dleslie

pacman -S mingw-w64-x86_64-toolchain ruby python3 openssh mingw-w64-x86_64-allegro mingw-w64-x86_64-SDL2 mingw-w64-x86_64-SDL2_gfx mingw-w64-x86_64-SDL2_image mingw-w64-x86_64-SDL2_mixer mingw-w64-x86_64-SDL2_net  mingw-w64-x86_64-SDL2_ttf wget curl emacs

dleslie

07CBCRadio3PodcastEpisode7
101101WizardSCouncil
102102SaskatoonSecret
103103PedalPower
104104YachtRock
105105TheCanadianDictionarySpecial
106106LifeAfterDeath
107107PromDate
108108WestVanGirls
109109TwinPowerSummer

dleslie

I loved season 19 of South Park. It ended about as well as I could have hoped.

For those wondering: no, the overall theme of this season was /not/ that
fighting for social justice is wrong. On the contrary, it affirmed that seeking
to improve society is a laudable goal. Where it drew a line was where it was
reasonable; the point at which one's belief in their own righteousness has
allowed them to overlook their own faults and poor behaviour.

IMHO, what South Park primarily attempted to convey is that something to be
concerned about is the manner in which media and advertising wields our concerns

dleslie

(defun revert-all-buffers ()
  "Reverts all buffers that are visiting a file."
  (interactive)
  (mapcar
   (lambda (buf)
     (with-current-buffer buf
       (when (buffer-file-name)
         (revert-buffer t t t))))
   (buffer-list)))

dleslie

-*- mode: compilation; default-directory: "~/Workspace/code/dleslie/monad-egg/" -*-
Compilation started at Sat May  2 07:59:56

chicken-install -test
retrieving ...
checking platform for `monad' ...
checking dependencies for `monad' ...
mapped (srfi-1 srfi-1) to ()
install order:
("monad")

dleslie

-*- mode: compilation; default-directory: "~/Workspace/code/dleslie/monad-egg/" -*-
Compilation started at Sat May  2 07:58:01

chicken-install -test
retrieving ...
checking platform for `monad' ...
checking dependencies for `monad' ...
mapped (srfi-1 srfi-1) to ()
install order:
("monad")

dleslie

(defun override-theme (arg)
  "Disables all enabled themes and then loads the provided theme."
  (interactive
    (list
      (intern (completing-read "Load custom theme: "
                               (mapcar 'symbol-name (custom-available-themes))))))
  (while custom-enabled-themes
    (disable-theme (car custom-enabled-themes)))
  (load-theme arg t))

dleslie

name of display: :0.0
display: :0  screen: 0
direct rendering: Yes
server glx vendor string: SGI
server glx version string: 1.4
server glx extensions:
    GLX_ARB_create_context, GLX_ARB_create_context_profile, 
    GLX_ARB_fbconfig_float, GLX_ARB_framebuffer_sRGB, GLX_ARB_multisample, 
    GLX_EXT_create_context_es2_profile, GLX_EXT_framebuffer_sRGB, 
    GLX_EXT_import_context, GLX_EXT_texture_from_pixmap, GLX_EXT_visual_info, 

dleslie

git config --global alias.lg "log --color --graph --pretty=format:'%C(auto)%h%Creset -%C(auto)%d%Creset %s %Cgreen(%cr)%C(bold blue)<%an>%Creset' --abbrev-commit"

dleslie

What I saw in the Xerox PARC technology was the caveman interface, 
you point and you grunt. A massive winding down, regressing away 
from language, in order to address the technological nervousness 
of the user. Users wanted to be infantilized, to return to a 
pre-linguistic condition in the using of computers, and the Xerox 
PARC technology`s primary advantage was that it allowed users to 
address computers in a pre-linguistic way. This was to my mind a 
terribly socially retrograde thing to do, and I have not changed 
my mind about that.