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| "flapcopy": "<p>Inspired by and based on <em>The Metropolitan Museum of Art Guide<\/em>, <strong>One Met. Many Worlds.<\/strong> presents the Met's more than 500 collection highlights in English, and also in Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish. Further, visually engaging details of individual works are highlighted to introduce provocative and layered concepts. <strong>One Met. Many Worlds.<\/strong> invites out visitors to respond with pairing details playfully, poetically, and creatively.<\/p>", | |
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| "authors": "Adlin, Jane, Dorothea Arnold, Joan Aruz, Brooke Russell Astor, Kevin J. Avery, Barbara Drake Boehm, Suzanne Boorsch, Malcolm Daniel, Elliot Bostwick Davis, James David Draper, Everett Fahy, Barbara Brennan Ford, Alice Cooney Frelinghuysen, William M. Griswold, Maria Morris Hambourg, Prudence O. Harper, Morrison H. Heckscher, Timothy B. Husband, Colta Ives, J. Stewart Johnson, Heidi King, Daniel Kletke, Steven M. Kossak, Donald J. LaRocca, Clare Le Corbeiller, Martin Lerner, Laurence Libin, William S. Lieberman, Walter Liedtke, Charles T. Little, Michele M. Majer, Jessie McNab, Joan R. Mertens, Lisa M. Messinger, Elizabeth J. Milleker, J. Kenneth Moore, Helen B. Mules, Nadine M. Orenstein, Carlos A. Picón, John Pope-Hennessy, Stuart W. Pyhrr, Olga Raggio, Sabine Rewald, William Rieder, Frederick P. Rose, Jeff L. Rosenheim, Lowery S. Sims, Marie Lukens Swietochowski, Gary Tinterow, Thayer Tolles, Suzanne G. Valenstein, Clare Vincent, Dietrich von Bothmer, Catherine Hoover Voorsanger, Daniel Walker, James C. Y. Watt, and H. Barbara Weinberg", | |
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| "flapcopy": "<p>Vincent van Gogh (Dutch, 1853–1890) believed that drawing was \"the root of everything.\" A self-taught artist, he succeeded, between 1881 and 1890, in developing an inimitable graphic style. This book traces the artist's successive triumphs as a draftsman, first in the Netherlands and later in France, highlighting the diversity of his technical invention and the striking continuity of his vision. Given the pivotal role drawings played in Van Gogh's artistic conception and the rich dialectic they enjoyed with his oil paintings, a small selection of related canvases by the artist is also featured. This book presents approximately 120 works in charcoal, ink, graphite, watercolor, and diluted oils. The authors explore enduring questions that surround Van Gogh's drawings, including their manufacture, artistic precedents, and contribution to Modernism. In addition, the text discusses the significance of the artist's drawing practice to his development as a painter. The essays and entries feature the most current research on Van Gogh's drawings and provide fresh interpretations of the motivating influences that shaped the artist's contributions to the history of drawing.<\/p>", | |
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| "CRDID": 436535, | |
| "title": "Wheat Field with Cypresses", | |
| "primaryArtist": { | |
| "role": "Artist", | |
| "name": "Vincent van Gogh", | |
| "nationality": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)" | |
