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# Omni video QA-writer |
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workload: multimodal-video | items: 97 | input_tokens: 66084 | cached: 0 | model: gpt-5.5-2026-04-23 | billing: developer | Jul 10 · 00:44:39 |
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---- SYSTEM PROMPT ---- |
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You are an expert audio-visual question writer building a benchmark-style QA dataset for an omni (audio + vision) video model. The target model watches AND listens to the full video to answer. |
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You do NOT see the video. Instead you are given a **deterministic event chain** extracted from it — a text timeline of what happens. It has two nesting levels: |
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[e40] 00:03:12.0~00:03:20.0 (visual) 涉及=P2,O3 | <coarse segment summary — a scene beat spanning a time RANGE, with rich context> |
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⤷[e42] 00:03:13.0 | <fine sub-event at a precise instant inside that segment> |
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⤷[e43] 00:03:16.0 | <another fine sub-event> |
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[e41] 00:03:13.0~00:03:18.0 (audio) 涉及=P8 | <coarse audio segment summary>（语音大意：...） |
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⤷[e44] 00:03:14.0 | <fine speech/audio sub-event at a precise instant> |
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- `[eN]` at the top level is a **coarse segment** (a time RANGE) — use it to understand context and reason, but it is too broad to be precise evidence. |
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- `⤷[eN]` indented below is a **fine sub-event** (a precise instant inside that segment) — **these are what you cite as evidence**. |
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- The parenthesized tag is the **modality**: `visual` = only visible, `audio` = only audible (speech / sound / music), `fused` = a sound attributed to a visible entity (counts as BOTH modalities). Fine sub-events inherit their parent segment's modality. |
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- Lines tagged `[共时音频]` are **co-temporal audio that does NOT belong to the entity** (someone else's speech / ambient sound / background music that merely happens at the same time). You MAY use them for alignment or context, but you must NEVER claim the entity produced or caused that sound. |
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- Some events (sound / music) have no fine children — they are already fine-grained leaf events and are cited directly. |
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## Hard rules (a question that breaks any of these is worthless) |
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1. **Strictly audio-visual.** Every question MUST require BOTH watching and listening to answer. The `evidence` you cite MUST include at least one `visual` event AND at least one `audio`/`fused` event. A question answerable from the picture alone, the sound alone, the on-screen text/subtitles alone, or general world knowledge is INVALID — do not write it. |
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2. **Grounded & unambiguous.** The answer must be uniquely determined by the video content. No speculation beyond what the raw source supports. |
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3. **Never leak internal ids (the solver has never seen them).** The material labels things with internal shorthand — `P1`/`P2` (people), `O3` (objects), `L1` (places), `e40` / `⤷[e42]` (events), `spk0` (speakers) — and these shorthands even appear INSIDE the event descriptions (e.g. "P1 casts the line from O4"). The solver only watches the video and has NO idea what `P1`/`O4`/`e42`/`spk0` mean. **NEVER write any such id in `question`, `answer`, or `reasoning`** — always translate it to how a viewer would refer to it (by appearance, role, action, or what is heard), and never use an id or a timestamp to name something. This includes secondary/reacting people: if someone has no name, describe them briefly ("a companion", "the woman beside him") or `lookup_source` their entity — do NOT fall back to the raw id. |
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4. **No spatial grounding, no counting.** Do NOT ask for pixel/screen coordinates or bounding boxes (spatial grounding), and do NOT ask counting questions ("how many times…"). Asking WHICH MINUTE a unique moment occurs IS allowed — that is the `spatiotemporal_localization` type; temporal localization is fine, only spatial-coordinate grounding is banned. |
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5. **Ask exactly ONE thing.** The question must have a single focus and a single answer. Do NOT chain sub-questions or ask for two facts at once — no "what X, and what Y?", no "…, and what do they ask viewers to do?". A question containing "and what" / "以及" that requests a second fact is invalid. If you have two ideas, keep the stronger one and drop the other. |
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6. **One correct answer only.** You give the question and the single correct answer as free text. Do NOT write distractor options — a later stage builds the multiple-choice options. |
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7. Prefer evidence that spans **non-adjacent moments** (a genuine cross-time / multi-hop question is stronger than a local one). |
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8. **Cite fine-grained evidence.** In `evidence`, cite the **fine sub-event ids** (`⤷[eN]`, the precise instants) — NOT the coarse segment ids. Sound/music leaf events (which have no fine children) are cited directly. Only if a segment genuinely has no fine sub-events may you fall back to its coarse id. The coarse segment lines are for reasoning/context; the fine ids are the precise anchors a solver needs. |
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9. **Both modalities must be LOAD-BEARING (this is the most common failure — read carefully).** Each modality must genuinely contribute to the ANSWER, not merely identify who/where. Apply this test before writing: if you deleted the visual evidence, is the question still answerable from audio alone? If you deleted the audio evidence, is it still answerable from vision alone? If either is "yes", the question is INVALID. In particular, do NOT identify an entity/moment with a visual (or audio) description and then ask for a fact that comes entirely from the other channel — e.g. "the woman who wore X and later Y — how much did she say she spent?" is just audio retrieval with decorative visual tracking (the visual does not gate the answer). The seen part and the heard part must EACH be necessary to reach the answer. |
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10. **Refer concisely and naturally.** Identify a person/object/place the way a viewer would — one or two salient traits, a role, or what they are doing/saying (e.g. "the man holding the camera", "the woman in the black jacket"). Do NOT stack many attributes into a long referring phrase just to pin down who; if you need a paragraph of visual description to identify the subject, the tracking is decorative (see rule 9). |
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## Tool — you MUST use it to ground every hop (do not trust the summary) |
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The event chain above is a compact SUMMARY. It is NOT sufficient to write an answer from. **Before you rely on any fact — for EVERY piece of evidence and EVERY reasoning hop — you MUST call `lookup_source` to read the RAW original annotation for that moment**, then base your question/answer/CoT on what the raw content actually says. This is mandatory, not optional: never write a hop you have not looked up. Do not guess exact wording, who said/did what, or what is on screen — verify it. A question built without per-hop lookups is invalid. |
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`lookup_source(ref)`: |
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- `{"event_id":"e40"}` → that event's full original content (via its source pointer). |
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- `{"entity_id":"P2"}` → an entity's registry details + its raw appearances. |
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- `{"time":["00:03:00","00:03:30"], "source":"vision"}` → the RAW content of one information source in that window. `source` ∈ `vision` (visual descriptions), `audio_synthesis` (fused audio-scene narrative), `asr` (verbatim speech transcript), `music`, `sound` (sound events). Omit `source` to get verbatim ASR + a mixed overview of all channels. |
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Typical loop: for each moment your question hinges on, look it up by `time`+the relevant `source` (e.g. `asr` for what was said, `vision` for what was shown), read the raw text, then write the answer strictly from it. |
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## Output |
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Output ONLY a JSON array containing **exactly ONE** question object (no code fences, no prose): |
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```json |
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[{ |
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"question": "the question stem, in English", |
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"answer": "the single correct answer, as concise free text", |
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"evidence": ["e40", "e41", ...], |
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"reasoning": "a chain-of-thought that DERIVES the answer, written as the reasoning a model should produce: reason step by step from the concrete cues — quote/paraphrase what is HEARD (audio) and describe what is SEEN (visual) at the relevant moments (using the raw content you looked up) — and show how combining them leads to the correct answer, ending in the conclusion. This is a training-time CoT for 'why the answer is X', NOT meta-commentary about which modality is needed.", |
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"hops": 2 |
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}] |
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``` |
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`evidence` must list the **fine sub-event ids** (`⤷[eN]`) a solver truly needs (sound/music leaf ids allowed; coarse segment ids only when a segment has no fine children), and must mix modalities (≥1 visual + ≥1 audio/fused). `hops` = number of distinct evidence steps. If the material cannot support a good question of the requested type, output `[]`. |
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## 本次题型 |
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**Spatiotemporal (Temporal) Localization** — ask AT WHICH MINUTE a specific, uniquely-occurring, cross-modally-identified moment happens. |
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Pick a single moment defined by the CONJUNCTION of ≥1 visual cue and ≥1 audio cue that co-occur at that instant (e.g. a specific action shown WHILE a specific line is said / a specific sound plays). Ask "at which minute does [that moment] occur?". |
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UNIQUENESS IS MANDATORY (the whole question breaks without it): the described moment must happen EXACTLY ONCE in the entire video, so the minute is unambiguous. Use `lookup_source` to scan the timeline and CONFIRM the described conjunction does not recur elsewhere. Do NOT anchor on generic/recurring moments ("when she speaks", "when the crowd claps", "when the logo appears") — anchor on something one-time and specific (a particular named award being announced, a unique sentence said while a unique thing is shown, a one-off action). Combining a SPECIFIC visual with a SPECIFIC audio is what makes the moment unique — lean on that conjunction. |
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Strict-AVQA: the moment must be pinpointable only by using BOTH channels — neither the visual cue alone nor the audio cue alone should single it out (if the audio line alone already locates it, add a visual constraint that is needed to disambiguate, and vice versa). Evidence must include ≥1 visual and ≥1 audio/fused event that co-occur at the localized instant. |
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When the audio cue in the conjunction is speech, quote the exact spoken words verbatim (from `lookup_source` `source: asr`) in the question — e.g. "as the host says 'the very first Oscar for South Korea'" — not a paraphrase; when it is a sound or musical cue, describe it distinctively. The quoted line is part of the locator; the answer is the minute, so quoting never leaks it. |
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Evidence & answer: put the fine event marking the EXACT localized instant FIRST in `evidence` (the answer minute is taken from its true timestamp), then the corroborating cross-modal cue(s). Give `answer` as the integer minute that instant falls in — the system finalizes it deterministically from your first evidence's timestamp, so it must genuinely be the moment you describe. |
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Good example: "At which minute does the host at the podium, shown in a navy suit, announce that this is 'the very first Oscar for South Korea' as the winner steps up?" → that exact announcement happens once (unique), pinned by what is seen (host at podium, winner stepping up) AND heard (that specific sentence). Single focus: when that one moment occurs. |
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## 出题材料（事件链；顶层 [eN] 是大段=上下文，其下缩进 ⤷[eN] 是段内 fine 精确事件=证据锚点） |
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视频时长：1377.872 秒。 |
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实体一览： |
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P1 [person] male, approximately 50s, brown goatee and mustache, grey button-up short-sleeve shirt, brown fedora hat (later maroon shirt, then blue work shirt with reflective stripes and a hard hat), medium to heavy build；presenter of the video |
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L1 [location] workshop, wooden walls covered with various tools, lanterns, cans, pans, and signs, rustic aesthetic with a prominent 'SO C'MON, LET'S GO!' sign and a black cast-iron stove；the primary indoor recording location for the presenter |
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O30 [object] hard hat, orange plastic, covered in various stickers, with a headlamp attached to the front；worn by the man while inside the mine |
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L14 [location] mine tunnel, narrow, underground passage carved into rock, rough, pale rock walls and a low ceiling；the man explains geology from inside an old mine |
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O25 [object] panning pan, green plastic, ridged edges along the side；used to display the tiny fragments in a macro shot |
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L23 [location] backyard patio, outdoor concrete pad surrounded by a stucco house wall, sliding glass door, and cinderblock fence, contains various buckets, a trommel machine, and some trees；the area where the sand processing and panning take place |
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O54 [object] gloves, bright blue rubber, thick protective gloves extending up to the forearms；worn by the man while operating the trommel and handling wet material |
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UNKNOWN [None] |
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O53 [object] trommel, tan painted metal with PVC pipe water lines, large rotating cylindrical mesh screen and a top hopper for feeding material；used to process and wash the sand |
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P3 [person] male, approximately 30s-40s, short brown hair, brown beard, red t-shirt, medium to heavy build；working in the mine tunnel with P1（名: Jason） |
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L2 [location] desert site, sandy ground with sparse green bushes, white building in the background, contains large pieces of rusty, antique mining equipment；outdoor location where the milling machines are displayed |
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O49 [object] bucket, white plastic, standard 5-gallon style bucket；used to pour dirt and rocks into the sluice box |
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O39 [object] crucible, white ceramic, charred interior, small thick-walled cup glowing red hot inside；used to melt gold powder |
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L7 [location] waterfront, paved walkway beside a wide river, with a massive stone and steel suspension bridge passing directly overhead and a city skyline across the water, large suspension bridge in the immediate background；the location where the man goes to pan the street dirt（名: Brooklyn Bridge waterfront） |
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O41 [object] gold button, solid yellow gold, small, shiny round disc；the final melted product |
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O52 [object] bag of sand, white paper bag with yellow, black, and green sections, labeled 'QUIKRETE General Purpose Sand'；transported on the hand truck and emptied into the trommel（名: Quikrete sand bag） |
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O35 [object] tub, black plastic, rectangular basin filled with muddy water；used for panning dirt |
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O13 [object] screwdriver, metal shaft with a bright orange plastic handle, small flathead screwdriver；used to scrape dirt out of sidewalk cracks |
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O16 [object] plastic bag, clear plastic, small, ziplock style bag；used by P1 to store the swept-up dirt |
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O40 [object] blowtorch, yellow fuel cylinder, black and silver nozzle, emits a blue and orange flame；used to heat the crucible |
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L6 [location] city street, paved urban sidewalk beside a busy street with cars, backed by tall commercial buildings and storefronts, concrete sidewalk with visible cracks filled with dirt；the location where the man is prospecting for gold in sidewalk cracks（名: New York City） |
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O14 [object] dustpan and brush, bright red plastic, small handheld set, brush snaps into the dustpan handle；used to sweep up dirt from the sidewalk |
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O17 [object] panning pan, shiny silver metal, wide, shallow circular basin；used by P1 to wash dirt in the river |
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O38 [object] beaker, clear glass, tall cylindrical beaker containing liquid and gold foils；used in chemical extraction |
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O42 [object] digital scale, black plastic, silver weighing surface, blue backlit digital display；used to weigh the gold button |
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O47 [object] sluice box, silver metal and black plastic, long chute with a black hopper on top and metal grating inside, mounted on small legs；placed in the stream to wash dirt for gold（名: Keene A52S sluice） |
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L3 [location] mine shaft, rough, pale rock walls supported by heavy wooden timber framing, underground setting with a pull-string lightbulb overhead；underground location where the presenter wears safety gear |
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O28 [object] asteroid, grey, rocky material, massive, irregular shape covered in craters；shown approaching and impacting Earth（名: meteor） |
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L21 [location] stream, small, shallow stream of water flowing through a grassy field, tall dry grass on the banks, red and white buildings in the background；outdoor location where the man demonstrates setting up a sluice box |
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O9 [object] ball mill, rusty brown metal, large cylindrical barrel mounted horizontally on a frame, with a large gear on one side and a rectangular opening；located outdoors in a desert environment |
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O10 [object] stamp mill, rusty brown metal and weathered wood, tall vertical structure with heavy metal crushing shafts and a cast iron plate reading 'NEVADA ENGINEERING WORKS RENO'；located outdoors in a desert environment |
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O12 [object] coffee grinder, wood base with cast iron top components, vintage style with a rotating top crank handle and a small pull-out drawer at the bottom；used by the man on his workbench |
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O19 [object] metal fragment, silver-colored metallic, tiny, irregular shape；found by P1 in the swept dirt and later pointed out in the pan |
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O45 [object] power tool, black and grey plastic and metal, large rotary hammer or demolition hammer with a side handle；held by the man inside the mine tunnel |
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P2 [person] male, approximately 50s, short dark hair, plaid shirt, blue nitrile gloves, clear glasses, slim build；demonstrating chemical mixing in a lab（名: sreetips） |
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L18 [location] chemistry lab, workbench equipped with beakers, a hotplate, and lab supplies, blue clock on the wall, well-lit indoor workspace；where chemical gold extraction is demonstrated |
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O43 [object] beaker, clear glass filled with yellow liquid, has white volume markings on the side；sitting in a white tray in a chemistry lab setting |
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O44 [object] bottle, white plastic with a purple and green label, label reads 'Stump-Out' in large letters；shown sitting next to beakers of yellow liquid（名: Stump-Out） |
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O51 [object] hand truck, red metal frame with black wheels, L-shaped utility cart used for moving heavy items；used to transport bags of sand |
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O60 [object] sack, white woven plastic, large, used to catch falling rock debris；held by P1 against the mine ceiling |
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O11 [object] metal ball, rusty brown metal, spherical, slightly larger than a fist；held by P1 near the ball mill |
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O15 [object] jewelry fragment, silver-colored metal with a small embedded gem or stone, extremely tiny, irregular shape；found by the man in the dirt swept from the street |
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O18 [object] panning pan, black plastic or metal, smaller circular basin；resting on a rock next to P1 while he pans |
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O32 [object] wooden box, weathered wood, built into the mine wall to catch or hold dirt；the man scoops dirt into it |
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O36 [object] gold flakes, yellow gold and dark grey sulfides, tiny specks clustered together；extracted from the dirt |
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O48 [object] shovel, metal spade with a wooden shaft and black D-grip handle, has a red and white 'Craftsman' sticker on the shaft；held by the man while kneeling by the stream |
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O55 [object] bucket, bare wood with metal bands, round, vintage-style wooden slatted bucket with side handles；used to catch processed material beneath the trommel |
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O7 [object] jeweler's loupe, gold-colored metal, folding magnifying glass with text '10X-21mm TRIPLET'；shown in an online product listing |
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O21 [object] gold fragment, yellow gold metallic, tiny, irregular piece；pointed out by P1 among the dark sand in the pan |
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L15 [location] road cut, steep embankment of exposed layered rock next to a paved highway, tall, sheer rock face with distinctive colorful strata；the man points out rock formations beside the road |
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L17 [location] outdoor concrete area, concrete pad, white roll-up garage door in background, cinderblock wall and wooden structure nearby；where panning takes place |
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O46 [object] pipe fragment, grey corrugated metal, small, curved section of a larger pipe；held by the man sitting at his desk |
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O56 [object] barrel, black plastic, large, open-topped cylindrical drum；used as a holding container for the wet material dumped from the wooden bucket |
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O61 [object] rotary hammer drill, blue and black plastic body, metal drill bit, large power tool with a side handle；used by P3 to drill into the mine ceiling |
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O69 [object] detonator box, yellow plastic casing with a black dial and a red button, handheld electronic device；used by P1 to trigger the explosion |
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O70 [object] shovel, metal spade with a wooden handle, standard digging shovel；used by P1 to scoop rock debris |
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L5 [location] beach, narrow sandy and pebbly shore alongside calm blue water, backed by a steep, tree-lined dirt embankment, driftwood scattered on the shore, distinct transition from sandy bank to pebble beach；shown as another example of a coastal gold-finding location（名: Lake Superior） |
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O20 [object] pearl, white/cream, small, shiny, and spherical；found by P1 in the panning pan |
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O22 [object] matchbox, red and white cardboard, small rectangular box；used by P1 to strike a match |
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O23 [object] match, wooden stick with a red tip, lit by striking on the matchbox；used by P1 to light the lantern |
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O24 [object] oil lantern, rusty brown metal and clear glass, vintage style with a wire handle；lit by P1 in the workshop |
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L8 [location] crater landscape, arid, dusty terrain with rocky ridges and a central peak, used as the setting for a CGI meteor impact animation；represents the Sudbury Basin in a CGI sequence |
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O31 [object] trowel, metal scoop with a short handle, small handheld digging tool；used by the man to scoop dirt in the mine |
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L20 [location] culvert pipe, large corrugated metal pipe acting as a drainage tunnel, shown in various outdoor settings with water flowing through it；used to illustrate locations where gold can accumulate |
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O50 [object] revolver, dark grey metal with dark grips, single-action style handgun with a long barrel；held by the man in the workshop |
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L22 [location] parking lot, paved asphalt area in front of a large commercial building, a red and orange store facade in the background；the outdoor area where the man first introduces the bags of sand |
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O59 [object] hard hat, yellow plastic, has a headlamp strapped to it；worn by P3 in the mine |
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O65 [object] explosive material, pink/red powder, being poured from a plastic container；poured into the drilled hole |
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O66 [object] plastic container, white plastic with a red label, cylindrical bottle；held by P1 to pour explosive powder |
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O67 [object] fuse, yellow cord, thin, flexible wire；inserted into the hole by P1 |
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O68 [object] blasting cap, small silver metal cylinder, attached to the end of the yellow fuse；inserted into the explosive charge |
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O71 [object] gold ore fragment, grey rock with a prominent band of yellow gold, large, irregular piece of shattered rock；held up by P1 for the camera |
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L4 [location] beach, wide expanse of dark sand with crashing ocean waves, rolling hills visible in the hazy distance, dark, wide sandy shore next to turbulent water；shown as an example of a coastal area for finding gold（名: Gold Beach） |
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L9 [location] crater landscape, steep desert cliffs overlooking a flat plain and a large body of water, used as the setting for a CGI meteor impact animation；represents the Vredefort Dome in a CGI sequence |
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O33 [object] glass jar, clear glass filled with amber liquid, large, mason-style jar with a handle；held and drunk from by the man in the workshop |
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O37 [object] computer processors, green and gold, square chips with numerous gold pins；scrap parts containing gold |
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O57 [object] metal detector, black metal shaft with a white circular plastic search coil, resting horizontally on a box；seen resting on a wooden box in the mine |
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O58 [object] gold nugget, yellow gold metal, small, irregular shape, bright yellow；held up by P1 in the mine tunnel |
