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{ | |
"cells": [ | |
{ | |
"cell_type": "raw", | |
"metadata": {}, | |
"source": [ | |
"---\n", | |
"title: \"punctum books\"\n", | |
"jupyter: python3\n", | |
"execute:\n", | |
" echo: false\n", | |
" output: asis\n", | |
"---" | |
] | |
}, | |
{ | |
"attachments": {}, | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"This page shows the latest publications (in descending order of publication date) from [punctum books](https://punctumbooks.com/).\n", | |
"\n", | |
"Metadata is licensed as [Creative Commons Zero (CC0)](https://creativecommons.org/share-your-work/public-domain/cc0/) and is retrieved from [Thoth](https://thoth.pub/)'s open APIs." | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 1, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"name": "stdout", | |
"output_type": "stream", | |
"text": [ | |
"Last updated: 2023-03-13 14:43:00\n" | |
] | |
} | |
], | |
"source": [ | |
"from datetime import datetime\n", | |
"\n", | |
"# datetime object containing current date and time\n", | |
"now = datetime.now()\n", | |
"\n", | |
"# YY-mm-dd H:M:S\n", | |
"now_string = now.strftime(\"%Y-%m-%d %H:%M:%S\")\n", | |
"\n", | |
"print('Last updated: ' + now_string)" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 2, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"name": "stdout", | |
"output_type": "stream", | |
"text": [ | |
"## March 2023\n", | |
"\n", | |
"### Exoanthropology: Dialogues with AI\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/12/211213exoanthropology-cover-web-front.jpg\" alt=\"cover for Exoanthropology: Dialogues with AI\" width=\"300\"/>\n", | |
"\n", | |
"Author: Robert Leib\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2023\n", | |
"\n", | |
"[https://doi.org/10.53288/0398.1.00](https://doi.org/10.53288/0398.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## February 2023\n", | |
"\n", | |
"### The Goths & Other Stories\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2023/02/230206thegoths-2ndedn-cover-web-front.jpg\" alt=\"cover for The Goths & Other Stories\" width=\"300\"/>\n", | |
"\n", | |
"Author: Tis Kaoru Zamler-Carhart\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2023\n", | |
"\n", | |
"[https://doi.org/10.53288/0492.1.00](https://doi.org/10.53288/0492.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## January 2023\n", | |
"\n", | |
"### Notes on Trumpspace: Politics, Aesthetics, and the Fantasy of Home\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/07/220701trumpspace-cover-web-front.jpg\" alt=\"cover for Notes on Trumpspace: Politics, Aesthetics, and the Fantasy of Home\" width=\"300\"/>\n", | |
"\n", | |
"Author: David Markus\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2023\n", | |
"\n", | |
"[https://doi.org/10.53288/0366.1.00](https://doi.org/10.53288/0366.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## December 2022\n", | |
"\n", | |
"### Northeastern Asia and the Northern Rockies: Treasures from the Los Angeles County Museum of Art and the Daryl S. Paulson Collection\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/10/221115NEAsia-cover-web-front.jpg\" alt=\"cover for Northeastern Asia and the Northern Rockies: Treasures from the Los Angeles County Museum of Art and the Daryl S. Paulson Collection\" width=\"300\"/>\n", | |
"\n", | |
"Author: Stephen Little\n", | |
"\n", | |
"Author: T. Lawrence Larkin\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0383.1.00](https://doi.org/10.53288/0383.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Angels Won't Help You\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/10/211013angelswonthelpyou-cover-web-front.jpg\" alt=\"cover for The Angels Won't Help You\" width=\"300\"/>\n", | |
"\n", | |
"Author: M.H. Bowker\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0388.1.00](https://doi.org/10.53288/0388.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Static Palace\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/06/220627staticpalace-cover-web-front.jpg\" alt=\"cover for Static Palace\" width=\"300\"/>\n", | |
"\n", | |
"Author: Leora Fridman\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0411.1.00](https://doi.org/10.53288/0411.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## November 2022\n", | |
"\n", | |
"### My Phone Lies to Me: Fake News Poetry Workshops As Radical Digital Media Literacy Given the Fact of Fake News\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/01/221017myphonelies-cover-web-front.jpg\" alt=\"cover for My Phone Lies to Me: Fake News Poetry Workshops As Radical Digital Media Literacy Given the Fact of Fake News\" width=\"300\"/>\n", | |
"\n", | |
"Editor: Alexandra Juhasz\n", | |
"\n", | |
"Foreword_by: Tara McPherson\n", | |
"\n", | |
"Afterword_by: Margaret Rhee\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0394.1.00](https://doi.org/10.53288/0394.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Fascism, Vulnerability, and the Escape from Freedom: Readings to Repair Democracy\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/03/221010fascismvulnerability-cover-web-front.jpg\" alt=\"cover for Fascism, Vulnerability, and the Escape from Freedom: Readings to Repair Democracy\" width=\"300\"/>\n", | |
"\n", | |
"Author: C. Jon Delogu\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0392.1.00](https://doi.org/10.53288/0392.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## October 2022\n", | |
"\n", | |
"### Something More Splendid Than Two\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/11/221003somethingmoresplendid-cover-front-web-1.jpg\" alt=\"cover for Something More Splendid Than Two\" width=\"300\"/>\n", | |
"\n", | |
"Author: josé rivers alfaro\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0412.1.00](https://doi.org/10.53288/0412.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## September 2022\n", | |
"\n", | |
"### The Dark Posthuman: Dehumanization, Technology, and the Atlantic World\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/02/220207darkposthuman-cover-web-front.jpg\" alt=\"cover for The Dark Posthuman: Dehumanization, Technology, and the Atlantic World\" width=\"300\"/>\n", | |
"\n", | |