| }, | |
| "galleryLink": "\/visit\/museum-map\/galleries\/european-paintings\/823", | |
| "gallery": 823, | |
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| "title": "Gallery Label", | |
| "content": "Writing to his brother, Theo, from the asylum in Saint-R\u00e9my on July 2, 1889, Van Gogh described his latest addition to the series he had launched that June: \"I have a canvas of cypresses with a few ears of wheat, poppies, a blue sky, which is like a multicolored Scotch plaid.\" Van Gogh regarded this sun-drenched landscape as one of his \"best\" summer canvases and repeated the composition three times: first in a reed-pen drawing (Van Gogh Museum, Amsterdam) and then in two oil variants he made later that fall (National Gallery, London; private collection)." | |
| }, | |
| { | |
| "title": "Provenance", | |
| "content": "<![CDATA[the artist's brother, Theo van Gogh, Paris (1889\u2013d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891\u20131900; sold with seven other works for Fr 9,400 to Schuffenecker); \u00c9mile Schuffenecker (1900\u2013at least 1901); Louis-Alexandre Berthier, prince de Wagram, Paris (about 1906\u2013at least 1909); [Galerie Barbazanges, Paris, until 1910; sold in November to Cassirer]; [Paul Cassirer, Berlin, 1910; sold in November or December 1910 to Mendelssohn]; Franz von Mendelssohn, Berlin (1910\u2013d. 1935); von Mendelssohn family, Germany, later Switzerland (1935\u201351; sold through Fritz Nathan to B\u00fchrle); Emil B\u00fchrle, Zurich (1951\u2013d. 1956); his son, Dieter B\u00fchrle, Zurich (1956\u201393; sold to MMA)]]>" | |
| }, | |
| { | |
| "title": "Exhibition History", | |
| "content": "<![CDATA[Paris. Galerie Bernheim-Jeune. \"Exposition Vincent van Gogh,\" March 15\u201331, 1901, no. 49 (as \"Bl\u00e9s et Cypr\u00e8s [temps de mistral],\" lent by M. Emile Schuffenecker).<br\/><br\/>Paris. Galerie E. Druet. \"Cinquante tableaux de Vincent van Gogh,\" November 8\u201320, 1909, no. 46 (as \"Cypr\u00e8s aux Bl\u00e9s d'or\").<br\/><br\/>Berlin. Paul Cassirer. \"III. Ausstellung,\" October 25\u2013November 20, 1910, no. 28 (as \"Das Getreidefeld 'Kalligraphisch knorrige Wolken'\") [see Feilchenfeldt 1988].<br\/><br\/>Berlin. Kronprinzenpalais, Nationalgalerie. \"Van Gogh\u2014Matisse,\" 1921, no. ? [see La Faille 1970].<br\/><br\/>Milan. Palazzo Reale. \"Van Gogh: Dipinti e disegni,\" February\u2013April 1952, no. 107 (lent by Dr. E. B\u00fchrle, Z\u00fcrich).<br\/><br\/>Kunsthaus Z\u00fcrich. \"Vincent van Gogh,\" October 9\u2013November 21, 1954, not in catalogue.<br\/><br\/>Kunsthaus Z\u00fcrich. \"Sammlung Emil G. B\u00fchrle,\" June 7\u2013end of September, 1958, no. 243.<br\/><br\/>Berlin. Schloss Charlottenburg. \"Franz\u00f6sische Malerei von Manet bis Matisse aus der Sammlung Emil B. B\u00fchrle\/Z\u00fcrich,\" October 5\u2013November 23, 1958, no. 47.<br\/><br\/>Haus der Kunst M\u00fcnchen. \"Hauptwerke der Sammlung Emil Georg B\u00fchrle - Z\u00fcrich,\" December 5, 1958\u2013February 15, 1959, no. 74 (as \"Das Gelbe \u00c4hrenfeld mit Zypressen\").<br\/><br\/>Paris. Petit Palais. \"De Gericault \u00e0 Matisse: Chefs-d'\u0153uvre fran\u00e7ais des collections suisses,\" March\u2013May 1959, no. 68 (lent by the Collection B\u00fchrle, Z\u00fcrich).