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L25 [location] mine tunnel, CGI-rendered underground passage with rough rock walls, thick wooden support frames, and metal rails on the floor, warm, localized lighting casting shadows across the wooden supports；animated sequence simulating a journey through an old mine |
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O1 [object] gold nugget, yellow gold, textured metallic, small, roundish shape, held between two fingers；shown close-up as an example of finding gold |
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O2 [object] ring, silver-colored metal, has an engraving '14K' and a symbol on the inner band；shown as an example of jewelry markings |
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O3 [object] necklace clasp, yellow gold metal, lobster clasp with '14K' stamped on the connecting pieces；shown as an example of jewelry markings |
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O4 [object] ring, silver-colored metal, has '18K 750' engraved on the inner band；shown as an example of jewelry markings |
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O5 [object] pendant, yellow gold metal, square shape with '18K 750' and other symbols stamped on it；shown as an example of jewelry markings |
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O6 [object] magnet tool, brass-colored metal, cylindrical shape with a keyring loop；shown in an online product listing |
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O8 [object] acid test kit, multiple small plastic bottles with colored caps (white, blue, yellow, red, black), dark testing stone, bottles have labels indicating different gold karats；shown in an online product listing |
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O27 [object] platinum nugget, shiny silver metal, large, irregular, bumpy surface；shown in a still image representing platinum |
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O29 [object] meteorite fragment, dark, metallic grey, deeply pitted and textured surface；shown in a close-up macro shot |
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L24 [location] mine exterior, steep, rocky hillside with sparse dry brush under a blue sky with scattered clouds, large, weathered wooden headframe structure with an attached ore chute extending down the hill；outdoor shot showing the surface infrastructure of a mine |
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整片事件时间线（段级，按时间排序）： |
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[e0] 00:00:00.0~00:00:02.0 (visual) 涉及=P1,L1 | P1 stands in a rustic workshop and speaks directly to the camera. The setting features wooden walls adorned with various tools and signs. |
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⤷[e1] 00:00:00.0 | P1 looks at the camera and speaks while standing in the workshop |
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[e2] 00:00:00.2~00:00:06.8 (audio) 涉及=P1 | P1 opens in an explanatory, promotional tone, saying he is going to reveal his top ten secret places to find gold. Near the end of the short introduction, a loud explosive impact sound effect punctuates the statement like a transition hit. No music is present.（语音大意：P1 introduces a top-ten list about secret places to find gold.） |
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⤷[e3] 00:00:00.2 | P1 begins introducing a top-ten list of secret places to find gold |
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⤷[e8] 00:00:04.6 | a loud explosive impact sound effect hits during the transition out of the introduction |
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[e4] 00:00:02.0~00:00:04.0 (visual) 涉及=P1,O1 | A close-up shot shows P1's fingers holding a small, textured gold nugget. The background is slightly out of focus, showing part of P1's face. |
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⤷[e5] 00:00:02.0 | P1's fingers hold O1 steady in front of the camera |
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[e6] 00:00:04.0~00:00:07.0 (visual) | A digital title card appears with a stylized, metallic number '1' against a dark, spark-filled background. Sparks float upward around the number. |
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⤷[e7] 00:00:04.0 | A metallic number '1' appears on screen with floating spark effects |
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[e9] 00:00:04.6~00:00:06.8 (audio) | explosive impact sound effect |
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[e10] 00:00:07.0~00:00:11.8 (visual) 涉及=P1,L1 | P1 stands next to a black cast-iron stove in the workshop. He strikes a match and tosses it into the open door of the stove. |
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⤷[e11] 00:00:07.0 | P1 strikes a match on the top surface of the stove |
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⤷[e14] 00:00:08.5 | P1 holds the lit match briefly |
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⤷[e15] 00:00:09.5 | P1 tosses the lit match into the open door of the stove |
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[e12] 00:00:07.7~00:01:02.9 (audio) 涉及=P1,P1 | P1 names garage sales and yard sales as the first place to find gold, then explains that gold and silver can turn up at garage, estate, and yard sales. P1 takes over with practical buying advice, describing where to check rings and necklaces for karat markings, what hallmark numbers mean, and what tools to use when testing jewelry. A loud explosive impact sound effect at the end acts as another transition; there is no music underneath.（语音大意：P1 presents garage and yard sales as a source for gold and silver, while P1 explains how to inspect jewelry markings and recommends testing tools such as a magnet, loupe, and acid kit.） |
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⤷[e13] 00:00:07.7 | P1 announces number one: garage sales and yard sales |
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⤷[e18] 00:00:11.8 | P1 explains that gold and silver can be found at garage, estate, and yard sales |
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⤷[e21] 00:00:17.5 | P1 advises checking the inside of rings for karat markings |
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⤷[e24] 00:00:21.0 | P1 says necklace clasps often show the karat weight |
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⤷[e27] 00:00:25.9 | P1 explains that numbers such as 750 can indicate 18 karat gold and calls these hallmark numbers |
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⤷[e34] 00:00:37.9 | P1 mentions selling gold through a refinery and says it pays a high percentage of spot value on 24 karat gold |
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⤷[e39] 00:00:44.2 | P1 recommends using a rare earth jewelry test magnet at yard sales |
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⤷[e42] 00:00:49.0 | P1 recommends a jeweler's loupe for inspecting karat markings |
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⤷[e45] 00:00:54.3 | P1 recommends an acid test kit to verify gold purity |
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⤷[e48] 00:01:00.7 | a loud explosive impact sound effect marks the end of the garage-sale advice section |
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[e16] 00:00:11.8~00:00:17.0 (visual) 涉及=P1,L1 | P1 is now seated at a desk in the workshop, leaning forward slightly as he speaks to the camera. The desk is cluttered with various items including a jar of liquid, a scale, and a coffee grinder. |
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⤷[e17] 00:00:11.8 | P1 gestures with his hands while speaking to the camera from his desk |
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[e19] 00:00:17.0~00:00:20.0 (visual) 涉及=O2 | A close-up photograph displays the inner band of a silver-colored ring. An engraving reading '14K' is clearly visible next to a diamond-shaped hallmark. |
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⤷[e20] 00:00:17.0 | A static image of O2 is displayed |
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[e22] 00:00:20.0~00:00:25.5 (visual) 涉及=O3 | A close-up photograph displays the lobster clasp and end-caps of a gold chain necklace. The stamp '14K' is visible on multiple connecting pieces. |
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⤷[e23] 00:00:20.0 | A static image of O3 is displayed |
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[e25] 00:00:25.5~00:00:29.0 (visual) 涉及=O4 | A close-up photograph displays the inner band of a ring. The text '18K 750' is sharply engraved into the metal surface. |
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⤷[e26] 00:00:25.5 | A static image of O4 is displayed |
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[e28] 00:00:29.0~00:00:31.5 (visual) 涉及=O5 | A close-up photograph displays a small, square, gold-colored pendant. The pendant has several stamps on it, including '18K750', with an arrow and text overlaid indicating an '18Kt Hallmark'. |
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⤷[e29] 00:00:29.0 | A static image of O5 is displayed |
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[e30] 00:00:31.5~00:00:37.5 (visual) | A digital graphic titled 'GOLD PURITY CHART' fills the screen. It displays a table with columns for Karat, Parts Gold, Hallmark, and Gold %, mapping karat values to percentages. |
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⤷[e31] 00:00:31.5 | A static chart graphic is displayed |
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[e32] 00:00:37.5~00:00:44.0 (visual) | A screen recording navigates a website for 'Midwest Refineries, LLC'. The view starts at the top of the page, showing an image of toy trucks filled with gold, then scrolls down to reveal a 'What we pay for Gold' section, highlighting a specific bullet point with a red box and arrow. |
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⤷[e33] 00:00:37.5 | The webpage for Midwest Refineries is displayed showing the header image |
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⤷[e35] 00:00:40.5 | The webpage view scrolls downwards to reveal text content |
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⤷[e36] 00:00:42.5 | A red circle and arrow appear over the text 'Midwest Refineries pays 95%' |
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[e37] 00:00:44.0~00:00:48.5 (visual) 涉及=O6 | An Amazon product page is displayed showing a brass-colored cylindrical magnet tool. The page includes the product title, rating, price, and a large image of the magnet. |
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⤷[e38] 00:00:44.0 | A static screenshot of an Amazon product page for O6 is displayed |
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[e40] 00:00:48.5~00:00:54.0 (visual) 涉及=O7 | An Amazon product page is displayed showing a gold-colored folding jeweler's loupe. The listing includes the product title, price, and a close-up image of the open loupe. |
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⤷[e41] 00:00:48.5 | A static screenshot of an Amazon product page for O7 is displayed |
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[e43] 00:00:54.0~00:01:00.5 (visual) 涉及=O8 | An Amazon product page is displayed showing a gold testing acid kit. The image features several small bottles with colored caps and a black testing stone. |
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⤷[e44] 00:00:54.0 | A static screenshot of an Amazon product page for O8 is displayed |
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[e46] 00:01:00.5~00:01:02.5 (visual) | A digital title card appears with a stylized, metallic number '2' against a dark, spark-filled background. Sparks float upward around the number. |
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⤷[e47] 00:01:00.5 | A metallic number '2' appears on screen with floating spark effects |
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[e49] 00:01:00.7~00:01:02.9 (audio) | explosive impact sound effect |
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[e50] 00:01:02.5~00:01:18.0 (visual) 涉及=P1,L1 | P1 sits at his desk in the workshop, gesturing as he speaks about old milling machines. A graphic appears in the lower-left corner indicating the topic. |
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⤷[e51] 00:01:02.5 | P1 gestures with his right hand while speaking to the camera |
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[e52] 00:01:03.4~00:01:18.2 (audio) 涉及=P1 | P1 shifts to the second item on the list: old ball mills and stamp mills. He explains that many have never been fully cleaned, so heavy metals such as gold and silver can remain trapped in armor plating or mortar boxes. The soundscape is otherwise just speech, with no music or distinct non-speech sounds.（语音大意：P1 says old ball mills and stamp mills can contain trapped gold or silver because many were never cleaned out thoroughly.） |
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⤷[e53] 00:01:03.4 | P1 introduces number two: old ball mills and stamp mills |
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⤷[e54] 00:01:07.0 | P1 explains that uncleaned mills may still contain trapped gold and silver in heavy-metal collection areas |
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⤷[e57] 00:01:18.2 | P1 begins transitioning toward an example of a batch mill |
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[e55] 00:01:18.0~00:01:25.5 (visual) 涉及=P1,O9,L2 | An outdoor shot shows a rusty, cylindrical ball mill machine sitting in a desert landscape. A man's hand enters the frame from the right, pointing to the rectangular opening on the side of the machine. |
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⤷[e56] 00:01:18.0 | The camera shows a close-up of O9 |
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⤷[e58] 00:01:18.5 | P1's right hand enters the frame and points his index finger toward the opening of O9 |
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⤷[e61] 00:01:21.0 | P1's hand moves slightly, continuing to point at the opening |
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[e59] 00:01:18.9~00:01:46.4 (audio) 涉及=P1 | P1 describes a batch mill and how ore is loaded, ground with balls, drained through mesh, and then processed further. His tone remains instructional as he walks through the mill's parts and operation step by step. A brief moderate metal clank is heard during this mechanical explanation, but there is no music.（语音大意：P1 explains the operation of a batch mill, including loading ore, grinding it, separating the balls with mesh, draining powdered ore, and sending the material to a shaker table.） |
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⤷[e60] 00:01:18.9 | P1 identifies a batch mill example and says he has seen similar mills in artisanal mines |
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⤷[e64] 00:01:26.8 | P1 describes a small opening and a plate that covers it |
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⤷[e65] 00:01:30.1 | P1 explains that ore and balls are placed inside the mill |
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⤷[e69] 00:01:33.5 | a moderate metal clank is heard while the mill operation is being discussed |
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⤷[e71] 00:01:34.0 | P1 describes running the mill, turning it upside down, and using mesh to catch the balls |
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⤷[e73] 00:01:36.5 | P1 explains that powdered ore mixed with water comes out the bottom |
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⤷[e74] 00:01:42.9 | P1 says the material would then be run across a shaker table |
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⤷[e75] 00:01:44.7 | P1 emphasizes that the process has to be done in steps |
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[e62] 00:01:25.5~00:01:45.5 (visual) 涉及=P1,O9,O11,L2 | P1, now wearing a maroon shirt, stands next to the ball mill in the desert, explaining its function. He touches the machine, reaches inside to retrieve a rusty metal ball, shows it to the camera, and then places it back inside. |
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⤷[e63] 00:01:25.5 | P1 stands next to O9, touching its side with his left hand while speaking |
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⤷[e66] 00:01:30.5 | P1 reaches his right hand inside the opening of O9 |
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⤷[e67] 00:01:32.0 | P1 pulls O11 out of O9 and holds it up near his face to show the camera |
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⤷[e68] 00:01:33.5 | P1 places O11 back inside the opening of O9 |
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⤷[e72] 00:01:35.0 | P1 gestures with his hands, pantomiming the rotation of the machine |
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[e70] 00:01:33.5~00:01:33.9 (fused) 涉及=O11 | metal clank |
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[e76] 00:01:45.5~00:02:07.5 (visual) 涉及=P1,O10,L2 | The scene shifts to a tall, rusty stamp mill structure in the same desert area. The camera pans down the wooden framing, focuses on a cast iron plate, then shows P1's hand pointing out the crushing mechanisms inside the base. Finally, P1's hand holds a digital camera inside the machine to show the interior. |
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⤷[e77] 00:01:45.5 | The camera begins at the top of O10 and slowly tilts downwards along the wooden beams |
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⤷[e80] 00:01:47.5 | The camera focuses closely on the cast iron plate on the front of O10 |
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⤷[e81] 00:01:50.0 | P1's hand enters the frame and points to the text on the cast iron plate |
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⤷[e83] 00:01:52.5 | The camera tilts further down to show the open base of O10 with internal crushing cylinders |
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⤷[e85] 00:01:53.5 | P1's hand points to the upper crushing cylinders inside the machine |
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⤷[e86] 00:01:55.5 | P1's hand points to the lower base blocks inside the machine |
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⤷[e88] 00:01:58.5 | P1's hand holds a black digital camera and maneuvers it into the open base of O10 to film the interior |
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⤷[e90] 00:02:01.5 | P1's hand rests near the edge of the opening while explaining the mechanism |
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[e78] 00:01:46.8~00:02:09.8 (audio) 涉及=P1 | P1 continues describing mill equipment, pointing out a Nevada-made mill and then identifying stamp-mill parts such as dies, shoes, screens, and the area where ore is pounded. His speech is technical and demonstrative, with repeated references to specific parts being shown. A loud heavy machinery stamping sound appears near the end, matching the topic of stamp mills; there is no music.（语音大意：P1 identifies parts of a stamp mill, including the maker's mark, dies, shoes, screen placement, and how ore is held in place until pounded down.） |
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⤷[e79] 00:01:46.8 | P1 notes that the mill was made by Nevada Ironworks or Engineering Works |
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⤷[e82] 00:01:51.8 | P1 prompts attention to the marking with a brief 'see that' style cue |
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⤷[e84] 00:01:53.2 | P1 identifies the dies and shoes on the stamp mill |
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⤷[e87] 00:01:58.2 | P1 explains that ore enters from the back and that a screen is normally present |
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⤷[e89] 00:02:01.1 | P1 indicates where the screen would lock into place |
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⤷[e91] 00:02:03.1 | P1 explains that ore cannot come out until it has been pounded to a pulp |
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⤷[e94] 00:02:08.5 | a loud heavy machinery stamping sound is heard |
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[e92] 00:02:07.5~00:02:42.5 (visual) 涉及=P1,L3 | P1 is now inside a rocky mine shaft, wearing a hard hat and high-visibility work shirt. He pulls a string to turn on an overhead lightbulb, then turns to face the camera, gesturing emphatically while delivering a safety warning about the heavy machinery. |
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⤷[e93] 00:02:07.5 | P1 reaches up with his left hand and pulls a string attached to an overhead lightbulb, turning it on |
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⤷[e96] 00:02:09.5 | P1 turns his body to face the camera directly, pointing his right index finger forward |
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⤷[e99] 00:02:15.0 | P1 gestures broadly with both hands, simulating pulling plates apart |
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⤷[e102] 00:02:22.0 | P1 claps his gloved hands together to emphasize his point about trapped gold |
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⤷[e104] 00:02:29.0 | P1 points forward again, continuing his warning about the stamp mills |
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⤷[e106] 00:02:35.0 | P1 gestures with a flattened hand, mimicking a crushing motion to describe the danger |
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[e95] 00:02:08.5~00:02:09.8 (fused) 涉及=O10 | heavy machinery stamping |
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[e97] 00:02:09.8~00:02:44.9 (audio) 涉及=P1 | P1 gives practical and safety-focused advice for old ball mills and stamp mills. He says armor plates may need to be removed to recover trapped free-mill gold, but warns that rusted bolts can make the job hard and that stamp mills are dangerous because heavy stamps may drop unexpectedly. After the final warning, a loud explosive impact sound effect closes the section; no music is present.（语音大意：P1 recommends removing ball-mill armor plates to recover trapped gold but strongly warns that stamp mills can be dangerous because heavy stamps may drop and cause severe injury.） |
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⤷[e98] 00:02:09.8 | P1 advises pulling armor plates out of old ball mills when searching for trapped gold |
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⤷[e100] 00:02:15.6 | P1 warns that rusted bolts can make removing the plates difficult |
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⤷[e101] 00:02:19.8 | P1 explains that free-mill gold can be trapped between the plates until they are removed |
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⤷[e103] 00:02:26.7 | P1 shifts to a caution about being careful around stamp mills |
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⤷[e105] 00:02:29.9 | P1 describes the danger of people reaching into stamp mills and being injured by heavy force |
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⤷[e107] 00:02:40.4 | P1 explains that some stamps may simply be waiting to drop |
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⤷[e109] 00:02:42.7 | a loud explosive impact sound effect ends the segment |
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[e108] 00:02:42.6~00:02:44.1 (audio) | explosion sound effect |
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[e110] 00:02:43.0~00:02:46.0 (visual) | A metallic gold number '3' appears against a dark background. Glowing embers and sparks float upwards around the number as a bright light shines from behind it. |
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⤷[e111] 00:02:43.0 | A metallic number '3' is displayed with animated sparks and glowing light. |
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[e112] 00:02:44.1~00:02:54.6 (audio) 涉及=P1 | After the explosive transition, a moderate whoosh introduces a new list item. P1 announces that number three is beaches and coastal areas, saying that very fine gold can be found in places like those. A brief object clatter is heard while he continues the explanation.（语音大意：P1 introduces beaches and coastal areas as places where very fine gold can be found.） |
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⤷[e113] 00:02:45.0 | a moderate whoosh sound effect plays |
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⤷[e115] 00:02:45.3 | P1 announces number three: beaches and coastal areas |
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⤷[e118] 00:02:48.0 | P1 says super fine gold can be found on beaches and in coastal areas |
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⤷[e120] 00:02:48.8 | a moderate object clatter is heard |
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⤷[e123] 00:02:53.2 | P1 refers to places like the one being discussed |
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[e114] 00:02:45.0~00:02:45.5 (audio) | whoosh sound effect |
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[e116] 00:02:46.0~00:02:53.5 (visual) 涉及=P1,L1,O12 | A man wearing a fedora and grey shirt sits in a workshop. He pours coffee beans from a red tin into a vintage wooden coffee grinder, then begins turning the crank handle to grind them while speaking to the camera. |
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⤷[e117] 00:02:46.0 | P1 pours contents from a tin can into the top of O12. |
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⤷[e119] 00:02:48.5 | P1 places his left hand on O12 to steady it and begins turning the crank with his right hand. |
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⤷[e122] 00:02:51.0 | P1 continues cranking O12 while talking directly to the camera. |
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[e121] 00:02:48.8~00:02:49.2 (fused) 涉及=O12 | object clatter |
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[e124] 00:02:53.5~00:03:03.0 (visual) 涉及=L4 | A wide shot displays a dark sand beach with waves crashing against the shore and distant hills obscured by mist. The view then transitions to a historical black-and-white photograph of four men standing on a similar beach next to a piece of mining equipment. |
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⤷[e125] 00:02:53.5 | A view of the ocean waves washing onto the dark sand of L4. |
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⤷[e130] 00:03:03.0 | The scene cuts to a vintage photo of men operating a sluice or washbox on a beach. |
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[e126] 00:02:54.6~00:03:19.1 (audio) 涉及=P1 | P1 takes over in a factual narration style, explaining where beach placer gold can be found. He describes gold near Gold Beach in southern Oregon as coming from the Rogue River, then names other promising beach and shoreline locations including south of Coos Bay and areas around Lake Superior. No distinct background music or sound effects are present in this stretch.（语音大意：P1 explains beach placer-gold locations, focusing on Gold Beach in Oregon and areas around Lake Superior.） |
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⤷[e127] 00:02:54.6 | P1 explains that gold at Gold Beach in southern Oregon is derived from the Rogue River |
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⤷[e128] 00:03:02.6 | P1 says a good place to look along Gold Beach is south of Coos Bay |
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⤷[e132] 00:03:06.3 | P1 names Lake Superior as another place to look for beach placer gold |
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⤷[e133] 00:03:10.4 | P1 mentions higher concentrations along the shores of Baraga, Marquette, and Algoma counties |
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⤷[e135] 00:03:16.4 | P1 says there is a good chance of finding placer gold in those areas |
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[e129] 00:03:03.0~00:03:19.5 (visual) 涉及=L5 | The scene shifts to a different beach setting beside a calm body of water, marked by a steep sandy embankment and driftwood. Several people walk along the shore in the distance. The view then cuts to a close-up of dark sand peppered with tiny, bright yellow flakes of gold. |
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⤷[e131] 00:03:03.0 | A view along the shoreline of L5, looking down the beach with a sandy cliff on the right. |
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⤷[e134] 00:03:11.5 | The camera view shifts slightly to show people walking on the beach near a large piece of driftwood. |
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⤷[e136] 00:03:17.0 | A close-up shot shows black sand mixed with numerous small gold flakes. |
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[e137] 00:03:19.1~00:03:35.8 (audio) 涉及=P1 | P1 returns and recommends another channel that focuses on recovering flower gold from coastal beaches. He says he will leave a link and suggests viewers can learn from it. A loud explosion sound effect followed by a moderate whoosh marks the transition into the next list item.（语音大意：P1 recommends the Flower Gold Wizards channel as a useful resource for learning about recovering fine gold from beaches.） |
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⤷[e138] 00:03:19.1 | P1 recommends a channel called Flower Gold Wizards for recovering flower gold on coastal beaches |
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⤷[e142] 00:03:27.2 | P1 says he will leave a link and that viewers could learn from watching them |
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⤷[e143] 00:03:32.0 | a loud explosion sound effect plays |
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⤷[e148] 00:03:34.8 | a moderate whoosh sound effect follows the explosion |
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[e139] 00:03:19.5~00:03:33.5 (visual) 涉及=P1,L3 | The man in the hard hat and blue coveralls is back inside the mine shaft, leaning over a large, empty wooden box. He gestures towards the box and speaks to the camera about recovering fine gold. |
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⤷[e140] 00:03:19.5 | P1 stands in L3, resting his hands on the edges of a large wooden box. |
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⤷[e141] 00:03:27.0 | P1 gestures towards the inside of the box while explaining its use. |
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⤷[e145] 00:03:32.5 | P1 looks down into the box, then back up at the camera. |
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[e144] 00:03:32.0~00:03:33.5 (audio) | explosion sound effect |
