Bloom's wife and Mrs O'Dowd that kept the hotel. |
|
Jesus, I had to laugh at pisser Burke taking them off chewing the fat. |
|
And Bloom with his BUT DON'T YOU SEE? and BUT ON THE OTHER HAND. And sure, |
|
more be token, the lout I'm told was in Power's after, the blender's, |
|
round in Cope street going home footless in a cab five times in the week |
|
after drinking his way through all the samples in the bloody |
|
establishment. Phenomenon! |
|
|
|
--The memory of the dead, says the citizen taking up his pintglass and |
|
glaring at Bloom. |
|
|
|
--Ay, ay, says Joe. |
|
|
|
--You don't grasp my point, says Bloom. What I mean is ... |
|
|
|
--SINN FEIN! says the citizen. SINN FEIN AMHAIN! The friends we love are |
|
by our side and the foes we hate before us. |
|
|
|
The last farewell was affecting in the extreme. From the belfries far |
|
and near the funereal deathbell tolled unceasingly while all around the |
|
gloomy precincts rolled the ominous warning of a hundred muffled drums |
|
punctuated by the hollow booming of pieces of ordnance. The deafening |
|
claps of thunder and the dazzling flashes of lightning which lit up the |
|
ghastly scene testified that the artillery of heaven had lent its |
|
supernatural pomp to the already gruesome spectacle. A torrential rain |
|
poured down from the floodgates of the angry heavens upon the bared heads |
|
of the assembled multitude which numbered at the lowest computation five |
|
hundred thousand persons. A posse of Dublin Metropolitan police |
|
superintended by the Chief Commissioner in person maintained order in |
|
the vast throng for whom the York street brass and reed band whiled away |
|
the intervening time by admirably rendering on their blackdraped |
|
instruments the matchless melody endeared to us from the cradle by |
|
Speranza's plaintive muse. Special quick excursion trains and upholstered |
|
charabancs had been provided for the comfort of our country cousins of |
|
whom there were large contingents. Considerable amusement was caused |
|
by the favourite Dublin streetsingers L-n-h-n and M-ll-g-n who sang The |
|
NIGHT BEFORE LARRY WAS STRETCHED in their usual mirth-provoking fashion. |
|
Our two inimitable drolls did a roaring trade with their broadsheets among |
|
lovers of the comedy element and nobody who has a corner in his heart for |
|
real Irish fun without vulgarity will grudge them their hardearned |
|
pennies. The children of the Male and Female Foundling Hospital who |
|
thronged the windows overlooking the scene were delighted with this |
|
unexpected addition to the day's entertainment and a word of praise is due |
|
to the Little Sisters of the Poor for their excellent idea of affording |
|
the poor fatherless and motherless children a genuinely instructive treat. |
|
The viceregal houseparty which included many wellknown ladies was |
|
chaperoned by Their Excellencies to the most favourable positions on the |
|
grandstand while the picturesque foreign delegation known as the Friends |
|
of the Emerald Isle was accommodated on a tribune directly opposite. |
|
The delegation, present in full force, consisted of Commendatore |
|
Bacibaci Beninobenone (the semiparalysed DOYEN of the party who had |
|
to be assisted to his seat by the aid of a powerful steam crane), |
|
Monsieur Pierrepaul Petitepatant, the Grandjoker Vladinmire |
|
Pokethankertscheff, the Archjoker Leopold Rudolph von |
|
Schwanzenbad-Hodenthaler, Countess Marha Viraga Kisaszony Putrapesthi, |
|
Hiram Y. Bomboost, Count Athanatos Karamelopulos, Ali Baba Backsheesh |
|
Rahat Lokum Effendi, Senor Hidalgo Caballero Don Pecadillo y |
|
Palabras y Paternoster de la Malora de la Malaria, Hokopoko Harakiri, |
|
Hi Hung Chang, Olaf Kobberkeddelsen, Mynheer Trik van Trumps, |
|
Pan Poleaxe Paddyrisky, Goosepond Prhklstr Kratchinabritchisitch, |
|
Borus Hupinkoff, Herr Hurhausdirektorpresident Hans Chuechli-Steuerli, |
|
Nationalgymnasiummuseumsanatoriumandsuspensoriumsordinaryprivatdocent- |
|
generalhistoryspecialprofessordoctor Kriegfried Ueberallgemein. |
|
All the delegates without exception expressed themselves in the |
|
strongest possible heterogeneous terms concerning the nameless |
|
barbarity which they had been called upon to witness. An animated |
|
altercation (in which all took part) ensued among the F. O. T. E. I. |
|
as to whether the eighth or the ninth of March was the correct |
|
date of the birth of Ireland's patron saint. In the course of the |
|
argument cannonballs, scimitars, boomerangs, blunderbusses, stinkpots, |
|
meatchoppers, umbrellas, catapults, knuckledusters, sandbags, lumps of pig |
|
iron were resorted to and blows were freely exchanged. The baby |
|
policeman, Constable MacFadden, summoned by special courier from |
|
Booterstown, quickly restored order and with lightning promptitude |
|
proposed the seventeenth of the month as a solution equally honourable for |
|
both contending parties. The readywitted ninefooter's suggestion at once |
|
appealed to all and was unanimously accepted. Constable MacFadden was |
|
heartily congratulated by all the F.O.T.E.I., several of whom were |
|
bleeding profusely. Commendatore Beninobenone having been extricated |
|
from underneath the presidential armchair, it was explained by his legal |
|
adviser Avvocato Pagamimi that the various articles secreted in his |
|
thirtytwo pockets had been abstracted by him during the affray from the |
|
pockets of his junior colleagues in the hope of bringing them to their |
|
senses. The objects (which included several hundred ladies' and |
|
gentlemen's gold and silver watches) were promptly restored to their |
|
rightful owners and general harmony reigned supreme. |
|
|
|
Quietly, unassumingly Rumbold stepped on to the scaffold in faultless |
|
morning dress and wearing his favourite flower, the GLADIOLUS CRUENTUS. |
|
He announced his presence by that gentle Rumboldian cough which so |
|
many have tried (unsuccessfully) to imitate--short, painstaking yet withal |
|
so characteristic of the man. The arrival of the worldrenowned headsman |
|
was greeted by a roar of acclamation from the huge concourse, the |
|
viceregal ladies waving their handkerchiefs in their excitement while the |
|
even more excitable foreign delegates cheered vociferously in a medley of |
|
cries, HOCH, BANZAI, ELJEN, ZIVIO, CHINCHIN, POLLA KRONIA, HIPHIP, VIVE, |
|
ALLAH, amid which the ringing evviva of the delegate of the land of song |
|
(a high double F recalling those piercingly lovely notes with which the |
|
eunuch Catalani beglamoured our greatgreatgrandmothers) was easily |
|
distinguishable. It was exactly seventeen o'clock. The signal for prayer |
|
was then promptly given by megaphone and in an instant all heads were |
|
bared, the commendatore's patriarchal sombrero, which has been in the |
|
possession of his family since the revolution of Rienzi, being removed by |
|
his medical adviser in attendance, Dr Pippi. The learned prelate who |
|
administered the last comforts of holy religion to the hero martyr when |
|
about to pay the death penalty knelt in a most christian spirit in a pool |
|
of rainwater, his cassock above his hoary head, and offered up to the |
|
throne of grace fervent prayers of supplication. Hand by the block stood |
|
the grim figure of the executioner, his visage being concealed in a |
|
tengallon pot with two circular perforated apertures through which |
|
his eyes glowered furiously. As he awaited the fatal signal he |
|
tested the edge of his horrible weapon by honing it upon his |
|
brawny forearm or decapitated in rapid succession a flock of |
|
sheep which had been provided by the admirers of his fell but necessary |
|
office. On a handsome mahogany table near him were neatly arranged the |
|
quartering knife, the various finely tempered disembowelling appliances |
|
(specially supplied by the worldfamous firm of cutlers, Messrs John Round |
|
and Sons, Sheffield), a terra cotta saucepan for the reception of the |
|
duodenum, colon, blind intestine and appendix etc when successfully |
|
extracted and two commodious milkjugs destined to receive the most |
|
precious blood of the most precious victim. The housesteward of the |
|
amalgamated cats' and dogs' home was in attendance to convey these |
|
vessels when replenished to that beneficent institution. Quite an |
|
excellent repast consisting of rashers and eggs, fried steak and onions, |
|
done to a nicety, delicious hot breakfast rolls and invigorating tea had |
|
been considerately provided by the authorities for the consumption |
|
of the central figure of the tragedy who was in capital spirits |
|
when prepared for death and evinced the keenest interest in the |
|
proceedings from beginning to end but he, with an abnegation rare |
|
in these our times, rose nobly to the occasion and expressed the |
|
dying wish (immediately acceded to) that the meal should be |
|
divided in aliquot parts among the members of the sick and indigent |
|
roomkeepers' association as a token of his regard and esteem. The NEC and |
|
NON PLUS ULTRA of emotion were reached when the blushing bride elect burst |
|
her way through the serried ranks of the bystanders and flung herself upon |
|
the muscular bosom of him who was about to be launched into eternity for |
|
her sake. The hero folded her willowy form in a loving embrace murmuring |
|
fondly SHEILA, MY OWN. Encouraged by this use of her christian name she |
|
kissed passionately all the various suitable areas of his person which the |
|
decencies of prison garb permitted her ardour to reach. She swore to him |
|
as they mingled the salt streams of their tears that she would ever |
|
cherish his memory, that she would never forget her hero boy who went to |
|
his death with a song on his lips as if he were but going to a hurling |
|
match in Clonturk park. She brought back to his recollection the happy |
|
days of blissful childhood together on the banks of Anna Liffey when they |
|
had indulged in the innocent pastimes of the young and, oblivious of the |
|
dreadful present, they both laughed heartily, all the spectators, |
|
including the venerable pastor, joining in the general merriment. That |
|
monster audience simply rocked with delight. But anon they were overcome |
|
with grief and clasped their hands for the last time. A fresh torrent of |
|
tears burst from their lachrymal ducts and the vast concourse of people, |
|
touched to the inmost core, broke into heartrending sobs, not the least |
|
affected being the aged prebendary himself. Big strong men, officers of |
|
the peace and genial giants of the royal Irish constabulary, |
|
were making frank use of their handkerchiefs and it is safe to say |
|
that there was not a dry eye in that record assemblage. A most |
|