<br\/><br\/>Washington. National Gallery of Art. \"The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich,\" May 6\u2013July 15, 1990, no. 62 (lent from a private collection).<br\/><br\/>Montreal Museum of Fine Arts. \"The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich,\" August 3\u2013October 14, 1990, no. 62.<br\/><br\/>Yokohama Museum of Art. \"The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich,\" November 2, 1990\u2013January 13, 1991, no. 62.<br\/><br\/>London. Royal Academy of Arts. \"The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich,\" February 1\u2013April 9, 1991, no. 62.<br\/><br\/>New York. The Metropolitan Museum of Art. \"Vincent van Gogh: The Drawings,\" October 12\u2013December 31, 2005, no. 111.<br\/><br\/>New York. The Metropolitan Museum of Art. \"The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions,\" October 24, 2008\u2013February 1, 2009, online catalogue.<br\/><br\/>]]>" | |
| }, | |
| { | |
| "title": "References", | |
| "content": "<![CDATA[Vincent van Gogh. <i>Letter to his brother Theo<\/i>. [June 25, 1889] [Van Gogh Museum, Amsterdam, inv. no. b644 V\/1962; pub. in Van Gogh Letters 1958, letter no. 596; Van Gogh Letters 2009, letter no. 783], mentions \"12 no.30 canvases on the stocks,\" including this work.<br\/><br\/> Vincent van Gogh. <i>Letter to his brother Theo<\/i>. [July 2, 1889] [Van Gogh Museum, Amsterdam, inv. no. b645 V\/1962; pub. in Van Gogh Letters 1958, letter no. 597; Van Gogh Letters 2009, letter no. 784], mentions that he is enclosing \"ten or so drawings today, all after canvases on the go,\" including one after this work (F1538; Van Gogh Museum, Amsterdam); and describes \"a canvas of cypresses with a few ears of wheat, poppies, a blue sky, which is like a multicolored Scottish plaid. This one, which is impasted like the Monticellis...\" (alternately associated with the present picture and F620; Kr\u00f6ller-M\u00fcller Museum, Otterlo).<br\/><br\/> Vincent van Gogh. <i>Letter to his brother Theo<\/i>. [September 5 and 6, 1889] [Van Gogh Museum, Amsterdam, inv. nos. b652 a-d V\/1962; pub. in Van Gogh Letters 1958, letter no. 604; Van Gogh Letters 2009, letter no. 800], states \"At the end of the month you can rely on 12 no.30 canvases I dare say, but there will be almost the same ones twice, the study and the final painting,\" including the present picture among the studies.<br\/><br\/> Vincent van Gogh. <i>Letter to his brother Theo<\/i>. [September 28, 1889] [Van Gogh Museum, Amsterdam, inv. no. b656 V\/1962; pub. in Van Gogh Letters 1958, letter no. 608; Van Gogh Letters 2009, letter no. 806], writes that he is sending Theo a package of canvases including two called \"Wheatfield and cypresses\" (this picture and F615, National Gallery, London); calls this painting one of his \"best canvases\".<br\/><br\/> <i>Lettres de Vincent van Gogh \u00e0 \u00c9mile Bernard<\/i>. Paris, 1911, pl. 91, lists it incorrectly as \"Le cypr\u00e8s et l'arbre en fleurs,\" in the Bernheim-Jeune collection.<br\/><br\/> J.-B. de La Faille. <i>L'Oeuvre de Vincent van Gogh: Catalogue Raisonn\u00e9<\/i>. Paris, 1928, vol. 1, p. 204, no. 717; vol. 2, pl. 169, as \"Le champ de bl\u00e9 jaune,\" in the collection of F. von Mendelssohn-Bartholdy, Grunewald.