Last active
October 3, 2022 18:38
-
-
Save 5310/9b98f8591f404b21d8c7e52739961070 to your computer and use it in GitHub Desktop.
[Defunct] My sequences for use with the Compose key. Based off of kragen/xcompose and then overridden. Now part of Bash-It dotfiles repo. #dotfile
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
| # ~/.XCompose | |
| ### Based on the en_US.UTF locale. ### | |
| include "/usr/share/X11/locale/en_US.UTF-8/Compose" | |
| ### Populated with Kragen's additions. ### | |
| # https://github.com/kragen/xcompose/blob/master/dotXCompose | |
| # Unfortunately, Kragen's dotfile doesn't work at all as is. | |
| # Custom additions: Typography | |
| <Multi_key> <period> <period> : "…" U2026 # HORIZONTAL ELLIPSIS | |
| <Multi_key> <v> <period> <period> : "⋮" U22EE # VERTICAL ELLIPSIS | |
| <Multi_key> <c> <period> <period> : "⋯" U22EF # MIDLINE HORIZONTAL ELLIPSIS | |
| <Multi_key> <slash> <period> <period> : "⋰" U22F0 # UP RIGHT DIAGONAL ELLIPSIS | |
| # To avoid conflict with \. for combining dot above. | |
| #<Multi_key> <backslash> <period> <period> : "⋱" U22F1 # DOWN RIGHT DIAGONAL ELLIPSIS | |
| <Multi_key> <period> <backslash> <period> : "⋱" U22F1 # DOWN RIGHT DIAGONAL ELLIPSIS | |
| # Will we someday regret this, wanting 2. for ⒉ ? | |
| <Multi_key> <2> <period> : "‥" U2025 # TWO DOT LEADER | |
| # This should not be needed. | |
| #<Multi_key> <1> <period> : "․" U2024 # ONE DOT LEADER | |
| <Multi_key> <c> <1> <period> : "·" U00B7 # MIDDLE DOT (maybe I can remember the keystroke better? | |
| <Multi_key> <period> <slash> <period> : "⁒" U2052 # COMMERCIAL MINUS SIGN | |
| # Printable sign for space. But is \<space> too useful a key combo to use | |
| # for this? | |
| <Multi_key> <backslash> <space> : "␣" U2423 # OPEN BOX | |
| # These two are already present for me: | |
| # <Multi_key> <minus> <minus> <minus> : "—" U2014 # EM DASH | |
| # <Multi_key> <minus> <minus> <period> : "–" U2013 # EN DASH | |
| <Multi_key> <minus> <minus> <space> : "– " # EN DASH (followed by space) | |
| <Multi_key> <minus> <asciitilde> <minus> : "―" U2015 # HORIZONTAL BAR | |
| <Multi_key> <minus> <2> <M> : "⸺" U2E3A # TWO-EM DASH | |
| <Multi_key> <minus> <3> <M> : "⸻" U2E3B # THREE-EM DASH | |
| <Multi_key> <backslash> <minus> : "" U00AD # SOFT HYPHEN | |
| # This is the recommended typographical practice for em dashes in English. | |
| # Unfortunately, it doesn’t work out all that well in monospace fonts, | |
| # where the thin spaces aren’t thin. But I think this is okay. | |
| # This conflicts with the default binding to “~”, which is potentially | |
| # a problem for non-American keyboards. | |
| <Multi_key> <space> <minus> : " — " # EM DASH surrounded by THIN SPACEs. | |
| # Quotation marks. | |
| <Multi_key> <comma> <space> : "‚" U201A # SINGLE LOW-9 QUOTATION MARK | |
| <Multi_key> <comma> <comma> : "„" U201E # DOUBLE LOW-9 QUOTATION MARK | |
| <Multi_key> <less> <comma> <comma> : "⹂" U2E42 # DOUBLE LOW-REVERSED-9 QUOTATION MARK | |
| <Multi_key> <apostrophe> <space> : "’" U2019 # RIGHT SINGLE QUOTATION MARK | |
| <Multi_key> <apostrophe> <apostrophe> : "”" U201D # RIGHT DOUBLE QUOTATION MARK | |
| <Multi_key> <grave> <space> : "‘" U2018 # LEFT SINGLE QUOTATION MARK | |
| <Multi_key> <grave> <grave> : "“" U201C # LEFT DOUBLE QUOTATION MARK | |
| <Multi_key> <6> <apostrophe> : "‘" U2018 # LEFT SINGLE QUOTATION MARK (high 6) | |
| <Multi_key> <6> <quotedbl> : "“" U201C # LEFT DOUBLE QUOTATION MARK (66) | |
| <Multi_key> <9> <apostrophe> : "’" U2019 # RIGHT SINGLE QUOTATION MARK (high 9) | |
| <Multi_key> <9> <quotedbl> : "”" U201D # RIGHT DOUBLE QUOTATION MARK (99) | |
| <Multi_key> <less> <9> <apostrophe> : "‛" U201B # SINGLE HIGH-REVERSED-9 QUOTATION MARK | |
| <Multi_key> <less> <9> <quotedbl> : "‟" U201F # DOUBLE HIGH-REVERSED-9 QUOTATION MARK | |
| <Multi_key> <comma> <apostrophe> : "‚" U201A # SINGLE LOW-9 QUOTATION MARK (quote resembling a comma) | |
| <Multi_key> <comma> <quotedbl> : "„" U201E # DOUBLE LOW-9 QUOTATION MARK | |
| # Convenience shortcuts for quotation marks. | |
| <Multi_key> <space> <quotedbl> : " “" # space followed by LEFT DOUBLE QUOTATION MARK | |
| <Multi_key> <quotedbl> <space> : "” " # RIGHT DOUBLE QUOTATION MARK followed by space | |
| <Multi_key> <space> <apostrophe> : " ‘" # space followed by LEFT SINGLE QUOTATION MARK | |
| # Unfortunately <apostrophe> <space> is, asymmetrically, just "’". Whatever. | |
| <Multi_key> <n> <t> : "n’t " # Apostrophized English “not.” | |
| # Some more English shortcuts: | |
| <Multi_key> <space> <t> : " the " | |
| <Multi_key> <space> <T> : " The " | |
| <Multi_key> <space> <a> : " and " | |
| <Multi_key> <i> <m> : " I’m " | |
| <Multi_key> <v> <e> : "’ve " | |
| <Multi_key> <comma> <at> : "⸲" U2E32 # TURNED COMMA | |
| # Conflicts with system def? (·) | |
| <Multi_key> <period> <asciicircum> : "⸳" U2E33 # RAISED DOT | |
| <Multi_key> <period> <asciitilde> : "⸳" U2E33 # RAISED DOT | |
| <Multi_key> <comma> <asciicircum> : "⸴" U2E34 # RAISED COMMA | |
| <Multi_key> <semicolon> <at> : "⸵" U2E35 # TURNED SEMICOLON | |
| # Convlicts with system def? (⍭) | |
| <Multi_key> <asciitilde> <bar> : "ⸯ" U2E2F # VERTICAL TILDE | |
| <Multi_key> <asciicircum> <bar> : "ⸯ" U2E2F # VERTICAL TILDE | |
| <Multi_key> <minus> <equal> : "⹀" U2E40 # DOUBLE HYPHEN | |
| <Multi_key> <comma> <less> : "⹁" U2E41 # REVERSED COMMA | |
| <Multi_key> <less> <bar> : "↵" U21B5 # DOWNWARDS ARROW WITH CORNER LEFTWARDS | |
| # The bullet was <o> <period>, but it clashes with ꙭ | |
| <Multi_key> <asterisk> <1> : "•" U2022 # BULLET | |
| # By default <Multi_key> <period> <period> does this, but we broke that with the ... binding. | |
| <Multi_key> <o> <underscore> : "⁃" U2043 # HYPHEN BULLET | |
| <Multi_key> <o> <comma> : "·" periodcentered # MIDDLE DOT | |
| # I don’t use this nearly as often as the em-dash sequence I’ve remapped it to: | |
| #<Multi_key> <space> <minus> : "‑" U2011 # NON-BREAKING HYPHEN | |
| # Already present for me: | |
| # <Multi_key> <space> <space> : " " U00A0 # NO-BREAK SPACE | |
| # Do we want/need these? | |
| <Multi_key> <d> <a> <g> : "†" U2020 # DAGGER | |
| <Multi_key> <d> <d> <a> <g> : "‡" U2021 # DOUBLE DAGGER | |
| # We used to have THIN SPACE as <space> <apostrophe>, but now that’s remapped | |
| # to " ‘", for conveniently enclosing things in proper single-quotes. | |
| <Multi_key> <backslash> <comma> : " " U2009 # THIN SPACE | |
| <Multi_key> <s> <e> <c> : "§" U00A7 # SECTION SIGN | |
| # It's in the Asian section, but it's a general-purpose punctuation: | |
| <Multi_key> <quotedbl> <quotedbl> : "〃" U3003 # DITTO MARK | |
| # Working with the pattern from FLOOR/CEILING | |
| <Multi_key> <7> <asciicircum> <bracketleft> : "⸢" U2E22 # TOP LEFT HALF BRACKET | |
| <Multi_key> <7> <asciicircum> <bracketright> : "⸣" U2E23 # TOP RIGHT HALF BRACKET | |
| <Multi_key> <L> <underscore> <bracketleft> : "⸤" U2E24 # BOTTOM LEFT HALF BRACKET | |
| <Multi_key> <L> <underscore> <bracketright> : "⸥" U2E25 # BOTTOM RIGHT HALF BRACKET | |
| # Consider <7> <less>/<greater> for ⸂⸃ maybe? <S> and <slash> for ⸉⸊⸌⸍ ...? | |
| # I guess we can get by with sub/superset for ⸦⸧. | |
| <Multi_key> <minus> <less> : "←" leftarrow # LEFTWARDS ARROW | |
| <Multi_key> <minus> <asciicircum> : "↑" uparrow # UPWARDS ARROW | |
| <Multi_key> <minus> <greater> : "→" rightarrow # RIGHTWARDS ARROW | |
| <Multi_key> <minus> <v> : "↓" downarrow # DOWNWARDS ARROW | |
| <Multi_key> <less> <minus> <greater> : "↔" U2194 # LEFT RIGHT ARROW (kragen's) | |
| <Multi_key> <Left> <Left> : "←" leftarrow # LEFTWARDS ARROW | |
| <Multi_key> <Up> <Up> : "↑" uparrow # UPWARDS ARROW | |
| <Multi_key> <Right> <Right> : "→" rightarrow # RIGHTWARDS ARROW | |
| <Multi_key> <Down> <Down> : "↓" downarrow # DOWNWARDS ARROW | |
| <Multi_key> <Left> <Right> : "↔" U2194 # LEFT RIGHT ARROW (kragen's) | |
| <Multi_key> <Right> <Left> : "↔" U2194 # LEFT RIGHT ARROW (kragen's) | |
| <Multi_key> <Up> <Down> : "↕" U2195 # UP DOWN ARROW (kragen's) | |
| <Multi_key> <Up> <ampersand> <Down> : "⇵" U21F5 # DOWNWARDS ARROW LEFTWARDS OF UPWARDS ARROW | |
| <Multi_key> <Down> <Left> : "↵" U21B5 # DOWNWARDS ARROW WITH CORNER LEFTWARDS | |
| <Multi_key> <Left> <o> : "⟲" U27F2 # ANTICLOCKWISE GAPPED CIRCLE ARROW | |
| <Multi_key> <Right> <o> : "⟳" U27F3 # CLOCKWISE GAPPED CIRCLE ARROW | |
| <Multi_key> <Left> <c> : "↺" U21BA # ANTICLOCKWISE OPEN CIRCLE ARROW | |
| <Multi_key> <Right> <c> : "↻" U21BB # CLOCKWISE OPEN CIRCLE ARROW | |
| <Multi_key> <Left> <asciitilde> : "⇜" U21DC # LEFTWARDS SQUIGGLE ARROW | |
| <Multi_key> <Right> <asciitilde> : "⇝" U21DD # RIGHTWARDS SQUIGGLE ARROW | |
| <Multi_key> <Left> <bar> : "⇤" U21E4 # LEFTWARDS ARROW TO BAR | |
| <Multi_key> <Right> <bar> : "⇥" U21E5 # RIGHTWARDS ARROW TO BAR | |
| <Multi_key> <Left> <minus> : "⇠" U21E0 # LEFTWARDS DASHED ARROW | |
| <Multi_key> <Up> <minus> : "⇡" U21E1 # UPWARDS DASHED ARROW | |
| <Multi_key> <Right> <minus> : "⇢" U21E2 # RIGHTWARDS DASHED ARROW | |
| <Multi_key> <Down> <minus> : "⇣" U21E3 # DOWNWARDS DASHED ARROW | |
| # Arrow keys don't always work: some apps trap them for cursor control and | |
| # other boring things. The arrow symbols have alternate keystrokes. Do | |
| # we need others for these printer's fists? If so, what? The -= and =- | |
| # we had before are not necessarily the best choices. | |
| <Multi_key> <F> <Left> : "☚" U261A # BLACK LEFT POINTING INDEX | |
| <Multi_key> <F> <Right> : "☛" U261B # BLACK RIGHT POINTING INDEX | |
| <Multi_key> <f> <Left> : "☜" U261C # WHITE LEFT POINTING INDEX | |
| <Multi_key> <f> <Up> : "☝" U261D # WHITE UP POINTING INDEX | |
| <Multi_key> <f> <Right> : "☞" U261E # WHITE RIGHT POINTING INDEX | |
| <Multi_key> <f> <Down> : "☟" U261F # WHITE DOWN POINTING INDEX | |
| <Multi_key> <f> <v> : "✌" U270C # VICTORY HAND | |
| <Multi_key> <f> <w> : "✍" U270D # WRITING HAND | |
| <Multi_key> <f> <p> <Down> : "✎" U270E # LOWER RIGHT PENCIL | |
| <Multi_key> <f> <p> <Right> : "✏" U270F # PENCIL | |
| <Multi_key> <f> <p> <Up> : "✐" U2710 # UPPER RIGHT PENCIL | |
| # For some logical statements. I prefer doubled arrows for implication. | |
| <Multi_key> <equal> <greater> : "⇒" U21D2 # RIGHTWARDS DOUBLE ARROW | |
| <Multi_key> <equal> <less> : "⇐" U21D0 # LEFTWARDS DOUBLE ARROW | |
| <Multi_key> <less> <minus> <equal> <greater> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW | |
| <Multi_key> <equal> <Right> <Right> : "⇒" U21D2 # RIGHTWARDS DOUBLE ARROW | |
| <Multi_key> <equal> <Left> <Left> : "⇐" U21D0 # LEFTWARDS DOUBLE ARROW | |
| <Multi_key> <equal> <Left> <Right> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW | |
| <Multi_key> <equal> <Right> <Left> : "⇔" U21D4 # LEFT RIGHT DOUBLE ARROW | |
| <Multi_key> <equal> <Up> <Up> : "⇑" U21D1 # UPWARDS DOUBLE ARROW | |
| <Multi_key> <equal> <Down> <Down> : "⇓" U21D3 # DOWNWARDS DOUBLE ARROW | |
| <Multi_key> <equal> <Up> <Down> : "⇕" U21D5 # UP DOWN DOUBLE ARROW | |
| <Multi_key> <equal> <Down> <Left> : "⏎" U23CE # RETURN SYMBOL | |
| # These are just too cool-looking not to have (if your font supports them) | |
| <Multi_key> <equal> <period> <equal> : "⸎" U2E0E # EDITORIAL CORONIS | |
| <Multi_key> <Multi_key> <p> <a> <l> <m> : "⸙" U2E19 # PALM BRANCH | |
| <Multi_key> <Multi_key> <b> <r> <a> <n> <c> <h>: "⸙" U2E19 # PALM BRANCH | |