"Author: Stephanie Polsky\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0381.1.00](https://doi.org/10.53288/0381.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### A Credible Utopia: Essays on Selected Films of Werner Schroeter\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/10/211023wernerschroeter-cover-front-web.jpg\" alt=\"cover for A Credible Utopia: Essays on Selected Films of Werner Schroeter\" width=\"300\"/>\n", | |
"\n", | |
"Author: Peter Valente\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0391.1.00](https://doi.org/10.53288/0391.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Styling Sagaciousness: Oh Great No!\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/12/211213stylingsagaciousness-cover-web-front.jpg\" alt=\"cover for Styling Sagaciousness: Oh Great No!\" width=\"300\"/>\n", | |
"\n", | |
"Author: Joseph Nechvatal\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0387.1.00](https://doi.org/10.53288/0387.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## July 2022\n", | |
"\n", | |
"### Works for Works, Book 1: Useless Beauty\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/06/210629w4w1-cover-web-front-1.jpg\" alt=\"cover for Works for Works, Book 1: Useless Beauty\" width=\"300\"/>\n", | |
"\n", | |
"Author: Gavin Keeney\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0375.1.00](https://doi.org/10.53288/0375.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Escape Philosophy: Journeys Beyond the Human Body\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/11/211101escapephilosophy-cover-web-front.jpg\" alt=\"cover for Escape Philosophy: Journeys Beyond the Human Body\" width=\"300\"/>\n", | |
"\n", | |
"Author: Roy Christopher\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0416.1.00](https://doi.org/10.53288/0416.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Pitch and Revelation: Reconfigurations of Reading, Poetry, and Philosophy through the Work of Jay Wright\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/08/210814pitch-revelation-cover-front-web-2.jpg\" alt=\"cover for Pitch and Revelation: Reconfigurations of Reading, Poetry, and Philosophy through the Work of Jay Wright\" width=\"300\"/>\n", | |
"\n", | |
"Author: Matthew Goulish\n", | |
"\n", | |
"Author: Will Daddario\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0380.1.00](https://doi.org/10.53288/0380.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## June 2022\n", | |
"\n", | |
"### Nothing As We Need It: A Chimera\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/12/211207nothingasweneedit-cover-web-front.jpg\" alt=\"cover for Nothing As We Need It: A Chimera\" width=\"300\"/>\n", | |
"\n", | |
"Author: Daniela Cascella\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0382.1.00](https://doi.org/10.53288/0382.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Turkish Voices\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2022/03/220315turkishvoices-cover-front-web.jpg\" alt=\"cover for Turkish Voices\" width=\"300\"/>\n", | |
"\n", | |
"Author: Murat Nemet-Nejat\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0390.1.00](https://doi.org/10.53288/0390.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Letters on the Autonomy Project\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/09/210908autonomyproject-cover-web-front.jpg\" alt=\"cover for Letters on the Autonomy Project\" width=\"300\"/>\n", | |
"\n", | |
"Author: Janet Sarbanes\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0358.1.00](https://doi.org/10.53288/0358.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## May 2022\n", | |
"\n", | |
"### Building Black: Towards Antiracist Architecture\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/05/210511buildingblack-cover-web-front.jpg\" alt=\"cover for Building Black: Towards Antiracist Architecture\" width=\"300\"/>\n", | |
"\n", | |
"Author: Elliot C. Mason\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0372.1.00](https://doi.org/10.53288/0372.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Nubian Proverbs (Fadijja/Mahas)\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/03/220506nubianproverbs-cover-web-front.jpg\" alt=\"cover for Nubian Proverbs (Fadijja/Mahas)\" width=\"300\"/>\n", | |
"\n", | |
"Author: Maher Habbob\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0346.1.00](https://doi.org/10.53288/0346.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## April 2022\n", | |
"\n", | |
"### Broken Theory\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/10/211002brokentheory-cover-front-web-1345x2048.jpg\" alt=\"cover for Broken Theory\" width=\"300\"/>\n", | |
"\n", | |
"Author: Alan Sondheim\n", | |
"\n", | |
"Afterword_by: Ryan Whyte\n", | |
"\n", | |
"Preface_by: Maria Damon\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0393.1.00](https://doi.org/10.53288/0393.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### A Buddha Land in This World: Philosophy, Utopia, and Radical Buddhism\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/06/220401buddhaland-cover-web-front.jpg\" alt=\"cover for A Buddha Land in This World: Philosophy, Utopia, and Radical Buddhism\" width=\"300\"/>\n", | |
"\n", | |
"Author: Lajos Brons\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0373.1.00](https://doi.org/10.53288/0373.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## March 2022\n", | |
"\n", | |
"### dis/cord: Thinking Sound through Agential Realism\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/10/211015discord-cover-web-front.jpg\" alt=\"cover for dis/cord: Thinking Sound through Agential Realism\" width=\"300\"/>\n", | |
"\n", | |
"Author: Kevin Toksöz Fairbarn\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0360.1.00](https://doi.org/10.53288/0360.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Romanian Sentiment of Being\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/08/210819romaniansentiment-cover-web-front.jpg\" alt=\"cover for The Romanian Sentiment of Being\" width=\"300\"/>\n", | |
"\n", | |
"Author: Constantin Noica\n", | |
"\n", | |
"Translator: Octavian Gabor\n", | |
"\n", | |