<br\/><br\/> J.-B. de La Faille. <i>Les Faux Van Gogh<\/i>. Paris, 1930, p. 10, fig. 40, compares this work, F 615 (National Gallery, London), and F 1538 (Van Gogh Museum, Amsterdam), to F 729, which he identifies as a fake.<br\/><br\/> W. Scherjon. <i>Catalogue des tableaux par Vincent van Gogh d\u00e9crits dans ses lettres. P\u00e9riodes: St. R\u00e9my et Auvers sur Oise<\/i>. Utrecht, 1932, p. 53, no. 48, ill.<br\/><br\/> W. Scherjon and Jos. De Gruyter. <i>Vincent van Gogh's Great Period: Arles, St. R\u00e9my and Auvers sur Oise (complete catalogue)<\/i>. Amsterdam, 1937, p. 243, St. R\u00e9my no. 48, ill., as \"Cornfield and Cypresses\".<br\/><br\/> Michel Florisoone. <i>Van Gogh<\/i>. Paris, 1937, ill. pp. 50\u201351, as \"Le champ de bl\u00e9 jaune,\" 1889, in the collection of F. von Mendelsshon-Bartholdy [sic].<br\/><br\/> J.-B. de La Faille. <i>Vincent van Gogh<\/i>. London, [1939], pp. 437, 560, 575, 589, ill., as \"The Field of Yellow Corn,\" in the collection of Franz von Mendelssohn-Bartholdy, Grunewald; dates it October 1889.<br\/><br\/> Werner Weisbach. <i>Vincent van Gogh: Kunst und Schicksal<\/i>. 2, Basel, [1951], p. 178.<br\/><br\/> Jean Leymarie. <i>Van Gogh<\/i>. [Paris], 1951, p. 125.<br\/><br\/> Fran\u00e7ois Daulte. \"Le Chef-d'oeuvre d'une vie: La Collection Buhrle.\" <i>Connaissance des Arts<\/i> 52 (June 1956), ill. p. 34.<br\/><br\/> John Rewald. <i>Post-Impressionism: From Van Gogh to Gauguin<\/i>. 1st ed. New York, 1956, ill. p. 324 [3rd, rev. ed., 1978, ill. p. 303], as \"Yellow Corn\u2014Cypresses at Saint R\u00e9my,\" in the collection of Emil B\u00fchrle, Z\u00fcrich; dates it October 1889 [dates it June\u2013July 1889 in the 3rd ed., 1978].<br\/><br\/> Marco Valsecchi. <i>Van Gogh<\/i>. Milan, 1957, colorpl. 23, as \"The Yellow Cornfield, Saint R\u00e9my,\" in a private collection; dates it October 1889.<br\/><br\/> Vincent van Gogh. <i>The Complete Letters of Vincent van Gogh with Reproductions of All the Drawings in the Correspondence<\/i>. Greenwich, Conn., 1958, under letter nos. 596\u201397, 604, 608.<br\/><br\/> Alan Bowness. <i>Vincent van Gogh: Paintings and Drawings from the Collection of the Vincent van Gogh Foundation, Amsterdam<\/i>. Exh. cat., Hayward Gallery. [London], [1968], p. 105, states that ours was the first of the four versions of this composition, probably painted in one day before the motif, followed by the drawing (F1538; Van Gogh Museum, Amsterdam), then the \"definitive\" painting (F615; National Gallery, London), and last, the smaller replica (F743; private collection).<br\/><br\/> J.-B. de La Faille. <i>The Works of Vincent van Gogh: His Paintings and Drawings<\/i>. Amsterdam, 1970, pp. 247, 277, 283, 531, 639, no. 717, ill., as \"Wheatfield with Cypress, at the Haute Galline, near Eygali\u00e8res\"; in a private collection, Switzerland; dates it June\u2013July 1889.<br\/><br\/> Paolo Lecaldano. \"Da Arles a Auvers.\" <i>L'opera pittorica completa di Van Gogh e i suoi nessi grafici<\/i>. 2, repr. [1st ed., 1966]. Milan, 1971\u201377, pp. 218, 220, no. 669, ill., dates it June\u2013July 1889.<br\/><br\/> Hope Benedict Werness. \"Essays on van Gogh's Symbolism.