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May 11, 2020 08:47
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| "taskID","transcription","valid","comments","userID","inputBy","track" | |
| 91146,"","yes","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk0.mp3" | |
| 91146,"Domenico Ghirlandaio ran one of the biggest and most successful artist workshops in Florence towards the end of the Fifteenth century and it used to be thought that this","no","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk0.mp3" | |
| 91146,"Domenico Ghirlandaio ran one of the biggest and most successful artist workshops in Florence towards the end of the Fifteenth Century and it used to be thought that this...","no","",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk0.mp3" | |
| ,,,,,, | |
| 91147,"nativity scene was produced by a junior member under his supervision but cleaning in the 1990s revealed just how good some of the painting here is","yes","",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk1.mp3" | |
| 91147,"","yes","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk1.mp3" | |
| 91147,"nativity scene was produced by a junior member under his supervision. But cleaning in the 1990s revealed just how good some of the painting here is","yes","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3-eu-west-2.amazonaws.com/602_The_Nativity_Chunk1.mp3" | |
| ,,,,,, | |
| 91148,"would originally have been much brighter, the cloak of the Virgin Mary for example was originally a fine much lighter shade of blue. The blue has...","yes","The first portion is a different quote/voice than the narrator.",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk10.mp3" | |
| 91148,"would originally have been much brighter. The cloak of the Virgin Mary for example was originally a fine, much lighter shade of blue. The blue has ","no","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk10.mp3" | |
| 91148,"it would originally have been much brighter the cloak of the Virgin Mary for example was originally a fine match lighter shade of blue. The blue | |
| ","no","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk10.mp3" | |
| ,,,,,, | |
| 91149,"change the most of all of the colours on the painting because it uses a pigment called azurite which was very difficult to work with","no","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk11.mp3" | |
| 91149,"change the most of all of the colours on the painting because it uses a pigment called azurite which was very difficult to work with. Azurite ","no","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk11.mp3" | |
| 91149,"changed the most of all of the colours on the painting because it uses a pigment called azurite which was very difficult to work with. Azurite...","yes","",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk11.mp3" | |
| ,,,,,, | |
| 91150,"had a very coarse texture if you wanted a very rich colour. The artists liked that because when lit by candle the whole of The Virgin","no","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk12.mp3" | |
| 91150,"had a very coarse texture if you wanted a very rich color the artist liked that because when lit by candle the whole of the virgin's | |
| ","no","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk12.mp3" | |
| 91150,"had a very coarse texture if you wanted a very rich color. The artist liked that because when lit by candle the whole of The Virgin's...","yes","",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk12.mp3" | |
| ,,,,,, | |
| 91151,"robe could glitter in the flickering candle light unfortunately this rough surface texture was soon buried under a layer of wax | |
| ","no","",1,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk13.mp3" | |
| 91151,"robe could glitter in the flickering candle light. But unfortunately this rough surface texture was soon buried under a layer of wax","yes","",243,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk13.mp3" | |
| 91151,"robe could glitter in the flickering candle light but unfortunately this rough surface texture was soon buried under a layer of wax","no","",,"Daniel Pett; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk13.mp3" | |
| ,,,,,, | |
| 91152,"and soot each time the candles were blown out. So it would slowly over maybe 100 years turned black. That's what happened with this painting.","no","",243,"Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk14.mp3" | |
| 91152,"and soot each time the candles were blown out so it would slowly over maybe 100 years turned black that's what happened with this painting","no","",,"Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk14.mp3" | |
| 91152,"insert each time the candles were blown out so it would slowly over maybe 100 years turn black that's what happened with this painting","no","",,"Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk14.mp3" | |
| ,,,,,, | |
| 91153,"and it's possible that in trying to clean that black layer off a restorer in the past has actually removed some of the azurite paint as well","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk15.mp3" | |
| 91153,"and it's possible that in trying to clean that black there off, a restorer in the past has actually removed some of the azurite paint as well","no","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk15.mp3" | |
| 91153,"and it's possible that in trying to clean that black there off a restorer in the past has actually removed some of the azurite paint as well.","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk15.mp3" | |
| ,,,,,, | |
| 91154,"and important parts of the panel are now thought to have been executed by the Master's own hand look at the beautiful head of the Virgin Mary for instance the minute brush strokes","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk2.mp3" | |
| 91154,"an important part of the panel are now thought to have been executed by the Masters own hand. Look at the beautiful head of the Virgin Mary for instance, the minute brushstrokes that","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk2.mp3" | |
| 91154,"and important parts of the panel are now thought to have been executed by the Master's own hand. Look at the beautiful head of the Virgin Mary for instance, the minute brush strokes that...","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk2.mp3" | |
| ,,,,,, | |
| 91155,"give shape to her face and neck. The individual strands of hair picked out in gold. And look at her delicate Gossamer thin veil, the same material as you","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk3.mp3" | |
| 91155,"give shape to her face and neck. The individual strands of her hair picked out in gold. And look at her delicate and gossamer thin veil the sew materialers used...","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk3.mp3" | |
| 91155,"give shape to her face and neck the individual strands of her hair picked out in gold and look at her delicate, gossamer thin veil the same material as you","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk3.mp3" | |
| ,,,,,, | |
| 91156,"Christ's swaddling clothes. Look then at the brilliantly subtle expression on the face of Joseph sitting next to her. He seems to look with both love and bewilderment at the...","yes","the words ""used for"" are lost between tasks 9-10",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk4.mp3" | |
| 91156,"Christ's swaddling clothes look then at the brilliantly subtle expression on the face of Joseph sitting next to her he seems to look with love and bewilderment at the ","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk4.mp3" | |
| 91156,"the Christ's swaddling clothes. look then at the brilliantly subtle expression on the face of Joseph sitting next to her. He seems to look with both love and bewilderment at the","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk4.mp3" | |
| ,,,,,, | |
| 91157,"child born to his Virgin wife it's hard to believe that the same hand that produced these exceptionally fine passages of paint could also have been responsible","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk5.mp3" | |
| 91157,"child born to his Virgin wife. It's hard to believe that the same hand that produced these exceptionally fine passages of paint could also have been responsible","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk5.mp3" | |
| 91157,"child born to his virgin wife. It's hard to believe that the same hand that produce these exceptionally fine passages of paint could also have been responsible","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk5.mp3" | |
| ,,,,,, | |
| 91158,"for the simplified depiction of the wall and roof of the cattle shed that shelters the Holy Family not that Ghirlandaio's apprentices were necessarily hacks in 1487","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk6.mp3" | |
| 91158,"the simplified depiction of the wall and roof of the cattle shed that shelters the Holy Family. Not that Ghirlandaio's apprentices were neccessarily hacks. In 1487","no","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk6.mp3" | |
| 91158,"for the simplified depiction of the wall and roof of the cattle shed that shelters the Holy Family. Not that Ghirlandaio's apprentices were necessarily hacks. In 1487","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk6.mp3" | |
| ,,,,,, | |
| 91159,"His workshop admitted the twelve-year-old Michelangelo Buonarrotti as an apprentice. In later life Michelangelo would play down Ghirlandaio's influence on his work","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk7.mp3" | |
| 91159,"his workshop admitted the twelve-year-old Michelangelo Buonarroti as an apprentice. In later life Michelangelo would play down Ghirlandaio's influence on his...","yes","",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk7.mp3" | |
| 91159,"his workshop admitted the twelve-year-old Michelangelo Buonarroti as an apprentice in later life Michelangelo would play down Ghirlandaio's influence on his","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk7.mp3" | |
| ,,,,,, | |
| 91160,"work, but it is his first teachers eternal credit but the painter of the frescoes of the Sistine Chapel ceiling first learnt the technique in his workshop. ","yes","A word is cutoff at the very end of the recording.",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk8.mp3" | |
| 91160,"work. But it is to his first teacher's eternal credit that the painter of the frescoes of the Sistine Chapel ceiling first learnt the technique in his workshop","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk8.mp3" | |
| 91160,"work but it is to his first teachers eternal credit that the painter of the frescoes of the Sistine Chapel ceiling first learnt the technique in his workshop","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk8.mp3" | |
| ,,,,,, | |
| 91161,"conservator Spike Bucklow the colours in Ghirlandaio's Nativity have all changed like a lot of late mediaeval paintings","no","",,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk9.mp3" | |
| 91161,"conservator Spike Butler, ""The colours in Ghirlandaio's nativity have all changed. Like a lot of Late Mediaeval paintings they","yes","It appears the word ""here's"" is lost between Task 14-15.",243,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk9.mp3" | |
| 91161,"Conservator Spike Bucklow: The colours in Ghirlandaio's nativity have all changed, like a lot of late medieval paintings","yes","",1924,"Jasmine E Brady; Jeff Okazaki","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/602_The_Nativity_Chunk9.mp3" | |
| ,,,,,, | |
| 91162,"This bronze head, with its rough unfinished appearance, is as affably informal as the great physicist Albert Einstein himself is reputed to have been ","no","Bronze head? Or bronze had?",2009,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk0.mp3" | |
| 91162,"this bronze head with it's rough unfinished appearance is affably informal as the great physicist Albert Einstein himself is reputed to have been | |
| ","no","",,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk0.mp3" | |
| 91162,"This bronze head, with its rough unfinished appearance, is as affably informal, as the great physicist Albert Einstein, himself is reputed to have been. ","no","",2008,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk0.mp3" | |
| ,,,,,, | |
| 91163,"With his drooping eyelids and unkempt moustache, genius has here been humanised. In his autobiography the sculpture Jake Bapstein recalled ","no","",2009,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk1.mp3" | |
| 91163,"With his drooping eyelids and unkempt mustache, genius has been humanized. In his autobiography the sculptor Jacob Epstein recalled","no","",2008,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk1.mp3" | |
| 91163,"with his drooping eyelids and unkempt moustache genius has here been humanised. In his autobiography, the sculptor Jacob Epstein | |
| ","no","",,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk1.mp3" | |
| ,,,,,, | |
| 91164,"I asked him to smoke in the interval. Einstein’s manner was full of charm and ? He enjoyed a joke and had many a ","no","Charm and bahaming?",2009,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk10.mp3" | |
| 91164,"I asked him to smoke in the interval. Einstein's manner was full of charm and bonhomie. He enjoyed a joke and had many | |
| ","no","",,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk10.mp3" | |
| 91164,"...sitting I asked him to smoke in the interval. Einstein's manner was full of charm and bonhomie. He enjoyed a joke and had many a...","yes","This is a quote from Jacob Epstein's book, Let There Be Sculpture",2008,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk10.mp3" | |
| ,,,,,, | |
| 91165,"Drive at the nazi professors. 100 of whom in a book had condemned his theory. Were I wrong he said one professor would have been quite enough. ","no","",2009,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk11.mp3" | |
| 91165,"jibe at the Nazi professors, one hundred of whom in a book condemned his theories. ""Were I wrong,"" he said, ""one professor would have been quite enough."" ","no","",2008,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk11.mp3" | |
| 91165,"jibe at the Nazi professors, 100 of whom in a book had condemned his theory. ""Were I wrong"" he said, ""one professor would have been quite enough"" | |
| ","no","",,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk11.mp3" | |
| ,,,,,, | |
| 91166,"Also when speaking of the Nazis, he once said: 'I thought I was a physicist. I didn't bother about being a Jew until Hitler made me conscious of it.' | |
| ","no","",,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk12.mp3" | |
| 91166,"also when speaking of the Nazis, he once said, ""I thought I was a physicist. I didn't bother about being a Jew until Hitler made me conscious of it."" ","no","",2008,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk12.mp3" | |
| 91166,"Also when speaking of the Nazis he once said I thought I was a physicist I didn’t bother about being a Jew until Hitler made me conscious of it. ","no","",2009,"Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk12.mp3" | |
| ,,,,,, | |
| 91167,"","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk13.mp3" | |
| 91167,"","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk13.mp3" | |
| 91167,"","yes","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk13.mp3" | |
| ,,,,,, | |
| 91168,"his impressions of Einstein as he posed for him in September 1933 his glands contained a mixture of the humane the humerus and the profound","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk2.mp3" | |
| 91168,"his impressions of Einstein as he posed for him in September 1933. ""His glance contained a mixture of humane, the humorous, and the profound."" ","no","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk2.mp3" | |
| 91168,"His impressions of Einstein as he posed for him in September 1933. His glance contained a mixture of humane, the humerus and the profound. ","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk2.mp3" | |
| ,,,,,, | |
| 91169,"a combination which delighted me he resembled the ageing Rembrandt the good humour that Epstein detected in Einstein's expression was in the face","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk3.mp3" | |
| 91169,"""...a combination which delighted me. He resembled the aging Rembrandt."" The good humor that Epstein detected in Einstein's expression was in the face of enormous...","no","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk3.mp3" | |
| 91169,"A combination which delighted me. He resembled the ageing Rembrandt. The good humour that Epstein detected in Einstein’s expression was in the face of","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk3.mp3" | |
| ,,,,,, | |
| 91170,"almost tension Hitler at come to power in January 1933 the Nazis had dismissed Einstein's workers Jewish physics and the","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk4.mp3" | |
| 91170,"Enormous tension. Hitler had come to power in January 1933. The nazis has dismissed Einstein’s work as Jewish physics and the ","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk4.mp3" | |
| 91170,"...enormous tension. Hitler had come to power in January 1933. The Nazis had dismissed Einstein's work as a Jewish physics. And the...","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk4.mp3" | |
| ,,,,,, | |
| 91171,"assist I've been forced to flee his home and job in Berlin a Bounty of a 1000 guineas on his head he eventually ended up with a professorship in Princeton but before","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk5.mp3" | |
| 91171,"Physicist had been forced to flee his home and job in Berlin. A bounty of 1000 Guineas on his head. He eventually ended up with the professorship in Princeton. But before ","yes","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk5.mp3" | |
| 91171,"...scientist had been forced to flee his home and job in Berlin, a bounty of a thousand guineas on his head. He eventually ended up with a professorship in Princeton, but before...","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk5.mp3" | |
| ,,,,,, | |
| 91172,"leaving Europe for America he spent time in England at the invitation of the MP commander Oliver Locker lampson a Close political Ally of Winston Churchill","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk6.mp3" | |
| 91172,"...leaving Europe for America he spent time in England at the invitation of the MP, Commander Oliver Locker-Lampson, a close political ally of Winston Churchill.","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk6.mp3" | |
| 91172,"Leaving Europe for America he spent time in England at the invitation of the MP commander Oliver Locker lampson, close political Ally of Winston Churchill ","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk6.mp3" | |
| ,,,,,, | |
| 91173,"and Rowton Heath Norfolk on the north sea coast in a beach hut containing a grand piano Einstein smoked his pipe straight away on an old violin","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk7.mp3" | |
| 91173,"and at Rowton Heath, Norfolk, on the North Sea coast, in a beach hut containing a grand piano, Einstein smoked his pipe, scraped away on an old violin","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk7.mp3" | |
| 91173,"And at Rowton Health Norfolk on the North Sea coast in a beach hut containing a grand piano Einstein smoked his pipe scraped away on an old violin ","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk7.mp3" | |
| ,,,,,, | |
| 91174,"and chated as Epstein modelled his head in clay in his autobiography Epstein recorded his sittings with Einstein","yes","",677,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk8.mp3" | |
| 91174,"And chatted as Epstein modelled his head in clay. In his autobiography Epstein recalled his sittings with Einstein","no","",2009,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk8.mp3" | |
| 91174,"and chatted as Epstein modeled his head in clay. In his autobiography, Epstein recalled his sittings with Einstein. ","yes","",2008,"Michael Adams; Hannah Smith; Mariah Ashbacher","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk8.mp3" | |
| ,,,,,, | |
| 91175,"he worked for 2-hours every morning and at the first sitting the professor was so surrounded with tobacco smoke from his pipe that I saw nothing at the second","yes","",677,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk9.mp3" | |
| 91175,"I worked for two hours every morning, and at the first sitting the professor was so surrounded with tobacco smoke from his pipe that I saw nothing. At the second","no","",2010,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk9.mp3" | |
| 91175,"I work for 2 hours every morning, and at the first sitting the professor was so surrounded with tobacco smoke from his pipe that I saw nothing. At the second","yes","",2008,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/101-AlbertEinstein_Chunk9.mp3" | |
| ,,,,,, | |
| 91176,"Stanley Spencer likened his method of painting Patricia Preece, the woman in this painting, to an ant crawling over her body.","no","",2010,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk0.mp3" | |
| 91176,"","yes","",2008,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk0.mp3" | |
| 91176,"","yes","",677,"Michael Adams; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk0.mp3" | |
| ,,,,,, | |
| 91177,"Look at the creases in her flesh here: the sharply protruding pelvic bone, the brilliantly observed range of skin tones; this is an almost","no","",2010,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk1.mp3" | |
| 91177,"Look at the creases in her flesh here, the sharply protruding pelvic bone, the brilliantly observed range of skin tones. This is an almost","no","",2008,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk1.mp3" | |
| 91177,"look at the creases in her flesh here, the sharply protruding pelvic bone, the brilliantly observed range of skin tones. This is no much","no","",580,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk1.mp3" | |
| ,,,,,, | |
| 91178,"his love for Hilda and Patricia, are somehow sacramental. Here, he kneels before the prone figure of his second wife, like a communicant at an altar.","yes","",2010,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk10.mp3" | |
| 91178,"is love for Hilda and Patricia, a somehow sacramental. Here he kneels before the prone figure of his second wife, like a communicant at an altar","no","",580,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk10.mp3" | |
| 91178,"his love for Hilda and Patricia as somehow sacramental. Here he kneels before the prone figure of his second wife, like a communicant at an altar","no","",2008,"Denis Antoine; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk10.mp3" | |
| ,,,,,, | |
| 91179,"unsettlingly forthright depiction of a naked body. But if this detail suggests a physical intimacy between the artist and his model, there seem to be at the same time","no","I think the first word has been split over two clips.",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk2.mp3" | |
| 91179,"unsettlingly forthright depiction of a naked body. But if this detail suggests a physical intimacy between the artist and his model, there seems to be at the same time","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk2.mp3" | |
| 91179,"unsettlingly forthright depiction of a naked body. But if this detail suggests a physical intimacy between the artist and his model, there seems to be at the same time ","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk2.mp3" | |
| ,,,,,, | |
| 91180,"an emotional gulf between the couple who are shown. Preece's face wears a bored, disappointed expression. Her eyes are unfocused","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk3.mp3" | |
| 91180,"an emotional gulf between the couple who are shown. Peter’s face wears a bored, disappointed expression. Her eyes run","no","Not 100% sure about the person’s name.",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk3.mp3" | |
| 91180,"an emotional gulf between the couple who are shown. Preece's face wears a bored, disappointed expression. Her eyes are unfocused","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk3.mp3" | |
| ,,,,,, | |
| 91181,"vacant, while the man, Spencer himself, gazes at her, not much happier, one feels, than she. The sheets are crumpled, he’s ","no","Some indistinct text at the beginning and end of the clip.",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk4.mp3" | |
| 91181,"and vacant. While the man, Spencer himself, gazes at her. Not much happier one feels than she. The sheets are crumpled, he's","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk4.mp3" | |
| 91181,"and vacant. While the man, Spencer himself, gazes at her. Not much happier, one feels, than she. The sheets are crumpled. He's","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk4.mp3" | |
| ,,,,,, | |
| 91182,"flushed. But there's little sense of fulfillment. Spencer painted this canvas in 1937. In May of that year, he married Patricia Preece ","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk5.mp3" | |
| 91182,"flushed, but there's little sense of fulfilment. Spencer painted this canvas in 1937. In May of that year he married Patricia Preece","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk5.mp3" | |
| 91182,"but there’s little sense of fulfilment. Spencer painted this canvas in 1937. In May of that year he married Patricia Preece","no","Indistinct text at start of clip.",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk5.mp3" | |
| ,,,,,, | |
| 91183,"only 4 days after his divorce from his first wife Hilda had been finalised. In fact, Spencer had always fantasised about having two wives","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk6.mp3" | |
| 91183,"only four days after his divorce from his first wife Hilda had been finalised. In fact Spencer had always fantasised about having two wives ","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk6.mp3" | |
| 91183,"only four days after his divorce from his first wife Hilda had been finalized. In fact, Spencer had always fantasized about having two wives","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk6.mp3" | |
| ,,,,,, | |
| 91184,"Here's the Fitzwilliam's former director Duncan Robinson: ""To begin with, at least, he had no intention of giving up on his wife or his first marriage.","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk7.mp3" | |
| 91184,"Here's the Fitzwilliams's former director, Duncan Robinson: ""To begin with at least he had no intention of...of...of giving up on his wife or his first marriage."" ","no","I typed the exact quote. Robinson has a little stammer in the middle of his statement, but I typed it exactly as it is. ",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk7.mp3" | |
| 91184,"Here’s the Fitzwilliam’s former director, Duncan Robinson. “To begin with, at least, he had no intention of giving up on his wife or his first marriage ","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk7.mp3" | |
| ,,,,,, | |
| 91185,"and he contemplated bigamy with complete sort of equanimity. He thought it was the most natural thing in the world to have two women not one. He was just","yes","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk8.mp3" | |
| 91185,"and he contemplated bigamy with a complete sort of equanimity. He thought it was the most natural thing in the world to have two women, not one. He","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk8.mp3" | |
| 91185,"and...and he contemplated bigamy with complete sort of equanimity I mean he thought it was the most natural thing in the world to have two women, not one. He was just","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk8.mp3" | |
| ,,,,,, | |
| 91186,"was rather surprised when neither of them liked the idea."" 'Desire is the essence of all that is Holy' Spencer once wrote, and he ","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk9.mp3" | |
| 91186,"rather surprised when neither of them liked the idea."" ""Desire is the essence of all that is holy,"" Spencer once wrote, and he","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk9.mp3" | |
| 91186,"rather surprised that neither of them liked the idea.” ‘Desire is the essence of all that is holy’, Spencer once wrote, and he sought","yes","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/102-Self_portraitwithPatriciaPreece_Chunk9.mp3" | |
| ,,,,,, | |
| 91187,"Here’s former director of the Fitzwilliam, Duncan Robinson. “Well, when Spencer painted this picture in 1935, the ideas in it go back quite","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk0.mp3" | |
| 91187,"Here's former director of the Fitzwilliam, Duncan Robinson: ""Although Spencer painted this picture in 1935, the ideas in it go back quite","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk0.mp3" | |
| 91187,"Here's former Director of the Fitzwilliam, Duncan Robinson: ""Although Spencer painted this picture in 1935, the ideas in it go back quite ","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk0.mp3" | |
| ,,,,,, | |
| 91188,"a long way in his work. In fact, he himself relates it directly to his experiences in the First World War. and I think it's interesting","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk1.mp3" | |
| 91188,"a long way in his work. In fact, he himself relates it to, directly to, his experiences in the First World War, and I think it’s interesting ","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk1.mp3" | |
| 91188,"a long way in his work. In fact, he, himself, relates it to, directly to his experiences in the First World War, and I think it's interesting ","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk1.mp3" | |
| ,,,,,, | |
| 91189,"I mean all of these people, embracing and cuddling one another, and...and...and, he himself, of course, sitting in the","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk10.mp3" | |
| 91189,"","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk10.mp3" | |
| 91189,"I mean all of these people embracing and cuddling one another and he himself, of course, sitting in the ","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk10.mp3" | |
| ,,,,,, | |
| 91190,"on the ground on the right hand side of the picture in that very unmistakable check jacket, arms wide","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk11.mp3" | |
| 91190,"on the ground on the right-hand side of the picture in that very unmistakable check jacket - sort of arms wide","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk11.mp3" | |
| 91190,"on the ground, on the right-hand side of the picture, in that very unmistakable checked jacket, sort of the arms wide...","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk11.mp3" | |
| ,,,,,, | |
| 91191,"embracing the two kneeling women beside him. One of whom is examining the buttons on his jacket with a kind of","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk12.mp3" | |
| 91191,"embracing the two leaving women beside him, one of whom is examining the buttons on his jacket with a kind of ","yes","Not sure about the word ‘leaving’. ",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk12.mp3" | |
| 91191,"embracing the two...the two kneeling women beside him, one of whom is examining the buttons on his jacket, with a kind of ","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk12.mp3" | |
| ,,,,,, | |
| 91192,"the fascination of the unusual. It’s a reversal of roles because he has become exotic to her when, in fact, most of us standing in front of the picture ","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk13.mp3" | |
| 91192,"the fascination of the unusual. It's a reversal of roles because he has become exotic to her, when in fact most of us standing in front of the picture","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk13.mp3" | |
| 91192,"...a fascination of the unusual. It's a reversal of roles because he has become exotic to her when in fact most of us standing in front of the picture...","yes","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk13.mp3" | |
| ,,,,,, | |
| 91193,"","yes","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk14.mp3" | |
| 91193,"","yes","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk14.mp3" | |
| 91193,"would identify the exotic with the other.","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk14.mp3" | |
| ,,,,,, | |
| 91194,"that his first title for this picture was actually 'Humanity'. What he was really doing here was expressing his own conviction that","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk2.mp3" | |
| 91194,"That his first title for this picture was actually Humanity. What he was really doing here was expressing his own conviction that","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk2.mp3" | |
| 91194,"That his first title for this picture was actually humanity what he was really doing here was expressing his own conviction that","yes","missed first word - unsure if it's covered in previous 10secs",2012,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk2.mp3" | |
| 91194,"that his first title for this picture was actually ‘Humanity’. What he was really doing here was expressing his own conviction that","yes","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk2.mp3" | |
| ,,,,,, | |
| 91195,"a world which had been torn apart by a particularly painful war. That his conviction that the future lay not in war and","no","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk3.mp3" | |
| 91195,"a world which would be torn apart by a particularly painful war that his conviction that the future lay not in war","no","",2012,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk3.mp3" | |
| 91195,"a world which had been torn apart by a particularly painful war, that his conviction that the future lay not in war and this","no","",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk3.mp3" | |
| 91195,"a world which had been torn apart by a particularly painful war, his conviction that the future lay not in war and dis...","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk3.mp3" | |
| ,,,,,, | |
| 91196,"scored but in love among nations, harmony among peoples he actually said himself that I'm quoting Spencer","no","",2012,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk4.mp3" | |
| 91196,"scored, but in love among nations; harmony among peoples. He actually said himself that, and I'm quoting Spencer: ""During","yes","Not sure what word precedes 'scored', perhaps 'points'?",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk4.mp3" | |
| 91196,"[dis]cord, but in love among nations, harmony among peoples. He actually said himself, that, and I am quoting Spencer, dur...","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk4.mp3" | |
| 91196," [... ] but in love among nations, among, harmony among peoples. He actually said himself, and I’m quoting Spencer","no","Can’t make out first word. ",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk4.mp3" | |
| ,,,,,, | |
| 91197,"[dur]ing the war, when I contemplated the horror of my life and the lives of those with me, I felt that the only way to end the ghastly experience would be if everyone suddenly","no","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk5.mp3" | |
| 91197,"during the war when I contemplated the horror of my life and the lives of those with me I felt that the only way to end the ghastly to the experience would be if everyone","no","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk5.mp3" | |
| 91197,"the war when I contemplated the horror of my life, and the lives of those with me, I felt that the only way to end the ghastly experience would be if everyone suddenly","no","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk5.mp3" | |
| ,,,,,, | |
| 91198,"decided to indulge in every degree and form of sexual love."" And, he goes on to say, ""These are the joyful inheritances of mankind."" So this","no","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk6.mp3" | |
| 91198,"decided to indulge in every degree and form of sexual love."" And he goes on to say ""these are the joyful inheritances of mankind."" So this","no","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk6.mp3" | |
| 91198,"suddenly decided to indulge in every degree and form of sexual love and he goes on to say ""these are the joyful inheritances of mankind"" so this","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk6.mp3" | |
| ,,,,,, | |
| 91199,"is an antidote, if you like, to all that pain and suffering and death, and it’s also in a way, isn’t it, almost a test","no","Last word may have been truncated (e.g testament)",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk7.mp3" | |
| 91199,"is an antidote if you like to all that pain and suffering and death. And it's also in a way, isn't it, sort of almost a ","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk7.mp3" | |
| 91199,"is an antidote if you like to all that pain and suffering and death, and it's also in a way isn't it sort of almost a test","yes","a lot of stuttering towards the end, may have to be edited in final working",2012,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk7.mp3" | |
| 91199,"is an antidote, if you like, to all that pain and suffering and death, and it's also in a way, isn't it, sort of almost a test...","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk7.mp3" | |
| ,,,,,, | |
| 91200,"testimony for the League of Nations which had just been founded in the aftermath of the war bringing together the peoples the races of the world into what's","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk8.mp3" | |
| 91200,"[test]imony for the League of Nations, which had just been founded in the aftermath of the war, bringing together the peoples, the races of the world into what's","no","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk8.mp3" | |
| 91200,"testimony for the League of Nations, which have just been founded it in the aftermath of the War - bringing together the peoples, the races of the world into what's a","yes","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk8.mp3" | |
| ,,,,,, | |
| 91201,"kind of international 'comesa' - a great love-in by people from everywhere, every kind of background, and it's done with a certain wit and humour.","yes","unsure of 'Comesa'",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk9.mp3" | |
| 91201,"a kind of international commessa, a great love-in by people from everywhere, every kind of background, and it's done with a certain kind of wit and humor","yes","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk9.mp3" | |
| 91201,"kind of international commessa a great loving by people from everywhere every kind of background and it's done with a certain wit and humour","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/103-loveAmongTheNations_Chunk9.mp3" | |
| ,,,,,, | |
| 91202,"When the Fitzwilliam Museum acquired portrait by Frans Hals in 1879 it looked rather different. A previous owner painted over the background in brown","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk0.mp3" | |
| 91202,"When the Fitzwilliam Museum acquired this portrait by Frans Hals in 1879, it looked rather different. A previous owner painted over the background in brown","yes","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk0.mp3" | |
| 91202,"When the Fitzwilliam Museum acquired this portrait by Frans Hals in 1879, it looked rather different. A previous owner painted over the background in brown","no","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk0.mp3" | |
| ,,,,,, | |
| 91203,"paint and obliterated the sitter's great black, broad-brimmed hat. Although he was appreciated in his own lifetime, particularly in his native Haarlem, Hals","no","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk1.mp3" | |
| 91203,"paint, and obliterated the sitter's great black broad brimmed hat. Although he was appreciated in his own lifetime, particularly in his native Haarlem","yes","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk1.mp3" | |
| 91203,"paint, and obliterated the sitter's great black broad brimmed hat. Although he was appreciated in his own lifetime particularly in his native Haarlem","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk1.mp3" | |
| ,,,,,, | |
| 91204,"Hals' rough, spontaneous style found few admirers until the late 19th century when he was rediscovered, not least by Vincent Van Gogh. What a joy to see","yes","",2008,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk2.mp3" | |
| 91204,"Hals' rough spontaneous style found few admirers until the late 19th Century when he was rediscovered, not least by Vincent Van Gogh what a joy to see","yes","",2012,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk2.mp3" | |
| 91204,"Hals' rough spontaneous style found few admirers until the late 19th Century, when he was rediscovered not least by Vincent Van Gogh. ""What a joy to see","yes","",2010,"Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk2.mp3" | |
| ,,,,,, | |
| 91205,"a Frans Hals"", he wrote, two centuries after the artist's death. ""How different from those pictures where everything has been carefully smoothed down in the same way.""","yes","",2010,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk3.mp3" | |
| 91205,"a Frans Hals he wrote two centuries after the artist's death how different from those pictures where everything has been carefully smoothed down in the same way","yes","",2012,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk3.mp3" | |
| 91205,"The friend’s [...], he wrote, two centuries after the artist’s death. How different from most pictures that everything has been carefully smoothed down in the same way","yes","Not sure about the third word - don’t think it is ‘house’.",2011,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk3.mp3" | |
| 91205,"a Frans Hals,"" he wrote, two centuries after the artist's death. ""How different from those pictures where everything has been carefully smoothed down in the same way."" ","no","",2008,"Chris Gibbon; Mariah Ashbacher; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk3.mp3" | |
| ,,,,,, | |
| 91206,"Art Historian Julia Tozer considers what Van Gogh might have appreciated about this particular work by his fellow countryman: ""I think one of the things he would have absolutely","no","",2010,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk4.mp3" | |
| 91206,"art historian Julia Tozer considers what Van Gogh might have appreciated about this particular work by his fellow countrymen. ""I think one of the things he would have","no","",1,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk4.mp3" | |
| 91206,"art historian Julia tozer considers what Van Gogh might have appreciated about this particular work by his fellow countryman I think one of the things he would have","yes","",2012,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk4.mp3" | |
| ,,,,,, | |
| 91207,"sbsolutely loved about this portrait was that Hals was celebrating his own people in a way that Van Gogh also was to do he was to go on to","yes","absolutely from previous 10 seconds is here instead as it was half over each snippet",2012,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk5.mp3" | |
| 91207,"loved about this portrait was that Hals was celebrating his own people, in a way that van Gogh also was to do. He was to go on to ","no","",2010,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk5.mp3" | |
| 91207,"loved about this portrait was that Howes was celebrating his own people in a way that van Gogh also was to do, he was to go on to","no","",1,"Daniel Pett; Michael Norman; Shona Hoey","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk5.mp3" | |
| ,,,,,, | |
| 91208,"paint portraits of people whose lives would otherwise have been ounrecorded and there's something about the man in this painting and with his tousled hair and his jaunty","yes","",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk6.mp3" | |
| 91208,"'on recorded' should be 'unrecorded'. | |
| 'jaunty' should be added to the end of the transcription.","no","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk6.mp3" | |
| 91208,"to paint portraits of people whose lives would otherwise have been unrecorded. And there's something about the man in this painting, with his tousled hair and his jaunty | |
| ","no","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk6.mp3" | |
| ,,,,,, | |
| 91209,"""cats and swollen"" should be ""hat and so on"" | |
| ""somehow"" should be added to the end.","no","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk7.mp3" | |
| 91209,"hat and so on, and his very very lived in face that transcends time. He does seem to live and breathe in front of us and we're right back with him somehow","yes","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk7.mp3" | |
| 91209,"hand and so on and his very very lived in face that transcends time he does seem to live and breathe in front of us and we're right back with him somehow","yes","",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk7.mp3" | |
| ,,,,,, | |
| 91210,"""with"" should be replaced by ""was""","no","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk8.mp3" | |
| 91210,"and that immediacy was something Van Gogh wanted too","yes","too or to at the end, depending on how it continues?",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk8.mp3" | |
| 91210,"and that immediacy, was something van Gogh wanted too.""","no","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1501_Portrait_of_an_unknown_man 23.55.12_Chunk8.mp3" | |
| ,,,,,, | |
| 91211,"Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather, and he added to this collection throughout his life. This is one of the best Dutch canvases that he acquired | |
| ","yes","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk0.mp3" | |
| 91211,"""collections around"" should be replaced by ""collection throughout""","no","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk0.mp3" | |
| 91211,"Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather and he added to this collection throughout his life this is one of the best Dutch canvases that he acquired","yes","acquired cut off - I assume this is what it says",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk0.mp3" | |
| ,,,,,, | |
| 91212,"himself it's a view dating from around 1665 of the main Square in haarlem painted by Gerrit Berckheyde height we're looking out from the portico of the","yes","had to look up artist's name - assume I have the right one from googling him ",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk1.mp3" | |
| 91212,"""Gerard Butler"" should be replaced by ""Gerrit Berckheyde"".","no","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk1.mp3" | |
| 91212,"himself. It's a view dating from around 1665 of the Main Square in Haarlem, painted by Gerrit Berckheyde. We're looking out from the portico of the town","yes","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk1.mp3" | |
| ,,,,,, | |
| 91213,"Town Hall across the meat and fish market towards the Towering cathedral of Saint bavo the Pride of haarlem Skyline This Great Church was described","yes","",2012,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk2.mp3" | |
| 91213,"hall, across the meat and fish market towards the towering Cathedral of Saint Bavo - the pride of Haarlem's skyline. This great church was described in","no","",2010,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk2.mp3" | |
| 91213,"Before ""Great"" insert ""this"". | |
| Replace ""destroyed"" with ""described"".","yes","",2013,"Michael Norman; Shona Hoey; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk2.mp3" | |
| ,,,,,, | |
| 91214,"Replace ""raised"" with ""praised"". | |
| Replace ""a whole country"" with ""the whole country"". | |
| Replace ""ever at church"" with ""as ever a church was made"". | |
| ","no","",2013,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk3.mp3" | |
| 91214,"raised in the 17th century poem as that ""big barrel praised in the whole country such a beautiful and daring building ever at church""","no","",1,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk3.mp3" | |
| 91214,"praised in a 17th century poem as: ""that big barrel, praised in the whole country. Such a beautiful and daring building as ever a church was made.""","yes","",2010,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk3.mp3" | |
| ,,,,,, | |
| 91215,"""A credit to the Town, and miracle of the Country, and almost a greater work than any made by human hands."" The Cathedral is a favourite","yes","",2010,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk4.mp3" | |