"Translator: Elena Gabor\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0355.1.00](https://doi.org/10.53288/0355.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/06/210609queerandbookish-cover-web-front-1.jpg\" alt=\"cover for Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jason Edwards\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0328.1.00](https://doi.org/10.53288/0328.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## February 2022\n", | |
"\n", | |
"### The Christian Economy of the Early Medieval West: Towards a Temple Society\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/07/210704templesociety-cover-web-front.jpg\" alt=\"cover for The Christian Economy of the Early Medieval West: Towards a Temple Society\" width=\"300\"/>\n", | |
"\n", | |
"Author: Ian Wood\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0371.1.00](https://doi.org/10.53288/0371.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## January 2022\n", | |
"\n", | |
"### Broken Narrative: The Politics of Contemporary Art in Albania\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/09/200922brokennarratives-cover-web-front.jpg\" alt=\"cover for Broken Narrative: The Politics of Contemporary Art in Albania\" width=\"300\"/>\n", | |
"\n", | |
"Author: Marco Mazzi\n", | |
"\n", | |
"Author: Armando Lulaj\n", | |
"\n", | |
"Translator: Brenda Porster\n", | |
"\n", | |
"Translator: Tomii Keiko\n", | |
"\n", | |
"Preface_by: Jonida Gashi\n", | |
"\n", | |
"Preface_by: Osamu Kanemura\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0341.1.00](https://doi.org/10.53288/0341.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Abruptly Dogen\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/10/211005abruptlydogen-cover-web-front-1024x821.jpg\" alt=\"cover for Abruptly Dogen\" width=\"300\"/>\n", | |
"\n", | |
"Author: Kidder Smith\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2022\n", | |
"\n", | |
"[https://doi.org/10.53288/0389.1.00](https://doi.org/10.53288/0389.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## December 2021\n", | |
"\n", | |
"### Sweet Spots: Writing the Connective Tissue of Relation\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/03/210310sweetspots-cover-web-front.png\" alt=\"cover for Sweet Spots: Writing the Connective Tissue of Relation\" width=\"300\"/>\n", | |
"\n", | |
"Author: Mattie-Martha Sempert\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0340.1.00](https://doi.org/10.53288/0340.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Wonder, Horror, Mystery: Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/03/211207wonderhorror-cover-web-front.jpg\" alt=\"cover for Wonder, Horror, Mystery: Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski\" width=\"300\"/>\n", | |
"\n", | |
"Author: J.M. Tyree\n", | |
"\n", | |
"Author: Morgan Meis\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0359.1.00](https://doi.org/10.53288/0359.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Warez: The Infrastructure and Aesthetics of Piracy\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/05/210510warez-cover-web-front.jpg\" alt=\"cover for Warez: The Infrastructure and Aesthetics of Piracy\" width=\"300\"/>\n", | |
"\n", | |
"Author: Martin Paul Eve\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0339.1.00](https://doi.org/10.53288/0339.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## November 2021\n", | |
"\n", | |
"### Suture: Trauma and Trans Becoming\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/03/211110suture-cover-web-front.jpg\" alt=\"cover for Suture: Trauma and Trans Becoming\" width=\"300\"/>\n", | |
"\n", | |
"Author: KJ Cerankowski\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0357.1.00](https://doi.org/10.53288/0357.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Geographies of Identity: Narrative Forms, Feminist Futures\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/02/210211geographiesofidentity-cover-web-front.png\" alt=\"cover for Geographies of Identity: Narrative Forms, Feminist Futures\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jill Darling\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0329.1.00](https://doi.org/10.53288/0329.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## October 2021\n", | |
"\n", | |
"### Bullied: The Story of an Abuse\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/05/211020bullied-cover-web-front.jpg\" alt=\"cover for Bullied: The Story of an Abuse\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jonathan Alexander\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0356.1.00](https://doi.org/10.53288/0356.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Obiter Dicta\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/211011obiterdicta-cover-web-front.jpg\" alt=\"cover for Obiter Dicta\" width=\"300\"/>\n", | |
"\n", | |
"Author: Erick Verran\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0301.1.00](https://doi.org/10.53288/0301.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## September 2021\n", | |
"\n", | |
"### Wound Building: Dispatches from the Latest Disasters in UK Poetry\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/09/210929woundbuilding-cover-front-web-1280x2048.jpg\" alt=\"cover for Wound Building: Dispatches from the Latest Disasters in UK Poetry\" width=\"300\"/>\n", | |
"\n", | |
"Author: Danny Hayward\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0332.1.00](https://doi.org/10.53288/0332.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### (((\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/06/210830-cover-front-web.jpg\" alt=\"cover for (((\" width=\"300\"/>\n", | |
"\n", | |
"Author: Alessandro De Francesco\n", | |
"\n", | |
"Translator: Gen Ueda\n", | |
"\n", | |
"Translator: Andreas Burckhardt\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0370.1.00](https://doi.org/10.53288/0370.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## August 2021\n", | |
"\n", | |
"### Closer to Dust\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/09/210712rich-cover-web-front.jpg\" alt=\"cover for Closer to Dust\" width=\"300\"/>\n", | |
"\n", | |
"Author: Sara A. Rich\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0324.1.00](https://doi.org/10.53288/0324.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Map and the Territory\n", | |