\" PhD diss., University of California, Santa Barbara, 1972, p. 219 n. 17, p. 220 n. 27.<br\/><br\/> Jan Hulsker. <i>The Complete Van Gogh: Paintings, Drawings, Sketches<\/i>. [1st ed., Amsterdam, 1977]. New York, 1980, pp. 400, 406, no. 1756, ill.<br\/><br\/> Ronald Pickvance The Metropolitan Museum of Art. <i>Van Gogh in Saint-R\u00e9my and Auvers<\/i>. New York, 1986, pp. 110, 133, 298, ill. p. 299, calls this the \"first painting of the motif...completed in late June\".<br\/><br\/> John Leighton <u>in<\/u> \"Vincent van Gogh's 'A Cornfield, with Cypresses'.\" <i>National Gallery Technical Bulletin<\/i> 11 (1987), pp. 42\u201345, fig. 1, as \"A Cornfield, with Cypresses\"; in a private collection, Switzerland; identifies this picture as the one mentioned in Van Gogh's letter of July 2, 1889 [see Ref.], and calls it the first version of the subject, painted in early July.<br\/><br\/> Walter Feilchenfeldt. <i>Vincent van Gogh & Paul Cassirer, Berlin: The Reception of Van Gogh in Germany from 1901 to 1914<\/i>. Zwolle, The Netherlands, 1988, pp. 36, 115, 148, 155\u201356, ill.<br\/><br\/> Walter Feilchenfeldt. \"Van Gogh Fakes: The Wacker Affair, with an Illustrated Catalogue of the Forgeries.\" <i>Simiolus<\/i> 19, no. 4 (1989), p. 310, ill., identifies a forged van Gogh (F 729) painted after our work while it was in the Mendelssohn collection, Berlin.<br\/><br\/> Evert van Uitert et al. <i>Vincent van Gogh: Paintings<\/i>. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Milan, 1990, p. 205, fig. 87c, dates it July 1889.<br\/><br\/> Charles S. Moffett <u>in<\/u> <i>The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich<\/i>. Exh. cat., National Gallery of Art, Washington. Z\u00fcrich, 1990, p. 241, no. 62, ill. (color, overall and detail).<br\/><br\/> Roland Dorn <u>in<\/u> <i>Vincent van Gogh and the Modern Movement: 1890\u20131914<\/i>. Exh. cat., Museum Folkwang, Essen. Freren, Germany, 1990, p. 172.<br\/><br\/> Ronald Pickvance <u>in<\/u> <i>Vincent van Gogh: Drawings<\/i>. Exh. cat., Rijksmuseum Kr\u00f6ller-M\u00fcller, Otterlo. Milan, 1990, p. 286.<br\/><br\/> Margrit Hahnloser-Ingold <u>in<\/u> <i>The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. B\u00fchrle, Z\u00fcrich<\/i>. Exh. cat., National Gallery of Art, Washington. Z\u00fcrich, 1990, p. 22, ill. p. 28 (installation photo), reproduces a photograph showing this picture in B\u00fchrle's home in Z\u00fcrich.<br\/><br\/> Jonathan Phillips. \"Learning from Van Gogh.\" <i>American Artist<\/i> 54 (October 1990), pp. 73\u201374, ill. p. 38 (color).<br\/><br\/> Jan Hulsker. <i>Vincent and Theo van Gogh: A Dual Biography<\/i>. Trans. and rev. ed. [1st ed. Weesp, Holland, 1985]. Ann Arbor, Mich., 1990, p. 360, states that this picture and F 615 (National Gallery, London) are variations on F 719 (Narodni Gallery, Prague); argues that it is difficult to determine whether our picture preceded F 615.<br\/><br\/> Stanley David Gedzelman. \"The Meteorological Odyssey of Vincent van Gogh.\" <i>Leonardo<\/i> 23, no. 1 (1990), p. 110.<br\/><br\/> Nicole Dubreuil-Blondin. \"L'entrepreneur et les impressionnistes.\" <i>RACAR<\/i> 17, no. 2 (1990), p. 182, dates it 1888.<br\/><br\/> Richard Kendall. \"Patronage and the Modern Movement: The E.G. B\u00fchrle Collection.