romantic incident occurred when a handsome young Oxford graduate, |
|
noted for his chivalry towards the fair sex, stepped forward and, |
|
presenting his visiting card, bankbook and genealogical tree, |
|
solicited the hand of the hapless young lady, requesting her to |
|
name the day, and was accepted on the spot. Every lady in the |
|
audience was presented with a tasteful souvenir of the occasion |
|
in the shape of a skull and crossbones brooch, a timely and generous |
|
act which evoked a fresh outburst of emotion: and when the gallant |
|
young Oxonian (the bearer, by the way, of one of the most timehonoured |
|
names in Albion's history) placed on the finger of his blushing FIANCEE |
|
an expensive engagement ring with emeralds set in the form of a |
|
fourleaved shamrock the excitement knew no bounds. Nay, even the ster |
|
provostmarshal, lieutenantcolonel Tomkin-Maxwell ffrenchmullan Tomlinson, |
|
who presided on the sad occasion, he who had blown a considerable number |
|
of sepoys from the cannonmouth without flinching, could not now restrain |
|
his natural emotion. With his mailed gauntlet he brushed away a furtive |
|
tear and was overheard, by those privileged burghers who happened to be |
|
in his immediate ENTOURAGE, to murmur to himself in a faltering undertone: |
|
|
|
--God blimey if she aint a clinker, that there bleeding tart. Blimey it |
|
makes me kind of bleeding cry, straight, it does, when I sees her cause I |
|
thinks of my old mashtub what's waiting for me down Limehouse way. |
|
|
|
So then the citizen begins talking about the Irish language and the |
|
corporation meeting and all to that and the shoneens that can't speak |
|
their own language and Joe chipping in because he stuck someone for |
|
a quid and Bloom putting in his old goo with his twopenny stump that |
|
he cadged off of Joe and talking about the Gaelic league and the |
|
antitreating league and drink, the curse of Ireland. Antitreating |
|
is about the size of it. Gob, he'd let you pour all manner of drink |
|
down his throat till the Lord would call him before you'd ever |
|
see the froth of his pint. And one night I went in with a fellow |
|
into one of their musical evenings, song and dance about she could |
|
get up on a truss of hay she could my Maureen Lay and there was a fellow |
|
with a Ballyhooly blue ribbon badge spiffing out of him in Irish and a lot |
|
of colleen bawns going about with temperance beverages and selling medals |
|
and oranges and lemonade and a few old dry buns, gob, flahoolagh |
|
entertainment, don't be talking. Ireland sober is Ireland free. And then |
|
an old fellow starts blowing into his bagpipes and all the gougers |
|
shuffling their feet to the tune the old cow died of. And one or two sky |
|
pilots having an eye around that there was no goings on with the females, |
|
hitting below the belt. |
|
|
|
So howandever, as I was saying, the old dog seeing the tin was empty |
|
starts mousing around by Joe and me. I'd train him by kindness, so I |
|
would, if he was my dog. Give him a rousing fine kick now and again where |
|
it wouldn't blind him. |
|
|
|
--Afraid he'll bite you? says the citizen, jeering. |
|
|
|
--No, says I. But he might take my leg for a lamppost. |
|
|
|
So he calls the old dog over. |
|
|
|
--What's on you, Garry? says he. |
|
|
|
Then he starts hauling and mauling and talking to him in Irish and |
|
the old towser growling, letting on to answer, like a duet in the opera. |
|
Such growling you never heard as they let off between them. Someone that |
|
has nothing better to do ought to write a letter PRO BONO PUBLICO to the |
|
papers about the muzzling order for a dog the like of that. Growling and |
|
grousing and his eye all bloodshot from the drouth is in it and the |
|
hydrophobia dropping out of his jaws. |
|
|
|
All those who are interested in the spread of human culture among |
|
the lower animals (and their name is legion) should make a point of not |
|
missing the really marvellous exhibition of cynanthropy given by the |
|
famous old Irish red setter wolfdog formerly known by the SOBRIQUET of |
|
Garryowen and recently rechristened by his large circle of friends and |
|
acquaintances Owen Garry. The exhibition, which is the result of years of |
|
training by kindness and a carefully thoughtout dietary system, comprises, |
|
among other achievements, the recitation of verse. Our greatest living |
|
phonetic expert (wild horses shall not drag it from us!) has left no stone |
|
unturned in his efforts to delucidate and compare the verse recited and has |
|
found it bears a STRIKING resemblance (the italics are ours) to the ranns |
|
of ancient Celtic bards. We are not speaking so much of those delightful |
|
lovesongs with which the writer who conceals his identity under the |
|
graceful pseudonym of the Little Sweet Branch has familiarised the |
|
bookloving world but rather (as a contributor D. O. C. points out in an |
|
interesting communication published by an evening contemporary) of the |
|
harsher and more personal note which is found in the satirical effusions |
|
of the famous Raftery and of Donal MacConsidine to say nothing of a more |
|
modern lyrist at present very much in the public eye. We subjoin a |
|
specimen which has been rendered into English by an eminent scholar |
|
whose name for the moment we are not at liberty to disclose though |
|
we believe that our readers will find the topical allusion rather |
|
more than an indication. The metrical system of the canine original, |
|
which recalls the intricate alliterative and isosyllabic rules of |
|
the Welsh englyn, is infinitely more complicated but we believe our |
|
readers will agree that the spirit has been well caught. Perhaps |
|
it should be added that the effect is greatly increased if Owen's |
|
verse be spoken somewhat slowly and indistinctly in a tone suggestive |
|
of suppressed rancour. |
|
|
|
|
|
THE CURSE OF MY CURSES |
|
SEVEN DAYS EVERY DAY |
|
AND SEVEN DRY THURSDAYS |
|
ON YOU, BARNEY KIERNAN, |
|
HAS NO SUP OF WATER |
|
TO COOL MY COURAGE, |
|
AND MY GUTS RED ROARING |
|
AFTER LOWRY'S LIGHTS. |
|
|
|
|
|
So he told Terry to bring some water for the dog and, gob, you could |
|
hear him lapping it up a mile off. And Joe asked him would he have |
|
another. |
|
|
|
--I will, says he, A CHARA, to show there's no ill feeling. |
|
|
|
Gob, he's not as green as he's cabbagelooking. Arsing around from |
|
one pub to another, leaving it to your own honour, with old Giltrap's dog |
|
and getting fed up by the ratepayers and corporators. Entertainment for |
|
man and beast. And says Joe: |
|
|
|
--Could you make a hole in another pint? |
|
|
|
--Could a swim duck? says I. |
|
|
|
--Same again, Terry, says Joe. Are you sure you won't have anything in the |
|
way of liquid refreshment? says he. |
|
|
|
--Thank you, no, says Bloom. As a matter of fact I just wanted to meet |
|
Martin Cunningham, don't you see, about this insurance of poor Dignam's. |
|
Martin asked me to go to the house. You see, he, Dignam, I mean, didn't |
|
serve any notice of the assignment on the company at the time and |
|
nominally under the act the mortgagee can't recover on the policy. |
|
|
|
--Holy Wars, says Joe, laughing, that's a good one if old Shylock is |
|
landed. So the wife comes out top dog, what? |
|
|
|
--Well, that's a point, says Bloom, for the wife's admirers. |
|
|
|
--Whose admirers? says Joe. |
|
|
|
--The wife's advisers, I mean, says Bloom. |
|
|
|
Then he starts all confused mucking it up about mortgagor under the act |
|
like the lord chancellor giving it out on the bench and for the benefit of |
|
the wife and that a trust is created but on the other hand that Dignam |
|
owed Bridgeman the money and if now the wife or the widow contested the |
|
mortgagee's right till he near had the head of me addled with his |
|
mortgagor under the act. He was bloody safe he wasn't run in himself under |
|
the act that time as a rogue and vagabond only he had a friend in court. |
|
Selling bazaar tickets or what do you call it royal Hungarian privileged |
|
lottery. True as you're there. O, commend me to an israelite! Royal and |
|
privileged Hungarian robbery. |
|
|
|
So Bob Doran comes lurching around asking Bloom to tell Mrs |
|
Dignam he was sorry for her trouble and he was very sorry about the |
|
funeral and to tell her that he said and everyone who knew him said that |
|
there was never a truer, a finer than poor little Willy that's dead to tell |
|
her. Choking with bloody foolery. And shaking Bloom's hand doing the |
|
tragic to tell her that. Shake hands, brother. You're a rogue and I'm |
|
another. |
|
|
|
--Let me, said he, so far presume upon our acquaintance which, however |
|
slight it may appear if judged by the standard of mere time, is founded, |
|
as I hope and believe, on a sentiment of mutual esteem as to request of |
|
you this favour. But, should I have overstepped the limits of reserve |
|
let the sincerity of my feelings be the excuse for my boldness. |
|
|
|
--No, rejoined the other, I appreciate to the full the motives which |
|
actuate your conduct and I shall discharge the office you entrust |
|
to me consoled by the reflection that, though the errand be one of |
|
sorrow, this proof of your confidence sweetens in some measure the |
|
bitterness of the cup. |
|
|
|
--Then suffer me to take your hand, said he. The goodness of your heart, I |
|
feel sure, will dictate to you better than my inadequate words the |
|
expressions which are most suitable to convey an emotion whose |
|
poignancy, were I to give vent to my feelings, would deprive me even of |
|
speech. |
|
|
|
And off with him and out trying to walk straight. Boosed at five |
|
o'clock. Night he was near being lagged only Paddy Leonard knew the bobby, |
|
14A. Blind to the world up in a shebeen in Bride street after closing |
|
time, fornicating with two shawls and a bully on guard, drinking porter |
|
out of teacups. And calling himself a Frenchy for the shawls, Joseph |
|
Manuo, and talking against the Catholic religion, and he serving mass in |
|
Adam and Eve's when he was young with his eyes shut, who wrote the new |
|
testament, and the old testament, and hugging and smugging. And the two |
|
shawls killed with the laughing, picking his pockets, the bloody |
|
fool and he spilling the porter all over the bed and the two shawls |
|
screeching laughing at one another. HOW IS YOUR TESTAMENT? HAVE YOU |
|
GOT AN OLD TESTAMENT? Only Paddy was passing there, I tell you what. |
|
Then see him of a Sunday with his little concubine of a wife, and |
|
she wagging her tail up the aisle of the chapel with her patent boots |
|
on her, no less, and her violets, nice as pie, doing the little lady. |
|
Jack Mooney's sister. And the old prostitute of a mother |