| 91215,"a credit to the town, a miracle of the country and almost a greater work than any made by human hands"". The cathedral","no","",1,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk4.mp3" | |
| 91215,"","yes","",2013,"Daniel Pett; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk4.mp3" | |
| ,,,,,, | |
| 91216,"subject of Berckheyde, who painted it more than 30 times in his career. Fitzwilliam also bought a matching panel by the same artist which depicts the town hall of Amsterdam ","no","",2015,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk5.mp3" | |
| 91216,"The subject of berckheyde who painted it more than 30 times in his career Fitzwilliam also bought a matching panel by the same artist which depicts the town hall Amsterdam | |
| ","no","not quite clear from the beginning of the audio whether the subject of or subjective",2016,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk5.mp3" | |
| 91216,"subject of Berckheyde, who painted it more than thirty times in his career. Fitzwilliam also bought a matching panel by the same artist which depicts the town hall of Amsterdam.","no","",2010,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk5.mp3" | |
| 91216,"The subject of berckheyde who painted it more than 30 times in his career Fitzwilliam also bought a matching panel by the same artist which depicts the town hall Amsterdam | |
| ","no","not quite clear from the beginning of the audio whether the subject of or subjective",2016,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk5.mp3" | |
| 91216,"Replace ""subjective"" with ""subject of"". | |
| Before ""Amsterdam"" insert ""of"". | |
| ","no","",2013,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_Chunk5.mp3" | |
| ,,,,,, | |
| 91217,"Replace ""around"" with ""throughout""","no","",2013,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour; Arthur Tan","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk0.mp3" | |
| 91217,"Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather and he added to this collection throughout his life this is one of the best Dutch canvases that he ","no","",2017,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour; Arthur Tan","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk0.mp3" | |
| 91217,"Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather and he added to this collection throughout his life, this is one of the best Dutch canvases that he | |
| ","yes","",2015,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour; Arthur Tan","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk0.mp3" | |
| 91217,"Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather, and he added to this collection throughout his life. This is one of the best Dutch canvases that he acquired","yes","",2010,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour; Arthur Tan","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk0.mp3" | |
| 91217," Fitzwilliam inherited a number of Dutch paintings from his maternal grandfather and he added to this collection throughout his life, this is one of the best Dutch canvases he acquired","no","",2016,"Thais ; Tara Panesar ; Michael Norman; Emma Harbour; Arthur Tan","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk0.mp3" | |
| ,,,,,, | |
| 91218,"himself. It's a view of the main square in Haarlem, painted by Gerrit Berckheyde. We are looking out from the portico of the town hall across the meat and fish market.","no","",2018,"Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk1.mp3" | |
| 91218,"...himself. It's a view of the main square in Harlem, painted by Gerard Burkheit. We're looking out from the portico of the town hall across the meat and fish market... ","no","There must be another word before the word ""himself"", but I cannot hear it very well so I decided not to write it. ",,"Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk1.mp3" | |
| 91218,"himself,it is a view of the main square in Harlem painted by Gerart Burke Height.We are looking out from the portico of the town hall across the meat and fish market.","no","unsure of the spelling for Gerart Burke Height.",2019,"Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk1.mp3" | |
| 91218,"himself it’s a view of the main Square in Harlem painted by Gerard Burkeight, we’re looking out from the portico of the town hall across the meat and fish market","no","Check the spelling of Gerard’s second name",2021,"Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk1.mp3" | |
| 91218,"himself. It's a view of the Main Square in Haarlem, painted by Gerrit Berckheyde. We're looking out from the portico of the town hall, across the meat and fish markets","yes","",2010,"Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk1.mp3" | |
| ,,,,,, | |
| 91219,"Towards the towering cathedral of Saint Bavo. The pride of Haarlem Skyline. This great church was described and praised in a 17th century poem, as","no","",2018,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| 91219,"Towards the towering cathedral of Saint Bavo the Pride of Haarlem Skyline this Great Church was described and praised in the 17th-century poem as | |
| ","no","",2016,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| 91219,"Towards the towering Cathedral of St. Bavo the pride of Haarlem skylite. This great church was described and praised in a 17th century poem.. ","no","",,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| 91219,"Towards the towering cathedral of Saint Bavo the Pride of Haarlem Skyline this Great Church was described and praised in the 17th century poem","no","",2021,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| 91219,"towards the towering Cathedral of Saint Bavo - the pride of Haarlem's skyline. This Great Church was described and praised in the 17th century poem as:","yes","",2010,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| 91219,"towards the towering cathedral of Saint Bavo the pride of the Haarlem skyline,this great church was described and praised in the 17th century poem","no","",2019,"Thais ; Georgina Holmes; Michael Norman; Sarah Allen; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk2.mp3" | |
| ,,,,,, | |
| 91220,"that big barrel praised in the whole country such a beautiful and daring building as ever a church was made a credit to the town ","no","",2016,"Thais ; Michael Norman; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk3.mp3" | |
| 91220,"""that big barrel, praised in the whole country. Such a beautiful and daring building, as ever a church was made. A credit to the Town","yes","",2010,"Thais ; Michael Norman; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk3.mp3" | |
| 91220,"that big barrel praised in the whole country such a beautiful and daring building as ever a church was made a credit to the town","no","",2021,"Thais ; Michael Norman; Shona Burch","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk3.mp3" | |
| ,,,,,, | |
| 91221,"a miracle of the Country, and almost a greater work than any made by human hands."" The Cathedral is a favourite subject of Berckheyde, who painted it more than","no","",2010,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk4.mp3" | |
| 91221,"a miracle of the country and almost a greater work than any made by human hands.The cathedral is a favourite subject of Berckheyd who painted it more","no","",2019,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk4.mp3" | |
| 91221,"a miracle of the country and almost a greater work than any made by human hands the cathedral as a favourite subject of berckheyde who painted it more","no","the last two words, 'it' and 'more', were missing in the transcription",2022,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk4.mp3" | |
| 91221," a miracle of the country and almost a greater work than any made by human hands the cathedral was a favourite subject of berckheyde who painted it more ","no","",2016,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk4.mp3" | |
| ,,,,,, | |
| 91222," and 30 times in his career Fitzwilliam also bought a matching panel by the same artist which depicts the town hall of Amsterdam","yes","",2016,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk5.mp3" | |
| 91222,"30 times in his career,Fitzwilliam also bought a matching panel by the same artist which depicts the town hall of Amsterdam","no","",2019,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk5.mp3" | |
| 91222,"thirty times in his career. Fitzwilliam also bought a matching panel by the same artist, which depicts the town hall of Amsterdam | |
| ","yes","",2010,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk5.mp3" | |
| 91222,"what's 30 times in his career Fitzwilliam also bought a matching panel by the same artist which depicts the town hall of Amsterdam","yes","preposition 'of' was missing before Amsterdam",2022,"Thais ; Anna; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1502_Groote_Kerk_at_Haarlem_V2_Chunk5.mp3" | |
| ,,,,,, | |
| 91223,"in a tropical landscape, Cupid fires his passion inspiring arrows usually intended for mortals, at a flower to help it propagate.","no","",2023,"Thais ; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk0.mp3" | |
| 91223,"In a tropical landscape, Cupid fires his passion inspiring arrows, usually intended for mortals,at a flower to help it propagate. This","no","",2010,"Thais ; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk0.mp3" | |
| 91223,"in a tropical landscape, cupid fires his passion inspiring arrows usually intended for mortals at a flower to help it propagate","no","",2016,"Thais ; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk0.mp3" | |
| 91223,"in a tropical landscape cupid fires his passion inspiring arrows usually intended for mortals, at a flower to help it propagate","no","",2019,"Thais ; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk0.mp3" | |
| ,,,,,, | |
| 91224,"fanciful painting was made to illustrate a 19th century English edition, of the work of the great Swedish botanist Linnaeus - the man who gave plants the Latin names for which the're still known","yes","",2010,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224,"beautiful painting was made to illustrate a 19th century English edition of the work of the great Swedish botanist, Linnaeus, the man who gave plants the Latin names which they are still known","yes","",2018,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224," beautiful painting was made to illustrate a 19th century English edition of the work of the great Swedish botanist Linnaeus the man who gave plants the Latin names for which they are still known","yes","",2016,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224,"beautiful painting was made to illustrate a 19th century English edition of the work of the great Swedish botanist Linnaeus,the man who gave plants the Latin names for which they are still known","yes","",2019,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224,"before painting was made to illustrate a 19th century English edition of the work of the great Swedish botanist linnaeus the man who gave plants the Latin names which they still","no","the first two words, 'before' and 'painting', were missing; 'would' was replaced by 'was'; the last word 'still' was missing; 'work' was in plural",2022,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224,"","yes","",2023,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| 91224,"...beautiful painting, was made to illustrate a 19th century English edition, of the work of the great Swedish botanist Linnaeus, the man who gave plants the latin names which they still.. ","no","",,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk1.mp3" | |
| ,,,,,, | |
| 91225," known today and who described their reproductive systems. The painting of the large yellow lilium superbum usually hanging next to it was made for the same book","no","",2016,"Thais ; Anna; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk2.mp3" | |
| 91225,"","yes","correct",2022,"Thais ; Anna; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk2.mp3" | |
| 91225,"today, and who describe their reproductive systems. The painting of the large yellow Lilium Superbum, usually hanging next to it, was made for the same book. | |
| ","no","",2010,"Thais ; Anna; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk2.mp3" | |
| 91225,"","yes","",2023,"Thais ; Anna; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk2.mp3" | |
| 91225,"who describe the reproductive system. The painting of the large yellow lilium superbum usually hanging next to it was made for the same book.","yes","The words are correct but don't seem to be punctuated. ",2024,"Thais ; Anna; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk2.mp3" | |
| ,,,,,, | |
| 91226,"here's Tim Upson of Cambridge University's Botanical Gardens ""the flower that cupid is firing his arrow at is the bird of paradise, Latin name","no","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| 91226,"Here is, Tim Upson of Cambridge University Botanical Garden. The flower that Cupid is firing his arrow at is the Bird of Paradise.","no","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| 91226,"Here's Tim Upson of Cambridge University's Botanical Gardens: the flower that cupid is during his arrow at is the bird of paradise.","no","",2024,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| 91226,"Here is Tim Upson of Cambridge University's Botanical gardens 'the flower that Cupid is firing his arrow at is the Bird of Paradise","no","",2019,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| 91226,"Here's Tim Upson of Cambridge University's Botanical Gardens: ""The flower that Cupid is firing his arrow at is the 'Bird of Paradise', Latin name:","yes","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| 91226,"Here's Tim Upson of Cambridge University's Botanical Gardens: ""the flower that cupid is firing his arrow at is the bird of paradise. Latin","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk3.mp3" | |
| ,,,,,, | |
| 91227,"...name is Strelitzia reginae, it comes from South Africa and was first a flat at the Royal Botanic Gardens Kew and named in honour of Queen...","no","",,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| 91227,"is 'Strelitzia Reginae'. It comes from South Africa, and was first flowered at the Royal Botanic Gardens Kew, and named in Honour of Queen","yes","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| 91227,"It's Latin name is Strelitzia regina. It comes from South Africa and was first flaunt at the Royal Botanic Gardens, Kew and named in honour of Queen ","yes","",2024,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| 91227,"it’s name is strelitzia reginae, it comes from South Africa and was first flowered at the Royal Botantic Gardens Kew and named in honour of","no","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| 91227,"name is Strelitzia reginae. It comes from South Africa and was first found at the Royal Botanic Gardens, Kew, and named in honour of Queen","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| 91227,"is strelitzia regina, it comes from South Africa and was first found at the Royal Botanic Gardens, Kew and named in Honour of Queen","yes","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk4.mp3" | |
| ,,,,,, | |
| 91228," Charlotte who was the Princess of mecklenburg-strelitz and that's reflected in its botanical name."" The book for which the painting was made was also dedicated to Queen Charlotte","yes","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk5.mp3" | |
| 91228,"Charlotte who was the Princess of Mecklenburg-Strelitz, and that's reflected in its botanical name."" The book, for which the painting was made, was also dedicated to Queen Charlotte","yes","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk5.mp3" | |
| 91228,"Charlotte who was the Princess of mecklenburg-strelitz and that's reflected in its botanical name the book for which the painting was made was also dedicated to Queen Charlotte","no","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk5.mp3" | |
| 91228,"Charlotte who was the Princess of Mecklenburg-Strelitz and that's reflected in its botanical name."" The book for which the painting was made was also dedicated to Queen Charlotte","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk5.mp3" | |
| ,,,,,, | |
| 91229,"And the publisher Robert Thornton saw it very much as a national undertaking, a chance for Britain to show it's standing in the world of botany and fine publishing.","no","",2024,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk6.mp3" | |
| 91229,"and the publisher Robert Thornton, saw it very much as a national undertaking. A chance for Britain to show it standing in the world of botany and fine publishing","yes","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk6.mp3" | |
| 91229,"and the publisher Robert Thornton saw it very much as a national undertaking, a chance for Britain to show its standing in the world of botany and fine publishing | |
| ","yes","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk6.mp3" | |
| 91229,"and the publisher Robert Thornton so it very much as a national undertaking; a chance for Britain to show its standing in the world of botany and fine publishing. | |
| ","no","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk6.mp3" | |
| 91229,"and the publisher - Robert Thornton - saw it very much as a national undertaking. A chance for Britain to its standing in the world of Botany and fine publishing. | |
| ","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Tanya Mathur","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk6.mp3" | |
| ,,,,,, | |
| 91230,"a sense of national pride is perhaps reflected in the flora the artist has placed around Cupid.Tim Upson:'what strikes me about the picture","no","",2019,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| 91230,"A sense of national pride is perhaps reflected in the flora the artist has placed around cupid. Tim Upson: ""what strikes me about the picture is","yes","",2018,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| 91230,"This sense of national pride is perhaps reflected in the flora the artist has placed around Cupid. Tim Upson: ""What strikes me about the picture is","no","",2010,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| 91230,"a sense of national pride is perhaps reflected in the flora the artist has placed around cupid. Tim Upson, “too much what strikes me about the picture..” | |
| ","no","",2023,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| 91230," a sense of national pride is perhaps reflected in the flora the artist has placed around cupid. Tim Upson: ""what strikes me about the picture is","yes","",2016,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| 91230,"a sense of national pride is perhaps reflected in the floor the artist has placed around cupid too much Tim Mopson: what strikes me about the picture is","no","part 'if I have' replaced by 'is perhaps'; name 'Tim Mopson' was added before 'too'; 'is' was added at the end",2022,"Thais ; Georgina Holmes; Anna; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk7.mp3" | |
| ,,,,,, | |
| 91231,"grouping a plants which wouldn't occur naturally, it's not a natural scheme. It's as if someone has bought all the exotic plants from around the world and plants that would have been","yes","",2018,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk8.mp3" | |
| 91231,"a grouping of plants which wouldn't occur naturally, it's not a natural scheme. It's as if someone has bought all the exotic plants from around the world, and plants that would have been","yes","",2010,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk8.mp3" | |
| 91231,"ripping a plants which wouldn't occur naturally it's not a natural scheme it's as if someone has bought all the exotic plants from around the world and plants that would have been","no","'answers' was replaced by 'it's as'; 'that would have been' was added at the end",2022,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk8.mp3" | |
| 91231,"the grouping of plants which wouldn't occur naturally, it's not a natural scheme, it's as if someone has bought all the exotic plants from around the world and plants that would have been | |
| ","yes","",2016,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk8.mp3" | |
| ,,,,,, | |
| 91232,"exotic and of course very often economically important and of course many of the Colonial Empires were actually founded on economically and","no","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk9.mp3" | |
| 91232,"exotic, and of course very often economically important. And of course many of the colonial empires were actually founded on economically important","no","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk9.mp3" | |
| 91232,"exotic and of course, very often, economically important and of course many of the Colonial Empires were actually founded on economically important","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk9.mp3" | |
| 91232," exotic and of course very often economically important and of course many of the Colonial Empires were actually founded on economically important","yes","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1701_Cupid_inspiring_the_plants_with_love_Chunk9.mp3" | |
| ,,,,,, | |
| 91233,"The painter of this large canvas Ambrosius Bosschaert II, came from a Dutch flower-painting dynasty. This impressive bouquet could never | |
| ","yes","",2010,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk0.mp3" | |
| 91233,"The painter of this large canvas, Ambrosius Bosschaert II, camr from a Dutch flower painting Dynasty. This impressive bouquet could never","yes","",2018,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk0.mp3" | |
| 91233," the painter of this large canvas, Ambrosius Bosschaert the Second came from a Dutch flower painting dynasty. This impressive bouquet","yes","",2016,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk0.mp3" | |
| ,,,,,, | |
| 91234,"have existed in life. The various blooms depicted, flower at different times of the year, and Bosschaert has contrived this display from drawings made from separate flowers","no","",2010,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk1.mp3" | |
| 91234,"existed in life,the various blooms depicted flower at different times of the year and Bosch artists contrive this display from drawings made from separate flowers","no","",2019,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk1.mp3" | |
| 91234,"existed in life the various Blooms depicted flower at different times of the year and artists can try this display from drawings made from | |
| ","no","",2023,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk1.mp3" | |
| 91234,"could never have existed in life. The various blooms depicted flower at different times of the year and Bosschaert has contrived this display from drawings made from separate flowers","yes","",2016,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk1.mp3" | |
| 91234,"have existed in life. The various blooms depicted flower at different times of the year, and Bosschaert has contrived this display from drawings made from separate flowers","yes","",2018,"Thais ; Georgina Holmes; Nicola Gatfield; Michael Norman; Sarah Allen","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk1.mp3" | |
| ,,,,,, | |
| 91235,"flowers. It was a common way for flower paintings to work. Bosschaert's painting was made in the 1630s at the height of what is known as tulip mania","yes","",2016,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk2.mp3" | |
| 91235," flowers. It was a common way for flower painters to work. Bosschaert's painting was made in the 1630s at the height of what is known as ""tulip mainia""","yes","",2018,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk2.mp3" | |
| 91235,"It was a common way for flower paintings to work. Bosschaert's painting was made in the 1630s, at the height of what is known as 'tulip mania'","yes","",2010,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk2.mp3" | |
| ,,,,,, | |
| 91236,"in Holland. Tulips had arrived in Europe from Turkey in the 1530s, but by the 17th century they were fetching absurd prices in the market of Amsterdam.","yes","",2010,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk3.mp3" | |
| 91236,"in Holland. Tulips had arrived in Europe from Turkey in the 1530s but, by the 17th century they were fetching absurd prices in the markets of Amsterdam","yes","",2016,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk3.mp3" | |
| 91236,"Holland. Tulips had arrived in Europe from Turkey in the 1530s, but by the 17th century they were fetching absurd prices in the market of Amsterdam.","yes","",2018,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk3.mp3" | |
| 91236,"Holland tulips had arrived in Europe from Turkey in the 1530s but by the 17th century they were fetching observed prices in the market of Amsterdam","no","'and' was replaced by 'had'",2022,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk3.mp3" | |
| ,,,,,, | |
| 91237,"it's been estimated that each of the Red streaked tulips that you can see at various points in this vase would have cost over 3000 times the daily wage of a manual","yes","streaked or street- unclear",2016,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk4.mp3" | |
| 91237,"It's been estimated that each of the red street tulips that you can see at various points in this vase, would have cost over 3000 times the daily wage of a manual | |
| ","yes","",2010,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk4.mp3" | |
| 91237,"it's been estimated that each of the red street tulips that you can see at various points in this vase, would have cost over 3000 times the daily wage of a manual labourer","yes","",2018,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk4.mp3" | |
| ,,,,,, | |
| 91238,"labourer in Amsterdam and roughly 10 times the price of the entire painting itself. The monkey who fingers the peaches in the lower right-hand corner might have been included | |
| ","yes","",2016,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk5.mp3" | |
| 91238,"labourer in Amsterdam and roughly 10 times the price of the entire painting itself. The monkey who fingers the peaches in the lower right-hand corner might have been included","yes","",2018,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk5.mp3" | |
| 91238,"labourer in Amsterdam, and roughly 10 times the price of the entire painting itself. The monkey, who fingers the peaches in the lower right-hand corner, might have been included","yes","",2010,"Thais ; Georgina Holmes; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk5.mp3" | |
| ,,,,,, | |
| 91239," did in this painting to satirise the tulip maniacs replaced the value on tulip futures the market collapsed in 1637","no","'did' was added at the beginning; 'collapse' was changed to 'collapsed'",2022,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk6.mp3" | |
| 91239,"in this painting to satirise the tulip maniacs who placed such value on tulip futures. The market collapsed in 1637","yes","futures? ",2016,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk6.mp3" | |
| 91239,"in this painting to satirise the tulip maniacs who placed so much value on tulip futures. The market collapse in 1637.","yes","",2018,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk6.mp3" | |
| 91239,"in this painting to satirise the tulip maniacs, who placed such value on tulip futures the market collapsed in 1637.","yes","",2010,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk6.mp3" | |
| 91239,"...did in this painting to satirise the tulip maniacs, who placed such value on tulip futures; the market collapsed in 1637","no","",,"Thais ; Georgina Holmes; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/1702_Vase_of_flowers_with_monkey_Chunk6.mp3" | |
| ,,,,,, | |
| 91240,"This statue represents the king of Egypt's and dates the later part of the Middle Kingdom. Senusret Khakaure was one of seven kings who made up the 12th Dynasty. He ruled from around 8...","no","",,"Thais ; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk0.mp3" | |
| 91240,"The name of the king is omitted and the hero Samurai is not mentioned. The recording cut off at 'Dynasty'.","no","",,"Thais ; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk0.mp3" | |
| 91240,"This statue represents the King of Egypt, and dates to the later part of the Middle Kingdom. Senusret Khakaure was one of seven kings who made up the 12th Dynasty. He ruled from around","no","",2010,"Thais ; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk0.mp3" | |
| 91240,"this statue represents a king of Egypt and dates to the later part of the Middle Kingdom. Senusret Khakaure was one of seven kings who made up the 12th Dynasty he ruled from around ","yes","",2016,"Thais ; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk0.mp3" | |
| 91240,"this statue represents the king of Egypt and dates the later part of the middle Kingdom. Senusret Khakaure was one of Seven Kings who made up the 12th Dynasty. He ruled from around 8","no","",,"Thais ; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk0.mp3" | |
| ,,,,,, | |
| 91241,"1772 to 1853 BC, so just over 3800 years ago. Today we would refer to him as Senusret the Third. This ","yes","",2016,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk1.mp3" | |
| 91241,"1872 to 1853 BC, so just over 3800 years ago. Today we refer to him as Senusret III. This time","yes","",2010,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk1.mp3" | |
| 91241,"1872 to 1853 BC so just over 3800 years ago today we would be referred to him as soon as we're the third this time","no","'1872' was added at the beginning; 'we' was added before 'would'; 'this time' was added at the end",2022,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk1.mp3" | |
| ,,,,,, | |
| 91242,"it is of course on the continent of Africa it is often assumed that the ancient population was the same as the people who live there today however since the time of soon as people of many different cultures","no","'a course' was changed to 'of course'; 'cultures' was added at the end",2022,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk10.mp3" | |
| 91242,"it is of course on the continent of Africa. It is often assumed that the ancient population was the same as the people who live there today however, since the time of Senusret, people of many different cultures and ","yes","unsure what the first word is",2016,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk10.mp3" | |
| 91242,"Egypt is of course on the continent of Africa. It is often assumed that the ancient population was the same as the people who live there today. However since the time of Senusret, people of many different cultures and","yes","",2010,"Thais ; Anna; Michael Norman","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk10.mp3" | |
| ,,,,,, | |
| 91243,"backgrounds have migrated and settled in Egypt. Most recently, the Greeks, the Romans and people of Arab descent. Statues of Kings were typically placed at the end of","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Lekha","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk11.mp3" | |
| 91243,"'Kings' and not 'Kingswood' and 'placed' is cut off at 'd'. And the pause/full stop after 'descent' is missing","no","",2027,"Thais ; Michael Norman; Roger Wilmot; Lekha","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk11.mp3" | |
| 91243,"...backrounds have migrated and settled in Egypt, most recently, the Greeks, the Romans and people of Arab descent. | |
| Statues of kings would typically place at the end... ","no","",,"Thais ; Michael Norman; Roger Wilmot; Lekha","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk11.mp3" | |
| 91243,"backgrounds have migrated and settled in Egypt. Most recently the Greeks, the Romans and people of Arab descent. Statues of Kings were typically placed at the","no","",2010,"Thais ; Michael Norman; Roger Wilmot; Lekha","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk11.mp3" | |
| 91243,"backgrounds have migrated and settled in Egypt. Most recently the Greeks, the Romans and people of Arab descent. Statues of Kings were typically placed at the end","no","",2026,"Thais ; Michael Norman; Roger Wilmot; Lekha","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk11.mp3" | |
| ,,,,,, | |
| 91244,"entrances of temples. In this way they served the double purpose: representing him in his religious role as ruler of Egypt, but also promoted him and publicised his patronage ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk12.mp3" | |
| 91244,"entrances of temples. In this way they served a double-purpose: representing him in his religious role as ruler of Egypt; but also promoted him and publicised his patronage.","yes","",2010,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk12.mp3" | |
| 91244,"entances of temples. In this way they served the double purpose representing him in his religious role, as ruler of Egypt, but also promoted him and publicised his patronage","no","",2026,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk12.mp3" | |
| ,,,,,, | |
| 91245,"...was one of political change region with a more centralised administration coming into effect; Senusret let a series of campaigns against Kush the country to the South of Egypt and also... ","no","",,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk2.mp3" | |
| 91245,"and was one of political change for Egypt with a more centralised administration coming into effect. Senusret led a series of campaigns against Kush, the country to the south of Egypt, and also","no","",2026,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk2.mp3" | |
| 91245,"This time was one of political change for Egypt, with a more centralised administration coming into effect. Senusret led a series of campaigns against Kush, the country to the south of Egypt, and also","no","",2010,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk2.mp3" | |
| 91245," was one of political change for Egypt with a more centralised administration coming into effect. Senusret led a series of campaigns against Kush, the country to the south of Egypt and also","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk2.mp3" | |
| 91245,"[when] was one of political change for Egypt with a more centralised administration coming into effect. Senusret led a series of campaigns against Kush, the country to the south of Egypt, and also...","no","First word is unclear. Key names and places are missing. Assuming Senusret is Senusret III?",2028,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk2.mp3" | |
| ,,,,,, | |
| 91246,"built a series of fortifications to protect his realm. One of the most notable developments during this period was the way in which Senusret, and his successor Amenemhat, ","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk3.mp3" | |
| 91246,"and built a series of fortifications to protect his realm. One of the most notable developments during this period was the way in which Senusret and his successor, Amenemhat,","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk3.mp3" | |
| 91246,"built a series of fortifications to protect his realm. One of the most notable developments during this period was the way in which Senusret and his successor Amenemhat","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk3.mp3" | |
| 91246,"[?] built a series of fortifications to protect his realm. One of the most notable developments during this period was the way in which Senusret and is successor, Amenemhat...","yes","First word is unclear? | |
| Names are missing or are transcribed incorrectly. Senusret [III] | |
| Amenemhat [II] | |
| ",2028,"Thais ; Michael Norman; Roger Wilmot; T May","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk3.mp3" | |
| ,,,,,, | |
| 91247,"Ni Ma Tray would depicted on the statues. Prior to this period the king had always been represented with stylized facial features; if we look at this particular... ","no","",,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk4.mp3" | |
| 91247,"Nimaatre, were depicted on their statues. Prior to this period the King had always been represented with stylised facial features. If we look at this particular ","no","",2010,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk4.mp3" | |
| 91247,"Nimaatre were depicted on their statues. Prior to this period, the king had always been represented with stylized facial features. If we look at this particular","yes","",2016,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk4.mp3" | |
| 91247,"Nimaatre were depicted on their statues. Prior to this period the king had always been represented with stylized facial features. If we look at this particular | |
| ","yes","",2026,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk4.mp3" | |
| ,,,,,, | |
| 91248,"representation, which is typical of Senusret's statues, we see that the facial features appear to be more lifelike. The heavy hooded eyelids, prominent broad cheekbones ","yes","",2010,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk5.mp3" | |
| 91248,"particular representation, which is typical of Senusret statues, we see that the facial features appear to be more life-like. The heavy-hooded eyelids, prominent broad cheek bones ","yes","first word of clip is indistinct. Transcribed as ""particular""",2026,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk5.mp3" | |
| 91248," representation, which is typical of Senustra's statues, we see that the facial features appear to be more lifelike. The heavy-hooded eyelids, prominent cheekbones ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk5.mp3" | |
| ,,,,,, | |
| 91249,"and strong jawline, are all typical of Senusret's representations. However rather than accepting that this is how Senusret may have looked, the majority of Egyptologists prefer to see this","no","",2010,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk6.mp3" | |
| 91249,"and strong jawline are all typical of Senustra's representations. However, rather than accepting that this is how Senustra may have looked, the majority of Egyptologists prefer to see this | |
| ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk6.mp3" | |
| 91249,"and strong jawline are all typical of Senusret's representations. However, rather than accepting that this is how Senusret may have looked, the majority of egyptologists prefer to see this","yes","",2026,"Thais ; Michael Norman; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk6.mp3" | |
| ,,,,,, | |
| 91250,"This is what we call a psychological portrait: in other words, that the features symbolise wisdom through his aged appearance or vigilance through the provenance of his eyes.","no","minor changes to pronunciation and capitalisation, also changed 'feature symbolises' to 'features symbolise'",2030,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk7.mp3" | |
| 91250,"is what we call a psychological portrait. In other words that the feature symbolises wisdom through his aged appearance, or vigilance through the provenance of his eyes.","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk7.mp3" | |
| 91250,"this as what we call a psychological portrait. In other words, that the features symbolise wisdom through his aged appearance or vigilance through the prominence of his eyes.","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk7.mp3" | |
| 91250,"this is what we call a psychological portrait. In other words that the features symbolise Wisdom through his aged appearance or vigilance through the provenance of his eyes","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk7.mp3" | |
| ,,,,,, | |
| 91251," if we consider that this representation of Senusret may have been based on his actual appearance, the features also offer a clue to the ethnic and racialised backgrounds of some of Egypt's earliest kings | |
| ","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk8.mp3" | |
| 91251," If we consider that this representation of Senustra may be based on his actual appearance the features also offer a clue to the ethnic and racialised backgrounds of some of Egypt's earliest kings | |
| ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk8.mp3" | |
| 91251,"If we consider that this representation of Senusret may have be based on his actual appearance, the features also offer a clue to the ethnic and racialised backgrounds of some of Egypt's earliest kings.","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk8.mp3" | |
| 91251,"If we consider that this representation of soon as it may be based on his actual appearance, the features also offer a clue to the ethnic and racialise backrounds of some of the Egypt's earliest king.","yes","",,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk8.mp3" | |
| 91251,"If we consider that this representation of Senusret may be based on his actual appearance, the features also offer a clue to the ethnic and racialised backgrounds of some of Egypt's earliest","no","I assume that this refers to Senusret but unsure if there's a preferred spelling/the audio went quite quickly at this point",2030,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk8.mp3" | |
| ,,,,,, | |
| 91252,"The strong jawline, heavy eyelids, and prominent cheekbones are commonly associated with the physical features of people of African descent, and although","yes","",2030,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk9.mp3" | |
| 91252,"the strong jawline, heavy eyelids and prominent cheekbones are commonly associated with the physical features of people of African descent and although","yes","",2016,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk9.mp3" | |
| 91252,"The strong jawline, heavy eyelids and prominent cheekbones, are commonly associated with the physical features of people of African descent. And although","yes","",2010,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2002_Senusret_III_Chunk9.mp3" | |
| ,,,,,, | |
| 91253,"The characters in this painting are caught up in the great emigration crisis that hit Britain in the middle of the 19th century, when millions left their native land in search of","yes","",2016,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk0.mp3" | |
| 91253,"The characters in this painting are caught up in the great emigration crisis that hit Britain in the middle of the 19th century - when millions left their native land in search","yes","",2010,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk0.mp3" | |
| 91253,"The characters in this painting are caught up in the great emigration crisis that hit Britain in the middle of the nineteenth century, when millions left their native land in search","no","",2030,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk0.mp3" | |
| ,,,,,, | |
| 91254,"of a better life overseas. It was the departure of a friend to Australia that prompted Ford Madox Brown to paint The Last of England. But this is, in many ways, an","yes","",2010,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk1.mp3" | |
| 91254,"of a better life overseas. It was the departure of a friend to Australia that prompted Ford Madox Brown to paint the Last of England but, this is in many ways not a ","yes","",2016,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk1.mp3" | |
| 91254,"in search of a better life overseas. It was the departure of a friend to Australia that prompted Ford Madox Brown to paint the last of England, but this is in many ways","yes","senetence break after ""overseas""",2030,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk1.mp3" | |
| ,,,,,, | |
| 91255,"underneath her thick woollen shawl. She has taken the glove off this hand to impart some warmth to the child, while her other gloved hand squeezes her husband's hard in","yes","",2010,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk10.mp3" | |
| 91255,"a thick woolen shawl. She has taken the glove off this hand to impart some warmth to the child, while her other gloved hand squeezes her husband's hard in solidarity","yes","last word cut off- I'm assuming it's solidarity",2030,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk10.mp3" | |
| 91255,"thick woollen shawl."" She has taken the glove off this hand to impart some warmth to the child, while her other gloved hand squeezes her husband's hard and solid","yes","",2016,"Thais ; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk10.mp3" | |
| ,,,,,, | |
| 91256,"solidarity and encouragement. Ford Madox Brown wrote of The Last of England: ""I have to present the parting scene in its fullest tragic","no","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk11.mp3" | |
| 91256,"solidarity and encouragement. Ford Madox Brown wrote of the last of 'The Last of England', ' I have to present the Parting scene in its fullest, tragic development","no","I think the first word is 'solidarity' not 'charity', though not 100% sure because the audio cuts it slightly. Also, I capitalised 'Parting' as this is the way it was in the current transcription box, but i don't know if it needs to be.",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk11.mp3" | |
| 91256,"in solidarity and encouragement. Ford Madox Brown wrote of The Last of England: ""I have to present the parting scene in its fullest tragic development | |
| ","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk11.mp3" | |
| 91256,"solidarity and encouragement. Ford Madox Brown wrote of The Last of England, 'I have to present the parting scene in its fullest tragic development.'","yes","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk11.mp3" | |
| ,,,,,, | |
| 91257,"singled out a couple from the middle classes, high enough through education and refinement to appreciate all they are now giving up and yet depressed enough","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk12.mp3" | |
| 91257,"singled out a couple from the middle-classes, high enough through education and refinement to appreciate all they're now giving up, and yet depressed enough","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk12.mp3" | |
| 91257,"I singled out a couple from the middle classes, high enough through education and refinement to appreciate all that they are now giving up, and yet depressed enough in","yes","Unsure whether the last word is means or mien (recording is cut off)",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk12.mp3" | |
| 91257,"development. Singled out a couple from the middle classes - high enough through education and refinement to appreciate all I am now giving up, and yet depressed enough in means | |
| ","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk12.mp3" | |
| ,,,,,, | |
| 91258," to have to put up with the discomforts and humiliations incident to a vessel all one class. The worst of these discomforts are vividly described ","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk13.mp3" | |
| 91258,"means to have to put up with the discomforts and humiliations incident to a vessel all one class. The worst of these discomforts are vividly described","no","",2030,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk13.mp3" | |
| 91258,"to have to put up with the discomfort and humiliations incident to a vessel all one class."" The worst of these discomforts are vividly described","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk13.mp3" | |
| 91258,"in means to have to put up with the discomforts and humiliations incident to a vessel all one class. The worst of these discomforts are vividly described","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk13.mp3" | |
| ,,,,,, | |
| 91259," in the following account of a voyage undertaken by the writer Stephen de Vere in 1847: ""Before the emigrant has been a week at sea","yes","",2016,"Thais ; Michael Norman; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk14.mp3" | |
| 91259,"[but?] in the following account of a voyage undertaken by the writer Stephen De Vere in 1847 | |
| ""before the emigrant has been a week at sea","yes","First word unclear... ""the emigrant"" not plural as transcribed. See | |
| https://archive.org/stream/op1246458-1001/op1246458-1001_djvu.txt",2028,"Thais ; Michael Norman; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk14.mp3" | |
| 91259,"in the following account of a voyage undertaken by the writer, Stephen de Vere, in 1847. Before the emigrant has been a week at sea,","no","",2029,"Thais ; Michael Norman; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk14.mp3" | |
| 91259,"in the following account of a voyage undertaken by the writer Stephen de Vere in 1847: ""Before the emigrant has been a week at sea","no","",2010,"Thais ; Michael Norman; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk14.mp3" | |
| 91259,"in the following account of a voyage undertaken by the writer Stephen de Vere in 1847: 'Before the emigrant has been a week at sea,","no","",2030,"Thais ; Michael Norman; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk14.mp3" | |