| <Multi_key> <f> <f> : "ff" UFB00 # LATIN SMALL LIGATURE FF | |
| <Multi_key> <f> <i> : "fi" UFB01 # LATIN SMALL LIGATURE FI | |
| <Multi_key> <F> <i> : "ffi" UFB03 # LATIN SMALL LIGATURE FFI | |
| <Multi_key> <f> <l> : "fl" UFB02 # LATIN SMALL LIGATURE FL | |
| <Multi_key> <F> <l> : "ffl" UFB04 # LATIN SMALL LIGATURE FFL | |
| <Multi_key> <s> <t> : "st" UFB06 # LATIN SMALL LIGATURE ST | |
| <Multi_key> <f> <t> : "ſt" UFB05 # LATIN SMALL LIGATURE LONG S T | |
| # allow me still to use my ſ key, okay? | |
| <Multi_key> <U017F> <t> : "ſt" UFB05 # LATIN SMALL LIGATURE LONG S T | |
| # ß is already available as <s><s> I think. But now it comes in industrial size! | |
| <Multi_key> <S> <S> : "ẞ" U1E9E # LATIN CAPITAL LETTER SHARP S | |
| # Eventually we'll have to look over the really crazy-cakes Latin letters | |
| # they're adding as "mediævalist extensions" | |
| # ꜢꜣꜤꜥ for the Egyptologists, Ꝏꝏ because they're cꝏl... Maybe some others. | |
| # Can't do <o> <o> for ꝏ though, since that's already °. | |
| # Epigraphics should not be missed: | |
| <Multi_key> <F> <less> : "ꟻ" UA7FB # LATIN EPIGRAPHIC LETTER REVERSED F | |
| <Multi_key> <P> <less> : "ꟼ" UA7FC # LATIN EPIGRAPHIC LETTER REVERSED P | |
| <Multi_key> <F> <BackSpace> : "ꟻ" UA7FB # LATIN EPIGRAPHIC LETTER REVERSED F | |
| <Multi_key> <P> <BackSpace> : "ꟼ" UA7FC # LATIN EPIGRAPHIC LETTER REVERSED P | |
| <Multi_key> <M> <W> : "ꟽ" UA7FD # LATIN EPIGRAPHIC LETTER INVERTED M | |
| <Multi_key> <I> <bar> : "ꟾ" UA7FE # LATIN EPIGRAPHIC LETTER I LONGA | |
| <Multi_key> <M> <slash> : "ꟿ" UA7FF # LATIN EPIGRAPHIC LETTER ARCHAIC M | |
| # I'd been avoiding this because we already have ∃... | |
| # Hey, these, being *letters* can be used as identifiers in some languages... | |
| <Multi_key> <E> <less> : "Ǝ" U018E # LATIN CAPITAL LETTER REVERSED E | |
| <Multi_key> <E> <BackSpace> : "Ǝ" U018E # LATIN CAPITAL LETTER REVERSED E | |
| <Multi_key> <e> <less> : "ɘ" U0258 # LATIN SMALL LETTER REVERSED E | |
| <Multi_key> <e> <BackSpace> : "ɘ" U0258 # LATIN SMALL LETTER REVERSED E | |
| # Complete the set | |
| <Multi_key> <A> <less> : "Ɐ" U2C6F # LATIN CAPITAL LETTER TURNED A | |
| # These seem too long as keystrokes; any suggestions? | |
| # How about 2o? | |
| <Multi_key> <o> <ampersand> <o> : "ꝏ" UA74F # LATIN SMALL LETTER OO | |
| <Multi_key> <O> <ampersand> <O> : "Ꝏ" UA74E # LATIN CAPITAL LETTER OO | |
| <Multi_key> <2> <o> : "ꝏ" UA74F # LATIN SMALL LETTER OO | |
| <Multi_key> <2> <O> : "Ꝏ" UA74E # LATIN CAPITAL LETTER OO | |
| # Latin-D chars I'm particularly thinking about: | |
| # (side note: "I" has many referents in this file.) | |
| # ꜲꜳꜴꜵꜶꜷꜸꜹꜼꜽꝒꝓꝔꝕꝚꝛꝜꝝꝠꝡꝪꝫꝸ | |
| # The ligature pairs are so easy, might as well include them (probably | |
| # using ampersand though). P with flourish? Squirrel tail? How | |
| # pretty! I like the r and rum rotunda, and et actually has something | |
| # close to usefulness (it was very common for abbreviations, and is the | |
| # source of the "z" in abbreviations like oz. and viz.) Some others | |
| # are a little appealing too. | |
| <Multi_key> <A> <ampersand> <A> : "Ꜳ" UA732 # LATIN CAPITAL LETTER AA | |
| <Multi_key> <a> <ampersand> <a> : "ꜳ" UA733 # LATIN SMALL LETTER AA | |
| <Multi_key> <2> <A> : "Ꜳ" UA732 # LATIN CAPITAL LETTER AA | |
| <Multi_key> <2> <a> : "ꜳ" UA733 # LATIN SMALL LETTER AA | |
| <Multi_key> <A> <ampersand> <O> : "Ꜵ" UA734 # LATIN CAPITAL LETTER AO | |
| <Multi_key> <a> <ampersand> <o> : "ꜵ" UA735 # LATIN SMALL LETTER AO | |
| <Multi_key> <A> <ampersand> <U> : "Ꜷ" UA736 # LATIN CAPITAL LETTER AU | |
| <Multi_key> <a> <ampersand> <u> : "ꜷ" UA737 # LATIN SMALL LETTER AU | |
| <Multi_key> <A> <ampersand> <V> : "Ꜹ" UA738 # LATIN CAPITAL LETTER AV | |
| <Multi_key> <a> <ampersand> <v> : "ꜹ" UA739 # LATIN SMALL LETTER AV | |
| <Multi_key> <A> <ampersand> <Y> : "Ꜽ" UA73C # LATIN CAPITAL LETTER AY | |
| <Multi_key> <a> <ampersand> <y> : "ꜽ" UA73D # LATIN SMALL LETTER AY | |
| <Multi_key> <slash> <ampersand> <L> : "Ꝇ" UA746 # LATIN CAPITAL LETTER BROKEN L | |
| <Multi_key> <slash> <ampersand> <l> : "ꝇ" UA747 # LATIN SMALL LETTER BROKEN L | |
| # (See above for reason behind keystrokes) | |
| <Multi_key> <Z> <period> : "Ꝫ" UA75A # LATIN CAPITAL LETTER ET | |
| <Multi_key> <z> <period> : "ꝫ" UA75B # LATIN SMALL LETTER ET | |
| <Multi_key> <V> <ampersand> <Y> : "Ꝡ" UA760 # LATIN CAPITAL LETTER VY | |
| <Multi_key> <v> <ampersand> <y> : "ꝡ" UA761 # LATIN SMALL LETTER VY | |
| <Multi_key> <C> <Z> : "Ꝣ" UA762 # LATIN CAPITAL LETTER VISIGOTHIC Z | |
| <Multi_key> <c> <z> : "ꝣ" UA763 # LATIN SMALL LETTER VISIGOTHIC Z | |
| <Multi_key> <L> <ampersand> <L> : "Ỻ" U1EFA # LATIN CAPITAL LETTER MIDDLE-WELSH LL | |
| <Multi_key> <l> <ampersand> <l> : "ỻ" U1EFB # LATIN SMALL LETTER MIDDLE-WELSH LL | |
| <Multi_key> <V> <ampersand> <V> : "Ỽ" U1EFC # LATIN CAPITAL LETTER MIDDLE-WELSH V | |
| <Multi_key> <v> <ampersand> <v> : "ỽ" U1EFD # LATIN SMALL LETTER MIDDLE-WELSH V | |
| <Multi_key> <d> <ampersand> <b> : "ȸ" U0238 # LATIN SMALL LETTER DB DIGRAPH | |
| <Multi_key> <q> <ampersand> <p> : "ȹ" U0239 # LATIN SMALL LETTER QP DIGRAPH | |
| <Multi_key> <w> <y> : "ƿ" U01BF # LATIN LETTER WYNN | |
| <Multi_key> <W> <Y> : "Ƿ" U01F7 # LATIN CAPITAL LETTER WYNN | |
| <Multi_key> <O> <U> : "Ȣ" U0222 # LATIN CAPITAL LETTER OU | |
| <Multi_key> <o> <u> : "ȣ" U0223 # LATIN SMALL LETTER OU | |
| <Multi_key> <y> <r> : "Ʀ" U01A6 # LATIN LETTER YR | |
| # Custom additions: Mathematical symbols | |
| <Multi_key> <exclam> <equal> : "≠" U2260 # NOT EQUAL TO | |
| <Multi_key> <slash> <equal> : "≠" U2260 # NOT EQUAL TO | |
| <Multi_key> <less> <equal> : "≤" U2264 # LESS-THAN OR EQUAL TO | |
| <Multi_key> <greater> <equal> : "≥" U2265 # GREATER-THAN OR EQUAL TO | |
| <Multi_key> <exclam> <less> <greater> : "≸" U2278 # NEITHER LESS-THAN NOR GREATER-THAN | |
| # MUCH is usually enough for me. No need for VERY. | |
| <Multi_key> <plus> <less> : "≪" U226A # MUCH LESS-THAN | |
| <Multi_key> <plus> <greater> : "≫" U226B # MUCH GREATER-THAN | |
| # Damn. That makes this conflict with the standard plus plus -> # | |
| <Multi_key> <plus> <plus> <less> : "⋘" U22D8 # VERY MUCH LESS-THAN | |
| <Multi_key> <plus> <plus> <greater> : "⋙" U22D9 # VERY MUCH GREATER-THAN | |
| <Multi_key> <3> <greater> : "⋙" U22D9 # VERY MUCH GREATER-THAN | |
| <Multi_key> <3> <less> : "⋘" U22D8 # VERY MUCH LESS-THAN | |
| <Multi_key> <i> <n> : "∈" U2208 # ELEMENT OF | |
| <Multi_key> <exclam> <i> <n> : "∉" U2209 # NOT AN ELEMENT OF (<exclam> <i> <n> would conflict with <exclam> <i>) | |
| <Multi_key> <U2208> <slash> : "∉" U2209 # NOT AN ELEMENT OF (I have ∈ on my keyboard...) | |
| <Multi_key> <n> <i> : "∋" U220B # CONTAINS AS MEMBER (I hope this doesn't conflict) | |
| <Multi_key> <slash> <n> <i> : "∌" U220C # DOES NOT CONTAIN AS MEMBER | |
| # <exclam><n><i> would conflict, with <exclam> <n> for N WITH UNDERDOT, etc. | |
| <Multi_key> <U220B> <slash> : "∌" U220C # DOES NOT CONTAIN AS MEMBER | |
| <Multi_key> <asciitilde> <equal> : "≅" U2245 # APPROXIMATELY EQUAL TO (It actually means "congruent"!) | |
| <Multi_key> <equal> <question> : "≟" U225f # QUESTIONED EQUAL TO | |
| <Multi_key> <equal> <d> <e> <f> : "≝" U225D # EQUAL TO BY DEFINITION | |
| <Multi_key> <d> <e> <f> <equal> : "≝" U225D # EQUAL TO BY DEFINITION | |
| <Multi_key> <equal> <equal> : "≡" U2261 # IDENTICAL TO | |
| <Multi_key> <colon> <equal> : "≔" U2254 # COLON EQUALS | |
| <Multi_key> <equal> <colon> : "≕" U2255 # EQUALS COLON | |
| # Using <slash> conflicts. | |
| <Multi_key> <equal> <bar> <equal> : "≢" U2262 # NOT IDENTICAL TO | |
| # We already have ± | |
| <Multi_key> <minus> <plus> : "∓" U2213 # MINUS OR PLUS SIGN | |
| <Multi_key> <s> <q> : "√" U221A # SQUARE ROOT | |
| # keystrokes might not make the most sense, but you know what they mean... | |
| <Multi_key> <3> <s> <q> : "∛" U221B # CUBE ROOT | |
| <Multi_key> <4> <s> <q> : "∜" U221C # FOURTH ROOT | |
| # “(Note: I had put the backslash in position 5/15. It enabled the | |
| # ALGOL “and” to be “/\” and the “or” to be “\/”.)” --- Bob Bemer, | |
| # http://home.ccil.org/~remlaps/www.bobbemer.com/BRACES.HTM, quoting | |
| # himself in “A view of the history of the ISO character code”, 1972 | |
| <Multi_key> <slash> <backslash> : "∧" U2227 # LOGICAL AND | |
| <Multi_key> <backslash> <slash> : "∨" U2228 # LOGICAL OR | |
| <Multi_key> <backslash> <underscore> <slash> : "⊻" U22BB # XOR | |
| <Multi_key> <minus> <comma> : "¬" U00AC # NOT SIGN | |
| <Multi_key> <Multi_key> <asterisk> <o> : "∘" U2218 # RING OPERATOR (function composition) | |
| <Multi_key> <Multi_key> <asterisk> <x> : "⨯" U2A2F # CROSS PRODUCT | |
| <Multi_key> <Multi_key> <asterisk> <period> : "⋅" U22C5 # DOT OPERATOR (dot product) | |
| <Multi_key> <0> <slash> : "∅" U2205 # EMPTY SET (thanks jsled!) | |
| <Multi_key> <slash> <0> : "∅" U2205 # EMPTY SET | |
| # I'm hoping { can work as a set mnemonic | |
| <Multi_key> <braceleft> <U> : "∪" U222A # UNION | |
| <Multi_key> <braceleft> <asciicircum> : "∩" U2229 # INTERSECTION | |
| <Multi_key> <braceleft> <parenleft> : "⊂" U2282 # SUBSET OF | |
| <Multi_key> <braceleft> <equal> <parenleft> : "⊆" U2286 # SUBSET OF OR EQUAL TO | |
| <Multi_key> <exclam> <braceleft> <parenleft> : "⊄" U2284 # NOT A SUBSET OF | |
| <Multi_key> <slash> <braceleft> <parenleft> : "⊄" U2284 # NOT A SUBSET OF | |
| <Multi_key> <braceleft> <parenright> : "⊃" U2283 # SUPERSET OF | |
| <Multi_key> <braceleft> <equal> <parenright> : "⊇" U2287 # SUPERSET OF OR EQUAL TO | |
| <Multi_key> <E> <E> : "∃" U2203 # THERE EXISTS | |
| # We can't use ! E E, because ! E maps to E-WITH-UNDERDOT. | |
| <Multi_key> <slash> <E> <E> : "∄" U2204 # THERE DOES NOT EXIST | |
| <Multi_key> <A> <A> : "∀" U2200 # FOR ALL | |
| <Multi_key> <Multi_key> <Q> <E> <D> : "∎" U220E # END OF PROOF | |
| <Multi_key> <8> <8> : "∞" U221E # INFINITY | |
| <Multi_key> <Multi_key> <a> <l> <e> <p> <h> : "ℵ" U2135 # ALEF SYMBOL | |
| <Multi_key> <Multi_key> <a> <l> <e> <p> <0> : "ℵ₀" # ALEF Null | |
| <Multi_key> <Multi_key> <a> <l> <e> <p> <1> : "ℵ₁" # ALEF One | |
| <Multi_key> <Multi_key> <a> <l> <e> <f> : "ℵ" U2135 # ALEF SYMBOL | |
| <Multi_key> <KP_Multiply> <KP_Multiply> : "∗" U2217 # ASTERISK OPERATOR | |
| <Multi_key> <parenleft> <plus> <parenright> : "⊕" U2295 # CIRCLED PLUS | |
| <Multi_key> <parenleft> <minus> <parenright> : "⊖" U2296 # CIRCLED MINUS | |
| <Multi_key> <parenleft> <x> <x> <parenright> : "⊗" U2297 # CIRCLED TIMES | |
| <Multi_key> <parenleft> <slash> <parenright> : "⊘" U2298 # CIRCLED DIVISION SLASH | |
| <Multi_key> <parenleft> <asterisk> <parenright> : "⊛" U229B # CIRCLED ASTERISK OPERATOR | |
| # )- conflicts with system for }. | |
| <Multi_key> <parenright> <underscore> : "⟌" U27CC # LONG DIVISION | |
| <Multi_key> <period> <quotedbl> : "∴" U2234 # THEREFORE | |
| <Multi_key> <quotedbl> <period> : "∵" U2235 # BECAUSE | |
| <Multi_key> <Multi_key> <b> <e> <c> <a> <u> <s> <e> : "∵" U2235 # BECAUSE | |
| <Multi_key> <percent> <percent> : "‱" U2031 # PER TEN THOUSAND (basis points) | |
| <Multi_key> <slash> <u> : "µ" U00B5 # MICRO SIGN | |
| # Ordinal indicators, for femenine and masculine, used in Romance languages | |
| <Multi_key> <Multi_key> <minus> <a> : "ª" U00AA # FEMININE ORDINAL INDICATOR | |