|
procuring rooms to street couples. Gob, Jack made him toe the line. Told |
|
him if he didn't patch up the pot, Jesus, he'd kick the shite out of him. |
|
|
|
So Terry brought the three pints. |
|
|
|
--Here, says Joe, doing the honours. Here, citizen. |
|
|
|
--SLAN LEAT, says he. |
|
|
|
--Fortune, Joe, says I. Good health, citizen. |
|
|
|
Gob, he had his mouth half way down the tumbler already. Want a |
|
small fortune to keep him in drinks. |
|
|
|
--Who is the long fellow running for the mayoralty, Alf? says Joe. |
|
|
|
--Friend of yours, says Alf. |
|
|
|
--Nannan? says Joe. The mimber? |
|
|
|
--I won't mention any names, says Alf. |
|
|
|
--I thought so, says Joe. I saw him up at that meeting now with William |
|
Field, M. P., the cattle traders. |
|
|
|
--Hairy Iopas, says the citizen, that exploded volcano, the darling of all |
|
countries and the idol of his own. |
|
|
|
So Joe starts telling the citizen about the foot and mouth disease and |
|
the cattle traders and taking action in the matter and the citizen sending |
|
them all to the rightabout and Bloom coming out with his sheepdip for the |
|
scab and a hoose drench for coughing calves and the guaranteed remedy |
|
for timber tongue. Because he was up one time in a knacker's yard. |
|
Walking about with his book and pencil here's my head and my heels are |
|
coming till Joe Cuffe gave him the order of the boot for giving lip to a |
|
grazier. Mister Knowall. Teach your grandmother how to milk ducks. |
|
Pisser Burke was telling me in the hotel the wife used to be in rivers of |
|
tears some times with Mrs O'Dowd crying her eyes out with her eight inches |
|
of fat all over her. Couldn't loosen her farting strings but old cod's eye |
|
was waltzing around her showing her how to do it. What's your programme |
|
today? Ay. Humane methods. Because the poor animals suffer and experts |
|
say and the best known remedy that doesn't cause pain to the animal and |
|
on the sore spot administer gently. Gob, he'd have a soft hand under a |
|
hen. |
|
|
|
Ga Ga Gara. Klook Klook Klook. Black Liz is our hen. She lays eggs |
|
for us. When she lays her egg she is so glad. Gara. Klook Klook Klook. |
|
Then comes good uncle Leo. He puts his hand under black Liz and takes |
|
her fresh egg. Ga ga ga ga Gara. Klook Klook Klook. |
|
|
|
--Anyhow, says Joe, Field and Nannetti are going over tonight to London |
|
to ask about it on the floor of the house of commons. |
|
|
|
--Are you sure, says Bloom, the councillor is going? I wanted to see him, |
|
as it happens. |
|
|
|
--Well, he's going off by the mailboat, says Joe, tonight. |
|
|
|
--That's too bad, says Bloom. I wanted particularly. Perhaps only Mr Field |
|
is going. I couldn't phone. No. You're sure? |
|
|
|
--Nannan's going too, says Joe. The league told him to ask a question |
|
tomorrow about the commissioner of police forbidding Irish games in the |
|
park. What do you think of that, citizen? THE SLUAGH NA H-EIREANN. |
|
|
|
Mr Cowe Conacre (Multifarnham. Nat.): Arising out of the question of my |
|
honourable friend, the member for Shillelagh, may I ask the right |
|
honourable gentleman whether the government has issued orders that these |
|
animals shall be slaughtered though no medical evidence is forthcoming as |
|
to their pathological condition? |
|
|
|
Mr Allfours (Tamoshant. Con.): Honourable members are already in |
|
possession of the evidence produced before a committee of the whole house. |
|
I feel I cannot usefully add anything to that. The answer to the |
|
honourable member's question is in the affirmative. |
|
|
|
Mr Orelli O'Reilly (Montenotte. Nat.): Have similar orders been issued for |
|
the slaughter of human animals who dare to play Irish games in the |
|
Phoenix park? |
|
|
|
Mr Allfours: The answer is in the negative. |
|
|
|
Mr Cowe Conacre: Has the right honourable gentleman's famous |
|
Mitchelstown telegram inspired the policy of gentlemen on the Treasury |
|
bench? (O! O!) |
|
|
|
Mr Allfours: I must have notice of that question. |
|
|
|
Mr Staylewit (Buncombe. Ind.): Don't hesitate to shoot. |
|
|
|
(Ironical opposition cheers.) |
|
|
|
The speaker: Order! Order! |
|
|
|
(The house rises. Cheers.) |
|
|
|
--There's the man, says Joe, that made the Gaelic sports revival. There he |
|
is sitting there. The man that got away James Stephens. The champion of |
|
all Ireland at putting the sixteen pound shot. What was your best throw, |
|
citizen? |
|
|
|
--NA BACLEIS , says the citizen, letting on to be modest. There was a time |
|
I was as good as the next fellow anyhow. |
|
|
|
--Put it there, citizen, says Joe. You were and a bloody sight better. |
|
|
|
--Is that really a fact? says Alf. |
|
|
|
--Yes, says Bloom. That's well known. Did you not know that? |
|
|
|
So off they started about Irish sports and shoneen games the like of lawn |
|
tennis and about hurley and putting the stone and racy of the soil and |
|
building up a nation once again and all to that. And of course Bloom had |
|
to have his say too about if a fellow had a rower's heart violent |
|
exercise was bad. I declare to my antimacassar if you took up a |
|
straw from the bloody floor and if you said to Bloom: LOOK AT, BLOOM. |
|
DO YOU SEE THAT STRAW? THAT'S A STRAW. Declare to my aunt he'd talk |
|
about it for an hour so he would and talk steady. |
|
|
|
A most interesting discussion took place in the ancient hall of BRIAN |
|
O'CIARNAIN'S in SRAID NA BRETAINE BHEAG, under the auspices of SLUAGH NA |
|
H-EIREANN, on the revival of ancient Gaelic sports and the importance of |
|
physical culture, as understood in ancient Greece and ancient Rome and |
|
ancient Ireland, for the development of the race. The venerable president |
|
of the noble order was in the chair and the attendance was of large |
|
dimensions. After an instructive discourse by the chairman, a magnificent |
|
oration eloquently and forcibly expressed, a most interesting and |
|
instructive discussion of the usual high standard of excellence |
|
ensued as to the desirability of the revivability of the ancient |
|
games and sports of our ancient Panceltic forefathers. The |
|
wellknown and highly respected worker in the cause of our old |
|
tongue, Mr Joseph M'Carthy Hynes, made an eloquent appeal for |
|
the resuscitation of the ancient Gaelic sports and pastimes, |
|
practised morning and evening by Finn MacCool, as calculated to revive the |
|
best traditions of manly strength and prowess handed down to us from |
|
ancient ages. L. Bloom, who met with a mixed reception of applause and |
|
hisses, having espoused the negative the vocalist chairman brought the |
|
discussion to a close, in response to repeated requests and hearty |
|
plaudits from all parts of a bumper house, by a remarkably noteworthy |
|
rendering of the immortal Thomas Osborne Davis' evergreen verses (happily |
|
too familiar to need recalling here) A NATION ONCE AGAIN in the execution |
|
of which the veteran patriot champion may be said without fear of |
|
contradiction to have fairly excelled himself. The Irish Caruso-Garibaldi |
|
was in superlative form and his stentorian notes were heard to the |
|
greatest advantage in the timehonoured anthem sung as only our citizen |
|
can sing it. His superb highclass vocalism, which by its superquality |
|
greatly enhanced his already international reputation, was vociferously |
|
applauded by the large audience among which were to be noticed many |
|
prominent members of the clergy as well as representatives of the press |
|
and the bar and the other learned professions. The proceedings then |
|
terminated. |
|
|
|
Amongst the clergy present were the very rev. William Delany, S. J., |
|
L. L. D.; the rt rev. Gerald Molloy, D. D.; the rev. P. J. Kavanagh, |
|
C. S. Sp.; the rev. T. Waters, C. C.; the rev. John M. Ivers, P. P.; the |
|
rev. P. J. Cleary, O. S. F.; the rev. L. J. Hickey, O. P.; the very rev. |
|
Fr. Nicholas, O. S. F. C.; the very rev. B. Gorman, O. D. C.; the rev. T. |
|
Maher, S. J.; the very rev. James Murphy, S. J.; the rev. John Lavery, |
|
V. F.; the very rev. William Doherty, D. D.; the rev. Peter Fagan, O. M.; |
|
the rev. T. Brangan, O. S. A.; the rev. J. Flavin, C. C.; the rev. M. A. |
|
Hackett, C. C.; the rev. W. Hurley, C. C.; the rt rev. Mgr M'Manus, |
|
V. G.; the rev. B. R. Slattery, O. M. I.; the very rev. M. D. Scally, P. |
|
P.; the rev. F. T. Purcell, O. P.; the very rev. Timothy canon Gorman, |
|
P. P.; the rev. J. Flanagan, C. C. The laity included P. Fay, T. Quirke, |
|
etc., etc. |
|
|
|
--Talking about violent exercise, says Alf, were you at that Keogh-Bennett |
|
match? |
|
|
|
--No, says Joe. |
|
|
|
--I heard So and So made a cool hundred quid over it, says Alf. |
|
|
|
--Who? Blazes? says Joe. |
|
|
|
And says Bloom: |
|
|
|
--What I meant about tennis, for example, is the agility and training the |
|
eye. |
|
|
|
--Ay, Blazes, says Alf. He let out that Myler was on the beer to run up |
|
the odds and he swatting all the time. |
|
|
|
--We know him, says the citizen. The traitor's son. We know what put |
|
English gold in his pocket. |
|
|
|
---True for you, says Joe. |
|
|
|
And Bloom cuts in again about lawn tennis and the circulation of the |
|
blood, asking Alf: |
|
|
|
--Now, don't you think, Bergan? |
|
|
|
--Myler dusted the floor with him, says Alf. Heenan and Sayers was only a |
|
bloody fool to it. Handed him the father and mother of a beating. See the |
|
little kipper not up to his navel and the big fellow swiping. God, he gave |
|
him one last puck in the wind, Queensberry rules and all, made him puke |
|
what he never ate. |
|
|
|
It was a historic and a hefty battle when Myler and Percy were |
|
scheduled to don the gloves for the purse of fifty sovereigns. Handicapped |
|
as he was by lack of poundage, Dublin's pet lamb made up for it by |
|
superlative skill in ringcraft. The final bout of fireworks was a |
|
gruelling for both champions. The welterweight sergeantmajor had |
|
tapped some lively claret in the previous mixup during which Keogh |
|
had been receivergeneral of rights and lefts, the artilleryman |
|
putting in some neat work on the pet's nose, and Myler came on |
|
looking groggy. The soldier got to business, leading off with a |
|
powerful left jab to which the Irish gladiator retaliated by shooting |
|
out a stiff one flush to the point of Bennett's jaw. The redcoat |
|
ducked but the Dubliner lifted him with a left hook, the body punch being |
|
a fine one. The men came to handigrips. Myler quickly became busy and got |
|
his man under, the bout ending with the bulkier man on the ropes, Myler |
|
punishing him. The Englishman, whose right eye was nearly closed, took |
|
his corner where he was liberally drenched with water and when the bell |