| ,,,,,, | |
| 91260,"he is an altered man. How can it be otherwise? Hundreds of poor people —men, women and children of all ages, from the drivelling ","yes","",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk15.mp3" | |
| 91260," he is an altered man. How can it be otherwise? Hundreds of poor people, men, women and children of all ages from the drivelling ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk15.mp3" | |
| 91260,"he is an altered man. How can it be otherwise? Hundreds of poor people, men, women and children of all ages, from the drivelling","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk15.mp3" | |
| 91260,"he is an altered man. How can it be otherwise? Hundreds of poor people: men, women and children of all ages. From the drivelling","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk15.mp3" | |
| 91260,"he is an altered man. How can it be otherwise? Hundred of poor people, men, women and children of all ages, from the drivelling","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk15.mp3" | |
| ,,,,,, | |
| 91261,"idiots of ninety to the babe just born, huddle together without light, without air—wallowing in filth and breathing a fetid atmosphere","no","",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk16.mp3" | |
| 91261,"the idiot of 90, to the babe just born, huddled together without light, without air, wallowing in filth and breathing a fetid atmosphere.","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk16.mp3" | |
| 91261,"idiot of 90 to the babe just born huddled together without light, without air, wallowing in filth and breathing a fetid atmosphere","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk16.mp3" | |
| 91261,"idiot of 90 to the babe just born, huddle together without light, without air, wallowing in filth and breathing a fetid atmosphere","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk16.mp3" | |
| 91261,"idiot of 90, to the babe just born, Huddled together without light, without air, wallowing in filth and breathing a fetid atmosphere.","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk16.mp3" | |
| ,,,,,, | |
| 91262,"sick in body, dispirited in heart, the fevered patients lying between the sound, in sleeping places so narrow as to almost deny them the power of ","yes","",2030,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk17.mp3" | |
| 91262,"sickened body. Dispirited in heart the fevered patients lying between the sound. In sleeping places so narrow as almost to deny them the power of indulgence","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk17.mp3" | |
| 91262,"sick in body, dispirited in heart, the fevered patients lying between the sound, in sleeping places so narrow as almost to deny them the power of indul##","yes","Last word indistinct",2026,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk17.mp3" | |
| 91262,"sick in body, dispirited in heart, the fevered patients lying between the sound, in sleeping places so narrow as almost to deny them the power of indulging","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk17.mp3" | |
| ,,,,,, | |
| 91263,"indulging by a change of position, the natural restlessness of the disease","no","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk18.mp3" | |
| 91263,",by a change of position, the natural restlessness of the disease.","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk18.mp3" | |
| 91263,"by a change of position; the natural restlessness of the disease.""","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk18.mp3" | |
| 91263,"indulging by a change of position, the natural restlessness of the disease","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk18.mp3" | |
| ,,,,,, | |
| 91264,"biographical work. The faces of the main couple are those of Brown and his wife Emma, and the brooding anxiety of the man is the artist's own","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk2.mp3" | |
| 91264,"biographical work. The faces of the main couple are those of Brown and his wife Emma and the brooding anxiety of the man is the artist's own","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk2.mp3" | |
| 91264,"biographical work. The faces of the main couple are those of Brown and his wife Emma, and the brooding anxiety of the man is the artist's own,","no","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk2.mp3" | |
| 91264," biographical work. The faces of the main couple are those of Brown and his wife Emma and the brooding anxiety of the man is the artist's own","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk2.mp3" | |
| 91264,"autobiographical work. The faces of the main couple are those of Brown and his wife, Emma, and the brooding anxiety of the man is the artist's own.","no","The beginning of the first word is cut off- I am assuming that it is meant to say autobiographical as opposed to biographical",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk2.mp3" | |
| ,,,,,, | |
| 91265,"despondent at his own lack of professional success in London, he described himself in a diary entry from the time as 'intensely miserable, very hard-up, and a little mad.'","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk3.mp3" | |
| 91265,"despondent at his own lack of professional success in London, he described himself in a diary entry from the time as 'intensely miserable, very hard-up and a little mad'","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk3.mp3" | |
| 91265,"despondent at his own lack of professional success in London he described himself in a diary entry from the time as intensely miserable, very hard up and a little mad","yes","first word is unclear",2016,"Thais ; Michael Norman; Maria Benedetto Mozo","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk3.mp3" | |
| ,,,,,, | |
| 91266,"The foul English weather adds much to the bleak mood of the painting, as no doubt it did to Brown's own depression. Green waves are churned by a","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk4.mp3" | |
| 91266,"The foul English weather adds much to the bleak mood of the painting, as no doubt it did to Brown's own depression. Green waves are churned by a ","no","",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk4.mp3" | |
| 91266,"the foul English weather adds much to the bleak mood of the painting, as no doubt it did to Browns' own depression. Green waves are churned by a ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk4.mp3" | |
| 91266,"the foul English weather adds much to the bleak mood of the painting, as no doubt it did to Brown's own depression. Green waves are churned by a","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk4.mp3" | |
| 91266,"The foul English weather adds much to the bleak mood of the painting, as no doubt it did to Brown's own depression. Green waves are churned by a","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk4.mp3" | |
| ,,,,,, | |
| 91267,"wind that blows heavy drops of rain on to the woman's umbrella. The pink ribbon tying her bonnet is whipped horizontal by the same gust. The vivid sense of","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk5.mp3" | |
| 91267,"wind, that blows heavy drops of wind onto the woman's umbrella. The pink ribbon tying her bonnet is whipped horizontal by the same gust. The vivid sense of colour","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk5.mp3" | |
| 91267,"wind that blows heavy drops of rain onto the woman's umbrella. The pink ribbon tieing her bonnet is whipped horizontal by the same gust. The vivid sense of | |
| ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk5.mp3" | |
| 91267,"wind that blows heavy drops of rain onto the woman's umbrella. The pink ribbon tying her bonnet is whipped horizontal by the same gust. The vivid sense of","no","",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk5.mp3" | |
| 91267,"wind that blows heavy drops of rain on to the woman's umbrella. The pink ribbon tie-her-bonnet is whipped horizontal by the same gust. The vivid sense of","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk5.mp3" | |
| ,,,,,, | |
| 91268,"cold was painstakingly achieved by Brown to capture what he described as the peculiar look of light or round, which objects have on a dull day at sea","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| 91268,"cold was painstakingly achieved by Brown, to capture what he described as 'the peculiar look of light all around, which objects have on the dull day at sea.""","no","",2010,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| 91268,"cold was painstakingly achieve my Brown to capture what he described as the peculiar look of light or [rand] which objects have on a dull day at sea.","no","Unclear as to whether the word 'rand' is being used?",2028,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| 91268,"cold was painstakingly achieved by Brown. To capture what he described as 'the peculiar look of light all round which objects have on a dull day at sea","no","",2030,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| 91268,"cold was painstakingly achieved by Brown to capture what he described as ' the peculiar look of light or round which objects have on a dull day at sea' ","no","",2029,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| 91268,"## was painstakingly achieved by Brown to capture what he described as the peculiar look of light or round that objects have on a dull day at sea","yes","First word indistinct",2026,"Thais ; Michael Norman; Roger Wilmot; T May; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk6.mp3" | |
| ,,,,,, | |
| 91269,"He painted in the open air on particularly dreary days. And to convincingly capture the pallor of the woman's flesh, he persuaded his wife to pose for long sessions","yes","",2010,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk7.mp3" | |
| 91269,"He painted in the open air on particularly dreary days, and to convincingly capture the pallor of the woman's flesh, he persuaded his wife to pose for long sessions","no","",2029,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk7.mp3" | |
| 91269,"He painted in the open air on particularly dreary days and to convincingly capture the pallor of the woman's flesh, he persuaded his wife to pose for long sessions | |
| ","yes","",2016,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk7.mp3" | |
| 91269,"he painted in the open air on particularly dreary days and to convincingly capture the pallor of the woman's flesh he persuaded his wife to pose for long sessions","yes","",2026,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk7.mp3" | |
| 91269,",' he painted in the open air on particularly dreary days. And to convincingly capture the pallor of the woman's flesh, he persuaded his wife to pose for long sessions","no","",2030,"Thais ; Michael Norman; Roger Wilmot; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk7.mp3" | |
| ,,,,,, | |
| 91270,"outdoors in winter. But if Emma suffered as a result of her husband's obsessive pursuit of climatic accuracy, she emerges from the painting as a heroic figure","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk8.mp3" | |
| 91270,"outdoors, in winter. But if Emma suffered as a result of her husband's obsessive pursuit of climatic accuracy, she emerges from the painting as a heroic figure","no","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk8.mp3" | |
| 91270,"outdoors in winter. But if Emma suffered as a result of her husband's obsessive pursuit of climatic accuracy, she emerges from the painting as a heroic figure,","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk8.mp3" | |
| 91270," outdoors in winter. But if Emma suffered as a result of her husbands' obsessive pursuit of climatic accuracy, she emerges from the painting as a heroic figure | |
| ","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk8.mp3" | |
| ,,,,,, | |
| 91271,"a face, though tinged by unhappiness, is determined and strong. A left hand holds the tiny fingers of a baby, otherwise invisible beneath","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk9.mp3" | |
| 91271,"a face, though tinged by unhappiness, is determined and strong. Her left hand holds the tiny fingers of a baby, otherwise invisible beneath","no","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk9.mp3" | |
| 91271,": her face, though tinged by unhappiness, is determined and strong. Her left hand holds the tiny fingers of a baby, otherwise invisible beneath","yes","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk9.mp3" | |
| 91271,"a face, though tinged by unhappiness is determined and strong. A left hand holds the tiny fingers of a baby otherwise invisible beneath","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/201-the-last-of-england_Chunk9.mp3" | |
| ,,,,,, | |
| 91272,"John Constable was fascinated by clouds, and on Hampstead Heath, the undulating plain you see stretching out here, he found the perfect place to study them.","no","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk0.mp3" | |
| 91272,"John Constable was fascinated by clouds, and on Hampstead Heath, the undulating plain you see stretching out here, he found the perfect place to study them","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk0.mp3" | |
| 91272,"John Constable was fascinated by clouds, and on Hampstead Heath - the undulating plain you see stretched out here - he found the perfect place to study them.","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk0.mp3" | |
| 91272,"John Constable was fascinated by clouds and on Hampstead Heath, the undulating plain you see stretching out here, he found the perfect place to study them","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk0.mp3" | |
| ,,,,,, | |
| 91273,"Look at the clouds in this painting, they seem to have been sketched rather quickly. You can see the buff background upon which they were painted showing through in the upper right-hand corner | |
| ","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk1.mp3" | |
| 91273,"Look at the clouds in this painting. They seem to have been sketched rather quickly: you can see the buff background upon which they were painted showing through in the upper right-hand corner.","no","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk1.mp3" | |
| 91273,"Look at the clouds in this painting. They seem to have been sketched rather quickly, you can see the buff background upon which they were painted showing through in the upper right-hand corner.","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk1.mp3" | |
| 91273,"Look at the clouds in this painting. They seem to have been sketched rather quickly - you can see the buff background upon which they were painted showing through in the upper right hand corner.","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk1.mp3" | |
| ,,,,,, | |
| 91274,"but they are integral to the image. See how they affect the landscape beneath - the light and shade on the hills in the distance relates directly to the disposition of clouds above.","no","",2029,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk2.mp3" | |
| 91274,"but they are integral to the image. See how they affect the landscape beneath: the light and shade on the hills in the distance relates directly to the disposition of clouds above","yes","",2030,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk2.mp3" | |
| 91274,"but they're integral to the image see how they affect the Landscape beneath the light and trade on the hills in the distance relates directly to the disposition of cloud","yes","",2016,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk2.mp3" | |
| 91274,"but they are integral to the image. See how they affect the landscape beneath; the light and shade on the hills in the distance relates directly to the disposition of clouds above","yes","",2010,"Thais ; Michael Norman; Maria Benedetto Mozo; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk2.mp3" | |
| ,,,,,, | |
| 91275,". From the shadows cast, you can work out that the sun is high, beyond the left-hand edge of the canvas. The long, deep shadow across the bottom of the painting contrasts ","no","",2030,"Elaine Dale; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk3.mp3" | |
| 91275,"From The shadows cast you can work out that the sun is high, beyond the left-hand edge of the canvas. The long deep shadow across the bottom of the painting contrasts","yes","",2010,"Elaine Dale; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk3.mp3" | |
| 91275,"from the shadows cast you can work out that the sun is high beyond the left hand edge of the canvas. The long deep shadow across the bottom of the painting","yes","",226,"Elaine Dale; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk3.mp3" | |
| ,,,,,, | |
| 91276,"with the fresher greens higher up and suggests a dark cloud blocking out the light directly above the viewer's head. Clouds even affect the human activity on","yes","",2030,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk4.mp3" | |
| 91276,"with the fresher greens higher up, and suggest a dark cloud blocking out the light directly above the viewers' head. Clouds even affect the human activity on the","no","",2010,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk4.mp3" | |
| 91276," with the fresher greens higher up and suggest a dark cloud blocking out the light directly above the viewer's head. Clouds even affect the human activity on the","yes","",2026,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk4.mp3" | |
| ,,,,,, | |
| 91277,"the heath. The men with the cart in the foreground are probably filling in one of the depressions in the ground where puddles would form after heavy rain.","no","",2030,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk5.mp3" | |
| 91277,"heath. The men with the cart in the foreground, are probably filling in one of the depressions in the ground, where puddles would form after heavy rain.","yes","",2010,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk5.mp3" | |
| 91277,"heath. The men with the cart in the foreground are probably filling in one of the depressions in the ground but puddles would form after heavy rain","yes","",2026,"Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk5.mp3" | |
| ,,,,,, | |
| 91278,"Constable's interest in the relationship of sky to landscape, and the dramatic possibilities of light and shade; ""the Chiaroscuro of Nature"" as he described it, is strongly felt","yes","",2010,"Elaine Dale; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk6.mp3" | |
| 91278,"Constable's interest in the relationship of sky to landscape and the dramatic possibilities of light and shade, the chiaroscuro of nature as he described it, is strongly felt","no","",226,"Elaine Dale; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk6.mp3" | |
| 91278,"Constable's interest in the relationship of sky to landscape and the dramatic possibilities of light and shade—the chiaroscuro of nature, as he described it—is strongly felt","yes","",2030,"Elaine Dale; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk6.mp3" | |
| 91278,"Constable's interest in the relationship of sky to landscape and the dramatic possibilities of light and shade, the chiaroscuro of nature as he described it, is strongly felt","yes","",2026,"Elaine Dale; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/202-hampstead-heath_Chunk6.mp3" | |
| ,,,,,, | |
| 91279,"Constable was born and raised in rural Suffolk in East Anglia and throughout his life he produced images that remain among the most brilliant of that much painted County. ","no","",,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk0.mp3" | |
| 91279," Constable was born and raised in rural Suffolk in East Anglia and throughout his life he produced images that remain among the most brilliant of that much painted County","yes","",2026,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk0.mp3" | |
| 91279,"Constable was born and raised in rural Suffolk in East Anglia, and throughout his life, he produced images that remain among the most brilliant of that much-painted county.","no","",2030,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk0.mp3" | |
| ,,,,,, | |
| 91280,"The spontaneous looking oil sketch on millboard, is a view from his parents house in East Bergholt, the village where the artist grew up and which is at the heart of what was... ","no","",,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk1.mp3" | |
| 91280,"the spontaneous-looking oil sketch on millboard is a view from his parents' house in East Bergholt, the village where the artist grew up, and which is at the heart of what ","yes","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk1.mp3" | |
| 91280,"the spontaneous looking oil sketch on millboard is a view from his parents house in East Bergholt the village where the artist grew up and which is at the heart of what was","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk1.mp3" | |
| 91280,"this spontaneous looking oil sketch on millboard is a view from his parents' house in East Bergholt, the village where the artist grew up, and which is at the heart of what","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk1.mp3" | |
| ,,,,,, | |
| 91281,"was even in his own day known as Constable country. It was painted in 1808 when the artist was studying at the schools of the Royal Academy in London and when he was just beginning","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk2.mp3" | |
| 91281,"even in his own day known as Constable country it was painted in around 1808 when the artist was studying at the schools of the Royal Academy in London and when he was just beginning","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk2.mp3" | |
| 91281,"was even in his own day known as Constable Country. It was painted in around 1808, when the artist was studying at the schools of the Royal Academy in London, and when he was just beginning","no","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk2.mp3" | |
| 91281,"... it was even in his own day, known as Constable country; it was painted in 1808 when the artist was studying at the schools of the Royal Academy in London and when he was just beginning...","no","",,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk2.mp3" | |
| ,,,,,, | |
| 91282,"to experiment with sketching and oils out-of-doors. The red house at the edge of the distinctive clump of trees over the bridge is East Bergholt Rectory, and the field","no","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk3.mp3" | |
| 91282,"to experiment with sketching and oils out of doors. The red house at the edge of the distinctive clump of trees over the bridge is East Bergholt rectory","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk3.mp3" | |
| 91282," to experiment with sketching in oils out of doors. The Red House at the edge of the distinctive clump of trees over the bridge is East Bergholt rectory and the field","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk3.mp3" | |
| 91282,"... to experiment with sketching in oils out of doors. The Red House at the edge of the distinctive clump of trees over the bridge, is East Bergholt the rectory and the field... ","no","",,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk3.mp3" | |
| ,,,,,, | |
| 91283," in the foreground are where the young artist would, in 1809, begin his courtship of Maria Bicknell, the granddaughter of the rector. In 1814 he remembered","yes","Initial sound is probably a terminal ""s"" from ""field"" at the end of the previous segment",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk4.mp3" | |
| 91283,"was in the foreground where the young artist would, in 1809, begin his courtship of Maria Bicknell the granddaughter of the Rector. In 1814 he remembered","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk4.mp3" | |
| 91283,"s in the foreground, where the young artist would, in 1809, begin his courtship of Maria Bicknell, the granddaughter of the rector. In 1814, he remembered","yes","the s belongs to fields in the previous segment",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk4.mp3" | |
| ,,,,,, | |
| 91284,"of these same fields with fondness in a letter to Maria ""I can hardly tell you what I feel at the sight from the window where I am now writing, of the fields in which we have so ""","yes","",2026,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk5.mp3" | |
| 91284,"The Descent Fields with fondness, in a letter to Maria: "" I can hardly tell you what I feel at the site from the window where I am now writing; of the fields in which we have...","no","At the end of the audioguide we hear a "" we have sa..."" this last word beginning with sa could be such, or sat or anything else. Therefore, I did not include it in the transcription in order to avoid to misrepresent the content of the text. ",,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk5.mp3" | |
| 91284,"these same fields with fondness in a letter to Maria ""I can hardly tell you what I feel at the sight from the window where I am now writing of the fields in which we have ","no","",226,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk5.mp3" | |
| ,,,,,, | |
| 91285,"I often walked...A beautiful carmel terminal setting sun is glowing upon the gardens of the Rectory and on adjacent field where... ","yes","",,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk6.mp3" | |
| 91285," who often walked. A beautiful calm autumnal setting sun is glowing upon the gardens of the Rectory and on adjacent fields where","yes","",2026,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk6.mp3" | |
| 91285,"so often walked. A beautiful caramel autumnal setting sun is glowing upon the gardens of the Rectory and on adjacent field where","no","",226,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/203-east-bergholt_Chunk6.mp3" | |
| ,,,,,, | |
| 91286," Salisbury Cathedral provided Constable with one of his greatest man-made subjects although here he's depicted it from an unusual angle and","yes","",2026,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk0.mp3" | |
| 91286,"Salisbury Cathedral provided Constable with one of his greatest man-made subjects although here is depicted it from an unusual angle and ","no","",226,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk0.mp3" | |
| 91286,"Salisbury Cathedral, provided Constable with one of his greatest man-made subjects. Although, here, he's depicted it from an unusual angle and... ","no","",,"Elaine Dale; Roger Wilmot","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk0.mp3" | |
| ,,,,,, | |
| 91287," subordinated it to its natural surroundings. The tall grey spire is all that is visible of the huge magnificent thirteenth-century structure and even this is almost pushed from the canvas","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk1.mp3" | |
| 91287,"subordinated (?) it to its natural surroundings. The tall, grey spire is all that is visible of the huge, magnificent, thirteenth-century structure, and even this is almost pushed from the canvas.","yes","not sure if the first word is subordinated, coordinated, or something else entirely",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk1.mp3" | |
| 91287,"to it's natural surroundings. The tall grey spire is all that is visible of the huge magnificent thirteenth-century structure and even this is almost pushed in the canvas","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk1.mp3" | |
| ,,,,,, | |
| 91288,"by the trees. In the foreground a small stone bridge crosses a stream, probably that which emptied the bishop's fish pond into the River Avon","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk2.mp3" | |
| 91288,"by the trees. In the foreground, a small stone bridge crosses a stream, probably that which emptied the Bishop's fish pond into the River Avon.","no","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk2.mp3" | |
| 91288,"by the trees. In the foreground a small stone bridge crosses a stream probably that would empty the Bishop's fish pond into the River Avon","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk2.mp3" | |
| ,,,,,, | |
| 91289,"Constable first stayed in Salisbury in 1811, and it was there that he met the man who was to become his greatest friend: the reverend John Fisher, nephew of the then-Bishop","no","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk3.mp3" | |
| 91289,"Constable first stayed in Salisbury in 1811 and it is there that he met that man who is to become his greatest friend, the Reverend John Fisher, nephew of the then Bishop","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk3.mp3" | |
| 91289," first stayed in Salisbury in 1811 and it was there that he met the man who was to become his greatest friend the Reverend John Fisher nephew of the then Bishop","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/204-salisbury-cathedral_Chunk3.mp3" | |
| ,,,,,, | |
| 91290,"the sound of water escaping from milldams. Willows. Old rotten planks. Slimy posts and brickwork","yes","unsure about punctuation- it would depend on how this fits into the context of a larger segment",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk0.mp3" | |
| 91290,"the sound of water escaping from mill dams, willows, old rotten planks, slimy posts and brickwork ","no","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk0.mp3" | |
| 91290," the sound of water escaping from milldams, willows, old rotten planks, slimy posts and brickwork","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk0.mp3" | |
| ,,,,,, | |
| 91291,"I love such things. These scenes made me a painter"", so wrote John Constable in 1821. Mills ","yes","",226,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk1.mp3" | |
| 91291," I love such things. These scenes made me a painter. So wrote John Constable in 1821. Mills","yes","",2026,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk1.mp3" | |
| 91291,"'I love such things. These scenes made me a painter.' So wrote John Constable in 1821. Mills","yes","",2030,"Elaine Dale; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk1.mp3" | |
| ,,,,,, | |
| 91292,"were a part of his life from childhood. His father was the owner of two Mills near his home in East Bergholt and it was originally hoped that John would take over the family business.","yes","",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk2.mp3" | |
| 91292,"were a part of his life from childhood. His father was the owner of two mills near his home in East Bergholt and it was originally hoped that John would take over the family business.","yes","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk2.mp3" | |
| 91292,"repart? of his life from childhood his father was the owner of two mills near his home in East Bergholt and was originally hoped that John would take over the family business","no","sorry can't figure out the first word.",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk2.mp3" | |
| ,,,,,, | |
| 91293,"building is Parham's Mill near Gillingham in Dorset by Constable great friend John Fisher was vicar. The weather a superbly observed and rendered here","yes","",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk3.mp3" | |
| 91293," building is Parham's Mill near Gillingham in Dorset where Constable's great friend John Fisher was vicar. The weather is superbly observed and rendered here, the damp","yes","",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk3.mp3" | |
| 91293,"This building is Parham's Mill, near Gillingham in Dorset, where Constable's great friend John Fisher was Vicar. The weather is superbly observed and rendered here, the damp","no","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk3.mp3" | |
| ,,,,,, | |
| 91294,"","yes","",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk4.mp3" | |
| 91294,"grey clouds in the sky to the right, the wind-blown trees in the centre, and to the left, the hint of a rainbow.","yes","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk4.mp3" | |
| 91294,"grey clouds in the sky to the right, the wind blown trees in the centre and to the left the hint of a rainbow","yes","",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/205-parhams-mill_Chunk4.mp3" | |
| ,,,,,, | |
| 91295,"The Cambridge professor who brought this colossal statue to England in the early nineteenth century originally identified her as Demeter, the Greek goddess of corn.","yes","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk0.mp3" | |
| 91295,"Cambridge professor, who bought this colossal statue to England and early 19th century, originally identified as Demeter, the Greek goddess of corn","yes","",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk0.mp3" | |
| 91295," the Cambridge professor who brought this colossal statue to England in the early 19th century originally identified her as Demeter, the Greek goddess of corn","yes","",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk0.mp3" | |
| ,,,,,, | |
| 91296,"He'd come across her at Eleusis, a village near Athens, the site of an important ancient sanctuary to the goddess. The modern Eleusinians revered her as ","yes","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk1.mp3" | |
| 91296,"you come across at Eleusis, a village near Athen, the site of important ancient sanctuary to the goddess the modern eleusinian revered","yes","",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk1.mp3" | |
| 91296,"he'd come across her at Eleusis, a village near Athens, the site of important ancient sanctuary to the goddess. The modern Eleusinians revered her as ","yes","",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk1.mp3" | |
| ,,,,,, | |
| 91297,"Demetra, credited her with the success of their harvests. In fact both professor and villagers were quite wrong, imposing though it is the statue","yes","",2035,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk2.mp3" | |
| 91297,"Saint Demetra and credited her with the success of their harvests. In fact, both professor and villagers were quite wrong. Imposing though it is, the statue represents ","yes","",2030,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk2.mp3" | |
| 91297,"Saint Demitra and credited her with the success of their harvests. In fact both Professor and villages were quite wrong. Imposing as it is the statue represents","yes","Saint inserted as first word here rather than at end of previous segment",2026,"Roger Wilmot; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk2.mp3" | |
| ,,,,,, | |
| 91298," it's not the goddess herself but one of her priestesses. She was one of a pair of caryatids female figures supporting the lintel of a monument of Gateway","yes","",2035,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk3.mp3" | |
| 91298,"not the goddess herself, but one of her priestesses. She was one of a pair of caryatids, female figures supporting the lintel of a monumental gateway to","yes","",2030,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk3.mp3" | |
| 91298,"it's not the goddess herself but one of her priestesses she was one of a pair of caryatids female figures supporting the lintel of a monument of Gateway to","yes","",677,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk3.mp3" | |
| ,,,,,, | |
| 91299," the Sanctuary. The Gorgon's head that you can see on her breast was probably intended to ward off Evil. The cylindrical vessel on this caryatids' head","yes","the gorgon's (what---)",2035,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk4.mp3" | |
| 91299,"Demeter's sanctuary. The gorgon's-head brooch that you can see on her breast was probably intended to ward off evil. The cylindrical vessel on this caryatid's head is called a ","yes","",2030,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk4.mp3" | |
| 91299,"it is Sanctuary the gorgon's head broach that you can see on her breast was probably intended to ward off Evil the cylindrical vessel on this carry out's head is called a","yes","",677,"Michael Adams; Jasmine Xie; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk4.mp3" | |
| ,,,,,, | |
| 91300,"cista, and it was decorated with emblems and items associated with the rituals of Demeter's sanctuary. Ears of corn, rosettes, cakes, bundles of myrtle","yes","",2030,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk5.mp3" | |
| 91300,"sister and it was decorated with emblems of items associated of the Metis Sanctuary; ears of corn, rosettes, cakes, bundles","no","",2037,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk5.mp3" | |
| 91300," sister and it was decorated with emblems and items associated of the rituals of the metis Sanctuary ears of corn rosettes cakes bundles of myrtle","yes","",677,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk5.mp3" | |
| 91300,"sister and it was decorated with emblems on items associated with the rituals of Demeter's Sanctuary; ears of corn, rosettes, cakes, bundles of myrtle","no","Not Metis* but Demeter's Sanctuary, last word is cut off but from research, I am sure the word is ""myrtle""",2036,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk5.mp3" | |
| ,,,,,, | |
| 91301,"carved directly by the figures Brow is a vessel that probably contained the key key on a sacred a drink used during the initiation ceremony","yes","",677,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk6.mp3" | |
| 91301,"cast directly by the figure's brow, is a vessel that probably contain the kykeon, a sacred drink used during the initiation ceremony, but Demeter","yes","",2036,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk6.mp3" | |
| 91301,", carved directly above the figure's brow, is a vessel that probably contained the kykeon, a sacred drink used during the initiation ceremony, but ","yes","",2030,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk6.mp3" | |
| 91301,"carved directly by the figures brow is a vessel that probably contained the kykeon, a sacred drink used during the initiation ceremony","no","",2037,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk6.mp3" | |
| ,,,,,, | |
| 91302,"a mystery religion and devotees were sworn to secrecy. It is still not known precisely what might have been carried in this priestess's sister","no","I thing sister is probably a technical word that only sounds like sister",2037,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk7.mp3" | |
| 91302,"cult was a mystery religion and devotees were sworn to secrecy. It is still not known precisely what might have been carried in this Priestess' sister. ","no","",2036,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk7.mp3" | |
| 91302,"this cult was a mystery religion and devotees were sworn to secrecy it is still not Known precisely what might have been carried in this priestess sister","yes","",677,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk7.mp3" | |
| 91302,"Demeter's cult was a mystery religion, and devotees were sworn to secrecy. It is still not known precisely what might have been carried in this priestess' cista. ","yes","",2030,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2102_Caryatid_Chunk7.mp3" | |
| ,,,,,, | |
| 91303,"this cup illustrates an episode from one of the most important and popular ancient Greek poems, Homer's Odyssey | |
| ","no","",2037,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk0.mp3" | |
| 91303,"This cup illustrates an episode from one of the most important and popular ancient Greek poems, Homer's Odyssey. In 24 book- | |
| ","yes","",2036,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk0.mp3" | |
| 91303,"This cup illustrates an episode from one of the most important and popular ancient Greek poems: Homer's Odyssey. In 24 books, ","yes","",2030,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk0.mp3" | |
| 91303," this cup illustrates an episode from one of the most important and popular ancient Greek poems Homer's Odyssey in 24 book","yes","",677,"Michael Adams; Kathryn Giffin; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk0.mp3" | |
| ,,,,,, | |
| 91304,", this epic describes the adventures of the hero Odysseus as he sails home after the Trojan war. One of the monsters that he encounters on his journey is the Cyclops","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk1.mp3" | |
| 91304,"this epic describes the Adventures of the hero Odysseus as he sails home after the Trojan War one of the monsters that he encounters on his journey is the","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk1.mp3" | |
| 91304,"This epic describes the adventures of the hero Odysseus as he sails home after the Trojan War. One of the monsters that he encountered on his journey is the | |
| ","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk1.mp3" | |
| ,,,,,, | |
| 91305,"but the fool never noticed that my men were tied up under the breasts of his own woolly sheep. On both sides of this cup two","no","",2036,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk10.mp3" | |
| 91305,"but the full never noticed that my men were tied up under the breasts of his own woolly Sheep on both sides of this cup two","yes","",677,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk10.mp3" | |
| 91305,"but the fool never noticed that my men were tied up under the breasts of his own woolly sheep."" On both sides of this cup, two","yes","",2030,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk10.mp3" | |
| ,,,,,, | |
| 91306,"figures are shown flanking a ram with another figure clinging to the bottom. One can imagine how at a drinking party, an image like this might have prompted a recitation or a","no","",2036,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk11.mp3" | |
| 91306,"figures are showing flanking a ram with another figure clinging to the bottom one can imagine how at a drinking party an image like this might have prompted a recitation","yes","",677,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk11.mp3" | |
| 91306,"figures are shown flanking a ram, with another figure clinging to the bottom. One can imagine how, at a drinking party, an image like this might have prompted a recitation.","no","",2030,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk11.mp3" | |
| ,,,,,, | |
| 91307,"song about a Odysseus' exploit. Cups shaped and decorated like this called ""little mastercups"" after their painters who specialised in miniature figures like these.","no","",2036,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk12.mp3" | |
| 91307,"song about a Distance exploit Cup's shaped and decorated like this recorded little mastercuts after their painters who specialised in miniature figures Like These","yes","",677,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk12.mp3" | |
| 91307,"song about Odysseus' exploit. Cups shaped and decorated like this are called 'Little-master cups' after their painters, who specialised in miniature figures liked these.","yes","",2030,"Michael Adams; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk12.mp3" | |
| ,,,,,, | |
| 91308,"cyclops a giant one-eyed man eating Shepherd who imprisons Odysseus and his crew and begins eating his way through them the Wylie Greek however","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk2.mp3" | |
| 91308,"cyclops, a giant one-eyed man eating shepherd who imprisons Odysseus and his crew and begins eating his way through them. The wily Greek however, ","yes","",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk2.mp3" | |
| 91308,"cyclops, a giant one-eyed, man-eating shepherd who imprisons Odysseus and his crew, and begins eating his way through them. The wily Greek however contrives","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk2.mp3" | |
| 91308,"a giant one-eyed, man-eating shepherd who imprisons Odysseus and his crew and begins eating his way through them. The wily Greek, however, contrives","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk2.mp3" | |
| ,,,,,, | |
| 91309,"an ingenious escape. While the Cyclops is collapsed in a drunken stupor, Odysseus and his men gouge out his one eye. Homer has Odysseus ","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk3.mp3" | |
| 91309,"what is an ingenious escape while the cyclops is collapsed in a drunken stupor Odysseus and his Men gouge out his one eye Homer hazardous","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk3.mp3" | |
| 91309,"what is an ingenious escape. While the cyclops is collapsed in a drunken stupor, Odysseus and his men gouge out his one eye. Homer has Odysseus","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk3.mp3" | |
| ,,,,,, | |
| 91310,"describe his escape from the Cave: 'This was the scene I eventually decided upon. There were in the Cyclops' flock some well-bred, thick-fleeced","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk4.mp3" | |
| 91310,"tribes escape from the Cave this was the scheme I eventually decided upon there were in the cyclops flock some well-bred thick flea","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk4.mp3" | |
| 91310,"describe his escape from the cave: ""This was the scheme I eventually decided upon. There were in the cyclops' flock some well-bred, thick fleeced","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk4.mp3" | |
| ,,,,,, | |
| 91311,"rams: fine, big animals with coats of black wool. These I quietly lashed together in threes. The middle one in each case was to carry","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk5.mp3" | |
| 91311,"rams, fine big animals with coats of black wool. These I quietly lashed together in threes; the middle one in each case was to carry one","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk5.mp3" | |
| 91311,"rams find big animals with coats of black wool these are quite largely lashed together in threes the middle one in each case was to carry one","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk5.mp3" | |
| ,,,,,, | |
| 91312,"one of my followers, while its fellows went on either side to protect him. For myself I chose a full-grown ram, the pick of the flock","no","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk6.mp3" | |
| 91312,"one of my followers while its fellows went on either side to protect him for myself I chose a full-grown ram the pick of the flock","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk6.mp3" | |
| 91312,"one of my followers; while its fellows went on either side to protect him. For myself I chose a full-grown ram, the pick of the flock","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk6.mp3" | |
| ,,,,,, | |
| 91313,"seizing him by the back I curled up under his saggy belly and lay there upside down with a firm grip on his magnificent fleece and with","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk7.mp3" | |
| 91313,"seizing him under the back, I curled up under his shaggy belly and lay there upside down with a firm grip on his magnificent grip and with","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk7.mp3" | |
| 91313,"seizing him by the back, I curled up under his shaggy belly and lay there upside down. With a firm grip on his magnificent fleece, and with patience","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk7.mp3" | |
| ,,,,,, | |
| 91314,"patience in my heart. As soon as dawn arrived and flecked the East with red, the rams began to scramble out and make for the pastures.","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk8.mp3" | |
| 91314,"","yes","in my heart. As soon as dawn arrived and flecked the East with red, the rams began to scramble out and make for the pastures",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk8.mp3" | |
| 91314,"in my heart as soon as Dawn arrived and flecked the east with red the rams began to scramble out and make for the pastures","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk8.mp3" | |
| ,,,,,, | |
| 91315,"the cyclops though he was worn out by the agonies of the nights before past his hands along the backs of all the animals as they came to a stand before","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk9.mp3" | |
| 91315,"The cyclops - though he was worn out by the agonies of the night before - passed his hands along the backs of all the animals as they came to a stand before","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk9.mp3" | |
| 91315,"The Cyclops, though he was worn out by the agonies of the night before, passed his hands along the backs of all the animals as they came to a stand before","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2104_Lip_CupOdysseus_under_the_Ram_Chunk9.mp3" | |
| ,,,,,, | |
| 91316,"The decoration of many Greek vases reflects their use at the Symposium, the Greek drinking party. The painted amphora takes wine-drinking as its central","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk0.mp3" | |
| 91316,"The decoration of many Greek vases reflects their use at the 'symposium' - the Greek drinking party. The painted amphora takes wine drinking as its central","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk0.mp3" | |