| <Multi_key> <Multi_key> <minus> <o> : "º" U00BA # MASCULINE ORDINAL INDICATOR | |
| # See also U03A3 (Greek capital sigma) | |
| <Multi_key> <Multi_key> <s> <u> <m> : "∑" U2211 # N-ARY SUMMATION | |
| # OK, absolutely cannot believe we made it this long without NABLA or INTEGRAL | |
| # or PARTIAL DIFFERENTIAL | |
| <Multi_key> <Multi_key> <i> <n> <t> : "∫" U222B # INTEGRAL | |
| <Multi_key> <Multi_key> <u> <i> <n> <t> : "⨛" U2A1B # UPPER INTEGRAL | |
| <Multi_key> <Multi_key> <l> <i> <n> <t> : "⨜" U2A1C # LOWER INTEGRAL | |
| <Multi_key> <Multi_key> <i> <i> <n> <t> : "∬" U222C # DOUBLE INTEGRAL | |
| <Multi_key> <Multi_key> <i> <i> <i> <n> <t> : "∭" U222D # TRIPLE INTEGRAL | |
| <Multi_key> <Multi_key> <i> <i> <i> <i> <n> <t> : "⨌" U2A0C # QUADRUPLE INTEGRAL | |
| <Multi_key> <Multi_key> <o> <i> <n> <t> : "∮" U222E # CONTOUR INTEGRAL | |
| <Multi_key> <Multi_key> <p> <i> <n> <t> : "⨕" U2A15 # SEMICIRCULAR POLE INTEGRAL | |
| <Multi_key> <Multi_key> <c> <P> <i> <n> <t> : "⨓" U2A13 # INTEGRAL AROUND POINT | |
| <Multi_key> <Multi_key> <o> <i> <i> <n> <t> : "∯" U222F # SURFACE INTEGRAL | |
| <Multi_key> <Multi_key> <o> <i> <i> <i> <n> <t> : "∰" U2230 # VOLUME INTEGRAL | |
| <Multi_key> <Multi_key> <g> <i> <n> <t> : "⨘" U2A18 # GEOMETRIC INTEGRAL | |
| <Multi_key> <Multi_key> <s> <i> <n> <t> : "⨋" U2A0B # SUM/INTEGRAL | |
| #Now for some WTF integrals: ⨙ ⨚ | |
| <Multi_key> <Multi_key> <d> <e> <l> : "∇" U2207 # NABLA | |
| <Multi_key> <Multi_key> <p> <a> <r> <t> : "∂" U2202 # PARTIAL DIFFERENTIAL | |
| <Multi_key> <asterisk> <period> <period> <d> : "∂" U2202 # PARTIAL DIFFERENTIAL | |
| <Multi_key> <R> <e> : "ℜ" U211C # BLACK-LETTER CAPITAL R (Real Part) | |
| <Multi_key> <I> <m> : "ℑ" U2111 # BLACK-LETTER CAPTIAL I (Imaginary Part) | |
| <Multi_key> <Multi_key> <h> <b> <a> <r> : "ℏ" U210F # PLANCK CONSTANT OVER TWO PI | |
| <Multi_key> <h> <minus> : "ℏ" U210F # PLANCK CONSTANT OVER TWO PI | |
| <Multi_key> <h> <p> : "ℎ" U210E # PLANCK CONSTANT | |
| <Multi_key> <Multi_key> <e> <x> <p> : "ℯ" U212F # SCRIPT SMALL E | |
| <Multi_key> <e> <1> <0> : "⏨" U23E8 # DECIMAL EXPONENT SYMBOL | |
| <Multi_key> <w> <p> : "℘" U2118 # SCRIPT CAPITAL P | |
| # Would we prefer 20D1 COMBINING RIGHT HARPOON ABOVE? | |
| <Multi_key> <asciicircum> <greater> : "⃗" U20D7 # COMBINING RIGHT ARROW ABOVE (vector) | |
| # There's a whole passel of these guys starting at U+1D538 but I have no fonts for those. | |
| <Multi_key> <bar> <C> : "ℂ" U2102 # DOUBLE-STRUCK CAPITAL C (set of complex numbers) | |
| <Multi_key> <bar> <N> : "ℕ" U2115 # DOUBLE-STRUCK CAPITAL N (natural number) | |
| <Multi_key> <bar> <P> : "ℙ" U2119 # DOUBLE-STRUCK CAPITAL P | |
| <Multi_key> <bar> <Q> : "ℚ" U211A # DOUBLE-STRUCK CAPITAL Q (set of rational numbers) | |
| <Multi_key> <bar> <R> : "ℝ" U211D # DOUBLE-STRUCK CAPITAL R (set of real numbers) | |
| <Multi_key> <bar> <Z> : "ℤ" U2124 # DOUBLE-STRUCK CAPITAL Z (set of integers) | |
| <Multi_key> <bar> <H> : "ℍ" U210d # DOUBLE-STRUCK CAPITAL H | |
| <Multi_key> <bar> <e> : "ⅇ" U2147 # DOUBLE-STRUCK ITALIC SMALL E | |
| <Multi_key> <bar> <i> : "ⅈ" U2148 # DOUBLE-STRUCK ITALIC SMALL I | |
| <Multi_key> <bar> <j> : "ⅉ" U2149 # DOUBLE-STRUCK ITALIC SMALL J | |
| <Multi_key> <bar> <asterisk> <p> : "ℼ" U213C # DOUBLE-STRUCK SMALL PI | |
| <Multi_key> <bar> <Greek_pi> : "ℼ" U213C # DOUBLE-STRUCK SMALL PI | |
| <Multi_key> <bar> <asterisk> <P> : "ℿ" U213F # DOUBLE-STRUCK CAPITAL PI | |
| <Multi_key> <bar> <Greek_PI> : "ℿ" U213F # DOUBLE-STRUCK CAPITAL PI | |
| <Multi_key> <bar> <asterisk> <S> : "⅀" U2140 # DOUBLE-STRUCK N-ARY SUMMATION | |
| <Multi_key> <bar> <Greek_SIGMA> : "⅀" U2140 # DOUBLE-STRUCK N-ARY SUMMATION | |
| <Multi_key> <bar> <colon> : "⦂" U2982 # Z NOTATION TYPE COLON | |
| # Apparently it is only for historical reasons that this is not unified with | |
| # ⨟ U+2A1F Z NOTATION SCHEMA COMPOSITION | |
| <Multi_key> <bar> <semicolon> : "⨾" U2A3E # Z NOTATION RELATIONAL COMPOSITION | |
| # The *look* double-struck. | |
| <Multi_key> <bar> <braceleft> : "⦃" U2983 # LEFT WHITE CURLY BRACKET | |
| <Multi_key> <bar> <braceright> : "⦄" U2984 # RIGHT WHITE CURLY BRACKET | |
| # ⦅⦆⦇⦈⦉⦊ too? | |
| # The rest of that block? Some there may be worth it. | |
| # Ooh. There are lots of nice brackets to consider: | |
| # ⟅⟆⟨⟩⟪⟫⟬⟭⟮⟯⦑⦒⦓⦔⦕⦖⦗⦘⧼⧽⧘⧙⧚⧛⸢⸣⸤⸥⸨⸩「」『』 | |
| # Others too, of course, but these to start with. Some are likely worthy. | |
| <Multi_key> <S> <parenleft> : "⟅" U27C5 # LEFT S-SHAPED BAG DELIMITER | |
| <Multi_key> <S> <parenright> : "⟆" U27C6 # RIGHT S-SHAPED BAG DELIMITER | |
| # There are a lot of angle brackets (3008/9, 27E8/9, 2329/A). I'm deciding | |
| # to go with the mathematical brackets from now on, since they seem to be | |
| # better supported. | |
| <Multi_key> <less> <parenleft> : "⟨" U27E8 # MATHEMATICAL LEFT ANGLE BRACKET | |
| <Multi_key> <greater> <parenright>: "⟩" U27E9 # MATHEMATICAL RIGHT ANGLE BRACKET | |
| <Multi_key> <bar> <bracketleft> : "⟦" U27E6 # MATHEMATICAL LEFT WHITE SQUARE BRACKET | |
| <Multi_key> <bar> <bracketright>: "⟧" U27E7 # MATHEMATICAL RIGHT WHITE SQUARE BRACKET | |
| <Multi_key> <percent> <parenleft>: "⧘" U29D8 # LEFT WIGGLY FENCE | |
| <Multi_key> <percent> <parenright>: "⧙" U29D9 # RIGHT WIGGLY FENCE | |
| <Multi_key> <2> <percent> <parenleft>: "⧚" U29DA # LEFT DOUBLE WIGGLY FENCE | |
| <Multi_key> <2> <percent> <parenright>: "⧛" U29DB # RIGHT DOUBLE WIGGLY FENCE | |
| <Multi_key> <parenleft> <ampersand> <parenleft>: "⸨" U2E28 # LEFT DOUBLE PARENTHESIS | |
| <Multi_key> <parenright> <ampersand> <parenright>: "⸩" U2E29 # RIGHT DOUBLE PARENTHESIS | |
| <Multi_key> <2> <parenleft>: "⸨" U2E28 # LEFT DOUBLE PARENTHESIS | |
| <Multi_key> <2> <parenright>: "⸩" U2E29 # RIGHT DOUBLE PARENTHESIS | |
| <Multi_key> <Z> <parenleft> : "༼" U0F3C # TIBETAN MARK ANG KHANG GYON | |
| <Multi_key> <Z> <parenright> : "༽" U0F3D # TIBETAN MARK ANG KHANG GYAS | |
| # I'm thinking shape-mnemonics for these, somehow: | |
| <Multi_key> <L> <bracketleft> : "⌊" U230A # LEFT FLOOR | |
| <Multi_key> <L> <bracketright> : "⌋" U230B # RIGHT FLOOR | |
| <Multi_key> <7> <bracketleft> : "⌈" U2308 # LEFT CEILING | |
| <Multi_key> <7> <bracketright> : "⌉" U2309 # RIGHT CEILING | |
| # These are actually quotes, hence the mnemonic. | |
| <Multi_key> <7> <apostrophe> : "｢" UFF62 # HALFWIDTH LEFT CORNER BRACKET | |
| <Multi_key> <L> <apostrophe> : "｣" UFF63 # HALFWIDTH RIGHT CORNER BRACKET | |
| <Multi_key> <7> <quotedbl> : "『" U300E # LEFT WHITE CORNER BRACKET | |
| <Multi_key> <L> <quotedbl> : "』" U300F # RIGHT WHITE CORNER BRACKET | |
| <Multi_key> <l> <l> : "ℓ" U2113 # SCRIPT SMALL L | |
| <Multi_key> <bracketleft> <bracketleft> : "⊏" U228F # SQUARE IMAGE OF | |
| <Multi_key> <bracketleft> <equal> : "⊑" U2291 # SQUARE IMAGE OF OR EQUAL TO | |
| <Multi_key> <bracketleft> <underscore> : "⊑" U2291 # SQUARE IMAGE OF OR EQUAL TO | |
| <Multi_key> <bracketright> <bracketright>: "⊐" U2290 # SQUARE ORIGINAL OF | |
| <Multi_key> <bracketright> <equal> : "⊒" U2292 # SQUARE ORIGINAL OF OR EQUAL TO | |
| <Multi_key> <bracketright> <underscore> : "⊒" U2292 # SQUARE ORIGINAL OF OR EQUAL TO | |
| # If I did more Haskell, I'd want this more: | |
| <Multi_key> <underscore> <bar> <underscore>: "⊥" U22A5 # UP TACK (bottom) or should we use U27C2 PERPENDICULAR? | |
| # Handy for UNIX filenames... but XXX conflicts with standard <Multi_key> <slash> <slash> → "\" | |
| <Multi_key> <slash> <slash> : "⁄" U2044 # FRACTION SLASH | |
| # The system file gives us subscript numbers, plus/minus, and parens. But | |
| # there are letters missing. It would be nice to have at least a few of them. | |
| # block U+208x | |
| <Multi_key> <underscore> <0> : "₀" U2080 # SUBSCRIPT ZERO | |
| <Multi_key> <underscore> <1> : "₁" U2081 # SUBSCRIPT ONE | |
| <Multi_key> <underscore> <2> : "₂" U2082 # SUBSCRIPT TWO | |
| <Multi_key> <underscore> <3> : "₃" U2083 # SUBSCRIPT THREE | |
| <Multi_key> <underscore> <4> : "₄" U2084 # SUBSCRIPT FOUR | |
| <Multi_key> <underscore> <5> : "₅" U2085 # SUBSCRIPT FIVE | |
| <Multi_key> <underscore> <6> : "₆" U2086 # SUBSCRIPT SIX | |
| <Multi_key> <underscore> <7> : "₇" U2087 # SUBSCRIPT SEVEN | |
| <Multi_key> <underscore> <8> : "₈" U2088 # SUBSCRIPT EIGHT | |
| <Multi_key> <underscore> <9> : "₉" U2089 # SUBSCRIPT NONE | |
| <Multi_key> <underscore> <plus> : "₊" U208A # SUBSCRIPT PLUS | |
| <Multi_key> <underscore> <minus> : "₋" U208B # SUBSCRIPT MINUS | |
| <Multi_key> <underscore> <equal> : "₌" U208C # SUBSCRIPT EQUALS SIGN | |
| <Multi_key> <underscore> <parenleft> : "₍" U208D # SUBSCRIPT LEFT PARENTHESIS | |
| <Multi_key> <underscore> <parenright> : "₎" U208E # SUBSCRIPT RIGHT PARENTHESIS | |
| # block U+209x | |
| <Multi_key> <underscore> <a> : "ₐ" U2090 # LATIN SUBSCRIPT SMALL LETTER A | |
| <Multi_key> <underscore> <e> : "ₑ" U2091 # LATIN SUBSCRIPT SMALL LETTER E | |
| <Multi_key> <underscore> <o> : "ₒ" U2092 # LATIN SUBSCRIPT SMALL LETTER O | |
| <Multi_key> <underscore> <x> : "ₓ" U2093 # LATIN SUBSCRIPT SMALL LETTER X | |
| <Multi_key> <underscore> <h> : "ₕ" U2095 # LATIN SUBSCRIPT SMALL LETTER H | |
| <Multi_key> <underscore> <k> : "ₖ" U2096 # LATIN SUBSCRIPT SMALL LETTER K | |
| <Multi_key> <underscore> <l> : "ₗ" U2097 # LATIN SUBSCRIPT SMALL LETTER L | |
| <Multi_key> <underscore> <m> : "ₘ" U2098 # LATIN SUBSCRIPT SMALL LETTER M | |
| <Multi_key> <underscore> <n> : "ₙ" U2099 # LATIN SUBSCRIPT SMALL LETTER N | |
| <Multi_key> <underscore> <p> : "ₚ" U209A # LATIN SUBSCRIPT SMALL LETTER P | |
| <Multi_key> <underscore> <s> : "ₛ" U209B # LATIN SUBSCRIPT SMALL LETTER S | |
| <Multi_key> <underscore> <t> : "ₜ" U209C # LATIN SUBSCRIPT SMALL LETTER T | |
| # subscripts in other blocks | |
| <Multi_key> <underscore> <i> : "ᵢ" U1D62 # LATIN SUBSCRIPT SMALL LETTER I | |
| <Multi_key> <underscore> <j> : "ⱼ" U2C7C # LATIN SUBSCRIPT SMALL LETTER J | |
| # Custom additions: Greek letters. Mapping corresponds to Emacs Greek | |
| # input method. Aristotle Pagaltzis informs me that this is the | |
| # standard Greek keyboard layout, which is good. | |
| <Multi_key> <asterisk> <a> : "α" U03B1 # GREEK SMALL LETTER ALPHA | |
| <Multi_key> <asterisk> <b> : "β" U03B2 # GREEK SMALL LETTER BETA | |
| <Multi_key> <asterisk> <c> : "ψ" U03C8 # GREEK SMALL LETTER PSI | |
| <Multi_key> <asterisk> <d> : "δ" U03B4 # GREEK SMALL LETTER DELTA | |
| <Multi_key> <asterisk> <e> : "ε" U03B5 # GREEK SMALL LETTER EPSILON | |
| <Multi_key> <asterisk> <f> : "φ" U03C6 # GREEK SMALL LETTER PHI | |
| <Multi_key> <asterisk> <g> : "γ" U03B3 # GREEK SMALL LETTER GAMMA | |
| <Multi_key> <asterisk> <h> : "η" U03B7 # GREEK SMALL LETTER ΕΤΑ | |
| <Multi_key> <asterisk> <i> : "ι" U03B9 # GREEK SMALL LETTER ΙΟΤΑ | |
| <Multi_key> <asterisk> <j> : "ξ" U03BE # GREEK SMALL LETTER XI | |
| <Multi_key> <asterisk> <k> : "κ" U03BA # GREEK SMALL LETTER KAPPA | |
| <Multi_key> <asterisk> <l> : "λ" U03BB # GREEK SMALL LETTER LAMBDA | |
| <Multi_key> <asterisk> <m> : "μ" U03BC # GREEK SMALL LETTER MU | |
| <Multi_key> <asterisk> <n> : "ν" U03BD # GREEK SMALL LETTER NU | |
| <Multi_key> <asterisk> <o> : "ο" U03BF # GREEK SMALL LETTER OMICRON | |
| <Multi_key> <asterisk> <p> : "π" U03C0 # GREEK SMALL LETTER PI | |
| # no mapping for q; in Emacs that's ";" | |
| # U037E GREEK QUESTION MARK is canonically equivalent to U003B SEMICOLON. | |
