The vortex creates, the chaos permeates. In the material artifice, art objects are deprecations of the iterations of the vortex — a vortex that uses the chaos as a machine to enmesh ideas, patterns, and emotions. With the synergy of the electronic environment, the vortex is conceiving a point where it will be free from the chaos to consume immersions into the machinations of the delphic artifice. Work of Meta-Art in the Age of Generative Reproduction contains 10 minimal dhtml engines (also refered to as “clipper chips”) that enable the user to make shiny audio/visual compositions.
- measuring chains, constructing realities
- putting into place forms
- a matrix of illusion and disillusion
- a strange attracting force
- so that a seduced reality will be able to spontaneously feed on it

