Alexandre Enkerli Enkerli

## JazzPatt.tsv

          
            Pattern
            ID
            Instances

            
              [-1, -1, -1, -2, -2, -1]
              r3prd0u5e1
              127

            
              [-1, -1, -1, -1, -1, -2]
              k68sn02uof
              126

            
              [-3, 1, 2, 1, 2, 2]
              2bf2a3yced
              122

            
              [-2, -1, -2, -2, -2, -1]
              lv7dtm7aeu
              110

            
              [-2, -1, -1, -1, -1, -1]
              pghi0goc5x
              106

            
              [-2, -1, -2, -2, -1, -1]
              7b2ryh0s2e
              98

            
              [1, 2, 2, 2, 1, 2]
              yt0htbzb45
              95

            
              [2, 1, 2, 2, 2, 1]
              janxn6gkmj
              94

            
              [-1, -2, -2, -2, -1, -2]
              6sjw0i0kzw
              93

## spi-ctl-bpf.rb
set_sched_ahead_time! 0 # Setting that one to a negative value makes Sonic Pi complain, it sounds like.

with_fx :bpf do |s| # Setting up the fx to be controlled internally
  synth :square, note: 32,release: 400 # Long release as the control will affect a single note
  live_loop :ctl do # The loop is inside the fx as this is where the action will be.
    ctl=sync "/ctl" # The OSC message which Processing sends, based on mouse coordinates.
    rz=ctl[:args][0] # Assigning the first argument to resonance.
    ct=ctl[:args][1] # Assigning the second argument to centre.
    control s, res: rz, centre: ct # The actual control of the fx.
    set_sched_ahead_time! -2 # Sounds like setting this again every time actually helps.

## tonespace_chords.rb
use_real_time # Preventing latency
use_tuning :just, :c # Just Intonation, chords are diatonic in C major

with_fx :compressor, threshold: 0.1 do # Preventing clipping
  with_fx :reverb do # Everything on the same reverb
    with_fx :lpf, cutoff_slide: 0.02 do |filtre| # Everything on the same breath-controlled filter
      baritone = synth :hoover, note: 0, release: 1000, amp: 0 # “Classic early 90’s rave synth”
      tenor = synth :chipbass, note: 0, release: 1000, amp: 0 # “A 16 step triangle wave modelled after the 2A03 chip found in voice 3 of the NES games console.”
      alto = synth :beep, note: 0, release: 1000, amp: 0 # Sine wave
      soprano = synth :chiplead, note: 0, release: 1000, amp: 0 # “A slightly clipped square (pulse) wave with phases of 12.5%, 25% or 50% modelled after the 2A03 chip found in voices 1 and 2 of the NES games console.”

## PlugList.ipynb

      
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                Enkerli
                / PlugList.ipynb
            
            
              Created
              November 30, 2022 00:13
            
              
                A Jupyter notebook using pandas to process my list of VST3, VST, and AudioUnit plugins (as produced by Tracktion Waveform). Doing a bit of data cleanup.
              
          
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## spi_examples_29mar16.txt
# Intro
# https://rbnrpi.wordpress.com/2015/04/06/musical-fireworks-with-sonic-pi-and-minecraft/

# Ex 1: Notes
##	# Ex 1a: Play
		play 60
##	# Ex 1b: Play 2
		play 60
		play 56
##	# Ex 1c: Sleep

## csBreathLead.csd
<Cabbage>
form caption("Breath Solo") size(400, 400), colour(58, 110, 182), pluginid("def1")
keyboard bounds(8, 236, 381, 95)
rslider bounds(78, 10, 70, 70), channel("porttime"), range(0, 1, 0.01, 1, 0.01), text("Portamento Time")
rslider bounds(162, 10, 70, 70), channel("cutoff"), range(0, 22000, 21000, 0.5, 0.01), text("Cutoff")
rslider bounds(246, 10, 70, 70), channel("res"), range(0, 1, 0.9, 1, 0.01), text("Resonance")
groupbox bounds(78, 94, 238, 112), text("Reverb")
rslider bounds(94, 124, 68, 70), channel("size"), range(0, 1, 0.9, 1, 0.001), text("Size"), colour(2, 132, 0, 255),
rslider bounds(208, 122, 68, 70), channel("fco"), range(1, 22000, 21000, 1, 0.001), text("Damp"), colour(2, 132, 0, 255),