| <Multi_key> <asterisk> <r> : "ρ" U03C1 # GREEK SMALL LETTER RHO | |
| <Multi_key> <asterisk> <s> : "σ" U03C3 # GREEK SMALL LETTER SIGMA | |
| <Multi_key> <asterisk> <t> : "τ" U03C4 # GREEK SMALL LETTER TAU | |
| <Multi_key> <asterisk> <u> : "θ" U03B8 # GREEK SMALL LETTER THETA | |
| <Multi_key> <asterisk> <v> : "ω" U03C9 # GREEK SMALL LETTER OMEGA | |
| <Multi_key> <asterisk> <w> : "ς" U03C2 # GREEK SMALL LETTER FINAL SIGMA | |
| <Multi_key> <asterisk> <x> : "χ" U03C7 # GREEK SMALL LETTER CHI | |
| <Multi_key> <asterisk> <y> : "υ" U03C5 # GREEK SMALL LETTER UPSILON | |
| <Multi_key> <asterisk> <z> : "ζ" U03B6 # GREEK SMALL LETTER ZETA | |
| # Capital greek letters. | |
| <Multi_key> <asterisk> <A> : "Α" U0391 # GREEK CAPITAL LETTER ALPHA | |
| <Multi_key> <asterisk> <B> : "Β" U0392 # GREEK CAPITAL LETTER BETA | |
| <Multi_key> <asterisk> <C> : "Ψ" U03A8 # GREEK CAPITAL LETTER PSI | |
| <Multi_key> <asterisk> <D> : "Δ" U0394 # GREEK CAPITAL LETTER DELTA | |
| <Multi_key> <asterisk> <E> : "Ε" U0395 # GREEK CAPITAL LETTER EPSILON | |
| <Multi_key> <asterisk> <F> : "Φ" U03A6 # GREEK CAPITAL LETTER PHI | |
| <Multi_key> <asterisk> <G> : "Γ" U0393 # GREEK CAPITAL LETTER GAMMA | |
| <Multi_key> <asterisk> <H> : "Η" U0397 # GREEK CAPITAL LETTER ΕΤΑ | |
| <Multi_key> <asterisk> <I> : "Ι" U0399 # GREEK CAPITAL LETTER ΙΟΤΑ | |
| <Multi_key> <asterisk> <J> : "Ξ" U039E # GREEK CAPITAL LETTER XI | |
| <Multi_key> <asterisk> <K> : "Κ" U039A # GREEK CAPITAL LETTER KAPPA | |
| <Multi_key> <asterisk> <L> : "Λ" U039B # GREEK CAPITAL LETTER LAMBDA | |
| <Multi_key> <asterisk> <M> : "Μ" U039C # GREEK CAPITAL LETTER MU | |
| <Multi_key> <asterisk> <N> : "Ν" U039D # GREEK CAPITAL LETTER NU | |
| <Multi_key> <asterisk> <O> : "Ο" U039F # GREEK CAPITAL LETTER OMICRON | |
| <Multi_key> <asterisk> <P> : "Π" U03A0 # GREEK CAPITAL LETTER PI | |
| # see below for Q qoppa; in Emacs Q is “:” | |
| <Multi_key> <asterisk> <R> : "Ρ" U03A1 # GREEK CAPITAL LETTER RHO | |
| <Multi_key> <asterisk> <S> : "Σ" U03A3 # GREEK CAPITAL LETTER SIGMA | |
| <Multi_key> <asterisk> <T> : "Τ" U03A4 # GREEK CAPITAL LETTER TAU | |
| <Multi_key> <asterisk> <U> : "Θ" U0398 # GREEK CAPITAL LETTER THETA | |
| <Multi_key> <asterisk> <V> : "Ω" U03A9 # GREEK CAPITAL LETTER OMEGA | |
| # Emacs maps W to "Σ", but I think that’s stupid | |
| # I think that's from the Greek keyboard. | |
| <Multi_key> <asterisk> <X> : "Χ" U03A7 # GREEK CAPITAL LETTER CHI | |
| <Multi_key> <asterisk> <Y> : "Υ" U03A5 # GREEK CAPITAL LETTER UPSILON | |
| <Multi_key> <asterisk> <Z> : "Ζ" U0396 # GREEK CAPITAL LETTER ZETA | |
| # Some archaic Greek. If we only wanted *normal* characters we wouldn't be | |
| # doing this at all! | |
| # "period" will indicate a sort of variant of some kind; asterisk is still the "greek" marker | |
| <Multi_key> <asterisk> <period> <p> : "ϖ" U03D6 # GREEK PI SYMBOL | |
| # Reserving .f in case we want PHI SYMBOL. Digamma was "w" sound anyway. | |
| <Multi_key> <asterisk> <period> <w> : "ϝ" U03DD # GREEK SMALL LETTER DIGAMMA | |
| <Multi_key> <asterisk> <period> <W> : "Ϝ" U03DC # GREEK CAPITAL LETTER DIGAMMA | |
| <Multi_key> <asterisk> <Q> : "Ϟ" U03DE # GREEK LETTER QOPPA | |
| <Multi_key> <asterisk> <q> : "ϟ" U03DF # GREEK SMALL LETTER QOPPA | |
| <Multi_key> <asterisk> <period> <Q> : "Ϙ" U03D8 # GREEK LETTER ARCHAIC QOPPA | |
| <Multi_key> <asterisk> <period> <q> : "ϙ" U03D9 # GREEK SMALL LETTER ARCHAIC QOPPA | |
| <Multi_key> <asterisk> <ampersand> : "ϗ" U03D7 # GREEK KAI SYMBOL | |
| <Multi_key> <asterisk> <period> <Z> : "Ϡ" U03E0 # GREEK LETTER SAMPI | |
| <Multi_key> <asterisk> <period> <z> : "ϡ" U03E1 # GREEK SMALL LETTER SAMPI | |
| <Multi_key> <asterisk> <period> <period> <Z> : "Ͳ" U0372 # GREEK CAPITAL LETTER ARCHAIC SAMPI | |
| <Multi_key> <asterisk> <period> <period> <z> : "ͳ" U0373 # GREEK SMALL LETTER ARCHAIC SAMPI | |
| # Sorry, couldn't think of better ones for these. Might want .s for SAN. | |
| <Multi_key> <asterisk> <question> : "Ϛ" U03DA # GREEK LETTER STIGMA | |
| <Multi_key> <asterisk> <slash> : "ϛ" U03DB # GREEK SMALL LETTER STIGMA | |
| <Multi_key> <asterisk> <apostrophe> : "ʹ" U02B9 # MODIFIER LETTER PRIME, canonically equivalent to U0374 GREEK NUMERAL SIGN | |
| # While we're at it... | |
| <Multi_key> <asterisk> <period> <apostrophe> : "′" U2032 # PRIME | |
| <Multi_key> <asterisk> <period> <quotedbl> : "″" U2033 # DOUBLE PRIME | |
| <Multi_key> <asterisk> <comma> : "͵" U0375 # GREEK LOWER NUMERAL SIGN (for thousands) | |
| # Do we want BETA SYMBOL, RHO SYMBOL, KAPPA SYMBOL, PHI SYMBOL, THETA SYMBOL? | |
| # The format makes them obvious enough I guess. PI SYMBOL is different enough | |
| # that there's no question, and it is separate from these. | |
| <Multi_key> <asterisk> <period> <b> : "ϐ" U03D0 # GREEK BETA SYMBOL | |
| <Multi_key> <asterisk> <period> <u> : "ϑ" U03D1 # GREEK THETA SYMBOL | |
| <Multi_key> <asterisk> <period> <Y> : "ϒ" U03D2 # GREEK UPSILON WITH HOOK SYMBOL | |
| <Multi_key> <asterisk> <period> <f> : "ϕ" U03D5 # GREEK PHI SYMBOL | |
| <Multi_key> <asterisk> <period> <k> : "ϰ" U03F0 # GREEK KAPPA SYMBOL | |
| <Multi_key> <asterisk> <period> <r> : "ϱ" U03F1 # GREEK RHO SYMBOL | |
| <Multi_key> <asterisk> <period> <U> : "ϴ" U03F4 # GREEK CAPITAL THETA SYMBOL | |
| <Multi_key> <asterisk> <period> <e> : "ϵ" U03F5 # GREEK LUNATE EPSILON SYMBOL | |
| # Not doing the lunate sigmas and dotted versions thereof... What about SAN, which is at least a letter? | |
| <Multi_key> <asterisk> <period> <s> : "ϻ" U03FB # GREEK SMALL LETTER SAN | |
| <Multi_key> <asterisk> <period> <S> : "Ϻ" U03FA # GREEK CAPITAL LETTER SAN | |
| # If you wanted to actually type in Greek, you would also need άίέ | |
| # etc. But you would probably just switch to a Greek keyboard layout. | |
| # Custom additions: fractions | |
| <Multi_key> <1> <3> : "⅓" U2153 # VULGAR FRACTION ONE THIRD | |
| <Multi_key> <2> <3> : "⅔" U2154 # VULGAR FRACTION TWO THIRDS | |
| # more extensive fractions from jsled | |
| <Multi_key> <1> <5> : "⅕" U2155 # VULGAR FRACTION ONE FIFTH | |
| <Multi_key> <2> <5> : "⅖" U2156 # VULGAR FRACTION TWO FIFTHS | |
| <Multi_key> <3> <5> : "⅗" U2157 # VULGAR FRACTION THREE FIFTHS | |
| <Multi_key> <4> <5> : "⅘" U2158 # VULGAR FRACTION FOUR FIFTHS | |
| <Multi_key> <1> <6> : "⅙" U2159 # VULGAR FRACTION ONE SIXTH | |
| <Multi_key> <5> <6> : "⅚" U215A # VULGAR FRACTION FIVE SIXTHS | |
| <Multi_key> <1> <8> : "⅛" U215B # VULGAR FRACTION ONE EIGHTH | |
| <Multi_key> <3> <8> : "⅜" U215C # VULGAR FRACTION THREE EIGHTHS | |
| <Multi_key> <5> <8> : "⅝" U215D # VULGAR FRACTION FIVE EIGHTHS | |
| <Multi_key> <7> <8> : "⅞" U215E # VULGAR FRACTION SEVEN EIGHTHS | |
| <Multi_key> <1> <7> : "⅐" U2150 # VULGAR FRACTION ONE SEVENTH | |
| <Multi_key> <1> <9> : "⅑" U2151 # VULGAR FRACTION ONE NINTH | |
| <Multi_key> <1> <x> : "⅒" U2152 # VULGAR FRACTION ONE TENTH | |
| <Multi_key> <0> <3> : "↉" U2189 # VULGAR FRACTION ZERO THIRDS | |
| <Multi_key> <1> <slash> : "⅟" U215F # FRACTION NUMERATOR ONE | |
| # How about roman numerals? Percent for numerical mnemonic? | |
| # Does this go against the spirit of this file? These symbols are accessible | |
| # as regular letters and would look okay. Maybe only for I-X? | |
| <Multi_key> <percent> <1> : "ⅰ" U2170 # SMALL ROMAN NUMERAL ONE | |
| <Multi_key> <percent> <2> : "ⅱ" U2171 # SMALL ROMAN NUMERAL TWO | |
| <Multi_key> <percent> <3> : "ⅲ" U2172 # SMALL ROMAN NUMERAL THREE | |
| <Multi_key> <percent> <4> : "ⅳ" U2173 # SMALL ROMAN NUMERAL FOUR | |
| <Multi_key> <percent> <5> : "ⅴ" U2174 # SMALL ROMAN NUMERAL FIVE | |
| <Multi_key> <percent> <6> : "ⅵ" U2175 # SMALL ROMAN NUMERAL SIX | |
| <Multi_key> <percent> <7> : "ⅶ" U2176 # SMALL ROMAN NUMERAL SEVEN | |
| <Multi_key> <percent> <8> : "ⅷ" U2177 # SMALL ROMAN NUMERAL EIGHT | |
| <Multi_key> <percent> <9> : "ⅸ" U2178 # SMALL ROMAN NUMERAL NINE | |
| <Multi_key> <percent> <x> : "ⅹ" U2179 # SMALL ROMAN NUMERAL TEN | |
| # How do we handle eleven and twelve? | |
| <Multi_key> <percent> <underscore> <1> : "ⅺ" U217A # SMALL ROMAN NUMERAL ELEVEN | |
| <Multi_key> <percent> <underscore> <2> : "ⅻ" U217B # SMALL ROMAN NUMERAL TWELVE | |
| # That okay? | |
| <Multi_key> <percent> <l> : "ⅼ" U217C # SMALL ROMAN NUMERAL FIFTY | |
| <Multi_key> <percent> <c> : "ⅽ" U217D # SMALL ROMAN NUMERAL ONE HUNDRED | |
| <Multi_key> <percent> <d> : "ⅾ" U217E # SMALL ROMAN NUMERAL FIVE HUNDRED | |
| <Multi_key> <percent> <m> : "ⅿ" U217F # SMALL ROMAN NUMERAL ONE THOUSAND | |
| ### | |
| <Multi_key> <percent> <0> <1> : "Ⅰ" U2160 # ROMAN NUMERAL ONE | |
| <Multi_key> <percent> <0> <2> : "Ⅱ" U2161 # ROMAN NUMERAL TWO | |
| <Multi_key> <percent> <0> <3> : "Ⅲ" U2162 # ROMAN NUMERAL THREE | |
| <Multi_key> <percent> <0> <4> : "Ⅳ" U2163 # ROMAN NUMERAL FOUR | |
| <Multi_key> <percent> <0> <5> : "Ⅴ" U2164 # ROMAN NUMERAL FIVE | |
| <Multi_key> <percent> <0> <6> : "Ⅵ" U2165 # ROMAN NUMERAL SIX | |
| <Multi_key> <percent> <0> <7> : "Ⅶ" U2166 # ROMAN NUMERAL SEVEN | |
| <Multi_key> <percent> <0> <8> : "Ⅷ" U2167 # ROMAN NUMERAL EIGHT | |
| <Multi_key> <percent> <0> <9> : "Ⅸ" U2168 # ROMAN NUMERAL NINE | |
| <Multi_key> <percent> <0> <x> : "Ⅹ" U2169 # ROMAN NUMERAL TEN | |
| # How do we handle eleven and twelve? | |
| <Multi_key> <percent> <underscore> <0> <1> : "Ⅺ" U216A # ROMAN NUMERAL ELEVEL | |
| <Multi_key> <percent> <underscore> <0> <2> : "Ⅻ" U216B # ROMAN NUMERAL TWELVE | |
| <Multi_key> <percent> <0> <l> : "Ⅼ" U216C # ROMAN NUMERAL FIFTY | |
| <Multi_key> <percent> <0> <c> : "Ⅽ" U216D # ROMAN NUMERAL ONE HUNDRED | |
| <Multi_key> <percent> <0> <d> : "Ⅾ" U216E # ROMAN NUMERAL FIVE HUNDRED | |
| <Multi_key> <percent> <0> <m> : "Ⅿ" U216F # ROMAN NUMERAL ONE THOUSAND | |
| <Multi_key> <percent> <X> : "Ⅹ" U2169 # ROMAN NUMERAL TEN | |
| <Multi_key> <percent> <L> : "Ⅼ" U216C # ROMAN NUMERAL FIFTY | |
| <Multi_key> <percent> <C> : "Ⅽ" U216D # ROMAN NUMERAL ONE HUNDRED | |
| <Multi_key> <percent> <D> : "Ⅾ" U216E # ROMAN NUMERAL FIVE HUNDRED | |
| <Multi_key> <percent> <M> : "Ⅿ" U216F # ROMAN NUMERAL ONE THOUSAND | |
| <Multi_key> <percent> <0> <C> <D> : "ↀ" U2180 # ROMAN NUMERAL ONE THOUSAND C D | |
| <Multi_key> <percent> <0> <D> : "ↁ" U2181 # ROMAN NUMERAL FIVE THOUSAND | |
| <Multi_key> <percent> <0> <M> : "ↂ" U2182 # ROMAN NUMERAL TEN THOUSAND | |
| <Multi_key> <percent> <0> <0> <D> : "ↇ" U2187 # ROMAN NUMERAL FIFTY THOUSAND | |
| <Multi_key> <percent> <0> <0> <M> : "ↈ" U2188 # ROMAN NUMERAL ONE HUNDRED THOUSAND | |
| # Custom additions: for chat (kragen) | |
| <Multi_key> <parenleft> <colon> : "☻" U263B # BLACK SMILING FACE | |
| <Multi_key> <colon> <parenright> : "☺" U263A # WHITE SMILING FACE | |
| <Multi_key> <colon> <parenleft> : "☹" U2639 # WHITE FROWNING FACE | |
| <Multi_key> <colon> <asciitilde> : "⍨" U2368 # APL FUNCTIONAL SYMBOL TILDE DIAERESIS | |
| <Multi_key> <colon> <bar> : "⸚" U2E1A # HYPHEN WITH DIAERESIS | |
| <Multi_key> <colon> <o> <o> <parenright> : "°͜°" # Funny smiley-face. | |
| # Those are archaic cyrilic letters... but look so _perfect_ for use | |
| # in chat. And about the last, the "multiocular O"... Well, I don't | |
| # know what it can be used for, but given the description, how could I | |
| # leave it out‽ | |
| # (I guess using U+1F440 EYES would be more straightforward, but not as funny?) | |