| 91316,"the decoration of money Creek vases reflects their use at the symposium the Greek drinking party the painted emperor takes wine drinking as it's central","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk0.mp3" | |
| ,,,,,, | |
| 91317,"theme, and though it deals with divine and mythological figures, it also tells us a fair amount about the human Symposium. Guests at an Athenian Symposium ","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk1.mp3" | |
| 91317,"deem and although it deals with divine and mythological figures it also tells us a fair amount about the human symposium guests at an Athenian Symposium ","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk1.mp3" | |
| 91317,"theme. And though it deals with divine and mythological figures, it also tells us a fair amount about the human symposium. Guests at an Athenian symposium","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk1.mp3" | |
| ,,,,,, | |
| 91318,"","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk2.mp3" | |
| 91318,"were always male, but the are sometimes accompanied by courtesans. Dionysus is shown here with his lover, the Cretan princess Ariadne","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk2.mp3" | |
| 91318,"are always male but they are sometimes shown accompanied by courtesans. Dionysus is shown here with his lover, the Cretan princess Ariadne.","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk2.mp3" | |
| ,,,,,, | |
| 91319,". her flesh is depicted in white, as was the custom for women on black figure pots. In an ancient account of a Symposium, the Greek writer Xenophon describes how the ","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk3.mp3" | |
| 91319," Her flash is depicted in white, as was the custom for women on black figure pots. In an ancient account of a symposium, the Greek writer Xenophon describes how the","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk3.mp3" | |
| 91319,"a flesh is depicted in white as was the custom for women on black figure pots in an ancient account of a symposium the Greek writer xenophon describes as the","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk3.mp3" | |
| ,,,,,, | |
| 91320,"guests watched a short erotic mime about Dionysus and Ariadne which so inflamed them that most cantered home immediately to make love to their wives.","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk4.mp3" | |
| 91320,"guests watched a short erotic mime about Dionysus and Ariadne, which so inflamed them that most cantered home immediately to make love to their wives.","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk4.mp3" | |
| 91320,"guess what's the short erotic meme about Dionysus and Ariadne which so inflamed them that most countered home immediately to make love to their wives","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk4.mp3" | |
| ,,,,,, | |
| 91321,"","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk5.mp3" | |
| 91321,", while those that were unmarried swore that they would find a mate.","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk5.mp3" | |
| 91321,"while those that were unmarried, swore that they would find a mate.","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2105_Amphora_Dionysos_and_Ariadne_at_a_symposium_Chunk5.mp3" | |
| ,,,,,, | |
| 91322,"this vase shows a young man readying himself for battle an attendant stands in front of him holding his Spears while he attaches his leg guards called Grieves ","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk0.mp3" | |
| 91322,"This vase shows a young man readying himself for battle. An attendant stands in front of him, holding his spears, while he attaches his leg guards, called greaves.","no","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk0.mp3" | |
| 91322,"This vase shows a young man readying himself for battle. An attendant stands in front of him holding his spears, while he attaches his leg guards called 'greaves'.","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk0.mp3" | |
| ,,,,,, | |
| 91323,"Before him is a large, round shield. Soldiers in Ancient Greece who armed themselves with this kind of equipment were called hoplites. Professor","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk1.mp3" | |
| 91323,"Before him is a large round shield. Soldiers in ancient Greece who armed themselves with this kind of equipment, were called 'Hoplites'. Professor Paul","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk1.mp3" | |
| 91323,"before him is a large round shield soldiers in Ancient Greece who armed themselves with this kind of equipment were called hoplites professor","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk1.mp3" | |
| ,,,,,, | |
| 91324,"The Hotpoint phalangites of the other side get in amongst you and they start wreaking havoc","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk10.mp3" | |
| 91324,"The hoplite phalangites of the other side, get in amongst you and they start wreaking havoc ","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk10.mp3" | |
| 91324,"'The hoplite phalangites of the other side get in amongst you and they start wreaking havoc","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk10.mp3" | |
| ,,,,,, | |
| 91325,"Paul Cartledge of Cambridge University's Classics faculty explains. 'The word hoplite is thought to be derived from a Greek word for shield, hoplon","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk2.mp3" | |
| 91325,"","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk2.mp3" | |
| 91325,"Cartledge of Cambridge University's Classics faculty explains: ""The word 'hoplite' is thought to be derived from a Greek word for 'shield': 'hoplon'","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk2.mp3" | |
| ,,,,,, | |
| 91326,", and the key element of a hoplite's equipment was indeed a large, round shield, basically made of wood, with possibly bronze facing, measuring about","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk3.mp3" | |
| 91326,"and the key element of a hoplite's equipment was indeed a large, round shield basically made of wood, with possibly bronze facing, measuring about","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk3.mp3" | |
| 91326,"and the key element of a hoplites equipment was indeed a large round shield basically made of wood with possibly bronze facing measuring about","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk3.mp3" | |
| ,,,,,, | |
| 91327,"a metre in diameter and the hoplite wore that always on his left arm, it was rather rough if you happen to be naturally left-handed because","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk4.mp3" | |
| 91327,"a metre in diameter, and the hoplite wore that, always, on his left arm. It's rather rough if you happen to be naturally left-handed because","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk4.mp3" | |
| 91327,"that's a metre in diameter and that the hoplite wore that always on his left arm it was rather rough if you happened to be naturally left-handed because","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk4.mp3" | |
| ,,,,,, | |
| 91328,"you in your right-hand had to carry a spear about six-to-eight feet long, tipped with iron and you fought in what was called a 'phalanx': that is","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk5.mp3" | |
| 91328,"you, in your right hand, had to carry a spear, about six to eight feet long, tipped with iron, and you fought in what was called a phalanx, that ","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk5.mp3" | |
| 91328,"was you in your right-hand had to carry a spear about six to eight feet long tipped with iron and you thought in what was called a phallic","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk5.mp3" | |
| 91328,"was you. In your right hand had to carry a spear about six to eight feet long tipped with iron and you fought in what was called a phalanx that","no","",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk5.mp3" | |
| ,,,,,, | |
| 91329,"is a close packed, densely packed formation, perhaps eight ranks deep and as wide as you had men available. A typical ","no","",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk6.mp3" | |
| 91329," is a close-packed densely packed formation perhaps 8 ranks deep and as wide as you had men available a typical ","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk6.mp3" | |
| 91329,"a close packed, densely packed formation, perhaps eight ranks deep and as wide as you had men available. The typical","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk6.mp3" | |
| 91329,"is, a close-packed — densely packed — formation, perhaps eight ranks deep, and as wide as you had men available. The typical","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk6.mp3" | |
| ,,,,,, | |
| 91330,"manoeuvre was for too hoplite armies to confront each other, and probably at the last moment actually to run to crunch into each other. And the one","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk7.mp3" | |
| 91330,"the manoeuvre was for two hot-plat armies to confront each other and probably at the last moment actually to run to crunch into each other and the one","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk7.mp3" | |
| 91330,"manoeuvre was for two hoplite armies to confront each other and, probably at the last moment, actually to run and crunch into each other. And the one","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk7.mp3" | |
| ,,,,,, | |
| 91331,"side won who either terrorised the other into running away or breaking up; or, through greater cohesion, greater momentum, greater ","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk8.mp3" | |
| 91331,"side won who either terrorised the other into running away, or breaking up, or through greater cohesion, greater momentum, greater","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk8.mp3" | |
| 91331," I said one who either terrorized the other into running away or breaking up or through greater cohesion greater momentum greater","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk8.mp3" | |
| 91331,"side won, who either terrorized the other into running away or breaking up or through greater cohesion, greater momentum, greater","yes","",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk8.mp3" | |
| ,,,,,, | |
| 91332,"the weight broke apart the enemy and hope like battles typically would not last very long because once one or other side is broken then","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk9.mp3" | |
| 91332,"weight, broke apart the enemy, and hoplite battles would typically not last very long, because once one or other side is broken, then","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk9.mp3" | |
| 91332,"the weight broke apart the enemy and hoplite battles typically would not last very long because once one or other side is broken then","no","not hope like but rather hoplite to indicate the the tools used in Ancient Greece",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk9.mp3" | |
| 91332,"weight broke apart the enemy, and hopelite battles typically would not last very long because once one or other side is broken, then","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2106_OIl_flaska_warrior_arming_Chunk9.mp3" | |
| ,,,,,, | |
| 91333,"This wine amphora depicts the goddess Athena in combat. Legend held that Athena sprang fully armed from the head of her father Zeus, the King of the","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk0.mp3" | |
| 91333," this wine amphora depicts the goddess Athena in combat Legend held that Athena sprang fully armed from the head of a father's Zeus","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk0.mp3" | |
| 91333,"This wine amphora depicts the goddess Athena in combat. Legend held that Athena sprang fully armed from the head of her father, Zeus, the king of the","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk0.mp3" | |
| ,,,,,, | |
| 91334,"the gods and she's usually shown us here with a shield helmet spear and her ages the sneaky breastplate given to her by her father this duel is","yes","",677,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk1.mp3" | |
| 91334,"gods and she's usually shown as here with her shield, helmet, spear, and her aegis; the snaky breastplate given to her by her father. This jewel is","no","",2036,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk1.mp3" | |
| 91334,"Gods. And she's usually shown as here: with her shield, helmet, spear and her 'aegis': the snaky breastplate given to her by her father. This jewel is","yes","",2010,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk1.mp3" | |
| 91334,"gods. And she's usually shown, as here, with her shield, helmet, spear, and her aegis, the snaky breastplate given to her by her father. This duel is","yes","",2030,"Michael Adams; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk1.mp3" | |
| ,,,,,, | |
| 91335,"","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk2.mp3" | |
| 91335,"probably part of the gigantomachy, the great battle in Greek myth between the gods and the giants, who'd attacked Mount Olympus in an attempt to overthrow the rule of Zeus. ","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk2.mp3" | |
| 91335,"probably part of 'The Gigantomachy': the great battle in Greek myth between the gods and the Giants, who'd attacked Mount Olympus in an attempt to overthrow the rule of Zeus","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk2.mp3" | |
| ,,,,,, | |
| 91336,"as soon as a poem here might be the giant and callidus who she defeated and buried under Mount Etna on Sicily the gods eventually won the Dragon","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk3.mp3" | |
| 91336,"Athena's opponent here might be the giant Enceladus, who she defeated and buried under Mount Etna in Sicily. The gods eventually won the gigantomachy","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk3.mp3" | |
| 91336,"Athena's opponent here might be the Giant, Enceladus, who she defeated and buried under Mount Etna on Sicily. The gods eventually won The Gigantomachy","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk3.mp3" | |
| ,,,,,, | |
| 91337,"and their victory, in which Athena plays so crucial a part, was depicted in sculpture on The Parthenon - the great temple in Athens dedicated to the Goddess in the 430s BC.","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk4.mp3" | |
| 91337,"and their victory, in which Athena plays a crucial part, was depicted in sculpture on the Parthenon, the great temple in Athens dedicated to the goddess, in the 430s B.C.","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk4.mp3" | |
| 91337,"and their victory in which Athena played such a crucial part was depicted in sculpture on the Parthenon the great temple in Athens dedicated to the goddess in the 430 BC","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk4.mp3" | |
| ,,,,,, | |
| 91338,"The myth represented for the Greeks, the triumph of civilisation over barbarity, and it may of reminded the Athenians of their own victory over the Persian invaders","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk5.mp3" | |
| 91338,"the myth represented for the Greeks the Triumph of civilisation of barbarity and it may have reminded the Athenians of their own victory over the Persian invaders","yes","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk5.mp3" | |
| 91338,"The myth represented for the Greeks the triumph of civilisation over barbarity, and it may have reminded the Athenians of their own victory over the Persian invaders.","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk5.mp3" | |
| 91338,"the myth represented for the Greeks the Triumph of civilisation of a barbarity and it may of reminded the Athenians of their own victory over the Persian invaders","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2107_Wine_jar_Amazon_warrior_Chunk5.mp3" | |
| ,,,,,, | |
| 91339,"This is an imaginary portrait of the 5th century Athenian playwright Euripides. It's a copy of a statue made several decades after his death, for the","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk0.mp3" | |
| 91339,"This is an imaginary portrait of the 5th century Athenian playwright Euripides. It's a copy of a statue made several decades after his death","no","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk0.mp3" | |
| 91339,"This is an imaginary portrait of the fifth-century Athenian playwright Euripides. It's a copy of a statue made several decades after his death, for the","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk0.mp3" | |
| 91339,"this is an imaginary portrait of the 5th century Athenian playwright Euripides it is a copy of a statue made several decades after his death","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk0.mp3" | |
| ,,,,,, | |
| 91340,"Theatre of Dionysus in Athens, where his plays were first produced. Much of Euripides' writing career coincided with the Peloponnesian War - a struggle","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk1.mp3" | |
| 91340,"Theatre of Dionysus in Athens, where his plays were first produced. Much of Euripides' writing career coincided with the Peloponnesian War, a struggle","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk1.mp3" | |
| 91340,"Theatre of Dionysus in Athens where his plays were first produced much of Eurythpaties writing career coincided with the Peloponnesian war a struggle","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk1.mp3" | |
| ,,,,,, | |
| 91341,"what Athens eventually lost in 404 BC, two years after the playwright's death. Here is Professor Simon Goldhill of King's College Cambridge","yes","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk2.mp3" | |
| 91341,"that Athens eventually lost in 404 B.C., two years after the poet's death. Here's Professor Simon Goldhill, of King's College, Cambridge:","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk2.mp3" | |
| 91341,"that Athens eventually lost in 4 BC two years after the playwright's death here is Professor Simon Goldhill of King's College Cambridge","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk2.mp3" | |
| 91341,"that Athens eventually lost in 404 BC, two years after the playwright's death. Here's Professor Simon Goldhill of King's College, Cambridge: ""In","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk2.mp3" | |
| ,,,,,, | |
| 91342,"Greek culture war was a necessity and an inevitability. Everybody expected there to be war continuously, every year. But Euripides really explored","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk3.mp3" | |
| 91342,"Greek culture war was a necessity and an inevitability everybody expected there to be war continuously every year but you Rupates really explore","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk3.mp3" | |
| 91342,"'In Greek culture, war was a necessity and an inevitability. Everybody expected there to be war continuously, every year, but Euripides really ","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk3.mp3" | |
| 91342,"Greek culture war was a necessity and inevitability everybody expected there to be war continuously every year but Euripides really explored","yes","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk3.mp3" | |
| ,,,,,, | |
| 91343,"would expose the Horrors of that particular ideology he showed not only the suffering of individual people in places like the Trojan women or in Heckiba ","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk4.mp3" | |
| 91343,"explored and exposed the horrors of that particular ideology. He showed not only the suffering of individual people, not only in plays like The Trojan Women or in Hecuba,","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk4.mp3" | |
| 91343,"and exposed the horrors of that particular ideology, he showed not only the suffering of individual people in plays like The Trojan Women or in Hecuba","yes","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk4.mp3" | |
| 91343,"and exposed the horrors of that particular ideology. He showed not only the suffering of individual people in plays like 'The Trojan Women' or in 'Hecuba'","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk4.mp3" | |
| ,,,,,, | |
| 91344,"the victims of war. But above all, what for my mind is the most interesting, he explored what war does to the victors: the people who think they've won","yes","",2010,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk5.mp3" | |
| 91344,"the victims of war. But above all, what from my mind is the most interesting, he explored what war does to the victors the people who think they've won","yes","",2039,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk5.mp3" | |
| 91344,", the victims of war, but above all, and what from my mind is the most interesting, he explored what war does to the victors, the people who think they've won","yes","",2030,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk5.mp3" | |
| 91344,"the victims of war but above all and from my mind is the most interesting he explored what war does to the victors the people who think they","yes","",677,"Michael Adams; Michael Norman; Emily Chang; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk5.mp3" | |
| ,,,,,, | |
| 91345,"while the people who think war has been for them a good thing he showed not only how the arguments that people use to justify their behaviour distort","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk6.mp3" | |
| 91345," the people who think war has been for them a good thing. But he showed not only how the arguments that people use to justify their behaviour distort","no","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk6.mp3" | |
| 91345,", the people who think that war has been, for them, a good thing. He showed not only how the arguments that people used to justify their behaviour ","no","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk6.mp3" | |
| ,,,,,, | |
| 91346,"their minds and their attitudes. But he also showed how temporary victory was, and how victory itself could lead people into the damaging and","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk7.mp3" | |
| 91346,"distorted their minds and their attitudes, but he also showed how temporary victory was, and how victory itself could lead people into the damaging and ","yes","",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk7.mp3" | |
| 91346,"their minds and their attitudes but he also showed how temporary victory was and how victory itself could lead people into the damaging and","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk7.mp3" | |
| ,,,,,, | |
| 91347,"distorting positions. In this way he not only had a message for the Greeks of his own time, locked as they were in the Peloponnesian War,","yes","",2010,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk8.mp3" | |
| 91347,"distorting positions in this way he not only had a message for the Greeks of his own time-locked as they were in the Peloponnesian war","yes","",677,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk8.mp3" | |
| 91347,"distorting positions (?). In this way, he not only had a message for the Greeks of his own time, locked as they were in the Peloponnesian War, ","no","first part of audio unclear",2030,"Michael Adams; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk8.mp3" | |
| ,,,,,, | |
| 91348,"but he's had a message that's been particularly relevant to modern times. That is not by chance that Euripedes has been the most produced writer from the Greek theatre.","yes","",2010,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk9.mp3" | |
| 91348,"He’s had a message that’s been particularly relevant to modern times, and it’s not by chance that Euripides has been the most produced writer from the Greek theatre","no","",2011,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk9.mp3" | |
| 91348,"but he's had a message that's been particularly relevant to modern times. It's not by chance that Euripides has been the most produced writer from the Greek theatre. ","yes","",2030,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2108_Bust_of_Euripides_Chunk9.mp3" | |
| ,,,,,, | |
| 91349,"This pot dates from around 480 BC and can be seen in Case 16: Women in Ancient Greece. It's decorated with the figure of a female warrior","yes","",2030,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk0.mp3" | |
| 91349,"This pot dates around 480 BC and could be seen in Case 16, Women in Ancient Greece. It's decorated with a figure of a female war-","yes","",2036,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk0.mp3" | |
| 91349,"This pot dates from around 480 BC and can be seen in Case 16: Women in Ancient Greece. It’s decorated with a figure of a female ","no","At the end of the clip a word is truncated - might be ‘warrior’.",2011,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk0.mp3" | |
| 91349,"This pot dates from around 480 BC and can be seen in case 16: 'Women in Ancient Greece'. It's decorated with a figure of a female warrior","yes","",2010,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk0.mp3" | |
| ,,,,,, | |
| 91350,"warrior called an Amazon. Mary Beard of the Cambridge University Classics faculty: “In the misogynistic culture of classical Greece, one of the worst nightmares","no","",2011,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk1.mp3" | |
| 91350,"called an Amazon. Mary Beard of the Cambridge University Classics faculty: 'In the misogynistic culture of Classical Greece, one of the worst nightmares","no","",2030,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk1.mp3" | |
| 91350,"warrior called an ""Amazon"". Mary Beard of the Cambridge University Classics Faculty: ""In the misogynistic culture of classical Greece, one of the worst nightmares","yes","",2036,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk1.mp3" | |
| ,,,,,, | |
| 91351,"was the idea of the warrior-woman, and in fact, there was a whole myth of a tribe","no","",2030,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk2.mp3" | |
| 91351,"was the idea of the ‘warrior woman’. And, in fact, as I was holding this, of a tribe","no","",2011,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk2.mp3" | |
| 91351,"was the idea of the ""Warrior Woman"". And, in fact, there was a whole myth of a tribe ","yes","",2036,"Chris Gibbon; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk2.mp3" | |
| ,,,,,, | |
| 91352,"of female fighters who lived on the margins of the Greek world and eschewed men entirely. They had all sorts of","yes","",2026,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk3.mp3" | |
| 91352,"of female fighters who lived on the margins of the Greek world, and eschewed men entirely. They had all sorts of ","yes","Unsure if I heard eschewed correctly but the current transcription of 'A Few Good Men' isn't quite right either",2030,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk3.mp3" | |
| 91352,"of female fighters who lived on the margins of the ""great world"" and feud men entirely and they had all sorts of ","no","Unsure of ""feud"" in this transcription but certain this is the word due to context",2036,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk3.mp3" | |
| 91352,"of female fighters who lived on the margins of the Greek world and eschewed men entirely, that had all sorts of ","yes","",2011,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk3.mp3" | |
| ,,,,,, | |
| 91353,"entrancingly weird customs. They were supposed to cut off one of their breasts in order to use bows and arrows more","yes","",2010,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk4.mp3" | |
| 91353,"entrancingly weird customs. There were supposed to cut off one of their breasts in order to use bows and arrows more comfortably","no","",2036,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk4.mp3" | |
| 91353,"entrancingly weird customs. They were supposed to cut off one of their breasts in order to use bows and arrows more comfortably","no","",2030,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk4.mp3" | |
| 91353,"entrancingly weird customs. They were supposed to cut off one of their breasts in order to use bows and arrows more ","no","",2011,"Chris Gibbon; Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk4.mp3" | |
| ,,,,,, | |
| 91354," and if ever they had male children they of course got rid of them smartly and in fact they used to","yes","Initial word unclear - possibly ""inevitably""",2026,"Chris Gibbon; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk5.mp3" | |
| 91354,", and if ever they had male children, they of course got rid of them smartly, and in fact they used to","yes","",2030,"Chris Gibbon; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk5.mp3" | |
| 91354,"comfortably, and if ever they had male children they of course got rid of them smartly and, in fact, they used to","yes","",2011,"Chris Gibbon; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk5.mp3" | |
| 91354,"comfortably, and if ever they had male children they of course got rid of them smartly. In fact they used to","yes","",2010,"Chris Gibbon; Michael Norman; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk5.mp3" | |
| ,,,,,, | |
| 91355,"just kidnap men briefly in order to father these kids. The point about the Amazons though, is not that they're ever in the","yes","",2010,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk6.mp3" | |
| 91355,"just kidnap men briefly in order to father these kids. The point about the Amazons, though, is not that they’re ever, in the end","no","",2011,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk6.mp3" | |
| 91355,"just kidnap men briefly in order to father these kids. The point about the Amazons, though, is not that they're ever in the ","yes","",2030,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk6.mp3" | |
| ,,,,,, | |
| 91356,"successful; time and again, these warrior women are conquered by upstanding Greek men and Greek heroes, people like ","no","",2011,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk7.mp3" | |
| 91356,"end successful; time and again these warrior women are conquered by upstanding Greek men and Greek heroes, people like","yes","",2010,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk7.mp3" | |
| 91356,"end successful. Time and again, these warrior women are conquered by upstanding Greek men and Greek heroes, people like ","yes","",2030,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk7.mp3" | |
| ,,,,,, | |
| 91357,"Heracles and Theseus repeatedly make sure that Greek manhood is victorious over these women, and indeed ","yes","",2030,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk8.mp3" | |
| 91357,"Heracles and Theseus repeatedly make sure that Greek manhood is victorious over these women, and indeed","no","",2011,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk8.mp3" | |
| 91357,"Heracles and Theseus repeatedly make sure that Greek manhood is victorious over these women, and indeed | |
| ","no","",2010,"Chris Gibbon; Michael Norman; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk8.mp3" | |
| ,,,,,, | |
| 91358,"Theseus, himself, manages to take the Queen of the Amazons, Hippolyta, to be his bride; which of course puts the Amazons aspirations","no","last word cuts off but from context, aspirations, seems to be the correct word",2036,"Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk9.mp3" | |
| 91358,"Theseus himself manages to take the Queen of the Amazons, Hippolyta, to be his bride which of course puts the Amazons' aspirations","yes","",2010,"Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk9.mp3" | |
| 91358,"Theseus himself manages to take the queen of the Amazons, Hippolyta, to be his bride, which of course puts the Amazons' aspirations","yes","",2030,"Michael Norman; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2109a_Neck_amphoraAthena_Chunk9.mp3" | |
| ,,,,,, | |
| 91359,"this kind of close-fitting helmet is called a Corinthian helmet, after the Ancient Greek city of Corinth with which it is most closely associated in antiquity. It was hammered","no","",2011,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk0.mp3" | |
| 91359,"This kind of close-fitting helmet is called a Corinthian helmet after the ancient Greek city of Corinth with which it is most closely associated in antiquity. ","no","",2036,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk0.mp3" | |
| 91359,"This kind of close-fitting helmet is called a Corinthian helmet, after the Ancient Greek city of Corinth, with which is most closely associated in antiquity. It was hammered","yes","",2030,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk0.mp3" | |
| 91359,"this kind of close-fitting helmet is called a Corinthian helmet after the ancient Greek city of Corinth with which it is most closely associated in antiquity. It was hammered","yes","",2026,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk0.mp3" | |
| ,,,,,, | |
| 91360,"from a single sheet of bronze. Originally, there would have been a nose-guard and a long horse-hair plume on the top. You’ll see warriors wearing Corinthian helmets on several of the painted","no","",2011,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk1.mp3" | |
| 91360,"from a single sheet of bronze. Originally, there would have been a nose guard and a long horse hat plume on the top. You'll see warriors wearing Corinthian helmets on several of the painted","no","",2036,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk1.mp3" | |
| 91360,"from a single sheet of bronze. Originally, there would have been a nose guard and a long horsehair plume on the top. You'll see warriors wearing Corinthian helmets on several of the painted","yes","",2030,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk1.mp3" | |
| 91360,"from a single sheet of Bronze. Originally there would have been a nose guard and a long horse hair plume on the top. You'll see warriors wearing Corinthian helmets on several of the painted","yes","",2026,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk1.mp3" | |
| ,,,,,, | |
| 91361,"ceramics in this gallery. As well as affording good protection against spear and sword blows, the helmet lent an air of menace to its wearer. In Homer's Iliad, the ","yes","",2030,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk2.mp3" | |
| 91361,"ceramics in this gallery. As well as affording good protection against spear and sword blows, the helmet lent an air of menace to its wearer. In Homer’s Iliad","no","",2011,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk2.mp3" | |
| 91361,"ceramics in this gallery. As well as affording good protection against spear and sword blows the helmet lent an air of menace to its wearer. In Homer's Iliad the | |
| ","yes","",2026,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk2.mp3" | |
| 91361,"ceramics in this gallery. As well as affording good protection against spear and sword blows, the helmet lent an air of menace to its wearer. In Homer's Iliad, the","no","",2036,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk2.mp3" | |
| ,,,,,, | |
| 91362,"great war epic of ancient Greece there's a touching description of just how unsettling the sight of a plumed helm could be. The Trojan hero Hector is talking to his wife | |
| ","yes","",2026,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk3.mp3" | |
| 91362,"the great war epic of Ancient Greece, there is a touching description of just how unsettling the sight of a plumed helm could be. The Trojan hero Hector is talking to his wife","no","",2030,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk3.mp3" | |
| 91362,"great war ethic of ancient Greece, there's a touching description of just how unsettling the sight of a plumed helm could be. The Trojan hero, Hector, is talking to his wife","no","",2036,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk3.mp3" | |
| 91362,"the great war epic of Ancient Greece, there’s a touching description of just how unsettling the sight of a plumed helm could be. The Trojan hero Hector is talking to his wife","no","Not sure about the word ‘helm’ - ‘helmet’ would make more sense.",2011,"Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk3.mp3" | |
| ,,,,,, | |
| 91363,"Andromache during a break from the fighting. He makes to embrace his son Astyanax: ""Glorious Hector stretched out his arms for his son","no","",2036,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk4.mp3" | |
| 91363,"Andromache, drawing a break from the fighting, he makes to embrace his son Astyanax. ""Glorious Hector stretched out his arms for his son","no","",1,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk4.mp3" | |
| 91363,"Andromache during a break from the fighting. He makes to embrace his son Astyanax. “Glorious Hector stretched out his arms for his son","no","",2011,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk4.mp3" | |
| 91363,"Andromache during a break from the fighting. He makes to embrace his son, Astyanax: 'Glorious Hector stretched out his arms for his son, ","yes","",2030,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk4.mp3" | |
| 91363," Andromache during a break from the fighting. He makes to embrace his son Astyanax - ""Glorious Hector stretched out his arms for his son ""","yes","",2026,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk4.mp3" | |
| ,,,,,, | |
| 91364,"But the boy shrank back, sobbing into the bosom of his fair-girdled nurse, frightened by the sight of his beloved father, terrified by the ","no","",2036,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk5.mp3" | |
| 91364,"but the boy shrank back, sobbing, into the bosom of his fair girdled nurse, frightened by sight of his beloved father, terrified by the bronze","yes","",2030,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk5.mp3" | |
| 91364,"but the boy shrank back, sobbing, into the bosom of his fair girdled nurse, frightened by the sight of his beloved father, terrified by the","yes","",2026,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk5.mp3" | |
| 91364,"the boy shrank back sobbing, into the bosom of his fair girdled nurse, frightened by the sight of his beloved father, terrified by the ","no","",1,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk5.mp3" | |
| 91364,"but the boy shrank back sobbing into the bosom of his fair-girdled nurse, frightened by the sight of his beloved father, terrified by the ","no","",2011,"Daniel Pett; Chris Gibbon; Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk5.mp3" | |
| ,,,,,, | |
| 91365,"and the horsehair plume that waved so fearfully from the crest of his helmet. And his dear father and royal mother laughed","yes","",2030,"Daniel Pett; Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk6.mp3" | |
| 91365,"and the horsehair plume that waved so fearfully from the crest of his helmet and his dear father and royal mother laughed.","yes","",2036,"Daniel Pett; Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk6.mp3" | |
| 91365,"and the horse hair plume that waved so fearfully from the crest of his helmet, and his dear father and royal mother laughed","no","",1,"Daniel Pett; Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk6.mp3" | |
| 91365,"the horsehair plume that waved so fearfully from the crest of his helmet, and his dear father and royal mother laughed ","no","",2040,"Daniel Pett; Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk6.mp3" | |
| ,,,,,, | |
| 91366,", and straightaway glorious Hector took the gleaming helmet from his head and laid it on the ground. Then he kissed his beloved son and took him in his arms and prayed.","no","",2030,"Daniel Pett; Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk7.mp3" | |
| 91366,"and straightaway glorious Hector took the gleaming helmet from his head and laid it on the ground. Then he kissed his beloved son and took him in his arms and prayed","yes","",2026,"Daniel Pett; Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk7.mp3" | |
| 91366,"straightaway glorious Hector took the gleaming helmet from his head and laid it on the ground ,that he kissed his beloved some and took him in his arms and prayed | |
| ","no","",1,"Daniel Pett; Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk7.mp3" | |
| 91366,"and straight away glorious Hector took the gleaming helmet from his head and laid it on the ground. Then he kissed his beloved son and took him in his arms and prayed","yes","",2011,"Daniel Pett; Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk7.mp3" | |
| ,,,,,, | |
| 91367,"""Zeus and you other gods, grant that my son may prove, as I, pre-eminent among the Trojans.""' By the end of the Trojan War","yes","",2030,"Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk8.mp3" | |
| 91367,"‘Zeus, and you other gods, grant that my son may prove, as I, pre-eminent among the Trojans.’” By the end of the Trojan","no","",2011,"Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk8.mp3" | |
| 91367," Zeus, and you other gods, grant that my son may prove, as I, pre-eminent among the Trojans. By the end of the Trojan","yes","",2026,"Chris Gibbon; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk8.mp3" | |
| ,,,,,, | |
| 91368,"Both father and son would be dead and Andromache led to Greece in trains ","no","I've corrected the 'like' to 'led', as in the figure of Andromache led to Greece the country but I'm not completely sure ",2040,"Chris Gibbon; Roger Wilmot; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk9.mp3" | |
| 91368," war both father and son would be dead and Andromache led to Greece in chains","yes","",2026,"Chris Gibbon; Roger Wilmot; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk9.mp3" | |
| 91368,"War both father and son would be dead and Andromache let to Greece in chains","no","Not sure about word ‘let’",2011,"Chris Gibbon; Roger Wilmot; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk9.mp3" | |
| 91368,"while both Father and Son would be dead and Andromache led to Greece in chains","no","",,"Chris Gibbon; Roger Wilmot; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk9.mp3" | |
| 91368,"both father and son would be dead and Andromache led to Greece in chains.","yes","",2030,"Chris Gibbon; Roger Wilmot; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2110_Corinthian_helmet_Chunk9.mp3" | |
| ,,,,,, | |
| 91369,"Greek coin specialist Evie Markou: “According to the historian Herodotus, Lydians were the first people to issue money","no","Not sure if the specialist’s name is right.",2011,"Chris Gibbon; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk0.mp3" | |
| 91369,"Greek coin specialist Evie Marku (???): 'According to the historians of Herodotus, Lydians were the first people to issue money.","yes","Impossible to make out name of coin specialist; unclear whether the audio says ""the historians of Herodotus"" or ""the story of Herodotus""",2030,"Chris Gibbon; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk0.mp3" | |
| 91369,"Greek coin specialist Eve marku: ""according to the story in Herodotus, Lydia's were the first people to issue money""","no","Not sure on the name of the person questioned: EV marker was the original in the transcript.",,"Chris Gibbon; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk0.mp3" | |
| 91369,"","yes","",2040,"Chris Gibbon; Nina; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk0.mp3" | |
| ,,,,,, | |
| 91370,"in the ancient world, and this coin is important because it's one of the first gold coins issued by the kings of Lydia.","yes","",2030,"T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk1.mp3" | |
| 91370,"in the ancient world and this coin is important because it's one of the first gold coins issued by the Kings of Lydia","no","",2032,"T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk1.mp3" | |
| 91370,"In the ancient world, and this coin is important because it's one of the first gold coins issued by kings of Lydia. [In the...]","yes","Names missing from original transcript | |
| Start of another incomplete sentence.",2028,"T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk1.mp3" | |
| 91370,"in the ancient world and this coin is important because it's one of the first gold coins issued by the kings of Lydia. ","no","",2036,"T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk1.mp3" | |
| ,,,,,, | |
| 91371,"Between 561 and 545 BC: One side of the coin, which you can see on your screen, is undecorated but for two ","no","",2036,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk2.mp3" | |
| 91371,"in between 561 and 545 B.C.' One side of the coin, which you can see on your screen, is undecorated, but for two","yes","",2030,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk2.mp3" | |
| 91371,"in 561 and 545 BC. One side of the coin which you can see on your screen is undecorated, but for two","yes","",2040,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk2.mp3" | |
| ,,,,,, | |
| 91372,"punch marks, produced when the metal is driven into an engraved dye to produce the design on the other side. Here we see the confronting four parts of a lion and bull","no","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk3.mp3" | |
| 91372,"punch marks produced when the metal was driven into an engraved die to produce the design on the other side. Here we see the confronting foreparts of a lion and bull","yes","",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk3.mp3" | |
| 91372,"punch marks produced when the metal was driven into an engraved die to produce the design on the other side. Here we see the confronting fore parts of a lion and bull.","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk3.mp3" | |
| 91372,"punch marks produced when the metal was driven into an engraved die to produce a design on the other side. Here we see the confronting foreparts of a lion and bull ","no","",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk3.mp3" | |
| ,,,,,, | |
| 91373,"symbols of power in the ancient world. Indeed coins like this have been associated with a very influential and wealthy ruler ","no","",2040,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk4.mp3" | |
| 91373,"symbols of power in the ancient world. Indeed coins like this have been associated with a very influential and wealthy ruler. Here ","no","",2036,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk4.mp3" | |
| 91373,", symbols of power in the ancient world. Indeed, coins like this have been associated with a very influential and wealthy ruler. ","yes","",2030,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk4.mp3" | |
| ,,,,,, | |
| 91374,"E.V. Markoo again. It is supposed to be one of the issues of the King Croesus, who is well known today for being really","no","I could not understand how to spell the speaker's surname ",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk5.mp3" | |
| 91374,"? marker again. It is supposed to be one of the issues of the King Croesus, who is well known today for being really rich.","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk5.mp3" | |
| 91374,"Here's ___ again: 'It is supposed to be one of the king Croesus, who is well known today for being really rich","yes","Again, name unclear: Evie? Yvie? Eve?",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk5.mp3" | |
| 91374,"is Evie Marco again: ""It is supposed to be one of the issues of the King Croesus, who is well known today for being really rich.""","yes","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk5.mp3" | |
| ,,,,,, | |
| 91375,"in the antiquity, but it's true that we really can't date precisely this coin. It might have been struck by other kings of Lydia.","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk6.mp3" | |
| 91375,"in the antiquity. But it's true that we really can't date precisely this coin, it might have been struck by other Kings of Lydia ","yes","",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk6.mp3" | |
| 91375,"in the antiquity, but it's true that we really can't date precisely this coin. It might have been struck by other kings of Lydia","no","",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk6.mp3" | |
| 91375,"in the antiquity but it's true that we really can't date, precisely, this coin. It might have been struck by other kings of Lydia. ","no","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk6.mp3" | |
| ,,,,,, | |
| 91376,", but it is placed in the time of the reign of Croesus and his successors. ","yes","",2030,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk7.mp3" | |
| 91376,"But it is placed in the time of the reign of Croesus and his successors ","no","",2040,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk7.mp3" | |
| 91376,"but it is placed in the time of the reign of Croesus and his successors.","no","",2032,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2111_Gold_stater_of_Croesus_Chunk7.mp3" | |
| ,,,,,, | |