"\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/01/200125mapterritory-cover-full-front.jpg\" alt=\"cover for The Map and the Territory\n", | |
"\" width=\"300\"/>\n", | |
"\n", | |
"Author: Michael Munro\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0319.1.00](https://doi.org/10.53288/0319.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Inefficient Mapping: A Protocol for Attuning to Phenomena\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/01/210805inefficientmapping-cover-web-front-1023x1536.jpg\" alt=\"cover for Inefficient Mapping: A Protocol for Attuning to Phenomena\" width=\"300\"/>\n", | |
"\n", | |
"Author: Linda Knight\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0336.1.00](https://doi.org/10.53288/0336.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## July 2021\n", | |
"\n", | |
"### Still Life: Notes on Barbara Loden's \"Wanda\" (1970)\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/10/201001stilllife-cover-web-front.jpg\" alt=\"cover for Still Life: Notes on Barbara Loden's \"Wanda\" (1970)\" width=\"300\"/>\n", | |
"\n", | |
"Author: Anna Backman Rogers\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0326.1.00](https://doi.org/10.53288/0326.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Helicography\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/04/210402helicogaphy-cover-web-front.jpg\" alt=\"cover for Helicography\" width=\"300\"/>\n", | |
"\n", | |
"Author: Craig Dworkin\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0352.1.00](https://doi.org/10.53288/0352.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Last Year at Betty and Bob's: An Actual Occasion\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/01/210107-doruff3-cover-web.png\" alt=\"cover for Last Year at Betty and Bob's: An Actual Occasion\" width=\"300\"/>\n", | |
"\n", | |
"Author: Sher Doruff\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0363.1.00](https://doi.org/10.53288/0363.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### ρan-ρan\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/200311panpan-cover-web-front.jpg\" alt=\"cover for ρan-ρan\" width=\"300\"/>\n", | |
"\n", | |
"Author: The Confraternity of Neoflagellants\n", | |
"\n", | |
"Foreword_by: Simon O'Sullivan\n", | |
"\n", | |
"Afterword_by: Most Dismal Swamp\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0304.1.00](https://doi.org/10.53288/0304.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## June 2021\n", | |
"\n", | |
"### Cinema's Doppelgängers\n", | |
"\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/09/200924cinemasdoppelgangers-cover-web-front.jpg\" alt=\"cover for Cinema's Doppelgängers\n", | |
"\" width=\"300\"/>\n", | |
"\n", | |
"Author: Doug Dibbern\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.53288/0320.1.00](https://doi.org/10.53288/0320.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### An Edition of Miles Hogarde's \"A Mirroure of Myserie\"\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/05/200502mirroureofmyserie-web-front.jpg\" alt=\"cover for An Edition of Miles Hogarde's \"A Mirroure of Myserie\"\" width=\"300\"/>\n", | |
"\n", | |
"Author: Sebastian Sobecki\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0316.1.00](https://doi.org/10.21983/P3.0316.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## May 2021\n", | |
"\n", | |
"### The Anguished and the Enchanted: \"The Little Prince,\" Revisited\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/01/200117anguishedandenchanted-cover-front-web.jpg\" alt=\"cover for The Anguished and the Enchanted: \"The Little Prince,\" Revisited\" width=\"300\"/>\n", | |
"\n", | |
"Author: M.H. Bowker\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0311.1.00](https://doi.org/10.21983/P3.0311.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Book / Or / The Woods\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/11/210408bookwoods-cover-web-front.jpg\" alt=\"cover for The Book / Or / The Woods\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jeff T. Johnson\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0308.1.00](https://doi.org/10.21983/P3.0308.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/07/200729sitingfuturity-cover-web-front.jpg\" alt=\"cover for Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna\" width=\"300\"/>\n", | |
"\n", | |
"Author: Susan Ingram\n", | |
"\n", | |
"Earth: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0317.1.00](https://doi.org/10.21983/P3.0317.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## April 2021\n", | |
"\n", | |
"### Essays on the Peripheries\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/06/190608essaysontheperipheries-cover-front-web.jpg\" alt=\"cover for Essays on the Peripheries\" width=\"300\"/>\n", | |
"\n", | |
"Author: Peter Valente\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0291.1.00](https://doi.org/10.21983/P3.0291.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Testing Knowledge: Toward an Ecology of Diagnosis, Preceded by the Dingdingdong Manifesto\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/200316testingknowledge-cover-web-front.jpg\" alt=\"cover for Testing Knowledge: Toward an Ecology of Diagnosis, Preceded by the Dingdingdong Manifesto\" width=\"300\"/>\n", | |
"\n", | |
"Author: Katrin Solhdju\n", | |
"\n", | |
"Author: Alice Rivières\n", | |
"\n", | |
"Translator: Damien Bright\n", | |
"\n", | |
"Afterword_by: Isabelle Stengers\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0307.1.00](https://doi.org/10.21983/P3.0307.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Come As You Are, After Eve Kosofsky Sedgwick\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/01/210401comeasyouare-cover-web-front.jpg\" alt=\"cover for Come As You Are, After Eve Kosofsky Sedgwick\" width=\"300\"/>\n", | |
"\n", | |
"Author: Eve Kosofsky Sedgwick\n", | |
"\n", | |
"Author: Jonathan Goldberg\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0342.1.00](https://doi.org/10.21983/P3.0342.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## March 2021\n", | |
"\n", | |
"### Li Bo Unkempt\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/04/200423libo-cover-web-front.jpg\" alt=\"cover for Li Bo Unkempt\" width=\"300\"/>\n", | |