|
went came on gamey and brimful of pluck, confident of knocking out the |
|
fistic Eblanite in jigtime. It was a fight to a finish and the best man |
|
for it. The two fought like tigers and excitement ran fever high. The |
|
referee twice cautioned Pucking Percy for holding but the pet was tricky |
|
and his footwork a treat to watch. After a brisk exchange of courtesies |
|
during which a smart upper cut of the military man brought blood freely |
|
from his opponent's mouth the lamb suddenly waded in all over his man and |
|
landed a terrific left to Battling Bennett's stomach, flooring him flat. |
|
It was a knockout clean and clever. Amid tense expectation the Portobello |
|
bruiser was being counted out when Bennett's second Ole Pfotts Wettstein |
|
threw in the towel and the Santry boy was declared victor to the frenzied |
|
cheers of the public who broke through the ringropes and fairly mobbed him |
|
with delight. |
|
|
|
--He knows which side his bread is buttered, says Alf. I hear he's running |
|
a concert tour now up in the north. |
|
|
|
--He is, says Joe. Isn't he? |
|
|
|
--Who? says Bloom. Ah, yes. That's quite true. Yes, a kind of summer tour, |
|
you see. Just a holiday. |
|
|
|
--Mrs B. is the bright particular star, isn't she? says Joe. |
|
|
|
--My wife? says Bloom. She's singing, yes. I think it will be a success |
|
too. |
|
|
|
He's an excellent man to organise. Excellent. |
|
|
|
Hoho begob says I to myself says I. That explains the milk in the cocoanut |
|
and absence of hair on the animal's chest. Blazes doing the tootle on the |
|
flute. Concert tour. Dirty Dan the dodger's son off Island bridge that |
|
sold the same horses twice over to the government to fight the Boers. Old |
|
Whatwhat. I called about the poor and water rate, Mr Boylan. You what? |
|
The water rate, Mr Boylan. You whatwhat? That's the bucko that'll |
|
organise her, take my tip. 'Twixt me and you Caddareesh. |
|
|
|
Pride of Calpe's rocky mount, the ravenhaired daughter of Tweedy. |
|
There grew she to peerless beauty where loquat and almond scent the air. |
|
The gardens of Alameda knew her step: the garths of olives knew and |
|
bowed. The chaste spouse of Leopold is she: Marion of the bountiful |
|
bosoms. |
|
|
|
And lo, there entered one of the clan of the O'Molloy's, a comely hero |
|
of white face yet withal somewhat ruddy, his majesty's counsel learned in |
|
the law, and with him the prince and heir of the noble line of Lambert. |
|
|
|
--Hello, Ned. |
|
|
|
--Hello, Alf. |
|
|
|
--Hello, Jack. |
|
|
|
--Hello, Joe. |
|
|
|
--God save you, says the citizen. |
|
|
|
--Save you kindly, says J. J. What'll it be, Ned? |
|
|
|
--Half one, says Ned. |
|
|
|
So J. J. ordered the drinks. |
|
|
|
--Were you round at the court? says Joe. |
|
|
|
--Yes, says J. J. He'll square that, Ned, says he. |
|
|
|
--Hope so, says Ned. |
|
|
|
Now what were those two at? J. J. getting him off the grand jury list |
|
and the other give him a leg over the stile. With his name in Stubbs's. |
|
Playing cards, hobnobbing with flash toffs with a swank glass in their |
|
eye, adrinking fizz and he half smothered in writs and garnishee orders. |
|
Pawning his gold watch in Cummins of Francis street where no-one would |
|
know him in the private office when I was there with Pisser releasing his |
|
boots out of the pop. What's your name, sir? Dunne, says he. Ay, and done |
|
says I. Gob, he'll come home by weeping cross one of those days, I'm |
|
thinking. |
|
|
|
--Did you see that bloody lunatic Breen round there? says Alf. U. p: up. |
|
|
|
--Yes, says J. J. Looking for a private detective. |
|
|
|
--Ay, says Ned. And he wanted right go wrong to address the court only |
|
Corny Kelleher got round him telling him to get the handwriting examined |
|
first. |
|
|
|
--Ten thousand pounds, says Alf, laughing. God, I'd give anything to hear |
|
him before a judge and jury. |
|
|
|
--Was it you did it, Alf? says Joe. The truth, the whole truth and nothing |
|
but the truth, so help you Jimmy Johnson. |
|
|
|
--Me? says Alf. Don't cast your nasturtiums on my character. |
|
|
|
--Whatever statement you make, says Joe, will be taken down in evidence |
|
against you. |
|
|
|
--Of course an action would lie, says J. J. It implies that he is not |
|
COMPOS MENTIS. U. p: up. |
|
|
|
--COMPOS your eye! says Alf, laughing. Do you know that he's balmy? |
|
Look at his head. Do you know that some mornings he has to get his hat on |
|
with a shoehorn. |
|
|
|
--Yes, says J. J., but the truth of a libel is no defence to an indictment |
|
for publishing it in the eyes of the law. |
|
|
|
--Ha ha, Alf, says Joe. |
|
|
|
--Still, says Bloom, on account of the poor woman, I mean his wife. |
|
|
|
--Pity about her, says the citizen. Or any other woman marries a half and |
|
half. |
|
|
|
--How half and half? says Bloom. Do you mean he ... |
|
|
|
--Half and half I mean, says the citizen. A fellow that's neither fish nor |
|
flesh. |
|
|
|
--Nor good red herring, says Joe. |
|
|
|
--That what's I mean, says the citizen. A pishogue, if you know what that |
|
is. |
|
|
|
Begob I saw there was trouble coming. And Bloom explaining he meant on |
|
account of it being cruel for the wife having to go round after the |
|
old stuttering fool. Cruelty to animals so it is to let that bloody |
|
povertystricken Breen out on grass with his beard out tripping him, |
|
bringing down the rain. And she with her nose cockahoop after she married |
|
him because a cousin of his old fellow's was pewopener to the pope. |
|
Picture of him on the wall with his Smashall Sweeney's moustaches, the |
|
signior Brini from Summerhill, the eyetallyano, papal Zouave to the Holy |
|
Father, has left the quay and gone to Moss street. And who was he, tell |
|
us? A nobody, two pair back and passages, at seven shillings a week, and |
|
he covered with all kinds of breastplates bidding defiance to the world. |
|
|
|
--And moreover, says J. J., a postcard is publication. It was held to be |
|
sufficient evidence of malice in the testcase Sadgrove v. Hole. In my |
|
opinion an action might lie. |
|
|
|
Six and eightpence, please. Who wants your opinion? Let us drink |
|
our pints in peace. Gob, we won't be let even do that much itself. |
|
|
|
--Well, good health, Jack, says Ned. |
|
|
|
--Good health, Ned, says J. J. |
|
|
|
---There he is again, says Joe. |
|
|
|
--Where? says Alf. |
|
|
|
And begob there he was passing the door with his books under his |
|
oxter and the wife beside him and Corny Kelleher with his wall eye looking |
|
in as they went past, talking to him like a father, trying to sell him a |
|
secondhand coffin. |
|
|
|
--How did that Canada swindle case go off? says Joe. |
|
|
|
--Remanded, says J. J. |
|
|
|
One of the bottlenosed fraternity it was went by the name of James |
|
Wought alias Saphiro alias Spark and Spiro, put an ad in the papers saying |
|
he'd give a passage to Canada for twenty bob. What? Do you see any green |
|
in the white of my eye? Course it was a bloody barney. What? Swindled |
|
them all, skivvies and badhachs from the county Meath, ay, and his own |
|
kidney too. J. J. was telling us there was an ancient Hebrew Zaretsky or |
|
something weeping in the witnessbox with his hat on him, swearing by the |
|
holy Moses he was stuck for two quid. |
|
|
|
--Who tried the case? says Joe. |
|
|
|
--Recorder, says Ned. |
|
|
|
--Poor old sir Frederick, says Alf, you can cod him up to the two eyes. |
|
|
|
--Heart as big as a lion, says Ned. Tell him a tale of woe about arrears |
|
of rent and a sick wife and a squad of kids and, faith, he'll dissolve in |
|
tears on the bench. |
|
|
|
--Ay, says Alf. Reuben J was bloody lucky he didn't clap him in the dock |
|
the other day for suing poor little Gumley that's minding stones, for the |
|
corporation there near Butt bridge. |
|
|
|
And he starts taking off the old recorder letting on to cry: |
|
|
|
--A most scandalous thing! This poor hardworking man! How many |
|
children? Ten, did you say? |
|
|
|
--Yes, your worship. And my wife has the typhoid. |
|
|
|
--And the wife with typhoid fever! Scandalous! Leave the court |
|
immediately, sir. No, sir, I'll make no order for payment. How dare you, |
|
sir, come up before me and ask me to make an order! A poor hardworking |
|
industrious man! I dismiss the case. |
|
|
|
And whereas on the sixteenth day of the month of the oxeyed goddess and in |
|
the third week after the feastday of the Holy and Undivided Trinity, |
|
the daughter of the skies, the virgin moon being then in her first |
|
quarter, it came to pass that those learned judges repaired them to the |
|
halls of law. There master Courtenay, sitting in his own chamber, |
|
gave his rede and master Justice Andrews, sitting without a jury |
|
in the probate court, weighed well and pondered the claim of the |
|
first chargeant upon the property in the matter of the will |
|
propounded and final testamentary disposition IN RE the real and |
|
personal estate of the late lamented Jacob Halliday, vintner, deceased, |
|
versus Livingstone, an infant, of unsound mind, and another. And to the |
|
solemn court of Green street there came sir Frederick the Falconer. And he |
|
sat him there about the hour of five o'clock to administer the law of the |
|
brehons at the commission for all that and those parts to be holden in |
|
and for the county of the city of Dublin. And there sat with him the high |
|
sinhedrim of the twelve tribes of Iar, for every tribe one man, of the |
|
tribe of Patrick and of the tribe of Hugh and of the tribe of Owen and of |
|
the tribe of Conn and of the tribe of Oscar and of the tribe of |
|
Fergus and of the tribe of Finn and of the tribe of Dermot and of |
|
the tribe of Cormac and of the tribe of Kevin and of the tribe of |
|
Caolte and of the tribe of Ossian, there being in all twelve good |
|
men and true. And he conjured them by Him who died on rood that |
|
they should well and truly try and true deliverance make in the |
|
issue joined between their sovereign lord the king and the prisoner at |
|
the bar and true verdict give according to the evidence so help them God |
|
and kiss the book. And they rose in their seats, those twelve of Iar, and |
|
they swore by the name of Him Who is from everlasting that they would do |
|
His rightwiseness. And straightway the minions of the law led forth from |
|
their donjon keep one whom the sleuthhounds of justice had apprehended in |
|
consequence of information received. And they shackled him hand and foot |
|
and would take of him ne bail ne mainprise but preferred a charge against |
|
him for he was a malefactor. |
|
|
|
--Those are nice things, says the citizen, coming over here to Ireland |
|
filling the country with bugs. |
|
|
|