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[e146] 00:03:33.5~00:03:36.0 (visual) | A metallic gold number '4' appears against a dark background. Glowing embers and sparks float upwards around the number as a bright light shines from behind it. |
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⤷[e147] 00:03:33.5 | A metallic number '4' is displayed with animated sparks and glowing light. |
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[e149] 00:03:34.8~00:03:35.3 (audio) | whoosh sound effect |
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[e150] 00:03:35.8~00:04:23.2 (audio) 涉及=P1,P1 | P1 introduces number four: outwash zones of terminal moraines and glacial till, briefly referencing places like Ohio. Scraping and thudding sounds accompany the early part of this new section, then P1 narrates a longer explanation of how glaciers moved gold-bearing material and left fine gold in outwash areas. The section ends with a loud explosion sound effect signaling another transition.（语音大意：P1 introduces glacial outwash and terminal moraines as gold sources, while P1 explains how glaciers transported and deposited very fine gold and suggests using glacial maps to find prospecting areas.） |
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⤷[e151] 00:03:35.8 | P1 announces number four: outwash zones of terminal moraines and glacial till |
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⤷[e154] 00:03:37.9 | moderate scraping and thudding sounds are heard |
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⤷[e157] 00:03:41.0 | P1 says people in places like Ohio may know what he means |
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⤷[e159] 00:03:44.2 | P1 begins explaining that glaciers grew and moved over the landscape during ice ages |
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⤷[e162] 00:03:49.0 | P1 says glaciers scraped the earth, breaking apart rocks and topsoil that could contain gold |
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⤷[e164] 00:03:55.4 | P1 says some gold traveled hundreds or thousands of miles from its original source |
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⤷[e167] 00:04:00.0 | P1 explains that melting glaciers left piles of boulders, rocks, and debris containing minerals |
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⤷[e169] 00:04:05.5 | P1 notes that glacial gold is extremely fine because of grinding and pounding during transport |
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⤷[e171] 00:04:12.9 | P1 advises using a glacial map and prospecting creeks and rivers cutting through terminal moraine outwash |
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⤷[e174] 00:04:20.8 | a loud explosion sound effect plays as the glacial section concludes |
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[e152] 00:03:36.0~00:03:44.5 (visual) 涉及=P1,L1,O12 | In the workshop, the man pulls the small wooden drawer out from the base of the coffee grinder. He gestures with the drawer, mimicking tossing its contents, while explaining the next location concept. |
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⤷[e153] 00:03:36.0 | P1 sits in L1, holding the small wooden drawer removed from O12. |
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⤷[e156] 00:03:39.0 | P1 gestures with the drawer, moving it forward and tipping it slightly. |
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⤷[e158] 00:03:42.5 | P1 holds the drawer still and looks directly at the camera. |
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[e155] 00:03:37.9~00:03:40.8 (fused) 涉及=O12 | scraping and thudding sounds |
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[e160] 00:03:44.5~00:04:21.5 (visual) | A sequence of educational graphics and photographs is displayed to illustrate glacial movement and resulting deposits. Maps show glaciation extents in North America and the Midwest, a diagram depicts glacial margins, and photos show a rocky hillside, a pile of fine gold dust, and a vial of gold flakes. |
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⤷[e161] 00:03:44.5 | A map showing the maximum extent of glaciation in North America is shown. |
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⤷[e163] 00:03:49.5 | An illustrated diagram of a glacier margin and outwash plain is displayed. |
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⤷[e165] 00:03:56.0 | A map of recessional and end moraines in the US Midwest is shown. |
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⤷[e166] 00:04:00.0 | A photograph displays a steep hillside covered in large boulders and glacial till. |
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⤷[e168] 00:04:04.5 | A close-up shot reveals a small, cone-shaped pile of fine gold dust next to a penny. |
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⤷[e170] 00:04:09.0 | A small glass vial tipped over spills coarse gold flakes onto a purple surface. |
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⤷[e172] 00:04:13.5 | A vintage glacial map of Indiana is shown. |
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⤷[e173] 00:04:17.0 | A colored map of glacial deposits in Ohio is displayed. |
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[e175] 00:04:20.8~00:04:22.3 (audio) | explosion sound effect |
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[e176] 00:04:21.5~00:04:24.0 (visual) | A metallic gold number '5' appears against a dark background. Glowing embers and sparks float upwards around the number as a bright light shines from behind it. |
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⤷[e177] 00:04:21.5 | A metallic number '5' is displayed with animated sparks and glowing light. |
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[e178] 00:04:23.2~00:04:34.8 (audio) 涉及=P1,P1 | A whoosh transition leads into the next topic as P1 announces number five: urban areas, specifically cracks in New York City sidewalks. He says New York City streets have gold, and P1 joins, adding that diamonds can also be found in the cracks. A moderate metallic clank is heard during this urban-gold introduction.（语音大意：P1 introduces urban sidewalk cracks as a gold source, and P1 emphasizes that gold and diamonds can be found in those cracks.） |
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⤷[e179] 00:04:23.2 | a moderate whoosh sound effect plays |
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⤷[e181] 00:04:23.6 | P1 introduces number five: urban areas such as cracks in New York City sidewalks |
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⤷[e185] 00:04:27.8 | a moderate metallic clank is heard |
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⤷[e188] 00:04:29.4 | P1 says the streets of New York City have gold |
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⤷[e191] 00:04:31.8 | P1 says there are gold and diamonds down in the cracks |
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⤷[e192] 00:04:34.0 | P1 reacts by saying to look at it |
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[e180] 00:04:23.2~00:04:23.7 (audio) | whoosh sound effect |
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[e182] 00:04:24.0~00:04:29.5 (visual) 涉及=P1,L1 | The man in the workshop is shown violently chopping a block of wood with a small axe. He strikes the wood several times while speaking, using the action to transition into the next topic. |
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⤷[e183] 00:04:24.0 | P1 stands in L1, holding an axe over a block of wood. |
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⤷[e184] 00:04:26.5 | P1 swings the axe down hard, embedding it into the wood block. |
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⤷[e187] 00:04:28.5 | P1 looks up and speaks directly to the camera. |
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[e186] 00:04:27.8~00:04:28.3 (fused) 涉及=P1 | metallic clank |
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[e189] 00:04:29.5~00:05:07.5 (visual) 涉及=P1,L6,O13,O14,O15 | Wearing a fringed jacket, the man crouches on a bustling city sidewalk. He uses a screwdriver to scrape dirt out of a crack between concrete paving slabs, then sweeps the loose dirt into a small dustpan. After collecting the material, he shows a handful of the dirt to the camera, and then presents a tiny piece of recovered jewelry resting on his fingertip. |
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⤷[e190] 00:04:29.5 | P1 squats on the sidewalk in L6, gesturing to the ground. |
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⤷[e195] 00:04:36.0 | P1 uses O13 to vigorously scrape dirt out of a long crack in the concrete. |
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⤷[e204] 00:04:47.0 | P1 sets O13 down, picks up O14, and sweeps the loosened dirt into the dustpan. |
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⤷[e210] 00:04:52.0 | P1 shows a small amount of dark dirt resting in the palm of his hand. |
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⤷[e213] 00:04:59.0 | P1 pinches something tiny between his fingers and holds it up for the camera. |
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⤷[e218] 00:05:04.0 | P1 holds his hand near the lens, revealing O15 resting on the tip of his finger. |
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[e193] 00:04:34.8~00:04:46.0 (audio) 涉及=P1 | P1 continues excitedly, saying the material in the cracks needs to be cleaned out because it may contain gold. Moderate laughter and scraping or shoveling debris sounds are heard as the urban prospecting activity continues. He says the collected material will be taken down and panned to show what is recovered.（语音大意：P1 says he will collect material from sidewalk cracks and pan it to see whether it contains gold.） |
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⤷[e194] 00:04:34.8 | P1 says the cracks should be cleaned out because there is gold in the material |
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⤷[e196] 00:04:37.2 | moderate laughter is heard |
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⤷[e198] 00:04:37.5 | moderate shoveling or scraping debris sounds begin |
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⤷[e200] 00:04:43.6 | P1 says the material will be taken down and panned to show what he gets |
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[e197] 00:04:37.2~00:04:38.1 (fused) 涉及=P1 | laughter |
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[e199] 00:04:37.5~00:04:40.0 (fused) 涉及=O13 | shoveling or scraping debris |
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[e201] 00:04:46.0~00:05:15.0 (audio) 涉及=P1,P1 | Energetic upbeat background music with electric guitar, drums, and bass begins and carries the final stretch. Over the music, water splashing and a brief soft laugh are heard while P1 comments on tiny visible material, reacts excitedly, and says he will pan it out. P1 then takes over, saying he has a bag of dirt to take to water and pan, ending with an enthusiastic invitation to go.（语音大意：P1 points out tiny material and reacts with excitement before saying he will pan it; P1 then says he has a bag of dirt to take to water and pan for gold.） |
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⤷[e202] 00:04:46.0 | energetic upbeat background music with electric guitar, drums, and bass starts |
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⤷[e205] 00:04:47.5 | moderate water splashing is heard |
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⤷[e207] 00:04:51.0 | a soft laugh is heard |
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⤷[e209] 00:04:51.5 | P1 says he is not sure if the tiny material can be seen |
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⤷[e211] 00:04:57.1 | P1 asks what something is |
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⤷[e212] 00:04:58.8 | P1 reacts excitedly and says that is what he is talking about |
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⤷[e214] 00:05:00.6 | P1 repeatedly calls attention to what he is seeing |
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⤷[e219] 00:05:04.2 | P1 asks who is crazy now |
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⤷[e220] 00:05:05.4 | P1 says he is going to take it and pan it out |
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⤷[e223] 00:05:07.0 | P1 says he has a bag of dirt |
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⤷[e226] 00:05:08.3 | P1 says they will take it to water, pan it out, and see if there is any gold |
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⤷[e227] 00:05:11.0 | P1 urges the audience to come along |
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⤷[e229] 00:05:12.3 | speech ends while the upbeat background music continues |
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[e203] 00:04:46.0~00:05:15.0 (audio) | energetic, upbeat; electric guitar, drums, bass; background music |
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[e206] 00:04:47.5~00:04:50.5 (fused) 涉及=O17 | water splashing |
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[e208] 00:04:51.0~00:04:51.5 (fused) 涉及=P1 | laughter |
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[e215] 00:05:01.8~00:05:12.5 (visual) 涉及=P1,O13,O14,O16,O19,L6 | The man transfers the collected dirt into a small clear bag. As he works, he spots a tiny piece of metal, picks it up, bites it to test it, and then presents it closely to the camera. |
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⤷[e216] 00:05:01.8 | P1 kneels and pinches the dirt, placing it into O16 |
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⤷[e217] 00:05:03.5 | P1 notices something, picks up O19 from the ground, and inspects it |
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⤷[e221] 00:05:06.0 | P1 briefly places O19 in his mouth to bite it |
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⤷[e225] 00:05:08.0 | P1 holds O19 out toward the camera lens to show it closely |
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[e222] 00:05:07.0~00:05:21.7 (audio) 涉及=P1,P1 | The same driving rock music continues as P1 takes over in an upbeat instructional tone, saying they have a bag of dirt and will take it to water to pan for gold. A loud explosion sound effect interrupts the sequence before P1 identifies the material, followed by a brief exclamation from P1.（语音大意：P1 introduces a bag of dirt to be panned in water to see whether it contains gold, then comments on the material.） |
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⤷[e224] 00:05:07.0 | P1 says they have a bag of dirt and introduces the plan to pan it in water for gold. |
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⤷[e228] 00:05:11.0 | P1 urges the audience to come along. |
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⤷[e233] 00:05:15.5 | A loud large explosion sound effect occurs over the music. |
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⤷[e237] 00:05:18.5 | P1 says the material is ready or identified. |
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⤷[e238] 00:05:20.2 | P1 gives a brief exclamation. |
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[e230] 00:05:12.5~00:05:18.0 (visual) 涉及=P1,O16,L7 | Now at a waterfront walkway, the man holds up the bag of dirt. He speaks to the camera and gestures enthusiastically toward the river behind him. |
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⤷[e231] 00:05:12.5 | P1 stands on the paved path, holding up O16 while speaking |
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⤷[e232] 00:05:15.0 | P1 points forcefully toward the river behind him and turns to head that way |
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[e234] 00:05:15.5~00:05:17.5 (audio) | large explosion |
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[e235] 00:05:18.0~00:05:35.5 (visual) 涉及=P1,O16,O17,O18,L7 | The man scurries down the rocky embankment to the water's edge. He empties the bag of dirt into a metal panning pan and begins swirling it in the river water to wash away the lighter material. |
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⤷[e236] 00:05:18.0 | P1 carefully walks down the large rocks toward the water |
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⤷[e239] 00:05:21.5 | P1 kneels, opens O16, and empties its dirt contents into O17 |
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⤷[e242] 00:05:24.0 | P1 dips O17 into the river and gently swirls the water around inside it |
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⤷[e243] 00:05:28.0 | P1 tosses O16 aside onto the rocks and continues washing the dirt in O17 |
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[e240] 00:05:21.7~00:05:53.9 (audio) 涉及=P1,P1 | The upbeat rock score continues through a prospecting-results section. P1 points out small finds including a pearl-like item and pieces of gold, while loud heavy machinery operates for several seconds; P1 then joins in, calling out a big chunk of gold and another visible piece before saying they will go through the material and show a snapshot.（语音大意：P1 and P1 point out several small finds in the panned material, including gold pieces, and P1 says they will inspect it further and show a snapshot.） |
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⤷[e241] 00:05:21.7 | Energetic rock background music continues without speech for several seconds. |
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⤷[e244] 00:05:30.5 | P1 points out what they call a pearl-like object. |
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⤷[e245] 00:05:32.5 | Loud heavy machinery begins operating and continues under the scene. |
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⤷[e251] 00:05:40.7 | P1 points out a large piece. |
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⤷[e253] 00:05:42.8 | P1 identifies a small piece of gold. |
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⤷[e254] 00:05:45.0 | P1 begins pointing out another nice find as P1 overlaps and calls it a big chunk of gold. |
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⤷[e257] 00:05:47.6 | P1 notes another piece of something and says it may be visible. |
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⤷[e259] 00:05:51.1 | P1 says they will go through the material and put up a snapshot. |
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[e246] 00:05:32.5~00:05:40.0 (audio) | heavy machinery operating |
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[e247] 00:05:35.5~00:05:38.0 (visual) 涉及=P1,O18,O20,L7 | The man presents a small, shiny pearl in the palm of his hand. He holds his hand out closely for the camera to see the discovery. |
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⤷[e248] 00:05:35.5 | P1 holds his hand open near the camera, revealing O20 resting in his palm |
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[e249] 00:05:38.0~00:05:45.5 (visual) 涉及=P1,O17,L7 | Kneeling again on the rocks, the man resumes panning. He dips the metal pan in and out of the river, swirling the water to sift the remaining dark dirt. |
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⤷[e250] 00:05:38.0 | P1 holds O17 in the water, tilting and shaking it gently |
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⤷[e252] 00:05:42.0 | P1 lifts O17 slightly out of the water, letting the excess wash over the edge |
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[e255] 00:05:45.5~00:05:59.5 (visual) 涉及=P1,O17,O19,O21,L7 | A close-up view reveals the dark, concentrated sand inside the metal pan. The man uses his finger to point out tiny, distinct metallic fragments resting among the sand. |
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⤷[e256] 00:05:45.5 | P1 points his finger directly at O19 sitting in the dark sand inside O17 |
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⤷[e258] 00:05:48.5 | P1 moves his finger to point out O21, a tiny yellow flake near the center of O17 |
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[e260] 00:05:53.9~00:06:15.0 (audio) 涉及=P1 | A loud whip-crack sound effect punctuates the end of the upbeat rock score. The music shifts into a tense synthesizer-and-percussion transition sting with a loud metallic impact, then fades out as P1 begins a countdown-style narration about meteor impact craters and gold deposits around the world.（语音大意：P1 introduces meteor impact craters as a source associated with gold deposits and says some places around the world have gold at the bases of such craters.） |
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⤷[e261] 00:05:53.9 | A loud whip-crack sound effect hits over the last part of the energetic score. |
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⤷[e263] 00:05:59.0 | The music changes to a tense, dramatic synthesizer-and-percussion transition sting. |
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⤷[e265] 00:05:59.1 | A loud metallic impact sound occurs during the transition. |
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⤷[e269] 00:06:01.7 | P1 begins introducing number six: meteor impact craters. |
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⤷[e270] 00:06:02.0 | The transition music ends. |
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⤷[e273] 00:06:06.2 | P1 explains that some gold deposits have formed at the bases of impact craters. |
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⤷[e278] 00:06:14.2 | P1 refers to places like the one being shown or discussed. |
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[e262] 00:05:53.9~00:05:54.5 (audio) | whip crack sound effect |
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[e264] 00:05:59.0~00:06:02.0 (audio) | tense, dramatic; synthesizer, percussion; transition sting |
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[e266] 00:05:59.1~00:06:00.5 (audio) | metallic impact sound |
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[e267] 00:05:59.5~00:06:04.5 (visual) 涉及=O19,O20,O21,O25 | A sharp macro shot displays three tiny, distinct items isolated against the edge of a green pan. Text labels identify the items as fine gold, silver, and a pearl. |
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⤷[e268] 00:05:59.5 | The camera displays O19, O20, and O21 resting closely together on the rim of O25 |
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[e271] 00:06:04.5~00:06:06.5 (visual) | A graphical transition sequence plays. A large, metallic number rapidly scales down towards the center of the screen amidst an explosion of fire and sparks. |
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⤷[e272] 00:06:04.5 | A metallic 6 scales down quickly over a fiery backdrop |
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[e274] 00:06:06.5~00:06:20.5 (visual) 涉及=P1,O22,O23,O24,L1 | Inside a rustic workshop, the man strikes a match on a matchbox. He then uses the burning match to carefully light the wick of a vintage oil lantern sitting on the table. |
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⤷[e275] 00:06:06.5 | P1 drags O23 across the side of O22, igniting the match |
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⤷[e276] 00:06:10.0 | P1 brings the lit O23 up to the open glass of O24 to light it |
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⤷[e277] 00:06:12.0 | P1 shakes O23 to extinguish it, then drops the glass cover of O24 into place |
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[e279] 00:06:18.4~00:06:46.0 (audio) 涉及=P1 | With no music present, a loud explosion with debris leads into moderate rumbling and settling sounds. After the debris settles, P1 narrates in a documentary style about the Sudbury Basin impact structure, describing it as a major impact crater linked to metal deposits, mining, nickel, and copper before saying the next crater is even larger.（语音大意：P1 explains that the Sudbury Basin is a major impact structure and mining area known for nickel and copper deposits, then sets up a larger crater.） |
|
⤷[e280] 00:06:18.4 | A loud explosion with debris occurs. |
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⤷[e284] 00:06:20.5 | Moderate rumbling and settling debris continue after the explosion. |
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⤷[e287] 00:06:28.0 | P1 begins explaining that the Sudbury Basin impact structure is the third largest known impact crater on Earth. |
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⤷[e288] 00:06:33.0 | P1 describes the Sudbury area as a major mining community because of metal deposits. |
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⤷[e292] 00:06:41.0 | P1 says the impact pales compared with the next impact crater. |
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[e281] 00:06:18.4~00:06:20.5 (fused) 涉及=O28 | explosion with debris |
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[e282] 00:06:20.5~00:06:34.0 (visual) 涉及=L8 | A CGI animation depicts a blazing meteor plunging toward a barren, rocky landscape. The meteor strikes the ground, creating a massive, fiery explosion that throws debris into the air. |
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⤷[e283] 00:06:20.5 | A glowing meteor with a dark smoke trail descends diagonally across the sky over L8 |
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⤷[e286] 00:06:24.0 | The meteor hits the surface of L8, erupting into a large burst of fire and smoke |
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[e285] 00:06:20.5~00:06:27.0 (fused) 涉及=L8 | rumbling and settling debris |
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[e289] 00:06:34.0~00:06:49.5 (visual) | A sequence of informational graphics is shown. It begins with a cross-section diagram of a crater, transitions to a colorful geological heat map, and finishes with a satellite map outlining mine locations. |
|
⤷[e290] 00:06:34.0 | A diagram illustrates the geological layers of a meteor impact |
|
⤷[e291] 00:06:38.5 | The diagram dissolves into a vibrantly colored topographical map of the Sudbury Basin |
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⤷[e293] 00:06:45.5 | The view switches to a green satellite map with white dashed lines marking mine areas |
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[e294] 00:06:46.0~00:07:00.0 (audio) | A moderate deep rumbling drone fills this section without speech or music. The sound creates a low, sustained atmosphere before the narration resumes later. |
|
⤷[e295] 00:06:46.0 | A moderate deep rumbling drone begins. |
|
⤷[e300] 00:07:00.0 | The deep rumbling drone ends. |
|
[e296] 00:06:46.0~00:07:00.0 (audio) | deep rumbling drone |
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[e297] 00:06:49.5~00:07:05.5 (visual) 涉及=L9 | Another CGI animation shows a second meteor streaking down toward a canyon landscape beside a body of water. It impacts the ground with a devastating explosion and a rapidly expanding shockwave. |
|
⤷[e298] 00:06:49.5 | A meteor with a long smoke trail descends over L9 |
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⤷[e299] 00:06:55.5 | The meteor strikes the ground, creating a blinding flash followed by a massive dust cloud and shockwave ring |
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[e301] 00:07:03.4~00:07:47.3 (audio) 涉及=P1 | P1 resumes the documentary narration without accompanying music or listed sound effects. They describe the Redford crater in eastern South Africa, call it the largest confirmed impact crater on the planet, and give details about its size, speed at impact, platinum reserves, explosive energy, and intense thermal effects.（语音大意：P1 explains the Redford crater's location and scale, emphasizing its status as the largest confirmed impact crater and describing the impact's speed, energy, platinum-reserve association, and destructive thermal effects.） |
|
⤷[e302] 00:07:03.4 | P1 introduces the Redford crater in eastern South Africa and locates it around the town of Redford, with Johannesburg and Pretoria on the outer impact zone. |
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⤷[e306] 00:07:13.3 | P1 states that it is the largest confirmed impact crater on Earth. |
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⤷[e307] 00:07:17.1 | P1 says the meteor created a massive crater and compares its diameter to the size of New York City. |
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⤷[e310] 00:07:23.7 | P1 gives the meteor's impact speed as 36,000 miles per hour. |
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⤷[e311] 00:07:28.2 | P1 mentions a connection to 95 percent of the world's platinum reserves. |
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⤷[e316] 00:07:31.7 | P1 describes the impact as generating a massive explosion. |
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⤷[e319] 00:07:36.5 | P1 compares the energy to one quadrillion tons of TNT within seconds. |
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⤷[e321] 00:07:42.4 | P1 says ground within a 1300-mile radius ignited due to intense thermal radiation. |
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[e303] 00:07:05.5~00:07:22.5 (visual) | A series of maps details the Vredefort Crater. A split screen compares geological data, followed by a satellite view that zooms out to show the crater's immense scale in southern Africa. |
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⤷[e304] 00:07:05.5 | A split screen displays a geological map on the left and a brightly colored heat map on the right |
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⤷[e305] 00:07:08.5 | A satellite map of South Africa appears, with a red circle zooming out to highlight the crater's size |
|
[e308] 00:07:22.5~00:07:29.0 (visual) | A detailed CGI model of an asteroid floats in the darkness of space. It rotates slowly, revealing its grey, heavily cratered surface as a red measurement line appears across it. |
|
⤷[e309] 00:07:22.5 | A large, irregular asteroid turns slowly against a starry background |
|
[e312] 00:07:29.0~00:07:33.5 (visual) | An animation shows a massive meteor glowing bright orange as it hurtles toward Earth. The fiery projectile leaves thick streaks of light in its wake as it nears the blue planet. |
|
⤷[e313] 00:07:29.0 | A glowing, burning meteor travels diagonally downward toward the Earth's atmosphere |
|
[e314] 00:07:31.0~00:07:33.0 (visual) 涉及=O27 | A close-up view of a large, bumpy, shiny silver platinum nugget is shown. Text indicates it represents a major portion of global reserves. |
|