"\n", | |
"Author: Kidder Smith\n", | |
"\n", | |
"Translator: Kidder Smith\n", | |
"\n", | |
"Translator: Mike Zhai\n", | |
"\n", | |
"Afterword_by: Traktung Yeshe Dorje\n", | |
"\n", | |
"Afterword_by: Maria Dolgenas\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0322.1.00](https://doi.org/10.21983/P3.0322.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## February 2021\n", | |
"\n", | |
"### Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/02/200209makingnothing-cover-web-front-1287x2048.jpg\" alt=\"cover for Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art\" width=\"300\"/>\n", | |
"\n", | |
"Author: Curt Cloninger\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0327.1.00](https://doi.org/10.21983/P3.0327.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Teaching Myself To See\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/06/200624teachingmyselftosee-cover-web-front.jpg\" alt=\"cover for Teaching Myself To See\" width=\"300\"/>\n", | |
"\n", | |
"Author: Tito Mukhopadhyay\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0303.1.00](https://doi.org/10.21983/P3.0303.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### A Bibliography for After Jews and Arabs\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2021/01/210106bibliographyafterjewsandarabs-cover-web-front.png\" alt=\"cover for A Bibliography for After Jews and Arabs\" width=\"300\"/>\n", | |
"\n", | |
"Author: Ammiel Alcalay\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0314.1.00](https://doi.org/10.21983/P3.0314.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## January 2021\n", | |
"\n", | |
"### Critique of Fantasy, Vol. 3: The Block of Fame\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/10/191028critiqueoffantasy3-cover-web-front.jpg\" alt=\"cover for Critique of Fantasy, Vol. 3: The Block of Fame\" width=\"300\"/>\n", | |
"\n", | |
"Author: Laurence A. Rickels\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2021\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0279.1.00](https://doi.org/10.21983/P3.0279.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## December 2020\n", | |
"\n", | |
"### The Saga of Þórður kakali: The Icelandic Text, with an English Translation by D.M. White\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/07/200724sagathordhurakakala-cover-web-front.jpg\" alt=\"cover for The Saga of Þórður kakali: The Icelandic Text, with an English Translation by D.M. White\" width=\"300\"/>\n", | |
"\n", | |
"Translator: D.M. White\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0309.1.00](https://doi.org/10.21983/P3.0309.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## November 2020\n", | |
"\n", | |
"### Critique of Fantasy, Vol. 2: The Contest between B-Genres\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/10/191028critiqueoffantasy2-cover-web-front.jpg\" alt=\"cover for Critique of Fantasy, Vol. 2: The Contest between B-Genres\" width=\"300\"/>\n", | |
"\n", | |
"Author: Laurence A. Rickels\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0278.1.00](https://doi.org/10.21983/P3.0278.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Skirmishes: With Friends, Enemies, and Neutrals\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/09/201110skirmishes-cover-web-front.jpg\" alt=\"cover for Skirmishes: With Friends, Enemies, and Neutrals\" width=\"300\"/>\n", | |
"\n", | |
"Author: Graham Harman\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0293.1.00](https://doi.org/10.21983/P3.0293.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Love Don't Need a Reason: The Life & Music of Michael Callen\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/200331lovedontneedareason-cover-web-front.jpg\" alt=\"cover for Love Don't Need a Reason: The Life & Music of Michael Callen\" width=\"300\"/>\n", | |
"\n", | |
"Author: Matthew J.\n", | |
" Jones\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0297.1.00](https://doi.org/10.21983/P3.0297.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## October 2020\n", | |
"\n", | |
"### Down to Earth: A Memoir\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/200331downtoearth-cover-front-web.jpg\" alt=\"cover for Down to Earth: A Memoir\" width=\"300\"/>\n", | |
"\n", | |
"Author: Gísli Pálsson\n", | |
"\n", | |
"Translator: Anna Yates\n", | |
"\n", | |
"Translator: Katrina Downs-Rose\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0306.1.00](https://doi.org/10.21983/P3.0306.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Unnaming of Aliass\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/01/200110unnamingofaliass-cover-web-front.jpg\" alt=\"cover for The Unnaming of Aliass\" width=\"300\"/>\n", | |
"\n", | |
"Author: Karin Bolender\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0299.1.00](https://doi.org/10.21983/P3.0299.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## September 2020\n", | |
"\n", | |
"### The Event of Art\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/05/200602eventofart-cover-web-front-1251x1536.jpg\" alt=\"cover for The Event of Art\" width=\"300\"/>\n", | |
"\n", | |
"Author: Marc Lafia\n", | |
"\n", | |
"Preface_by: Mathieu Borysevicz\n", | |
"\n", | |
"Preface_by: Daniel Coffeen\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0275.1.00](https://doi.org/10.21983/P3.0275.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## August 2020\n", | |
"\n", | |
"### Making a Laboratory: Dynamic Configurations with Transversal Video\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/11/191105makingalab-cover-web-front.jpg\" alt=\"cover for Making a Laboratory: Dynamic Configurations with Transversal Video\" width=\"300\"/>\n", | |
"\n", | |
"Author: Ben Spatz\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0295.1.00](https://doi.org/10.21983/P3.0295.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## June 2020\n", | |
"\n", | |
"### Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/04/190422critiqueoffantasy1-cover-web-front.jpg\" alt=\"cover for Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark\" width=\"300\"/>\n", | |
"\n", | |