## safloop.rb
# Simple Sonic Pi script which randomly picks part of a looping sample to create a groovy rhythm.
# https://soundcloud.com/synthbreath/sonic-pi-random-safari-loop
# Thanks to Sam Aaron for that “pick” trick! https://in-thread.sonic-pi.net/t/find-the-last-onset-within-a-sample/1299/10?u=enkerli
# And thanks to Martin Butz for the actual solution of finding the number of onsets in a sample! Quite elegant.
# https://in-thread.sonic-pi.net/t/find-the-last-onset-within-a-sample/1299/14?u=enkerli
# I also explored loops from sample libraries: https://soundcloud.com/synthbreath/sliced-loops

smp=:loop_safari
maxons=sample_buffer(smp, 0).onset_slices.last[:index]
loop do

## spi_mbe.rb
# Thirty years ago, Robby Kilgore invented a neat harmonization effect for Michael Brecker: http://robbykilgore.com/?p=19
# The basic idea is that incoming notes are doubled by rotating intervals. So you get diverse chords from the same melodic notes.
# This script is an attempt to reproduce the same effect.

use_real_time # Prevents latency
use_synth :fm # Other interesting synth sounds for this: [:hoover, :prophet, :blade, :fm]

middle=[-8, -5, -7, -1].ring # Rotating intervals for the middle note of each chord.
low=[-12, -17, 0].ring # Rotating intervals for the “bass” note of each chord.

## tshallendj_louptah.rb
ting=[4,12,13,18,26,34,43,44,49,57].ring
doum=[6,10,20,24,41,55].ring
claps=[8,19,23,28,29,39,48,50,60].ring
snay=[33,22,8].ring
tomtom=[2,17,32].ring
tock=[3,9,40,51,53,54,59].ring
dwi=[7,21,56,5,38].ring
dwo=[11,47,25,52,27,42].ring
dub=[14,31,58,5,46,35].ring
tonton=[0,1,45,30].ring

## counter_ringy_bendy.rb
use_real_time # Preventing latency
use_tuning :just, :c # Just Intonation
delta=counter=naute=idx=0 # Initialize a few things
previous=60 # First note for the counter melody
gamme=(scale 50, :hex_dorian, num_octaves: 5) # Setting a “ring” of values in which to find incoming notes
counter_gamme=(scale 38, :hex_dorian, num_octaves: 2) # Same for the countermelody, an octave below
with_fx :compressor, threshold: 0.2 do # Preventing clipping
  with_fx :reverb, room: 0.8 do # Everything on the same reverb
    with_fx :ring_mod, mix_slide: 0.02 do |ringy| # Everything on lip-controlled Ring Mod
      with_fx :rlpf, res: 0.7, cutoff_slide: 0.02 do |lipf| # Everything on breath-controlled low-pass filter
Pattern	ID	Instances
[-1, -1, -1, -2, -2, -1]	r3prd0u5e1	127
[-1, -1, -1, -1, -1, -2]	k68sn02uof	126
[-3, 1, 2, 1, 2, 2]	2bf2a3yced	122
[-2, -1, -2, -2, -2, -1]	lv7dtm7aeu	110
[-2, -1, -1, -1, -1, -1]	pghi0goc5x	106
[-2, -1, -2, -2, -1, -1]	7b2ryh0s2e	98
[1, 2, 2, 2, 1, 2]	yt0htbzb45	95
[2, 1, 2, 2, 2, 1]	janxn6gkmj	94
[-1, -2, -2, -2, -1, -2]	6sjw0i0kzw	93
	set_sched_ahead_time! 0 # Setting that one to a negative value makes Sonic Pi complain, it sounds like.

	with_fx :bpf do \|s\| # Setting up the fx to be controlled internally
	synth :square, note: 32,release: 400 # Long release as the control will affect a single note
	live_loop :ctl do # The loop is inside the fx as this is where the action will be.
	ctl=sync "/ctl" # The OSC message which Processing sends, based on mouse coordinates.
	rz=ctl[:args][0] # Assigning the first argument to resonance.
	ct=ctl[:args][1] # Assigning the second argument to centre.
	control s, res: rz, centre: ct # The actual control of the fx.
	set_sched_ahead_time! -2 # Sounds like setting this again every time actually helps.
	use_real_time # Preventing latency
	use_tuning :just, :c # Just Intonation, chords are diatonic in C major

	with_fx :compressor, threshold: 0.1 do # Preventing clipping
	with_fx :reverb do # Everything on the same reverb
	with_fx :lpf, cutoff_slide: 0.02 do \|filtre\| # Everything on the same breath-controlled filter
	baritone = synth :hoover, note: 0, release: 1000, amp: 0 # “Classic early 90’s rave synth”
	tenor = synth :chipbass, note: 0, release: 1000, amp: 0 # “A 16 step triangle wave modelled after the 2A03 chip found in voice 3 of the NES games console.”
	alto = synth :beep, note: 0, release: 1000, amp: 0 # Sine wave
	soprano = synth :chiplead, note: 0, release: 1000, amp: 0 # “A slightly clipped square (pulse) wave with phases of 12.5%, 25% or 50% modelled after the 2A03 chip found in voices 1 and 2 of the NES games console.”
	# Intro
	# https://rbnrpi.wordpress.com/2015/04/06/musical-fireworks-with-sonic-pi-and-minecraft/