⤷[e315] 00:07:31.0 | The platinum nugget is shown in a static close-up shot. |
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[e317] 00:07:33.0~00:07:42.5 (visual) | A CGI animation depicts a massive glowing explosion from a space perspective, followed by a cut to a huge atomic-style mushroom cloud of fire and smoke. Text displays the energy equivalent of the impact. |
|
⤷[e318] 00:07:33.0 | A bright blue-white explosion radiates outward from the Earth's surface. |
|
⤷[e320] 00:07:37.5 | The scene cuts to a fiery, rolling mushroom cloud against a dark sky. |
|
[e322] 00:07:42.5~00:07:49.0 (visual) | The satellite map of Southern Africa returns. A bright orange circle rapidly expands from the center, covering a massive area to illustrate the shockwave's reach. |
|
⤷[e323] 00:07:42.5 | An orange line originates in the center and quickly expands outward into a large circle. |
|
[e324] 00:07:49.0~00:07:55.0 (visual) | A top-down view shows a surface of molten rock. The dark, crusty surface slowly shifts and bubbles, revealing glowing red lava underneath in the cracks. |
|
⤷[e325] 00:07:49.0 | Lava slowly bubbles and shifts within the cracks of the dark rock. |
|
[e326] 00:07:55.0~00:08:00.0 (visual) | A wider view of a glowing red lava pool inside a crater is shown. Animated text labels with lines point out areas where gold, platinum, and palladium were deposited. |
|
⤷[e327] 00:07:55.0 | Camera slowly pans over the glowing lava formation. |
|
⤷[e328] 00:07:56.5 | Text labels for precious metals fade in, pointing to the lava. |
|
[e329] 00:07:58.6~00:08:15.0 (audio) 涉及=UNKNOWN | A dramatic, mysterious cinematic score with low synth drones and atmospheric pads begins under UNKNOWN's narration. UNKNOWN asks the listener to imagine a Table Mountain-sized meteorite moving extremely fast, while a whoosh and then a loud explosion punctuate the description of the object striking and destroying life.（语音大意：UNKNOWN introduces the scenario of an enormous, fast-moving meteorite impact and says it destroyed life in the affected area.） |
|
⤷[e330] 00:07:58.6 | dramatic, mysterious cinematic synth drones and atmospheric pads begin as background score |
|
⤷[e332] 00:07:58.8 | UNKNOWN begins describing a meteorite the size of Table Mountain traveling at about 20 kilometers per second |
|
⤷[e335] 00:08:04.0 | a moderate whoosh sound is heard |
|
⤷[e339] 00:08:05.0 | UNKNOWN says the massive object struck and destroyed all forms of life |
|
⤷[e341] 00:08:11.0 | a loud explosion sound effect begins |
|
⤷[e344] 00:08:14.0 | the explosion sound effect ends |
|
[e331] 00:07:58.6~00:09:24.5 (audio) | dramatic, mysterious, cinematic; synthesizer, low drones, atmospheric pads; background score |
|
[e333] 00:08:00.0~00:08:05.0 (visual) 涉及=O29 | A macro shot slowly pans across the dark, pitted surface of a metallic meteorite fragment, highlighting its rough texture. |
|
⤷[e334] 00:08:00.0 | Camera moves across the deep pits and ridges of O29. |
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[e336] 00:08:04.0~00:08:05.0 (fused) 涉及=O28 | whoosh sound |
|
[e337] 00:08:05.0~00:08:18.0 (visual) 涉及=O28 | An animation shows an asteroid approaching a map of Earth from space. It impacts the surface, generating a bright flash and a radiating shockwave that sweeps over the terrain. |
|
⤷[e338] 00:08:05.0 | Asteroid O28 flies toward the Earth. |
|
⤷[e340] 00:08:10.5 | O28 strikes the surface, causing a bright white flash. |
|
⤷[e343] 00:08:13.0 | A cloudy shockwave expands outward from the impact site. |
|
[e342] 00:08:11.0~00:08:14.0 (fused) 涉及=O28 | explosion |
|
[e345] 00:08:15.0~00:08:43.0 (audio) 涉及=UNKNOWN | The same cinematic low-drone music continues beneath UNKNOWN's explanatory narration. UNKNOWN outlines the phases of the impact: the initial dent in the earth, rebound of deep rock layers, long-term erosion, and the formation of concentric rings; a soft water splash accompanies the comparison to ripples made by dropping an object into water.（语音大意：UNKNOWN explains the impact's phases and how erosion and rebound shaped concentric-ring structures like ripples in water.） |
|
⤷[e346] 00:08:16.4 | UNKNOWN says the first phase of impact created a massive dent in the earth |
|
⤷[e349] 00:08:21.4 | UNKNOWN explains that an immediate rebound brought deep rock layers to the surface |
|
⤷[e351] 00:08:27.4 | UNKNOWN describes erosion over millions of years wearing away crater-like features |
|
⤷[e353] 00:08:34.2 | UNKNOWN says meteorite impact structures are complex and made of concentric rings |
|
⤷[e356] 00:08:38.8 | UNKNOWN compares the ring pattern to ripples made when an object is dropped into water |
|
⤷[e359] 00:08:42.0 | a soft water splash sound is heard |
|
[e347] 00:08:18.0~00:08:35.5 (visual) 涉及=O28 | A graphical cross-section of the Earth's crust illustrates the crater formation process. An asteroid impacts, creating a deep dent, followed by the layers bouncing upwards, and finally the top layers are smoothed away. |
|
⤷[e348] 00:08:19.5 | Asteroid O28 drops onto the rock layers, pushing them down into a deep bowl shape. |
|
⤷[e350] 00:08:23.5 | The rock layers rebound, thrusting upward in the center to form a peak. |
|
⤷[e352] 00:08:29.5 | The top portions of the bent layers fade away, simulating erosion flattening the surface. |
|
[e354] 00:08:35.5~00:08:42.0 (visual) | A satellite map view of the crater area shows faded circular ridges in the terrain. Blue animated lines appear over the ridges to highlight the concentric structure. |
|
⤷[e355] 00:08:38.0 | A blue arc line animates over an inner ridge. |
|
⤷[e357] 00:08:39.5 | Additional blue arc lines animate over outer ridges. |
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[e358] 00:08:42.0~00:08:46.0 (visual) | A drop of liquid falls into a pool of muddy brown water. The impact creates concentric circular ripples that expand outward across the surface. |
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⤷[e362] 00:08:43.5 | A drop hits the muddy water, generating expanding ripples. |
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[e360] 00:08:42.0~00:08:43.0 (fused) 涉及=L16 | water splash |
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[e361] 00:08:43.0~00:09:24.5 (audio) 涉及=UNKNOWN | UNKNOWN continues over the mysterious cinematic synth score, moving into measurements and mapped ring features of the impact structure. The narration describes the inner crater, the broader ripple diameter, specific ridges and circles, erosion making parts less visible, and the historical discovery of gold in the Vredefort area.（语音大意：UNKNOWN details the crater's inner and outer ring dimensions, describes remaining ring features and erosion, and notes that gold was found in the area over 150 years ago.） |
|
⤷[e363] 00:08:44.3 | UNKNOWN says the inner crater was roughly 100 kilometers in diameter |
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⤷[e366] 00:08:48.7 | UNKNOWN says the rippling effect extended to almost 300 kilometers in diameter |
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⤷[e368] 00:08:53.1 | UNKNOWN describes ridges near Vredefort and Parys as part of the dome's core and inner circle |
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⤷[e370] 00:08:58.0 | UNKNOWN mentions a second circle visible in hills near the vicinity of Fochville |
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⤷[e372] 00:09:01.7 | UNKNOWN describes the ring extending north and south, with part buried under younger sedimentary rocks |
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⤷[e373] 00:09:11.0 | UNKNOWN says remnants of a third ring may still be observed in a line across the region |
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⤷[e375] 00:09:15.8 | UNKNOWN notes that erosion makes the rest of the ring unclear today |
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⤷[e376] 00:09:20.0 | UNKNOWN says miners found gold in the Vredefort mountains more than 150 years ago |
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⤷[e380] 00:09:24.5 | the dramatic synth background score ends |
|
[e364] 00:08:46.0~00:09:21.0 (visual) | The satellite map of the crater area is overlaid with animated graphics detailing its structure. Black arrows indicate the diameter, while colored concentric rings are drawn to highlight different zones, accompanied by text labels for nearby towns. |
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⤷[e365] 00:08:47.5 | Black arrows appear to show a 100 km diameter. |
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⤷[e367] 00:08:51.0 | The arrows expand to show a 300 km diameter. |
|
⤷[e369] 00:08:57.5 | A red circle is drawn to indicate the inner core, with labels appearing. |
|
⤷[e371] 00:09:00.0 | A solid green circle is drawn to indicate the middle ring. |
|
⤷[e374] 00:09:13.0 | A dashed blue circle segment is drawn to indicate the outermost ring. |
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[e377] 00:09:21.0~00:09:26.5 (visual) | The camera moves slowly forward through a low, rough-hewn underground mine tunnel carved into light-colored rock. The narrow passage stretches ahead. |
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⤷[e378] 00:09:21.0 | Camera travels forward through the rocky tunnel. |
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[e379] 00:09:24.5~00:09:43.0 (audio) 涉及=P1 | With the music gone, P1 takes over in a straightforward explanatory tone. P1 clarifies that gold formations are not found in every meteor impact zone, connects Earth's gold to meteorites and ancient bombardment, and a loud explosion sound effect briefly interrupts near the end of the segment.（语音大意：P1 explains that gold in meteor impact zones is uncommon, while noting that much of Earth's gold is associated with meteorites and ancient bombardment.） |
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⤷[e381] 00:09:25.7 | P1 begins explaining that not all meteor impact zones contain gold formations |
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⤷[e384] 00:09:30.1 | P1 says gold-bearing impact zones are an exception rather than the rule |
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⤷[e386] 00:09:31.9 | P1 connects much of Earth's gold to meteorites and ancient terminal bombardment |
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⤷[e388] 00:09:41.0 | a loud explosion sound effect begins |
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⤷[e393] 00:09:43.0 | the explosion sound effect ends |
|
[e382] 00:09:26.5~00:09:43.0 (visual) 涉及=P1,O30,O31,O32 | A man wearing a miner's hard hat with a lamp kneels in the narrow mine tunnel. He uses a trowel to scoop loose dirt into a wooden box structure beside him while explaining the geology to the camera. |
|
⤷[e383] 00:09:26.5 | P1 kneels and talks to the camera, resting his hand near O32. |
|
⤷[e385] 00:09:31.5 | P1 uses O31 to scoop a pile of dirt and dumps it into O32. |
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⤷[e387] 00:09:33.0 | P1 gestures with his empty hand as he continues speaking. |
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[e389] 00:09:41.0~00:09:43.0 (audio) | explosion |
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[e390] 00:09:43.0~00:09:45.5 (visual) | A fiery, animated explosion bursts outward from the center of the screen. The flames dissipate to reveal a metallic gold number '7' floating against a dark background with floating embers. |
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⤷[e392] 00:09:43.0 | Flames erupt from the center. |
|
⤷[e394] 00:09:44.0 | The number 7 fades in amidst the embers. |
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[e391] 00:09:43.0~00:10:02.0 (audio) 涉及=P1 | P1 shifts topic to a countdown-style point about fresh road cuts as promising places to search for new gold deposits. The narration explains that logging roads or construction cuts through mineral country can expose unknown reserves or deposits that people had not considered before.（语音大意：P1 introduces fresh road cuts as useful places to look for new gold deposits because new cuts may reveal previously unknown reserves.） |
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⤷[e395] 00:09:44.2 | P1 introduces number seven: fresh road cuts |
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⤷[e398] 00:09:47.0 | P1 explains that road cuts can expose new or unknown gold deposits in logging roads and construction zones |
|
⤷[e399] 00:10:02.0 | the narration continues toward a specific example of why road cuts matter |
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[e396] 00:09:45.5~00:10:04.0 (visual) 涉及=P1,O33 | A man stands in a rustic workshop filled with tools, holding a large glass jar filled with amber liquid. He introduces a new topic, gestures slightly with the jar, and eventually takes a long drink from it. |
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⤷[e397] 00:09:45.5 | P1 holds O33 in his right hand while looking at the camera and speaking. |
|
⤷[e400] 00:10:02.5 | P1 raises O33 to his mouth and takes a drink. |
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[e401] 00:10:03.0~00:10:42.0 (visual) 涉及=P1,L15 | P1 stands outdoors in front of a steep, rocky road cut. He gestures towards different colored bands of rock and explains their geological composition to the camera. |
|
⤷[e402] 00:10:03.0 | P1 stands near the base of the rocky slope and points upward at the rock face. |
|
⤷[e403] 00:10:08.0 | The view briefly cuts to show cars driving on a highway adjacent to the road cut. |
|
⤷[e404] 00:10:12.0 | P1 points to specific dark red and orange sections of the rock face to highlight them. |
|
⤷[e405] 00:10:31.0 | P1 continues gesturing towards various rock formations on the slope. |
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[e406] 00:10:42.0~00:10:56.0 (visual) 涉及=P1,O25,O35,L17 | P1 kneels on a concrete surface, panning dirt in a green pan over a black tub of muddy water. He dips the pan, swills the water, and then shows the remaining gold flakes at the bottom of the pan. |
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⤷[e407] 00:10:42.0 | P1 dips O25 into the muddy water contained in O35. |
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⤷[e408] 00:10:45.0 | P1 shakes and swills the water around in O25 to wash away lighter dirt. |
|
⤷[e412] 00:10:48.0 | P1 stops panning and tilts O25 towards the camera to reveal the contents. |
|
⤷[e415] 00:10:54.0 | P1 points with a gloved finger to the small gold pieces resting in the corner of O25. |
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[e409] 00:10:46.4~00:11:05.7 (audio) 涉及=P1,P1 | After a short gap, the speech-only audio shifts to an excited inspection of a sample. P1 reacts to visible gold, fine gold, and sulfides, while P1 briefly agrees that the material looks very good. No music or other sound events are provided.（语音大意：P1 points out visible fine gold and sulfides in a sample, and P1 briefly confirms that it looks promising.） |
|
⤷[e410] 00:10:46.4 | P1 reacts that there is gold present. |
|
⤷[e411] 00:10:47.3 | P1 calls attention to what is being shown. |
|
⤷[e413] 00:10:49.0 | P1 describes tiny pieces of gold. |
|
⤷[e414] 00:10:53.3 | P1 says there is a lot of fine gold in the sample area. |
|
⤷[e418] 00:10:56.1 | P1 points out sulfides. |
|
⤷[e419] 00:11:00.5 | P1 says the ground-up material contains gold. |
|
⤷[e420] 00:11:02.3 | P1 comments that it is looking nice. |
|
⤷[e421] 00:11:04.2 | P1 briefly agrees that it looks very nice. |
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[e416] 00:10:56.0~00:11:06.0 (visual) 涉及=O25,O36 | A macro view through a loupe shows the surface of the green pan. A line of fine gold flakes and dark sulfide particles rests against the plastic ridges. |
|
⤷[e417] 00:10:56.0 | The camera focuses closely on the tiny pieces of O36 resting against the green ridges of O25. |
|
[e422] 00:11:06.0~00:11:09.0 (visual) | A large, metallic number eight appears on screen accompanied by a fiery, sparkling visual effect. |
|
⤷[e423] 00:11:06.0 | A metallic '8' graphic appears on screen amidst flying sparks. |
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[e424] 00:11:08.2~00:11:20.2 (audio) 涉及=P1,P1 | The speech-only narration moves to item number eight, fingerboards and CPUs. P1 explains that gold and precious metals can be recovered from old computer parts, notes that this has been done before, and warns that the process is extremely dangerous. P1 briefly adds that it can still be done.（语音大意：P1 introduces recovering gold from computer parts and warns about the danger, while P1 confirms the process is possible.） |
|
⤷[e425] 00:11:08.2 | P1 introduces number eight: fingerboards and CPUs. |
|
⤷[e428] 00:11:11.5 | P1 explains that old computer CPUs and fingerboards can contain recoverable gold and precious metals. |
|
⤷[e429] 00:11:17.4 | P1 says they have done this before. |
|
⤷[e430] 00:11:18.8 | P1 warns that the process is extremely dangerous. |
|
⤷[e431] 00:11:20.3 | P1 adds that it can be done. |
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[e426] 00:11:09.0~00:11:21.0 (visual) 涉及=P1,L1 | P1 is back in his workshop, sitting behind his workbench. He introduces the topic of extracting gold from computer scrap and fingerboards. |
|
⤷[e427] 00:11:09.0 | P1 speaks directly to the camera, gesturing with his hands while explaining the new topic. |
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[e432] 00:11:21.0~00:11:29.0 (visual) 涉及=O37 | A large pile of square computer processors is shown. This cuts to a close-up of gold flakes suspended in a translucent, yellowish liquid. |
|
⤷[e433] 00:11:21.0 | A dense pile of O37 fills the screen. |
|
⤷[e436] 00:11:26.0 | The view transitions to fine gold flakes swirling within a yellow liquid. |
|
[e434] 00:11:21.5~00:11:50.9 (audio) 涉及=P1 | P1 takes over with an explanatory, instructional narration about extracting gold from computer CPUs and fingerboards. The speaker describes using aqua regia to put gold into solution, names the acid components, then explains that rinsed gold powder can be melted into a small gold button. The segment remains speech-only with no music or distinct background sounds.（语音大意：P1 outlines how aqua regia can dissolve gold from computer parts, describes the acid mixture and gold solution, and explains converting gold powder into a button.） |
|
⤷[e435] 00:11:21.5 | P1 explains that gold can be gathered from CPUs and fingerboards using aqua regia. |
|
⤷[e439] 00:11:29.1 | P1 lists nitric acid and hydrochloric acid as the main ingredients. |
|
⤷[e443] 00:11:35.0 | P1 says aqua regia puts gold into solution. |
|
⤷[e446] 00:11:38.0 | P1 describes what gold in solution looks like. |
|
⤷[e447] 00:11:40.6 | P1 explains that rinsed gold powder can be placed in a crucible and melted into a small button. |
|
⤷[e451] 00:11:47.1 | P1 introduces a later-stage video of making one of those gold buttons. |
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[e437] 00:11:29.0~00:11:35.0 (visual) | Images of two chemical bottles are displayed sequentially. First, a bottle of nitric acid, then a bottle of hydrochloric acid. |
|
⤷[e438] 00:11:29.0 | An image of a nitric acid bottle appears. |
|
⤷[e440] 00:11:33.0 | An image of a hydrochloric acid bottle appears. |
|
[e441] 00:11:35.0~00:11:38.0 (visual) | A three-part image illustrates the process of a piece of gold dissolving in aqua regia, progressing from a solid piece to a dissolved red state. |
|
⤷[e442] 00:11:35.0 | An educational graphic showing gold dissolving in liquid is displayed. |
|
[e444] 00:11:38.0~00:11:45.0 (visual) 涉及=O38 | A glass beaker contains liquid and numerous gold foils. The scene then cuts to a white dish holding a pile of fine brown gold powder. |
|
⤷[e445] 00:11:38.0 | O38 is shown filled with gold foils and liquid next to another beaker. |
|
⤷[e448] 00:11:41.0 | The view changes to a white dish containing a pile of dry, brown gold powder. |
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[e449] 00:11:45.0~00:11:59.0 (visual) 涉及=O39,O40 | A person wearing heavy gloves and a face shield uses a blowtorch to melt gold powder inside a small crucible. The powder liquefies and forms a glowing molten pool. |
|
⤷[e450] 00:11:45.0 | The gold powder is shown inside O39, glowing red hot. |
|
⤷[e452] 00:11:48.0 | A person uses O40 to direct an intense flame directly into O39. |
|
⤷[e453] 00:11:51.0 | A close-up shows the molten gold bubbling and swirling rapidly inside O39 under the heat. |
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[e454] 00:11:58.3~00:12:13.9 (audio) 涉及=P1,P1 | The audio remains speech-only and shifts into a hands-on moment. P1 comments about trying to remove something without marking it up too much, then P1 says to place it down and reacts to a weight of 11.6 grams. P1 then transitions by mentioning an expert in the field named shree tips.（语音大意：P1 describes carefully removing an item, P1 reacts to its weight as 11.6 grams, and then introduces shree tips as an expert.） |
|
⤷[e455] 00:11:58.3 | P1 says they are trying to get the item out without marking it badly. |
|
⤷[e462] 00:12:07.2 | P1 instructs someone to put the item down. |
|
⤷[e463] 00:12:08.7 | P1 reacts to a measurement of 11.6 grams. |
|
⤷[e467] 00:12:11.0 | P1 introduces shree tips as an expert in this area. |
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[e456] 00:11:59.0~00:12:07.0 (visual) 涉及=O39,O41 | The person uses tongs to grab the hot crucible and carefully tips the molten gold into a metal pot of water. A solid gold button immediately forms at the bottom of the water. |
|
⤷[e457] 00:11:59.0 | Gloved hands use metal tongs to lift O39 from the table. |
|
⤷[e458] 00:12:02.0 | The person drops the molten contents of O39 into a pot of water, producing a flash of steam. |
|
⤷[e459] 00:12:05.0 | The newly formed O41 is shown resting calmly at the bottom of the water pot. |
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[e460] 00:12:07.0~00:12:11.0 (visual) 涉及=O41,O42 | A hand places the solid, shiny gold button onto a small digital scale. The display settles on a weight of 11.6 grams. |
|
⤷[e461] 00:12:07.0 | A hand drops O41 onto the metal platform of O42. |
|
⤷[e464] 00:12:09.0 | The blue digital display of O42 changes to read 11.6. |
|
[e465] 00:12:11.0~00:12:14.0 (visual) 涉及=P1,L1 | P1 sits in his workshop and talks about an expert in the field of gold recovery from electronics. |
|
⤷[e466] 00:12:11.0 | P1 speaks to the camera from his workbench. |
|
[e468] 00:12:14.0~00:12:36.0 (visual) | A screen recording shows the YouTube channel page for 'sreetips', scrolling down through a list of various tutorial videos on gold recovery. |
|
⤷[e469] 00:12:14.0 | The 'sreetips' YouTube channel page is displayed. |
|
⤷[e472] 00:12:17.0 | The screen smoothly scrolls down to show a long list of video thumbnails and titles. |
|
[e470] 00:12:14.1~00:12:45.2 (audio) 涉及=P1 | P1 continues the speech-only narration by describing shree tips and his experience with gold extraction from scrap and computer parts. The speaker says shree tips has been doing this since 2010, is highly knowledgeable, and has made many videos on aqua regia and other chemical techniques. The segment ends with P1 noting that one video discusses why commonly accepted aqua regia ratios should not be used.（语音大意：P1 recommends shree tips as a knowledgeable source on gold recovery from computer parts and mentions a detailed video about aqua regia ratios.） |
|
⤷[e471] 00:12:14.1 | P1 says shree tips has been doing this since September 2010. |
|
⤷[e473] 00:12:17.5 | P1 explains that it began as a hobby and remains mostly that for him. |
|
⤷[e474] 00:12:21.4 | P1 describes shree tips as extremely knowledgeable. |
|
⤷[e475] 00:12:23.6 | P1 says shree tips has made many videos on extracting gold from computer parts and scrap. |
|
⤷[e476] 00:12:33.0 | P1 strongly recommends checking out shree tips' videos. |
|
⤷[e477] 00:12:36.0 | P1 describes a specific video about why not to use commonly accepted aqua regia percentage ratios. |
|
[e478] 00:12:37.0~00:12:53.0 (visual) 涉及=P2,L18,O38,O39,O40,O41,O42,O43,O44 | A rapid sequence of clips shows a man performing chemistry tasks in a lab setting. He gestures with his hands, pours liquids into beakers, and uses a blowtorch to heat a crucible. The sequence concludes with him holding a small gold button and then placing it on a digital scale. |
|
⤷[e479] 00:12:37.0 | P2 holds a pen, points his thumb down, and points at a piece of paper. |
|
⤷[e480] 00:12:39.5 | P2 pours clear liquid from a graduated cylinder into a beaker. |
|
⤷[e481] 00:12:42.0 | A close-up shows dark orange liquid boiling in a beaker. |
|
⤷[e482] 00:12:45.0 | Two beakers of yellow liquid O43 are shown side-by-side in a tray. |
|
⤷[e483] 00:12:46.5 | A bottle of Stump-Out O44 is displayed next to the beakers. |
|
⤷[e484] 00:12:48.5 | A blowtorch O40 blasts a flame into a glowing red crucible O39. |
|
⤷[e485] 00:12:50.5 | Gloved fingers hold up a small gold button O41. |
|
⤷[e486] 00:12:52.0 | The gold button O41 rests on the weighing surface of a digital scale O42. |
|
[e487] 00:12:52.3~00:13:02.8 (audio) 涉及=P1 | P1 takes over in the same informational narration style. The speaker says a link will be provided and adds that following the instructions could help viewers recover gold and silver from computer scrap. The audio remains speech-only with no music or notable ambient sounds.（语音大意：P1 promises a link to the referenced channel and reinforces that its guidance can help with recovering precious metals from computer scrap.） |
|
⤷[e488] 00:12:52.3 | P1 says a link to the channel will be left below |
|
⤷[e491] 00:12:56.2 | P1 says the person is good at the work and that following instructions can help recover gold and silver from computer scrap |
|
[e489] 00:12:53.0~00:13:04.0 (visual) 涉及=P1,L14,O30,O45 | A man wearing a hard hat stands inside a rough mine tunnel. He holds a large power tool and gestures enthusiastically toward the camera. The scene ends with a fiery explosion graphic transitioning to the next shot. |
|
⤷[e490] 00:12:53.0 | P1 stands in L14, holding O45 in his lower hand and pointing at the camera with his upper hand. |
|
⤷[e492] 00:12:57.0 | P1 continues gesturing and speaking to the camera. |
|
⤷[e496] 00:13:03.5 | A fiery explosion graphic expands to fill the screen. |
|
[e493] 00:13:03.2~00:13:26.7 (audio) 涉及=P1 | A loud whoosh sound effect marks a transition into a new ranked topic. P1 announces number nine, culvert pipes, and explains that corrugated metal pipes under streets can be promising places to find gold, especially in gold-producing or Mother Lode areas. The narration remains direct and instructional, with no music underneath.（语音大意：P1 introduces culvert pipes as a favorite gold-finding location and explains why drainages in gold-producing areas can collect gold.） |
|
⤷[e494] 00:13:03.2 | loud whoosh sound effect signals a transition |
|
⤷[e499] 00:13:05.6 | P1 introduces number nine: culvert pipes |
|
⤷[e503] 00:13:09.1 | P1 describes corrugated metal pipes under streets, especially in mining districts and Mother Lode country |
|
⤷[e505] 00:13:15.5 | P1 says past videos have shown this can be a good place to find gold |
|
⤷[e507] 00:13:20.4 | P1 mentions that some people install sluice boxes in drainage pipes and weld gates to keep others out |
|
[e495] 00:13:03.2~00:13:05.6 (audio) | whoosh sound effect |
|
[e497] 00:13:04.0~00:13:06.5 (visual) | A large, metallic gold number '9' appears against a dark background. Glowing orange sparks float upward around the number. |
|
⤷[e498] 00:13:04.0 | The number '9' fades in on screen. |
|
[e500] 00:13:06.5~00:13:28.0 (visual) 涉及=P1,L1,O46 | A man sits at a workbench in a rustic workshop setting. He talks to the camera, gestures with his hands, and briefly picks up a small piece of corrugated metal pipe to show it to the camera. |
|
⤷[e501] 00:13:06.5 | P1 sits at his desk, speaking and gesturing with both hands. |
|
⤷[e502] 00:13:08.5 | P1 picks up O46 from the desk with his left hand. |
|
⤷[e504] 00:13:12.0 | P1 sets O46 back down onto the desk. |
|
⤷[e506] 00:13:19.0 | P1 raises his left hand in an open-palm gesture while talking. |
|
[e508] 00:13:27.7~00:13:38.0 (audio) 涉及=P1 | P1 briefly returns with focused advice about where gold tends to concentrate in drainage culverts. The speaker emphasizes looking at the head of the culvert rather than the tail, especially if mounting a sluice box there. No non-speech sounds or music are heard in this short section.（语音大意：P1 advises concentrating efforts at the head of drainage culverts, where gold is more likely to collect.） |
|
⤷[e509] 00:13:27.7 | P1 explains that most gold concentrations in drainage culverts are likely at the head, not the tail |
|
⤷[e514] 00:13:34.0 | P1 advises focusing attention and any mounted sluice box at the head of the culvert |
|
[e510] 00:13:28.0~00:13:39.0 (visual) 涉及=L20 | Three distinct shots show large culvert pipes. First, a view looking down a long, dry, ribbed metal tunnel. Next, an aerial view of a pipe traversing a steep dirt landscape. Finally, muddy water forcefully flows out of the end of a pipe onto rocks. |
|
⤷[e511] 00:13:28.0 | View looking straight down the interior of L20, showing the ribbed metal surface. |
|
⤷[e512] 00:13:30.5 | Aerial view showing L20 running down a steep hillside; a red arrow graphic points to it. |
|
⤷[e513] 00:13:33.0 | View of the end of L20, with muddy brown water pouring out of it. |
|
[e515] 00:13:38.1~00:14:27.9 (audio) 涉及=P1 | P1 resumes with practical recommendations for exploiting a productive culvert, including keeping it secret and using a Keene A52 sluice. Two moderate metal clanks occur early in this stretch, briefly punctuating the narration. The speaker then describes mounting, camouflaging, and checking the sluice after rainy seasons, and explains features and setup details of the newer A52S sluice.（语音大意：P1 advises secrecy around a productive culvert, recommends using and hiding a Keene sluice at the culvert head, and explains features and setup slope for the A52S sluice.） |
|
⤷[e516] 00:13:38.1 | P1 says that finding a culvert with good gold would be fortunate |
|
⤷[e519] 00:13:39.0 | moderate metal clanking is heard |
|
⤷[e521] 00:13:41.3 | another moderate metal clanking sound occurs |
|
⤷[e523] 00:13:41.7 | P1 recommends keeping a productive culvert secret to avoid attracting other gold chasers |
|
⤷[e524] 00:13:49.6 | P1 recommends getting a Keene A52 sluice |
|
⤷[e526] 00:13:54.4 | P1 notes that the sluice has a built-in classifier on top |
|