"Author: Laurence A. Rickels\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0277.1.00](https://doi.org/10.21983/P3.0277.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Animal Emotions: How They Drive Human Behavior\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2020/03/200317animalemotions-cover-web-front.jpg\" alt=\"cover for Animal Emotions: How They Drive Human Behavior\" width=\"300\"/>\n", | |
"\n", | |
"Author: Christian Montag\n", | |
"\n", | |
"Author: Kenneth L. Davis\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0305.1.00](https://doi.org/10.21983/P3.0305.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/12/200512waste-cover-web-front.jpg\" alt=\"cover for Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jessica Rizzo\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0302.1.00](https://doi.org/10.21983/P3.0302.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## May 2020\n", | |
"\n", | |
"### The Viscous: Slime, Stickiness, Fondling, Mixtures\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/06/200504theviscous-cover-front-web.jpg\" alt=\"cover for The Viscous: Slime, Stickiness, Fondling, Mixtures\" width=\"300\"/>\n", | |
"\n", | |
"Author: Freddie Mason\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0292.1.00](https://doi.org/10.21983/P3.0292.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Incomparable Poetry: An Essay on the Financial Crisis of 2007–2008 and Irish Literature\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/07/200415incomparablepoetry-cover-web-front-1.jpg\" alt=\"cover for Incomparable Poetry: An Essay on the Financial Crisis of 2007–2008 and Irish Literature\" width=\"300\"/>\n", | |
"\n", | |
"Author: Robert Kiely\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0286.1.00](https://doi.org/10.21983/P3.0286.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Sacred Views of Saint Francis: The Sacro Monte di Orta\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/12/200414sacredviews-cover-front-web.jpg\" alt=\"cover for Sacred Views of Saint Francis: The Sacro Monte di Orta\" width=\"300\"/>\n", | |
"\n", | |
"Author: Cynthia O. Ho\n", | |
"\n", | |
"Author: Kathleen W. Peters\n", | |
"\n", | |
"Author: John McClain\n", | |
"\n", | |
"Photographer: J. Ross Peters\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0283.1.00](https://doi.org/10.21983/P3.0283.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## April 2020\n", | |
"\n", | |
"### Take Her, She's Yours\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/03/200403takeher-cover-web-front.jpg\" alt=\"cover for Take Her, She's Yours\" width=\"300\"/>\n", | |
"\n", | |
"Author: Eva-Lynn Jagoe\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0290.1.00](https://doi.org/10.21983/P3.0290.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Rough Notes to Erasure: White Male Privilege, My Senses, and the Story I Cannot Tell\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/01/200401roughnotes-cover-web-front.jpg\" alt=\"cover for Rough Notes to Erasure: White Male Privilege, My Senses, and the Story I Cannot Tell\" width=\"300\"/>\n", | |
"\n", | |
"Author: Dolsy Smith\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0287.1.00](https://doi.org/10.21983/P3.0287.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/07/200324utrasarvikingar-cover-web-front.jpg\" alt=\"cover for Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)\" width=\"300\"/>\n", | |
"\n", | |
"Author: Alaric Hall\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0272.1.00](https://doi.org/10.21983/P3.0272.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## March 2020\n", | |
"\n", | |
"### Aural History\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/11/191103auralhistory-cover-web-front.jpg\" alt=\"cover for Aural History\" width=\"300\"/>\n", | |
"\n", | |
"Author: Gila Ashtor\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0282.1.00](https://doi.org/10.21983/P3.0282.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### The Humid Condition: (More) Overheated Observations\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/06/190624humidcondition-cover-web-front.jpg\" alt=\"cover for The Humid Condition: (More) Overheated Observations\" width=\"300\"/>\n", | |
"\n", | |
"Author: Dominic Pettman\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0284.1.00](https://doi.org/10.21983/P3.0284.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## February 2020\n", | |
"\n", | |
"### Paris Bride: A Modernist Life\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/04/190426parisbride-cover-web-front.jpg\" alt=\"cover for Paris Bride: A Modernist Life\" width=\"300\"/>\n", | |
"\n", | |
"Author: John Schad\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0281.1.00](https://doi.org/10.21983/P3.0281.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Speechsong: The Gould/Schoenberg Dialogues\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/01/180109speechsong-cover-web-front.jpg\" alt=\"cover for Speechsong: The Gould/Schoenberg Dialogues\" width=\"300\"/>\n", | |
"\n", | |
"Author: Richard Cavell\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2020\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0267.1.00](https://doi.org/10.21983/P3.0267.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## December 2019\n", | |
"\n", | |
"### Anglo-Saxon(ist) Pasts, postSaxon Futures\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/10/181031anglosaxonistpasts-cover-front-web.jpg\" alt=\"cover for Anglo-Saxon(ist) Pasts, postSaxon Futures\" width=\"300\"/>\n", | |
"\n", | |
"Author: Donna-Beth Ellard\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0262.1.00](https://doi.org/10.21983/P3.0262.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### A Nuclear Refrain: Emotion, Empire, and the Democratic Potential of Protest\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/10/191002nuclearrefrain-cover-web-front.jpg\" alt=\"cover for A Nuclear Refrain: Emotion, Empire, and the Democratic Potential of Protest\" width=\"300\"/>\n", | |
"\n", | |
"Author: Kye Askins\n", | |
"\n", | |
"Author: Phil Johnstone\n", | |
"\n", | |