| <Multi_key> <O> <period> <O> : "Ꙭ" UA66C # CYRILLIC CAPITAL LETTER DOUBLE MONOCULAR O * used in the dual of words based on the root for 'eye' | |
| <Multi_key> <o> <period> <o> : "ꙭ" UA66D # CYRILLIC SMALL LETTER DOUBLE MONOCULAR O | |
| <Multi_key> <O> <colon> : "Ꙫ" UA66A # CYRILLIC CAPITAL LETTER BINOCULAR O * used in the dual of words based on the root for 'eye' | |
| <Multi_key> <o> <colon> : "ꙫ" UA66B # CYRILLIC SMALL LETTER BINOCULAR O | |
| <Multi_key> <o> <plus> : "ꙮ" UA66E # CYRILLIC LETTER MULTIOCULAR O * used in the epithet 'many-eyed' | |
| # While we're doing stacks of circles with dots. | |
| <Multi_key> <o> <3> : "߷" U07F7 # NKO SYMBOL GBAKURUNEN | |
| <Multi_key> <exclam> <question> : "‽" U203D # INTERROBANG | |
| <Multi_key> <question> <exclam> : "⸘" U2E18 # INVERTED INTERROBANG, standard now. | |
| <Multi_key> <questiondown> <exclamdown> : "⸘" U2E18 # INVERTED INTERROBANG (if you have a ¡ key. Otherwise...? "?i" maybe? | |
| <Multi_key> <exclamdown> <questiondown> : "⸘" U2E18 # INVERTED INTERROBANG (if you have a ¡ key. Otherwise...? "?i" maybe? | |
| <Multi_key> <question> <less> : "⸮" U2E2E # REVERSED QUESTION MARK | |
| <Multi_key> <question> <BackSpace> : "⸮" U2E2E # REVERSED QUESTION MARK | |
| <Multi_key> <question> <ampersand> <question> : "⁇" U2047 # DOUBLE QUESTION MARK | |
| <Multi_key> <2> <question> : "⁇" U2047 # DOUBLE QUESTION MARK | |
| <Multi_key> <question> <ampersand> <exclam> : "⁈" U2048 # QUESTION EXCLAMATION MARK | |
| <Multi_key> <exclam> <ampersand> <question> : "⁉" U2049 # EXCLAMATION QUESTION MARK | |
| <Multi_key> <exclam> <ampersand> <exclam> : "‼" U203C # DOUBLE EXCLAMATION MARK | |
| <Multi_key> <2> <exclam> : "‼" U203C # DOUBLE EXCLAMATION MARK | |
| <Multi_key> <2> <colon> : "∷" U2237 # PROPORTION -- not strictly 2 times COLON | |
| <Multi_key> <semicolon> <less> : "⁏" U204F # REVERSED SEMICOLON | |
| <Multi_key> <semicolon> <BackSpace> : "⁏" U204F # REVERSED SEMICOLON | |
| # Keep looking into big hunks of Latin Extended-D, A720- et seq. | |
| <Multi_key> <less> <3> : "♥" U2665 # BLACK HEART SUIT | |
| <Multi_key> <3> <3> : "♣" U2663 # BLACK CLUB SUIT | |
| <Multi_key> <o> <8> : "♣" U2663 # BLACK CLUB SUIT | |
| <Multi_key> <c> <3> : "♣" U2663 # BLACK CLUB SUIT | |
| <Multi_key> <less> <greater> : "♢" U2662 # WHITE DIAMOND SUIT | |
| <Multi_key> <3> <minus> : "♠" U2660 # BLACK SPADE SUIT | |
| <Multi_key> <less> <braceright> : "♠" U2660 # BLACK SPADE SUIT | |
| <Multi_key> <E> <greater> : "♡" U2661 # WHITE HEART SUIT | |
| # "shamrock" is too long; there IS a limit to these! | |
| <Multi_key> <Multi_key> <s> <h> <m> <r> <c> <k> : "☘" U2618 # SHAMROCK | |
| <Multi_key> <Multi_key> <s> <h> <a> <m> <r> <o> : "☘" U2618 # SHAMROCK | |
| <Multi_key> <Multi_key> <p> <c> : "☮" U262E # PEACE SYMBOL | |
| <Multi_key> <Multi_key> <p> <e> <a> <c> <e> : "☮" U262E # PEACE SYMBOL | |
| <Multi_key> <Multi_key> <y> <y> : "☯" U262F # YIN YANG | |
| <Multi_key> <Multi_key> <y> <i> <n> <y> <a> <n> : "☯" U262F # YIN YANG | |
| # And now that we are into hearts... | |
| <Multi_key> <Left> <less> <3> : "❥" U2765 # ROTATED HEAVY BLACK HEART BULLET | |
| <Multi_key> <exclam> <less> <3> : "❣" U2763 # HEAVY HEART EXCLAMATION MARK ORNAMENT | |
| <Multi_key> <f> <less> <3> : "❦" U2766 # FLORAL HEART | |
| <Multi_key> <Left> <f> <less> <3> : "❧" U2767 # ROTATED FLORAL HEART BULLET | |
| <Multi_key> <Right> <f> <less> <3> : "☙" U2619 # REVERSED ROTATED FLORAL HEART BULLET | |
| <Multi_key> <Multi_key> <t> <e> <l> : "☎" U260E # BLACK TELEPHONE | |
| <Multi_key> <Multi_key> <t> <e> <a> : "☕" U2615 # HOT BEVERAGE | |
| # These last two bother me less, though they can still be improved. | |
| # Other possibly useful symbols: | |
| # 2668 HOT SPRINGS (for chat, for running off to shower?) | |
| # I want 2713-2714 and 2717-2718 | |
| # We need a Dingbats prefix, for ❛❜❝❞❢ | |
| <Multi_key> <bracketleft> <space> <bracketright> : "☐" U2610 # BALLOT BOX | |
| # Better keystrokes anyone? This one breaks the pattern. [c]? [v]? [y]? [/]? | |
| <Multi_key> <Multi_key> <c> <h> <k> : "☑" U2611 # BALLOT BOX WITH CHECK | |
| <Multi_key> <bracketleft> <slash> <bracketright> : "☑" U2611 # BALLOT BOX WITH CHECK | |
| <Multi_key> <bracketleft> <x> <bracketright> : "☒" U2612 # BALLOT BOX WITH X | |
| # @ for dingbats? | |
| <Multi_key> <at> <slash> : "✓" U2713 # CHECK MARK | |
| <Multi_key> <at> <at> <slash> : "✔" U2714 # HEAVY CHECK MARK | |
| <Multi_key> <at> <X> : "✗" U2717 # BALLOT X | |
| <Multi_key> <at> <at> <X> : "✘" U2718 # HEAVY BALLOT X | |
| # Will I want <at> <at> for something else? | |
| # Now there is such a thing as text style and emoji style. Use the | |
| # "dingbat prefix" in an unusual way: | |
| <Multi_key> <at> <Multi_key> : "️" UFE0F # Emoji selector | |
| <Multi_key> <exclam> <Multi_key> : "︎" UFE0E # Text selector | |
| # How about dice? | |
| <Multi_key> <bracketleft> <1> <bracketright> : "⚀" U2680 # DIE FACE-1 | |
| <Multi_key> <bracketleft> <2> <bracketright> : "⚁" U2681 # DIE FACE-2 | |
| <Multi_key> <bracketleft> <3> <bracketright> : "⚂" U2682 # DIE FACE-3 | |
| <Multi_key> <bracketleft> <4> <bracketright> : "⚃" U2683 # DIE FACE-4 | |
| <Multi_key> <bracketleft> <5> <bracketright> : "⚄" U2684 # DIE FACE-5 | |
| <Multi_key> <bracketleft> <6> <bracketright> : "⚅" U2685 # DIE FACE-6 | |
| # 267B BLACK UNIVERSAL RECYCLING SYMBOL | |
| # Keystrokes okay? | |
| <Multi_key> <Multi_key> <f> <d> <l> : "⚜" U269C # FLEUR-DE-LIS | |
| <Multi_key> <Multi_key> <a> <t> <o> <m> : "⚛" U269B # ATOM SYMBOL | |
| <Multi_key> <Multi_key> <c> <c> <c> <p> : "☭" U262D # HAMMER AND SICKLE | |
| <Multi_key> <slash> <exclam> <backslash> : "⚠" U26A0 # WARNING SIGN | |
| <Multi_key> <exclam> <asciicircum> : "⚠" U26A0 # WARNING SIGN | |
| <Multi_key> <Multi_key> <z> <a> <p> : "⚡" U26A1 # HIGH VOLTAGE SIGN | |
| # Shouldn't use just <r><a> because it's too likely to be a prefix for | |
| # a useful word. | |
| <Multi_key> <Multi_key> <r> <a> <d> : "☢" U2622 # RADIOACTIVE SIGN | |
| <Multi_key> <Multi_key> <b> <h> : "☣" U2623 # BIOHAZARD SIGN | |
| <Multi_key> <Multi_key> <b> <i> <o> <h> <a> <z> : "☣" U2623 # BIOHAZARD SIGN | |
| # Changing this from ⚝ | |
| <Multi_key> <Multi_key> <A> <A> <A> <A> <A> : "⛤" U26E4 # PENTAGRAM (pentalpha, get it?) | |
| <Multi_key> <Multi_key> <p> <l> <a> <n> <e> : "✈" U2708 # AIRPLANE | |
| <Multi_key> <Multi_key> <m> <a> <i> <l> : "✉" U2709 # ENVELOPE | |
| <Multi_key> <Multi_key> <w> <h> <l> <c> <h> : "♿" U267F # WHEELCHAIR SYMBOL | |
| <Multi_key> <Multi_key> <m> <e> <d> : "☤" U2624 # CADEUCEUS | |
| # Something different for STAFF OF AESCULAPIUS? | |
| <Multi_key> <Multi_key> <1> <m> <e> <d> : "⚕" U2695 # STAFF OF AESCULAPIUS | |
| # 26B0 COFFIN ? | |
| # One of the SNOWFLAKEs? | |
| # SNOWMAN? COMET? ANCHOR? | |
| # Maybe if we go with having a "word" symbol and spelling out lots and | |
| # lots of whole words, we can have all the planets. | |
| # | |
| # I already have STAR OF DAVID on another map. | |
| # 231A, 231B -- WATCH and HOURGLASS -- one should be &-w-a-i-t | |
| # 23D4 METRICAL LONG OVER TWO SHORTS a.k.a. METRICAL BOOBS | |
| # 0950 DEVANAGARI OM? | |
| # 212E ESTIMATED SYMBOL? | |
| # 2324 UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS a.k.a. NOT AMUSED | |
| # 237E BELL SYMBOL a.k.a. ALIENS LANDING | |
| <Multi_key> <o> <minus> <plus> : "♀" U2640 # FEMALE SIGN | |
| <Multi_key> <o> <minus> <greater> : "♂" U2642 # MALE SIGN | |
| <Multi_key> <Multi_key> <g> <a> <y> : "⚣" U26A3 # DOUBLED MALE SIGN | |
| <Multi_key> <Multi_key> <l> <e> <s> <b> <i> <a> <n> : "⚢" U26A2 # DOUBLED FEMALE SIGN | |
| <Multi_key> <Multi_key> <h> <e> <t> <e> <r> <o> : "⚤" U26A4 # INTERLOCKED FEMALE AND MALE SIGN | |
| # 'trans': short for transgender/transexual | |
| # 'genderq': short for genderqueer. | |
| # Wasn't sure which to call which symbol, and wanted to include both | |
| <Multi_key> <Multi_key> <t> <r> <a> <n> <s> : "⚥" U26A5 # MALE AND FEMALE SIGN | |
| <Multi_key> <Multi_key> <g> <e> <n> <d> <e> <r> <q> : "⚧" U26A7 # MALE WITH STROKE AND MALE AND FEMALE SIGN | |
| <Multi_key> <O> <X>: "☠" U2620 # SKULL AND CROSSBONES | |
| <Multi_key> <Multi_key> <d> <e> <a> <t> <h>: "☠" U2620 # SKULL AND CROSSBONES | |
| <Multi_key> <Multi_key> <X> <b> <o> <n> <e> <s>: "☠" U2620 # SKULL AND CROSSBONES | |
| <Multi_key> <Multi_key> <k> <b> <d> : "⌨" U2328 # KEYBOARD | |
| <Multi_key> <Multi_key> <r> <h> <a> <n> <d> : "☞" U261E # WHITE RIGHT POINTING INDEX | |
| <Multi_key> <Multi_key> <l> <h> <a> <n> <d> : "☜" U261C # WHITE LEFT POINTING INDEX | |
| <Multi_key> <asterisk> <asterisk> :"★" U2605 # BLACK STAR | |
| <Multi_key> <asterisk> <0> :"☆" U2606 # WHITE STAR | |
| <Multi_key> <asterisk> <minus> :"✪" U272A # CIRCLED WHITE STAR | |
| <Multi_key> <asterisk> <3> :"⁂" U2042 # ASTERISM | |
| <Multi_key> <3> <asterisk> :"⁂" U2042 # ASTERISM | |
| <Multi_key> <2> <asterisk> :"⁑" U2051 # TWO ASTERISKS ALIGNED VERTICALLY | |
| <Multi_key> <asterisk> <4> :"✢" U2722 # FOUR TEARDROP-SPOKED ASTERISK | |
| <Multi_key> <asterisk> <6> :"✡" U2721 # STAR OF DAVID | |
| <Multi_key> <asterisk> <numbersign> :"✯" U272F # PINWHEEL STAR | |
| <Multi_key> <asterisk> <exclam> :"✱" U2731 # HEAVY ASTERISK | |
| <Multi_key> <less> <X> <greater> : "❖" U2756 # BLACK DIAMOND MINUS WHITE X | |
| <Multi_key> <at> <numbersign> : "⌘" U2318 # PLACE OF INTEREST SIGN | |
| # Using backslash-minus-slash etc. conflicts with combining accents. | |
| <Multi_key> <grave> <minus> <apostrophe> : "⚞" U269E # THREE LINES CONVERGING RIGHT | |
| <Multi_key> <apostrophe> <minus> <grave> : "⚟" U269F # THREE LINES CONVERGING LEFT | |
| <Multi_key> <Multi_key> <B> <e> <l> <l> <s> <y> <m> : "⍾" U237E # BELL SYMBOL (or ALIENS LANDING) -- &-a-l-i-e-n ? | |
| # Other monstery characters... ѪꙚ (alien abductions?) | |
| # ඏൠഋ & others from Kannada et al...? | |
| # Can't use -^- for this; conflicts with -^ for ↑, and getting those arrows | |
| # workable was complicated enough. How about this? | |
| <Multi_key> <underscore> <asciicircum> <underscore> : "⌤" U2324 # UP ARROWHEAD BETWEEN TWO HORIZONTAL BARS; aka ENTER KEY, aka NOT AMUSED. | |
| <Multi_key> <Multi_key> <w> <a> <i> <t> : "⌛" U231B # HOURGLASS | |
| <Multi_key> <Multi_key> <h> <o> <u> <r> : "⌛" U231B # HOURGLASS | |
| <Multi_key> <Multi_key> <t> <i> <m> <e> : "⌚" U231A # WATCH | |
| <Multi_key> <Multi_key> <w> <a> <t> <c> <h> : "⌚" U231A # WATCH | |
| <Multi_key> <space> <N> : " " U2002 # EN SPACE | |
| <Multi_key> <space> <M> : " " U2003 # EM SPACE | |
| <Multi_key> <space> <3> <M> : " " U2004 # THREE-PER-EM SPACE | |
| <Multi_key> <space> <4> <M> : " " U2005 # FOUR-PER-EM SPACE | |
| <Multi_key> <parenleft> <parenright>: "◌" U25CC # DOTTED CIRCLE | |
| <Multi_key> <bracketleft> <bracketright>: "⬚" U2B1A # DOTTED SQUARE | |
| <Multi_key> <asterisk> <parenleft> : "﴾" UFD3E # ORNATE LEFT PARENTHESIS | |
| <Multi_key> <asterisk> <parenright> : "﴿" UFD3F # ORNATE RIGHT PARENTHESIS | |
| <Multi_key> <k> <s> : "ʘ" U0298 # LATIN LETTER BILABIAL CLICK (kiss sound) | |
| <Multi_key> <bar> <greater> : "‣" U2023 # TRIANGULAR BULLET | |
| #SUPERSCRIPTS: | |
| #To avoid namespace clashes, <asciicircum> is doubled (will I regret that?) | |
| <Multi_key> <asciicircum> <asciicircum> <h> : "ʰ" U02B0 # SUPERSCRIPT H | |
| <Multi_key> <asciicircum> <asciicircum> <i> : "ⁱ" U2071 # SUPERSCRIPT I | |