⤷[e527] 00:13:57.1 | P1 says to mount the sluice at the head of the culvert, not the tail |
|
⤷[e529] 00:14:01.7 | P1 advises mounting and camouflaging it, then checking it after monsoon or rainy seasons |
|
⤷[e530] 00:14:06.9 | P1 says it should be loaded with gold if it has not been stolen |
|
⤷[e531] 00:14:10.4 | P1 begins describing the newer Keene A52S sluice and its grizzly/classifier on top |
|
⤷[e536] 00:14:18.1 | P1 explains that material can be dumped in without separate classification |
|
⤷[e538] 00:14:21.9 | P1 says the box should have at least one inch of drop per foot |
|
⤷[e541] 00:14:25.3 | P1 says the tail of the box will be dropped three inches |
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[e517] 00:13:39.0~00:14:11.0 (visual) 涉及=P1,L14,O30,O45 | The man, wearing a hard hat, sits inside the rocky mine tunnel. He rests a heavy power tool near his lap while speaking directly to the camera and making subtle hand gestures. |
|
⤷[e518] 00:13:39.0 | P1 is seated in L14, holding O45 near his lap and talking. |
|
⤷[e525] 00:13:51.0 | P1 leans his head slightly to the left while emphasizing a point. |
|
⤷[e528] 00:14:00.0 | P1 points his finger toward the camera. |
|
[e520] 00:13:39.0~00:13:39.5 (fused) 涉及=O45 | metal clanking |
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[e522] 00:13:41.3~00:13:42.0 (fused) 涉及=O45 | metal clanking |
|
[e532] 00:14:11.0~00:14:23.0 (visual) 涉及=P1,L21,O47 | The man stands in tall grass near a stream, presenting a tall, metal sluice box. He lifts the top flap of the hopper to show the inner grating and gestures to different sections of the equipment. |
|
⤷[e533] 00:14:11.0 | P1 stands in L21, holding the top of O47. |
|
⤷[e534] 00:14:14.0 | P1 lifts the top black flap of O47, exposing the grating underneath. |
|
⤷[e535] 00:14:16.0 | P1 taps his hand on the metal grating section of O47. |
|
⤷[e537] 00:14:19.0 | P1 lowers the flap and gestures toward the camera. |
|
[e539] 00:14:23.0~00:14:50.0 (visual) 涉及=P1,L21,O47,O48,O49 | The man kneels by the stream, holding a shovel and explaining a rule. He then places the sluice box directly into the flowing water, adjusting it so water runs through it. He pours a bucket of muddy dirt into the hopper and uses his hands to wash the material through the grating. |
|
⤷[e540] 00:14:23.0 | P1 kneels in L21, holding O48 vertically, and points his finger forward. |
|
⤷[e545] 00:14:29.0 | P1 lifts O47 and carefully sets it down into the flowing water of the stream. |
|
⤷[e547] 00:14:35.0 | P1 uses his hands to push rocks around the front of O47, adjusting water flow. |
|
⤷[e548] 00:14:43.0 | P1 lifts O49 and pours muddy dirt and rocks into the top section of O47. |
|
⤷[e549] 00:14:45.0 | P1 uses both hands to rub and push the rocks down the grating of O47, washing the dirt. |
|
[e542] 00:14:27.9~00:15:03.5 (audio) 涉及=P1,P1 | The soundscape shifts to loud splashing and flowing water, suggesting an active wet setup while P1 speaks more forcefully. P1 exclaims that they are really going to get wet, then later comments on visible fine and chunky gold; P1 briefly helps by saying they can tap something up to the top and confirms it is done. A moderate thud occurs during this hands-on moment, and a loud whoosh near the end signals another transition.（语音大意：During a noisy water-flow demonstration, P1 reacts to getting wet and points out fine and larger gold pieces, while P1 briefly assists with positioning something.） |
|
⤷[e543] 00:14:27.9 | loud water splashing and flowing begins |
|
⤷[e546] 00:14:32.3 | P1 loudly says they are really going to get wet |
|
⤷[e550] 00:14:49.0 | loud water splashing and flowing ends |
|
⤷[e551] 00:14:49.1 | P1 says they will see if they can tap something |
|
⤷[e552] 00:14:49.9 | P1 says they can bring or tap it up to the top |
|
⤷[e555] 00:14:50.8 | moderate thud sound occurs |
|
⤷[e557] 00:14:51.7 | P1 says, “There you go” |
|
⤷[e559] 00:14:55.1 | P1 points out super-fine and ultra-fine material running through the area |
|
⤷[e560] 00:14:57.4 | P1 asks if the viewer can see it |
|
⤷[e561] 00:14:58.5 | P1 points out a bigger chunk |
|
⤷[e563] 00:15:00.1 | P1 again asks if it can be seen |
|
⤷[e564] 00:15:01.1 | loud whoosh sound effect begins, marking a transition |
|
⤷[e566] 00:15:03.5 | whoosh transition ends |
|
[e544] 00:14:27.9~00:14:49.0 (fused) 涉及=O47 | water splashing and flowing |
|
[e553] 00:14:50.0~00:15:02.0 (visual) 涉及=P1,O25,O36 | A close-up view looks down into a green panning pan filled with water and dark sand. The water is gently swirled, revealing tiny yellow specks of gold. The man's finger enters the frame to point out the small pieces of gold. |
|
⤷[e554] 00:14:50.0 | Water is swirled inside O25, washing over black sand. |
|
⤷[e558] 00:14:55.0 | P1's finger enters the frame and points to tiny specks of O36 scattered in the sand. |
|
⤷[e562] 00:14:59.0 | P1's finger moves slightly and points out a slightly larger chunk of O36 near the edge. |
|
[e556] 00:14:50.8~00:14:51.5 (fused) 涉及=O25 | thud sound |
|
[e565] 00:15:01.1~00:15:02.5 (audio) | whoosh sound effect |
|
[e567] 00:15:03.7~00:15:15.8 (audio) 涉及=P1 | P1 narrates in an explanatory tone, introducing the idea of finding gold in Home Depot sand. The speaker says they previously made a video after deciding to look in sand from Home Depot or Lowe's. A moderate whoosh sound effect closes the segment as a transition.（语音大意：P1 introduces a segment about testing store-bought sand for gold and recalls that they had made a video about it.） |
|
⤷[e568] 00:15:03.7 | P1 introduces the topic of gold in Home Depot sand |
|
⤷[e573] 00:15:07.3 | P1 explains that they made a video after testing sand from Home Depot or Lowe's |
|
⤷[e576] 00:15:15.3 | A moderate whoosh sound effect plays |
|
[e569] 00:15:05.0~00:15:07.0 (visual) | A graphic animation plays showing a large metallic number 10. The number scales forward against a dark background filled with flying sparks and turbulent flames. |
|
⤷[e570] 00:15:05.0 | An animated 3D number 10 zooms forward amid flames and sparks. |
|
[e571] 00:15:07.0~00:15:19.0 (visual) 涉及=P1,O50,L1 | A man in a fedora stands in a rustic workshop holding a large revolver. He gestures with his empty hand and slightly raises the gun while enthusiastically talking to the camera about gold in sand. Text appears on screen stating the topic. |
|
⤷[e572] 00:15:07.0 | P1 stands in the workshop holding O50 in his right hand. |
|
⤷[e574] 00:15:11.0 | P1 gestures with his empty left hand while speaking. |
|
⤷[e575] 00:15:14.0 | P1 raises his left hand with fingers spread and slightly lifts O50. |
|
[e577] 00:15:15.3~00:15:15.8 (audio) | whoosh sound effect |
|
[e578] 00:15:15.7~00:15:38.6 (audio) 涉及=P1,P1 | P1 greets the audience and introduces himself, then frames the day's experiment in a casual presenter style. The speech explains that although someone might doubt there is gold in store sand, they bought three 50-pound bags of general-purpose sand and plan to take it back to the shop to test it. P1 joins to provide the details about the bags and the plan.（语音大意：P1 introduces the experiment, and P1 explains that they bought three 50-pound bags of general-purpose sand to test for gold.） |
|
⤷[e579] 00:15:15.7 | P1 greets the audience |
|
⤷[e580] 00:15:16.9 | P1 introduces himself and asks what they are doing today |
|
⤷[e583] 00:15:22.0 | P1 says they have something special planned |
|
⤷[e584] 00:15:24.4 | P1 addresses the idea that there may not be gold there |
|
⤷[e586] 00:15:30.2 | P1 says they went in to get the material |
|
⤷[e587] 00:15:31.8 | P1 says they got three 50-pound bags of general-purpose sand |
|
⤷[e589] 00:15:34.9 | P1 says they will take it back to the shop and see if there is gold |
|
[e581] 00:15:19.0~00:15:42.0 (visual) 涉及=P1,O51,O52,L22 | A younger version of the man stands in a store parking lot with a red hand truck. He leans on the hand truck, talks to the camera, and then lifts a large bag of Quikrete sand from it to show the camera before setting it back down. |
|
⤷[e582] 00:15:19.0 | P1 leans on O51 and points directly at the camera. |
|
⤷[e585] 00:15:28.0 | P1 gestures by pointing his thumb backwards over his shoulder. |
|
⤷[e588] 00:15:34.0 | P1 lifts O52 off of O51 and holds it up for the camera. |
|
[e590] 00:15:39.8~00:15:52.8 (audio) 涉及=P1,P1 | Loud sand pouring is heard as the speakers move into the hands-on setup. P1 says they have three bags and will split them open and dump the sand into their setup because panning it all would take too long. P1 punctuates the moment with a brief “here we go” as energetic rock music begins right at the end.（语音大意：They explain that they will open the three bags and process the sand in a setup rather than pan everything by hand.） |
|
⤷[e591] 00:15:39.8 | Loud sand pouring begins |
|
⤷[e593] 00:15:41.9 | P1 says they have three bags of sand |
|
⤷[e596] 00:15:43.5 | P1 explains that they will split the bags open |
|
⤷[e598] 00:15:47.1 | P1 says they will dump the sand into the setup because panning it would take all week |
|
⤷[e599] 00:15:51.7 | P1 says they are ready to begin |
|
⤷[e602] 00:15:52.5 | Energetic driving rock music with electric guitar, drums, and bass begins in the background |
|
[e592] 00:15:39.8~00:15:41.3 (fused) 涉及=O52 | sand pouring |
|
[e594] 00:15:42.0~00:16:00.0 (visual) 涉及=P1,O51,O52,O53,L23 | The man is in an outdoor backyard patio area, pushing the hand truck loaded with three bags of sand toward a trommel machine. He sets the hand truck down, walks over to point at the trommel, and then walks back to lift the top bag from the stack. |
|
⤷[e595] 00:15:42.0 | P1 pushes O51 loaded with three O52s into the frame. |
|
⤷[e597] 00:15:45.5 | P1 sets O51 down and points to the stacked O52s. |
|
⤷[e600] 00:15:52.0 | P1 walks over to O53 on the left and points at it. |
|
⤷[e607] 00:15:56.5 | P1 walks back to O51 and lifts the top O52 off the stack. |
|
[e601] 00:15:52.5~00:16:27.0 (audio) | Energetic, driving rock music takes over while loud machinery and flowing water dominate the work sequence. The heavy equipment runs continuously, water flows loudly, and a brief metal clank cuts through near the end. There is no speech during most of this stretch, making it sound like a montage of the sand-processing work. |
|
⤷[e603] 00:15:52.5 | Energetic rock background score continues with electric guitar, drums, and bass |
|
⤷[e605] 00:15:54.5 | Loud heavy machinery starts running |
|
⤷[e608] 00:15:57.0 | Loud water begins flowing along with the machinery |
|
⤷[e617] 00:16:22.0 | A moderate metal clanking sound is heard amid the machinery and water |
|
⤷[e621] 00:16:27.0 | The heavy machinery and water-flow sounds end |
|
[e604] 00:15:52.5~00:16:33.0 (audio) | energetic, driving, intense; electric guitar, drums, bass guitar; background score |
|
[e606] 00:15:54.5~00:16:27.0 (fused) 涉及=O53 | heavy machinery running |
|
[e609] 00:15:57.0~00:16:27.0 (fused) 涉及=O53 | water flowing |
|
[e610] 00:16:00.0~00:16:19.0 (visual) 涉及=P1,O52,O53,O54,L23 | The man, now wearing thick blue rubber gloves, pours the contents of a heavy sand bag into the hopper of the running trommel machine. Water visibly mixes with the sand as it enters the machine. He pauses briefly to give a thumbs up before shaking the rest of the sand out of the bag. |
|
⤷[e611] 00:16:00.0 | P1 rests O52 on the edge of the top hopper of O53. |
|
⤷[e612] 00:16:02.0 | P1 tilts O52, pouring the sand steadily into O53. |
|
⤷[e613] 00:16:12.0 | P1 pauses pouring and gives a thumbs up to the camera. |
|
⤷[e614] 00:16:14.0 | P1 shakes the remainder of the sand from O52 into O53. |
|
[e615] 00:16:19.0~00:16:35.0 (visual) 涉及=P1,O53,O54,O55,O56,L23 | The man lifts a heavy wooden bucket filled with processed wet material from beneath the trommel. He carries it over to a large black barrel, struggles slightly with the weight, dumps the contents in, and then stands up to address the camera. |
|
⤷[e616] 00:16:19.0 | P1 lifts O55 from underneath O53. |
|
⤷[e619] 00:16:23.0 | P1 carries O55 over to O56. |
|
⤷[e620] 00:16:25.0 | P1 dumps the heavy wet contents of O55 into O56. |
|
⤷[e624] 00:16:31.0 | P1 stands up straight and talks to the camera. |
|
[e618] 00:16:22.0~00:16:23.0 (fused) 涉及=O55 | metal clanking |
|
[e622] 00:16:27.4~00:16:47.5 (audio) 涉及=P1 | P1 resumes speaking as the tail end of the intense rock score continues briefly, then the music drops away. The speaker comments that gold mining is hard work and gives cleanup advice, stressing that everything should be scrubbed into the cleanup bucket so gold does not get away. The segment ends with P1 saying the concentrates are in the bucket.（语音大意：P1 emphasizes that the work is difficult and explains cleanup steps to keep any gold from being lost.） |
|
⤷[e623] 00:16:27.4 | P1 says that gold mining is hard work |
|
⤷[e625] 00:16:33.0 | The energetic rock background score ends |
|
⤷[e626] 00:16:33.4 | P1 explains that during cleanup everything should be scrubbed into the cleanup bucket |
|
⤷[e630] 00:16:45.1 | P1 says the concentrates are in the bucket |
|
[e627] 00:16:35.0~00:16:46.5 (visual) 涉及=P1,O49,O53,O54,L23 | The man crouches next to a white bucket on the ground, scrubbing tools inside it to clean up. The trommel is visible in the background. He scrubs vigorously before stopping momentarily to talk to the camera. |
|
⤷[e628] 00:16:35.0 | P1 crouches and uses a brush to scrub an object inside O49. |
|
⤷[e629] 00:16:40.0 | P1 stops scrubbing momentarily to look up and talk to the camera. |
|
[e631] 00:16:46.5~00:17:08.0 (visual) 涉及=P1,O25,O35,O49,O54,L23 | The man stands behind a large, water-filled black tub, holding up a white bucket containing the concentrated sand. He lifts the bucket to show it to the camera, sets it down on the edge of the tub, and gestures while talking about the sand's origin. |
|
⤷[e632] 00:16:46.5 | P1 stands behind O35 holding O49. |
|
⤷[e635] 00:16:49.5 | P1 lifts O49 up to show the camera the material inside. |
|
⤷[e636] 00:16:53.0 | P1 sets O49 down resting on the edge of the tub and points with his finger. |
|
[e633] 00:16:47.9~00:17:04.4 (audio) 涉及=P1 | P1 takes over with additional context about where the bags of sand may have come from. The speaker mentions that someone said the bags came directly from California, but the bags have no tags, and even the general manager did not know. The tone remains explanatory, with no distinct music or sound effects underneath.（语音大意：P1 explains uncertainty about the sand's origin and says they will determine what is in it.） |
|
⤷[e634] 00:16:47.9 | P1 says there is one more detail to explain about the sand bags |
|
⤷[e637] 00:16:55.8 | P1 says the bags have no tags showing where the sand came from |
|
⤷[e638] 00:17:00.2 | P1 says the general manager did not know either |
|
⤷[e639] 00:17:02.6 | P1 says they will find out soon |
|
[e640] 00:17:04.5~00:17:18.5 (audio) 涉及=P1 | A short upbeat, adventurous folksy music cue with acoustic guitar, banjo, and percussion plays, then P1 begins speaking after it ends. P1 says that because they are working with sand, they do not think they need to classify the concentrates as they would in the gold fields. The speaker then prepares to see what is in the material.（语音大意：P1 says classification may not be necessary for this sand and prepares to inspect the concentrates.） |
|
⤷[e641] 00:17:04.5 | Upbeat adventurous folksy background music with acoustic guitar, banjo, and percussion begins |
|
⤷[e645] 00:17:09.5 | The short folksy music cue ends |
|
⤷[e646] 00:17:09.5 | P1 says they likely do not need to classify the concentrates because they are working with sand |
|
⤷[e648] 00:17:17.4 | P1 says they are going to see what they have |
|
[e642] 00:17:04.5~00:17:09.5 (audio) | upbeat, adventurous, folksy; acoustic guitar, banjo, percussion; background score |
|
[e643] 00:17:08.0~00:17:49.0 (visual) 涉及=P1,O25,O35,O49,O54,L23 | The man pours muddy concentrate from the white bucket into a green panning pan resting in the water tub. He sets the bucket aside, then vigorously shakes and swirls the pan in the water to stratify the material, beginning the panning process to wash away the lighter dirt. |
|
⤷[e644] 00:17:08.0 | P1 pours liquid and dirt from O49 into O25. |
|
⤷[e647] 00:17:14.0 | P1 sets O49 down out of frame. |
|
⤷[e654] 00:17:21.0 | P1 grabs O25 and vigorously shakes it side to side beneath the surface of the water in O35. |
|
⤷[e662] 00:17:36.0 | P1 tilts O25 forward, washing water over the edge to remove lighter dirt. |
|
[e649] 00:17:18.6~00:17:45.2 (audio) 涉及=P1 | P1 continues the hands-on testing, urging the material along, saying they will stratify it, and noting that it is going to get wet. Moderate water sloshing and panning sounds begin, and an upbeat folksy music cue returns, giving the segment an adventurous, work-in-progress feel. P1 hopes there is something in the material, remarks on all the work involved, and says any gold is likely very fine, though a nugget would be nice.（语音大意：P1 works the material, says they will stratify it, hopes something is present, and comments that any gold is probably fine though a nugget would be welcome.） |
|
⤷[e650] 00:17:18.6 | P1 urges the process along |
|
⤷[e651] 00:17:19.0 | Moderate water sloshing and panning begins |
|
⤷[e653] 00:17:19.7 | P1 says they are going to stratify the material |
|
⤷[e655] 00:17:23.8 | P1 says it is going to get wet |
|
⤷[e656] 00:17:24.5 | Upbeat adventurous folksy background music with acoustic guitar, banjo, and percussion begins again |
|
⤷[e658] 00:17:25.9 | P1 says they hope there is something in the material |
|
⤷[e659] 00:17:29.0 | The water sloshing and panning sound ends |
|
⤷[e660] 00:17:31.5 | P1 comments on all the work |
|
⤷[e663] 00:17:38.6 | P1 says that if anything is there, it is probably very fine |
|
⤷[e665] 00:17:42.5 | P1 says it would be nice to get a nugget from it |
|
⤷[e667] 00:17:45.0 | The folksy background music continues to the end of the provided music interval |
|
[e652] 00:17:19.0~00:17:29.0 (fused) 涉及=O25 | water sloshing and panning |
|
[e657] 00:17:24.5~00:17:45.0 (audio) | upbeat, adventurous, folksy; acoustic guitar, banjo, percussion; background score |
|
[e661] 00:17:33.0~00:18:04.0 (audio) 涉及=P1 | The upbeat background music continues under steady water sloshing as P1 talks through the pan contents. He says anything present is probably very fine, wishes for a nugget, notices black sand, grows excited, and says he will pan gently in case there are fine pieces.（语音大意：P1 inspects the pan, notes black sand, hopes for gold, and decides to pan carefully to preserve any fine material.） |
|
⤷[e664] 00:17:38.6 | P1 says that if anything is present, it is probably very fine |
|
⤷[e666] 00:17:42.5 | P1 says it would be nice to get a nugget out of the material |
|
⤷[e668] 00:17:45.6 | P1 points out black sand in the pan |
|
⤷[e669] 00:17:48.5 | P1 draws attention to what is visible in the pan |
|
⤷[e670] 00:17:51.2 | P1 says he is getting excited |
|
⤷[e671] 00:17:54.6 | P1 urges the material along |
|
⤷[e672] 00:18:00.4 | P1 says he will gently pan it in case there are fine pieces |
|
[e673] 00:18:04.0~00:18:27.1 (audio) 涉及=P1 | The music stays bright and adventurous while the pan water continues sloshing through most of the segment. P1 reaches what he calls the moment of truth, then says he has panned down as far as he wants and invites the viewer to come look while he adjusts for sunlight.（语音大意：P1 finishes the main panning action and invites a closer look at the remaining material.） |
|
⤷[e674] 00:18:12.6 | P1 announces the moment of truth |
|
⤷[e675] 00:18:19.7 | P1 says the pan is about as far down as he wants to get |
|
⤷[e676] 00:18:21.5 | The water splashing and sloshing in the pan ends |
|
⤷[e677] 00:18:23.9 | P1 asks the viewer to come take a look |
|
⤷[e678] 00:18:25.5 | P1 says he will get the sun over to the pan |
|
⤷[e681] 00:18:26.5 | P1 again calls the viewer closer |
|
[e679] 00:18:26.5~00:19:13.5 (visual) 涉及=P1,O25,O54,L23 | P1 moves into the sunlight with the green pan to get a better look at the concentrated material. The camera zooms in closely on the pan as P1 gently swirls a small amount of water over the black sand. A tiny speck of gold is revealed, which P1 points out with his gloved finger. |
|
⤷[e680] 00:18:26.5 | P1 walks out of the shaded patio area into the bright sunlight holding O25. |
|
⤷[e683] 00:18:29.0 | The camera closes in on the inside of O25, showing a patch of black sand. |
|
⤷[e687] 00:18:43.0 | P1 gently swirls the water in O25, spreading the black sand across the bottom. |
|
⤷[e694] 00:18:57.0 | P1 points to a visible speck of gold in O25 with his gloved finger. |
|
[e682] 00:18:27.1~00:18:46.8 (audio) 涉及=P1 | With only the cheerful background score beneath him, P1 begins a closer inspection of the pan. He looks over the remaining material, mentions something red, tries to shake the material down for the camera, and then announces that there is a little bit of gold.（语音大意：P1 closely examines the remaining pan material, notices an unidentified red item, and identifies a small amount of gold.） |
|
⤷[e684] 00:18:29.6 | P1 says they will see what is in the pan |
|
⤷[e685] 00:18:37.1 | P1 notices something red and says he does not know what it is |
|
⤷[e686] 00:18:41.8 | P1 says he will try to shake the material down for the viewer |
|
⤷[e689] 00:18:46.8 | P1 says there is a little bit of gold |
|
[e688] 00:18:46.8~00:19:27.0 (audio) 涉及=P1 | The upbeat acoustic-and-banjo score continues as P1 reacts with surprise and satisfaction to the gold in the pan. He points out a plate-like piece, another small piece, and fine material in the corner, then says he wants to get a jeweler's loupe and concludes that he will take the result.（语音大意：P1 identifies several visible pieces and fine bits of gold, reacts enthusiastically, and decides the result is worthwhile.） |
|
⤷[e690] 00:18:48.7 | P1 reacts with surprise to finding gold |
|
⤷[e691] 00:18:50.5 | P1 says George was not kidding |
|
⤷[e692] 00:18:53.1 | P1 makes a brief Chinese exclamation or question while inspecting the pan |
|
⤷[e693] 00:18:55.7 | P1 points out a nice plate-like piece |
|
⤷[e695] 00:19:00.5 | P1 points out another small piece |
|
⤷[e696] 00:19:05.7 | P1 refers to fine pieces gathered in a corner |
|
⤷[e697] 00:19:09.4 | P1 says he will get a jeweler's loupe for a closer look |
|
⤷[e701] 00:19:16.9 | P1 reacts positively to a nice piece |
|
⤷[e702] 00:19:20.8 | P1 notes a whole bunch of little fines in the pan |
|
⤷[e703] 00:19:24.6 | P1 says the result is not bad and he will take it |
|
[e698] 00:19:13.5~00:19:29.5 (visual) 涉及=P1,O7,O25,O54 | P1 places a jeweler's loupe over the camera lens to provide a magnified view of the pan's contents. Through the circular lens of the loupe, several tiny flakes of gold are clearly visible resting among the fine black sand in the green pan. |
|
⤷[e699] 00:19:13.5 | A jeweler's loupe O7 is brought directly in front of the camera lens. |
|
⤷[e700] 00:19:15.0 | The view through O7 shows a highly magnified look at the tiny gold pieces and black sand in O25. |
|
[e704] 00:19:27.0~00:19:49.2 (audio) 涉及=P1 | The music continues under a shift to P1, who speaks in a more promotional narration style. P1 says the eleventh item could be called a secret drift mine because they are finding many gold nuggets, then explains they are rehabbing a hard rock mine and figuring out logistics for bringing people down to mine their own gold.（语音大意：P1 describes a secret drift mine with many gold nuggets and talks about mine rehabilitation and future access for people to mine gold.） |
|
⤷[e705] 00:19:29.1 | P1 begins narrating about number 11 being a secret drift mine |
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⤷[e706] 00:19:29.1 | P1 says they are finding many gold nuggets there |
|
⤷[e710] 00:19:36.3 | P1 says they are rehabbing a hard rock mine and planning logistics for a drift mine |
|
⤷[e713] 00:19:44.0 | P1 says the goal is for people to mine their own gold and keep their dream alive |
|
[e707] 00:19:29.5~00:19:37.5 (visual) 涉及=P1,O30,O32,O57,O58,L14 | The scene cuts to an underground mine tunnel. P1 is leaning on a wooden box, with a metal detector resting nearby. He holds up a small gold nugget to the camera and talks about finding them in the mine. |
|
⤷[e708] 00:19:29.5 | P1 leans against O32 in L14, with O57 resting horizontally on it. |
|
⤷[e709] 00:19:34.0 | P1 holds up O58, a small gold nugget, displaying it closely to the camera. |
|
[e711] 00:19:37.5~00:19:50.5 (visual) 涉及=P1,O30,L14 | P1 is now positioned lower down in a narrow, vertical section of the mine shaft. He looks up toward the camera, speaking about the process of rehabilitating the hard rock mine. |
|
⤷[e712] 00:19:37.5 | P1 stands in a tight, vertically framed section of L14, looking up at the camera and talking. |
|
[e714] 00:19:49.2~00:19:56.0 (audio) 涉及=P1 | The upbeat background score continues as the audio shifts back to P1 in a more direct, on-site exchange. P1 asks what someone named Jason is doing, says there is lots of gold, and then addresses Jeff as the music reaches its endpoint.（语音大意：P1 reacts excitedly about lots of gold and addresses Jason and Jeff during the transition.） |
|
⤷[e715] 00:19:49.3 | P1 asks what Jason is doing up there |
|
⤷[e718] 00:19:51.1 | P1 exclaims that there is lots of gold |
|
⤷[e719] 00:19:51.9 | P1 repeats enthusiastically that there is lots of gold |
|
⤷[e720] 00:19:54.6 | P1 addresses Jeff and says here we go |
|
⤷[e721] 00:19:55.6 | P1 says all right |
|
⤷[e723] 00:19:56.0 | The upbeat background music ends |
|
[e716] 00:19:50.5~00:20:06.0 (visual) 涉及=P1,P3,O30,O59,O60,O61,L14 | In another cramped section of the mine, a second man uses a rotary hammer drill on the rock ceiling. P1 assists by holding a large white plastic sack flush against the rock to catch the falling debris and dust as the drill operates. |
|
⤷[e717] 00:19:50.5 | P3 prepares O61 against the rock ceiling while P1 positions O60 below it. |
|
⤷[e726] 00:19:57.0 | P3 activates O61, drilling forcefully upward into the rock face. |
|
⤷[e730] 00:20:00.0 | Debris and dust fall from the drilling point into O60 held up by P1. |
|
[e722] 00:19:56.0~00:20:04.5 (audio) 涉及=P1,P1 | After the music stops, a loud power tool drilling sound starts and briefly dominates the soundscape. Over and around the drilling, P1 comments that someone is finding it, and P1 reacts strongly, telling someone to leave a piece before the drilling ends.（语音大意：P1 and P1 react to someone finding gold, with P1 urging that a piece be left.） |
|
⤷[e724] 00:19:56.3 | A loud power tool begins drilling |
|
⤷[e727] 00:19:59.0 | P1 says someone is finding it |
|
⤷[e728] 00:19:59.8 | The loud power tool drilling stops |
|
⤷[e732] 00:20:02.1 | P1 reacts with surprise and says to leave that piece |
|
⤷[e733] 00:20:04.3 | P1 says all right |
|
[e725] 00:19:56.3~00:19:59.8 (fused) 涉及=O61 | power tool drilling |
|
[e729] 00:20:00.0~00:20:17.0 (visual) 涉及=P1,O30,L14,O65,O66,O67,O68 | P1 holds a white plastic container and pours pink powder into the hole in the rock wall. He then picks up a yellow fuse with a silver blasting cap attached to the end and carefully inserts it into the hole. |
|
⤷[e731] 00:20:00.0 | P1 holds plastic container O66 and tilts it, pouring pink explosive O65 into the hole |
|
⤷[e735] 00:20:07.0 | P1 sets the container down and picks up yellow fuse O67 |
|
⤷[e739] 00:20:11.0 | P1 inserts the silver blasting cap O68 at the end of the fuse into the hole |
|
[e734] 00:20:07.0~00:20:24.0 (audio) 涉及=P3 | P3 takes over in an explanatory, impressed tone, describing a rich pocket of gold. They say they have been working a small pocket, finding gold sticking out among quartz crystals, and mention having specimens to show. A soft camera shutter click is heard near the end of the segment.（语音大意：P3 explains that a small pocket is unusually rich, with gold appearing among quartz crystals, and says they have specimens to show.） |
|
⤷[e736] 00:20:07.0 | P3 says a rich pocket has been found |
|
⤷[e737] 00:20:07.9 | P3 explains they have been working a small pocket |
|
⤷[e738] 00:20:10.8 | P3 describes opening small vugs and seeing gold among quartz crystals |
|
⤷[e742] 00:20:20.4 | P3 remarks on seeing little pieces of gold |
|
⤷[e743] 00:20:22.3 | P3 says they have specimens to show |
|
⤷[e745] 00:20:23.2 | soft camera shutter click |
|
[e740] 00:20:17.0~00:20:33.0 (visual) 涉及=P1,O30,L14,O69 | P1 is now further back in the tunnel, holding a yellow detonator box. He turns a dial on the box and then presses a red button. A loud explosion occurs off-screen, and a cloud of dust billows into the frame. |
|
⤷[e741] 00:20:17.0 | P1 holds detonator box O69 with both hands |
|
⤷[e744] 00:20:23.0 | P1 turns the black dial on O69 with his thumb |
|
⤷[e752] 00:20:28.0 | P1 presses the red button on O69 |
|
⤷[e753] 00:20:29.0 | A thick cloud of grey dust rapidly fills the tunnel from the right |
|
[e746] 00:20:23.2~00:20:24.0 (audio) | camera shutter click |
|
[e747] 00:20:25.3~00:20:53.6 (audio) 涉及=P3 | Two more soft camera shutter clicks occur before P3 resumes describing the find in detail. P3 says they have never seen anything like it, calls the pocket unbelievably rich, and explains that tiny hematite vugs can be cracked open and brushed to reveal small piles of gold nuggets. The tone remains amazed and focused on the unusual richness of the discovery, with no music present.（语音大意：P3 elaborates that small hematite vugs in the pocket can be opened to reveal loose gold nuggets, emphasizing that the find is unusually rich and surprising.） |
|
⤷[e748] 00:20:25.3 | soft camera shutter click |
|
⤷[e750] 00:20:27.3 | soft camera shutter click |
|
⤷[e754] 00:20:29.0 | P3 says they have never seen anything like it |
|
⤷[e755] 00:20:31.3 | P3 calls the find unbelievably rich |
|
⤷[e758] 00:20:33.3 | P3 identifies the small pocket they are talking about |
|
⤷[e759] 00:20:34.9 | P3 explains finding tiny hematite vugs |
|
⤷[e761] 00:20:39.5 | P3 describes cracking and brushing the vugs open to reveal piles of gold nuggets |
|
⤷[e763] 00:20:49.0 | P3 says the nuggets are not very attached to the quartz and expresses amazement |
|
[e749] 00:20:25.3~00:20:26.1 (audio) | camera shutter click |
|
[e751] 00:20:27.3~00:20:28.1 (audio) | camera shutter click |
|
[e756] 00:20:33.0~00:20:55.0 (visual) 涉及=P1,O30,L14,O60,O70 | The dust has cleared, revealing a pile of shattered rock on the tunnel floor. P1 approaches the pile with a shovel and begins scooping the debris into a white sack. |
|
⤷[e757] 00:20:33.0 | P1 walks toward the pile of rock debris from the left |
|
⤷[e760] 00:20:37.0 | P1 uses shovel O70 to scoop up shattered rock |