So Bloom lets on he heard nothing and he starts talking with Joe, telling |
|
him he needn't trouble about that little matter till the first but if he |
|
would just say a word to Mr Crawford. And so Joe swore high and holy by |
|
this and by that he'd do the devil and all. |
|
|
|
--Because, you see, says Bloom, for an advertisement you must have |
|
repetition. That's the whole secret. |
|
|
|
--Rely on me, says Joe. |
|
|
|
--Swindling the peasants, says the citizen, and the poor of Ireland. We |
|
want no more strangers in our house. |
|
|
|
--O, I'm sure that will be all right, Hynes, says Bloom. It's just that |
|
Keyes, you see. |
|
|
|
--Consider that done, says Joe. |
|
|
|
--Very kind of you, says Bloom. |
|
|
|
--The strangers, says the citizen. Our own fault. We let them come in. We |
|
brought them in. The adulteress and her paramour brought the Saxon |
|
robbers here. |
|
|
|
--Decree NISI, says J. J. |
|
|
|
And Bloom letting on to be awfully deeply interested in nothing, a |
|
spider's web in the corner behind the barrel, and the citizen scowling |
|
after him and the old dog at his feet looking up to know who to bite and |
|
when. |
|
|
|
--A dishonoured wife, says the citizen, that's what's the cause of all our |
|
misfortunes. |
|
|
|
--And here she is, says Alf, that was giggling over the POLICE GAZETTE |
|
with Terry on the counter, in all her warpaint. |
|
|
|
--Give us a squint at her, says I. |
|
|
|
And what was it only one of the smutty yankee pictures Terry |
|
borrows off of Corny Kelleher. Secrets for enlarging your private parts. |
|
Misconduct of society belle. Norman W. Tupper, wealthy Chicago |
|
contractor, finds pretty but faithless wife in lap of officer Taylor. |
|
Belle in her bloomers misconducting herself, and her fancyman feeling for |
|
her tickles and Norman W. Tupper bouncing in with his peashooter just in |
|
time to be late after she doing the trick of the loop with officer Taylor. |
|
|
|
--O jakers, Jenny, says Joe, how short your shirt is! |
|
|
|
--There's hair, Joe, says I. Get a queer old tailend of corned beef off of |
|
that one, what? |
|
|
|
So anyhow in came John Wyse Nolan and Lenehan with him with a |
|
face on him as long as a late breakfast. |
|
|
|
--Well, says the citizen, what's the latest from the scene of action? What |
|
did those tinkers in the city hall at their caucus meeting decide about |
|
the Irish language? |
|
|
|
O'Nolan, clad in shining armour, low bending made obeisance to the |
|
puissant and high and mighty chief of all Erin and did him to wit of that |
|
which had befallen, how that the grave elders of the most obedient city, |
|
second of the realm, had met them in the tholsel, and there, after due |
|
prayers to the gods who dwell in ether supernal, had taken solemn counsel |
|
whereby they might, if so be it might be, bring once more into honour |
|
among mortal men the winged speech of the seadivided Gael. |
|
|
|
--It's on the march, says the citizen. To hell with the bloody brutal |
|
Sassenachs and their PATOIS. |
|
|
|
So J. J. puts in a word, doing the toff about one story was good till |
|
you heard another and blinking facts and the Nelson policy, putting your |
|
blind eye to the telescope and drawing up a bill of attainder to impeach a |
|
nation, and Bloom trying to back him up moderation and botheration and |
|
their colonies and their civilisation. |
|
|
|
--Their syphilisation, you mean, says the citizen. To hell with them! The |
|
curse of a goodfornothing God light sideways on the bloody thicklugged |
|
sons of whores' gets! No music and no art and no literature worthy of the |
|
name. Any civilisation they have they stole from us. Tonguetied sons of |
|
bastards' ghosts. |
|
|
|
--The European family, says J. J. ... |
|
|
|
--They're not European, says the citizen. I was in Europe with Kevin Egan |
|
of Paris. You wouldn't see a trace of them or their language anywhere in |
|
Europe except in a CABINET D'AISANCE. |
|
|
|
And says John Wyse: |
|
|
|
--Full many a flower is born to blush unseen. |
|
|
|
And says Lenehan that knows a bit of the lingo: |
|
|
|
--CONSPUEZ LES ANGLAIS! PERFIDE ALBION! |
|
|
|
He said and then lifted he in his rude great brawny strengthy hands |
|
the medher of dark strong foamy ale and, uttering his tribal slogan LAMH |
|
DEARG ABU, he drank to the undoing of his foes, a race of mighty valorous |
|
heroes, rulers of the waves, who sit on thrones of alabaster silent as the |
|
deathless gods. |
|
|
|
--What's up with you, says I to Lenehan. You look like a fellow that had |
|
lost a bob and found a tanner. |
|
|
|
--Gold cup, says he. |
|
|
|
--Who won, Mr Lenehan? says Terry. |
|
|
|
--THROWAWAY, says he, at twenty to one. A rank outsider. And the rest |
|
nowhere. |
|
|
|
--And Bass's mare? says Terry. |
|
|
|
--Still running, says he. We're all in a cart. Boylan plunged two quid on |
|
my tip SCEPTRE for himself and a lady friend. |
|
|
|
--I had half a crown myself, says Terry, on ZINFANDEL that Mr Flynn gave |
|
me. Lord Howard de Walden's. |
|
|
|
--Twenty to one, says Lenehan. Such is life in an outhouse. THROWAWAY, |
|
says he. Takes the biscuit, and talking about bunions. Frailty, thy name |
|
is SCEPTRE. |
|
|
|
So he went over to the biscuit tin Bob Doran left to see if there was |
|
anything he could lift on the nod, the old cur after him backing his luck |
|
with his mangy snout up. Old Mother Hubbard went to the cupboard. |
|
|
|
--Not there, my child, says he. |
|
|
|
--Keep your pecker up, says Joe. She'd have won the money only for the |
|
other dog. |
|
|
|
And J. J. and the citizen arguing about law and history with Bloom |
|
sticking in an odd word. |
|
|
|
--Some people, says Bloom, can see the mote in others' eyes but they can't |
|
see the beam in their own. |
|
|
|
--RAIMEIS, says the citizen. There's no-one as blind as the fellow that |
|
won't see, if you know what that means. Where are our missing |
|
twenty millions of Irish should be here today instead of four, |
|
our lost tribes? And our potteries and textiles, the finest in |
|
the whole world! And our wool that was sold in Rome in the time |
|
of Juvenal and our flax and our damask from the looms of Antrim |
|
and our Limerick lace, our tanneries and our white flint glass |
|
down there by Ballybough and our Huguenot poplin that we have since |
|
Jacquard de Lyon and our woven silk and our Foxford tweeds and ivory |
|
raised point from the Carmelite convent in New Ross, nothing like it in |
|
the whole wide world. Where are the Greek merchants that came through the |
|
pillars of Hercules, the Gibraltar now grabbed by the foe of mankind, with |
|
gold and Tyrian purple to sell in Wexford at the fair of Carmen? Read |
|
Tacitus and Ptolemy, even Giraldus Cambrensis. Wine, peltries, |
|
Connemara marble, silver from Tipperary, second to none, our farfamed |
|
horses even today, the Irish hobbies, with king Philip of Spain offering |
|
to pay customs duties for the right to fish in our waters. What do the |
|
yellowjohns of Anglia owe us for our ruined trade and our ruined hearths? |
|
And the beds of the Barrow and Shannon they won't deepen with millions |
|
of acres of marsh and bog to make us all die of consumption? |
|
|
|
--As treeless as Portugal we'll be soon, says John Wyse, or Heligoland |
|
with its one tree if something is not done to reafforest the land. |
|
Larches, firs, all the trees of the conifer family are going fast. I was |
|
reading a report of lord Castletown's ... |
|
|
|
--Save them, says the citizen, the giant ash of Galway and the chieftain |
|
elm of Kildare with a fortyfoot bole and an acre of foliage. Save the |
|
trees of Ireland for the future men of Ireland on the fair hills of |
|
Eire, O. |
|
|
|
--Europe has its eyes on you, says Lenehan. |
|
|
|
The fashionable international world attended EN MASSE this afternoon |
|
at the wedding of the chevalier Jean Wyse de Neaulan, grand high chief |
|
ranger of the Irish National Foresters, with Miss Fir Conifer of Pine |
|
Valley. Lady Sylvester Elmshade, Mrs Barbara Lovebirch, Mrs Poll Ash, |
|
Mrs Holly Hazeleyes, Miss Daphne Bays, Miss Dorothy Canebrake, Mrs |
|
Clyde Twelvetrees, Mrs Rowan Greene, Mrs Helen Vinegadding, Miss |
|
Virginia Creeper, Miss Gladys Beech, Miss Olive Garth, Miss Blanche |
|
Maple, Mrs Maud Mahogany, Miss Myra Myrtle, Miss Priscilla |
|
Elderflower, Miss Bee Honeysuckle, Miss Grace Poplar, Miss O Mimosa |
|
San, Miss Rachel Cedarfrond, the Misses Lilian and Viola Lilac, Miss |
|
Timidity Aspenall, Mrs Kitty Dewey-Mosse, Miss May Hawthorne, Mrs |
|
Gloriana Palme, Mrs Liana Forrest, Mrs Arabella Blackwood and Mrs |
|
Norma Holyoake of Oakholme Regis graced the ceremony by their |
|
presence. The bride who was given away by her father, the M'Conifer of |
|
the Glands, looked exquisitely charming in a creation carried out in green |
|
mercerised silk, moulded on an underslip of gloaming grey, sashed with a |
|
yoke of broad emerald and finished with a triple flounce of darkerhued |
|
fringe, the scheme being relieved by bretelles and hip insertions of acorn |
|
bronze. The maids of honour, Miss Larch Conifer and Miss Spruce Conifer, |
|
sisters of the bride, wore very becoming costumes in the same tone, a |
|
dainty MOTIF of plume rose being worked into the pleats in a pinstripe and |
|
repeated capriciously in the jadegreen toques in the form of heron |
|
feathers of paletinted coral. Senhor Enrique Flor presided at the |
|
organ with his wellknown ability and, in addition to the prescribed |
|
numbers of the nuptial mass, played a new and striking arrangement |
|
of WOODMAN, SPARE THAT TREE at the conclusion of the service. On |
|
leaving the church of Saint Fiacre IN HORTO after the papal |
|
blessing the happy pair were subjected to a playful crossfire |
|
of hazelnuts, beechmast, bayleaves, catkins of willow, ivytod, |
|
hollyberries, mistletoe sprigs and quicken shoots. Mr and Mrs Wyse |
|
Conifer Neaulan will spend a quiet honeymoon in the Black Forest. |
|
|
|
--And our eyes are on Europe, says the citizen. We had our trade with |
|
Spain and the French and with the Flemings before those mongrels were |
|
pupped, Spanish ale in Galway, the winebark on the winedark waterway. |
|
|
|
--And will again, says Joe. |
|
|
|
--And with the help of the holy mother of God we will again, says the |
|
citizen, clapping his thigh. our harbours that are empty will be full |
|
again, Queenstown, Kinsale, Galway, Blacksod Bay, Ventry in the kingdom of |
|
Kerry, Killybegs, the third largest harbour in the wide world with a fleet |
|
of masts of the Galway Lynches and the Cavan O'Reillys and the |
|
O'Kennedys of Dublin when the earl of Desmond could make a treaty with |
|
the emperor Charles the Fifth himself. And will again, says he, when the |
|