| 91377,"Greek coin specialist Evi Markou: | |
| ""The Athenian tetradrachm featured here, is one of the most famous coins in the ancient world."" | |
| ","yes","Names are missing from orig. | |
| Assumed ref is to tetradrachm not dekadrachm",2028,"T May; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk0.mp3" | |
| 91377,"Greek coin specialist Evie Marcu. The Athenian Tetradrachm depicted here is one of the most famous coins in the Ancient world ","no","I cannot understand how to spell the Greek coin specialists name (and I transcribed the previous transcriptions too and corrected it to E.V. Markoo) but I think it could be Evie Marcu?",2040,"T May; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk0.mp3" | |
| 91377,"Greek coin specialist ___: 'The Athenian tetradrachm depicted here is one of the most famous coins in the ancient world.","yes","Name of coin expert impossible to make out",2030,"T May; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk0.mp3" | |
| 91377,"Greek coin specialist Evie Marku. The Athenian tetradrachm depicted here is one of the most famous coins in the ancient world.","no","",2032,"T May; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk0.mp3" | |
| ,,,,,, | |
| 91378,"","yes","",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk1.mp3" | |
| 91378,"The helmeted head of the goddess Athena on one side and the owl, the emblem of this goddess of wisdom, on the other (shown on your screen now) immediately identify this as a | |
| ","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk1.mp3" | |
| 91378,"the helmeted head of the Goddess Athena on one side and the owl, the emblem of this Goddess of Wisdom on the other, shown on your screen now, immediately identify this as a","yes","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk1.mp3" | |
| 91378,"The helmeted head of the goddess Athena on one side and the owl, the emblem of this goddess of wisdom on the other, shown on your screen now, immediately identify this as a","yes","",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk1.mp3" | |
| ,,,,,, | |
| 91379,"coin of Athens, the most powerful Greek city state for most of the 5th century BC. Much of Athens power rested on the superiority of her fleet. ","no","",2036,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk2.mp3" | |
| 91379,"coin of Athens, the most powerful Greek city-state for most of the 5th century BC. Much of Athens' power rested on the superiority of her fleet","yes","",2030,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk2.mp3" | |
| 91379,"Coin of Athens, the most powerful Greek city state for most of the 5th century BC. Much of Athens power rested on the superiority of her fleet ","no","",2040,"Nina; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk2.mp3" | |
| ,,,,,, | |
| 91380,"which was financed by the abundant silver mines at Lavrion in the South of the territories, mines that provided the raw material for coins like this.","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk3.mp3" | |
| 91380,"which was financed by the abundant silver Mines at Lavrion, in the south of her territories, Mines that provided the raw material for coins like this ","no","",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk3.mp3" | |
| 91380,"which was financed by the abundant silver mines at Lavrion, in the south of her territories, mines that provided the raw material for coins like this.","no","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk3.mp3" | |
| 91380,", which was financed by the abundant silver mines at Lavrion in the south of her territories, mines that provided the raw material for coins like this.","yes","",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk3.mp3" | |
| ,,,,,, | |
| 91381,"Athena's head is archaic in style: see how her eye is depicted as if seen from the front while her head is in profile. But although her appearance became less stylised","no","",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk4.mp3" | |
| 91381,"Athena's head is archaic in style, see how her eyes depicted as if seen from the front while her head is in profile. But although her appearance became less ","no","",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk4.mp3" | |
| 91381,"a seamless head is archaic in style. See how her eyes depicted as if seen from the front while her head is in profile, but ? her appearance became less ","no","word between ""but"" and ""her""is not clear",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk4.mp3" | |
| 91381,"Athena's head is archaic in style. See how her eye is depicted as if seen from the front while her head is in profile. But although her appearance became less","yes","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk4.mp3" | |
| ,,,,,, | |
| 91382,"over time, the combination of goddess and owl remained a constant in Athenian coinage for over five centuries, and the pair travelled far together","yes","",2030,"T May; Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk5.mp3" | |
| 91382,"stylized overtime. The combination of goddess and owl remained a constant in Athenian coinage for five centuries and the pair traveled far together. ","yes","",2036,"T May; Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk5.mp3" | |
| 91382,"stylised overtime. The combination of goddess and owl remained a constant in Athenian coinage for five centuries, and the pair travel far together","no","Names missing again.",2028,"T May; Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk5.mp3" | |
| 91382,"stylised over time, the combination of goddess and owl remained a constant in Athenian coinage for five centuries, and the pair travelled far together","no","",2040,"T May; Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk5.mp3" | |
| 91382,"stylised over time. The combination of goddess and owl remained a constant in Athenian coinage for five centuries and the pair travelled far together.","no","",2032,"T May; Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk5.mp3" | |
| ,,,,,, | |
| 91383,"Here's Evie Marcu. Such coins have been found in cohorts all over the Greek world, and they even reached ","no","I'm not sure if it is cohorts or courts, and am still unsure of how to spell the name Evie Marcu",2040,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk6.mp3" | |
| 91383,"Here's ___: 'Such coins have been found in courts all over the Greek world, and they even reached","yes","Impossible to make out name of coin expert: Evie Marker??",2030,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk6.mp3" | |
| 91383,"Here is Evie Marcu: ""Such coins have been found in courts all over the Greek world and they even reached","yes","",2036,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk6.mp3" | |
| 91383,"Here's Evie Marku: Such coins have been found in courts all over the Greek world and they even reached","no","",2032,"Nina; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk6.mp3" | |
| ,,,,,, | |
| 91384,"areas such as India. And these coins inspired imitations all over the Greek World, some of them","no","",2040,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk7.mp3" | |
| 91384,"areas such as India and these coins inspired imitations all over the Greek world, some of them","no","",2032,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk7.mp3" | |
| 91384,"areas such as India, and these coins inspired imitations all over the Greek world, some of them","no","",2030,"Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk7.mp3" | |
| ,,,,,, | |
| 91385,"made out of good silver, some of them being plated ","yes","",2040,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk8.mp3" | |
| 91385,"made out of boots see some of them being plated ","no","",2014,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk8.mp3" | |
| 91385,"made out of good silver, some of them being plated.","no","",2032,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk8.mp3" | |
| 91385,"made out of good silver, some of them being plated.","yes","",2030,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2112_Four_drachma_piece_Chunk8.mp3" | |
| ,,,,,, | |
| 91386,"Greek coin specialist Evie Marcu. The silver tetradrachm of Naxos is one of the masterpieces","no","Unsure of how to spell Evie Marcu",2040,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk0.mp3" | |
| 91386,"","yes","",2014,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk0.mp3" | |
| 91386,"Greek coin specialist Evie Marku: The silver tetradrachm of Naxos is one of the masterpieces | |
| ","yes","",2032,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk0.mp3" | |
| 91386,"Greek coin specialist __: 'The silver tetradrachm of Naxos is one of the masterpieces of","yes","Impossible to make out name of coin specialist",2030,"Lorna Keddie; Nina; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk0.mp3" | |
| ,,,,,, | |
| 91387,"ancient world. Naxos was founded by Greek Settlers coming from Halkis in 735","yes","",2040,"Lorna Keddie; Nina; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk1.mp3" | |
| 91387," ancient world Nexus was haunted by Greek settlers coming from halkies in 735","no","",2014,"Lorna Keddie; Nina; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk1.mp3" | |
| 91387,"ancient world Naxos was founded by Greek settlers coming from Chalcis in 735","no","",2042,"Lorna Keddie; Nina; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk1.mp3" | |
| 91387,"ancient world. Naxos was founded by Greek settlers coming from Chalkis in 735","no","",2032,"Lorna Keddie; Nina; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk1.mp3" | |
| 91387,"the ancient world. Naxos was founded by Greek settlers coming from Chalcis in 735","no","",2030,"Lorna Keddie; Nina; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk1.mp3" | |
| ,,,,,, | |
| 91388,"","yes","",2042,"Lorna Keddie; Nina; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk10.mp3" | |
| 91388,"stated in this period in 460 and it was probably issued to celebrate this very important event for the city. | |
| ","no","",2036,"Lorna Keddie; Nina; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk10.mp3" | |
| 91388,"","yes","",2014,"Lorna Keddie; Nina; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk10.mp3" | |
| 91388,"stated in this period in 460 and it was probably to celebrate this very important event for the city","no","",2040,"Lorna Keddie; Nina; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk10.mp3" | |
| 91388,"stated in this period, in 460, and it was probably issued to celebrate this very important event for the city.","no","",2030,"Lorna Keddie; Nina; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk10.mp3" | |
| ,,,,,, | |
| 91389,"and it was one of the first cities of Sicily that started issuing coins."" On the obverse, the heads side of the coin ","yes","",2036,"T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk2.mp3" | |
| 91389,"it was one of the first cities of Sicily that started issuing coins. | |
| On the obverse, the heads side of a coin you","no","Sentence incomplete and oncludes two voice the first being Evi Markou.",2028,"T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk2.mp3" | |
| 91389,"It was one of the first cities of Sicily that started issuing coins.' On the obverse, the heads side of the coin","yes","",2030,"T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk2.mp3" | |
| ,,,,,, | |
| 91390,"turn your screen is Dionysus the Greek god of wine a lavishly bearded male with an ivy wreath around his head. On the other side","yes","",2026,"Roger Wilmot; T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk3.mp3" | |
| 91390,"can see on your screen is Dionysus the Greek god of wine, a lavishly bearded male with an ivy wreath around his head. On the other side","no","",2032,"Roger Wilmot; T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk3.mp3" | |
| 91390,"[turn?] your screen is Dionysus, the Greek god of wine, a lavishly bearded male with an ivy wreath around his head. On the other side, a brilliant...","no","First word is unclear. Punctiation missing, but makes sense...",2028,"Roger Wilmot; T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk3.mp3" | |
| 91390,"you can see on your screen, is Dionysus, the Greek god of wine, a lavishly bearded male with an ivy wreath around his head. On the other side, a brilliant","yes","",2030,"Roger Wilmot; T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk3.mp3" | |
| 91390,"you can see on your screen is Dionysus, the Greek god of wine, a lavishly bearded male with an ivy wreath around his head. On the other side, a brilliant","no","",2036,"Roger Wilmot; T May; Jennifer Palling; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk3.mp3" | |
| ,,,,,, | |
| 91391,"brilliantly depicted naked satyr, or Silenus, crouches down; a Kantharos wine cup in his hand. Evie Marku: ","no","",2036,"Roger Wilmot; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk4.mp3" | |
| 91391,"brilliantly depicted naked satyr, or Silenus, crouches down, a kantharos (wine cup) in his hand. Evie Marco (?): ","no","Again, difficult to make out the name of guest speaker/coin expert",2030,"Roger Wilmot; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk4.mp3" | |
| 91391," depicted naked satyr or silenos crouches down a kantharos wine cup in his hand. Evie Marco","yes","Name uncertain",2026,"Roger Wilmot; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk4.mp3" | |
| 91391,"depicted naked satyr or Silenus crouches down, a kantharos wine cup in his hand. Evie Marco ","no","The very first word in the recording is unclear. Also unsure of the spelling of Evie Marco (?)",2042,"Roger Wilmot; Elena Doran ; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk4.mp3" | |
| ,,,,,, | |
| 91392,"it was well known for producing wine in the antiquity and the fact that the face of Dionysus was combined with one of his followers, Silenus","yes","",2036,"Roger Wilmot; T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk5.mp3" | |
| 91392,"'Naxos was well known for producing wine in the antiquity, and the fact that the face of the Dionysus is combined with one of his followers, Silenus, ","yes","",2030,"Roger Wilmot; T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk5.mp3" | |
| 91392,"What was well known for producing wine in the antiquity and the fact that the face of the ? is combined with one of his followers, ?","no","First word is unclear. Unable to transcribe names.",2028,"Roger Wilmot; T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk5.mp3" | |
| 91392,"it was well known for producing wine in the antiquity and the fact that the face of Dionysus is combined with one of his followers Silenus ","no","",,"Roger Wilmot; T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk5.mp3" | |
| 91392,"that was well known for producing wine in the antiquity and the fact that the face of the onus was combined with one of his followers ###","yes","""onus"" and final name are uncertain",2026,"Roger Wilmot; T May; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk5.mp3" | |
| ,,,,,, | |
| 91393,"on the reverse, preparing to drink wine from a cantharus is a very important element proving the importance","no","Not certain about 'cantharus' but am certain it wasn't 'Catholic'",2032,"Roger Wilmot; T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk6.mp3" | |
| 91393," on the reverse preparing to drink wine from a kantharos is a very important element proving the importance of","yes","""kantharos"" is unclear - included because of context",2026,"Roger Wilmot; T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk6.mp3" | |
| 91393,"on the reverse, preparing to drink wine from a kantharos, is a very important element, proving the importance of","yes","",2030,"Roger Wilmot; T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk6.mp3" | |
| 91393,"on the rivers, preparing to drink wine from a kantharos is a very important element, proving the importance of ","yes","",,"Roger Wilmot; T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk6.mp3" | |
| 91393,"preparing to drink wine from a [carafe] is a very important element proving the importance of | |
| ","no","Uncleae beginning and end. Unsure if ref is to a carafe ",2028,"Roger Wilmot; T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk6.mp3" | |
| ,,,,,, | |
| 91394,"wine for the colony of Naxos. And this colony is important because the residents of Naxos","no","",2030,"Roger Wilmot; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk7.mp3" | |
| 91394,"wine for the colony of Naxos and this coin is important because the residents of Naxos ","yes","unsure of the word 'coin' possibly 'one'?",,"Roger Wilmot; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk7.mp3" | |
| 91394,"wine for the colony of Naxos and this coin is important because the residents of Naxos","no","",2032,"Roger Wilmot; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk7.mp3" | |
| 91394," wine for the colony of Naxos and this one is important because the residents of Naxos","yes","Removed repetition of ""for the""",2026,"Roger Wilmot; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk7.mp3" | |
| ,,,,,, | |
| 91395,"746 were actually removed from their city to Lentini another Sicilian City by the tyrant ","no","",,"T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk8.mp3" | |
| 91395,"in 476 were actually removed from their city to Leontini, another Sicilian city, by the tyrant of Syracuse. ","no","Although the audio says 746, it might actually be 476, but I'm not entirely sure: https://www.britannica.com/place/Leontini ",2030,"T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk8.mp3" | |
| 91395,"746 were actually removed from their city to Lentini, another Sicilian City, by the Tyran of Siracu","yes","Not sure about the Tyran of Siracu",2032,"T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk8.mp3" | |
| 91395,"746 were actually removed from their city to Lentini, another Sicilian city by the children of [Siracusa? Sciacca?]","no","Unclear as to name of second city named -Siracusa? Sciacca?",2028,"T May; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk8.mp3" | |
| ,,,,,, | |
| 91396,"the first, fifteen years later when the tyrant was deposed they were permitted to come back home, this coin ","no","unsure of the word 'fifteen' ",,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk9.mp3" | |
| 91396,", Hieron I. Fifteen years later, when the tyrant was deposed, they were permitted to come back home. This coin","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk9.mp3" | |
| 91396,"was Hieron the first. Fifteen years later when the tyrant was deposed they were permitted to come back home. This coin","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk9.mp3" | |
| 91396,"the first fifteen years later when the tyrant was deposed they were permitted to come back home this coin ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2113_Four_drachma_piece_from_Naxos_Chunk9.mp3" | |
| ,,,,,, | |
| 91397,"This is a 10-drachma piece issued by the Sicilian city of Syracuse in around 400 BC. It's a real masterpiece of Greek coinage, probably","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk0.mp3" | |
| 91397,"this is a 10 drachma piece issued by the Sicilian city of Syracuse in around 400 BC it's a real masterpiece of Greek coinage probably ","no","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk0.mp3" | |
| 91397,"this is a 10 drachma piece issued by the Sicilian city of Syracuse in around 400 BC. It's a real masterpiece of Greek coinage probably ","no","",,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk0.mp3" | |
| 91397,"this is a 10 drachma piece issued by the Sicilian city of Syracuse in around 400 BC. It's a real masterpiece of Greek coinage, probably","yes","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk0.mp3" | |
| ,,,,,, | |
| 91398,"the work of Yuinotos, one of the few dying engravers in the ancient world who signed their work .On one side a female charioteer holds a gold over her fore...","no","The words are not so clear.",2027,"Lekha; Elena Doran ; Claire Smith; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk1.mp3" | |
| 91398,"the work of Euainetos, one of the few die engravers in the ancient world who signed their work. On one side, a female charioteer holds a goad over her","yes","",2030,"Lekha; Elena Doran ; Claire Smith; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk1.mp3" | |
| 91398,"The work of Euinatos one of the few dying gravers in the ancient world who signed their work. On one side a female charioteer holds a goad over her ","no","Unsure of spelling of Euinatos ",2042,"Lekha; Elena Doran ; Claire Smith; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk1.mp3" | |
| 91398,"the work of Uinatos one of the few dye engravers in the ancient world who signed their work. On one side a female charioteer holds a goad over","no","",2043,"Lekha; Elena Doran ; Claire Smith; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk1.mp3" | |
| 91398,"the work of Euinatos, one of the few die engravers in the ancient world who signed their work. On one side, a female charioteer hold a goad over her","no","",2044,"Lekha; Elena Doran ; Claire Smith; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk1.mp3" | |
| ,,,,,, | |
| 91399,"and emerged at the spot on Sicily where Syracuse would be founded she thus became a suitable patron deity for the Greeks who'd left their homeland and settled on ","no","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk10.mp3" | |
| 91399,"and emerged at the spot on Sicily where Syracuse would be founded. She thus became a suitable patron deity for the Greeks who'd left their homeland and settled on","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk10.mp3" | |
| 91399,"and emerged at the spot on Sicily where Syracuse would be founded. She thus became a suitable patron deity for the Greeks, who had left their homeland and settled on","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk10.mp3" | |
| ,,,,,, | |
| 91400,"galloping steeds while a winged figure of Victory flies above poised to crown her with a wreath beneath the chariot are items of armour a helmet ","no","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk2.mp3" | |
| 91400,"four galloping steeds, while a winged figure of Victory flies above her, poised to crown her with a wreath. Beneath the chariot are items of armour: a helmet, ","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk2.mp3" | |
| 91400,"or galloping steeds while a winged figure of Victory flies above poised to crown her with a wreath. Beneath the chariot are items of armour, a helmet, a","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk2.mp3" | |
| ,,,,,, | |
| 91401,"a spear, a breastplate, greaves. On better-preserved examples of the same coin, these are labelled athla, the Greek word for prizes. It's unclear","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk3.mp3" | |
| 91401,"bier, a breastplate grieves. On better-preserved examples of the same coin these are labelled ""athla"" the Greek word for prizes it's unclear ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk3.mp3" | |
| 91401,"a breastplate grieves. On better preserved examples of the same coin, these are labelled 'athla' the Greek word for prizes. It's unclear","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk3.mp3" | |
| ,,,,,, | |
| 91402,"exactly what these prizes might be. One theory relates them to the unsuccessful siege of Syracuse by Athenians, which was abandoned in 413 BC","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk4.mp3" | |
| 91402,"exactly what their prizes might be one theory relates them to the unsuccessful siege of Syracuse by Athenians which was abandoned in 413 BC","no","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk4.mp3" | |
| 91402,"exactly what these prizes might be. One theory relates them to the unsuccessful siege of Syracuse by Athenians, which was abandoned in 413 BC.","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk4.mp3" | |
| ,,,,,, | |
| 91403,"Here's Greek coin specialist Evie Marco there is a probability that these coins were issued after the departure of ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk5.mp3" | |
| 91403,"Here's Greek Coin specialist ___: 'There is a probability that these coins were issued after the departure of","yes","Name of Greek coin specialist unclear",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk5.mp3" | |
| 91403,"Here's Greek coin specialist Evie Marku: There is a probability that these coins were issued after the departure of","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk5.mp3" | |
| ,,,,,, | |
| 91404,"of the Athenians and the end of the Siege and that the arms depicted at the bottom part of the coin where actually the arms ","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk6.mp3" | |
| 91404,"the Athenians and the end of the siege and that the arms depicted at the bottom part of the coin were actually the arms taken ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk6.mp3" | |
| 91404,"the Athenians and the end of the siege, and that the arms depicted at the bottom part of the coin were actually the arms taken","no","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk6.mp3" | |
| ,,,,,, | |
| 91405,"taken from the Athenians and offered as prizes to games to commemorate this event the female head on the other side ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk7.mp3" | |
| 91405,"from the Athenians and offered as prizes in games to commemorate this event.' The female head on the other side","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk7.mp3" | |
| 91405,"taken from the Athenians and offered as prizes to games to commemorate this event. The female head on the other side","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk7.mp3" | |
| ,,,,,, | |
| 91406,"shown on your screen surrounded by tiny dolphins is Arethusa a nymph who attracted the unwanted attentions of the river god Alpheus ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk8.mp3" | |
| 91406,"showing on your screens, surrounded by tiny dolphins, is Arethusa, a nymph who attracted the unwanted attentions of the river god Alpheus","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk8.mp3" | |
| 91406,"shown on your screen surrounded by tiny dolphins is Arethusa, a nymph who attracted the unwanted attentions of the river god Alpheus","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk8.mp3" | |
| ,,,,,, | |
| 91407,"in the Peloponnese on mainland Greece. As Arethusa fled him, the chaste goddess Artemis turned her into a stream which flowed under the sea","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk9.mp3" | |
| 91407," in the Peloponnese on mainland Greece. As Arethusa fled him the chaste goddess Artemis turned her into a stream which flowed under the sea","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk9.mp3" | |
| 91407,"in the Peloponnese on mainland Greece as Arethusa fled him the chaste Artemis turned her into a stream which flowed under the sea ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2114_Ten_drachma_piece_Chunk9.mp3" | |
| ,,,,,, | |
| 91408,"the statue depicts Serapis a Roman form of the god Sarapis who was a Greek version of an Egyptian hybrid god. Serapis","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk0.mp3" | |
| 91408,"the statue depicts Serapis a Roman form of the Sarapis who was a Greek version of an Egyptian hybrid god ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk0.mp3" | |
| 91408,"The statue depicts Serapis, a Roman form of the god Sarapis, who was a Greek version of an Egyptian hybrid god. Serapis","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk0.mp3" | |
| ,,,,,, | |
| 91409,"was the focus of a popular cult in the Roman world and he's presented here in a distinctly Roman form enthroned, wearing a long robe, and attended by ","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk1.mp3" | |
| 91409,"was the focus of a popular cult in the Roman world and he is presented here in a distinctly Roman form: enthroned, wearing a long robe and a ","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk1.mp3" | |
| 91409,"was the focus of a popular cult in the Roman world and he's presented here in a distinctly Roman form, enthroned, wearing a long robe and attended","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk1.mp3" | |
| ,,,,,, | |
| 91410,"","yes","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk2.mp3" | |
| 91410,"attended by a remarkable animal companion, Cerberus, the three-headed dog who guarded the entrance to the Underworld in Roman myth.","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk2.mp3" | |
| 91410,"by a remarkable animal companion Cerberus, the three-headed dog, who guarded the entrance to the underworld in Roman myth. The statue is composed","no","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk2.mp3" | |
| ,,,,,, | |
| 91411,"out of two types of marble. A grey stone is used with the god's clothes, while a lighter marble represents his flesh. This Serapis would have originally held a sceptre in his ","yes","Beginning of audio clip unclear",2030,"Lekha; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk3.mp3" | |
| 91411,"two types of marble. A grey stone is used for the gods clothes, while a lighter marble represents his flesh. This Serapis would originally have held a sceptre in his","no","",2044,"Lekha; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk3.mp3" | |
| 91411,"two types of marble a grey stone is used with the god's clothes while a lighter marble represents his flesh this Serapis would have originally held a sceptre in his right ","yes","",2042,"Lekha; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk3.mp3" | |
| 91411,"two types of marble. A grey stone is used with the gods clothes while a lighter marble represents his flesh. This Serapis would originally have held a sceptre in his","no","",2032,"Lekha; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk3.mp3" | |
| 91411,"two types of marble, a grey stone is used with the God's clothes, while a lighter marble represents his Flesh? This serapis? would have originally held a sceptre in his","no","Not clear.",2027,"Lekha; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk3.mp3" | |
| ,,,,,, | |
| 91412,"raised left hand and have been topped by a bearded head the headgear that he wears he is probably a grain measure decorated here with foliage ","no","",2042,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk4.mp3" | |
| 91412,"raised left hand and have been topped by a bearded head. The headgear that he wears here is probably a grain-measure, decorated here with foliage","yes","",2030,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk4.mp3" | |
| 91412,"raised left hand and have been topped by a bearded head. The headgear that he wears here is probably a grain measure, decorated here with foliage suggesting","yes","",2032,"Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk4.mp3" | |
| ,,,,,, | |
| 91413,"in the gods associations with fertility. Several senior Roman gods were depicted with long hair and beards; the curls over the forehead of this bust and the beard","no","",2044,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk5.mp3" | |
| 91413," the gods associations with fertility. Several senior Roman gods were depicted with long hair and beards the curls of the forehead of this bust and the beard","yes","",2032,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk5.mp3" | |
| 91413,"","yes","",2042,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk5.mp3" | |
| 91413,"suggesting the god's associations with fertility. Several senior Roman gods were depicted with long hair and beards. The curls over the forehead of this bust and the","yes","",2030,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk5.mp3" | |
| ,,,,,, | |
| 91414,"parted down the centre however are distinct to Serapis. Certain Roman Emperors adopted these same features in the 3rd century a.d. to associate themselves with this","yes","",2032,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk6.mp3" | |
| 91414,"beard parted down the centre, however, are distinctive to Serapis. Certain Roman emperors adopted these same features in the 3rd century AD to associate themselves with this","yes","",2030,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk6.mp3" | |
| 91414,"parted down the centre however are distinct to Serapis. Certain Roman Emperors adopted these same features in the 3rd century A.D. to associate themselves with this","no","",2044,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk6.mp3" | |
| 91414,"parted down the centre, however, are distinct to Serapis. Certain Roman emperors adopted these same features in the 3rd century AD to associate themselves with this ","yes","",2042,"Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2201_Statue_of_Serapis_with_Cerberus_Chunk6.mp3" | |
| ,,,,,, | |
| 91415,"The attractive black and red colour scheme of this handmade tulip shaped bowl is common to Cypriot pottery of the period and results from the potters","no","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk0.mp3" | |
| 91415,"The attractive black and red colour scheme of this handmade, tulip-shaped bowl is common to Cypriot pottery of the period and results from the potter's","no","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk0.mp3" | |
| 91415,"The attractive black and red colour scheme of this handmade tulip shaped bowl is common to Cypriot pottery of the period and results from the potters","no","",2032,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk0.mp3" | |
| 91415,"the attractive black and red colour scheme of this handmade tulip-shaped bowl is common to Cypriot pottery of the period and results from the potters ","no","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk0.mp3" | |
| 91415,"the attractive black and red colour scheme of this handmade tulip shaped bowl is common to Cypriot pottery of the period and results from the","no","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk0.mp3" | |
| ,,,,,, | |
| 91416,"manipulation of firing conditions. But otherwise the decoration is unique and rather mysterious. Look carefully at the incised lines around the body","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk1.mp3" | |
| 91416,"manipulation of fire conditions, but otherwise the decoration is unique and rather mysterious. Look carefully at the incised lines around the body","yes","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk1.mp3" | |
| 91416,"manipulation of fire in conditions but otherwise the decoration is unique and rather mysterious look carefully at the incised lines around the body","no","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk1.mp3" | |
| 91416,"manipulation of firing conditions but otherwise the decoration is unique and rather mysterious look carefully at the incised lines around the body","no","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk1.mp3" | |
| ,,,,,, | |
| 91417,"Between sets of vertical zigzags, there are three stylised human figures with what appear to be antlers or horns emerging from their heads. We don't know enough","yes","",2030,"Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk2.mp3" | |
| 91417,"between sets of vertical zig-zags there three stylised human figures with what appear to be antlers or horns emerging from their heads. We don't know enough","yes","",2044,"Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk2.mp3" | |
| 91417,"between sets of vertical zigzags there are 3 stylised human figures with what appear to be antlers or horns emerging from their heads we don't","yes","",2042,"Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk2.mp3" | |
| ,,,,,, | |
| 91418,"I'm at the social or religious practices of the inhabitants of northern Cyprus in the early bronze age to say precisely what these figures represent but it's possible that their worshipers","yes","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk3.mp3" | |
| 91418,"about the social or religious practices of the inhabitants of northern Cyprus in the early Bronze Age to say precisely what these figures represent, but it's possible that they're worshippers","yes","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk3.mp3" | |
| 91418,"about the social or religious practices of the inhabitants of northern Cyprus in the early Bronze Age to say precisely what these figures represent but it's possible that their worshippers","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk3.mp3" | |
| 91418,"about the social or religious practices of the inhabitants of northern Cyprus in the early bronze age to say precisely what these figures represent but it's possible that they're worshipers ","no","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk3.mp3" | |
| 91418,"about the social or religious practices of the inhabitants of northern Cyprus in the early bronze age to say precisely what these figures represent, but it's possible that they're worshippers","no","",2032,"Katherine Barnes; Elena Doran ; Terence Gould; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk3.mp3" | |
| ,,,,,, | |
| 91419,"poor priests wearing ritualistic animal head dresses. A terracotta model of a religious sanctuary also excavated at Vunus? seems to show priests wearing animal ","yes","",2027,"Katherine Barnes; Lekha; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk4.mp3" | |
| 91419,"or priests wearing ritualistic animal headdresses. A terracotta model of a religious sanctuary also excavated at Voonus seems to show priests wearing animal","yes","Not sure of the place name. Probably not 'Voonus' but can's find an alternative.",2032,"Katherine Barnes; Lekha; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk4.mp3" | |
| 91419,"priests wearing ritualistic headdresses a terracotta model of a religious sanctuary also excavated at Vouslous seems to show priests wearing animal","yes","",1977,"Katherine Barnes; Lekha; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk4.mp3" | |
| 91419,"or priests wearing ritualistic animal headdresses. A terracotta model of a religious sanctuary, also excavated at Vounous, seems to show priests wearing animal","no","",2030,"Katherine Barnes; Lekha; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk4.mp3" | |
| 91419,"priests wearing ritualistic animal headdresses a terracotta model of a religious sanctuary also excavated at Venus seems to show priest wearing animal | |
| ","yes","",2042,"Katherine Barnes; Lekha; Elena Doran ; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk4.mp3" | |
| ,,,,,, | |
| 91420,"animal masks there are more horned animal heads around the rim of the bowl probably bulls in this case along with four discs incised with lines","yes","",2042,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk5.mp3" | |
| 91420,"masks. There are more horned animal heads around the rim of the bowl, probably bulls in this case, along with four discs incised with lines","yes","",2030,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk5.mp3" | |
| 91420,"masks they are more horned animal heads around the rim of the bowl probably bulls in this case along with four discs incised with lines","yes","",1977,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk5.mp3" | |
| ,,,,,, | |
| 91421,"that might represent the rays of the sun. Bulls were relatively common motifs in Cypriot art in the early Bronze Age. Cattle had recently been imported to the island for the first time","yes","",2030,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk6.mp3" | |
| 91421,"might represent the rays of the Sun. Bulls were relatively common motifs in Cypriot art in the early Bronze Age cattle that recently been imported to the island for the first | |
| ","yes","",2042,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk6.mp3" | |
| 91421,"might represent the rays of the Sun bulls were relatively common motifs in Cypriot art in the early Bronze Age cattle that recently been imported to the island","yes","",1977,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk6.mp3" | |
| ,,,,,, | |
| 91422,"and the animals' strength and fertility may have given them a religious significance. ","yes","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk7.mp3" | |
| 91422,"first time and the animal's strength and fertility may have given them a religious significance","no","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk7.mp3" | |
| 91422,"","yes","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk7.mp3" | |
| 91422,"as time and the animal's strengths and fertility may have given them a religious significance.","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2202_Tulip_shaped_bowl_Chunk7.mp3" | |
| ,,,,,, | |
| 91423," these heads which would originally have been attached the bodies were found in a sanctuary at Salamis on the eastern coast of Cyprus they date from around 600 BC","no","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk0.mp3" | |
| 91423,"these heads which would originally have been attached to bodies were found in a sanctuary at Salamis on the eastern coast of Cyprus. They date from around 600 BC, the | |
| ","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk0.mp3" | |
| 91423,"These heads, which would have originally been attached to bodies, were found in a sanctuary at Salamis on the eastern coast of Cyprus. They date from around 600 BC, ","no","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk0.mp3" | |
| 91423,"these heads which would originally have been attached to bodies were found in a sanctuary at Salamis on the eastern coast of Cyprus they date from around 600 BC the middle ","yes","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk0.mp3" | |
| ,,,,,, | |
| 91424," what is known as the Cyprio-archaic period in Ancient Cypriot history when the island was dominated first by Assyrians and Egyptians and Persians","yes","",1977,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk1.mp3" | |
| 91424,"the middle of what is known as the Cypro-archaic period in Ancient Cypriot history, a period when the island was dominated first by Assyrians, then by Egyptians and Persians.","yes","",2030,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk1.mp3" | |
| 91424,"of what is known as the Cypro-archaic period in Ancient Cypriot history a period when the island was dominated first by Assyrians then Egyptians and Persians","no","",2042,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk1.mp3" | |
| ,,,,,, | |
| 91425,"these heads while being distinctly Cypriot also suggest this foreign influence here's Greek Cypriot archaeologist Evie Marco so these are ","yes","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk2.mp3" | |
| 91425," these heads while being distinctly Cypriot also suggest this foreign influence. Here's Greek Cypriot archaeologist Evie Makou. So, these are","yes","unsure about exact spelling of that name.",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk2.mp3" | |
| 91425,"these heads while being distinctly Cypriot also suggest a foreign influence here is Greek Cypriot archaeologist Evie Marco","yes","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk2.mp3" | |
| 91425,"These heads, while being distinctly Cypriot, also suggest this foreign influence. Here's Greek-Cypriot archaeologist, ____: 'So these are","yes","Again, impossible to make out the name of the Greek-Cypriot archaeologist",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk2.mp3" | |
| ,,,,,, | |
| 91426," mould made heads may heads are very proper to the island of Cyprus even though they bare influences","no","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk3.mp3" | |
| 91426,"mould-made heads, male heads, are very proper to the island of Cyprus even though they bare influences","yes","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk3.mp3" | |
| 91426,"mould-made heads, male heads, are very proper to the island of Cyprus, even though they bear ","yes","last word unclear",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk3.mp3" | |
| 91426,"mould made heads, male heads are very proper to the island of Cyprus even though they bear influences","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk3.mp3" | |
| ,,,,,, | |
| 91427,"influences from the Eastern world. Their rich, thick eyebrows and their close-fitting caps are characteristics of ","yes","",2030,"Katherine Barnes; Roger Wilmot; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk4.mp3" | |
| 91427,"from the Eastern world, their reached thick eyebrows and their close-fitting cups are characteristics of ","yes","'reached' possibly 'arched'",2042,"Katherine Barnes; Roger Wilmot; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk4.mp3" | |
| 91427," from the Eastern world their ridged thick eyebrows and their close-fitting cups are characteristics of","yes","",2026,"Katherine Barnes; Roger Wilmot; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk4.mp3" | |
| 91427,"","yes","",1977,"Katherine Barnes; Roger Wilmot; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk4.mp3" | |
| 91427,"from the Eastern world their ridged, thick eyebrows and their close-fitting caps are characteristics of","yes","",2044,"Katherine Barnes; Roger Wilmot; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk4.mp3" | |
| ,,,,,, | |
| 91428,"of that style many of these objects have been found in Cyprus and the Eastern influences can also be proved by","yes","",2042,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk5.mp3" | |
| 91428,"that style. Many of these objects have been found in Cyprus, and the Eastern influences can also be proved by","yes","",2030,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk5.mp3" | |
| 91428,"off that style many of these objects have been found in Cyprus and the Eastern influences can also be proved","yes","",1977,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk5.mp3" | |
| ,,,,,, | |
| 91429,"fact that one of these figures even though male, wears earrings. They're really amazing","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk6.mp3" | |
| 91429,"facts that one of these figures even though Mayan bears influences is really amazing","no","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk6.mp3" | |
| 91429,"the fact that one of these figures, even though male, wears earrings. It's really amazing.","yes","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk6.mp3" | |
| 91429,"the fact that one of these figures, even though male, bears earrings it's really amazing ","no","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2203_Terracotta_head_Chunk6.mp3" | |
| ,,,,,, | |
| 91430,"This sword in the 6th century BC and was excavated from a tomb at Tommassos in central Cyprus Julie Dawson of the museums Antiquities","yes","",1977,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk0.mp3" | |
| 91430,"This sword dates from the 6th century BC and was excavated from a tomb at Tamassos in central Cyprus. Julie Dawson of the Museum's Antiquities Department","yes","",2030,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk0.mp3" | |
| 91430,"This sword dates from the 6th century BC and was excavated from a tomb at Tamassos in central Cyprus. Julie Dawson of the museum's Antiquities department","yes","",2044,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk0.mp3" | |
| 91430,"this sword dates from the 6th century BC and was excavated from a tomb at Tamassos in central Cyprus. Julie Dawson of the museum's Antiquities department | |
| ","yes","",2042,"Katherine Barnes; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk0.mp3" | |
| ,,,,,, | |
| 91431,"evokes something of its past splendour and describes what we see today: 'It's obviously a weapon that's intended for slashing rather than thrusting.","yes","",2030,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk1.mp3" | |
| 91431," evokes something of its past splendour and describes what we see today: It's obviously a weapon that's intended for slashing rather than thrusting","no","",2044,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk1.mp3" | |
| 91431,"evokes something of it's past splendor and describe what we see today it's obviously a weapon that's intended for slashing rather than thrusting","no","",1977,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk1.mp3" | |
| 91431," evoke something of its past splendour and describes what we see today it's obviously a weapon that's intended for slashing rather than thrusting ","no","",2045,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk1.mp3" | |
| 91431,"evokes something of its past splendour and describes what we see today. It's obviously a weapon that's intended for slashing rather than thrusting | |
| ","yes","",2042,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk1.mp3" | |
| ,,,,,, | |
