- The first chapter must begin at
00:00:00.000
. - If the video begins with a Studio/Logo Bumper, then that must be the first chapter, with the proceeding Intro, Opening Credits, Flashback, "Last Episode...", e.t.c, should then be the next chapter and so on.
- The last chapter must begin at the very first non-black frame of Ending Credits text. If the first Credit text consistently and intentionally begins some time after the Ending Credits sequence begins, then the last chapter must begin at the very first non-black frame of the Ending Credits sequence.
- All Chapters there-after must begin at the very first non-black frame of Scene B on Scene A to Scene B transitions. This must be the case regardless if its a jump-cut, fade/wipe/dissolve transition, or a
If you have a .ciso
file, use nkit to convert it to .iso
.
The following are the file types you aim to extract, and what we will be converting to another format. Different Discs use different formats. So keep an eye out for any of these formats.
Feel free to contribute in any way.
Note The episode numbers are in the original Japanese airing order.
Some of these are from the JP NCOP/NCED/Intros. If the same scene is available in an actual episode, please inform me. The timestamps are of the English Dubbed release.
This is a directory of various Logo's I've scanned to remove.
All LGD files were scanned using AviUtil Extra Pack (english patch). I always aim to get as much samples at the lowest threshold possible. I usually aim for around 25-30. Please note that small residuals/outline of the logo may reside after using the LGD files. This is usually caused by compression messing up the calculation when using the LGD. Therefore this is not an error with the LGD file.
def software_pulldown(clip: vs.VideoNode, *pattern: list[int], tff: bool = True) -> vs.VideoNode: | |
""" | |
Add Software Pulldown by interlacing only where needed (aka Soft Pulldown). | |
No data is lost in the process. All frames interlaced by Pulldown would be | |
duplicate data as it uses n for the top field, and n-1 for the bottom field. | |
Parameters: | |
clip: Clip to apply pulldown to. | |
*args: The pulldown pattern to apply. Each integer is how many fields to |
`git checkout the_branch` | |
`git rebase --committer-date-is-author-date -i HEAD~35` | |
Where HEAD~35 is the latest 35 commits that you want to keep the dates of. | |
You could do `git rebase --committer-date-is-author-date -i --root` but I don't recommend it. |
#EXT-X-KEY:METHOD=AES-128,URI="data:application/octet-stream;base64,xtfhsRCnE3+t2bVKn+gLEQ==",IV=0x50f881b1f9598945878e60ccb139bb9c
All of these are ideas to improve the Blu-ray P2P filenaming landscape.
None of these are particularly used yet apart from maybe my own releases or a handful of other people who had the same idea.
If you need current P2P filename rules, go to https://phoeniix.dev/filenames.
We should use a capacity nomenclature in place of what's typically the "Source Tag" (i.e. where WEB-DL
or BluRay
would be).