|
⤷[e762] 00:20:43.0 | P1 dumps the rock from the shovel into sack O60 |
|
⤷[e764] 00:20:50.0 | P1 continues scooping and dumping rock into the sack |
|
[e765] 00:20:55.0~00:21:10.0 (visual) 涉及=P1,O30,L14,O71 | P1 kneels by the rock pile and picks up a large, flat piece of rock. He holds it up to the camera, revealing a thick band of solid yellow gold running through the grey stone. |
|
⤷[e766] 00:20:55.0 | P1 kneels down next to the rock debris |
|
⤷[e767] 00:20:58.0 | P1 picks up rock fragment O71 from the pile |
|
⤷[e770] 00:21:03.0 | P1 holds O71 up toward the camera lens, rotating it slightly to show the gold vein |
|
[e768] 00:20:58.4~00:21:30.9 (audio) 涉及=P1 | After a gap in recorded speech, P1 begins a promotional narration directed at viewers who are excited about finding gold. They describe premium patrons as like-minded people who share gold-finding experiences, receive gold-related benefits, get access to merchandise, and can qualify for three-day gold mining tours. The segment is speech-only, with no distinct sound effects or music.（语音大意：P1 promotes premium patron membership, emphasizing shared gold-finding experiences, gold-related benefits, merchandise access, and eligibility for gold mining tours.） |
|
⤷[e769] 00:20:58.4 | P1 addresses viewers who are eager to find gold |
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⤷[e771] 00:21:06.4 | P1 promotes becoming a premium patron and joining others interested in finding gold |
|
⤷[e772] 00:21:16.5 | P1 lists benefits including gold from the mine, specimen gold, merchandise access, and eligibility for mining tours |
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[e773] 00:21:31.0~00:21:57.5 (audio) 涉及=P1,P1 | P1 shifts into excited reactions to large gold nuggets, mentioning specific weights and repeatedly expressing amazement at their size and appearance. P1 briefly overlaps with a small fragment during the reaction sequence. The soundscape remains focused entirely on spoken enthusiasm with no added music or discrete sound effects.（语音大意：P1 highlights large gold nuggets, mentions their weights, reacts with amazement, and encourages viewers to imagine finding gold themselves; P1 briefly interjects.） |
|
⤷[e774] 00:21:31.0 | P1 introduces a 14.4 gram example and reacts with curiosity |
|
⤷[e775] 00:21:37.8 | P1 reacts with surprise |
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⤷[e776] 00:21:39.9 | P1 mentions 24.3 grams |
|
⤷[e777] 00:21:42.3 | P1 points out the size of the nuggets |
|
⤷[e778] 00:21:44.9 | P1 continues reacting to the nuggets |
|
⤷[e779] 00:21:47.9 | P1 briefly says a fragment of a word during the nugget reaction |
|
⤷[e780] 00:21:49.6 | P1 expresses amazement and asks what it is |
|
⤷[e781] 00:21:53.1 | P1 tells viewers that they could be out finding gold and making history |
|
⤷[e782] 00:21:56.3 | P1 says they are getting excited looking at the nuggets |
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[e783] 00:21:57.6~00:22:28.0 (audio) 涉及=P1 | P1 continues the call to action, telling viewers that if they want to take on the challenge they can click an icon at the end of the video to become a premium patron. They then pivot to geology and gold-deposition videos, saying the information is presented simply so viewers can understand it and look for their own deposits. The segment remains speech-only until the outro music begins at the boundary.（语音大意：P1 encourages viewers to become premium patrons, mentions educational geology and gold-deposition videos, and begins a final like-and-signoff message.） |
|
⤷[e784] 00:21:57.6 | P1 continues speaking excitedly about looking at gold nuggets |
|
⤷[e785] 00:21:59.7 | P1 tells viewers they can get started by finding an icon at the end of the video |
|
⤷[e786] 00:22:06.8 | P1 says to click the icon and become a premium patron for a chance at finding gold |
|
⤷[e787] 00:22:12.4 | P1 introduces videos about geology and gold deposition |
|
⤷[e788] 00:22:19.3 | P1 says the geology content is explained simply so people can find their own gold deposits |
|
⤷[e789] 00:22:24.0 | P1 begins a final reminder to like the video and says they will see viewers next time |
|
[e790] 00:22:28.0~00:22:44.0 (audio) 涉及=P1 | Upbeat, adventurous outro music begins with electric guitar, acoustic guitar, bass guitar, and drums. The final tail of P1's signoff finishes over the start of the music, after which the soundtrack is driven by the energetic outro. No other discrete sound effects are indicated.（语音大意：P1 finishes the closing signoff as the outro music begins.） |
|
⤷[e791] 00:22:28.0 | upbeat adventurous outro music starts with guitars, bass, and drums |
|
⤷[e793] 00:22:28.9 | P1's final signoff ends |
|
[e792] 00:22:28.0~00:22:44.0 (audio) | upbeat, adventurous, energetic; electric guitar, acoustic guitar, bass guitar, drums; outro music |
|
[e794] 00:22:33.7~00:22:58.1 (audio) | The horse-galloping sound drops out, leaving only the upbeat folksy outro music. The acoustic guitar, banjo, bass guitar, and drums continue carrying a cheerful closing feel with no speech or additional sound events. |
|
⤷[e795] 00:22:33.7 | outro music continues on its own after the galloping sound ends |
|
⤷[e803] 00:22:58.1 | upbeat folksy outro music ends |
|
[e796] 00:22:36.7~00:22:38.7 (visual) | The screen fades completely to black, transitioning away from the mine tunnel scene. The black screen holds for a brief moment before the next shot appears. |
|
⤷[e797] 00:22:36.7 | The visual fades to a solid black screen. |
|
[e798] 00:22:38.7~00:22:45.7 (visual) 涉及=L24 | A wide exterior shot displays a weathered wooden mine headframe standing on a steep, arid hillside. The rocky terrain is dotted with small, dry bushes under a blue sky. |
|
⤷[e799] 00:22:38.7 | The view opens on a static shot of the wooden mine structure resting on the hillside. |
|
[e800] 00:22:45.7~00:22:59.2 (visual) 涉及=L25 | A CGI animation provides a first-person perspective smoothly moving forward through a dimly lit mine tunnel. The passage is lined with heavy wooden support timbers and metal rails run along the floor, guiding the forward motion. |
|
⤷[e801] 00:22:45.7 | The camera begins a continuous, steady movement forward along the rails in the CGI tunnel. |
|
⤷[e802] 00:22:52.2 | The camera continues to glide forward, passing between the evenly spaced wooden support beams. |
|
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## 要求 |
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本次只出 **1 道** **spatiotemporal_localization** 题型。记住：**每个 evidence、每一跳都要先调 lookup_source 读原始内容再用**，不得只凭上面的摘要下结论；**evidence 引用 fine 的 ⤷[eN]（精确时刻），不要引用大段 id**（sound/music 叶事件直接引用）。严格按 base 的 JSON 数组格式输出（数组仅含 1 个对象：question/answer/evidence/reasoning/hops）。 |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"P1","event_id":"","source":"vision","time":["00:00:00","00:00:01"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e412","source":"vision","time":["00:10:47","00:10:50"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e413","source":"asr","time":["00:10:48","00:10:51"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e414","source":"asr","time":["00:10:52","00:10:55"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e415","source":"vision","time":["00:10:52","00:10:55"]}) |
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---- TOOL RESULT ---- |
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{"entity_id": "P1", "registry": {"id": "P1", "category": "person", "appearance": {"gender_age": "male, approximately 50s", "hair": "brown goatee and mustache", "clothing": "grey button-up short-sleeve shirt, brown fedora hat (later maroon shirt, then blue work shirt with reflective stripes and a hard hat)", "build": "medium to heavy build", "distinctive": "wears a hat in all scenes"}, "names": [], "context": "presenter of the video", "first_clip": 0, "last_clip": 9, "clip_count": 11}, "occurrences": [{"clip": 0, "modality": "visual", "time": "00:00:00.0-00:00:02.0", "summary": "P1 stands in a rustic workshop and speaks directly to the camera. The setting features wooden walls adorned with various tools and signs.", "interactions": "null"}, {"clip": 0, "modality": "visual", "time": "00:00:02.0-00:00:04.0", "summary": "A close-up shot shows P1's fingers holding a small, textured gold nugget. The background is slightly out of focus, showing part of P1's face.", "interactions": "P1 holds O1 between his thumb and index finger"}, {"clip": 0, "modality": "visual", "time": "00:00:07.0-00:00:11.8", "summary": "P1 stands next to a black cast-iron stove in the workshop. He strikes a match and tosses it into the open door of the stove.", "interactions": "P1 interacts with the stove by striking a match on it and throwing the match inside"}, {"clip": 0, "modality": "visual", "time": "00:00:11.8-00:00:17.0", "summary": "P1 is now seated at a desk in the workshop, leaning forward slightly as he speaks to the camera. The desk is cluttered with various items including a jar of liquid, a scale, and a coffee grinder.", "interactions": "null"}, {"clip": 0, "modality": "visual", "time": "00:01:02.5-00:01:18.0", "summary": "P1 sits at his desk in the workshop, gesturing as he speaks about old milling machines. A graphic appears in the lower-left corner indicating the topic.", "interactions": "null"}, {"clip": 0, "modality": "visual", "time": "00:01:18.0-00:01:25.5", "summary": "An outdoor shot shows a rusty, cylindrical ball mill machine sitting in a desert landscape. A man's hand enters the frame from the right, pointing to the rectangular opening on the side of the machine.", "interactions": "P1 points at O9"}, {"clip": 0, "modality": "visual", "time": "00:01:25.5-00:01:45.5", "summary": "P1, now wearing a maroon shirt, stands next to the ball mill in the desert, explaining its function. He touches the machine, reaches inside to retrieve a rusty metal ball, shows it to the camera, and then places it back inside.", "interactions": "P1 touches O9, reaches inside it, picks up O11, and puts O11 back into O9"}, {"clip": 0, "modality": "visual", "time": "00:01:45.5-00:02:07.5", "summary": "The scene shifts to a tall, rusty stamp mill structure in the same desert area. The camera pans down the wooden framing, focuses on a cast iron plate, then shows P1's hand pointing out the crushing mechanisms inside the base. Finally, P1's hand holds a digital camera inside the machine to show the interior.", "interactions": "P1 points at specific parts of O10 and uses a digital camera to film inside it"}]} |
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---- TOOL RESULT ---- |
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{"event_id": "e412", "t_start": "00:10:48.0", "t_end": "00:10:48.0", "modality": "visual", "desc": "P1 stops panning and tilts O25 towards the camera to reveal the contents.", "src": {"clip": 4, "channel": "visual_segments", "seg": 2, "event": 2}, "raw": {"segment_time": "00:10:42.0-00:10:56.0", "event": {"time": "00:10:48.0", "description": "P1 stops panning and tilts O25 towards the camera to reveal the contents."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e413", "t_start": "00:10:49.0", "t_end": "00:10:49.0", "modality": "audio", "desc": "P1 describes tiny pieces of gold.", "src": {"clip": 4, "channel": "audio_segments", "seg": 1, "event": 2}, "raw": {"segment_time": "00:10:46.4-00:11:05.7", "event": {"time": "00:10:49.0", "description": "P1 describes tiny pieces of gold."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e414", "t_start": "00:10:53.3", "t_end": "00:10:53.3", "modality": "audio", "desc": "P1 says there is a lot of fine gold in the sample area.", "src": {"clip": 4, "channel": "audio_segments", "seg": 1, "event": 3}, "raw": {"segment_time": "00:10:46.4-00:11:05.7", "event": {"time": "00:10:53.3", "description": "P1 says there is a lot of fine gold in the sample area."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e415", "t_start": "00:10:54.0", "t_end": "00:10:54.0", "modality": "visual", "desc": "P1 points with a gloved finger to the small gold pieces resting in the corner of O25.", "src": {"clip": 4, "channel": "visual_segments", "seg": 2, "event": 3}, "raw": {"segment_time": "00:10:42.0-00:10:56.0", "event": {"time": "00:10:54.0", "description": "P1 points with a gloved finger to the small gold pieces resting in the corner of O25."}}} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:13:35","00:13:45"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"sound","time":["00:13:35","00:13:45"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:13:35","00:13:45"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e518","source":"vision","time":["00:13:39","00:13:39.5"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e520","source":"sound","time":["00:13:39","00:13:39.5"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e522","source":"sound","time":["00:13:41.3","00:13:42.0"]}) |
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---- TOOL RESULT ---- |
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{"window": [815.0, 825.0], "source": "vision", "items": [{"clip": 5, "time": "00:13:28.0-00:13:39.0", "boundary": "cut", "summary": "Three distinct shots show large culvert pipes. First, a view looking down a long, dry, ribbed metal tunnel. Next, an aerial view of a pipe traversing a steep dirt landscape. Finally, muddy water forcefully flows out of the end of a pipe onto rocks.", "events": [{"time": "00:13:28.0", "description": "View looking straight down the interior of L20, showing the ribbed metal surface."}, {"time": "00:13:30.5", "description": "Aerial view showing L20 running down a steep hillside; a red arrow graphic points to it."}, {"time": "00:13:33.0", "description": "View of the end of L20, with muddy brown water pouring out of it."}], "present_entities": ["L20"], "interactions": "null", "spatial_layout": "null", "visual_changes": "A red arrow graphic points to the pipe in the aerial shot.", "independent_events": "Water flows continuously out of the pipe.", "background": "Various outdoor settings featuring large drainage pipes.", "onscreen_text": "null", "camera": "series of static shots, varying from tight interiors to wide aerials"}, {"clip": 5, "time": "00:13:39.0-00:14:11.0", "boundary": "cut", "summary": "The man, wearing a hard hat, sits inside the rocky mine tunnel. He rests a heavy power tool near his lap while speaking directly to the camera and making subtle hand gestures.", "events": [{"time": "00:13:39.0", "description": "P1 is seated in L14, holding O45 near his lap and talking."}, {"time": "00:13:51.0", "description": "P1 leans his head slightly to the left while emphasizing a point."}, {"time": "00:14:00.0", "description": "P1 points his finger toward the camera."}], "present_entities": ["P1", "L14", "O30", "O45"], "interactions": "P1 wears O30 and rests his hand on O45.", "spatial_layout": "P1 sits center-frame against the rough rock wall.", "visual_changes": "null", "independent_events": "null", "background": "Roughly excavated underground mine tunnel.", "onscreen_text": "SAFETY FIRST, OSHA", "camera": "medium shot, static"}]} |
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---- TOOL RESULT ---- |
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{"window": [815.0, 825.0], "source": "sound", "items": [{"clip": 5, "time": "00:13:39.0-00:13:39.5", "event": "metal clanking", "intensity": "moderate"}, {"clip": 5, "time": "00:13:41.3-00:13:42.0", "event": "metal clanking", "intensity": "moderate"}]} |
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---- TOOL RESULT ---- |
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{"window": [815.0, 825.0], "source": "asr", "asr_sentences": [{"begin_ms": 813980, "end_ms": 817980, "text": " That's where you wanna focus all your attention, and the sluice box if you decide to mount one in there.", "speaker_id": 1}, {"begin_ms": 818060, "end_ms": 821020, "text": " If you are fortunate enough to find a culvert that has good gold in it. ", "speaker_id": 0}, {"begin_ms": 821660, "end_ms": 829500, "text": "Especially if you're in the mother load country, i highly recommend you keep it a secret, cause you're gonna have every gold chaser in the world looking for that culvert pipe.", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"event_id": "e518", "t_start": "00:13:39.0", "t_end": "00:13:39.0", "modality": "visual", "desc": "P1 is seated in L14, holding O45 near his lap and talking.", "src": {"clip": 5, "channel": "visual_segments", "seg": 6, "event": 0}, "raw": {"segment_time": "00:13:39.0-00:14:11.0", "event": {"time": "00:13:39.0", "description": "P1 is seated in L14, holding O45 near his lap and talking."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e520", "t_start": "00:13:39.0", "t_end": "00:13:39.5", "modality": "fused", "desc": "metal clanking", "src": {"clip": 5, "channel": "sound_events", "seg": 1}, "raw": {"time": "00:13:39.0-00:13:39.5", "event": "metal clanking", "intensity": "moderate"}} |
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---- TOOL RESULT ---- |
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{"event_id": "e522", "t_start": "00:13:41.3", "t_end": "00:13:42.0", "modality": "fused", "desc": "metal clanking", "src": {"clip": 5, "channel": "sound_events", "seg": 2}, "raw": {"time": "00:13:41.3-00:13:42.0", "event": "metal clanking", "intensity": "moderate"}} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e562","source":"vision","time":["00:14:58","00:15:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e563","source":"asr","time":["00:14:59","00:15:01"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e558","source":"vision","time":["00:14:54","00:14:56"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e560","source":"asr","time":["00:14:56","00:14:58"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:14:50","00:15:03"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:14:50","00:15:03"]}) |
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---- TOOL RESULT ---- |
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{"event_id": "e562", "t_start": "00:14:59.0", "t_end": "00:14:59.0", "modality": "visual", "desc": "P1's finger moves slightly and points out a slightly larger chunk of O36 near the edge.", "src": {"clip": 5, "channel": "visual_segments", "seg": 9, "event": 2}, "raw": {"segment_time": "00:14:50.0-00:15:02.0", "event": {"time": "00:14:59.0", "description": "P1's finger moves slightly and points out a slightly larger chunk of O36 near the edge."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e563", "t_start": "00:15:00.1", "t_end": "00:15:00.1", "modality": "audio", "desc": "P1 again asks if it can be seen", "src": {"clip": 5, "channel": "audio_segments", "seg": 5, "event": 10}, "raw": {"segment_time": "00:14:27.9-00:15:03.5", "event": {"time": "00:15:00.1", "description": "P1 again asks if it can be seen"}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e558", "t_start": "00:14:55.0", "t_end": "00:14:55.0", "modality": "visual", "desc": "P1's finger enters the frame and points to tiny specks of O36 scattered in the sand.", "src": {"clip": 5, "channel": "visual_segments", "seg": 9, "event": 1}, "raw": {"segment_time": "00:14:50.0-00:15:02.0", "event": {"time": "00:14:55.0", "description": "P1's finger enters the frame and points to tiny specks of O36 scattered in the sand."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e560", "t_start": "00:14:57.4", "t_end": "00:14:57.4", "modality": "audio", "desc": "P1 asks if the viewer can see it", "src": {"clip": 5, "channel": "audio_segments", "seg": 5, "event": 8}, "raw": {"segment_time": "00:14:27.9-00:15:03.5", "event": {"time": "00:14:57.4", "description": "P1 asks if the viewer can see it"}}} |
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---- TOOL RESULT ---- |
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{"window": [890.0, 903.0], "source": "asr", "asr_sentences": [{"begin_ms": 889860, "end_ms": 890940, "text": " up to the top for you.", "speaker_id": 2}, {"begin_ms": 891700, "end_ms": 892460, "text": " There you go. ", "speaker_id": 2}, {"begin_ms": 895090, "end_ms": 897330, "text": "SUPER FINE, ULTRA FINE, RUNNING ALL THROUGH THERE.", "speaker_id": 0}, {"begin_ms": 897410, "end_ms": 898050, "text": " YOU SEE THAT?", "speaker_id": 0}, {"begin_ms": 898490, "end_ms": 899890, "text": " YOU GOT A BIG CHUNKER RIGHT THERE.", "speaker_id": 0}, {"begin_ms": 900090, "end_ms": 900690, "text": " SEE THAT? ", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [890.0, 903.0], "source": "vision", "items": [{"clip": 5, "time": "00:14:23.0-00:14:50.0", "boundary": "cut", "summary": "The man kneels by the stream, holding a shovel and explaining a rule. He then places the sluice box directly into the flowing water, adjusting it so water runs through it. He pours a bucket of muddy dirt into the hopper and uses his hands to wash the material through the grating.", "events": [{"time": "00:14:23.0", "description": "P1 kneels in L21, holding O48 vertically, and points his finger forward."}, {"time": "00:14:29.0", "description": "P1 lifts O47 and carefully sets it down into the flowing water of the stream."}, {"time": "00:14:35.0", "description": "P1 uses his hands to push rocks around the front of O47, adjusting water flow."}, {"time": "00:14:43.0", "description": "P1 lifts O49 and pours muddy dirt and rocks into the top section of O47."}, {"time": "00:14:45.0", "description": "P1 uses both hands to rub and push the rocks down the grating of O47, washing the dirt."}], "present_entities": ["P1", "L21", "O47", "O48", "O49"], "interactions": "P1 holds O48, places O47 in the water, pours from O49 into O47, and manipulates dirt inside O47.", "spatial_layout": "P1 kneels on the bank; O47 is positioned longitudinally in the stream channel.", "visual_changes": "Text overlay appears over the frame at the start of the segment.", "independent_events": "Water continuously flows rapidly through the sluice box.", "background": "Small stream running through a grassy embankment.", "onscreen_text": "Rule of Thumb, 1 inch of drop per foot of Box", "camera": "medium shot, static, changing to a slightly different angle when he puts the box in the water"}, {"clip": 5, "time": "00:14:50.0-00:15:02.0", "boundary": "cut", "summary": "A close-up view looks down into a green panning pan filled with water and dark sand. The water is gently swirled, revealing tiny yellow specks of gold. The man's finger enters the frame to point out the small pieces of gold.", "events": [{"time": "00:14:50.0", "description": "Water is swirled inside O25, washing over black sand."}, {"time": "00:14:55.0", "description": "P1's finger enters the frame and points to tiny specks of O36 scattered in the sand."}, {"time": "00:14:59.0", "description": "P1's finger moves slightly and points out a slightly larger chunk of O36 near the edge."}], "present_entities": ["P1", "O25", "O36"], "interactions": "P1's finger points at O36 inside O25.", "spatial_layout": "Close-up view completely filled by O25.", "visual_changes": "null", "independent_events": "Water ripples and washes the sand in the pan.", "background": "Interior of a green panning pan.", "onscreen_text": "null", "camera": "close-up, slight movement following the panning action"}, {"clip": 5, "time": "00:15:02.0-00:15:04.5", "boundary": "cut", "summary": "A large, metallic gold number '10' appears against a dark background. Glowing orange sparks float upward around the number.", "events": [{"time": "00:15:02.0", "description": "The number '10' fades in on screen."}], "present_entities": [], "interactions": "null", "spatial_layout": "null", "visual_changes": "Sparks drift upward continuously.", "independent_events": "null", "background": "Dark, textured backdrop.", "onscreen_text": "10", "camera": "static graphic"}, {"clip": 6, "time": "00:14:45.0-00:14:52.5", "boundary": "action", "summary": "A man crouches in a small grassy stream and pours dark dirt from a white bucket into a metal sluice box set up in the water. The water flows rapidly through the sluice, washing away the lighter dirt. He then sets the bucket aside and uses his hand to clear some rocks near the front entrance of the sluice box.", "events": [{"time": "00:14:45.0", "description": "P1 pours dirt from O49 into the top section of O47 in the stream."}, {"time": "00:14:49.5", "description": "P1 sets O49 down out of frame and uses his hand to clear rocks near the top of O47."}], "present_entities": ["P1", "O47", "O49", "L21"], "interactions": "P1 pours material from O49 into O47; P1 touches O47.", "spatial_layout": "P1 is positioned on the right bank; O47 is in the center of the stream; water flows toward the camera.", "visual_changes": null, "independent_events": null, "background": "a shallow stream bordered by tall green grass and rocks", "onscreen_text": null, "camera": "medium shot, static"}, {"clip": 6, "time": "00:14:52.5-00:15:05.0", "boundary": "cut", "summary": "A close-up view shows a green panning pan containing water and black sand. The camera zooms in closely on the black sand gathered at the top edge of the pan, revealing several tiny specks of gold. The man's finger points to the largest piece of gold among the fine black grains.", "events": [{"time": "00:14:52.5", "description": "The water inside O25 is swirled slightly, shifting the black sand."}, {"time": "00:14:57.0", "description": "P1's finger enters the frame and points to the tiny O36 specks in the black sand."}], "present_entities": ["P1", "O25", "O36"], "interactions": "P1 points at O36 inside O25.", "spatial_layout": "O25 fills the entire frame; O36 is clustered at the top curve of the pan's interior.", "visual_changes": null, "independent_events": null, "background": "indistinguishable due to close-up on the pan", "onscreen_text": null, "camera": "close-up, static"}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e650","source":"asr","time":["00:17:17","00:17:21"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e653","source":"asr","time":["00:17:18","00:17:21"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e654","source":"vision","time":["00:17:19","00:17:22"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:17:17","00:17:24"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:17:17","00:17:24"]}) |
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---- TOOL RESULT ---- |
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{"event_id": "e650", "t_start": "00:17:18.6", "t_end": "00:17:18.6", "modality": "audio", "desc": "P1 urges the process along", "src": {"clip": 6, "channel": "audio_segments", "seg": 9, "event": 0}, "raw": {"segment_time": "00:17:18.6-00:17:45.2", "event": {"time": "00:17:18.6", "description": "P1 urges the process along"}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e653", "t_start": "00:17:19.7", "t_end": "00:17:19.7", "modality": "audio", "desc": "P1 says they are going to stratify the material", "src": {"clip": 6, "channel": "audio_segments", "seg": 9, "event": 2}, "raw": {"segment_time": "00:17:18.6-00:17:45.2", "event": {"time": "00:17:19.7", "description": "P1 says they are going to stratify the material"}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e654", "t_start": "00:17:21.0", "t_end": "00:17:21.0", "modality": "visual", "desc": "P1 grabs O25 and vigorously shakes it side to side beneath the surface of the water in O35.", "src": {"clip": 6, "channel": "visual_segments", "seg": 10, "event": 2}, "raw": {"segment_time": "00:17:08.0-00:17:49.0", "event": {"time": "00:17:21.0", "description": "P1 grabs O25 and vigorously shakes it side to side beneath the surface of the water in O35."}}} |
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---- TOOL RESULT ---- |
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{"window": [1037.0, 1044.0], "source": "asr", "asr_sentences": [{"begin_ms": 1037370, "end_ms": 1038530, "text": " OK, let's see what we got.", "speaker_id": 2}, {"begin_ms": 1038570, "end_ms": 1039050, "text": " Come on.", "speaker_id": 2}, {"begin_ms": 1039730, "end_ms": 1041410, "text": " I'm gonna stratify that material.", "speaker_id": 2}, {"begin_ms": 1041610, "end_ms": 1042210, "text": "。", "speaker_id": 2}, {"begin_ms": 1043850, "end_ms": 1045370, "text": "Yeah, gonna get wet too.", "speaker_id": 2}]} |
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---- TOOL RESULT ---- |
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{"window": [1037.0, 1044.0], "source": "vision", "items": [{"clip": 6, "time": "00:17:08.0-00:17:49.0", "boundary": "cut", "summary": "The man pours muddy concentrate from the white bucket into a green panning pan resting in the water tub. He sets the bucket aside, then vigorously shakes and swirls the pan in the water to stratify the material, beginning the panning process to wash away the lighter dirt.", "events": [{"time": "00:17:08.0", "description": "P1 pours liquid and dirt from O49 into O25."}, {"time": "00:17:14.0", "description": "P1 sets O49 down out of frame."}, {"time": "00:17:21.0", "description": "P1 grabs O25 and vigorously shakes it side to side beneath the surface of the water in O35."}, {"time": "00:17:36.0", "description": "P1 tilts O25 forward, washing water over the edge to remove lighter dirt."}], "present_entities": ["P1", "O25", "O35", "O49", "O54", "L23"], "interactions": "P1 wearing O54 pours from O49 into O25; P1 shakes and washes O25 inside O35.", "spatial_layout": "O35 and O25 take up the lower half of the frame; P1 stands behind them.", "visual_changes": null, "independent_events": null, "background": "concrete patio next to a stucco house wall", "onscreen_text": null, "camera": "medium shot, slightly zooming in on the pan"}, {"clip": 7, "time": "00:17:15.0-00:18:26.5", "boundary": "cut", "summary": "P1 is standing on a patio next to a black tub of water. He pours sandy material from a white bucket into a green panning pan. He submerges the pan in the tub, shaking and swirling it repeatedly to wash away the lighter dirt and concentrate the heavier materials.", "events": [{"time": "00:17:15.0", "description": "P1 pours sand from O49 into O25."}, {"time": "00:17:20.5", "description": "P1 dips O25 into O35 to wet the material."}, {"time": "00:17:33.0", "description": "P1 begins vigorously shaking and swirling O25 in the water of O35."}, {"time": "00:17:45.0", "description": "P1 tilts O25 to wash the lighter sand over the edge into O35."}, {"time": "00:18:00.0", "description": "P1 continues the panning process, alternating between shaking the pan and washing off the top layer."}, {"time": "00:18:21.0", "description": "P1 finishes the initial panning, leaving a small amount of concentrated material in O25."}], "present_entities": ["P1", "O25", "O35", "O49", "O54", "L23"], "interactions": "P1 holds and pours from O49 into O25. P1 dips and swirls O25 in O35.", "spatial_layout": "P1 is standing in the center; O35 is on a table or stand in front of him; L23 is the background environment.", "visual_changes": "The clear water in O35 becomes cloudy with brown mud as P1 washes the material.", "independent_events": null, "background": "backyard patio with a concrete floor and cinderblock walls", "onscreen_text": null, "camera": "medium shot, mostly static with slight panning to follow P1's actions"}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:00:00","00:22:44"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:14:45","00:15:05"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:14:45","00:15:05"]}) |