first Irish battleship is seen breasting the waves with our own flag to |
|
the fore, none of your Henry Tudor's harps, no, the oldest flag afloat, |
|
the flag of the province of Desmond and Thomond, three crowns on a blue |
|
field, the three sons of Milesius. |
|
|
|
And he took the last swig out of the pint. Moya. All wind and piss like |
|
a tanyard cat. Cows in Connacht have long horns. As much as his bloody |
|
life is worth to go down and address his tall talk to the assembled |
|
multitude in Shanagolden where he daren't show his nose with the Molly |
|
Maguires looking for him to let daylight through him for grabbing the |
|
holding of an evicted tenant. |
|
|
|
--Hear, hear to that, says John Wyse. What will you have? |
|
|
|
--An imperial yeomanry, says Lenehan, to celebrate the occasion. |
|
|
|
--Half one, Terry, says John Wyse, and a hands up. Terry! Are you asleep? |
|
|
|
--Yes, sir, says Terry. Small whisky and bottle of Allsop. Right, sir. |
|
|
|
Hanging over the bloody paper with Alf looking for spicy bits instead |
|
of attending to the general public. Picture of a butting match, trying to |
|
crack their bloody skulls, one chap going for the other with his head down |
|
like a bull at a gate. And another one: BLACK BEAST BURNED IN OMAHA, GA. |
|
A lot of Deadwood Dicks in slouch hats and they firing at a Sambo strung |
|
up in a tree with his tongue out and a bonfire under him. Gob, they ought |
|
to drown him in the sea after and electrocute and crucify him to make sure |
|
of their job. |
|
|
|
--But what about the fighting navy, says Ned, that keeps our foes at bay? |
|
|
|
--I'll tell you what about it, says the citizen. Hell upon earth it is. |
|
Read the revelations that's going on in the papers about flogging on the |
|
training ships at Portsmouth. A fellow writes that calls himself DISGUSTED |
|
ONE. |
|
|
|
So he starts telling us about corporal punishment and about the crew |
|
of tars and officers and rearadmirals drawn up in cocked hats and the |
|
parson with his protestant bible to witness punishment and a young lad |
|
brought out, howling for his ma, and they tie him down on the buttend of a |
|
gun. |
|
|
|
--A rump and dozen, says the citizen, was what that old ruffian sir John |
|
Beresford called it but the modern God's Englishman calls it caning on the |
|
breech. |
|
|
|
And says John Wyse: |
|
|
|
--'Tis a custom more honoured in the breach than in the observance. |
|
|
|
Then he was telling us the master at arms comes along with a long |
|
cane and he draws out and he flogs the bloody backside off of the poor lad |
|
till he yells meila murder. |
|
|
|
--That's your glorious British navy, says the citizen, that bosses the |
|
earth. |
|
|
|
The fellows that never will be slaves, with the only hereditary chamber on |
|
the face of God's earth and their land in the hands of a dozen gamehogs |
|
and cottonball barons. That's the great empire they boast about of drudges |
|
and whipped serfs. |
|
|
|
--On which the sun never rises, says Joe. |
|
|
|
--And the tragedy of it is, says the citizen, they believe it. The |
|
unfortunate yahoos believe it. |
|
|
|
They believe in rod, the scourger almighty, creator of hell upon earth, |
|
and in Jacky Tar, the son of a gun, who was conceived of unholy boast, |
|
born of the fighting navy, suffered under rump and dozen, was scarified, |
|
flayed and curried, yelled like bloody hell, the third day he arose again |
|
from the bed, steered into haven, sitteth on his beamend till further |
|
orders whence he shall come to drudge for a living and be paid. |
|
|
|
--But, says Bloom, isn't discipline the same everywhere. I mean wouldn't |
|
it be the same here if you put force against force? |
|
|
|
Didn't I tell you? As true as I'm drinking this porter if he was at his |
|
last gasp he'd try to downface you that dying was living. |
|
|
|
--We'll put force against force, says the citizen. We have our greater |
|
Ireland beyond the sea. They were driven out of house and home in the |
|
black 47. Their mudcabins and their shielings by the roadside were laid |
|
low by the batteringram and the TIMES rubbed its hands and told the |
|
whitelivered Saxons there would soon be as few Irish in Ireland as |
|
redskins in America. Even the Grand Turk sent us his piastres. But the |
|
Sassenach tried to starve the nation at home while the land was full of |
|
crops that the British hyenas bought and sold in Rio de Janeiro. Ay, they |
|
drove out the peasants in hordes. Twenty thousand of them died in the |
|
coffinships. But those that came to the land of the free remember the land |
|
of bondage. And they will come again and with a vengeance, no cravens, the |
|
sons of Granuaile, the champions of Kathleen ni Houlihan. |
|
|
|
--Perfectly true, says Bloom. But my point was ... |
|
|
|
--We are a long time waiting for that day, citizen, says Ned. Since the |
|
poor old woman told us that the French were on the sea and landed at |
|
Killala. |
|
|
|
--Ay, says John Wyse. We fought for the royal Stuarts that reneged us |
|
against the Williamites and they betrayed us. Remember Limerick and the |
|
broken treatystone. We gave our best blood to France and Spain, the wild |
|
geese. Fontenoy, eh? And Sarsfield and O'Donnell, duke of Tetuan in |
|
Spain, and Ulysses Browne of Camus that was fieldmarshal to Maria |
|
Teresa. But what did we ever get for it? |
|
|
|
--The French! says the citizen. Set of dancing masters! Do you know what |
|
it is? They were never worth a roasted fart to Ireland. Aren't they trying |
|
to make an ENTENTE CORDIALE now at Tay Pay's dinnerparty with perfidious |
|
Albion? Firebrands of Europe and they always were. |
|
|
|
--CONSPUEZ LES FRANCAIS, says Lenehan, nobbling his beer. |
|
|
|
--And as for the Prooshians and the Hanoverians, says Joe, haven't we had |
|
enough of those sausageeating bastards on the throne from George the |
|
elector down to the German lad and the flatulent old bitch that's dead? |
|
|
|
Jesus, I had to laugh at the way he came out with that about the old one |
|
with the winkers on her, blind drunk in her royal palace every night of |
|
God, old Vic, with her jorum of mountain dew and her coachman carting |
|
her up body and bones to roll into bed and she pulling him by the whiskers |
|
and singing him old bits of songs about EHREN ON THE RHINE and come |
|
where the boose is cheaper. |
|
|
|
--Well, says J. J. We have Edward the peacemaker now. |
|
|
|
--Tell that to a fool, says the citizen. There's a bloody sight more pox |
|
than pax about that boyo. Edward Guelph-Wettin! |
|
|
|
--And what do you think, says Joe, of the holy boys, the priests and |
|
bishops of Ireland doing up his room in Maynooth in His Satanic Majesty's |
|
racing colours and sticking up pictures of all the horses his jockeys |
|
rode. The earl of Dublin, no less. |
|
|
|
--They ought to have stuck up all the women he rode himself, says little Alf. |
|
|
|
And says J. J.: |
|
|
|
--Considerations of space influenced their lordships' decision. |
|
|
|
--Will you try another, citizen? says Joe. |
|
|
|
--Yes, sir, says he. I will. |
|
|
|
--You? says Joe. |
|
|
|
--Beholden to you, Joe, says I. May your shadow never grow less. |
|
|
|
--Repeat that dose, says Joe. |
|
|
|
Bloom was talking and talking with John Wyse and he quite excited |
|
with his dunducketymudcoloured mug on him and his old plumeyes rolling |
|
about. |
|
|
|
--Persecution, says he, all the history of the world is full of it. |
|
Perpetuating national hatred among nations. |
|
|
|
--But do you know what a nation means? says John Wyse. |
|
|
|
--Yes, says Bloom. |
|
|
|
--What is it? says John Wyse. |
|
|
|
--A nation? says Bloom. A nation is the same people living in the same |
|
place. |
|
|
|
--By God, then, says Ned, laughing, if that's so I'm a nation for I'm |
|
living in the same place for the past five years. |
|
|
|
So of course everyone had the laugh at Bloom and says he, trying to |
|
muck out of it: |
|
|
|
--Or also living in different places. |
|
|
|
--That covers my case, says Joe. |
|
|
|
--What is your nation if I may ask? says the citizen. |
|
|
|
--Ireland, says Bloom. I was born here. Ireland. |
|
|
|
The citizen said nothing only cleared the spit out of his gullet and, |
|
gob, he spat a Red bank oyster out of him right in the corner. |
|
|
|
--After you with the push, Joe, says he, taking out his handkerchief to |
|
swab himself dry. |
|
|
|
--Here you are, citizen, says Joe. Take that in your right hand and repeat |
|
after me the following words. |
|
|
|
The muchtreasured and intricately embroidered ancient Irish |
|
facecloth attributed to Solomon of Droma and Manus Tomaltach og |
|
MacDonogh, authors of the Book of Ballymote, was then carefully |
|
produced and called forth prolonged admiration. No need to dwell on the |
|
legendary beauty of the cornerpieces, the acme of art, wherein one can |
|
distinctly discern each of the four evangelists in turn presenting to each |
|
of the four masters his evangelical symbol, a bogoak sceptre, a North |
|
American puma (a far nobler king of beasts than the British article, be it |
|
said in passing), a Kerry calf and a golden eagle from Carrantuohill. The |
|
scenes depicted on the emunctory field, showing our ancient duns and raths |
|
and cromlechs and grianauns and seats of learning and maledictive stones, |
|
are as wonderfully beautiful and the pigments as delicate as when the |
|
Sligo illuminators gave free rein to their artistic fantasy long long ago |
|
in the time of the Barmecides. Glendalough, the lovely lakes of Killarney, |
|
the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins, |
|
Ireland's Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery of |
|
Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh's banks, |
|
the vale of Ovoca, Isolde's tower, the Mapas obelisk, Sir Patrick Dun's |
|
hospital, Cape Clear, the glen of Aherlow, Lynch's castle, the Scotch |
|
house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail, |
|
Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice, |
|
Jury's Hotel, S. Patrick's Purgatory, the Salmon Leap, Maynooth college |
|
refectory, Curley's hole, the three birthplaces of the first duke of |
|
Wellington, the rock of Cashel, the bog of Allen, the Henry Street |
|
Warehouse, Fingal's Cave--all these moving scenes are still there for us |
|
today rendered more beautiful still by the waters of sorrow which have |
|
passed over them and by the rich incrustations of time. |
|
|
|
--Show us over the drink, says I. Which is which? |
|
|
|
--That's mine, says Joe, as the devil said to the dead policeman. |
|
|
|
--And I belong to a race too, says Bloom, that is hated and persecuted. |
|
Also now. This very moment. This very instant. |
|
|
|