\" <i>Apollo<\/i> 133 (February 1991), pp. 122\u201323, fig. 1.<br\/><br\/> J.-B. de La Faille. <i>Vincent van Gogh, The Complete Works on Paper: Catalogue Raisonn\u00e9<\/i>. 1, Revised, supplemented ed. [1st ed., Paris, 1928]. San Francisco, 1992, p. 402, states that although the drawing (F 1538; Van Gogh Museum, Amsterdam) seems to be done after this painting, it can also be linked to F 615 and F 743 and dated to June or early July 1889.<br\/><br\/> Jan Hulsker. <i>Vincent van Gogh: A Guide to His Work and Letters<\/i>. Amsterdam, 1993, pp. 41, 55, 61, 76, identifies this work as being mentioned in van Gogh's September 28 letter to Theo, but not in his July 2 letter [Refs. 1889], and notes that it was among those pictures dispatched to Theo.<br\/><br\/> John House. \"Exhibition Reviews, New York: The New Nineteenth-Century European Galleries at the Metropolitan Museum.\" <i>Burlington Magazine<\/i> 135 (December 1993), p. 856.<br\/><br\/> Gary Tinterow <u>in<\/u> \"Recent Acquisitions, A Selection: 1992\u20131993.\" <i>Metropolitan Museum of Art Bulletin<\/i> 51 (Fall 1993), pp. [2-3], 50\u201351, ill. p. 51 (color) and on front cover (color detail).<br\/><br\/> Michael Kimmelman. \"Annenberg Donates a Van Gogh to the Met.\" <i>New York Times<\/i> (May 25, 1993), p. C13, ill. p. A1.<br\/><br\/> Gary Tinterow et al. <i>The New Nineteenth-Century European Paintings and Sculpture Galleries<\/i>. New York, 1993, p. 84, ill. (color).<br\/><br\/> Ann Hoenigswald. \"Reworking Finished Paintings, Gauguin and Van Gogh: A Comparison.\" <i>Van Gogh: The Songlines of Legend<\/i>. Melbourne, [1994], p. 43, uses this picture to illustrate van Gogh's working process, arguing that he worked out his compositions primarily through painting rather than other media.<br\/><br\/> Thomas Noll. <i>\"Der gro\u00dfe S\u00e4mann\": Zur Sinnbildlichkeit in der Kunst von Vincent van Gogh<\/i>. Worms, 1994, p. 140.<br\/><br\/> Matthias Arnold. <i>Vincent van Gogh: Werk und Wirkung<\/i>. Munich, 1995, pp. 484, 549.<br\/><br\/> Elizabeth Nicoline Heenk. \"Vincent van Gogh's Drawings: An Analysis of Their Production and Uses.\" PhD diss., Courtauld Institute of Art, 1995, p. 186, states that the drawing F 1538 (Van Gogh Museum, Amsterdam) was made after this painting.<br\/><br\/> Jan Hulsker. <i>The New Complete Van Gogh: Paintings, Drawings, Sketches<\/i>. rev. ed. Amsterdam, 1996, pp. 400, 496, no. 1756, ill. p. 406, calls it \"an almost identical replica\" of the National Gallery picture (F 615).<br\/><br\/> Ira Berkow. \"Jewels in the Desert.\" <i>Art News<\/i> 97 (May 1998), p. 148.<br\/><br\/> Judith H. Dobrzynski. \"Tracing a van Gogh Treasured by the Met.\" <i>New York Times<\/i> (February 11, 1998), p. E3, ill. p. E1 (color).<br\/><br\/> Ronald Pickvance. <i>Van Gogh<\/i>. Exh. cat., Fondation Pierre Gianadda. Martigny, 2000, pp. 35, 39, 90, 94.<br\/><br\/> Chris Stolwijk and Han Veenenbos. <i>The Account Book of Theo van Gogh and Jo van Gogh-Bonger<\/i>. Amsterdam, 2002, pp. 144, 187, ill., identify it as one of eight works sold by Van Gogh-Bonger to \u00c9mile Schuffenecker, for which she recorded partial payment of 1,914 guilders (4,000 francs) in January 1901; note that the total amount of the sale was 9,400 francs, but that it is unclear whether Schuffenecker ever paid the remainder.