"Author: Kelvin Mason\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0271.1.00](https://doi.org/10.21983/P3.0271.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### A Manga Perfeita\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/04/190423amangaperfeita-cover-web-front.jpg\" alt=\"cover for A Manga Perfeita\" width=\"300\"/>\n", | |
"\n", | |
"Author: Erin Manning\n", | |
"\n", | |
"Translator: Ernesto Filho\n", | |
"\n", | |
"Translator: Christine Greiner\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0270.1.00](https://doi.org/10.21983/P3.0270.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Liquid Life: On Non-Linear Materiality\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/04/180404liquidlife-cover-draft-front.png\" alt=\"cover for Liquid Life: On Non-Linear Materiality\" width=\"300\"/>\n", | |
"\n", | |
"Author: Rachel Armstrong\n", | |
"\n", | |
"Author: Simone Ferracina\n", | |
"\n", | |
"Author: Rolf Hughes\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0246.1.00](https://doi.org/10.21983/P3.0246.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Hephaestus Reloaded: Composed for Ten Hands / Efesto Reloaded: Composizioni per 10 mani\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2017/12/171222hephaestusreloaded-cover-front-draft.png\" alt=\"cover for Hephaestus Reloaded: Composed for Ten Hands / Efesto Reloaded: Composizioni per 10 mani\" width=\"300\"/>\n", | |
"\n", | |
"Author: Brunella Antomarini\n", | |
"\n", | |
"Author: Adam Berg\n", | |
"\n", | |
"Author: Vladimir D’Amora\n", | |
"\n", | |
"Author: Alessandro De Francesco\n", | |
"\n", | |
"Author: Miltos Maneta\n", | |
"\n", | |
"Translator: Andreas Burckhardt\n", | |
"\n", | |
"Translator: Patrick Camiller\n", | |
"\n", | |
"Translator: Pietro Traversa\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0258.1.00](https://doi.org/10.21983/P3.0258.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## November 2019\n", | |
"\n", | |
"### Steal This Classroom: Teaching and Learning Unbound\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/04/190417stealthisclassroom-cover-web-front.jpg\" alt=\"cover for Steal This Classroom: Teaching and Learning Unbound\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jody Cohen\n", | |
"\n", | |
"Author: Anne Dalke\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0261.1.00](https://doi.org/10.21983/P3.0261.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Imperial Physique\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/05/190529imperialphysique-cover-web-front.jpg\" alt=\"cover for Imperial Physique\" width=\"300\"/>\n", | |
"\n", | |
"Author: JH Phrydas\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0268.1.00](https://doi.org/10.21983/P3.0268.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Gender Trouble Couplets, Volume 1\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/01/190125gentroublecouplets-draft-cover-front.jpg\" alt=\"cover for Gender Trouble Couplets, Volume 1\" width=\"300\"/>\n", | |
"\n", | |
"Author: A.W. Strouse\n", | |
"\n", | |
"Preface_by: Anna M. Kłosowska\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0266.1.00](https://doi.org/10.21983/P3.0266.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## October 2019\n", | |
"\n", | |
"### Television Scales\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/12/181221televisionscales-cover-web-front.jpg\" alt=\"cover for Television Scales\" width=\"300\"/>\n", | |
"\n", | |
"Author: Nick Salvato\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0263.1.00](https://doi.org/10.21983/P3.0263.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## September 2019\n", | |
"\n", | |
"### Massa por Argamassa: A \"Libraria de Babel\" e o Sonho de Totalidade\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/08/190901massaporargamassa-cover-web-front.jpg\" alt=\"cover for Massa por Argamassa: A \"Libraria de Babel\" e o Sonho de Totalidade\" width=\"300\"/>\n", | |
"\n", | |
"Author: Jonathan Basile\n", | |
"\n", | |
"Translator: Yuri N. Martinez Laskowski\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0264.1.00](https://doi.org/10.21983/P3.0264.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## August 2019\n", | |
"\n", | |
"### The Pedagogics of Liberation: A Latin American Philosophy of Education\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2017/08/190311pedagogicsliberation-cover-draft-front.png\" alt=\"cover for The Pedagogics of Liberation: A Latin American Philosophy of Education\" width=\"300\"/>\n", | |
"\n", | |
"Author: Enrique Dussel\n", | |
"\n", | |
"Translator: David I. Backer\n", | |
"\n", | |
"Translator: Cecilia Diego\n", | |
"\n", | |
"Preface_by: Linda Martín Alcoff\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0257.1.00](https://doi.org/10.21983/P3.0257.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## July 2019\n", | |
"\n", | |
"### Moonbit\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/12/181220moonbit-cover-front.jpg\" alt=\"cover for Moonbit\" width=\"300\"/>\n", | |
"\n", | |
"Author: James E. Dobson\n", | |
"\n", | |
"Author: Rena J. Mosteirin\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0260.1.00](https://doi.org/10.21983/P3.0260.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## June 2019\n", | |
"\n", | |
"### Misinterest: Essays, Pensées, and Dreams\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/11/181115misinterest-cover-web-front-1.jpg\" alt=\"cover for Misinterest: Essays, Pensées, and Dreams\" width=\"300\"/>\n", | |
"\n", | |
"Author: M.H. Bowker\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0256.1.00](https://doi.org/10.21983/P3.0256.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## May 2019\n", | |
"\n", | |
"### Metagestures\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/10/1801028metagestures-cover-front-web.jpg\" alt=\"cover for Metagestures\" width=\"300\"/>\n", | |
"\n", | |
"Author: Carla Nappi\n", | |
"\n", | |
"Author: Dominic Pettman\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0253.1.00](https://doi.org/10.21983/P3.0253.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Museum of Nonhumanity\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2019/05/Museum_of_Nonhumanity_Cover_Front_SMALL-768x1024.jpg\" alt=\"cover for Museum of Nonhumanity\" width=\"300\"/>\n", | |