| 91432,"straight into somebody and you look after you can see the midrib here for strengthening it for taking blows if you look quite hard at the paler brown areas","yes","",1977,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk2.mp3" | |
| 91432," straight into somebody and you look up and you can see the midrib here for strengthening it for taking blows uhm if you look quite hard at the polar brown areas | |
| ","no","",2045,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk2.mp3" | |
| 91432,"straight into somebody. When you look up it you can see the midrib for strengthening it, for taking blows. If you look quite hard at the paler brown areas up the blade,","yes","",2030,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk2.mp3" | |
| 91432,"straight into somebody when you look up it you can see the midrib here for strengthening it for taking blows if you look quite hard at the polar brown areas","yes","",2042,"Katherine Barnes; Louisa de Gooijer; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk2.mp3" | |
| ,,,,,, | |
| 91433,"you can actually see where there are remains of the wooden scabbard, and underneath that, this rather syrupy layer, which almost certainly is deteriorated leather","yes","",2030,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk3.mp3" | |
| 91433,"you can actually see the remains of a wooden scabbard underneath that this was the sort of syrupy layer which almost certainly is deteriorated leather","yes","",1977,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk3.mp3" | |
| 91433,"you can actually see where there are remains of a wooden scabbard and underneath that this rather sort of syrupy layer which almost certainly is deteriorated leather","no","",2042,"Katherine Barnes; Elena Doran ; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk3.mp3" | |
| ,,,,,, | |
| 91434,"But really the magnificent workmanship of this piece is actually when you get up to the hilt, and what you're seeing there, or the paler parts that you can see on","yes","",2030,"Katherine Barnes; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk4.mp3" | |
| 91434," Really, the magnificent workmanship of this piece is actually when you get up to the hilt and what you're seeing there, all other paler parts that you can see on the ","no","",2045,"Katherine Barnes; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk4.mp3" | |
| 91434,"is it really the Magnificent workmanship of this piece is actually when you get up to the hilt and what's your seeing there or the paler parts that can","yes","",1977,"Katherine Barnes; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk4.mp3" | |
| ,,,,,, | |
| 91435,"hilt were actually ivory and it would have been laid in sheets across the hilt and then held in place with copper rivats or more likely bronze ri...","yes","",2027,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk5.mp3" | |
| 91435," Hilt are actually ivory and it would have been laid in sheets across the hilt and then held in place with copper rivets or more likely actually bronze rivets","yes","",2044,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk5.mp3" | |
| 91435,"hilt are actually ivory and it would have been laid in sheets across the hilt and then held in place with copper rivets or more likely actually bronze rivets","yes","",1977,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk5.mp3" | |
| 91435,"the hilt, are actually ivory. It would have been laid in sheets across the hilt and then held in place with copper rivets, or more likely bronze rivets.","yes","",2030,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk5.mp3" | |
| 91435,"hilts are actually ivory and it would have been laid in sheets across the hilt and then held in place with copper rivets or the more likely actually bronze ","no","",2045,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk5.mp3" | |
| ,,,,,, | |
| 91436,"you can see hints of a lilac colour and possibly even a little bit of the silver so you'll have to imagine when it was first made this was a sort of gleaming cream","yes","",2045,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk6.mp3" | |
| 91436,"","yes","",1977,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk6.mp3" | |
| 91436,"You can see hints of the lilac colour and possibly even a little bit of the silver, so you have to imagine when it was first made, this was a sort of gleaming cream","yes","",2030,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk6.mp3" | |
| 91436,"we can see hints of a lilac colour and possibly even a little bit of the silver so you have to imagine when it was first made this was a sort of gleaming cream","yes","",2044,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk6.mp3" | |
| ,,,,,, | |
| 91437,"silver top to this object looks pretty awful now but once upon a time this would have been a truly fantastic piece of workmanship","no","",1977,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk7.mp3" | |
| 91437,"and silver top to this object. So it looks pretty awful now, but once upon a time this would have been a truly fantastic piece of workmanship.","no","",2030,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk7.mp3" | |
| 91437,"silver top to this object so it looks pretty awful now but once upon a time this would have been a truly fantastic piece of workmanship","no","",2045,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk7.mp3" | |
| 91437,"and silver top to this object. So, it looks pretty awful now but once upon a time this would have been a truly fantastic piece of workmanship","yes","",2044,"Katherine Barnes; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2204-Iron sword_Chunk7.mp3" | |
| ,,,,,, | |
| 91438,"the Komedia dell'arte was a form of theatre that originated on the street of Italy in the 16th century it became popular throughout Europe not least at the Saxony court ","yes","",2045,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk0.mp3" | |
| 91438,"The Commedia dell'arte was a form of theatre that originated on the streets of Italy in the 16th century. It became popular throughout Europe, not least at the Saxony court","yes","",2030,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk0.mp3" | |
| 91438,"the Commedia dell'arte was a form of theatre that originated on the streets of Italy in the 16th century. It became popular in Europe, not least at the Saxony court","yes","",2044,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk0.mp3" | |
| 91438,"the Comedia dell'arte was a form of theatre that originated on the streets of italy in the 16th century. It became popular throughout Europe. not least at the Saxony court.","no","",2027,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk0.mp3" | |
| 91438,"","yes","",1977,"Katherine Barnes; Lekha; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk0.mp3" | |
| ,,,,,, | |
| 91439,"many of the stock characters are still familiar today harlequin for instance with his distinctive lozenge pattern clothes his flirtatious sweetheart columbine","yes","",2045,"Louisa de Gooijer; Elena Alexandra Karampela; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk1.mp3" | |
| 91439,"Many of the stock characters are still familiar today: Harlequin, for instance, with his distinctive lozenge-patterned clothes; his flirtatious sweetheart Columbine","yes","",2030,"Louisa de Gooijer; Elena Alexandra Karampela; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk1.mp3" | |
| 91439,"... Many of the stock characters are still familiar today. Harlequin for instance, with his distinctive lozenge patterned clothes; his flirtatious sweetheart Columbine","no","",2046,"Louisa de Gooijer; Elena Alexandra Karampela; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk1.mp3" | |
| ,,,,,, | |
| 91440,"and the familiar to the English in his incarnation as Mr Punch this figure depicts Harley Quinn in angry mood know for ","yes","I can't make out the two words after 'and the' ",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk2.mp3" | |
| 91440,"'Pulcinella', familiar to the English in his incarnation as 'Mr. Punch'. This figure depicts Harley Quinn, in angry mood, know for","no","I can't work out what comes before 'Pulcinella' because of the way the audio is cut.",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk2.mp3" | |
| 91440,", and the churlish Pulcinella, familiar to the English in his incarnation as Mr. Punch. This figure depicts Harlequin, in angry mood, known for his","yes","unsure whether I heard ""in angry mood"" correctly",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk2.mp3" | |
| ,,,,,, | |
| 91441,"his agility we hear a doctor characteristically exaggerated pose comparatively unusual from mice and figure is the emphasis on Harlequins ugliness here","no","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk3.mp3" | |
| 91441,"","yes","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk3.mp3" | |
| 91441,"his agility, here adopts a characteristically exaggerated pose. Comparatively unusual for a Meissen figure is the emphasis on Harlequin's ugliness here","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk3.mp3" | |
| ,,,,,, | |
| 91442,"His lips are turned down in a petulant scowl and his bushy eyebrows and large black facial wart do little to endear him. Harlequin's ambiguous character ","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk4.mp3" | |
| 91442,"his lips are turned down in a petulant scowl and his bushy eyebrows and large black facial wart do little to endear him Harlequins ambiguous ","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk4.mp3" | |
| 91442,"His lips are turned down in a petulant scowl, and his bushy eyebrows and large black facial wart do little to endear him. Harlequin's ambiguous character","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk4.mp3" | |
| ,,,,,, | |
| 91443,"is set forth in the following description by an 18th-century writer: 'He is a mixture of stupidity, naiveté, wit, clumsiness, ","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk5.mp3" | |
| 91443,"is set forth in the following description by an 18th century writer he is a mixture of stupidity naivety wit clumsiness","no","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk5.mp3" | |
| 91443,"narrator is set forth in the following description by an 18th century writer: ""He is a mixture of stupidity, naivety, wit, clumsiness, ","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk5.mp3" | |
| ,,,,,, | |
| 91444,"and grace. He is an overgrown boy with occasional glimmers of intelligence, and his mistakes and blunderings often have wayward charm. ","no","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk6.mp3" | |
| 91444,"and grace. He is an overgrown boy with occasional glimmers of intelligence and his mistakes and blunderings often have wayward charm. ","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk6.mp3" | |
| 91444,"and grace. He is an overgrown boy with occasional glimmers of intelligence and his mistakes and blunderings often have wayward charm","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk6.mp3" | |
| ,,,,,, | |
| 91445,"His role is that of the faithful manservant: always patient, gullible and greedy. He is always amorous","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk7.mp3" | |
| 91445,"His role is that of the faithful manservant: always patient, gullible and greedy. He is always amorous.","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk7.mp3" | |
| 91445,"His role is that of the faithful manservant; always patient, gullible, and greedy. He is always amorous. ","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk7.mp3" | |
| ,,,,,, | |
| 91446,"and is forever getting himself or his master into trouble. He is hurt and comforted as easily as a child and his grief is","no","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk8.mp3" | |
| 91446,"and is forever getting himself or his master into trouble. He is hurt and comforted as easily as a child and his grief is","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk8.mp3" | |
| 91446,", and is forever getting himself or his master into trouble. He is hurt and comforted as easily as a child, and his grief is","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2601-The Angry Harlequin_Chunk8.mp3" | |
| ,,,,,, | |
| 91447,"This beautifully dressed figure with his long white wig and gold trimmed jacket is the commandant of a silver mine the leader of an important","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk0.mp3" | |
| 91447,"This beautifully dressed figure, with his long white wig and gold-trimmed jacket, is the commandant of a silver mine, the leader of an important","yes","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk0.mp3" | |
| 91447,"this beautifully dressed figure with his long white wig and gold trimmed jacket is the commandant of a silver mine; the leader of an important","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk0.mp3" | |
| ,,,,,, | |
| 91448,"workforce in 18th-century Saxony. Miners had made a significant contribution to the discovery and manufacture of European porcelain. Kaolin, the white","no","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk1.mp3" | |
| 91448," workforce in 18th century Saxony. Miners that made a significant contribution to the discovery and manufacture of European porcelain, Kaylan, de White ","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk1.mp3" | |
| 91448,"the workforce in 18th century Saxony. Miners had made a significant contribution to the discovery and manufacture of European porcelain. Kaolin, the white ","no","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk1.mp3" | |
| ,,,,,, | |
| 91449,"clay which was an essential ingredient had been discovered in a mine only 50 miles southwest of Meissen. A magnificent parade of 1400 miners had been ","yes","",2036,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk2.mp3" | |
| 91449,"clay, which was an essential ingredient, had been discovered in a mine only 50 miles southwest of Mison. A magnificent parade of 1400 Minors had been ","yes","",2045,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk2.mp3" | |
| 91449,"clay which was an essential ingredient, had been discovered in a mine only 50 miles southwest of Meissen. A magnificent parade of 1,400 miners had ","no","",2030,"Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk2.mp3" | |
| ,,,,,, | |
| 91450,"been one of the highlights of the celebrations of the wedding of Augustus the Strong's son in 1719. Although they were not made until 1750, this figure and ","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk3.mp3" | |
| 91450,"one of the highlights of the celebrations of the wedding of Augustus' strong son in 1719. And although they were not made until around 1750, this figure and those","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk3.mp3" | |
| 91450,"one of the highlights of the celebrations of the wedding of Augustus the Strong's son in 1719, and although they were not made until around 1750, this figure and those","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk3.mp3" | |
| 91450,"one of the highlights of the celebrations of the wedding of Augustus the Strong's son in 1719. And although they were not made until around 1750, this figure","no","",2036,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk3.mp3" | |
| ,,,,,, | |
| 91451,"those around it were probably created in memory of that event. The miners are dressed in their ceremonial outfits rather than in their working clothes. It was once believed that this commandant ","yes","",2030,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk4.mp3" | |
| 91451,"around it were probably created in memory of that event. The miners are dressed in their ceremonial outfits rather than their working clothes. It was once believed that this commandant","no","",2036,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk4.mp3" | |
| 91451,"around it were probably created in memory of that event. The Miners addressed in the ceremonial outfits rather than their working clothes. It was once believed that this common","yes","",2044,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk4.mp3" | |
| 91451,"around it will probably created in memory of that event. The miners are dressed in their ceremonial outfits rather than their working clothes. It was once believed that this","yes","",2045,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk4.mp3" | |
| ,,,,,, | |
| 91452,"and was in fact a portrait of Augustus himself. The initials A.R on his cap stand for Augustus Rex, Augustus the king, although these probably advertise","yes","",2044,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk5.mp3" | |
| 91452,"was in front a portrait of Augustus himself. The initials ""A. R."" on his cap stand for Augustus Rex, Augustus the king. Although, these probably advertised ","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk5.mp3" | |
| 91452,"was in fact a portrait of Augustus himself. The initials A.R. on his cap stand for Augustus Rex, Augustus the King, although these probably advertised","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk5.mp3" | |
| 91452,"was in fact a portrait of Augustus himself. The initials ""A. R."" on his cap stand for Augustus Rex, Augustus the king, although these probably advertise ","yes","",2036,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk5.mp3" | |
| 91452,"and was in fact a portrait of Augustus himself. The initials 'A.R.' on his cap, stand for 'Augustus Rex', 'Augustus the King', although these probably advertised ","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk5.mp3" | |
| ,,,,,, | |
| 91453,"the commandant's loyalty to the monarch rather than his identification with him. ","no","",2036,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk6.mp3" | |
| 91453,"commandant's loyalty to the monarch, rather than his identification with him | |
| ","no","",2045,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk6.mp3" | |
| 91453,"the commandant's loyalty to the monarch rather than his identification with him.","yes","",2030,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk6.mp3" | |
| 91453," commandants loyalty to the monarch rather than his identification with him.","yes","",2044,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2603_Mine_Commandant_Chunk6.mp3" | |
| ,,,,,, | |
| 91454,"a set of engravings based on drawings by the great French sculptor Edmé Bouchardon was the inspiration for this and several figures around it.","yes","",2044,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk0.mp3" | |
| 91454,"a set of engravings based on drawings by the great French sculptor, Edmé Bouchardon, was the inspiration for this and several figures around it","no","",2036,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk0.mp3" | |
| 91454,"a set of engravings based on drawings by the great French sculptor Edmé Bouchardon was the inspiration for this and several figures around it.","yes","",2045,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk0.mp3" | |
| 91454,"A set of engravings based on drawings by the great French sculptor Edmé Bouchardon was the inspiration for this and several figures around it","no","",2030,"Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk0.mp3" | |
| ,,,,,, | |
| 91455,"The engravings were entitled ""The Cries of Paris"" and depicted characters from the streets of the French capital: traveling musicians, vendors, and craftsmen.","yes","",2036,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk1.mp3" | |
| 91455,"the engravings are entitled ""The Cries of Paris"" and depicted characters on the streets of the French capital: travelling musicians, vendors, and craftsmen","yes","",2044,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk1.mp3" | |
| 91455,"the engravings are entitled: ""The cries of Paris"" and depicted characters on the streets of the French capital: travelling musicians, vendors and craftsmen","no","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk1.mp3" | |
| 91455,"the engravings were entitled, 'The Cries of Paris', and depicted characters from the streets of the French capital. Travelling musicians, vendors and craftsmen","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk1.mp3" | |
| 91455,"The engravings were entitled 'the Cries of Paris' and depicted characters from the streets of the French capital: travelling musicans, vendors and craftsmen","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk1.mp3" | |
| ,,,,,, | |
| 91456,", usually with one figure for print. This hurdy-gurdy player was made around 1745. His unkempt hair perhaps suggests his lonely status.","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk2.mp3" | |
| 91456,"usually with one figure print. This hurdy-gurdy player was made around 1745. His unkempt hair perhaps suggests his lowly state","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk2.mp3" | |
| 91456,"usually with one figure per print. This hurdy-gurdy player was made around 1745, his unkempt hair perhaps suggests his lowly status","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk2.mp3" | |
| 91456," usually with one figure per print. This hurdy-gurdy player was made around 1745. His unkempt hair perhaps suggests his lowly status","yes","",2044,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk2.mp3" | |
| ,,,,,, | |
| 91457,"But even in the figures of peasants and street-dwellers, the ..... and colourists suggested an unlikely elegance. This busker's jacket and socks remind","no","Not sure what the middle is saying",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk3.mp3" | |
| 91457,"but even in their figures of peasants and street dwellers, the Meissen modellers and colourists suggested an unlikely elegance. This buskers jacket and socks are","yes","",2044,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk3.mp3" | |
| 91457,"But even in their figures of peasants and street-dwellers, the Meissen modelers and colourists suggested an unlikely elegance. This busker's jacket and socks","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk3.mp3" | |
| 91457,"but even in their figures of peasants and street dwellers, the Mison modelists and colourists suggested an unlikely elegance. This buskers jacket and socks remind","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk3.mp3" | |
| ,,,,,, | |
| 91458,"are immaculately, implausibly white. His yellow breeches are tastefully echoed in his carefully tied shoelaces. The wealthy eighteenth-century owners of Meissen figures may have","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk4.mp3" | |
| 91458,"immaculately, implausibly white. His yellow breeches are tastefully echoed in his carefully tied shoelaces. The wealthy eighteenth-century owners of meissen figures may have","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk4.mp3" | |
| 91458,"immaculately, implausibly white. His yellow breeches are tastefully echoed in his carefully tied shoelaces. The wealthy eighteenth-century owners of Mison figures, may have","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk4.mp3" | |
| ,,,,,, | |
| 91459,"had an interest in lowlife, but their view of it at the dinner table was highly sanitised. The hurdy-gurdy player was copied in England a few years later at the Chelsea Porcelain","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk5.mp3" | |
| 91459,"an interest in low-life, but the view of it at the dinner table was highly sanitised. The hurdy-gurdy player was copied in England a few years later, at the Chelsea porcelain ","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk5.mp3" | |
| 91459,"an interest in low life, but their view of it at the dinner was highly sanitised. The hurdy gurdy player was copied in England a few years later at the Chelsea porcelain ","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2604_Hurdy_gurdy_player_Chunk5.mp3" | |
| ,,,,,, | |
| 91460,"This vessel, with its tapering body, round shoulders and small mouth, is called a ... It was one of the most popular forms among","no","Not sure what the middle says",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk0.mp3" | |
| 91460,"This vessel with its tapering body, round shoulders and small mouth is called a May Biong. It was one of the most popular forms among | |
| ","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk0.mp3" | |
| 91460,"This vessel, with its tapering body, round shoulders, and small mouth is called a ""maebyeong""; it was one of the most popular forms among ","no","",2036,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk0.mp3" | |
| 91460,"This vessel, with its tapering body, round shoulders, and small mouth, is called a maebyong. It was one of the most popular forms among","no","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk0.mp3" | |
| ,,,,,, | |
| 91461,"potters and derives from a Chinese shape, the meiping, which means 'vase for plum blossoms.' In fact, this Korean example was probably used for storing wine and would have ","yes","",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk1.mp3" | |
| 91461,"potters, and derives from a Chinese shape, the 'Mae Ping', which means 'vase for plum blossoms'. In fact, this Korean example was probably used for storing wine and would","no","Not sure on spelling for mae ping",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk1.mp3" | |
| 91461,"potters and derives from a Chinese shape, the ""Mae Ping"", which means ""vase for plum blossoms"". In fact, this Korean example was probably used for storing wine and would have","yes","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk1.mp3" | |
| ,,,,,, | |
| 91462,"would originally have had a lid. The dark colour that contrasts so sharply with the delicate greens of most other Korean celadons, was achieved by coating the vessel with","no","",2029,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk2.mp3" | |
| 91462,"originally have had a lid. The dark colour, that contrasts so sharply with the delicate greens of most other Goryeo celadons, was achieved by coating the vessel with an ","no","",2045,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk2.mp3" | |
| 91462,"originally had a lid. The dark colour that contrasts so sharply with the delicate greens of most other Goryeo celadons was achieved by coating the vessel with ","yes","Alternatively: Koryo celadons",2030,"Maria Benedetto Mozo; Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk2.mp3" | |
| ,,,,,, | |
| 91463,"iron pigments before glazing it; the pigment turned black in firing. Here a floral decoration has been carved into the clay and filled with white","no","",2029,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk3.mp3" | |
| 91463,"iron pigment before glazing it. The pigment turned black and fiery. Here a floral decoration has been carved into the clay and filled with white slip","yes","",2036,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk3.mp3" | |
| 91463,"iron pigment before glazing it. The pigment turned black in firing. Here a floral decoration has been carved into the clay and filled with white ","yes","",2030,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2901_Celadon_vase_Chunk3.mp3" | |
| ,,,,,, | |
| 91464,"decorators of Koryo ceramics like to take their scenes from nature and you'll see around the gallery many vessels with incised, inlaid, or painted images","yes","",2036,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk0.mp3" | |
| 91464,"Decorators of Koryo ceramics liked to take their themes from nature, and you'll see around the gallery many vessels with incised, inlaid, or painted images","no","",2030,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk0.mp3" | |
| 91464,"Decorators of Korean ceramics liked to take their themes from nature, and you'll se around the gallery many vessels with incised, inlaid or painted images","no","",2029,"Maria Benedetto Mozo; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk0.mp3" | |
| ,,,,,, | |
| 91465,"of clouds, bird, foliage and flowers. Sometimes the shapes of the vessels themselves replicated natural forms. This ewer, which ","no","",2029,"Maria Benedetto Mozo; Athena; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk1.mp3" | |
| 91465,"of clouds, birds, foliage, and flowers. Sometimes the shapes of the vessels themselves replicated natural forms. This ewer, which ","yes","",2030,"Maria Benedetto Mozo; Athena; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk1.mp3" | |
| 91465,"of clouds, birds, foliage and flowers. Sometimes the shapes the vessels themselves replicated natural forms. This ","yes","Unsure of the last word in the audio",2047,"Maria Benedetto Mozo; Athena; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk1.mp3" | |
| 91465,"of clouds, birds, foliage, and flowers. Sometimes the shapes of the vessels themselves replicated natural forms. This yua?","no","last word is unclear, need more context",2036,"Maria Benedetto Mozo; Athena; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk1.mp3" | |
| ,,,,,, | |
| 91466,"passionate, spontaneous, and it's almost as if it's unplanned, the way the ceramics turn out. But on the other hand, there's also an austere side to","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk10.mp3" | |
| 91466,"passionate, spontaneous, and it's almost as if it's unplanned the way the ceramics turned out. But, on the other hand, there's also an austere side to ","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk10.mp3" | |
| 91466,"passionate, spontaneous, and it's almost as if it's unplanned, the way the ceramics turn out. But on the other hand, there's also an austere side to ","yes","",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk10.mp3" | |
| ,,,,,, | |
| 91467,"Korean taste, which fits in with Neo-Confucianism and the strictness of Neo-Confucianism, and the idea that ceramics ","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk11.mp3" | |
| 91467,"","yes","Half of last word left off audio and therefore transcription ",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk11.mp3" | |
| 91467,"Korean taste which fits in with Neo-Confucianism and the strictness of Neo-Confucianism, and the idea that ceramics ","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk11.mp3" | |
| ,,,,,, | |
| 91468,"undecorated ceramics, particularly plain white ceramics, are really the most attractive and the most subtle, and they don't really","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk12.mp3" | |
| 91468,"","yes","",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk12.mp3" | |
| 91468,"decorated ceramics, particularly plain white ceramics, are really the most attractive and the most subtle, and they don't really","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk12.mp3" | |
| ,,,,,, | |
| 91469,"like very garish decoration, overglaze enamel decoration.","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk13.mp3" | |
| 91469,"","yes","",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk13.mp3" | |
| 91469,"like very garish decoration, overglaze enamel decoration.","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk13.mp3" | |
| ,,,,,, | |
| 91470,"was probably used for pouring wine, is carved into the shape of a melon. Elsewhere in the gallery, you'll see other jugs shaped liked gourds. Though celadon ware really","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk2.mp3" | |
| 91470,"was probably used for pouring wine, is carved into the shape of a melon. Elsewhere in the gallery, you'll see other jugs shaped like gourds. Though celadon ware ","no","I think the audio says 'gourds' ",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk2.mp3" | |
| 91470,"It was probably used for pouring wine and is carved into the shape of a melon. Elsewhere in the gallery, you'll also see other jugs shaped like gourds. Though celadon ware ","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk2.mp3" | |
| ,,,,,, | |
| 91471,"originated in China, the Koreo craftsman refined it into a distinctly Korean art form. They developed a thinner, more translucent glaze than their Chinese counterparts ","yes","Unsure 100% of the word before craftsman -- Koreo it sounds like",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk3.mp3" | |
| 91471,"originated in China, the Koryo craftsmen refined it into a distinctly Korean art form. They developed a thinner, more translucent glaze than their Chinese counterparts had","no","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk3.mp3" | |
| 91471,"originated in China, the Korean craftsman refined it into a distinctly Korean art form. They developed a thinner, more translucent glaze than their Chinese counterparts had","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk3.mp3" | |
| ,,,,,, | |
| 91472,"used and this allowed for the delicate incised decoration to be seen more clearly. Look at the floral motifs on the body of this ... Jane","no","Unsure of the second to last word -- yure/jure? it sounds like. Last word, Jane's surname, is cut off of the audio and therefore isn't transcribed ",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk4.mp3" | |
| 91472,"used, and this allowed for the delicate, incised decoration to be seen more clearly. Look at the floral motifs on the body of this ewer. Jane","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk4.mp3" | |
| 91472,"used, and this allowed for the delicate incised decoration to be seen more clearly. Look at the floral motifs on the body of this ewer. Jane","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk4.mp3" | |
| ,,,,,, | |
| 91473,"Portal, of the British Museum, talks about Korean pottery. The Korean ceramics are quite different from Chinese ceramics, because they're not as","no","Not sure about Jane's surname",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk5.mp3" | |
| 91473,"Portal of the British Museum talks about Korean pottery: 'The Korean ceramics are quite different from Chinese ceramics because they're not as","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk5.mp3" | |
| 91473,"of the British Museum talks about Korean pottery. The Korean ceramics are quite different from Chinese ceramics because they're not ","no","First word cut off/inaudible ",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk5.mp3" | |
| ,,,,,, | |
| 91474,"perfect as Chinese ceramics. Chinese ceramics are mass-produced and they are in the right, sort of perfect shape, whereas Korean ceramics are sometimes wonky, asymmetrical ","no","",2029,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk6.mp3" | |
| 91474,"perfect as Chinese ceramics. Chinese ceramics are mass-produced and they are in the right sort of perfect shape, whereas Korean ceramics are sometimes wonky, asymmetrical ","yes","",2047,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk6.mp3" | |
| 91474,"perfect as Chinese ceramics. Chinese ceramics are mass-produced, and they are in the right, sort of perfect shape, whereas Korean ceramics are sometimes wonky, asymmetrical","yes","",2030,"Maria Benedetto Mozo; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk6.mp3" | |
| ,,,,,, | |
| 91475,". Not only are the shapes asymmetrical, they're also natural shapes flowers and vegetables and animals. The Koreans loved to make shapes","yes","",2030,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk7.mp3" | |
| 91475,"asymmetrical. Not only are the shapes asymmetrical, they're also natural shapes like flowers and vegetables and animals - the Koreans love to make shapes ","yes","",2047,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk7.mp3" | |
| 91475,"asymmetrical, not only are the shapes asymmetrical, they're also natural shapes like flowers and and vegetables and animals the Koreans love to make shapes","no","",,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk7.mp3" | |
| ,,,,,, | |
| 91476,"it's like that and the decoration of Korean ceramics sometimes has a strange sort of proportion so that one side of the decoration","yes","",1,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk8.mp3" | |
| 91476,"like that, and the decoration of Korean ceramics sometimes has a strange sort of proportion so that one side of the decoration ","yes","",2047,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk8.mp3" | |
| 91476,"like that, and the decoration of Korean ceramics sometimes has a strange sort of proportion, so that one side of the decoration","yes","",2030,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk8.mp3" | |
| ,,,,,, | |
| 91477,"a lotus flower is much too big, a willow tree is much too small, and it's out of proportion to each other. That sort of shows a side of Korean nature which is ","yes","",2030,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk9.mp3" | |
| 91477,"lotus flower is much too big willow tree is much too small and out of proportion to each other. That sort of shows a side of Korean nature","no","",1,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk9.mp3" | |
| 91477,"a lotus flower is much too big, a willow tree is much too small and it's out of proportion to each other, that sort of shows a side of Korean nature which is ","no","",2047,"Daniel Pett; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2902_Celadon_ewer_Chunk9.mp3" | |
| ,,,,,, | |
| 91478,"While many of the forms and decorative techniques of Koryo pottery are inherited from China, the method by which this bowl is decorated was unique to","yes","",2030,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk0.mp3" | |
| 91478,"while many of the forms and decorative techniques of Koreo pottery were inherited from China, the method by which this bowl is decorated was unique to ","no","Unsure if the audio says 'Koreo' ? -- what it sounds like",2047,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk0.mp3" | |
| 91478,"while many of the forms and decorative techniques of Korea pottery are inherited from China the method by which this bowl is decorated was unique | |
| ","no","",,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk0.mp3" | |
| ,,,,,, | |
| 91479,"Korea. The technique is called sanggam and involved incising the unfired clay and filling it with a white and/or black slip, which was then","yes","",2030,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk1.mp3" | |
| 91479,"The technique is called Sangam and involved in sizing the unfired clay and filling it with a white and or or black slip which was then","yes","The end ('rea') of 'Korea' can be heard at the start but wasn't sure if it should be transcribed ",2047,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk1.mp3" | |
| 91479,"Korea. The technique is called Sangam and involved in sizing the unfired clay and filling it with a white and or black slip which is then","no","",,"Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk1.mp3" | |
| ,,,,,, | |
| 91480,"covered in a thin celadon glaze before firing. The technique was probably inspired by bronze vessels inlaid with silver and lacquer work inlaid with iridescent shell","yes","",2044,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk2.mp3" | |
| 91480,"covered in a thin celadon glaze before firing. The technique was probably inspired by bronze vessels inlaid with silver and lacquer work inlaid with iridescent shell.","yes","",2030,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk2.mp3" | |
| 91480,"covered in a thin celadon glaze with for firing. The technique was probably inspired by bronze vessels inlaid with silver and lacquer work inlaid with iridescent shell","no","",2047,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk2.mp3" | |
| ,,,,,, | |
| 91481,"In the centre of this larger bowl a chrysanthemum bloom is surrounded by floral scrolls. It was probably used for holding tea, which was drunk socially ","no","",2047,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk3.mp3" | |
| 91481,"In the centre of this larger bowl, a chrysanthemum bloom is surrounded by floral scrolls. It was probably used for holding tea, which was drunk socially","no","",2030,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk3.mp3" | |
| 91481," in the centre of this larger bowl a chrysanthemum bloom is surrounded by floral scrolls. It was probably used for holding tea which was drunk socially","yes","",2026,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk3.mp3" | |
| ,,,,,, | |
| 91482,"as well as being used by Buddhist monks as a kind of stimulant to keep them awake during long ceremonies. According to an 8th-century Chinese scholar, the drink","yes","",2030,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk4.mp3" | |
| 91482,"as well as being used by Buddhist monks as a kind of stimulant to keep them awake during long ceremonies. According to an eighth century Chinese Scholar the drink","yes","",2026,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk4.mp3" | |
| 91482,"as well as being used by Buddhist monks as a kind of stimulant to keep them awake during long ceremonies. According to an Eighth century Chinese scholar the drink ","yes","End of last word cut off in audio, so not transcribed ",2047,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk4.mp3" | |
| ,,,,,, | |
| 91483,"tasted better taken from green-glazed bowls than from white.","yes","",2030,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk5.mp3" | |
| 91483," tasted better taken from green glazed bowls and from white.","yes","",2026,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk5.mp3" | |
| 91483,"better taken from green glazed bowls than from white","yes","First word inaudible ",2047,"Roger Wilmot; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2903_Celadon_bowl_Chunk5.mp3" | |
| ,,,,,, | |
| 91484,"This elegant vessel is called a kundika, or chongbyong. It's a water sprinkler that was originally used in Buddhist ceremonies","yes","",2030,"Daniel Pett; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk0.mp3" | |
| 91484,"this elegant vessel is called a kundika, or a chongbyong. It's a water sprinkler that was originally used in Buddhist ceremonies","yes","",1,"Daniel Pett; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk0.mp3" | |
| 91484,"this elegant vessel is called a kundika or chongbyong. It's a water sprinkler that was originally used in Buddhist ceremonies but","yes","",2026,"Daniel Pett; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk0.mp3" | |
| ,,,,,, | |
| 91485,"which, by the 12th century, when this one was made, had come to be used in everyday life for storing liquid. The small spout on the body would originally have had a hinged lid","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk1.mp3" | |
| 91485,"which by the 12th century, when this one was made, had come to be used in everyday life for storing liquid. The small spout on the body would originally have had a hinged lid | |
| ","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk1.mp3" | |
| 91485,"which by the 12th century, when this one was made, had come to be used in everyday life for storing liquid. The small spout on the body would originally have had a hinged lid","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk1.mp3" | |
| ,,,,,, | |
| 91486,"and it was through this aperture that the kundika was filled. The water was then poured out from the slender spout at the top. The shape is derived from Chinese metal","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk2.mp3" | |
| 91486,"and it was through this aperture that the kundike was filled. The water was then poured out from the slender spout at the top. The shape is derived from Chinese metal","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk2.mp3" | |
| 91486,"and it was through this aperture that the kundika was filled. The water was then poured out from the slender spout at the top. The shape is derived from Chinese metal","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk2.mp3" | |
| ,,,,,, | |
| 91487,"vessels but it originated ultimately in India. Beneath the semi-translucent green glaze of this vessel you can see delicately incised motifs","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk3.mp3" | |
| 91487,"vessels, but it originated ultimately in India. Beneath the semi translucent green glaze of this vessel, you can see delicately incised motifs","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk3.mp3" | |
| 91487,"vessels but it originated ultimately in India. Beneath the semi-translucent green gaze of this vessel you can see delicately incised motifs","no","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk3.mp3" | |
| ,,,,,, | |
| 91488,"drawn from the natural world. Look at the lotus petals on the neck and see if you can make out the clouds with cranes flying among them lower down. The body itself is","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk4.mp3" | |
| 91488,"drawn from the natural world. Look at the Lotus petals on the neck and see if you can make out the clouds with cranes flying among them lower down. The body itself is","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk4.mp3" | |
| 91488,"drawn from the natural world. Look at the lotus petals on the neck and see if you can make out the clouds with cranes flying among them lower down. The body itself","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk4.mp3" | |
| ,,,,,, | |
| 91489,"covered with willow trees on one side and reeds on the other. More lotus flowers are dotted around, and amongst this foliage are ducks, cranes, and geese.","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk5.mp3" | |
| 91489,"covered with willow trees on one side and reeds on the other. More lotus flowers are dotted around and amongst this foliage are ducks, cranes, and geese","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk5.mp3" | |
| 91489,"covered with willow trees on one side and reeds on the other. More lotus flowers are dotted around and amongst this foliage are ducks, cranes and geese","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/2904_Celedon_kundika_Chunk5.mp3" | |
| ,,,,,, | |
| 91490,"Here's former director of the Fitzwilliam, Duncan Robinson: 'This is a picture of Richard Fitzwilliam, the man who founded this museum.","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk0.mp3" | |
| 91490," here is former director of the Fitzwilliam Duncan Robinson. ""This is a picture of Richard Fitzwilliam the man who founded this museum""","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk0.mp3" | |
| 91490,"Here's former director of the Fitzwilliam Duncan Robinson: This is a picture of Richard Fitzwilliam, the man who founded this museum","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk0.mp3" | |
| ,,,,,, | |
| 91491,"it was painted in the early 1760's by an artist called Joseph Wright and he actually painted it when Fitzwilliam","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk1.mp3" | |
| 91491," it was painted in the early 1760s by an artist called Joseph Wright and he actually painted it when Fitzwilliam","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk1.mp3" | |
| 91491,"It was painted in the early 1760s by an artist called Joseph Wright and he actually painted it when Fitzwilliam was ","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk1.mp3" | |
| ,,,,,, | |
| 91492,"here in Cambridge as an undergraduate at Trinity hall. Even in an age of great collectors, Fitzwilliam was an outstanding ","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk2.mp3" | |
| 91492," was here in Cambridge as an undergraduate at Trinity Hall. Even in an age of great collectors Fitzwilliam was an outstanding","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk2.mp3" | |
| 91492," was here in Cambridge, as an undergraduate at Trinity Hall. Even in an age of great collectors Fitzwilliam was an outstanding","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk2.mp3" | |
| ,,,,,, | |
| 91493,"figure. The first thing to remember about him is the breadth of his taste. This was a man who inherited a collection of Dutch pictures and went on in his","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk3.mp3" | |
| 91493,"figure. The first thing to remember about him is the breadth of his taste. This was a man who inherited a collection of Dutch pictures and went on in his","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk3.mp3" | |
| 91493," figure. The first thing to remember about him is the breadth of his taste. This was a man who inherited a collection of Dutch pictures and went on his","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk3.mp3" | |
| ,,,,,, | |
| 91494,"lifetime to form one of the greatest collections of paintings from the Italian Renaissance. He was passionate about Music: he went to Paris to hone his keyboard","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk4.mp3" | |
| 91494," lifetime to form one of the greatest collections of paintings from the Italian Renaissance. He was passionate about music. He went to Paris to hone his keyboard | |
| ","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk4.mp3" | |