	# Ex 1: Notes
	## # Ex 1a: Play
	play 60
	## # Ex 1b: Play 2
	play 60
	play 56
	## # Ex 1c: Sleep
	<Cabbage>
	form caption("Breath Solo") size(400, 400), colour(58, 110, 182), pluginid("def1")
	keyboard bounds(8, 236, 381, 95)
	rslider bounds(78, 10, 70, 70), channel("porttime"), range(0, 1, 0.01, 1, 0.01), text("Portamento Time")
	rslider bounds(162, 10, 70, 70), channel("cutoff"), range(0, 22000, 21000, 0.5, 0.01), text("Cutoff")
	rslider bounds(246, 10, 70, 70), channel("res"), range(0, 1, 0.9, 1, 0.01), text("Resonance")
	groupbox bounds(78, 94, 238, 112), text("Reverb")
	rslider bounds(94, 124, 68, 70), channel("size"), range(0, 1, 0.9, 1, 0.001), text("Size"), colour(2, 132, 0, 255),
	rslider bounds(208, 122, 68, 70), channel("fco"), range(1, 22000, 21000, 1, 0.001), text("Damp"), colour(2, 132, 0, 255),
	# Simple Sonic Pi script which randomly picks part of a looping sample to create a groovy rhythm.
	# https://soundcloud.com/synthbreath/sonic-pi-random-safari-loop
	# Thanks to Sam Aaron for that “pick” trick! https://in-thread.sonic-pi.net/t/find-the-last-onset-within-a-sample/1299/10?u=enkerli
	# And thanks to Martin Butz for the actual solution of finding the number of onsets in a sample! Quite elegant.
	# https://in-thread.sonic-pi.net/t/find-the-last-onset-within-a-sample/1299/14?u=enkerli
	# I also explored loops from sample libraries: https://soundcloud.com/synthbreath/sliced-loops

	smp=:loop_safari
	maxons=sample_buffer(smp, 0).onset_slices.last[:index]
	loop do
	# Thirty years ago, Robby Kilgore invented a neat harmonization effect for Michael Brecker: http://robbykilgore.com/?p=19
	# The basic idea is that incoming notes are doubled by rotating intervals. So you get diverse chords from the same melodic notes.
	# This script is an attempt to reproduce the same effect.

	use_real_time # Prevents latency
	use_synth :fm # Other interesting synth sounds for this: [:hoover, :prophet, :blade, :fm]

	middle=[-8, -5, -7, -1].ring # Rotating intervals for the middle note of each chord.
	low=[-12, -17, 0].ring # Rotating intervals for the “bass” note of each chord.
	ting=[4,12,13,18,26,34,43,44,49,57].ring
	doum=[6,10,20,24,41,55].ring
	claps=[8,19,23,28,29,39,48,50,60].ring
	snay=[33,22,8].ring
	tomtom=[2,17,32].ring
	tock=[3,9,40,51,53,54,59].ring
	dwi=[7,21,56,5,38].ring
	dwo=[11,47,25,52,27,42].ring
	dub=[14,31,58,5,46,35].ring
	tonton=[0,1,45,30].ring
	use_real_time # Preventing latency
	use_tuning :just, :c # Just Intonation
	delta=counter=naute=idx=0 # Initialize a few things
	previous=60 # First note for the counter melody
	gamme=(scale 50, :hex_dorian, num_octaves: 5) # Setting a “ring” of values in which to find incoming notes
	counter_gamme=(scale 38, :hex_dorian, num_octaves: 2) # Same for the countermelody, an octave below
	with_fx :compressor, threshold: 0.2 do # Preventing clipping
	with_fx :reverb, room: 0.8 do # Everything on the same reverb
	with_fx :ring_mod, mix_slide: 0.02 do \|ringy\| # Everything on lip-controlled Ring Mod
	with_fx :rlpf, res: 0.7, cutoff_slide: 0.02 do \|lipf\| # Everything on breath-controlled low-pass filter