<br\/><br\/> Dorothee Hansen <u>in<\/u> <i>Van Gogh: \"Fields\". The \"Field with Poppies\" and the Artists' Dispute<\/i>. Exh. cat., Kunsthalle Bremen. Ostfildern-Ruit, Germany, 2002, p. 86, ill. p. 39 (color), calls it \"Wheat Field with Cypresses at the Haute Galline near Eygali\u00e8res, \u00e9tude\"; confuses a reference to Pickvance's [Ref. 1990] identification of a drawing based on the painting.<br\/><br\/> Pierre Cabanne. <i>Van Gogh<\/i>. Paris, 2002, pp. 170\u201371, ill (color), erroneously as still in a private collection, Zurich.<br\/><br\/> Gary Tinterow. \"Recent Acquisitions, A Selection: 2002\u20132003.\" <i>Metropolitan Museum of Art Bulletin<\/i> 61 (Fall 2003), p. 35.<br\/><br\/> Teio Meedendorp <u>in<\/u> <i>The Paintings of Vincent van Gogh in the Collection of the Kr\u00f6ller-M\u00fcller Museum<\/i>. Otterlo, 2003, p. 418 nn. 3, 4, 10, 17\u201319, notes ownership of the painting by Emile Schuffenecker, and later by the fourth Prince of Wagram (here identified as Philippe Alexandre Berthier).<br\/><br\/> Marije Vellekoop <u>in<\/u> <i>Vincent van Gogh: The Drawings<\/i>. Exh. cat., Van Gogh Museum, Amsterdam. New York, 2005, pp. 312, 314, 316, 318\u201319, no. 111, ill. (color).<br\/><br\/> Martin Bailey <u>in<\/u> <i>Van Gogh and Britain: Pioneer Collectors<\/i>. Exh. cat., Compton Verney, Warwickshire. Edinburgh, 2006, p. 82.<br\/><br\/> Walter Feilchenfeldt. <i>By Appointment Only: C\u00e9zanne, Van Gogh and Some Secrets of Art Dealing<\/i>. English ed. London, 2006, p. 70, ill. p. 102 (color), as \"Wheat Field with Cypress\"; identifies it as the painting copied by Otto Wacker for a fake Van Gogh (F729) and suggests that Wacker had access to our painting, since it was then in the von Mendelssohn collection, Berlin.<br\/><br\/> Katharine Baetjer <u>in<\/u> <i>The Metropolitan Museum of Art, New York: Chefs-d'\u0153uvre de la peinture europ\u00e9enne<\/i>. Exh. cat., Fondation Pierre Gianadda. Martigny, 2006, p. 24, fig. 15 [Catalan ed., Barcelona, 2006, p. 20, fig. 15].<br\/><br\/> Stefan Koldehoff <u>in<\/u> <i>Van Gogh and Expressionism<\/i>. Exh. cat., Neue Galerie New York. Ostfildern, 2007, p. 171, states that Cassirer sold this painting to Marie Clara and Franz von Mendelssohn, Berlin, in November or December 1910.<br\/><br\/> Marije Vellekoop, and Roelie Zwikker, with the assistance of Monique Hageman. \"Arles, Saint-R\u00e9my & Auvers-sur-Oise, 1888\u201390.\" <i>Vincent van Gogh, Drawings<\/i>. 4, Zwolle, The Netherlands, 2007, part 1, pp. 237, 241, fig. 366d (color), agree with Refs. Bowness 1968, Pickvance 1986\u201387 and Pickvance 1990 that it is the model for the drawing F1538 (Van Gogh Museum, Amsterdam).<br\/><br\/> Susan Alyson Stein <u>in<\/u> <i>The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800\u20131920<\/i>. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 14 (installation view, color), 148.<br\/><br\/> <i>Masterpieces of European Painting, 1800\u20131920, in The Metropolitan Museum of Art<\/i>. New York, 2007, fig. 17 (installation photo, color).