| 91494,"lifetime to form one of the greatest collections of paintings from the Italian Renaissance. He was passionate about music, he went to Paris to hone his keyboard","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk4.mp3" | |
| ,,,,,, | |
| 91495," skills but while he was there began to collect music manuscripts early printed scores so that by the time he died his collection was rated second","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk5.mp3" | |
| 91495,"skills, but while he was there began to collect music manuscripts, early printed scores; so that by the time he died his collection was rated second","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk5.mp3" | |
| 91495,"skills, but while he was there, began to collect music manuscripts and early printed scores, so that by the time he died, his collection was rated second","no","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk5.mp3" | |
| ,,,,,, | |
| 91496," only to the Royal Collection inWindsor Castle. He was an avid collector of prints so that again by the end of his life he'd filled hundreds of folio volumes","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk6.mp3" | |
| 91496,"only to the Royal Collection in Windsor Castle. He was an avid collector of prints so that again by the end of his life he'd filled hundreds of folio volumes","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk6.mp3" | |
| 91496,"only to the Royal Collection in Windsor Castle. He was an avid collector of prints, so that again, by the end of his life, he'd filled hundreds of folio volumes","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk6.mp3" | |
| ,,,,,, | |
| 91497,"with over 40,000 of them and finally as a book collector he acquired anything from medieval manuscripts, early","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk7.mp3" | |
| 91497," with over 40000 of them. And finally as a book collector he acquired anything from mediaeval manuscripts, early","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk7.mp3" | |
| 91497,"with over 40,000 of them. And finally, as a book collector, he acquired anything from mediaeval manuscripts, early","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk7.mp3" | |
| ,,,,,, | |
| 91498,"printed books, to contemporary travel literature and foreign language editions. All of this material, ten wagon-loads","no","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk8.mp3" | |
| 91498," printed books to contemporary travel literature and foreign language Editions. All of this material, 10 wagon loads","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk8.mp3" | |
| 91498,"early printed books to contemporary travel literature and foreign language editions. All of this material, 10 wagon loads","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk8.mp3" | |
| ,,,,,, | |
| 91499,"of it as it was described in the Cambridge Chronicle when it arrived in 1816, came to Cambridge as his bequest","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk9.mp3" | |
| 91499," of it, as it was described in the Cambridge Chronicle when it arrived in 1816, came to Cambridge as his bequest","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk9.mp3" | |
| 91499,"of it, as it was described in the Cambridge Chronicle when it arrived in 1816, came to Cambridge as his bequest.","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/301-richard-fitzwilliam_Chunk9.mp3" | |
| ,,,,,, | |
| 91500,"it is thought that this painting may been commissioned to celebrate the first victory at Newmarket of the renowned thoroughbred Gimcrack, mounted here by his victorious","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk0.mp3" | |
| 91500,"It is thought that this painting may have been commissioned to celebrate the first victory of at Newmarket of the renowned thoroughbred Gimcrack, mounted here by his victorious jockey","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk0.mp3" | |
| 91500,"It is thought that this painting may have been commissioned to celebrate the first victory at Newmarket of the renowned thoroughbred Gimcrack, mounted here by his victorious jockey","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk0.mp3" | |
| ,,,,,, | |
| 91501,"John Pratt. They're shown outside a rubbing-down house in Newmarket, where sweaty horses would be dried with straw after exercising on the heath that we see","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk1.mp3" | |
| 91501,", John Pratt. They are shown outside a rubbing-down house in Newmarket, where sweaty horses would be dried with straw after exercising on the heath that we see","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk1.mp3" | |
| 91501,"jockey John Pratt. They are shown outside a rubbing down house in Newmarket, where sweaty horses would be dried with straw after exercising on the heath that we see","yes","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk1.mp3" | |
| ,,,,,, | |
| 91502," stallion that came from the original crossing of the three foundation arab stallions, the Byerley Turk, the Darley Arabian and the Barb with about ","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk10.mp3" | |
| 91502,"stallion that came from the original crossing of the three foundation Arab stallions: the Byerley Turk, the Darley Arabian, and the Barb, with about ","no","first word unclear",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk10.mp3" | |
| 91502,"major stallion that came from the original crossing of the three foundation Arab stallions: the Byerly Turk, the Darley Arabian, and the Barb with about","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk10.mp3" | |
| ,,,,,, | |
| 91503,"fifty common farm mares that produced the forerunners of what we nowadays know as the thoroughbred horse, that wonderful equine Ferrari. And the thing about Gimcrack, ","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk11.mp3" | |
| 91503," fifty common farm mares that produced the forerunners of what we nowadays know as the thoroughbred horse that wonderful F1 Ferrari and the thing about Gimcrack","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk11.mp3" | |
| 91503,"fifty common farm mares that produced the forerunners of what we nowadays know as the thoroughbred horse; that wonderful equine Ferrari, and the thing about Gimcrack","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk11.mp3" | |
| ,,,,,, | |
| 91504,"is that he was an incredible horse in what he did. He won 27 different plates and prizes in England between 1764 and 1771","yes","",2030,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk12.mp3" | |
| 91504,"is it he was an incredible horse in what he did. He won twenty-seven different plates and prices in England between 1764 and 1771","no","",2044,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk12.mp3" | |
| 91504," is that he was an incredible horse in what he did. He won 27 different plates and prizes in England between 1764 and 1771","yes","",2026,"Roger Wilmot; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk12.mp3" | |
| ,,,,,, | |
| 91505,"That's about an eight-year racing span. Then he carried on in France: he raced in 1776 against the clock and covered no less than","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk13.mp3" | |
| 91505,"that's about an 8-year racing span. Then he carried on and in France he raced in 1776 against the clock and covered no less than","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk13.mp3" | |
| 91505,"that's about a 8-year racing span then he carried on and in France he raced in 1976 against the clock and covered no less than","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk13.mp3" | |
| ,,,,,, | |
| 91506,"22 1/2 miles in one hour. That's a tremendous feat of stamina and if you look at the painting, you can see why he was able to do that. The front half of the horse to me is very","no","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk14.mp3" | |
| 91506,"twenty two and a half miles in one hour. That's a tremendous feat of stamina, and if you look at the painting you can see why he was able to do that. The front half of the horse to me is very","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk14.mp3" | |
| 91506,"22.5 miles in one hour. That's a tremendous feat of stamina, and if you look at the painting, you can see why he was able to do that. The front half of the horse, to me, is very ","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk14.mp3" | |
| ,,,,,, | |
| 91507,"very Arabian; fine head, small head, dish nose, thin u-neck, as we would call it today; typical of the showy poncey sort of Arabian horse ","yes","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk15.mp3" | |
| 91507,"Arabian: fine head, small head, dished nose. Your thin U-neck as we would call it today, typical of the showy, poncey sort of Arabian horse","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk15.mp3" | |
| 91507,"very Arabian: fine head, small head, dished nose, that thin U-neck, as we would call it today, typical of the showy, poncy sort of Arabian horse. ","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk15.mp3" | |
| ,,,,,, | |
| 91508,"whereas the hind half of him is enormous, the musculature of his hindquarters is huge, really tremendous, and it shows and give the reason","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk16.mp3" | |
| 91508,"Whereas the hind half of him is enormous. The musculature of his hindquarters is huge, really tremendous, and it shows and it gives the reason","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk16.mp3" | |
| 91508,"whereas the hind half of him is enormous, the musculature of his hindquarters is huge, is really tremendous, and it shows and it gives the reason","no","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk16.mp3" | |
| ,,,,,, | |
| 91509,"as to why that horse could have done this tremendous racing and this timed racing like that. So I always look at Gimcrack as being the real foundation stallion","yes","",2030,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk17.mp3" | |
| 91509,"as to why why that horse could have done this tremendous racing and done this timed racing like that. So to me, I always look at Gimcrack as being the real foundation stallion","no","",2044,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk17.mp3" | |
| 91509,"that's why that horse could have done this tremendous racing and done this time racing like that so I to me I always look at gimcrack as being the real Foundation stallion ","yes","",677,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk17.mp3" | |
| 91509,"as to why that horse could have done this tremendous racing and done this time racing like that. So, I, to me, I always look at Gimcrack as being the real foundation stallion","yes","",2036,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk17.mp3" | |
| ,,,,,, | |
| 91510,"of the Ferrari that do we know today that as I say that Ferrari the Ferrari was created so cleverly by the Old Boys and those days in the 1700s by mixing the","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk18.mp3" | |
| 91510,"of the thoroughbred that we know today. As I say, that Ferrari, that equine Ferrari that was created so cleverly by the old boys in those days, in the 1700s, by mixing the Arab","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk18.mp3" | |
| 91510,"of the thoroughbred that we know today that as I say that Ferrari, that equine Ferrari that was created so cleverly by the old boys in those days in the 1700's by mixing the Arab horse","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk18.mp3" | |
| ,,,,,, | |
| 91511,"with the common farm mares. It's a joy to behold.","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk19.mp3" | |
| 91511,"horses but the common family has it's a joy to behold","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk19.mp3" | |
| 91511,"horses with the common farm mares. It's a joy to behold. ","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk19.mp3" | |
| ,,,,,, | |
| 91512,"he's stretching out towards a distant clump of trees. John Pratt once rode an incredible 11 races in a single day at Newmarket. But far more renowned and","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk2.mp3" | |
| 91512,"is stretching out toward a distant clump of trees. John Pratt once rode an incredible 11 races in a single day at Newmarket, but far more renowned","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk2.mp3" | |
| 91512,"his stretching out towards a distant clump of trees John Pratt once rode an incredible 11 races in a single day at Newmarket that far more renowned ","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk2.mp3" | |
| ,,,,,, | |
| 91513,"remembered even today is his mount Gimcrack, who in the words of Lady Sarah Bunbury, was ""The sweetest little horse that ever was""","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk3.mp3" | |
| 91513,"and remembered even today is his mount Gimcrack, who, in the words of Lady Sarah Bunbury, was 'the sweetest little horse that ever was","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk3.mp3" | |
| 91513," but that even today is a Mount called Jim Crow who in the words of lady Sarah Bunbury was the sweetest little horse that ever was","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk3.mp3" | |
| ,,,,,, | |
| 91514,"though small small for a racehorse, Gimcrack was renowned for his stamina and endurance and though Pratt is clearly in control here holding the reins taut, Stubbs hints","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk4.mp3" | |
| 91514,"so small for a racehorse gimcrack was renowned for his stamina and endurance and no prat is clearly in control here holding the reins taught Stubbs hints","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk4.mp3" | |
| 91514,".' Though small for a racehorse, Gimcrack was renowned for his stamina and endurance. And though Pratt is clearly in control here, holding the reins taut, Stubbs hints at","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk4.mp3" | |
| ,,,,,, | |
| 91515,"the animal's great power in motion. His rear left hoof seems to tap the ground restlessly, and we can see in the sheen of his coat, with its underlying muscles,","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk5.mp3" | |
| 91515,"at the the animals great power in motion. His rear left hoof seems to tap the ground restlessly, and we can see in the sheen of his coat with its underlying muscles ","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk5.mp3" | |
| 91515,"the animal's great power in motion his rear left hoof seems to tap the ground restlessly and we can see in the sheen of his coat with its underlying muscles","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk5.mp3" | |
| ,,,,,, | |
| 91516,"the brilliant understanding of equine anatomy for which Stubbs is still celebrated professor twink Allen of the equine fertility unit in Newmarket","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk6.mp3" | |
| 91516,"the brilliant understanding of equine anatomy for which Stubbs is still celebrated. Professor Twink Allen of the Equine Fertility Unit in Newmarket","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk6.mp3" | |
| 91516,"the brilliant understanding of equine anatomy for which Stubbs is still celebrated. Professor Twink Allen of the equine fertility unit in Newmarket","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk6.mp3" | |
| ,,,,,, | |
| 91517,"","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk7.mp3" | |
| 91517,"explains his enthusiasm for this painting: 'This wonderful painting of Gimcrack by George Stubbs really takes my fancy","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk7.mp3" | |
| 91517,"explains his enthusiasm for this painting: This wonderful painting of Gimcrack by George Stubbs really takes my fancy for","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk7.mp3" | |
| ,,,,,, | |
| 91518,"for two reasons. Firstly, we know George Stubbs to have been a very, very accurate painter of horses. He looked at the minute detail of all the horses he painted, so we can be confident","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk8.mp3" | |
| 91518,"two reasons firstly we know George stabbed having a very very accurate painting of horses he looked at the minut detail of all the horses he painted so we can be confident","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk8.mp3" | |
| 91518,"two reasons. Firstly we know George Stubbs to have been a very, very accurate painter of horses. He looked at the minute detail of all the horses he painted so we can be","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk8.mp3" | |
| ,,,,,, | |
| 91519,"that any horse he did paint was an accurate depiction of that horse and he does it beautifully. And of course Gimcrack was really perhaps almost the first ","yes","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk9.mp3" | |
| 91519,"confident that any horse he did paint was an accurate depiction of that horse, and he does it beautifully and of course, Gimcrack was really, perhaps almost the first","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk9.mp3" | |
| 91519,"that any horse he did paint was an accurate depiction of that horse, and he does it beautifully. And of course Gimcrack was really, perhaps almost the first, ","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/302-gimcrack_Chunk9.mp3" | |
| ,,,,,, | |
| 91520,"In December 1758, the English writer Lady Mary Wortley Montagu wrote excitedly to a friend in Florence: 'The young Earl of ","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk0.mp3" | |
| 91520,"in December 1758, the English writer Lady Mary Wortley Montagu wrote excitedly to a friend from Florence ""The young Earl of","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk0.mp3" | |
| 91520,"In December 1758, the English writer, Lady Mary Wortley Montag wrote excitedly to a friend from Florence","no","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk0.mp3" | |
| ,,,,,, | |
| 91521,"Northampton is now here. He is lively and good-natured with what is called a pretty figure.' This portrait of the Earl was made in","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk1.mp3" | |
| 91521,"Northhampton is now here. He is lively and good-natured with what is called a ""pretty figure"". This portrait of the Earl was made in","no","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk1.mp3" | |
| 91521,"Northampton is now here. He is lively, and good matured with what is called a pretty figure. This portrait of the Earl was made in","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk1.mp3" | |
| ,,,,,, | |
| 91522,"this painting. It's hard not to be moved to learn that only 5 years later, this young Italophile died of tuberculosis when acting as an ambassador in Venice","yes","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk10.mp3" | |
| 91522,"looking at this painting, it's hard not to be moved to learn that only 5 years later this young Italophile died of tuberculosis when acting as an ambassador in Venice","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk10.mp3" | |
| 91522,"this painting. It's hard not to be moved to learn that only five years later, this young Italophile died of tuberculosis when acting as an ambassador in Venice.","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk10.mp3" | |
| ,,,,,, | |
| 91523,"same year in Rome and while the prettiness or otherwise of his figure might be debated, the painter Pompeo Batoni clearly aims to confirm Montagu's favorable opinion of his","yes","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk2.mp3" | |
| 91523,"the same year in Rome. And while the prettiness or otherwise of his figure of his figure might be debated, the painter Pompeo Batoni clearly aims to conform Montagu's favourable opinion of","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk2.mp3" | |
| 91523,"the same year in Rome and while the prettiness or otherwise of his figure might be debated, the painter Pompeo Batoni clearly aims to confirm Montague's favourable opinion of his","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk2.mp3" | |
| ,,,,,, | |
| 91524,"his character. He is painted an affable, sensitive face, caught in a reflective moment. Northampton's clothing is incredibly aristocratic. Look at his silk waistcoat","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk3.mp3" | |
| 91524,"character. He's painted an affable, sensitive face caught in a reflective moment. Northhampton's clothing is impeccably aristocratic. Look at his silk waist","yes","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk3.mp3" | |
| 91524,"character. He's painted an affable, sensitive face caught in a reflective moment. Northampton's clothing is impeccably aristocratic. Look at his silk","yes","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk3.mp3" | |
| ,,,,,, | |
| 91525,"coat, the shoes with red heels matches his fur-lined cape. This is not a man solely concerned with a material world. A leather-bound book lies open on the ","yes","",2036,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk4.mp3" | |
| 91525," the shoes with red heels mattress for lined Cape this is not a man solely concerned with a material world a leather-bound book lies open on the","yes","",677,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk4.mp3" | |
| 91525,"waistcoat, the shoes with red heels that match his fur-lined cape. Yet this is not a man solely concerned with the material world. A leather-bound book lies open on the","no","",2044,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk4.mp3" | |
| 91525,", the shoes with red heels that matched his fur-lined cape. Yet this is not a man solely concerned with the material world. A leather-bound book lies open on the","yes","",2030,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk4.mp3" | |
| ,,,,,, | |
| 91526,"marble table on which he leans. A quill pen in an inkwell is within easy reach. We are to imagine, perhaps, that the Earl has been studying a text and is looking up ","yes","",2030,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk5.mp3" | |
| 91526,"marble table on which he leans. A quill pen with an inkwell is within easy reach. We are to imagine, perhaps, that the Earl has been studying a text and is looking up momentarily ","no","",2036,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk5.mp3" | |
| 91526,"marble table on which he leans. A quill pen in an inkwell is within easy reach. We are to imagine perhaps that the Earl has been studying a text and is looking up ","no","",2044,"Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk5.mp3" | |
| ,,,,,, | |
| 91527,"momentarily to pursue a thought. He ignores the attention of his adoring dog to gaze into the eyes of Minerva, the Roman goddess of wisdom and the arts. ","yes","",2030,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk6.mp3" | |
| 91527,"","yes","",677,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk6.mp3" | |
| 91527,"momentarily to pursue a thought. He ignores the attentions of his adoring dog to gaze into the eyes of Minerva, the Roman goddess of wisdom and the arts","no","",2044,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk6.mp3" | |
| 91527,"to pursue a thought. He ignores the attentions of his adoring dog to gaze into the eyes of Minerva, the Roman goddess of wisdom and the arts. ","yes","",2036,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk6.mp3" | |
| ,,,,,, | |
| 91528,"This bust is copied from a statue of the goddess who was particularly popular with English tourists to Rome. In the 1780s according to the German writer, Goethe, heathen ","no","",2036,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk7.mp3" | |
| 91528,"This bust is copied from a statue of the goddess that was particularly popular with English tourists to Rome. In the 1780s, according to the German writer Goethe, heathen ","yes","",2030,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk7.mp3" | |
| 91528,"this bust is copied from a statue of the goddess that was particularly popular with English tourists to Rome. In the 1780's, according to the German writer Goethe, heathen England","yes","",2044,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk7.mp3" | |
| 91528,"this bust is copied from a statue of the goddess that was particularly popular with English tourists to Rome in the 1780s according to the German writer Guta heathen","yes","",677,"Michael Adams; Terence Gould; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk7.mp3" | |
| ,,,,,, | |
| 91529,"","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk8.mp3" | |
| 91529,"Englishmen used to worship it and kiss it's hands. Pompeo Batoni has been accused of being formulaic. Other portraits use comparable poses, the same","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk8.mp3" | |
| 91529,"Englishmen used to worship it and kiss its hands. Pompeo Batoni has been accused of being formulaic. Other portraits use comparable poses, the ","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk8.mp3" | |
| ,,,,,, | |
| 91530,"same bust of Minerva, a similar arrangement of dogs, a faithful hound. But this ignores the sense of character with which the artist has imbued the Earl here. After ","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk9.mp3" | |
| 91530,"bust of Minerva, a similar arrangement of dogs, a faithful hound, but this ignores the sense of character with which the artist has imbued the Earl here. After","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk9.mp3" | |
| 91530,"Imbust Minerva a similar arrangement of Dogs A Faithful Hound but this ignores the sense of character in which the artist has endured the Earl here","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/303-charles-7th-earl-northampton_Chunk9.mp3" | |
| ,,,,,, | |
| 91531,"This terracotta figure was made by French sculptor Louis François Roubiliac as a model for a life-sized marble statue of the composer George Frederic Handel.","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk0.mp3" | |
| 91531,"this terracotta figure was made by French sculptor Loui Frounchia as a model for a life-size marble statue of the composer George Frederick Handel","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk0.mp3" | |
| 91531,"this terracotta figure was made by French sculptor Louis-François Roubiliac as a model for a life-size marble statue of the composer George Frederick Handel","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk0.mp3" | |
| ,,,,,, | |
| 91532,"But it's really a remarkable piece of sculpture in its own right. For a model, the quality of the modelling and the attention to detail is extraordinary. You can see the veins and fingernails","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk1.mp3" | |
| 91532,"but it's really remarkable piece of sculpture in its own right for a model of the quality of the modelling and the attention to detail is extraordinary you can see the veins and finger nails","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk1.mp3" | |
| 91532,"but it's really a remarkable piece of sculpture in its own right. For a model, the quality of the modelling and the attention to detail is extraordinary. You can see the veins and fingernails","yes","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk1.mp3" | |
| ,,,,,, | |
| 91533,"of the composer's hand as he plucks a note from his lyre. His right foot has fallen free from its slipper and his toes are visible, pressing against the thin fabric of his stockings.","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk2.mp3" | |
| 91533,"of the composers hand as he plucks a note from his lyre. His right foot has fallen free from its slipper and his toes are visible, pressing against the thin fabric of his stockings","yes","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk2.mp3" | |
| 91533,"the composer's hand as he plucks a note from his lyre his right foot Has Fallen free from its slipper and his toes are visible pressing against the thin Fabric of his stockings","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk2.mp3" | |
| ,,,,,, | |
| 91534,"there's a strong sense here that we are witnessing Handel at home. His gown is loose, the buttons of his breeches are undone, and there's a look of concentration","no","",2044,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk3.mp3" | |
| 91534,"There's a strong sense here that we are witnessing Handel at home. His gown is loose, the buttons of his breeches are undone, and there's a look of concentration","yes","",2030,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk3.mp3" | |
| 91534,"there's a strong sense here that we are witnessing handle at home his gown is loose the buttons of his breeches are undone and there's a look of concentration","yes","",677,"Michael Adams; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk3.mp3" | |
| ,,,,,, | |
| 91535,"on his face of alertness. Are we perhaps witnessing an intense fleeting moment of inspiration? A […] at his feet transcribes the notes that he plays ","no","There is one word I don’t understand - sounds like poteau.",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk4.mp3" | |
| 91535,"on his face, of alertness. Are we perhaps witnessing an intense fleeting moment of inspiration? A putto at his feet transcribes the notes that he plays","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk4.mp3" | |
| 91535,"on his face of alertness. Are we perhaps witnessing an intense, fleeting moment of inspiration? A putto at his feet transcribes the notes that he plays.","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk4.mp3" | |
| ,,,,,, | |
| 91536,"In spite of this informality, this is in fact a model for a public sculpture, one of few in England at the time to celebrate a living person other than the monarch.","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk5.mp3" | |
| 91536," in spite of this informality, this is in fact a model for a public sculpture, one of few n England at the time to celebrate a living person other than the monarch","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk5.mp3" | |
| 91536,"In spite of this informality this is, in fact, a model for a public sculpture, one of few in England at the time to celebrate a living person other than the monarch ","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk5.mp3" | |
| ,,,,,, | |
| 91537,"Handel was a huge celebrity in mid eighteenth-century London and the finished marble was the artistic centerpiece of the Vauxhall pleasure gardens on the south bank of the Thames","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk6.mp3" | |
| 91537,"Handel was a huge celebrity in mid-eighteenth-century London, and the finished marble was the artistic centrepiece of the Vauxhall Pleasure Gardens on the South Bank of the Thames.","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk6.mp3" | |
| 91537,"Handel was a huge celebrity in mid-eighteenth century London and the finished marble was the artistic centrepiece of the Vauxhall Pleasure Gardens on the south bank of the Thames.","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk6.mp3" | |
| ,,,,,, | |
| 91538,"Contemporary visitors to this pleasure resort were often startled by the sculpture’s realism and Roubiliac was likened to Pygmalion, the mythical Greek sculptor whose statue came to life ","yes","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk7.mp3" | |
| 91538,"contemporary visitors to this pleasure resort were often startled by the sculptures realism and Roubilliac was likened to Pygmalion - the mythical Greek sculptor whose statue came to life","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk7.mp3" | |
| 91538,"Contemporary visitors to this pleasure resort were often startled by the sculpture's realism, and Roubiliac was likened to Pygmalian, the mythical Greek sculptor whose statue came to life.","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/304-george-frideric-handel_Chunk7.mp3" | |
| ,,,,,, | |
| 91539,"Every aspect of this helmet's decoration proclaims the confidence and grandeur of its wearer. From the personifications of Victory and Fame on either side","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk0.mp3" | |
| 91539,"every aspect of this helmet’s decoration proclaims the confidence and grandeur of its wearer, from the personifications of Victory and Fame on either side","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk0.mp3" | |
| 91539,"every aspect of this helmet's decoration proclaims the confidence and grandeur of its wearer. From the personifications of Victory and Fame on either","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk0.mp3" | |
| ,,,,,, | |
| 91540,"side, to the trophies that adorn the crest. It is all the more ironic then that it first came to light in England in 1935 at a sale of theatrical","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk1.mp3" | |
| 91540,"to the trophies that adorn the crest. It is all the more ironic, then, that it first came to light in England in 1935, at a sale of","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk1.mp3" | |
| 91540,"to the trophies that adorn the crest. It is all the more ironic, then, that it first came to light in England in 1935, at a sale of theatrical","yes","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk1.mp3" | |
| ,,,,,, | |
| 91541,"theatrical junk. Perhaps it was the rather corroded state that led to its being so carelessly dismissed back then. It would have originally looked much more splendid, with","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk2.mp3" | |
| 91541,"junk. Perhaps it was the rather corroded state that led to it being so carelessly dismissed back then. It would have originally look much more splendid","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk2.mp3" | |
| 91541,"junk. Perhaps it was the rather corroded state that led to its being so carelessly dismissed back then. It would’ve originally looked much more splendid, with","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk2.mp3" | |
| ,,,,,, | |
| 91542,"many of its decorative elements picked out in gold. You can just still see traces of this today. Judging from its style and quality, it is a product of the celebrated","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk3.mp3" | |
| 91542,"many of its decorative elements picked out in gold. You can just still see traces of this today. Judging from its style and quality, it is a product of the ","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk3.mp3" | |
| 91542,"many of its decorative elements picked out in gold. You can just still see traces of this today. Judging from its style and quality, it is a product of the celebrated","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk3.mp3" | |
| ,,,,,, | |
| 91543,"16th century Milanese armoury run by Fillipo Negroli. It is called a burgonet, a lightweight helmet usually used by cavalry","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk4.mp3" | |
| 91543,"16th century Milanese armoury run by Filippo Negroli. It is called a burgonet, a lightweight helmet usually used by cavalry","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk4.mp3" | |
| 91543,"celebrated sixteenth-century Milanese armoury run by Filippo Negroli. It is called a burgonet, a lightweight helmet usually used by cavalry","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk4.mp3" | |
| ,,,,,, | |
| 91544,", but this lavish example could never have felt the heat of battle. The stern leonine face on the visor may well have instilled fear into an enemy, but it would have been quite impossible to","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk5.mp3" | |
| 91544,"but this lavish example could never have felt the heat of battle. The stern, leonine face on the visor may well have instilled fear into an enemy, but it would have been quite impossible to","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk5.mp3" | |
| 91544,"but this lavish example could never have felt the heat of battle. The stern, leonine face on the visor may well have instilled fear into an enemy, but it would have been quite impossible to","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk5.mp3" | |
| ,,,,,, | |
| 91545,"see through. The lion's face alludes to an adventure of the ancient hero Hercules. Having throttled the ferocious Lion of Nemea, as the","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk6.mp3" | |
| 91545,"see through. The lions face alludes to an adventure of the ancient hero Hercules. Having throttled the ferocious lion of Nemea","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk6.mp3" | |
| 91545,"see through. The lion’s face alludes to an adventure of the ancient hero Hercules. Having throttled the ferocious lion of Nemea, as the","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk6.mp3" | |
| ,,,,,, | |
| 91546,"first of his 12 labours. He thereafter wore its impregnable pelt as armour, the lion’s head protecting his own. Since ancient times, political leaders","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk7.mp3" | |
| 91546,"as the first of his twelve labours he thereafter wore its impregnable pelt as armour, the lions head protecting his own. Since ancient times, political leaders ","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk7.mp3" | |
| 91546,"first of his Twelve Labours, he thereafter wore its impregnable pelt as armour, the lion's head protecting his own. Since ancient times, political leaders","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk7.mp3" | |
| ,,,,,, | |
| 91547,"had sought to identify themselves with this hero. Renaissance rulers followed this ancient trend. The Holy Roman Emperor Maximilian for example dubbed himself","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk8.mp3" | |
| 91547,"had sought to identify themselves with this hero. Renaissance rulers followed this ancient trend. The Holy Roman Emperor Maximilian, for example, dubbed himself","no","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk8.mp3" | |
| 91547,"had sought to identify themselves with this hero. Renaissance rulers followed this ancient trend. The Holy Roman Emperor Maximilian, for example, dubs himself ","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk8.mp3" | |
| ,,,,,, | |
| 91548,"Hercules Germanicus, the German Hercules, and had himself portrayed as the hero. It seems that the owner of this piece was keen to promote himself in a similar","yes","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk9.mp3" | |
| 91548,"Hercules Germanicus, the ‘German Hercules’, and had himself portrayed as a hero. It seems that the owner of this piece was keen to promote himself in a similar ","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk9.mp3" | |
| 91548,"Hercules Germanicus, the German Hercules, and had himself portrayed as the hero. It seems that the owner of this piece was keen to promote himself in a similar","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3101_Negroli_Burgonet_Chunk9.mp3" | |
| ,,,,,, | |
| 91549,"you can hardly miss this horse and rider standing guard in the gallery. Although the different parts of their armour were not originally made to go together, as an ensemble they ","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk0.mp3" | |
| 91549,"you can hardly miss this horse and rider standing guard in the gallery. Although the different parts of the armour were not originally made to go together, as an ensemble they","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk0.mp3" | |
| 91549,"You can hardly miss this horse and rider standing guard in the gallery. Although the different parts of their armour were not originally made to go together, as an ensemble, they","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk0.mp3" | |
| ,,,,,, | |
| 91550,"illustrate well the kind of suits that were produced in Germany in the early sixteenth century, a boom time for the European arms industry. The grooves, or fluting,","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk1.mp3" | |
| 91550,"illustrate well the kind of suits that were produced in Germany in the early 16th century, a boom time for the European arms industry. The grooves or fluting","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk1.mp3" | |
| 91550,"demonstrate well the kind of suits that were produced in Germany in the early 16th century, a boom time for the European arms industry. The grooves, or fluting","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk1.mp3" | |
| ,,,,,, | |
| 91551,"on the rider’s breastplate and elsewhere, reflect the pleats and folds found on contemporary men’s clothing. This style is named after the Holy Roman Emperor Maximilian ","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk2.mp3" | |
| 91551,"on the rider's breastplate and elsewhere, reflect the pleats and folds found on contemporary men's clothing. This style is named after the Holy Roman Emperor, Maximilian","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk2.mp3" | |
| 91551,"on the riders breastplate and elsewhere reflect the pleats and folds found on contemporary men's clothing. This style is named after the Holy Roman Emperor Maximilian","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk2.mp3" | |
| ,,,,,, | |
| 91552,"the first, a devotee of the joust and one of the most armour conscious rulers of the Renaissance. If a suit of armour implied wealth and status, then","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk3.mp3" | |
| 91552,"I, a devotee of the joust and one of the most armour-conscious rulers of the Renaissance. If a suit of armour implied wealth and status, then","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk3.mp3" | |
| 91552,"the First, a devotee of the joust and one of the most armour-conscious rulers of the Renaissance. If a suit of armour implied wealth and status, then","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk3.mp3" | |
| ,,,,,, | |
| 91553,"so did ownership of a horse. There was an unwritten agreement among cavalrymen that they would not deliberately injure an opponent's mount, either on the battlefield or in the tournament.","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk4.mp3" | |
| 91553,"so did ownership of a horse. There was an unwritten agreement among cavalrymen that they would not deliberately injure an opponents mount, either on the battlefield or in the tournament","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk4.mp3" | |
| 91553,"so did ownership of a horse. There was an unwritten agreement among cavalrymen that they would not deliberately injure an opponent’s mount, either on the battlefield or in the tournament.","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk4.mp3" | |
| ,,,,,, | |
| 91554,"But horses were still vulnerable to arrows, and some kind of protection was essential. The horse here wears a face guard called a chaffron, and a crinet","yes","",2030,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk5.mp3" | |
| 91554,"but horses were still vulnerable to arrows, and some kind of protection was essential. The horse here wears a face guard called a chaffron and a crinet to","no","",2011,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk5.mp3" | |
| 91554,"but horses were still vulnerable to arrows and some kind of protection was essential. The horse here wears a face guard called a shaffron and a crinnet to","no","",2044,"Chris Gibbon; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3102_Horse_and_rider_Chunk5.mp3" | |
| ,,,,,, | |
| 91555,"because its bolts were shot relatively soundlessly, the crossbow remained a popular hunting weapon long after the development of the gun. This example was made in","no","",2044,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk0.mp3" | |
| 91555,"because it's bolts were shot relatively soundlessly, the crossbow remained a popular hunting weapon long after the development of the gun. This example was made in ","no","",2047,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk0.mp3" | |
| 91555,"Because its bolts were shot relatively soundlessly, the crossbow remained a popular hunting weapon long after the development of the gun. This example was made in","yes","",2030,"Terence Gould; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk0.mp3" | |
| ,,,,,, | |
| 91556,"","yes","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk1.mp3" | |
| 91556,"Germany in the mid 16th century and it's a richly decorated piece adorned with scenes of inlaid bone or ivory depicting stories from the Old Testament","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk1.mp3" | |
| 91556,"Germany in the mid-sixteenth century and it's a richly decorated piece, adorned with scenes of inlaid bone or ivory depicting stories from the Old Testament and ancient","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk1.mp3" | |
| ,,,,,, | |
| 91557,"","yes","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk2.mp3" | |
| 91557,"and ancient Roman history. The crossbow had a long and bloody career as a weapon of war. In 1139 a church council had described","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk2.mp3" | |
| 91557,"Roman history. The crossbow had a long and bloody career as a weapon of war. In 1139, a church council had described","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk2.mp3" | |
| ,,,,,, | |
| 91558,"them as hateful to God, so terrible the wounds inflicted by their bolts but although they were officially declared to be unfit for Christians, Richard","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk3.mp3" | |
| 91558,"had described them as hateful to God, so terrible the wounds inflicted by their bolts. But although they were officially declared to be unfit for Christians, Richard ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk3.mp3" | |
| 91558,"them as hateful to God, so terrible were the wounds inflicted by their bolts. But although they were officially declared to be unfit for Christians, Richard","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk3.mp3" | |
| ,,,,,, | |
| 91559,"the first of England made a devastating use of crossbows during the Crusades. He was himself killed by a crossbow bolt in 1199","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk4.mp3" | |
| 91559,"the first of England made a devastating use of crossbows during the Crusades. He was himself killed by a crossbow bolt in 1199. By the end of ","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk4.mp3" | |
| 91559,"I of England made a devastating use of crossbows during the Crusades. He was himself killed by a crossbow bolt in 1199. By the end of the ","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk4.mp3" | |
| ,,,,,, | |
| 91560,"14th century, however, English soldiers were carrying a different weapon into battle. At Crécy, in Northern France in 1346, the genoese crossbow","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk5.mp3" | |
| 91560,"fourteenth century, however, English soldiers were carrying a different weapon into battle. At Crécy in Northern France in 1346, the Genoese crossbow","no","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk5.mp3" | |
| 91560,"the 14th century however, English soldiers were carrying a different weapon into battle. At Crécy, in Northern France in 1346, the Genoese crossbow","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk5.mp3" | |
| ,,,,,, | |
| 91561,"in the service of the French King were pitched against the longbow men of Edward the Third's English army. The longbow had a greater range and could discharge five ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk6.mp3" | |
| 91561,"men in the service of the French king were pitched against the longbow men of Edward III's English army. The longbow had a greater range and could discharge ","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk6.mp3" | |
| 91561,"men in the service of the French king were pitched against the longbow men of Edward III's English army. The longbow had a greater range, and could discharge five","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk6.mp3" | |
| ,,,,,, | |
| 91562,"five or six arrows for every bolt that the heavy, unwieldy crossbow could fire. Edward won a famous victory.","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk7.mp3" | |
| 91562,"or six arrows for every bolt that the heavy unwieldy crossbow could fire. Edward won a famous victory.","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk7.mp3" | |
| 91562,"or six arrows for every bolt that the heavy unwielded crossbow could fire. Edward won a famous victory","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3103_Crossbow_Chunk7.mp3" | |
| ,,,,,, | |
| 91563,"This is one of the few surviving examples of the true claymore, a two-handed cutting sword used in the Highlands of Scotland and by Scottish mercenaries in Ireland","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk0.mp3" | |