"\n", | |
"Author: Laura Gustafsson\n", | |
"\n", | |
"Author: Terike Haapoja\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0252.1.00](https://doi.org/10.21983/P3.0252.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## April 2019\n", | |
"\n", | |
"### Matches: A Light Book\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2015/07/190327matches-2nded-cover-front-web.jpg\" alt=\"cover for Matches: A Light Book\" width=\"300\"/>\n", | |
"\n", | |
"Author: S.D. Chrostowska\n", | |
"\n", | |
"Foreword_by: Alexander Kluge\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0251.1.00](https://doi.org/10.21983/P3.0251.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## March 2019\n", | |
"\n", | |
"### Non-Conceptual Negativity: Damaged Reflections on Turkey\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/04/180427nonconceptualnegativity-cover-front-draft.png\" alt=\"cover for Non-Conceptual Negativity: Damaged Reflections on Turkey\" width=\"300\"/>\n", | |
"\n", | |
"Author: Zafer Aracagök\n", | |
"\n", | |
"Foreword_by: Fraco \"Bifo\" Berardi\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0247.1.00](https://doi.org/10.21983/P3.0247.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## February 2019\n", | |
"\n", | |
"### The Perfect Mango\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/09/180904perfectmango-cover-web-front.jpg\" alt=\"cover for The Perfect Mango\" width=\"300\"/>\n", | |
"\n", | |
"Author: Erin Manning\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0245.1.00](https://doi.org/10.21983/P3.0245.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Noise Thinks the Anthropocene: An Experiment in Noise Poetics\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/03/180313noisethinks-cover-draft-front.png\" alt=\"cover for Noise Thinks the Anthropocene: An Experiment in Noise Poetics\" width=\"300\"/>\n", | |
"\n", | |
"Author: Aaron Zwintscher\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0244.1.00](https://doi.org/10.21983/P3.0244.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Finding Room in Beirut: Places of the Everyday\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/05/Levesque_COVER_Web-768x1024.jpg\" alt=\"cover for Finding Room in Beirut: Places of the Everyday\" width=\"300\"/>\n", | |
"\n", | |
"Author: Carole Lévesque\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0243.1.00](https://doi.org/10.21983/P3.0243.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"## January 2019\n", | |
"\n", | |
"### Beta Exercise: The Theory and Practice of Osamu Kanemura\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2018/03/180417betaexercise-cover-draft-front.png\" alt=\"cover for Beta Exercise: The Theory and Practice of Osamu Kanemura\" width=\"300\"/>\n", | |
"\n", | |
"Author: Osamu Kanemura\n", | |
"\n", | |
"Editor: Marco Mazzi\n", | |
"\n", | |
"Editor: Vincent W.J. van Gerven Oei\n", | |
"\n", | |
"Translator: Michiyo Miyake\n", | |
"\n", | |
"Translator: Nicholas Marshall\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0241.1.00](https://doi.org/10.21983/P3.0241.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n", | |
"### Vital Reenchantments: Biophilia, Gaia, Cosmos, and the Affectively Ecological\n", | |
"\n", | |
"<img src=\"https://punctumbooks.com/punctum/wp-content/uploads/2017/12/180120vitalreenchantments-cover-draft-front.png\" alt=\"cover for Vital Reenchantments: Biophilia, Gaia, Cosmos, and the Affectively Ecological\" width=\"300\"/>\n", | |
"\n", | |
"Author: Lauren Greyson\n", | |
"\n", | |
"Earth, Milky Way: punctum books, 2019\n", | |
"\n", | |
"[https://doi.org/10.21983/P3.0240.1.00](https://doi.org/10.21983/P3.0240.1.00)\n", | |
"\n", | |
"\n", | |
"\n", | |
"\n" | |
] | |
} | |
], | |
"source": [ | |
"from thothlibrary import ThothClient\n", | |
"from datetime import datetime\n", | |
"import json\n", | |
"\n", | |
"# publisher ID variables\n", | |
"punctum = '9c41b13c-cecc-4f6a-a151-be4682915ef5'\n", | |
"\n", | |
"publishers_ids = '[\"' + punctum + '\"]'\n", | |
" \n", | |
"# calling the Thoth GraphQL API\n", | |
"thoth = ThothClient()\n", | |
"response = thoth.works(publishers=publishers_ids, work_status='ACTIVE', work_types='MONOGRAPH', order='{field: PUBLICATION_DATE, direction: DESC}')\n", | |
"\n", | |
"months = []\n", | |
"\n", | |
"for result in response:\n", | |
" if result['publicationDate']:\n", | |
" date = datetime.strptime(result['publicationDate'], '%Y-%m-%d')\n", | |
" date = date.strftime('%B %Y')\n", | |
" # display month heading if the month has not previously been displayed\n", | |
" if not months or date != months[-1]:\n", | |
" print('## ' + date + '\\n')\n", | |
" months.append(date)\n", | |
" else: \n", | |
" print('## No date\\n')\n", | |
" print('### ' + result['fullTitle'] + '\\n')\n", | |
" if result['coverUrl']:\n", | |
" print('<img src=\"' + result['coverUrl'] + '\" alt=\"cover for ' + result['fullTitle'] + '\" width=\"300\"/>\\n')\n", | |
" for contribution in result['contributions']:\n", | |
" print(contribution['contributionType'].capitalize() + ': ' + contribution['fullName'] + '\\n')\n", | |
" if result['place'] and result['imprint']['publisher']['publisherName'] and result['publicationDate']:\n", | |
" print(result['place'] + ': ' + result['imprint']['publisher']['publisherName'] + ', ' + result['publicationDate'][0:4] + '\\n')\n", | |
" print('[' + result['doi'] + ']' + '(' + result['doi'] + ')' + '\\n')\n", | |
" if result['shortAbstract']:\n", | |
" print(result['shortAbstract'] + '\\n')\n", | |
" print('\\n\\n')" | |
] | |
} | |
], | |
"metadata": { | |
"kernelspec": { | |
"display_name": "Python 3", | |
"language": "python", | |
"name": "python3" | |
}, | |
"language_info": { | |
"codemirror_mode": { | |
"name": "ipython", | |
"version": 3 | |
}, | |
"file_extension": ".py", | |
"mimetype": "text/x-python", | |
"name": "python", | |
"nbconvert_exporter": "python", | |
"pygments_lexer": "ipython3", | |
"version": "3.10.8" | |
}, | |
"orig_nbformat": 4, | |
"vscode": { | |
"interpreter": { | |
"hash": "aee8b7b246df8f9039afb4144a1f6fd8d2ca17a180786b69acc140d282b71a49" | |
} | |
} | |
}, | |
"nbformat": 4, | |
"nbformat_minor": 2 | |
} |
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