Gob, he near burnt his fingers with the butt of his old cigar. |
|
|
|
--Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs |
|
to us by right. At this very moment, says he, putting up his fist, sold by |
|
auction in Morocco like slaves or cattle. |
|
|
|
--Are you talking about the new Jerusalem? says the citizen. |
|
|
|
--I'm talking about injustice, says Bloom. |
|
|
|
--Right, says John Wyse. Stand up to it then with force like men. |
|
|
|
That's an almanac picture for you. Mark for a softnosed bullet. Old |
|
lardyface standing up to the business end of a gun. Gob, he'd adorn a |
|
sweepingbrush, so he would, if he only had a nurse's apron on him. And |
|
then he collapses all of a sudden, twisting around all the opposite, as |
|
limp as a wet rag. |
|
|
|
--But it's no use, says he. Force, hatred, history, all that. That's not |
|
life for men and women, insult and hatred. And everybody knows that it's |
|
the very opposite of that that is really life. |
|
|
|
--What? says Alf. |
|
|
|
--Love, says Bloom. I mean the opposite of hatred. I must go now, says he |
|
to John Wyse. Just round to the court a moment to see if Martin is there. |
|
If he comes just say I'll be back in a second. Just a moment. |
|
|
|
Who's hindering you? And off he pops like greased lightning. |
|
|
|
--A new apostle to the gentiles, says the citizen. Universal love. |
|
|
|
--Well, says John Wyse. Isn't that what we're told. Love your neighbour. |
|
|
|
--That chap? says the citizen. Beggar my neighbour is his motto. Love, |
|
moya! He's a nice pattern of a Romeo and Juliet. |
|
|
|
Love loves to love love. Nurse loves the new chemist. Constable 14A |
|
loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. |
|
M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow. |
|
Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschoyle with the |
|
ear trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the |
|
brown macintosh loves a lady who is dead. His Majesty the King loves Her |
|
Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love |
|
a certain person. And this person loves that other person because |
|
everybody loves somebody but God loves everybody. |
|
|
|
--Well, Joe, says I, your very good health and song. More power, citizen. |
|
|
|
--Hurrah, there, says Joe. |
|
|
|
--The blessing of God and Mary and Patrick on you, says the citizen. |
|
|
|
And he ups with his pint to wet his whistle. |
|
|
|
--We know those canters, says he, preaching and picking your pocket. |
|
What about sanctimonious Cromwell and his ironsides that put the women |
|
and children of Drogheda to the sword with the bible text GOD IS LOVE |
|
pasted round the mouth of his cannon? The bible! Did you read that skit in |
|
the UNITED IRISHMAN today about that Zulu chief that's visiting England? |
|
|
|
--What's that? says Joe. |
|
|
|
So the citizen takes up one of his paraphernalia papers and he starts |
|
reading out: |
|
|
|
--A delegation of the chief cotton magnates of Manchester was presented |
|
yesterday to His Majesty the Alaki of Abeakuta by Gold Stick in Waiting, |
|
Lord Walkup of Walkup on Eggs, to tender to His Majesty the heartfelt |
|
thanks of British traders for the facilities afforded them in his |
|
dominions. The delegation partook of luncheon at the conclusion |
|
of which the dusky potentate, in the course of a happy speech, |
|
freely translated by the British chaplain, the reverend Ananias |
|
Praisegod Barebones, tendered his best thanks to Massa Walkup and |
|
emphasised the cordial relations existing between Abeakuta and the |
|
British empire, stating that he treasured as one of his dearest |
|
possessions an illuminated bible, the volume of the word of God |
|
and the secret of England's greatness, graciously presented to him by |
|
the white chief woman, the great squaw Victoria, with a personal |
|
dedication from the august hand of the Royal Donor. The Alaki then drank a |
|
lovingcup of firstshot usquebaugh to the toast BLACK AND WHITE from the |
|
skull of his immediate predecessor in the dynasty Kakachakachak, |
|
surnamed Forty Warts, after which he visited the chief factory of |
|
Cottonopolis and signed his mark in the visitors' book, subsequently |
|
executing a charming old Abeakutic wardance, in the course of which he |
|
swallowed several knives and forks, amid hilarious applause from the girl |
|
hands. |
|
|
|
--Widow woman, says Ned. I wouldn't doubt her. Wonder did he put that |
|
bible to the same use as I would. |
|
|
|
--Same only more so, says Lenehan. And thereafter in that fruitful land |
|
the broadleaved mango flourished exceedingly. |
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--Is that by Griffith? says John Wyse. |
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--No, says the citizen. It's not signed Shanganagh. It's only |
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initialled: P. |
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--And a very good initial too, says Joe. |
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--That's how it's worked, says the citizen. Trade follows the flag. |
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--Well, says J. J., if they're any worse than those Belgians in the Congo |
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Free State they must be bad. Did you read that report by a man what's this |
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his name is? |
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--Casement, says the citizen. He's an Irishman. |
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--Yes, that's the man, says J. J. Raping the women and girls and flogging |
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the natives on the belly to squeeze all the red rubber they can out of |
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them. |
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--I know where he's gone, says Lenehan, cracking his fingers. |
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--Who? says I. |
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--Bloom, says he. The courthouse is a blind. He had a few bob on |
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THROWAWAY and he's gone to gather in the shekels. |
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--Is it that whiteeyed kaffir? says the citizen, that never backed a horse |
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in anger in his life? |
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--That's where he's gone, says Lenehan. I met Bantam Lyons going to back |
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that horse only I put him off it and he told me Bloom gave him the tip. |
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Bet you what you like he has a hundred shillings to five on. He's the only |
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man in Dublin has it. A dark horse. |
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--He's a bloody dark horse himself, says Joe. |
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--Mind, Joe, says I. Show us the entrance out. |
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--There you are, says Terry. |
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Goodbye Ireland I'm going to Gort. So I just went round the back of |
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the yard to pumpship and begob (hundred shillings to five) while I was |
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letting off my (THROWAWAY twenty to) letting off my load gob says I to |
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myself I knew he was uneasy in his (two pints off of Joe and one in |
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Slattery's off) in his mind to get off the mark to (hundred shillings is |
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five quid) and when they were in the (dark horse) pisser Burke |
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was telling me card party and letting on the child was sick (gob, must |
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have done about a gallon) flabbyarse of a wife speaking down the tube |
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SHE'S BETTER or SHE'S (ow!) all a plan so he could vamoose with the |
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pool if he won or (Jesus, full up I was) trading without a licence (ow!) |
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Ireland my nation says he (hoik! phthook!) never be up to those |
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bloody (there's the last of it) Jerusalem (ah!) cuckoos. |
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So anyhow when I got back they were at it dingdong, John Wyse |
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saying it was Bloom gave the ideas for Sinn Fein to Griffith to put in his |
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paper all kinds of jerrymandering, packed juries and swindling the taxes |
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off of the government and appointing consuls all over the world to walk |
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about selling Irish industries. Robbing Peter to pay Paul. Gob, that puts |
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the bloody kybosh on it if old sloppy eyes is mucking up the show. Give us |
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a bloody chance. God save Ireland from the likes of that bloody |
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mouseabout. Mr Bloom with his argol bargol. And his old fellow before him |
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perpetrating frauds, old Methusalem Bloom, the robbing bagman, that |
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poisoned himself with the prussic acid after he swamping the country with |
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his baubles and his penny diamonds. Loans by post on easy terms. Any |
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amount of money advanced on note of hand. Distance no object. No security. |
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Gob, he's like Lanty MacHale's goat that'd go a piece of the road with |
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every one. |
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--Well, it's a fact, says John Wyse. And there's the man now that'll tell |
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you all about it, Martin Cunningham. |
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Sure enough the castle car drove up with Martin on it and Jack Power |