| 91563,"This is one the few surviving examples of the true Claymore, a two handed cutting sword used in the Highlands of Scotland and by Scottish mercenaries in Ireland ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk0.mp3" | |
| 91563,"this is one of the few surviving examples of the true claymore. A two-handed cutting sword used in the Highlands of Scotland and by Scottish mercenaries in Ireland","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk0.mp3" | |
| ,,,,,, | |
| 91564,"until the late 17th century. The name comes from a Gaelic word meaning great sword and it was a brutally efficient weapon. As this eyewitness account","yes","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk1.mp3" | |
| 91564,"until the late 17th century. The name comes from a Gaelic word meaning great sword and it was a brutally efficient weapon as this eyewitness account","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk1.mp3" | |
| 91564,"until the late 17th century. The name comes from a Gaelic word meaning 'great sword,' and it was a brutally efficient weapon. As this eyewitness account","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk1.mp3" | |
| ,,,,,, | |
| 91565,"of the Battle of Killiecrankie in 1689 testifies. The enemy lay in heaps, so disfigured with wounds and so harshed in mangle ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk2.mp3" | |
| 91565,"of the Battle of Killiecrankie in 1689 testifies. The enemy lay in heaps, so disfigured with wounds, and so hashed and mangled","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk2.mp3" | |
| 91565,"of the Battle of Killiecrankie in 1689 testifies, 'the enemy lay in heaps, so disfigured with wounds and so hashed and mangled","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk2.mp3" | |
| ,,,,,, | |
| 91566,"that even the victors could not look upon them without surprise and horror. Many had their heads divided into two halves by one blow. Others had their skulls cut off above the","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk3.mp3" | |
| 91566,"that even the victors could not look upon them without surprise and horror. Many had their heads divided into two halves by one blow, others had their skulls cut off above ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk3.mp3" | |
| 91566,"that even the victors could not look upon them without surprise and horror. Many had their heads divided into two halves by one blow. Others had their skulls cut off above","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk3.mp3" | |
| ,,,,,, | |
| 91567,"ears. Their thick buff belts were not sufficient to defend their shoulders from such deep gashes, as almost disclosed their entrails. ","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk4.mp3" | |
| 91567,"their ears. Their thick buff belts were not sufficient to defend their shoulders from such deep gashes, as almost disclosed at entrails.","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk4.mp3" | |
| 91567,"the ears. Their thick buff belts were not sufficient to defend their shoulders from such deep gashes, as almost disclosed their entrails","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk4.mp3" | |
| ,,,,,, | |
| 91568,"pikes, small swords and light weapons were cut quite through, and some that had worn skull caps had them so beat into their brains ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk5.mp3" | |
| 91568,"Several pikes, small swords, and light weapons were cut quite through, and some that had worn skull caps had them so beat into their brain","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk5.mp3" | |
| 91568,"Several pikes, small swords, and like weapons were cut quite through, and some that had worn skullcaps had them so beat into their brains","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk5.mp3" | |
| ,,,,,, | |
| 91569,"that they died upon the spot. This was one of the last times the two-handed claymore was used in battle. The development","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk6.mp3" | |
| 91569,"that they died upon the spot.' This was one of the last times that the two-handed claymore was used in battle. The development","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk6.mp3" | |
| 91569,"that they died upon the spot. This was one of the last times the two handed Claymore was used in battle. The development ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk6.mp3" | |
| ,,,,,, | |
| 91570,"that the firearm neutralised even this powerful weapon.","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk7.mp3" | |
| 91570,"of the firearm neutralised even this powerful weapon.","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk7.mp3" | |
| 91570,"of the firearm neutralised even this powerful weapon.","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3104_Claymore_Chunk7.mp3" | |
| ,,,,,, | |
| 91571," ""the humiliated bones will rejoice in the lord"" so reads the Latin inscription on this enamel panel the imagery of which illustrates","yes","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk0.mp3" | |
| 91571,"'The humiliated bones will rejoice in the Lord.' So reads the Latin inscription on this enamel panel, the imagery of which illustrates","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk0.mp3" | |
| 91571,"the humiliated bones will rejoice in the lord, so reads the latin inscription on this enamel panel, the imagery of which illustrates ","yes","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk0.mp3" | |
| ,,,,,, | |
| 91572,"that great promise from Psalm 51. It's part of a reliquary, a container for the bodily remains of Christian saints or objects","yes","",2030,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk1.mp3" | |
| 91572,"that great promise from Psalm 51. It's part of a reliquary, a container for the bodily remains of Christian Saints or objects ","no","",2040,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk1.mp3" | |
| 91572,"that great promise from Psalm 51. It's part of a reliquary, a container for the bodily remains of Christian saints, or objects","no","",2044,"Nina; Terence Gould; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk1.mp3" | |
| ,,,,,, | |
| 91573,"The reliquary from which this particular panel comes might be associated with the Four Crowned Martyrs, a group of Early Christian saints who died under the persecution of the Roman ","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk10.mp3" | |
| 91573,"from which this particular panel comes might be associated with the four crowned martyrs, a group of early Christian saints who died under the persecution of the Roman Emperor ","yes","Unsure of the first word (half missing) so not transcribed, last word also missing second half (could be Empire)",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk10.mp3" | |
| 91573,"the reliquary from which this particular panel comes might be associated with the Four Crowned Martyrs, a group of early Christian Saints who died under the persecution of the Roman Emperor ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk10.mp3" | |
| ,,,,,, | |
| 91574,"","yes","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk11.mp3" | |
| 91574,"Emperor Diocletian. In the sixteenth century, the great Church reformer Martin Luther complained about the profusion of relics and ","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk11.mp3" | |
| 91574,"","yes","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk11.mp3" | |
| ,,,,,, | |
| 91575,"absurd claims being made for them. What lies there are about Relics. One claims to a feather from the wing of the Angel Gabriel, and the ? of minds has a flame from","no","I could not understand the phrase after 'the angel Gabriel'",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk12.mp3" | |
| 91575,"the absurd claims being made for them: 'What lies there are about relics! One claims to have a feather from the wing of the angel Gabriel, and the Bishop of Mainz has a flame from ","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk12.mp3" | |
| 91575,"claims being made for them. 'What lies there are about relics. One claims to have a feather from the wing of the angel Gabriel and the bishop of mine says a flame from ","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk12.mp3" | |
| ,,,,,, | |
| 91576,"Moses burning bush, and how does it happen that eighteen Apostles are buried in Germany when Christ had only twelve'. Relics were big business ","yes","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk13.mp3" | |
| 91576,"Moses' burning bush. And how does it happen that eighteen Apostles are buried in Germany when Christ had only twelve?' Relics were big business.","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk13.mp3" | |
| 91576,"Moses burning bush. And how does it happen that eighteen apostles are buried in Germany when Christ had only twelve. Relics were big business","yes","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk13.mp3" | |
| ,,,,,, | |
| 91577,"They attracted pilgrims and offerings. And as Luther's complaint suggests, there was a significant market in fakes. Here's medieval art historian Paul Binksi","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk14.mp3" | |
| 91577,"they attracted pilgrims and offerings and, as Luther's complaint suggests, there was a significant market in fakes. Here's medieval art historian, Paul Binski ","yes","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk14.mp3" | |
| 91577,"They attracted pilgrims and offerings, and as Luther's complaint suggests, there was a significant market in fakes. Here's medieval art historian Paul Binski:","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk14.mp3" | |
| ,,,,,, | |
| 91578,"'By the later Middle Ages, trade in relics, of course, was the subject of growing scepticism. The Church tended to make excessive claims","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk15.mp3" | |
| 91578,"By the later Middle Ages, trade and relics of course was the subject of growing scepticism. The church tended to make excessive claims","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk15.mp3" | |
| 91578,"By the later Middle Ages, trade in relics of course was the subject of growing scepticism. The church tended to make excessive claims","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk15.mp3" | |
| ,,,,,, | |
| 91579,"for its relics, and people were, by the 14th century, becoming a little bit suspicious. The Pardoner's Tale in Chaucer's great Canterbury Tales","no","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk16.mp3" | |
| 91579,"for it's relics, and people were by the fourteenth century becoming a little bit suspicious. The Pardoner's tale, in Chaucer's great Canterbury ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk16.mp3" | |
| 91579,"for its relics, and people were, by the fourteenth century, becoming a little bit suspicious, they ","no","I'm unsure of what is being said at the end of this audio, so have left it off of the transcription ",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk16.mp3" | |
| ,,,,,, | |
| 91580,"which is all about of course visiting a great relic in Canterbury of St. Thomas, tells us that he went around with pig's bones passing them off as human bones. That sort of thing","no","Unsure of first word, so not transcribed ",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk17.mp3" | |
| 91580,"which is all about, of course, visiting a great relic in Canterbury of St. Thomas, tells us that he went around with pig bones, passing them off as human bones. That sort of","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk17.mp3" | |
| 91580,"Tales, which is all about of course visiting a great relic in Canterbury of St Thomas, tells us that he went around with pig's bones passing them off as human bones, that sort of thing ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk17.mp3" | |
| ,,,,,, | |
| 91581,"was a sign of a slow, and never final, arise in disbelieve or scepticism about relics ","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk18.mp3" | |
| 91581,"thing was a sign of a slow, and never final, arise in disbelief or skepticism about relics. ","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk18.mp3" | |
| 91581,"was a sign of a slow and never final rise in disbelief of scepticism about relics ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk18.mp3" | |
| ,,,,,, | |
| 91582,"But it must be said that devotion to the saints' shrines in France and England went right through the Middle Ages, right up to the Reformation. And it was at the Reformation in the","no","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk19.mp3" | |
| 91582,"but it must be said that devotion to the Saint's shrines in France and England went right through the Middle Ages, right up to the Reformation, and it was at the Reformation in the Sixteenth","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk19.mp3" | |
| 91582,"But it must be said that devotion to the Saint's shrines in France and England went right through the Middle Ages right up to the Reformation, and it was at the Reformation in the sixteenth ","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk19.mp3" | |
| ,,,,,, | |
| 91583,"associated with them. Two skulls, flanked by bones, stare out from two open coffins. The earthly remains of the two bearded men","yes","First word cut off",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk2.mp3" | |
| 91583,"associated with them. Two skulls flanked my bones stare out from two open coffins, the earthly remains of the two bearded men ","yes","Unsure of first word, so not transcribed -- think it could be 'Mostly' or 'Closely'",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk2.mp3" | |
| 91583,"closely associated with them. Two skulls, flanked by bones, stare out from two open coffins. The earthly remains of the two bearded men sit ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk2.mp3" | |
| ,,,,,, | |
| 91584,"the century. The belief in this kind of thing was finally challenged and in many parts of Europe effectively abolished. Relics were also subjected to some unusual ","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk20.mp3" | |
| 91584,"Century. The belief in this kind of thing was finally challenged and in many parts of Europe, effectively abolished. Relics were also subject to some","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk20.mp3" | |
| 91584,"sixteenth century that the belief in this kind of thing was finally challenged and in many parts of Europe, effectively abolished.' Relics were also subject to some unusual","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk20.mp3" | |
| ,,,,,, | |
| 91585,"acts of theft. Paul Binski: 'There's a famous story of one great bishop-saint of England, St. Hugh of Lincoln, who was a great relic-","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk21.mp3" | |
| 91585,"unusual acts of theft. Paul Binski. Theres a famous story of one great Bishop Saint of England, Saint Hugh of Lincoln, who was a great relic collector ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk21.mp3" | |
| 91585,"usual acts of theft. Paul Binski: There's a famous story of one great Bishop Saint of England, St. Hugh of Lincoln, who was a great relic collector","yes","Second half of last word cut off -- think it is probably 'collector'",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk21.mp3" | |
| ,,,,,, | |
| 91586,"collector, and one day he was shown the relics of Mary Magdalene at Fécamp in Normandy, her arm, and he decided ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk22.mp3" | |
| 91586,"collector. One day he was showing the relics of St. Mary Magdalene at Fecamp in Normandy—her arm—and he decided","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk22.mp3" | |
| 91586,"and one day he was shown the relics of St. Mary Magdalene at Fecamp in Normandy her arm, and he decided ","no","First half of first word is cut off -- think it is 'collector'",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk22.mp3" | |
| ,,,,,, | |
| 91587,"that he'd like a bit of it, and so he bit a bit of it off, with his teeth, which caused great shock to everybody around. He was canonised himself later ","no","",2047,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk23.mp3" | |
| 91587,"that he'd like a bit of it, and so he bit a bit of it off with his teeth, which caused great shock to everybody around. He was canonised himself, later","yes","",2030,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk23.mp3" | |
| 91587,"that he'd like a bit of it. And so, he bit a bit of it off with his teeth which caused great shock to everybody around. He was canonised himself later ","no","",2040,"Nina; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk23.mp3" | |
| ,,,,,, | |
| 91588,"above. Their haloed heads are crowned and they carry palm fronds, traditional symbols of victory that identify the men as Christian martyrs.","no","",2045,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk3.mp3" | |
| 91588,"above. The haloed heads are crowned and they carried palm fronds, traditional symbols of victory that identified the men as Christian martyrs ","no","",2047,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk3.mp3" | |
| 91588,"above. Their haloed heads are crowned, and they carry palm fronds, traditional symbols of victory that identify the men as Christian martyrs.","yes","",2030,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk3.mp3" | |
| ,,,,,, | |
| 91589,"Stylised grape clusters and vine leaves fill the space between and behind the man. From an early time, these were symbols of Christ, who described","yes","",2030,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk4.mp3" | |
| 91589,"Stylized grape clusters and vine leaves fill the space between and behind the man. From an early time these were symbols of Christ who described them","no","",2045,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk4.mp3" | |
| 91589,"","yes","",2047,"Louisa de Gooijer; Sophie Wilson; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk4.mp3" | |
| ,,,,,, | |
| 91590,"himself in the Gospel of John as 'The True Vine'. Grapes also suggest the wine of the Eucharist, Christ's blood that was shed for many for the remission of sin","yes","",2045,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk5.mp3" | |
| 91590,"...self in the Gospel of John as the true Vine. Grapes also suggest the wine of the Eucharist, Christ's blood, that was shed for many for the remission of sin.","no","",2049,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk5.mp3" | |
| 91590,"himself in the Gospel of John as 'the true vine.' Grapes also suggest the wine of the Eucharist, Christ's blood that was shed for many for the remission of","yes","",2030,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk5.mp3" | |
| ,,,,,, | |
| 91591,"sins. The message, then, is one of hope beyond death, and of the redemptive power of suffering, having, like Christ, died violently on Earth","yes","",2030,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk6.mp3" | |
| 91591,"...endless. The message then, is one of hope beyond death, and of the redemptive power of suffering, having like Christ died violently on Earth...","no","",2049,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk6.mp3" | |
| 91591,"The message then is one of hope beyond death and of the redemptive power of suffering. Having like Christ died violently on earth","yes","",2045,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk6.mp3" | |
| ,,,,,, | |
| 91592,"...the Martyrs have achieved Heavenly glory: through Christ, the corpses have become kings. This panel was made in the early 13th century at Limoges in central... ","no","",2049,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk7.mp3" | |
| 91592,"the Martyrs have achieved Heavenly Glory. Through Christ, the corpses have become kings. This panel was made in the early 13th century at Limoges in Central","yes","",2045,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk7.mp3" | |
| 91592,", but the martyrs have achieved heavenly glory. Through Christ, the corpses have become kings. This panel was made in the early 13th century at Limoges in central","yes","",2030,"Louisa de Gooijer; Ryan Abramowitz; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk7.mp3" | |
| ,,,,,, | |
| 91593,"France, the leading European centre for enameled goods in the Middle Ages. Enamel with its range of bright colours which replicated the appearance of precious stones | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk8.mp3" | |
| 91593,"France, the leading European centre for enamelled goods in the Middle Ages. Enamel, with its range of bright colours which replicated the appearance of precious stones,","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk8.mp3" | |
| 91593,"of France, the leading European centre for enameled goods in the Middle Ages. Enamel, with its range of bright colours with replicated the appearance of precious stones","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk8.mp3" | |
| ,,,,,, | |
| 91594,"particularly appropriate for the decoration of reliquaries, the bones of the Martyrs contained within were, from the earliest times likened to precious jewels, the | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk9.mp3" | |
| 91594,"was particularly appropriate for the decoration of reliquaries. The bones of the Martyrs contained within were from the earliest times likened to precious jewels. The re-","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk9.mp3" | |
| 91594,"was particularly appropriate for the decoration of reliquaries. The bones of the martyrs contained within were, from the earliest times, likened to precious jewels. The","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/3201_Two_Crowned_Martyrs_reliquary_Chunk9.mp3" | |
| ,,,,,, | |
| 91595,"In 1656 a devastating plague swept Naples and Rosalvo, the 15-year old son of Salvator Rosa, perished. ","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk0.mp3" | |
| 91595,"In 1656, a devastating plague swept Naples. Rosalvo, the 15-year-old son of Salvator Rosa, perished ","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk0.mp3" | |
| 91595,"1656 a devastating plague swept in Naples and Resalvo, the 15-year old son of salvator Rosa perished","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk0.mp3" | |
| ,,,,,, | |
| 91596," the transience of human life was a recurring theme in 17th century art and thought but for Rosa in the year he made his painting the subject had a tragic","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk1.mp3" | |
| 91596,"The transience of human life was a recurring theme in 17th century art and thought, but for Rosa in the year he made his painting the subject had a tragic in-","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk1.mp3" | |
| 91596,". The transience of human life was a recurring theme in seventeenth-century art and thought, but for Rosa, in the year he made this painting, the subject had a tragic","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk1.mp3" | |
| ,,,,,, | |
| 91597,"mori, symbols that remind the viewer that to be human is to be mortal. It's rather surprising, when we approach him via these bleak and macabre","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk10.mp3" | |
| 91597,"reliquary symbols remind the viewer that to be human is to be mortal, it's rather surprising when we approach them via these bleak and macbre | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk10.mp3" | |
| 91597," mory, symbols that reminder viewer that to be human is to be mortal. It's rather surprising when we approach them via these bleak and macabre","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk10.mp3" | |
| ,,,,,, | |
| 91598,"images to learn that Salvator Rosa was a distinguished poet and satirist, a composer and a comic actor known for his good humour and practical jokes. ","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk11.mp3" | |
| 91598,"images, to learn that Salvator Rosa was a distinguished poet and satirist, a composer and a comic actor known for his good humour and practical jokes. ","no","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk11.mp3" | |
| 91598,"images to learn that Salvator Rosa was a distinguished poet and satirist a composer and a comic actor known for his good humour and practical jokes | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk11.mp3" | |
| ,,,,,, | |
| 91599," whose house was once described as an abode of mirth and the marketplace of gaiety. In fact the anecdotal details of this remarkable | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk12.mp3" | |
| 91599,", whose house was once described as 'an abode of mirth and a marketplace of gaiety.' In fact, the anecdotal details of this remarkable","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk12.mp3" | |
| 91599,"whose house was once described as 'an abode of mirth and the marketplace of gaiety'. In fact, the anecdotal details of this remark","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk12.mp3" | |
| ,,,,,, | |
| 91600,"man's life add to the poignancy and seriousness of this work.","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk13.mp3" | |
| 91600,"this man's life add to the poignancy and seriousness of this work. | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk13.mp3" | |
| 91600,"remarkable man's life add to the poignancy and seriousness of this work.","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk13.mp3" | |
| ,,,,,, | |
| 91601,"immediacy. The tired-looking woman sitting with her baby on her lap closely resembles portraits of Lucrezia, Salvator's mistress and the mother of Rosalvo.","yes","",2030,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk2.mp3" | |
| 91601,"immediacy. The tired looking woman sitting with her baby on her lap closely resembles portraits of Lucrezia, Salvatore's mistress, and the mother of | |
| ","no","",2032,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk2.mp3" | |
| 91601,"immediacy. The tired-looking woman sitting with her baby on her lap closely resembles portraits of Lucrezia, Salvatore's mistress and the mother of ","yes","",2045,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk2.mp3" | |
| 91601,"The tired looking woman sitting with her baby on her lap closely resembles portraits of Lucrezia, Salvator's mistress and the mother","no","",,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk2.mp3" | |
| ,,,,,, | |
| 91602,"The ring of pale roses around her head might be an allusion to the family name, but it also refers to the fragility of human life, the beauty","yes","",2030,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk3.mp3" | |
| 91602,"dalvo. The ring of pale roses around her head might be an allusion to the family name but it also refers to the fragility of human life, the beauty","no","",2032,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk3.mp3" | |
| 91602,"the ring of pale roses around her head might be an allusion to the family name, but it also refers to the fragility of human life","no","",,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk3.mp3" | |
| 91602,"Rosalvo. The ring of pale roses around her head might be an allusion to the family name, but it also refers to the fragility of human life. The beauty","yes","",2045,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk3.mp3" | |
| ,,,,,, | |
| 91603,"the rose is famously short-lived and the flowers around Lucrezia's head are already losing their freshness and bloom. The artist's own initials","no","",,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk4.mp3" | |
| 91603," of the Rose is famously short-lived and the flowers around Lucrezia's head are already losing their freshness and bloom. The artist un initials","no","",2032,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk4.mp3" | |
| 91603,"of the rose is famously short-lived, and the flowers around Lucrezia's head are already losing their freshness and bloom. The artist's own initials","yes","",2030,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk4.mp3" | |
| 91603,"of the rose is famously short-lived and the flowers around Lucrezia's head are already losing their freshness and bloom. The artist's own initials ","yes","",2045,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk4.mp3" | |
| ,,,,,, | |
| 91604,"appear at the very bottom of the canvas, on the blade of a knife: another death symbol, the ruthless steel that has severed his son from him. But the dominant presence","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk5.mp3" | |
| 91604,"at the very bottom of the canvas on the blade of a knife another death symbol the ruthless steel that has severed his son from him, but the dominant presence | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk5.mp3" | |
| 91604,"appear at the very bottom of the canvas on a blade of a knife, another death symbol: the ruthless steel that has severed his son from him. But the dominant presence","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk5.mp3" | |
| ,,,,,, | |
| 91605,"in the painting is undoubtedly the huge, grinning, winged skeleton that emerges from the thick nocturnal gloom. He grasps the infant's wrist, and","yes","",2030,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk6.mp3" | |
| 91605,"in the painting is undoubtedly the huge grinning winged skeleton that emerges from the thick nocturnal gloom. He grasps the infant's wrist and","yes","",2045,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk6.mp3" | |
| 91605," what's in the painting is undoubtedly the huge grinning winged skeleton that emerges from the thick nocturnal gloom. He grasps the infant's wrist and | |
| ","yes","",2032,"Louisa de Gooijer; Jennifer Palling; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk6.mp3" | |
| ,,,,,, | |
| 91606,"forces him to write: 'Conceptio Culpa, Nasci Pena, Labor Vita, Necesse Mori' - 'Conception is a sin","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk7.mp3" | |
| 91606,"forces him to write 'Conceptio Culpa, Nasci Pena, Labor Vita, Necesse Mori'. Conception is a sin","no","Looked up the Latin",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk7.mp3" | |
| 91606,"forces him to write 'Conceptio Culpa, Nasci Pena, Labor Vita, Necesse Mori.' Conception is a sin, ","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk7.mp3" | |
| ,,,,,, | |
| 91607,"Birth is pain, Life is toil, death a Necessity. The Latin words come from a poem by the 12th century writer Adam of","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk8.mp3" | |
| 91607,"birth is pain, life is toil, death a necessity. The Latin words come from a poem by the twelfth-century writer Adam of Saint Victor","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk8.mp3" | |
| 91607,"birth is pain life is toil death and necessity. The Latin words come from a poem by the 12th century writer Adam of ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk8.mp3" | |
| ,,,,,, | |
| 91608,"[...] not that one really need any knowledge of Latin to decipher the paintings bleak message. Mother and Child are surrounded by a host of mementos | |
| ","no","",,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk9.mp3" | |
| 91608,"Saint Victor. Not that one really need any knowledge of Latin to decipher the painting's bleak message. Mother and child are surrounded by a host of memento's","yes","",2045,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk9.mp3" | |
| 91608,", not that one really needs any knowledge of Latin to decipher the painting's bleak message. Mother and child are surrounded by a host of mementos","yes","",2030,"Louisa de Gooijer; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/703_L_Umana_Fragilità_Chunk9.mp3" | |
| ,,,,,, | |
| 91609," we're looking here towards the entrance of the Grand Canal in Venice on a calm sunny day. The sky, but for a few wisps of white cloud, is a clear","yes","",2026,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk0.mp3" | |
| 91609,"We are looking here towards the entrance of the Grand Canal in Venice on a calm, sunny day. The sky, but for a few wisps of white clouds, is a clear","yes","",2030,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk0.mp3" | |
| 91609,"Looking here towards the entrance of the Grand Canal in Venice on a calm sunny day, the sky but for a few whisps of white cloud is a clear","no","",,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk0.mp3" | |
| ,,,,,, | |
| 91610,"blue. The greener surface of the water is scarcely ruffled, and the sun shines upon those parts of the buildings that face us, leaving much of the right side of the scene in shadow.","yes","",2030,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk1.mp3" | |
| 91610,"blue, the greener surface of the water is scarcely ruffled and the sun shines upon those parts of the buildings that face us leaving much of the right side of the scene in shadow","no","",,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk1.mp3" | |
| 91610," blue. The greener surface of the water is scarcely ruffled and the sun shines upon those parts of the buildings that face us leaving much of the right side of the scene in shadow","yes","",2026,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk1.mp3" | |
| ,,,,,, | |
| 91611,"This is a work by the great eighteenth-century painter Canaletto. Historian John Julius Norwich describes his admiration for the artist:","yes","",2030,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk2.mp3" | |
| 91611,"Work by the great 18th Century painter Canaletto. Historian John Julius Norwich describes his admiration for the artist,","no","",,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk2.mp3" | |
| 91611,"this is a work by the great 18th century painter Canaletto. Historian John Julius Norwich describes his admiration for the artist","yes","",2026,"Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk2.mp3" | |
| ,,,,,, | |
| 91612,"but I need the first thing to be said that it was by far the greatest painter who ever lived and as we know he painted virtually nothing","no","couldn't understand the audio in the middle, thus, corrected only the last part",2022,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk3.mp3" | |
| 91612," well I mean the first thing to be said is that Canaletto was by far the greatest view painter, vedutista as the Italians call it, who ever lived and as we know he painted virtually nothing","yes","",2026,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk3.mp3" | |
| 91612,"'Well, I mean, the first thing to be said is that Canaletto was by fair the greatest view-painter—or vedutista, as the Italians called it— who ever lived. And as we know, he painted virtually nothing","yes","",2030,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk3.mp3" | |
| ,,,,,, | |
| 91613," but then except the period when he was in England and he knew is it is so well that he couldn't afford to take the most extraordinary liberties with it I mean","no","",2022,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk4.mp3" | |
| 91613,"but Venice, except for a period when he was in England. He knew his city so well that he could afford to take the most extraordinary liberties with it, I mean one of the most ","yes","",2030,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk4.mp3" | |
| 91613," but Venice except for a period when he was in England and he knew his city so well that he could afford to take the most extraordinary liberties with it. I mean one of the most","yes","",2026,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk4.mp3" | |
| ,,,,,, | |
| 91614,"extraordinary and fascinating things that you can do is to get a little book of Canaletto reproductions and take it around Venice, go around Venice on foot and try ","yes","",2026,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk5.mp3" | |
| 91614,"extraordinary and fascinating things that you can do is to get a little book of Canaletto reproductions and take it around Venice, go around Venice on foot, and","yes","",2030,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk5.mp3" | |
| 91614,"","yes","",2022,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk5.mp3" | |
| ,,,,,, | |
| 91615,"Grandstand at the place of canaletto stood when he was painting any given picture and you can never never do it because he paints every picture from about four or five different viewpoints","no","",2022,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk6.mp3" | |
| 91615,"try and stand at the place where Canaletto stood when he was painting any given picture and you can never, never do it, because he paints every picture from about four or five different viewpoints.","yes","",2030,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk6.mp3" | |
| 91615,"and stand at the place that Canaletto stood when he was painting any given picture and you can never never do it because he paints every picture from about four or five different viewpoints","yes","",2026,"Anna; Roger Wilmot; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk6.mp3" | |
| ,,,,,, | |
| 91616,"he thinks nothing of moving a campanile a couple of hundred yards to the left or the right if he feels its going to improve his composition and of course as well that he gives his picture","yes","",2026,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk7.mp3" | |
| 91616,"He thinks nothing of moving a campanile a couple of hundred yards to the left or the right if he feels that it's going to improve his composition. And of course, as well as that, he gives his","no","",2030,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk7.mp3" | |
| 91616,"he thinks nothing of moving a couple nearly to a couple hundred yards to the left or the right if he feels it's going to improve his composition. And of course as well as that he gives this picture","yes","""couple nearly""? not clear",2036,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/704_GrandCanalVenice_Chunk7.mp3" | |
| ,,,,,, | |
| 91617,"This dish was once part of a magnificent dinner service that belonged to one of the greatest patrons and art collectors of Renaissance Italy: Isabella d'Este.","yes","",2030,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk0.mp3" | |
| 91617,"This dish was once part of a magnificent dinner service that belonged to one of the greatest patrons and art collectors over in Renaissance Italy, Isabella d' Este.","no","",2036,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk0.mp3" | |
| 91617,"this dish was once part of a magnificent dinner service that belonged to one of the greatest patrons and art collectors of Renaissance Italy Isabella d'Este","yes","",2026,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk0.mp3" | |
| ,,,,,, | |
| 91618,", Marchesa of Mantua. It was painted by the celebrated potter and painter Nicola da Urbino around 1524, and ","yes","",2030,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk1.mp3" | |
| 91618,"Marchesa of Mantua. It was decorated by the celebrated potter and painter, Nicola da Urbino around 1524","no","",2036,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk1.mp3" | |
| 91618,"Marchesa of Mantua. It was decorated by the celebrated potter and painter Nicola da Urbino around 1524 and","yes","",2026,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk1.mp3" | |
| ,,,,,, | |
| 91619,"maiolica painting does not come much better than this. The story that Nicola illustrated is adapted from the Metamorphoses, a work by the Roman poet Ovid","yes","",2030,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk2.mp3" | |
| 91619,"Maiolica painting does not come much better than this. The story that Nicola illustrates is adapted from The Metamorphoses, a work by the Roman poet, Ovid. ","no","",2036,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk2.mp3" | |
| 91619,"maiolica painting does not come much better than this. The story that Nicola illustrates is adapted from The Metamorphoses a work by the Roman poet Ovid","yes","First word inferred from context",2026,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk2.mp3" | |
| ,,,,,, | |
| 91620,"and it tells of the strange courtship of the Greek hero Peleus and the shape-shifting sea nymph Thetis. On the left","yes","",2026,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk3.mp3" | |
| 91620,", and it tells of the strange courtship of the Greek hero Peleus and the shape-shifting sea nymph Thetis. ","yes","",2030,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk3.mp3" | |
| 91620,"and it tells of the strange courtship of the Greek hero, Peleus, and the shape-shifting sea nymph, Thetis. On the left ","yes","",2036,"Roger Wilmot; Athena; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk3.mp3" | |
| ,,,,,, | |
| 91621,"Helios dressed in armour but weaponless stands above the sleeping foetus in an attitude of admiration and surprised originally Jupiter the king of the","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk4.mp3" | |
| 91621,"Peleus, dressed in armour but weaponless, stands above the sleeping Thetis in an attitude of admiration and surprise. Originally Jupiter, the king of the","no","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk4.mp3" | |
| ,,,,,, | |
| 91622,"gods and intended to bed at this is urine seen him but the prophecy by her father Proteus to put him off Proteus predicted that feature","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk5.mp3" | |
| 91622,"gods, had intended to bed this alluring sea-nymph, but a prophecy by her father, Proteus, had put him off. Proteus had predicted that Thetis would ","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk5.mp3" | |
| ,,,,,, | |
| 91623,"bear a son who would surpass his father in greatness, an event that the King of the Gods could not contemplate. Jupiter therefore sent instead his grandson, Peleus, to","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk6.mp3" | |
| 91623,"","yes","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk6.mp3" | |
| ,,,,,, | |
| 91624,"ravish Thetis. In the lower centre of the dish, the hero has leapt lustfully upon the nymph, only for her to turn into a swan. Peleus clings ","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk7.mp3" | |
| 91624,"ravishly test in the lower centre of the dish the hero is leapt last fully upon the nymph only for her to turn into a swan Pelleas claims on","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk7.mp3" | |
| ,,,,,, | |
| 91625,"on until, dragon-like, she finally shakes off his unwanted embrace. Look at the details Nicola has included to enrich his depiction of the myth.","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk8.mp3" | |
| 91625,"until dragon like she finally flexoffers unwanted Embrace look at the details Nicola has included to enrich the picture of the myth","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk8.mp3" | |
| ,,,,,, | |
| 91626,"Thetis' floral crown, the outraged expression on the swan's face, Peleus' recoiling gesture as the purple-winged dragon snaps at him.","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk9.mp3" | |
| 91626,"floral crown the outraged expression on the swans face Pelleas's recoiling gesture as a purple Winged Dragon Snapchat | |
| ","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/705_Dish_from_the_Isabella_d'Este_Service_Chunk9.mp3" | |
| ,,,,,, | |
| 91627,"Having dared to contest with the Muses and defeated by voice, they now fly as magpies, imitating everything. So says","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk0.mp3" | |
| 91627,"","yes","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk0.mp3" | |
| ,,,,,, | |
| 91628,"the inscription on the back of this large plate. The 'they' in question are the nine daughters of king Pierus, the Pierides, who we see here","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk1.mp3" | |
| 91628,"inscription on the back of this large plate the day in question are the 9 daughters of King Pierce The parodies who is","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk1.mp3" | |
| ,,,,,, | |
| 91629,"challenging the nine Muses to a musical contest. In the background, a jury of nymphs and gods listen. Look for Minerva, holding her spear","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk2.mp3" | |
| 91629,"challenging the nine Muses to a musical contest in the background a jury of nymphs and Gods listen look for Minerva holding her spear","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk2.mp3" | |
| ,,,,,, | |
| 91630,", and Mercury, with his winged hat. The story comes from the Metamorphoses, a long work by the Roman poet Ovid. He tells how the Pierides lose","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk3.mp3" | |
| 91630,"and Mercury with his winged hat the story comes from the metamorphoses a long work by the Roman poet Ovid it tells how the parodies | |
| ","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk3.mp3" | |
| ,,,,,, | |
| 91631,"the contest but question the judges' decision and are punished for their presumption and rudeness by being turned into magpies. The Pierides are fairly lucky","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk4.mp3" | |
| 91631,"","yes","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk4.mp3" | |
| ,,,,,, | |
| 91632,"in their punishment, for challenging Immortals to musical competitions could be a hazardous business in Greek myth. The satyr Marsyas, after competing with","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk5.mp3" | |
| 91632,"punishment for challenging Immortals the musical competitions could be a hazard as business in Greek myths the satyr Marsyas after competing with","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk5.mp3" | |
| ,,,,,, | |
| 91633,"and losing to Apollo's lyre upon his pipes, was flayed alive","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk6.mp3" | |
| 91633,"losing to apollo's lyre upon his pipes was flayed alive","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/706_The_Contest_between_the_Muses_and_the_Pierides_Chunk6.mp3" | |
| ,,,,,, | |
| 91634,"This plate depicts a scene from the celebrated Italian poem Orlando furioso, an early sixteenth-century epic relating the adventures of ","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk0.mp3" | |
| 91634,"this plate depicts the scene from the celebrated Italian poem Orlando furioso an early sixteenth century epic relating adventures of","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk0.mp3" | |
| ,,,,,, | |
| 91635,"two Heroes Orlando and ruggiero professor Patrick Boyd of Cambridge University explains what we see here well Orlando Furioso is a long","no","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk1.mp3" | |
| 91635,"two heroes, Orlando and Ruggiero. Professor Patrick Boyde of Cambridge University explains what we see here: 'Well, Orlando furioso is a long","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk1.mp3" | |
| ,,,,,, | |
| 91636,"","yes","",2022,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk10.mp3" | |
| 91636,"and then the ship was blown without its crew and without its passengers onto the shores of Africa, which is where we are.' The plate bears the distinctive Moor's head coat of arms","yes","",2030,"Anna; Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk10.mp3" | |
| ,,,,,, | |
| 91637,"of the powerful Pucci family of Florence, for whom it was decorated by the painter Francesco Xanto Avelli in 1532.","yes","",2030,"Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk11.mp3" | |
| ,,,,,, | |
| 91638,"upon figures in a print after a work by Raphael depicting Paris' abduction of the Greek Queen Helen to Troy. ","yes","unclear whether the first word is protagonists or antagonists (or something else entirely!)",2030,"Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk12.mp3" | |
| ,,,,,, | |
| 91639,"a very long narrative poem, written in the early part of the sixteenth century, which was an immediate success and is one of the three","yes","",2030,"Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk2.mp3" | |
| ,,,,,, | |
| 91640,"greatest works of Italian literature, the most enjoyable that they are. Orlando is currently in Africa, and the story is set here, on the shore of Africa. He has arrived","yes","",2030,"Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk3.mp3" | |
| ,,,,,, | |
| 91641,"without any armour, without any sword, and without any horse. He's with two friends called Brandimarte and Oliviero who are going to fight","yes","",2030,"Adi Levin","https://fitz-audio-guide-micropasts.s3.eu-west-2.amazonaws.com/707_Dish_from_the_Pucci_Service_Chunk4.mp3" | |
| ,,,,,, |
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