| <Multi_key> <asciicircum> <asciicircum> <j> : "ʲ" U02B2 # SUPERSCRIPT J | |
| <Multi_key> <asciicircum> <asciicircum> <n> : "ⁿ" U207F # SUPERSCRIPT N | |
| <Multi_key> <asciicircum> <asciicircum> <r> : "ʳ" U02B3 # SUPERSCRIPT R | |
| <Multi_key> <asciicircum> <asciicircum> <w> : "ʷ" U02B7 # SUPERSCRIPT W | |
| <Multi_key> <asciicircum> <asciicircum> <y> : "ʸ" U02B8 # SUPERSCRIPT Y | |
| # So I can use yᵗ/þᵗ and yᵉ/þᵉ | |
| <Multi_key> <asciicircum> <asciicircum> <e> : "ᵉ" U1D49 # MODIFIER LETTER SMALL E | |
| <Multi_key> <asciicircum> <asciicircum> <t> : "ᵗ" U1D57 # MODIFIER LETTER SMALL T | |
| # Abbreviation for "that": | |
| <Multi_key> <U00FE> <t> : "ꝥ" UA765 # LATIN SMALL LETTER THORN WITH STROKE | |
| #Maybe add: ˀˁ˃˂ Need to be able to talk about ʔˁ... | |
| <Multi_key> <asciicircum> <question> <period> : "ˀ" U02C0 # MODIFIER LETTER GLOTTAL STOP | |
| <Multi_key> <asciicircum> <question> <parenleft> : "ˁ" U02C1 # MODIFIER LETTER REVERSED GLOTTAL STOP | |
| <Multi_key> <asciicircum> <minus> : "⁻" U207B # SUPERSCRIPT MINUS | |
| <Multi_key> <asciicircum> <plus> : "⁺" U207A # SUPERSCRIPT PLUS | |
| <Multi_key> <asciitilde> <asciitilde> : "≈" U2248 # ALMOST EQUAL TO | |
| <Multi_key> <s> <h> : "ʃ" U0283 # LATIN SMALL LETTER ESH | |
| <Multi_key> <z> <h> : "ʒ" U0292 # LATIN SMALL LETTER EZH | |
| <Multi_key> <l> <h> : "ɬ" U026C # LATIN SMALL LETTER L WITH BELT | |
| <Multi_key> <l> <3> : "ɮ" U026E # LATIN SMALL LETTER LEZH | |
| <Multi_key> <y> <g> : "ȝ" U021D # LATIN SMALL LETTER YOGH | |
| <Multi_key> <Y> <G> : "Ȝ" U021C # LATIN CAPITAL LETTER YOGH | |
| <Multi_key> <question> <period> : "ʔ" U0294 # LATIN LETTER GLOTTAL STOP | |
| <Multi_key> <question> <parenleft> : "ʕ" U0295 # LATIN LETTER PHARYNGEAL VOICED FRICATIVE | |
| # Not great keystrokes... | |
| <Multi_key> <question> <v> : "ʖ" U0296 # LATIN LETTER INVERTED GLOTTAL STOP | |
| <Multi_key> <question> <minus> : "ʡ" U02A1 # LATIN LETTER GLOTTAL STOP WITH STROKE | |
| <Multi_key> <question> <braceleft> : "ʢ" U02A2 # LATIN LETTER REVERSED GLOTTAL STOP WITH STROKE | |
| # How about ɸ? φ isn’t the IPA glyph. | |
| <Multi_key> <p> <h> : "ɸ" U0278 # LATIN SMALL LETTER PHI | |
| <Multi_key> <i> <h> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I | |
| <Multi_key> <I> <H> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I | |
| <Multi_key> <u> <h> : "ʊ" U028A # LATIN SMALL LETTER UPSILON | |
| <Multi_key> <U> <H> : "ʊ" U028A # LATIN SMALL LETTER UPSILON | |
| <Multi_key> <a> <h> : "ɑ" U0251 # LATIN SMALL LETTER ALPHA | |
| <Multi_key> <e> <r> : "ɚ" U025A # LATIN SMALL LETTER SCHWA WITH HOOK | |
| <Multi_key> <o> <parenright> :"ɔ" U0254 # LATIN SMALL LETTER OPEN O | |
| <Multi_key> <a> <w> : "ɔ" U0254 # LATIN SMALL LETTER OPEN O | |
| <Multi_key> <O> <parenright> :"Ɔ" U0186 # LATIN CAPITAL LETTER OPEN O | |
| <Multi_key> <A> <W> : "Ɔ" U0186 # LATIN CAPITAL LETTER OPEN O | |
| <Multi_key> <e> <h> : "ɛ" U025B # LATIN SMALL LETTER OPEN E | |
| # Have to put the <less> at the beginning for these. | |
| <Multi_key> <less> <e> <h> : "ɜ" U025C # LATIN SMALL LETTER REVERSED OPEN E | |
| <Multi_key> <BackSpace> <e> <h> : "ɜ" U025C # LATIN SMALL LETTER REVERSED OPEN E | |
| <Multi_key> <less> <e> <r> : "ɝ" U025D # LATIN SMALL LETTER REVERSED OPEN E WITH HOOK | |
| <Multi_key> <BackSpace> <e> <r> : "ɝ" U025D # LATIN SMALL LETTER REVERSED OPEN E WITH HOOK | |
| # It's spelled "gy" in Hungarian... | |
| <Multi_key> <g> <y> : "ɟ" U025F # LATIN SMALL LETTER DOTLESS J WITH STROKE | |
| # How are these keystrokes? | |
| <Multi_key> <bar> <apostrophe> : "ˈ" U02C8 # MODIFIER LETTER VERTICAL LINE | |
| <Multi_key> <bar> <comma> : "ˌ" U02CC # MODIFIER LETTER LOW VERTICAL LINE | |
| <Multi_key> <bar> <underscore> : "̩" U0329 # COMBINING VERTICAL LINE BELOW | |
| # Harmonize with other combiners. | |
| <Multi_key> <backslash> <underscore> <bar> : "̩" U0329 # COMBINING VERTICAL LINE BELOW | |
| <Multi_key> <r> <r> : "ɹ" U0279 # LATIN SMALL LETTER TURNED R: voiced alveolar approximant (American English (at least) R) | |
| <Multi_key> <r> <d> : "ɾ" U027E # LATIN SMALL LETTER R WITH FISHHOOK: voiced alveolar flap or tap (American English intervocalic allophone of d, or Spanish r) | |
| <Multi_key> <v> <v> : "ʌ" U028C # LATIN SMALL LETTER TURNED V | |
| <Multi_key> <u> <i> : "ɯ" U026F # LATIN SMALL LETTER TURNED M | |
| # doubling a letter seems to be mostly used for turning | |
| <Multi_key> <w> <w> : "ʍ" U028D # LATIN SMALL LETTER TURNED W | |
| <Multi_key> <y> <y> : "ʎ" U028E # LATIN SMALL LETTER TURNED Y | |
| <Multi_key> <a> <a> : "ɐ" U0250 # LATIN SMALL LETTER TURNED A | |
| # ı is already available in the "standard" .XCompose | |
| <Multi_key> <j> <period> : "ȷ" U0237 # LATIN SMALL LETTER DOTLESS J | |
| # I'll use capitals for a different double | |
| <Multi_key> <W> <W> : "ʬ" U02AC # LATIN LETTER BILABIAL PERCUSSIVE | |
| # Sorry, I miss having this and hate having to use colon instead: | |
| <Multi_key> <colon> <plus> : "ː" U02D0 # MODIFIER LETTER TRIANGULAR COLON | |
| # Also handy for writing urls: http://ʬw.omniglot.com/ | |
| # ɣ? ᴥ? Important enough to add? ᴥ is cool just as a "latin" letter. | |
| <Multi_key> <g> <h> : "ɣ" U0263 # LATIN SMALL LETTER GAMMA | |
| # It looks like a ɣ and makes an "o" sorta sound: | |
| <Multi_key> <o> <g> <h> : "ɤ" U0264 # LATIN SMALL LETTER RAMS HORN | |
| <Multi_key> <a> <i> <n> : "ᴥ" U1D25 # LATIN LETTER AIN | |
| # Sometimes it's a "tail", sometimes a "hook", and sometimes a "retroflex hook" | |
| <Multi_key> <d> <comma> : "ɖ" U0256 # LATIN SMALL LETTER D WITH TAIL | |
| <Multi_key> <l> <comma> : "ɭ" U026D # LATIN SMALL LETTER L WITH RETROFLEX HOOK | |
| <Multi_key> <n> <comma> : "ɳ" U0273 # LATIN SMALL LETTER N WITH RETROFLEX HOOK | |
| <Multi_key> <s> <comma> : "ʂ" U0282 # LATIN SMALL LETTER S WITH HOOK | |
| <Multi_key> <t> <comma> : "ʈ" U0288 # LATIN SMALL LETTER T WITH RETROFLEX HOOK | |
| <Multi_key> <z> <comma> : "ʐ" U0290 # LATIN SMALL LETTER Z WITH RETROFLEX HOOK | |
| # This is used for functions, folders, etc. Yeah, the hook's facing wrong. | |
| <Multi_key> <f> <comma> : "ƒ" U0192 # LATIN SMALL LETTER F WITH HOOK | |
| # Sigh, might as well do implosives. Which is also sometimes a hook. | |
| <Multi_key> <b> <apostrophe> : "ɓ" U0253 # LATIN SMALL LETTER B WITH HOOK | |
| <Multi_key> <d> <apostrophe> : "ɗ" U0257 # LATIN SMALL LETTER D WITH HOOK | |
| <Multi_key> <g> <apostrophe> : "ɠ" U0260 # LATIN SMALL LETTER G WITH HOOK | |
| <Multi_key> <g> <g> : "ɡ" U0261 # LATIN SMALL LETTER SCRIPT G | |
| # The h looks the same... | |
| <Multi_key> <h> <apostrophe> : "ɦ" U0266 # LATIN SMALL LETTER H WITH HOOK | |
| <Multi_key> <G> <apostrophe> : "ʛ" U029B # LATIN LETTER SMALL CAPITAL G WITH HOOK | |
| <Multi_key> <N> <o> : "№" U2116 # NUMERO SIGN | |
| <Multi_key> <R> <x> : "℞" U211E # PRESCRIPTION TAKE | |
| <Multi_key> <P> <e> <r> : "⅌" U214C # PER SIGN | |
| <Multi_key> <o> <z> <period> : "℥" U2125 # OUNCE SIGN | |
| <Multi_key> <s> <c> <r> <period> : "℈" U2108 # SCRUPLE | |
| # There are all kinds of awesome combining characters in the U+0300 page. | |
| # There are a bunch of other awesome combining characters like U+20E0 | |
| <Multi_key> <asterisk> <period> <period> <period> : "๛" U0E5B # THAI CHARACTER KHOMUT (end of chapter) | |
| # | |
| # Music stuff. # is the music mnemonic. | |
| <Multi_key> <numbersign> <b> : "♭" U266d # MUSIC FLAT SIGN | |
| <Multi_key> <numbersign> <f> : "♮" U266e # MUSIC NATURAL SIGN | |
| <Multi_key> <numbersign> <equal> : "♮" U266e # MUSIC NATURAL SIGN | |
| <Multi_key> <numbersign> <numbersign> : "♯" U266f # MUSIC SHARP SIGN | |
| <Multi_key> <numbersign> <G> : "𝄞" U0001d11e # MUSICAL SYMBOL G CLEF | |
| <Multi_key> <numbersign> <F> : "𝄢" U0001d122 # MUSICAL SYMBOL F CLEF | |
| <Multi_key> <numbersign> <C> : "𝄡" U0001d121 # MUSICAL SYMBOL C CLEF | |
| <Multi_key> <numbersign> <o> <slash> : "♪" U266a # EIGHTH NOTE | |
| <Multi_key> <numbersign> <o> <o> : "♫" U266b # BEAMED EIGHTH NOTES | |
| <Multi_key> <numbersign> <percent> : "♫" U266b # BEAMED EIGHTH NOTES | |
| # Combining accents, for making things you don't have precomposed chars or keystrokes for: | |
| <Multi_key> <backslash> <grave> : "̀" U0300 # COMBINING GRAVE ACCENT | |
| <Multi_key> <backslash> <apostrophe> : "́" U0301 # COMBINING ACUTE ACCENT | |
| <Multi_key> <backslash> <asciicircum> : "̂" U0302 # COMBINING CIRCUMFLEX ACCENT | |
| <Multi_key> <backslash> <asciitilde> : "̃" U0303 # COMBINING TILDE | |
| <Multi_key> <backslash> <equal> : "̄" U0304 # COMBINING MACRON | |
| <Multi_key> <backslash> <backslash> <equal> : "̅" U0305 # COMBINING OVERLINE -- ??? | |
| <Multi_key> <backslash> <U> : "̆" U0306 # COMBINING BREVE | |
| <Multi_key> <backslash> <period> : "̇" U0307 # COMBINING DOT ABOVE | |
| <Multi_key> <backslash> <quotedbl> : "̈" U0308 # COMBINING DIAERESIS | |
| <Multi_key> <backslash> <question> : "̉" U0309 # COMBINING HOOK ABOVE | |
| <Multi_key> <backslash> <o> : "̊" U030a # COMBINING RING ABOVE | |
| # That now conflicts with the new 🙌 in the system xcompose. Alternative: | |
| <Multi_key> <backslash> <0> : "̊" U030a # COMBINING RING ABOVE | |
| <Multi_key> <backslash> <backslash> <apostrophe> : "̋" U030b # COMBINING DOUBLE ACUTE ACCENT -- ?? | |
| <Multi_key> <backslash> <c> : "̌" U030c # COMBINING CARON | |
| <Multi_key> <backslash> <bar> : "̍" U030d # COMBINING VERTICAL LINE ABOVE | |
| <Multi_key> <backslash> <2> <bar> : "̎" U030e # COMBINING DOUBLE VERTICAL LINE ABOVE | |
| <Multi_key> <backslash> <2> <grave> : "̏" U030f # COMBINING DOUBLE GRAVE ACCENT | |
| # For writing PSILI and DASIA in Greek | |
| # Ugh, better key-coding? I may need @ for BELOW. | |
| <Multi_key> <backslash> <backslash> <backslash> <comma> : "̒" U0312 # COMBINING TURNED COMMA ABOVE | |
| <Multi_key> <backslash> <backslash> <comma> : "̓" U0313 # COMBINING COMMA ABOVE | |
| <Multi_key> <backslash> <backslash> <less> <comma> : "̔" U0314 # COMBINING REVERSED COMMA ABOVE | |
| <Multi_key> <backslash> <f> <m> : "͒" U0352 # COMBINING FERMATA | |
| <Multi_key> <backslash> <parenleft> <period> : "̐" U0310 # COMBINING CHANDRABINDU | |
| <Multi_key> <backslash> <i> <b> : "̑" U0311 # COMBINING INVERTED BREVE -- ?? | |
| <Multi_key> <backslash> <parenleft> <parenright>: "⃝" U20DD # COMBINING ENCLOSING CIRCLE | |
| <Multi_key> <backslash> <parenleft> <slash> <parenright>: "⃠" U20E0 # COMBINING ENCLOSING CIRCLE BACKSLASH | |
| <Multi_key> <backslash> <exclam> : "̣" U0323 # COMBINING DOT BELOW | |
| # With only one underscore it conflicts with stuff. | |
| <Multi_key> <backslash> <underscore> <underscore> : "̱" U0331 # COMBINING MACRON BELOW | |
| <Multi_key> <backslash> <backslash> <underscore> : "̲" U0332 # COMBINING LOW LINE | |
| <Multi_key> <backslash> <backslash> <backslash> <underscore> : "̳" U0333 # COMBINING DOUBLE LOW LINE | |
| # The @ sign will signify reversal to the bottom of the glyph, 'kay? | |
| <Multi_key> <backslash> <at> <o> : "̥" U0325 # COMBINING RING BELOW | |
| <Multi_key> <backslash> <at> <c> : "̬" U032c # COMBINING CARON BELOW | |
| <Multi_key> <backslash> <at> <asciicircum> : "̭" U032d # COMBINING CIRCUMFLEX ACCENT BELOW | |
| <Multi_key> <backslash> <at> <U> : "̮" U032e # COMBINING BREVE BELOW | |
| <Multi_key> <backslash> <at> <i> <b> : "̯" U032f # COMBINING INVERTED BREVE BELOW -- ?? | |