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with him and a fellow named Crofter or Crofton, pensioner out of the |
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collector general's, an orangeman Blackburn does have on the registration |
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and he drawing his pay or Crawford gallivanting around the country at the |
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king's expense. |
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Our travellers reached the rustic hostelry and alighted from their |
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palfreys. |
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--Ho, varlet! cried he, who by his mien seemed the leader of the party. |
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Saucy knave! To us! |
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So saying he knocked loudly with his swordhilt upon the open lattice. |
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Mine host came forth at the summons, girding him with his tabard. |
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--Give you good den, my masters, said he with an obsequious bow. |
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--Bestir thyself, sirrah! cried he who had knocked. Look to our steeds. |
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And for ourselves give us of your best for ifaith we need it. |
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--Lackaday, good masters, said the host, my poor house has but a bare |
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larder. I know not what to offer your lordships. |
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--How now, fellow? cried the second of the party, a man of pleasant |
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countenance, So servest thou the king's messengers, master Taptun? |
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An instantaneous change overspread the landlord's visage. |
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--Cry you mercy, gentlemen, he said humbly. An you be the king's |
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messengers (God shield His Majesty!) you shall not want for aught. The |
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king's friends (God bless His Majesty!) shall not go afasting in my house |
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I warrant me. |
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--Then about! cried the traveller who had not spoken, a lusty trencherman |
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by his aspect. Hast aught to give us? |
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Mine host bowed again as he made answer: |
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|
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--What say you, good masters, to a squab pigeon pasty, some collops of |
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venison, a saddle of veal, widgeon with crisp hog's bacon, a boar's head |
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with pistachios, a bason of jolly custard, a medlar tansy and a flagon of |
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old Rhenish? |
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--Gadzooks! cried the last speaker. That likes me well. Pistachios! |
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--Aha! cried he of the pleasant countenance. A poor house and a bare |
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larder, quotha! 'Tis a merry rogue. |
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So in comes Martin asking where was Bloom. |
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--Where is he? says Lenehan. Defrauding widows and orphans. |
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--Isn't that a fact, says John Wyse, what I was telling the citizen about |
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Bloom and the Sinn Fein? |
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--That's so, says Martin. Or so they allege. |
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--Who made those allegations? says Alf. |
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--I, says Joe. I'm the alligator. |
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--And after all, says John Wyse, why can't a jew love his country like the |
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next fellow? |
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--Why not? says J. J., when he's quite sure which country it is. |
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--Is he a jew or a gentile or a holy Roman or a swaddler or what the hell |
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is he? says Ned. Or who is he? No offence, Crofton. |
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--Who is Junius? says J. J. |
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--We don't want him, says Crofter the Orangeman or presbyterian. |
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--He's a perverted jew, says Martin, from a place in Hungary and it was he |
|
drew up all the plans according to the Hungarian system. We know that in |
|
the castle. |
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--Isn't he a cousin of Bloom the dentist? says Jack Power. |
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--Not at all, says Martin. Only namesakes. His name was Virag, the |
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father's name that poisoned himself. He changed it by deedpoll, the father |
|
did. |
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--That's the new Messiah for Ireland! says the citizen. Island of saints |
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and sages! |
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--Well, they're still waiting for their redeemer, says Martin. For that |
|
matter so are we. |
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--Yes, says J. J., and every male that's born they think it may be their |
|
Messiah. And every jew is in a tall state of excitement, I believe, till |
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he knows if he's a father or a mother. |
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|
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--Expecting every moment will be his next, says Lenehan. |
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--O, by God, says Ned, you should have seen Bloom before that son of his |
|
that died was born. I met him one day in the south city markets buying a |
|
tin of Neave's food six weeks before the wife was delivered. |
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--EN VENTRE SA MERE, says J. J. |
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--Do you call that a man? says the citizen. |
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--I wonder did he ever put it out of sight, says Joe. |
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--Well, there were two children born anyhow, says Jack Power. |
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--And who does he suspect? says the citizen. |
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Gob, there's many a true word spoken in jest. One of those mixed |
|
middlings he is. Lying up in the hotel Pisser was telling me once a month |
|
with headache like a totty with her courses. Do you know what I'm telling |
|
you? It'd be an act of God to take a hold of a fellow the like of that and |
|
throw him in the bloody sea. Justifiable homicide, so it would. Then |
|
sloping off with his five quid without putting up a pint of stuff like a |
|
man. Give us your blessing. Not as much as would blind your eye. |
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|
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--Charity to the neighbour, says Martin. But where is he? We can't wait. |
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|
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--A wolf in sheep's clothing, says the citizen. That's what he is. Virag |
|
from Hungary! Ahasuerus I call him. Cursed by God. |
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--Have you time for a brief libation, Martin? says Ned. |
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--Only one, says Martin. We must be quick. J. J. and S. |
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--You, Jack? Crofton? Three half ones, Terry. |
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--Saint Patrick would want to land again at Ballykinlar and convert us, |
|
says the citizen, after allowing things like that to contaminate our |
|
shores. |
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--Well, says Martin, rapping for his glass. God bless all here is my |
|
prayer. |
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--Amen, says the citizen. |
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--And I'm sure He will, says Joe. |
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And at the sound of the sacring bell, headed by a crucifer with acolytes, |
|
thurifers, boatbearers, readers, ostiarii, deacons and subdeacons, |
|
the blessed company drew nigh of mitred abbots and priors and guardians |
|
and monks and friars: the monks of Benedict of Spoleto, Carthusians and |
|
Camaldolesi, Cistercians and Olivetans, Oratorians and Vallombrosans, |
|
and the friars of Augustine, Brigittines, Premonstratensians, Servi, |
|
Trinitarians, and the children of Peter Nolasco: and therewith from Carmel |
|
mount the children of Elijah prophet led by Albert bishop and by Teresa of |
|
Avila, calced and other: and friars, brown and grey, sons of poor Francis, |
|
capuchins, cordeliers, minimes and observants and the daughters of Clara: |
|
and the sons of Dominic, the friars preachers, and the sons of Vincent: |
|
and the monks of S. Wolstan: and Ignatius his children: and the |
|
confraternity of the christian brothers led by the reverend brother |
|
Edmund Ignatius Rice. And after came all saints and martyrs, |
|
virgins and confessors: S. Cyr and S. Isidore Arator and S. James the |
|
Less and S. Phocas of Sinope and S. Julian Hospitator and S. Felix |
|
de Cantalice and S. Simon Stylites and S. Stephen Protomartyr and |
|
S. John of God and S. Ferreol and S. Leugarde and S. Theodotus and S. |
|
Vulmar and S. Richard and S. Vincent de Paul and S. Martin of Todi |
|
and S. Martin of Tours and S. Alfred and S. Joseph and S. |
|
Denis and S. Cornelius and S. Leopold and S. Bernard and S. Terence and |
|
S. Edward and S. Owen Caniculus and S. Anonymous and S. Eponymous |
|
and S. Pseudonymous and S. Homonymous and S. Paronymous and S. |
|
Synonymous |