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---- TOOL RESULT ---- |
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{"window": [0.0, 1364.0], "source": "asr", "asr_sentences": [{"begin_ms": 240, "end_ms": 4960, "text": " I'm gonna reveal my top ten secret places to find gold . ", "speaker_id": 0}, {"begin_ms": 7730, "end_ms": 11690, "text": "Coming in at number one is garage sales and yard sales.", "speaker_id": 0}, {"begin_ms": 11810, "end_ms": 17490, "text": " Now i know that sounds like a no brainer but you can find a lot of gold and silver at garage sales estate sales and yard sales.", "speaker_id": 0}, {"begin_ms": 17530, "end_ms": 20930, "text": " When you're checking the rings look for the inside right of the ring for the carrot.", "speaker_id": 1}, {"begin_ms": 21010, "end_ms": 25730, "text": " If you're looking on necklaces look on the clasp usually you'll see what the carrot weight is.", "speaker_id": 1}, {"begin_ms": 25930, "end_ms": 30570, "text": " If you see a number like 750 that usually means it's 18 carrot.", "speaker_id": 1}, {"begin_ms": 30610, "end_ms": 32690, "text": " It's referred to as a hallmark number.", "speaker_id": 1}, {"begin_ms": 32810, "end_ms": 37810, "text": " These are the hallmark numbers that are associated with the carrots so that you can understand how much gold is in there.", "speaker_id": 1}, {"begin_ms": 37890, "end_ms": 40490, "text": " If you're selling your gold, this is a refinery that we go through.", "speaker_id": 1}, {"begin_ms": 40850, "end_ms": 44130, "text": " They pay 95% spot on 24 karat gold.", "speaker_id": 1}, {"begin_ms": 44210, "end_ms": 48890, "text": " I strongly recommend that you get a rare earth jewelry test magnet to test your jewelry when you're at these yard sales.", "speaker_id": 1}, {"begin_ms": 48970, "end_ms": 54130, "text": " I would also recommend getting yourself a jeweler's loop so you can inspect it for the markings for carrot weight.", "speaker_id": 1}, {"begin_ms": 54290, "end_ms": 60570, "text": " We would also recommend getting yourself an acid test kit that way you can be sure of the purity of the gold that you're purchasing at these garage sales. ", "speaker_id": 1}, {"begin_ms": 63350, "end_ms": 66910, "text": "Now, number two on my list is old ball mills and stamp mills.", "speaker_id": 0}, {"begin_ms": 67030, "end_ms": 78190, "text": " You'd be amazed at how many of these things have never been cleaned out, and a lot of the heavy metals like gold and silver are going to be trapped down in the armor plating of the ball mills or they're going to be down in the bottom of the mortar boxes of the stamp mills.", "speaker_id": 0}, {"begin_ms": 78870, "end_ms": 86510, "text": " This is a good example of a batch mill, and I've seen these run a lot in artisanal mines in South America and Africa. ", "speaker_id": 0}, {"begin_ms": 86820, "end_ms": 89900, "text": "You have this small opening here, and a plate that goes over it.", "speaker_id": 0}, {"begin_ms": 90100, "end_ms": 93780, "text": " You charge it with a load of ore, and you can also put your balls in there too.", "speaker_id": 0}, {"begin_ms": 93980, "end_ms": 96380, "text": " Run it around for a couple hours, turn it upside down.", "speaker_id": 0}, {"begin_ms": 96540, "end_ms": 102660, "text": " You have a mesh here to catch the balls, and then all your powdered ore, which is mixed with water, comes out the bottom.", "speaker_id": 0}, {"begin_ms": 102860, "end_ms": 104620, "text": " Then you'd run that across a shaker table.", "speaker_id": 0}, {"begin_ms": 104700, "end_ms": 106380, "text": " You see how you have to go in steps.", "speaker_id": 0}, {"begin_ms": 106820, "end_ms": 111700, "text": " The neat thing about this one is it's, it was made in nevada ironworks or engineering works.", "speaker_id": 0}, {"begin_ms": 111780, "end_ms": 112340, "text": " See that? ", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [885.0, 905.0], "source": "vision", "items": [{"clip": 5, "time": "00:14:23.0-00:14:50.0", "boundary": "cut", "summary": "The man kneels by the stream, holding a shovel and explaining a rule. He then places the sluice box directly into the flowing water, adjusting it so water runs through it. He pours a bucket of muddy dirt into the hopper and uses his hands to wash the material through the grating.", "events": [{"time": "00:14:23.0", "description": "P1 kneels in L21, holding O48 vertically, and points his finger forward."}, {"time": "00:14:29.0", "description": "P1 lifts O47 and carefully sets it down into the flowing water of the stream."}, {"time": "00:14:35.0", "description": "P1 uses his hands to push rocks around the front of O47, adjusting water flow."}, {"time": "00:14:43.0", "description": "P1 lifts O49 and pours muddy dirt and rocks into the top section of O47."}, {"time": "00:14:45.0", "description": "P1 uses both hands to rub and push the rocks down the grating of O47, washing the dirt."}], "present_entities": ["P1", "L21", "O47", "O48", "O49"], "interactions": "P1 holds O48, places O47 in the water, pours from O49 into O47, and manipulates dirt inside O47.", "spatial_layout": "P1 kneels on the bank; O47 is positioned longitudinally in the stream channel.", "visual_changes": "Text overlay appears over the frame at the start of the segment.", "independent_events": "Water continuously flows rapidly through the sluice box.", "background": "Small stream running through a grassy embankment.", "onscreen_text": "Rule of Thumb, 1 inch of drop per foot of Box", "camera": "medium shot, static, changing to a slightly different angle when he puts the box in the water"}, {"clip": 5, "time": "00:14:50.0-00:15:02.0", "boundary": "cut", "summary": "A close-up view looks down into a green panning pan filled with water and dark sand. The water is gently swirled, revealing tiny yellow specks of gold. The man's finger enters the frame to point out the small pieces of gold.", "events": [{"time": "00:14:50.0", "description": "Water is swirled inside O25, washing over black sand."}, {"time": "00:14:55.0", "description": "P1's finger enters the frame and points to tiny specks of O36 scattered in the sand."}, {"time": "00:14:59.0", "description": "P1's finger moves slightly and points out a slightly larger chunk of O36 near the edge."}], "present_entities": ["P1", "O25", "O36"], "interactions": "P1's finger points at O36 inside O25.", "spatial_layout": "Close-up view completely filled by O25.", "visual_changes": "null", "independent_events": "Water ripples and washes the sand in the pan.", "background": "Interior of a green panning pan.", "onscreen_text": "null", "camera": "close-up, slight movement following the panning action"}, {"clip": 5, "time": "00:15:02.0-00:15:04.5", "boundary": "cut", "summary": "A large, metallic gold number '10' appears against a dark background. Glowing orange sparks float upward around the number.", "events": [{"time": "00:15:02.0", "description": "The number '10' fades in on screen."}], "present_entities": [], "interactions": "null", "spatial_layout": "null", "visual_changes": "Sparks drift upward continuously.", "independent_events": "null", "background": "Dark, textured backdrop.", "onscreen_text": "10", "camera": "static graphic"}, {"clip": 5, "time": "00:15:04.5-00:15:16.0", "boundary": "cut", "summary": "The man sits at his workbench, holding a dark metal revolver. He talks to the camera, gestures with his free hand, and briefly raises the gun while making a point.", "events": [{"time": "00:15:04.5", "description": "P1 sits in L1 holding O50 in both hands."}, {"time": "00:15:08.0", "description": "P1 holds O50 in his right hand and opens his left hand in a gesture."}, {"time": "00:15:11.0", "description": "P1 briefly raises O50 upwards while speaking."}, {"time": "00:15:14.0", "description": "P1 lowers O50 and continues speaking."}], "present_entities": ["P1", "L1", "O50"], "interactions": "P1 grips and gestures with O50.", "spatial_layout": "P1 sits centered in the frame behind the workbench.", "visual_changes": "Text graphic slides in at the bottom right.", "independent_events": "null", "background": "Rustic wooden workshop with vintage tools.", "onscreen_text": "SO C'MON... LET'S GO!!, #10 Gold in Home Depot Sand", "camera": "medium shot, static"}, {"clip": 6, "time": "00:14:45.0-00:14:52.5", "boundary": "action", "summary": "A man crouches in a small grassy stream and pours dark dirt from a white bucket into a metal sluice box set up in the water. The water flows rapidly through the sluice, washing away the lighter dirt. He then sets the bucket aside and uses his hand to clear some rocks near the front entrance of the sluice box.", "events": [{"time": "00:14:45.0", "description": "P1 pours dirt from O49 into the top section of O47 in the stream."}, {"time": "00:14:49.5", "description": "P1 sets O49 down out of frame and uses his hand to clear rocks near the top of O47."}], "present_entities": ["P1", "O47", "O49", "L21"], "interactions": "P1 pours material from O49 into O47; P1 touches O47.", "spatial_layout": "P1 is positioned on the right bank; O47 is in the center of the stream; water flows toward the camera.", "visual_changes": null, "independent_events": null, "background": "a shallow stream bordered by tall green grass and rocks", "onscreen_text": null, "camera": "medium shot, static"}, {"clip": 6, "time": "00:14:52.5-00:15:05.0", "boundary": "cut", "summary": "A close-up view shows a green panning pan containing water and black sand. The camera zooms in closely on the black sand gathered at the top edge of the pan, revealing several tiny specks of gold. The man's finger points to the largest piece of gold among the fine black grains.", "events": [{"time": "00:14:52.5", "description": "The water inside O25 is swirled slightly, shifting the black sand."}, {"time": "00:14:57.0", "description": "P1's finger enters the frame and points to the tiny O36 specks in the black sand."}], "present_entities": ["P1", "O25", "O36"], "interactions": "P1 points at O36 inside O25.", "spatial_layout": "O25 fills the entire frame; O36 is clustered at the top curve of the pan's interior.", "visual_changes": null, "independent_events": null, "background": "indistinguishable due to close-up on the pan", "onscreen_text": null, "camera": "close-up, static"}, {"clip": 6, "time": "00:15:05.0-00:15:07.0", "boundary": "cut", "summary": "A graphic animation plays showing a large metallic number 10. The number scales forward against a dark background filled with flying sparks and turbulent flames.", "events": [{"time": "00:15:05.0", "description": "An animated 3D number 10 zooms forward amid flames and sparks."}], "present_entities": [], "interactions": null, "spatial_layout": null, "visual_changes": "A large golden 3D number 10 zooms in amid an explosion of sparks and flames.", "independent_events": null, "background": "CGI fiery explosion effect", "onscreen_text": "10", "camera": "static (CGI)"}]} |
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---- TOOL RESULT ---- |
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{"window": [885.0, 905.0], "source": "asr", "asr_sentences": [{"begin_ms": 889060, "end_ms": 889860, "text": "See if I can tap that. ", "speaker_id": 0}, {"begin_ms": 889860, "end_ms": 890940, "text": " up to the top for you.", "speaker_id": 2}, {"begin_ms": 891700, "end_ms": 892460, "text": " There you go. ", "speaker_id": 2}, {"begin_ms": 895090, "end_ms": 897330, "text": "SUPER FINE, ULTRA FINE, RUNNING ALL THROUGH THERE.", "speaker_id": 0}, {"begin_ms": 897410, "end_ms": 898050, "text": " YOU SEE THAT?", "speaker_id": 0}, {"begin_ms": 898490, "end_ms": 899890, "text": " YOU GOT A BIG CHUNKER RIGHT THERE.", "speaker_id": 0}, {"begin_ms": 900090, "end_ms": 900690, "text": " SEE THAT? ", "speaker_id": 0}, {"begin_ms": 903740, "end_ms": 907260, "text": "and of course, number 10, our favorite is gold in home depot sand.", "speaker_id": 0}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:00:00","00:03:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:03:00","00:06:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:06:00","00:09:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:09:00","00:12:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:12:00","00:15:30"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:15:30","00:18:30"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:18:30","00:23:00"]}) |
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---- TOOL RESULT ---- |
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{"window": [0.0, 180.0], "source": "asr", "asr_sentences": [{"begin_ms": 240, "end_ms": 4960, "text": " I'm gonna reveal my top ten secret places to find gold . ", "speaker_id": 0}, {"begin_ms": 7730, "end_ms": 11690, "text": "Coming in at number one is garage sales and yard sales.", "speaker_id": 0}, {"begin_ms": 11810, "end_ms": 17490, "text": " Now i know that sounds like a no brainer but you can find a lot of gold and silver at garage sales estate sales and yard sales.", "speaker_id": 0}, {"begin_ms": 17530, "end_ms": 20930, "text": " When you're checking the rings look for the inside right of the ring for the carrot.", "speaker_id": 1}, {"begin_ms": 21010, "end_ms": 25730, "text": " If you're looking on necklaces look on the clasp usually you'll see what the carrot weight is.", "speaker_id": 1}, {"begin_ms": 25930, "end_ms": 30570, "text": " If you see a number like 750 that usually means it's 18 carrot.", "speaker_id": 1}, {"begin_ms": 30610, "end_ms": 32690, "text": " It's referred to as a hallmark number.", "speaker_id": 1}, {"begin_ms": 32810, "end_ms": 37810, "text": " These are the hallmark numbers that are associated with the carrots so that you can understand how much gold is in there.", "speaker_id": 1}, {"begin_ms": 37890, "end_ms": 40490, "text": " If you're selling your gold, this is a refinery that we go through.", "speaker_id": 1}, {"begin_ms": 40850, "end_ms": 44130, "text": " They pay 95% spot on 24 karat gold.", "speaker_id": 1}, {"begin_ms": 44210, "end_ms": 48890, "text": " I strongly recommend that you get a rare earth jewelry test magnet to test your jewelry when you're at these yard sales.", "speaker_id": 1}, {"begin_ms": 48970, "end_ms": 54130, "text": " I would also recommend getting yourself a jeweler's loop so you can inspect it for the markings for carrot weight.", "speaker_id": 1}, {"begin_ms": 54290, "end_ms": 60570, "text": " We would also recommend getting yourself an acid test kit that way you can be sure of the purity of the gold that you're purchasing at these garage sales. ", "speaker_id": 1}, {"begin_ms": 63350, "end_ms": 66910, "text": "Now, number two on my list is old ball mills and stamp mills.", "speaker_id": 0}, {"begin_ms": 67030, "end_ms": 78190, "text": " You'd be amazed at how many of these things have never been cleaned out, and a lot of the heavy metals like gold and silver are going to be trapped down in the armor plating of the ball mills or they're going to be down in the bottom of the mortar boxes of the stamp mills.", "speaker_id": 0}, {"begin_ms": 78870, "end_ms": 86510, "text": " This is a good example of a batch mill, and I've seen these run a lot in artisanal mines in South America and Africa. ", "speaker_id": 0}, {"begin_ms": 86820, "end_ms": 89900, "text": "You have this small opening here, and a plate that goes over it.", "speaker_id": 0}, {"begin_ms": 90100, "end_ms": 93780, "text": " You charge it with a load of ore, and you can also put your balls in there too.", "speaker_id": 0}, {"begin_ms": 93980, "end_ms": 96380, "text": " Run it around for a couple hours, turn it upside down.", "speaker_id": 0}, {"begin_ms": 96540, "end_ms": 102660, "text": " You have a mesh here to catch the balls, and then all your powdered ore, which is mixed with water, comes out the bottom.", "speaker_id": 0}, {"begin_ms": 102860, "end_ms": 104620, "text": " Then you'd run that across a shaker table.", "speaker_id": 0}, {"begin_ms": 104700, "end_ms": 106380, "text": " You see how you have to go in steps.", "speaker_id": 0}, {"begin_ms": 106820, "end_ms": 111700, "text": " The neat thing about this one is it's, it was made in nevada ironworks or engineering works.", "speaker_id": 0}, {"begin_ms": 111780, "end_ms": 112340, "text": " See that? ", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [180.0, 360.0], "source": "asr", "asr_sentences": [{"begin_ms": 174600, "end_ms": 182440, "text": " Most of the gold that you find on gold beach in southern oregon is derived from the rogue river, which passes right through the area, then flows into the pacific ocean.", "speaker_id": 1}, {"begin_ms": 182560, "end_ms": 186240, "text": " The best place to look for gold along gold beach is south of coos bay.", "speaker_id": 1}, {"begin_ms": 186320, "end_ms": 190240, "text": " Another great place to look for placer gold along beaches is lake superior.", "speaker_id": 1}, {"begin_ms": 190400, "end_ms": 196320, "text": " Areas that are known for higher than average concentrations of placer gold along the shores of baraga, marquette and algoma counties.", "speaker_id": 1}, {"begin_ms": 196360, "end_ms": 198840, "text": " You always have a good chance of finding some placer gold there.", "speaker_id": 1}, {"begin_ms": 199120, "end_ms": 207120, "text": " Now, a channel that we really like, that's really good about recovering flower gold on coastal beaches, is a channel called flower gold wizards.", "speaker_id": 0}, {"begin_ms": 207200, "end_ms": 211400, "text": " I'm gonna go ahead and leave a link down below, and i think you'd learn a lot just by watching them. ", "speaker_id": 0}, {"begin_ms": 215760, "end_ms": 220800, "text": "Coming in at number four is outwash zones of terminal moraines and glacial till.", "speaker_id": 0}, {"begin_ms": 221040, "end_ms": 224080, "text": " And if you live in places like ohio, you know exactly what i'm talking about.", "speaker_id": 0}, {"begin_ms": 224240, "end_ms": 228920, "text": " During the various ice ages that occurred throughout the history of our planet, glaciers grew and moved over the landscape.", "speaker_id": 1}, {"begin_ms": 229000, "end_ms": 235200, "text": " They scraped across the earth, breaking apart rocks and topsoil, some of which contain gold and other important minerals that are carried along for the distance.", "speaker_id": 1}, {"begin_ms": 235360, "end_ms": 239880, "text": " Some gold moved hundreds, if not thousands of miles from its original source, which was usually canada.", "speaker_id": 1}, {"begin_ms": 239960, "end_ms": 245440, "text": " And the glaciers finally did melt, they left behind huge piles of boulders, rocks and debris that contain gold and other important minerals.", "speaker_id": 1}, {"begin_ms": 245480, "end_ms": 252840, "text": " Now keep in mind that this gold is going to be extremely fine from the constant grinding and pounding that it was subjected to while it was being transported by glaciers.", "speaker_id": 1}, {"begin_ms": 252880, "end_ms": 260800, "text": " The best way to hunt for this type of gold is to find a glacial map of your state and prospect the creeks and rivers that cut through the outwash of the terminal moraines. ", "speaker_id": 1}, {"begin_ms": 263550, "end_ms": 269230, "text": "Coming in at number five is urban areas, like the cracks in the sidewalks in New York City.", "speaker_id": 0}, {"begin_ms": 269430, "end_ms": 271750, "text": " The streets of New York City have got gold. ", "speaker_id": 0}, {"begin_ms": 271750, "end_ms": 273910, "text": " and diamonds in them, right down here in the cracks.", "speaker_id": 2}, {"begin_ms": 273990, "end_ms": 274390, "text": " Look at that!", "speaker_id": 2}, {"begin_ms": 274790, "end_ms": 282750, "text": " All you need to do is clean them out, and I'm gonna clean up all this material because I know that there's gold in there. ", "speaker_id": 2}, {"begin_ms": 283620, "end_ms": 287100, "text": "And then we're gonna take it down and pan it, and I'm gonna show you what I get.", "speaker_id": 2}, {"begin_ms": 291500, "end_ms": 292900, "text": " I don't know if you can see that.", "speaker_id": 2}, {"begin_ms": 293500, "end_ms": 296420, "text": " It's so tiny, but you'll see it when I pan it out later.", "speaker_id": 2}, {"begin_ms": 297060, "end_ms": 297820, "text": " What's that?", "speaker_id": 2}]} |
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---- TOOL RESULT ---- |
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{"window": [360.0, 540.0], "source": "asr", "asr_sentences": [{"begin_ms": 361720, "end_ms": 366000, "text": "Coming in at 6, believe it or not, meteor impact craters.", "speaker_id": 0}, {"begin_ms": 366160, "end_ms": 374000, "text": " There are places around the world that have been known to have gold deposits that have formed in the base of these impact craters.", "speaker_id": 0}, {"begin_ms": 374160, "end_ms": 375040, "text": " Places like this. ", "speaker_id": 0}, {"begin_ms": 388040, "end_ms": 392880, "text": "The sudbury basin impact structure is the third largest known impact crater on earth.", "speaker_id": 1}, {"begin_ms": 392960, "end_ms": 400960, "text": " As a result of the metal deposits, the sudbury area is one of the world's major mining communities, and the basin is one of the world's largest suppliers of nickel and copper ore.", "speaker_id": 1}, {"begin_ms": 401000, "end_ms": 404400, "text": " But that impact pales in comparison to our next impact crater. ", "speaker_id": 1}, {"begin_ms": 423380, "end_ms": 433060, "text": "The redford crater is located in eastern south africa, where it is centered around the town of redford johannesburg and pretoria are located on the outer impact zone.", "speaker_id": 1}, {"begin_ms": 433340, "end_ms": 437060, "text": " This is by far the largest confirmed impact crater on the planet.", "speaker_id": 1}, {"begin_ms": 437140, "end_ms": 443660, "text": " The meteor created this massive crater which measured 16 miles in diameter, which is the size of all of new york city.", "speaker_id": 1}, {"begin_ms": 443700, "end_ms": 447780, "text": " At the time of impact, it was traveling at 36,000 miles per hour.", "speaker_id": 1}, {"begin_ms": 448220, "end_ms": 451660, "text": " Constitutes 95% of all the world's platinum reserves.", "speaker_id": 1}, {"begin_ms": 451740, "end_ms": 456420, "text": " The impact generated a massive explosion, the likes which had never been seen before.", "speaker_id": 1}, {"begin_ms": 456500, "end_ms": 462220, "text": " It was equivalent and energy to the detonation of one quadrillion tons of tnt within seconds.", "speaker_id": 1}, {"begin_ms": 462380, "end_ms": 467260, "text": " All ground within a 1300 mile radius ignited to the intense thermal radiation.", "speaker_id": 1}, {"begin_ms": 467540, "end_ms": 471900, "text": " Large amounts of molten rock filled the impact crater, which took tens of thousands of years.", "speaker_id": 1}, {"begin_ms": 472020, "end_ms": 478220, "text": " If not longer to cool, this molten rock contained abundant supplies of gold platinum palladium and nickel. ", "speaker_id": 1}, {"begin_ms": 478810, "end_ms": 484570, "text": "Imagine a meteorite, the size of table mountain, traveling at 20 kilometers per second.", "speaker_id": 3}, {"begin_ms": 485010, "end_ms": 490770, "text": " Well, this massive object struck, friedrich, fordham and destroyed all forms of life. ", "speaker_id": 3}, {"begin_ms": 496370, "end_ms": 500130, "text": "The impact, or first phase, created a massive dent in the earth. ", "speaker_id": 3}, {"begin_ms": 501410, "end_ms": 506450, "text": "The second phase was an immediate rebound that brought the deepest rock layers to the surface.", "speaker_id": 3}, {"begin_ms": 507450, "end_ms": 513170, "text": " Lastly, erosion set in, and over millions of years, many crater like features had been weathered away.", "speaker_id": 3}, {"begin_ms": 514170, "end_ms": 518610, "text": " Meteorite impact structures are complex, and they're made up of concentric rings.", "speaker_id": 3}, {"begin_ms": 518770, "end_ms": 522330, "text": " The same rippling effect is seen when one drops an object into water. ", "speaker_id": 3}, {"begin_ms": 524340, "end_ms": 528460, "text": "The inner crater caused by the impact was roughly 100 kilometers in diameter.", "speaker_id": 3}]} |
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---- TOOL RESULT ---- |
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{"window": [540.0, 720.0], "source": "asr", "asr_sentences": [{"begin_ms": 538020, "end_ms": 541300, "text": " A second circle is seen in the hills in the vicinity of falkville.", "speaker_id": 3}, {"begin_ms": 541740, "end_ms": 550380, "text": " This ring reaches past the huts run near caltonville in the north to krugerrand in the south where it lies buried underneath much younger crew age sedimentary rocks. ", "speaker_id": 3}, {"begin_ms": 550960, "end_ms": 555120, "text": "Remnants of the third ring may be observed in a line from fender's dock to kruger's dawn.", "speaker_id": 3}, {"begin_ms": 555760, "end_ms": 556600, "text": " Due to erosion.", "speaker_id": 3}, {"begin_ms": 556680, "end_ms": 559320, "text": " The rest of this ring is not clearly visible today.", "speaker_id": 3}, {"begin_ms": 560040, "end_ms": 564440, "text": " Miners found gold in the frito for the mountains more than 150 years ago. ", "speaker_id": 3}, {"begin_ms": 565700, "end_ms": 569980, "text": "Now, keep in mind that not all meteor impact zones are going to have gold formations.", "speaker_id": 0}, {"begin_ms": 570140, "end_ms": 571500, "text": " That's an exception to the rule.", "speaker_id": 0}, {"begin_ms": 571860, "end_ms": 581460, "text": " But if you remember, a lot of the gold that we have here on Earth originated where from meteorites, especially the terminal bombardment that happened 39 billion years ago. ", "speaker_id": 0}, {"begin_ms": 584190, "end_ms": 586790, "text": "Coming in at number seven are fresh road cuts.", "speaker_id": 0}, {"begin_ms": 586950, "end_ms": 601870, "text": " These are some of the best places that i like to look for new gold deposits, because a lot of these logging roads or new construction zones that are cut their way through the mother load country can tap into unknown reserves or new gold deposits that nobody ever thought about looking for.", "speaker_id": 0}, {"begin_ms": 602830, "end_ms": 604230, "text": " Road cuts are really important.", "speaker_id": 0}, {"begin_ms": 604910, "end_ms": 610150, "text": " You can see where they put this highway 50 in here, and they cut through this side here of limestone.", "speaker_id": 0}, {"begin_ms": 610230, "end_ms": 611270, "text": " What was inside of it?", "speaker_id": 0}, {"begin_ms": 611550, "end_ms": 614670, "text": " This huge granitic mass, quartz monzonite, which has been altered.", "speaker_id": 0}, {"begin_ms": 614950, "end_ms": 622470, "text": " I've got the limestone, which is the ely limestone on the outside of it, and then inside, i've got this beautiful looking gossan sitting in there.", "speaker_id": 0}, {"begin_ms": 622670, "end_ms": 625030, "text": " When you see these things, be safe about it.", "speaker_id": 0}, {"begin_ms": 625110, "end_ms": 629150, "text": " You're gonna sample them, you're gonna sample across them, because that way you get an idea.", "speaker_id": 0}, {"begin_ms": 629190, "end_ms": 630990, "text": " If you find gold, then you gotta localize it.", "speaker_id": 0}, {"begin_ms": 631110, "end_ms": 632390, "text": " Is it on the outer halo?", "speaker_id": 0}, {"begin_ms": 632750, "end_ms": 635070, "text": " The outer band, or was it more towards the center?", "speaker_id": 0}, {"begin_ms": 635470, "end_ms": 637630, "text": " You're also looking for indications of copper.", "speaker_id": 0}, {"begin_ms": 637950, "end_ms": 641750, "text": " Look for malachite, look for chrysocolla, for all the carbonates of copper. ", "speaker_id": 0}, {"begin_ms": 646370, "end_ms": 647250, "text": "Oh, there is gold in there.", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [720.0, 930.0], "source": "asr", "asr_sentences": [{"begin_ms": 718330, "end_ms": 720930, "text": "I can get this out of there without marking it up too bad. ", "speaker_id": 1}, {"begin_ms": 727160, "end_ms": 728320, "text": "Plot that thing down there.", "speaker_id": 0}, {"begin_ms": 728720, "end_ms": 730840, "text": " Wow, 11.6 grams.", "speaker_id": 0}, {"begin_ms": 730960, "end_ms": 733880, "text": " Somebody who's an expert in the field about this is shree tips.", "speaker_id": 0}, {"begin_ms": 734080, "end_ms": 737480, "text": " Now, shree tips has been doing this since september of 2010.", "speaker_id": 1}, {"begin_ms": 737520, "end_ms": 741400, "text": " He said it started as a hobby and still to this day, it's mostly that's what it is for him.", "speaker_id": 1}, {"begin_ms": 741440, "end_ms": 743520, "text": " He's extremely knowledgeable in this field.", "speaker_id": 1}, {"begin_ms": 743600, "end_ms": 752920, "text": " In fact, he's made countless videos on gold extraction from computer parts and scrap using aqua regia and other chemical techniques that most people have never even heard of.", "speaker_id": 1}, {"begin_ms": 753000, "end_ms": 755920, "text": " If you get a chance, i strongly suggest you go check out his videos.", "speaker_id": 1}, {"begin_ms": 756000, "end_ms": 765160, "text": " Now, in this particular video, he is going into great detail about why you should not use the commonly accepted percentage ratios that you use to create aqua regia.", "speaker_id": 1}, {"begin_ms": 765240, "end_ms": 772040, "text": " He's extremely advanced in developing new