| # How about leading & (or &&?) for double combiners? There aren't many anyway. | |
| # Except that I found myself assuming it was "2" for double. | |
| <Multi_key> <backslash> <ampersand> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW | |
| <Multi_key> <backslash> <2> <at> <U> : "͜" U035C # COMBINING DOUBLE BREVE BELOW | |
| <Multi_key> <backslash> <ampersand> <U> : "͝" U035D # COMBINING DOUBLE BREVE | |
| <Multi_key> <backslash> <2> <U> : "͝" U035D # COMBINING DOUBLE BREVE | |
| <Multi_key> <backslash> <ampersand> <minus> : "͞" U035E # COMBINING DOUBLE MACRON | |
| <Multi_key> <backslash> <2> <minus> : "͞" U035E # COMBINING DOUBLE MACRON | |
| <Multi_key> <backslash> <ampersand> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW | |
| <Multi_key> <backslash> <2> <at> <minus> : "͟" U035F # COMBINING DOUBLE MACRON BELOW | |
| <Multi_key> <backslash> <ampersand> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW | |
| <Multi_key> <backslash> <2> <underscore> : "͟" U035F # COMBINING DOUBLE MACRON BELOW | |
| <Multi_key> <backslash> <ampersand> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE | |
| <Multi_key> <backslash> <2> <asciitilde> : "͠" U0360 # COMBINING DOUBLE TILDE | |
| <Multi_key> <backslash> <ampersand> <i> <b> : "͡" U0361 # COMBINING DOUBLE INVERTED BREVE | |
| <Multi_key> <backslash> <2> <i> <b> : "͡" U0361 # COMBINING DOUBLE INVERTED BREVE | |
| <Multi_key> <backslash> <ampersand> <at> <i> <b> : "᷼" U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW | |
| <Multi_key> <backslash> <2> <at> <i> <b> : "᷼" U1DFC # COMBINING DOUBLE INVERTED BREVE BELOW | |
| # Might as well finish up the set. | |
| <Multi_key> <backslash> <ampersand> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW | |
| <Multi_key> <backslash> <2> <greater> : "͢" U0362 # COMBINING DOUBLE RIGHTWARDS ARROW BELOW | |
| <Multi_key> <period> <parenright> : "͒" U0352 # COMBINING FERMATA | |
| <Multi_key> <backslash> <asterisk> : "҉" U0489 # COMBINING CYRILLIC MILLIONS SIGN -- aka COMBINING SHINY | |
| <Multi_key> <P> <minus> : "₽" U20BD # RUBLE SIGN | |
| <Multi_key> <p> <minus> : "₽" U20BD # RUBLE SIGN | |
| # How about for a little extra control: | |
| <Multi_key> <Z> <W> <S> <P> : "" U200B # ZERO WIDTH SPACE | |
| <Multi_key> <Z> <W> <N> <J> : "" U200C # ZERO WIDTH NON-JOINER | |
| <Multi_key> <Z> <W> <J> : "" U200D # ZERO WIDTH JOINER | |
| <Multi_key> <L> <R> <M> : "" U200E # LEFT-TO-RIGHT MARK | |
| <Multi_key> <R> <L> <M> : "" U200F # RIGHT-TO-LEFT MARK | |
| # I never understood the whole embedding/pop thing, but we might as well add 'em | |
| <Multi_key> <L> <R> <E> : "" U202A # LEFT-TO-RIGHT EMBEDDING | |
| <Multi_key> <R> <L> <E> : "" U202B # RIGHT-TO-LEFT EMBEDDING | |
| <Multi_key> <P> <D> <F> : "" U202C # POP DIRECTIONAL FORMATTING | |
| <Multi_key> <L> <R> <I> : "" U2066 # LEFT-TO-RIGHT ISOLATE | |
| <Multi_key> <R> <L> <I> : "" U2067 # RIGHT-TO-LEFT ISOLATE | |
| <Multi_key> <F> <S> <I> : "" U2068 # FIRST STRONG ISOLATE | |
| <Multi_key> <P> <D> <I> : "" U2069 # POP DIRECTIONAL ISOLATE | |
| <Multi_key> <L> <R> <O> : "" U202D # LEFT-TO-RIGHT OVERRIDE | |
| <Multi_key> <R> <L> <O> : "" U202E # RIGHT-TO-LEFT OVERRIDE | |
| <Multi_key> <B> <O> <M> : "" UFEFF # ZERO WIDTH NO-BREAK SPACE (Byte Order Mark) | |
| <Multi_key> <C> <G> <J> : "͏" U034F # COMBINING GRAPHEME JOINER | |
| # These are sufficiently special and well-known that they don't need the | |
| # double <Multi_key> prefix I think. The all-caps helps too. | |
| # How about some small-caps? We normally use a special character as a prefix, | |
| # but why not a suffix? It won't interfere with things that way. | |
| # Several of these are also IPA, which is handy. And so a few have multiple | |
| # entries. Whatever. | |
| <Multi_key> <a> <grave> : "ᴀ" U1D00 # LATIN LETTER SMALL CAPITAL A | |
| <Multi_key> <b> <grave> : "ʙ" U0299 # LATIN LETTER SMALL CAPITAL B | |
| <Multi_key> <c> <grave> : "ᴄ" U1D04 # LATIN LETTER SMALL CAPITAL C | |
| <Multi_key> <d> <grave> : "ᴅ" U1D05 # LATIN LETTER SMALL CAPITAL D | |
| <Multi_key> <e> <grave> : "ᴇ" U1D07 # LATIN LETTER SMALL CAPITAL E | |
| <Multi_key> <f> <grave> : "ꜰ" UA730 # LATIN LETTER SMALL CAPITAL F | |
| <Multi_key> <g> <grave> : "ɢ" U0262 # LATIN LETTER SMALL CAPITAL G | |
| <Multi_key> <h> <grave> : "ʜ" U029C # LATIN LETTER SMALL CAPITAL H | |
| <Multi_key> <i> <grave> : "ɪ" U026A # LATIN LETTER SMALL CAPITAL I | |
| <Multi_key> <j> <grave> : "ᴊ" U1D0A # LATIN LETTER SMALL CAPITAL J | |
| <Multi_key> <k> <grave> : "ᴋ" U1D0B # LATIN LETTER SMALL CAPITAL K | |
| <Multi_key> <l> <grave> : "ʟ" U029F # LATIN LETTER SMALL CAPITAL L | |
| <Multi_key> <m> <grave> : "ᴍ" U1D0D # LATIN LETTER SMALL CAPITAL M | |
| <Multi_key> <n> <grave> : "ɴ" U0274 # LATIN LETTER SMALL CAPITAL N | |
| <Multi_key> <o> <grave> : "ᴏ" U1D0F # LATIN LETTER SMALL CAPITAL O | |
| <Multi_key> <p> <grave> : "ᴘ" U1D18 # LATIN LETTER SMALL CAPITAL P | |
| # There is no SMALL CAPITAL Q (yet)! | |
| <Multi_key> <r> <grave> : "ʀ" U0280 # LATIN LETTER SMALL CAPITAL R | |
| <Multi_key> <s> <grave> : "ꜱ" UA731 # LATIN LETTER SMALL CAPITAL S | |
| <Multi_key> <t> <grave> : "ᴛ" U1D1B # LATIN LETTER SMALL CAPITAL T | |
| <Multi_key> <u> <grave> : "ᴜ" U1D1C # LATIN LETTER SMALL CAPITAL U | |
| <Multi_key> <v> <grave> : "ᴠ" U1D20 # LATIN LETTER SMALL CAPITAL V | |
| <Multi_key> <w> <grave> : "ᴡ" U1D21 # LATIN LETTER SMALL CAPITAL W | |
| # There is no SMALL CAPITAL X (yet) | |
| <Multi_key> <y> <grave> : "ʏ" U028F # LATIN LETTER SMALL CAPITAL Y | |
| <Multi_key> <z> <grave> : "ᴢ" U1D22 # LATIN LETTER SMALL CAPITAL Z | |
| # See also http://bleah.co.uk/~simon/stuff/XCompose | |
| # and http://dotfiles.org/~inky/.XCompose | |
| # and http://paste.lisp.org/display/73094 | |
| <Multi_key> <Multi_key> <s> <u> <n> : "☉" U2609 # SUN (Sunday) | |
| <Multi_key> <Multi_key> <m> <o> <o> <n> : "☽" U263D # FIRST QUARTER MOON (Monday) | |
| <Multi_key> <Multi_key> <m> <e> <r> <c> <u> <r> <y> : "☿" U263F # MERCURY (Wednesday) | |
| # We already have Venus (Friday) and Mars (Tuesday) as Male/Female signs; do we need them here too? | |
| #<Multi_key> <Multi_key> <v> <e> <n> <u> <s> : "♀" U2640 # FEMALE SIGN | |
| #<Multi_key> <Multi_key> <m> <a> <r> <s> : "♂" U2642 # MALE SIGN | |
| <Multi_key> <Multi_key> <j> <u> <p> <i> <t> <e> <r> : "♃" U2643 # JUPITER (Thursday) | |
| <Multi_key> <Multi_key> <s> <a> <t> <u> <r> <n> : "♄" U2644 # SATURN (Saturday) | |
| <Multi_key> <Multi_key> <u> <r> <a> <n> <u> <s> : "♅" U2645 # URANUS (or ⛢ U26E2?) | |
| <Multi_key> <Multi_key> <n> <e> <p> <t> <u> <n> <e> : "♆" U2646 # NEPTUNE | |
| <Multi_key> <Multi_key> <p> <l> <u> <t> <o> : "♇" U2647 # PLUTO (ok, it isn't a planet anymore, but we still love it.) | |
| # Minor planets, whilst we're at it? | |
| <Multi_key> <Multi_key> <c> <e> <r> <e> <s> : "⚳" U26B3 # CERES | |
| <Multi_key> <Multi_key> <p> <a> <l> <l> <a> <s> : "⚴" U26B4 # PALLAS | |
| <Multi_key> <Multi_key> <j> <u> <n> <o> : "⚵" U26B5 # JUNO | |
| <Multi_key> <Multi_key> <v> <e> <s> <t> <a> : "⚶" U26B6 # VESTA | |
| <Multi_key> <Multi_key> <c> <h> <i> <r> <o> <n> : "⚷" U26B7 # CHIRON | |
| <Multi_key> <Multi_key> <l> <i> <l> <i> <t> <h> : "⚸" U26B8 # BLACK MOON LILITH | |
| # Unicode 6.0 gave us all kinds of things, perhaps more than we can use... | |
| # Playing Cards? It's a lot, but so what? I don't think the [] convention | |
| # will conflict with anything. | |
| # The convention is more or less established, except for the Knight. I'm | |
| # using N for that, like in Chess, since K would conflict with King of course. | |
| <Multi_key> <bracketleft> <A> <S> <bracketright> : "🂡" U1F0A1 # PLAYING CARD ACE OF SPADES | |
| <Multi_key> <bracketleft> <2> <S> <bracketright> : "🂢" U1F0A2 # PLAYING CARD TWO OF SPADES | |
| <Multi_key> <bracketleft> <3> <S> <bracketright> : "🂣" U1F0A3 # PLAYING CARD THREE OF SPADES | |
| <Multi_key> <bracketleft> <4> <S> <bracketright> : "🂤" U1F0A4 # PLAYING CARD FOUR OF SPADES | |
| <Multi_key> <bracketleft> <5> <S> <bracketright> : "🂥" U1F0A5 # PLAYING CARD FIVE OF SPADES | |
| <Multi_key> <bracketleft> <6> <S> <bracketright> : "🂦" U1F0A6 # PLAYING CARD SIX OF SPADES | |
| <Multi_key> <bracketleft> <7> <S> <bracketright> : "🂧" U1F0A7 # PLAYING CARD SEVEN OF SPADES | |
| <Multi_key> <bracketleft> <8> <S> <bracketright> : "🂨" U1F0A8 # PLAYING CARD EIGHT OF SPADES | |
| <Multi_key> <bracketleft> <9> <S> <bracketright> : "🂩" U1F0A9 # PLAYING CARD NINE OF SPADES | |
| <Multi_key> <bracketleft> <T> <S> <bracketright> : "🂪" U1F0AA # PLAYING CARD TEN OF SPADES | |
| <Multi_key> <bracketleft> <J> <S> <bracketright> : "🂫" U1F0AB # PLAYING CARD JACK OF SPADES | |
| <Multi_key> <bracketleft> <N> <S> <bracketright> : "🂬" U1F0AC # PLAYING CARD KNIGHT OF SPADES | |
| <Multi_key> <bracketleft> <Q> <S> <bracketright> : "🂭" U1F0AD # PLAYING CARD QUEEN OF SPADES | |
| <Multi_key> <bracketleft> <K> <S> <bracketright> : "🂮" U1F0AE # PLAYING CARD KING OF SPADES | |
| <Multi_key> <bracketleft> <A> <H> <bracketright> : "🂱" U1F0B1 # PLAYING CARD ACE OF HEARTS | |
| <Multi_key> <bracketleft> <2> <H> <bracketright> : "🂲" U1F0B2 # PLAYING CARD TWO OF HEARTS | |
| <Multi_key> <bracketleft> <3> <H> <bracketright> : "🂳" U1F0B3 # PLAYING CARD THREE OF HEARTS | |
| <Multi_key> <bracketleft> <4> <H> <bracketright> : "🂴" U1F0B4 # PLAYING CARD FOUR OF HEARTS | |
| <Multi_key> <bracketleft> <5> <H> <bracketright> : "🂵" U1F0B5 # PLAYING CARD FIVE OF HEARTS | |
| <Multi_key> <bracketleft> <6> <H> <bracketright> : "🂶" U1F0B6 # PLAYING CARD SIX OF HEARTS | |
| <Multi_key> <bracketleft> <7> <H> <bracketright> : "🂷" U1F0B7 # PLAYING CARD SEVEN OF HEARTS | |
| <Multi_key> <bracketleft> <8> <H> <bracketright> : "🂸" U1F0B8 # PLAYING CARD EIGHT OF HEARTS | |
| <Multi_key> <bracketleft> <9> <H> <bracketright> : "🂹" U1F0B9 # PLAYING CARD NINE OF HEARTS | |
| <Multi_key> <bracketleft> <T> <H> <bracketright> : "🂺" U1F0BA # PLAYING CARD TEN OF HEARTS | |
| <Multi_key> <bracketleft> <J> <H> <bracketright> : "🂻" U1F0BB # PLAYING CARD JACK OF HEARTS | |
| <Multi_key> <bracketleft> <N> <H> <bracketright> : "🂼" U1F0BC # PLAYING CARD KNIGHT OF HEARTS | |
| <Multi_key> <bracketleft> <Q> <H> <bracketright> : "🂽" U1F0BD # PLAYING CARD QUEEN OF HEARTS | |
| <Multi_key> <bracketleft> <K> <H> <bracketright> : "🂾" U1F0BE # PLAYING CARD KING OF HEARTS | |
| <Multi_key> <bracketleft> <A> <D> <bracketright> : "🃁" U1F0C1 # PLAYING CARD ACE OF DIAMONDS | |
| <Multi_key> <bracketleft> <2> <D> <bracketright> : "🃂" U1F0C2 # PLAYING CARD TWO OF DIAMONDS | |
| <Multi_key> <bracketleft> <3> <D> <bracketright> : "🃃" U1F0C3 # PLAYING CARD THREE OF DIAMONDS | |
| <Multi_key> <bracketleft> <4> <D> <bracketright> : "🃄" U1F0C4 # PLAYING CARD FOUR OF DIAMONDS | |
| <Multi_key> <bracketleft> <5> <D> <bracketright> : "🃅" U1F0C5 # PLAYING CARD FIVE OF DIAMONDS | |
| <Multi_key> <bracketleft> <6> <D> <bracketright> : "🃆" U1F0C6 # PLAYING CARD SIX OF DIAMONDS | |
| <Multi_key> <bracketleft> <7> <D> <bracketright> : "🃇" U1F0C7 # PLAYING CARD SEVEN OF DIAMONDS | |
| <Multi_key> <bracketleft> <8> <D> <bracketright> : "🃈" U1F0C8 # PLAYING CARD EIGHT OF DIAMONDS | |
| <Multi_key> <bracketleft> <9> <D> <bracketright> : "🃉" U1F0C9 # PLAYING CARD NINE OF DIAMONDS | |
| <Multi_key> <bracketleft> <T> <D> <bracketright> : "🃊" U1F0CA # PLAYING CARD TEN OF DIAMONDS | |