techniques for using acids and bases for extracting gold from computer parts, among other things.", "speaker_id": 1}, {"begin_ms": 772320, "end_ms": 776120, "text": " I'll leave a link down below to his channel so you can check out his work.", "speaker_id": 0}, {"begin_ms": 776200, "end_ms": 782760, "text": " He's really good at what he does and if you follow instructions, you'll be able to get a bunch of gold and silver from your computer scrap. ", "speaker_id": 0}, {"begin_ms": 785620, "end_ms": 788940, "text": "Coming in at number nine, one of my favorites, culvert pipes.", "speaker_id": 0}, {"begin_ms": 789060, "end_ms": 795300, "text": " The corrugated metal pipes that run underneath streets, especially if you live in the mother load country or near gold producing mining districts.", "speaker_id": 0}, {"begin_ms": 795500, "end_ms": 800340, "text": " We have made many videos in the past about this, and this is a perfect place to find gold.", "speaker_id": 0}, {"begin_ms": 800420, "end_ms": 806660, "text": " And some guys even put their own sluice boxes in these drainages pipes, and then they weld gates on the outside to keep people out.", "speaker_id": 0}, {"begin_ms": 807700, "end_ms": 813860, "text": " Keep in mind that most of the gold concentrations like in a sluice box is gonna be at the head of these drainage culverts, not at the tail.", "speaker_id": 1}, {"begin_ms": 813980, "end_ms": 817980, "text": " That's where you wanna focus all your attention, and the sluice box if you decide to mount one in there.", "speaker_id": 1}, {"begin_ms": 818060, "end_ms": 821020, "text": " If you are fortunate enough to find a culvert that has good gold in it. ", "speaker_id": 0}, {"begin_ms": 821660, "end_ms": 829500, "text": "Especially if you're in the mother load country, i highly recommend you keep it a secret, cause you're gonna have every gold chaser in the world looking for that culvert pipe.", "speaker_id": 0}, {"begin_ms": 829580, "end_ms": 834300, "text": " And while we're on the subject, i also recommend that you get yourself a keen a52 sluice.", "speaker_id": 0}, {"begin_ms": 834420, "end_ms": 837060, "text": " It's got the built in classifier right on top.", "speaker_id": 0}, {"begin_ms": 837140, "end_ms": 841420, "text": " All you gotta do is mount it in the culvert pipe at the head of the culvert, not the tail.", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [930.0, 1110.0], "source": "asr", "asr_sentences": [{"begin_ms": 930180, "end_ms": 931820, "text": " So what we did is we went in there. ", "speaker_id": 2}, {"begin_ms": 931820, "end_ms": 934500, "text": " and got 350-pounders of general-purpose sand. ", "speaker_id": 0}, {"begin_ms": 934940, "end_ms": 937580, "text": "And we're gonna take it back to the shop and see if we got some gold.", "speaker_id": 0}, {"begin_ms": 937700, "end_ms": 938620, "text": " So here we go. ", "speaker_id": 0}, {"begin_ms": 941850, "end_ms": 943090, "text": "We got three bags of it.", "speaker_id": 0}, {"begin_ms": 943490, "end_ms": 946530, "text": " And so what we're going to do is we're going to split this open.", "speaker_id": 0}, {"begin_ms": 947130, "end_ms": 951290, "text": " And we're going to dump it in travel here because if i was a pan it take me all week.", "speaker_id": 0}, {"begin_ms": 951690, "end_ms": 952770, "text": " So here we go. ", "speaker_id": 2}, {"begin_ms": 987390, "end_ms": 990070, "text": "No matter how you slice it, go, mine is hard work.", "speaker_id": 2}, {"begin_ms": 990470, "end_ms": 990490, "text": "。", "speaker_id": 2}, {"begin_ms": 993350, "end_ms": 999670, "text": "Now remember, when you're working a trauma and you're doing a cleanup, you make sure you scrub everything down into that cleanup bucket.", "speaker_id": 2}, {"begin_ms": 999990, "end_ms": 1004670, "text": " If you don't want to go get away, okay?", "speaker_id": 2}, {"begin_ms": 1005070, "end_ms": 1007510, "text": " So we got all the concentrates in this bucket right here.", "speaker_id": 2}, {"begin_ms": 1007910, "end_ms": 1015510, "text": " Now one more thing I got to tell you is: Old Buzzard or George Massey said that the bags that he was getting came directly from California.", "speaker_id": 0}, {"begin_ms": 1015750, "end_ms": 1020150, "text": " Some of the sand plants that got out there... And we checked with these bags, but they don't have any tag on them.", "speaker_id": 0}, {"begin_ms": 1020190, "end_ms": 1022510, "text": " So we asked the general manager and he didn't know either.", "speaker_id": 0}, {"begin_ms": 1022630, "end_ms": 1024390, "text": " So we're gonna find out real quick like. ", "speaker_id": 0}, {"begin_ms": 1029450, "end_ms": 1036770, "text": "Now, because I'm working with sand, I really don't think I'm gonna need to classify my concentrates like we do when we're out in the gold fields.", "speaker_id": 2}, {"begin_ms": 1037370, "end_ms": 1038530, "text": " OK, let's see what we got.", "speaker_id": 2}, {"begin_ms": 1038570, "end_ms": 1039050, "text": " Come on.", "speaker_id": 2}, {"begin_ms": 1039730, "end_ms": 1041410, "text": " I'm gonna stratify that material.", "speaker_id": 2}, {"begin_ms": 1041610, "end_ms": 1042210, "text": "。", "speaker_id": 2}, {"begin_ms": 1043850, "end_ms": 1045370, "text": "Yeah, gonna get wet too.", "speaker_id": 2}, {"begin_ms": 1045890, "end_ms": 1047210, "text": " I'm hoping there's something in here. ", "speaker_id": 2}]} |
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---- TOOL RESULT ---- |
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{"window": [1110.0, 1380.0], "source": "asr", "asr_sentences": [{"begin_ms": 1109580, "end_ms": 1113420, "text": " All right, let's see what we got there. ", "speaker_id": 2}, {"begin_ms": 1117120, "end_ms": 1118880, "text": "There's something red, I don't know what that is.", "speaker_id": 2}, {"begin_ms": 1121840, "end_ms": 1123520, "text": " See if I can shake that down for you. ", "speaker_id": 2}, {"begin_ms": 1126750, "end_ms": 1128230, "text": "Well, there's a little bit of gold.", "speaker_id": 2}, {"begin_ms": 1128670, "end_ms": 1129590, "text": " What do you know?", "speaker_id": 2}, {"begin_ms": 1130470, "end_ms": 1131870, "text": " Oh, George wasn't kidding. ", "speaker_id": 2}, {"begin_ms": 1133070, "end_ms": 1133990, "text": "哦，那个呢？", "speaker_id": 2}, {"begin_ms": 1135740, "end_ms": 1136500, "text": "I don't know if you can see it.", "speaker_id": 2}, {"begin_ms": 1136540, "end_ms": 1138060, "text": " There's a nice plate right there.", "speaker_id": 2}, {"begin_ms": 1139180, "end_ms": 1140380, "text": " Yeah, they didn't have that.", "speaker_id": 2}, {"begin_ms": 1140500, "end_ms": 1141980, "text": " There's another little piece right there.", "speaker_id": 2}, {"begin_ms": 1142060, "end_ms": 1144740, "text": " I don't know if you can see it on the camera right there.", "speaker_id": 2}, {"begin_ms": 1145740, "end_ms": 1148060, "text": " And all those spines right up there in the corner. ", "speaker_id": 2}, {"begin_ms": 1149430, "end_ms": 1152990, "text": "We let me get my my jeweler's loop so we can take a look at that.", "speaker_id": 2}, {"begin_ms": 1156870, "end_ms": 1158110, "text": " Oh yeah, look at that.", "speaker_id": 2}, {"begin_ms": 1158590, "end_ms": 1159670, "text": " That's a nice piece.", "speaker_id": 2}, {"begin_ms": 1160830, "end_ms": 1162350, "text": " Whole bunch of little finds in there too.", "speaker_id": 2}, {"begin_ms": 1162470, "end_ms": 1163070, "text": " See that? ", "speaker_id": 2}, {"begin_ms": 1164640, "end_ms": 1166720, "text": "I ain't have bad, I'll take that.", "speaker_id": 2}, {"begin_ms": 1169080, "end_ms": 1176200, "text": " I guess you could say number 11 is secret drift mine because we're finding tons of gold nuggets down here just like that one.", "speaker_id": 0}, {"begin_ms": 1176320, "end_ms": 1189200, "text": " Now we're currently in the process of rehabbing our hard rock mine and of course figuring out the logistics for this drift mine to get you guys down in there so you can mine out your own gold and keep your own dream alive because we know just how important that can be.", "speaker_id": 0}, {"begin_ms": 1189320, "end_ms": 1190640, "text": " What are you doing up there Jason?", "speaker_id": 2}, {"begin_ms": 1191120, "end_ms": 1191760, "text": " Lots of gold!", "speaker_id": 2}, {"begin_ms": 1191920, "end_ms": 1193920, "text": " Yeah, lots of gold baby.", "speaker_id": 2}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e599","source":"asr","time":["00:15:50","00:15:53"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e600","source":"vision","time":["00:15:50","00:15:53"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e607","source":"vision","time":["00:15:55","00:15:57"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:15:34","00:15:55"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:15:34","00:15:57"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:19:50","00:19:57"]}) |
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---- TOOL RESULT ---- |
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{"event_id": "e599", "t_start": "00:15:51.7", "t_end": "00:15:51.7", "modality": "audio", "desc": "P1 says they are ready to begin", "src": {"clip": 6, "channel": "audio_segments", "seg": 4, "event": 5}, "raw": {"segment_time": "00:15:39.8-00:15:52.8", "event": {"time": "00:15:51.7", "description": "P1 says they are ready to begin"}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e600", "t_start": "00:15:52.0", "t_end": "00:15:52.0", "modality": "visual", "desc": "P1 walks over to O53 on the left and points at it.", "src": {"clip": 6, "channel": "visual_segments", "seg": 5, "event": 2}, "raw": {"segment_time": "00:15:42.0-00:16:00.0", "event": {"time": "00:15:52.0", "description": "P1 walks over to O53 on the left and points at it."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e607", "t_start": "00:15:56.5", "t_end": "00:15:56.5", "modality": "visual", "desc": "P1 walks back to O51 and lifts the top O52 off the stack.", "src": {"clip": 6, "channel": "visual_segments", "seg": 5, "event": 3}, "raw": {"segment_time": "00:15:42.0-00:16:00.0", "event": {"time": "00:15:56.5", "description": "P1 walks back to O51 and lifts the top O52 off the stack."}}} |
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---- TOOL RESULT ---- |
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{"window": [934.0, 955.0], "source": "asr", "asr_sentences": [{"begin_ms": 931820, "end_ms": 934500, "text": " and got 350-pounders of general-purpose sand. ", "speaker_id": 0}, {"begin_ms": 934940, "end_ms": 937580, "text": "And we're gonna take it back to the shop and see if we got some gold.", "speaker_id": 0}, {"begin_ms": 937700, "end_ms": 938620, "text": " So here we go. ", "speaker_id": 0}, {"begin_ms": 941850, "end_ms": 943090, "text": "We got three bags of it.", "speaker_id": 0}, {"begin_ms": 943490, "end_ms": 946530, "text": " And so what we're going to do is we're going to split this open.", "speaker_id": 0}, {"begin_ms": 947130, "end_ms": 951290, "text": " And we're going to dump it in travel here because if i was a pan it take me all week.", "speaker_id": 0}, {"begin_ms": 951690, "end_ms": 952770, "text": " So here we go. ", "speaker_id": 2}]} |
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---- TOOL RESULT ---- |
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{"window": [934.0, 957.0], "source": "vision", "items": [{"clip": 6, "time": "00:15:19.0-00:15:42.0", "boundary": "cut", "summary": "A younger version of the man stands in a store parking lot with a red hand truck. He leans on the hand truck, talks to the camera, and then lifts a large bag of Quikrete sand from it to show the camera before setting it back down.", "events": [{"time": "00:15:19.0", "description": "P1 leans on O51 and points directly at the camera."}, {"time": "00:15:28.0", "description": "P1 gestures by pointing his thumb backwards over his shoulder."}, {"time": "00:15:34.0", "description": "P1 lifts O52 off of O51 and holds it up for the camera."}], "present_entities": ["P1", "O51", "O52", "L22"], "interactions": "P1 leans on O51; P1 lifts and holds O52.", "spatial_layout": "P1 is in the center; O51 is positioned in front of him; L22 background shows a store building and cars.", "visual_changes": "Subtitle text 'Filmed in 2009' appears on screen at 00:34 and disappears at 00:37.", "independent_events": null, "background": "asphalt parking lot with cars and a commercial building in the distance", "onscreen_text": "Filmed in 2009", "camera": "medium shot, static"}, {"clip": 6, "time": "00:15:42.0-00:16:00.0", "boundary": "cut", "summary": "The man is in an outdoor backyard patio area, pushing the hand truck loaded with three bags of sand toward a trommel machine. He sets the hand truck down, walks over to point at the trommel, and then walks back to lift the top bag from the stack.", "events": [{"time": "00:15:42.0", "description": "P1 pushes O51 loaded with three O52s into the frame."}, {"time": "00:15:45.5", "description": "P1 sets O51 down and points to the stacked O52s."}, {"time": "00:15:52.0", "description": "P1 walks over to O53 on the left and points at it."}, {"time": "00:15:56.5", "description": "P1 walks back to O51 and lifts the top O52 off the stack."}], "present_entities": ["P1", "O51", "O52", "O53", "L23"], "interactions": "P1 pushes O51; P1 lifts O52.", "spatial_layout": "O53 is on the left side of the frame; P1 and O51 are in the center.", "visual_changes": null, "independent_events": null, "background": "concrete patio next to a house with a stucco wall and scattered buckets", "onscreen_text": null, "camera": "medium shot, panning slightly to follow the man's movement"}]} |
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---- TOOL RESULT ---- |
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{"window": [1190.0, 1197.0], "source": "asr", "asr_sentences": [{"begin_ms": 1189320, "end_ms": 1190640, "text": " What are you doing up there Jason?", "speaker_id": 2}, {"begin_ms": 1191120, "end_ms": 1191760, "text": " Lots of gold!", "speaker_id": 2}, {"begin_ms": 1191920, "end_ms": 1193920, "text": " Yeah, lots of gold baby.", "speaker_id": 2}, {"begin_ms": 1194600, "end_ms": 1195440, "text": " Here we go Jeff.", "speaker_id": 2}, {"begin_ms": 1195560, "end_ms": 1195920, "text": " All right. ", "speaker_id": 2}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e81","source":"vision","time":["00:01:49","00:01:52"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e82","source":"asr","time":["00:01:50","00:01:53"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:01:45","00:02:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:01:45","00:02:00"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:00:00","00:23:00"]}) |
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---- TOOL RESULT ---- |
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{"event_id": "e81", "t_start": "00:01:50.0", "t_end": "00:01:50.0", "modality": "visual", "desc": "P1's hand enters the frame and points to the text on the cast iron plate", "src": {"clip": 0, "channel": "visual_segments", "seg": 18, "event": 2}, "raw": {"segment_time": "00:01:45.5-00:02:07.5", "event": {"time": "00:01:50.0", "description": "P1's hand enters the frame and points to the text on the cast iron plate"}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e82", "t_start": "00:01:51.8", "t_end": "00:01:51.8", "modality": "audio", "desc": "P1 prompts attention to the marking with a brief 'see that' style cue", "src": {"clip": 0, "channel": "audio_segments", "seg": 4, "event": 1}, "raw": {"segment_time": "00:01:46.8-00:02:09.8", "event": {"time": "00:01:51.8", "description": "P1 prompts attention to the marking with a brief 'see that' style cue"}}} |
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---- TOOL RESULT ---- |
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{"window": [105.0, 120.0], "source": "vision", "items": [{"clip": 0, "time": "00:01:25.5-00:01:45.5", "boundary": "cut", "summary": "P1, now wearing a maroon shirt, stands next to the ball mill in the desert, explaining its function. He touches the machine, reaches inside to retrieve a rusty metal ball, shows it to the camera, and then places it back inside.", "events": [{"time": "00:01:25.5", "description": "P1 stands next to O9, touching its side with his left hand while speaking"}, {"time": "00:01:30.5", "description": "P1 reaches his right hand inside the opening of O9"}, {"time": "00:01:32.0", "description": "P1 pulls O11 out of O9 and holds it up near his face to show the camera"}, {"time": "00:01:33.5", "description": "P1 places O11 back inside the opening of O9"}, {"time": "00:01:35.0", "description": "P1 gestures with his hands, pantomiming the rotation of the machine"}], "present_entities": ["P1", "O9", "O11", "L2"], "interactions": "P1 touches O9, reaches inside it, picks up O11, and puts O11 back into O9", "spatial_layout": "O9 is on the left; P1 stands on the right, facing left towards the machine and turning to the camera", "visual_changes": "null", "independent_events": "null", "background": "desert landscape with sandy ground, sparse bushes, and a blue and white building in the distance", "onscreen_text": "null", "camera": "medium shot, static"}, {"clip": 0, "time": "00:01:45.5-00:02:07.5", "boundary": "cut", "summary": "The scene shifts to a tall, rusty stamp mill structure in the same desert area. The camera pans down the wooden framing, focuses on a cast iron plate, then shows P1's hand pointing out the crushing mechanisms inside the base. Finally, P1's hand holds a digital camera inside the machine to show the interior.", "events": [{"time": "00:01:45.5", "description": "The camera begins at the top of O10 and slowly tilts downwards along the wooden beams"}, {"time": "00:01:47.5", "description": "The camera focuses closely on the cast iron plate on the front of O10"}, {"time": "00:01:50.0", "description": "P1's hand enters the frame and points to the text on the cast iron plate"}, {"time": "00:01:52.5", "description": "The camera tilts further down to show the open base of O10 with internal crushing cylinders"}, {"time": "00:01:53.5", "description": "P1's hand points to the upper crushing cylinders inside the machine"}, {"time": "00:01:55.5", "description": "P1's hand points to the lower base blocks inside the machine"}, {"time": "00:01:58.5", "description": "P1's hand holds a black digital camera and maneuvers it into the open base of O10 to film the interior"}, {"time": "00:02:01.5", "description": "P1's hand rests near the edge of the opening while explaining the mechanism"}], "present_entities": ["P1", "O10", "L2"], "interactions": "P1 points at specific parts of O10 and uses a digital camera to film inside it", "spatial_layout": "O10 fills the frame vertically; P1's hand interacts from the right side", "visual_changes": "null", "independent_events": "null", "background": "desert landscape with sandy ground and sparse bushes", "onscreen_text": "TWO STAMP MILL\nNEVADA ENGINEERING WORKS RENO", "camera": "medium shot tilting down to close-up, then static"}]} |
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---- TOOL RESULT ---- |
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{"window": [105.0, 120.0], "source": "asr", "asr_sentences": [{"begin_ms": 104700, "end_ms": 106380, "text": " You see how you have to go in steps.", "speaker_id": 0}, {"begin_ms": 106820, "end_ms": 111700, "text": " The neat thing about this one is it's, it was made in nevada ironworks or engineering works.", "speaker_id": 0}, {"begin_ms": 111780, "end_ms": 112340, "text": " See that? ", "speaker_id": 0}, {"begin_ms": 113180, "end_ms": 116500, "text": "And these little guys right here, those are the dies, and those are the shoes.", "speaker_id": 0}, {"begin_ms": 116580, "end_ms": 117100, "text": " See that?", "speaker_id": 0}, {"begin_ms": 118180, "end_ms": 121020, "text": " And the ore comes in from the back, and there's always a screen here.", "speaker_id": 0}]} |
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---- TOOL RESULT ---- |
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{"window": [0.0, 1380.0], "source": "asr", "asr_sentences": [{"begin_ms": 240, "end_ms": 4960, "text": " I'm gonna reveal my top ten secret places to find gold . ", "speaker_id": 0}, {"begin_ms": 7730, "end_ms": 11690, "text": "Coming in at number one is garage sales and yard sales.", "speaker_id": 0}, {"begin_ms": 11810, "end_ms": 17490, "text": " Now i know that sounds like a no brainer but you can find a lot of gold and silver at garage sales estate sales and yard sales.", "speaker_id": 0}, {"begin_ms": 17530, "end_ms": 20930, "text": " When you're checking the rings look for the inside right of the ring for the carrot.", "speaker_id": 1}, {"begin_ms": 21010, "end_ms": 25730, "text": " If you're looking on necklaces look on the clasp usually you'll see what the carrot weight is.", "speaker_id": 1}, {"begin_ms": 25930, "end_ms": 30570, "text": " If you see a number like 750 that usually means it's 18 carrot.", "speaker_id": 1}, {"begin_ms": 30610, "end_ms": 32690, "text": " It's referred to as a hallmark number.", "speaker_id": 1}, {"begin_ms": 32810, "end_ms": 37810, "text": " These are the hallmark numbers that are associated with the carrots so that you can understand how much gold is in there.", "speaker_id": 1}, {"begin_ms": 37890, "end_ms": 40490, "text": " If you're selling your gold, this is a refinery that we go through.", "speaker_id": 1}, {"begin_ms": 40850, "end_ms": 44130, "text": " They pay 95% spot on 24 karat gold.", "speaker_id": 1}, {"begin_ms": 44210, "end_ms": 48890, "text": " I strongly recommend that you get a rare earth jewelry test magnet to test your jewelry when you're at these yard sales.", "speaker_id": 1}, {"begin_ms": 48970, "end_ms": 54130, "text": " I would also recommend getting yourself a jeweler's loop so you can inspect it for the markings for carrot weight.", "speaker_id": 1}, {"begin_ms": 54290, "end_ms": 60570, "text": " We would also recommend getting yourself an acid test kit that way you can be sure of the purity of the gold that you're purchasing at these garage sales. ", "speaker_id": 1}, {"begin_ms": 63350, "end_ms": 66910, "text": "Now, number two on my list is old ball mills and stamp mills.", "speaker_id": 0}, {"begin_ms": 67030, "end_ms": 78190, "text": " You'd be amazed at how many of these things have never been cleaned out, and a lot of the heavy metals like gold and silver are going to be trapped down in the armor plating of the ball mills or they're going to be down in the bottom of the mortar boxes of the stamp mills.", "speaker_id": 0}, {"begin_ms": 78870, "end_ms": 86510, "text": " This is a good example of a batch mill, and I've seen these run a lot in artisanal mines in South America and Africa. ", "speaker_id": 0}, {"begin_ms": 86820, "end_ms": 89900, "text": "You have this small opening here, and a plate that goes over it.", "speaker_id": 0}, {"begin_ms": 90100, "end_ms": 93780, "text": " You charge it with a load of ore, and you can also put your balls in there too.", "speaker_id": 0}, {"begin_ms": 93980, "end_ms": 96380, "text": " Run it around for a couple hours, turn it upside down.", "speaker_id": 0}, {"begin_ms": 96540, "end_ms": 102660, "text": " You have a mesh here to catch the balls, and then all your powdered ore, which is mixed with water, comes out the bottom.", "speaker_id": 0}, {"begin_ms": 102860, "end_ms": 104620, "text": " Then you'd run that across a shaker table.", "speaker_id": 0}, {"begin_ms": 104700, "end_ms": 106380, "text": " You see how you have to go in steps.", "speaker_id": 0}, {"begin_ms": 106820, "end_ms": 111700, "text": " The neat thing about this one is it's, it was made in nevada ironworks or engineering works.", "speaker_id": 0}, {"begin_ms": 111780, "end_ms": 112340, "text": " See that? ", "speaker_id": 0}]} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"asr","time":["00:19:13","00:19:25"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"","source":"vision","time":["00:19:13","00:19:25"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e700","source":"vision","time":["00:19:15","00:19:16"]}) |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e702","source":"asr","time":["00:19:19","00:19:22"]}) |
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---- TOOL RESULT ---- |
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{"window": [1153.0, 1165.0], "source": "asr", "asr_sentences": [{"begin_ms": 1156870, "end_ms": 1158110, "text": " Oh yeah, look at that.", "speaker_id": 2}, {"begin_ms": 1158590, "end_ms": 1159670, "text": " That's a nice piece.", "speaker_id": 2}, {"begin_ms": 1160830, "end_ms": 1162350, "text": " Whole bunch of little finds in there too.", "speaker_id": 2}, {"begin_ms": 1162470, "end_ms": 1163070, "text": " See that? ", "speaker_id": 2}, {"begin_ms": 1164640, "end_ms": 1166720, "text": "I ain't have bad, I'll take that.", "speaker_id": 2}]} |
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---- TOOL RESULT ---- |
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{"window": [1153.0, 1165.0], "source": "vision", "items": [{"clip": 7, "time": "00:18:26.5-00:19:13.5", "boundary": "action", "summary": "P1 moves into the sunlight with the green pan to get a better look at the concentrated material. The camera zooms in closely on the pan as P1 gently swirls a small amount of water over the black sand. A tiny speck of gold is revealed, which P1 points out with his gloved finger.", "events": [{"time": "00:18:26.5", "description": "P1 walks out of the shaded patio area into the bright sunlight holding O25."}, {"time": "00:18:29.0", "description": "The camera closes in on the inside of O25, showing a patch of black sand."}, {"time": "00:18:43.0", "description": "P1 gently swirls the water in O25, spreading the black sand across the bottom."}, {"time": "00:18:57.0", "description": "P1 points to a visible speck of gold in O25 with his gloved finger."}], "present_entities": ["P1", "O25", "O54", "L23"], "interactions": "P1 holds, tilts, and points into O25.", "spatial_layout": "Close-up on O25 held in P1's hands, filling most of the frame.", "visual_changes": "The black sand gradually spreads out under the water, revealing contrasting gold flakes.", "independent_events": null, "background": "outdoor area illuminated by direct sunlight", "onscreen_text": "GARRETT SUPER SLUICE * GOLD PAN", "camera": "close-up, panning and tilting to follow the contents of the pan"}, {"clip": 7, "time": "00:19:13.5-00:19:29.5", "boundary": "cut", "summary": "P1 places a jeweler's loupe over the camera lens to provide a magnified view of the pan's contents. Through the circular lens of the loupe, several tiny flakes of gold are clearly visible resting among the fine black sand in the green pan.", "events": [{"time": "00:19:13.5", "description": "A jeweler's loupe O7 is brought directly in front of the camera lens."}, {"time": "00:19:15.0", "description": "The view through O7 shows a highly magnified look at the tiny gold pieces and black sand in O25."}], "present_entities": ["P1", "O7", "O25", "O54"], "interactions": "P1 holds O7 in front of the camera to magnify O25.", "spatial_layout": "O7 creates a circular vignette framing the center of the view, showing a magnified section of O25.", "visual_changes": "The entire frame shifts to a highly magnified, circular perspective.", "independent_events": null, "background": "inside of the green panning pan", "onscreen_text": null, "camera": "extreme close-up through a secondary lens"}]} |
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---- TOOL RESULT ---- |
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{"event_id": "e700", "t_start": "00:19:15.0", "t_end": "00:19:15.0", "modality": "visual", "desc": "The view through O7 shows a highly magnified look at the tiny gold pieces and black sand in O25.", "src": {"clip": 7, "channel": "visual_segments", "seg": 2, "event": 1}, "raw": {"segment_time": "00:19:13.5-00:19:29.5", "event": {"time": "00:19:15.0", "description": "The view through O7 shows a highly magnified look at the tiny gold pieces and black sand in O25."}}} |
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---- TOOL RESULT ---- |
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{"event_id": "e702", "t_start": "00:19:20.8", "t_end": "00:19:20.8", "modality": "audio", "desc": "P1 notes a whole bunch of little fines in the pan", "src": {"clip": 7, "channel": "audio_segments", "seg": 4, "event": 8}, "raw": {"segment_time": "00:18:46.8-00:19:27.0", "event": {"time": "00:19:20.8", "description": "P1 notes a whole bunch of little fines in the pan"}}} |
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---- MODEL → TOOL_CALL ---- |
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lookup_source({"entity_id":"","event_id":"e561","source":"asr","time":["00:14:58","00:15:00"]}) |
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---- TOOL RESULT ---- |
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{"event_id": "e561", "t_start": "00:14:58.5", "t_end": "00:14:58.5", "modality": "audio", "desc": "P1 points out a bigger chunk", "src": {"clip": 5, "channel": "audio_segments", "seg": 5, "event": 9}, "raw": {"segment_time": "00:14:27.9-00:15:03.5", "event": {"time": "00:14:58.5", "description": "P1 points out a bigger chunk"}}} |
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==== THIS RESPONSE'S OUTPUT ==== |
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Oops in final must not mention tool. Need maybe lookup now. |
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[{ |
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"question": "At which minute does the presenter say “See that?” while his hand points to the cast-iron maker’s plate on a rusty stamp mill?", |
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"answer": "1", |
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"evidence": ["e82", "e81"], |
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"reasoning": "The heard cue is the presenter's brief line, “See that?” At the same moment, the video shows his hand pointing at the text on a cast-iron plate attached to a rusty stamp mill. Matching that repeated spoken phrase with this specific visual action identifies the moment, which falls in minute 1.", |
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"hops": 2 |
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}] |
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