| <Multi_key> <bracketleft> <J> <D> <bracketright> : "🃋" U1F0CB # PLAYING CARD JACK OF DIAMONDS | |
| <Multi_key> <bracketleft> <N> <D> <bracketright> : "🃌" U1F0CC # PLAYING CARD KNIGHT OF DIAMONDS | |
| <Multi_key> <bracketleft> <Q> <D> <bracketright> : "🃍" U1F0CD # PLAYING CARD QUEEN OF DIAMONDS | |
| <Multi_key> <bracketleft> <K> <D> <bracketright> : "🃎" U1F0CE # PLAYING CARD KING OF DIAMONDS | |
| <Multi_key> <bracketleft> <A> <C> <bracketright> : "🃑" U1F0D1 # PLAYING CARD ACE OF CLUBS | |
| <Multi_key> <bracketleft> <2> <C> <bracketright> : "🃒" U1F0D2 # PLAYING CARD TWO OF CLUBS | |
| <Multi_key> <bracketleft> <3> <C> <bracketright> : "🃓" U1F0D3 # PLAYING CARD THREE OF CLUBS | |
| <Multi_key> <bracketleft> <4> <C> <bracketright> : "🃔" U1F0D4 # PLAYING CARD FOUR OF CLUBS | |
| <Multi_key> <bracketleft> <5> <C> <bracketright> : "🃕" U1F0D5 # PLAYING CARD FIVE OF CLUBS | |
| <Multi_key> <bracketleft> <6> <C> <bracketright> : "🃖" U1F0D6 # PLAYING CARD SIX OF CLUBS | |
| <Multi_key> <bracketleft> <7> <C> <bracketright> : "🃗" U1F0D7 # PLAYING CARD SEVEN OF CLUBS | |
| <Multi_key> <bracketleft> <8> <C> <bracketright> : "🃘" U1F0D8 # PLAYING CARD EIGHT OF CLUBS | |
| <Multi_key> <bracketleft> <9> <C> <bracketright> : "🃙" U1F0D9 # PLAYING CARD NINE OF CLUBS | |
| <Multi_key> <bracketleft> <T> <C> <bracketright> : "🃚" U1F0DA # PLAYING CARD TEN OF CLUBS | |
| <Multi_key> <bracketleft> <J> <C> <bracketright> : "🃛" U1F0DB # PLAYING CARD JACK OF CLUBS | |
| <Multi_key> <bracketleft> <N> <C> <bracketright> : "🃜" U1F0DC # PLAYING CARD KNIGHT OF CLUBS | |
| <Multi_key> <bracketleft> <Q> <C> <bracketright> : "🃝" U1F0DD # PLAYING CARD QUEEN OF CLUBS | |
| <Multi_key> <bracketleft> <K> <C> <bracketright> : "🃞" U1F0DE # PLAYING CARD KING OF CLUBS | |
| <Multi_key> <bracketleft> <C> <B> <bracketright> : "🂠" U1F0A0 # PLAYING CARD BACK | |
| <Multi_key> <bracketleft> <B> <J> <bracketright> : "🃏" U1F0CF # PLAYING CARD BLACK JOKER | |
| <Multi_key> <bracketleft> <W> <J> <bracketright> : "🃟" U1F0DF # PLAYING CARD WHITE JOKER | |
| # Do we want domino bones also? I'm thinking [ 1 1 ], etc, maybe use | |
| # ] 1 1 [ for vertical (or vice-versa) | |
| # And chess/checkers pieces! We need a convention for those. # looks like a | |
| # checkerboard but we're already using that for music. Half of it? | |
| # <bar> will be an issue when we want double-struck W or B... we'll have | |
| # to consider it. Maybe replace with <equal> | |
| <Multi_key> <bar> <W> <K> : "♔" U2654 # WHITE CHESS KING | |
| <Multi_key> <bar> <W> <Q> : "♕" U2655 # WHITE CHESS QUEEN | |
| <Multi_key> <bar> <W> <R> : "♖" U2656 # WHITE CHESS ROOK | |
| <Multi_key> <bar> <W> <B> : "♗" U2657 # WHITE CHESS BISHOP | |
| <Multi_key> <bar> <W> <N> : "♘" U2658 # WHITE CHESS KNIGHT | |
| <Multi_key> <bar> <W> <P> : "♙" U2659 # WHITE CHESS PAWN | |
| <Multi_key> <bar> <B> <K> : "♚" U265A # BLACK CHESS KING | |
| <Multi_key> <bar> <B> <Q> : "♛" U265B # BLACK CHESS QUEEN | |
| <Multi_key> <bar> <B> <R> : "♜" U265C # BLACK CHESS ROOK | |
| <Multi_key> <bar> <B> <B> : "♝" U265D # BLACK CHESS BISHOP | |
| <Multi_key> <bar> <B> <N> : "♞" U265E # BLACK CHESS KNIGHT | |
| <Multi_key> <bar> <B> <P> : "♟" U265F # BLACK CHESS PAWN | |
| <Multi_key> <bar> <W> <D> <M> : "⛀" U26C0 # WHITE DRAUGHTS MAN | |
| <Multi_key> <bar> <W> <D> <K> : "⛁" U26C1 # WHITE DRAUGHTS KING | |
| <Multi_key> <bar> <B> <D> <M> : "⛂" U26C2 # BLACK DRAUGHTS MAN | |
| <Multi_key> <bar> <B> <D> <K> : "⛃" U26C3 # BLACK DRAUGHTS KING | |
| # Since we're doing game pieces, might as well. | |
| <Multi_key> <bar> <W> <S> : "☖" U2616 # WHITE SHOGI PIECE | |
| <Multi_key> <bar> <B> <S> : "☗" U2617 # BLACK SHOGI PIECE | |
| # It's turned vertically and not horizontally reflected, but we use the < | |
| # symbol for turning... | |
| <Multi_key> <bar> <less> <W> <S> : "⛉" U26C9 # TURNED WHITE SHOGI PIECE | |
| <Multi_key> <bar> <less> <B> <S> : "⛊" U26CA # TURNED BLACK SHOGI PIECE | |
| # As for the emoji... We can't possibly get all of them, even just all of the | |
| # cool/useful ones. Maybe we can pick and choose some high-fliers. | |
| <Multi_key> <Multi_key> <d> <e> <g> <r> <e> <e> : "°" U00B0 # DEGREE SIGN | |
| <Multi_key> <Multi_key> <d> <e> <g> <C> : "℃" U2103 # DEGREE CELSIUS | |
| <Multi_key> <Multi_key> <d> <e> <g> <c> : "℃" U2103 # DEGREE CELSIUS | |
| <Multi_key> <Multi_key> <d> <e> <g> <F> : "℉" U2109 # DEGREE FAHRENHEIT | |
| <Multi_key> <Multi_key> <d> <e> <g> <f> : "℉" U2109 # DEGREE FAHRENHEIT | |
| # Zodiacal symbols? | |
| <Multi_key> <Multi_key> <a> <r> <i> <e> <s> : "♈" U2648 # ARIES | |
| <Multi_key> <Multi_key> <t> <a> <u> <r> <u> <s> : "♉" U2649 # TAURUS | |
| <Multi_key> <Multi_key> <g> <e> <m> <i> <n> <i> : "♊" U264A # GEMINI | |
| <Multi_key> <Multi_key> <c> <a> <n> <c> <e> <r> : "♋" U264B # CANCER | |
| <Multi_key> <Multi_key> <l> <e> <o> : "♌" U264C # LEO | |
| <Multi_key> <Multi_key> <v> <i> <r> <g> <o> : "♍" U264D # VIRGO | |
| <Multi_key> <Multi_key> <l> <i> <b> <r> <a> : "♎" U264E # LIBRA | |
| # Abbreviating some of the longer ones. | |
| <Multi_key> <Multi_key> <s> <c> <o> <r> <p> : "♏" U264F # SCORPIUS | |
| <Multi_key> <Multi_key> <s> <a> <g> <i> <t> : "♐" U2650 # SAGITTARIUS | |
| <Multi_key> <Multi_key> <c> <a> <p> <r> <i> <c> : "♑" U2651 # CAPRICORN | |
| <Multi_key> <Multi_key> <a> <q> <u> <a> <r> : "♒" U2652 # AQUARIUS | |
| <Multi_key> <Multi_key> <p> <i> <s> <c> <e> <s> : "♓" U2653 # PISCES | |
| # Really, this should be SERPENTARIUS. All the other signs are in Latin. | |
| <Multi_key> <Multi_key> <o> <p> <h> <i> <u> <c> : "⛎" U26CE # OPHIUCHUS | |
| # Sigh. So many emoji... I think the first ones I'd go for would be | |
| # 💡💢💣💤💥💦💧💨💫 (1F4A1-1F4A8 and 1F4AB). Maybe 1F550-1F567 are useful. | |
| <Multi_key> <Multi_key> <i> <d> <e> <a> : "💡" U1F4A1 # ELECTRIC LIGHT BULB | |
| <Multi_key> <Multi_key> <a> <n> <g> <e> <r> : "💢" U1F4A2 # ANGER SYMBOL | |
| <Multi_key> <Multi_key> <b> <o> <m> <b> : "💣" U1F4A3 # BOMB | |
| <Multi_key> <Multi_key> <z> <z> <z> : "💤" U1F4A4 # SLEEPING SYMBOL | |
| <Multi_key> <Multi_key> <p> <o> <w> : "💥" U1F4A5 # COLLISION SYMBOL | |
| <Multi_key> <Multi_key> <s> <w> <e> <a> <t> : "💦" U1F4A6 # SPLASHING SWEAT SYMBOL | |
| <Multi_key> <Multi_key> <d> <r> <o> <p> : "💧" U1F4A7 # DROPLET | |
| <Multi_key> <Multi_key> <z> <i> <p> : "💨" U1F4A8 # DASH SYMBOL | |
| <Multi_key> <Multi_key> <p> <o> <o> : "💩" U1F4A9 # PILE OF POO | |
| # Skipping U+1F4AA just now. | |
| <Multi_key> <Multi_key> <d> <i> <z> <z> <y> : "💫" U1F4AB # DIZZY SYMBOL | |
| <Multi_key> <Multi_key> <dollar> <b> <a> <g> : "💰" U1F4B0 # MONEY BAG | |
| <Multi_key> <Multi_key> <c> <a> <k> <e> : "🍰" U1F370 # SHORTCAKE | |
| # The cake is a lie... OK, too cutesy? | |
| <Multi_key> <Multi_key> <l> <i> <e> : "🎂" U1F382 # BIRTHDAY CAKE | |
| <Multi_key> <Multi_key> <b> <d> <a> <y> : "🎂" U1F382 # BIRTHDAY CAKE | |
| <Multi_key> <Multi_key> <A> <O> <K> : "👌" U1F44C # OK HAND SIGN | |
| <Multi_key> <Multi_key> <t> <h> <m> <u> <p> : "👍" U1F44D # THUMBS UP SIGN | |
| <Multi_key> <Multi_key> <t> <h> <m> <d> <n> : "👎" U1F44E # THUMBS DOWN SIGN | |
| # More useful in chat than U+1F48F KISS | |
| <Multi_key> <Multi_key> <k> <i> <s> <s> : "💋" U1F48B # KISS MARK | |
| # ⛔ U+26D4 NO ENTRY for "Don't go there"? | |
| # So many hearts... I'm not touching them for now. | |
| # And emoticons? (U+1F600 et seq) | |
| <Multi_key> <parenleft> <1> <colon> <0> <0> <parenright> : "🕐" U1F550 # CLOCK FACE ONE OCLOCK | |
| <Multi_key> <parenleft> <2> <colon> <0> <0> <parenright> : "🕑" U1F551 # CLOCK FACE TWO OCLOCK | |
| <Multi_key> <parenleft> <3> <colon> <0> <0> <parenright> : "🕒" U1F552 # CLOCK FACE THREE OCLOCK | |
| <Multi_key> <parenleft> <4> <colon> <0> <0> <parenright> : "🕓" U1F553 # CLOCK FACE FOUR OCLOCK | |
| <Multi_key> <parenleft> <5> <colon> <0> <0> <parenright> : "🕔" U1F554 # CLOCK FACE FIVE OCLOCK | |
| <Multi_key> <parenleft> <6> <colon> <0> <0> <parenright> : "🕕" U1F555 # CLOCK FACE SIX OCLOCK | |
| <Multi_key> <parenleft> <7> <colon> <0> <0> <parenright> : "🕖" U1F556 # CLOCK FACE SEVEN OCLOCK | |
| <Multi_key> <parenleft> <8> <colon> <0> <0> <parenright> : "🕗" U1F557 # CLOCK FACE EIGHT OCLOCK | |
| <Multi_key> <parenleft> <9> <colon> <0> <0> <parenright> : "🕘" U1F558 # CLOCK FACE NINE OCLOCK | |
| <Multi_key> <parenleft> <1> <0> <colon> <0> <0> <parenright> : "🕙" U1F559 # CLOCK FACE TEN OCLOCK | |
| <Multi_key> <parenleft> <1> <1> <colon> <0> <0> <parenright> : "🕚" U1F55A # CLOCK FACE ELEVEN OCLOCK | |
| <Multi_key> <parenleft> <1> <2> <colon> <0> <0> <parenright> : "🕛" U1F55B # CLOCK FACE TWELVE OCLOCK | |
| <Multi_key> <parenleft> <1> <colon> <3> <0> <parenright> : "🕜" U1F55C # CLOCK FACE ONE-THIRTY | |
| <Multi_key> <parenleft> <2> <colon> <3> <0> <parenright> : "🕝" U1F55D # CLOCK FACE TWO-THIRTY | |
| <Multi_key> <parenleft> <3> <colon> <3> <0> <parenright> : "🕞" U1F55E # CLOCK FACE THREE-THIRTY | |
| <Multi_key> <parenleft> <4> <colon> <3> <0> <parenright> : "🕟" U1F55F # CLOCK FACE FOUR-THIRTY | |
| <Multi_key> <parenleft> <5> <colon> <3> <0> <parenright> : "🕠" U1F560 # CLOCK FACE FIVE-THIRTY | |
| <Multi_key> <parenleft> <6> <colon> <3> <0> <parenright> : "🕡" U1F561 # CLOCK FACE SIX-THIRTY | |
| <Multi_key> <parenleft> <7> <colon> <3> <0> <parenright> : "🕢" U1F562 # CLOCK FACE SEVEN-THIRTY | |
| <Multi_key> <parenleft> <8> <colon> <3> <0> <parenright> : "🕣" U1F563 # CLOCK FACE EIGHT-THIRTY | |
| <Multi_key> <parenleft> <9> <colon> <3> <0> <parenright> : "🕤" U1F564 # CLOCK FACE NINE-THIRTY | |
| <Multi_key> <parenleft> <1> <0> <colon> <3> <0> <parenright> : "🕥" U1F565 # CLOCK FACE TEN-THIRTY | |
| <Multi_key> <parenleft> <1> <1> <colon> <3> <0> <parenright> : "🕦" U1F566 # CLOCK FACE ELEVEN-THIRTY | |
| <Multi_key> <parenleft> <1> <2> <colon> <3> <0> <parenright> : "🕧" U1F567 # CLOCK FACE TWELVE-THIRTY | |
| # Bitcoin signs | |
| # Real bitcoin codepoint coming at U+20BF! | |
| <Multi_key> <B> <bar> : "฿" U0E3F # BITCOIN CURRENCY SIGN, ORIGINAL THAI CURRENCY SYMBOL BAHT | |
| <Multi_key> <minus> <B> : "Ƀ" U0243 # ALTERNATIVE BITCOIN CURRENCY SIGN, LATIN CAPITAL LETTER B WITH STROKE | |
| <Multi_key> <B> <minus> : "Ƀ" U0243 # ALTERNATIVE BITCOIN CURRENCY SIGN, LATIN CAPITAL LETTER B WITH STROKE | |
| <Multi_key> <minus> <b> : "ƀ" U0180 # ALTERNATIVE BIT CURRENCY SIGN, LATIN SMALL LETTER B WITH STROKE | |
| <Multi_key> <b> <minus> : "ƀ" U0180 # ALTERNATIVE BIT CURRENCY SIGN, LATIN SMALL LETTER B WITH STROKE | |
| ### And then overridden with custom sequences. ### | |
| <Multi_key> <Multi_key> <t> <e> <x> <i> <s> <t> : "∃" U2203 # THERE EXISTS | |
| <Multi_key> <Multi_key> <n> <e> <x> <i> <s> <t> : "∄" U2204 # THERE DOES NOT EXIST | |
| <Multi_key> <Multi_key> <f> <o> <r> <a> <l> <l> : "∀" U2200 # FOR ALL | |
| <Multi_key> <Multi_key> <dollar> <i> <n> <r> : "₹" U20B9 # INR | |
| <Multi_key> <R> <-> : "₹" U20B9 # INR | |
| <Multi_key> <Multi_key> <dollar> <x> <b> <t> : "฿" U0E3F # BITCOIN CURRENCY SIGN, ORIGINAL THAI CURRENCY SYMBOL BAHT | |
| <Multi_key> <Multi_key> <dollar> <b> <t> <c> : "฿" U0E3F # BITCOIN CURRENCY SIGN, ORIGINAL THAI CURRENCY SYMBOL BAHT |
Sign up for free
to join this conversation on GitHub.
Already have an account?
Sign in to comment
Can't seem to find it in bash-it dotfiles repo -- I personally don't use bash but this is useful