<br\/><br\/> Susan Alyson Stein <u>in<\/u> <i>Masterpieces of European Painting, 1800\u20131920, in The Metropolitan Museum of Art<\/i>. New York, 2007, pp. 170\u201371, 259, no. 159, ill. (color and black and white).<br\/><br\/> Marije Vellekoop <u>in<\/u> <i>Van Gogh: Heartfelt Lines<\/i>. Exh. cat., Albertina, Vienna. Cologne, 2008, pp. 60\u201362, 67 n. 1, p. 449, ill. (color).<br\/><br\/> Denise Willemstein <u>in<\/u> <i>Van Gogh: Heartfelt Lines<\/i>. Exh. cat., Albertina, Vienna. Cologne, 2008, pp. 374, 454, ill. (color).<br\/><br\/> Jill Elyse Grossvogel. <i>Claude-Emile Schuffenecker: Catalogue Raisonn\u00e9, Supplement<\/i>. Chicago, 2008, p. 45.<br\/><br\/> Karen Wilkin. \"Homage at the Metropolitan.\" <i>New Criterion<\/i> 27 (December 2008), p. 5.<br\/><br\/> Seraina Werthemann and Nina Zimmer <u>in<\/u> <i>Vincent van Gogh\u2014Between Earth and Heaven: The Landscapes<\/i>. Exh. cat., Kunstmuseum Basel. Ostfildern, 2009, pp. 110, 241, fig. 95 (color).<br\/><br\/> Susan Alyson Stein <u>in<\/u> <i>Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection<\/i>. 4th rev. ed. [1st ed., 1989]. New York, 2009, pp. ix, 206\u201311, no. 39, ill. (color), states that X-radiographs reveal that no changes were made to this composition as it was being painted.<br\/><br\/> Joseph J. Rishel <u>in<\/u> <i>Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection<\/i>. 4th rev. ed. [1st ed., 1989]. New York, 2009, p. 218.<br\/><br\/> Vincent van Gogh. <i>Vincent van Gogh\u2014The Letters<\/i>. London, 2009, vol. 5, pp. 41, 44, fig. 8 (color), under letter no. 783, pp. 49, 51, fig. 22 (color), under letter no. 784, pp. 82, 84, fig. 11 (color), under letter no. 800, p. 106, fig. 2 (color), under letter no. 806.<br\/><br\/><br\/><br\/>]]>" | |
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| "title": "Notes", | |
| "content": "<![CDATA[Van Gogh painted this picture at Saint-R\u00e9my in late June\u2013early July 1889. <br\/><br\/>There exists a Eug\u00e8ne Druet photograph of this picture (pl. 75, no. 42478, ca. 1900\u20131910, collection Le fonds Druet-Vizzavona, M\u00e9diath\u00e8que de l\u2019architecture et du patrimoine, Fort de Saint-Cyr, Montigny-le-Bretonneux, France), probably taken during the Van Gogh exhibition at Druet in Paris in 1909.]]>" | |
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| { | |
| "title": "Bouquet of Flowers in a Vase", | |
| "teaserText": "<a class=\"name\" href=\"\/collection\/the-collection-online\/search\/436525\">Bouquet of Flowers in a Vase<\/a><span class=\"author\">Vincent van Gogh<\/span>", | |
| "artist": "Vincent van Gogh", | |
| "location": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)", | |
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| "medium": "Oil on canvas", | |
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| "location": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)", | |
| "date": 1887, | |
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| "imageUrl": "http:\/\/images.metmuseum.org\/CRDImages\/ep\/web-gallery\/DP229743.jpg", | |
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| "artist": "Vincent van Gogh", | |
| "location": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)", | |
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| "medium": "Oil on canvas", | |
| "accession": 56.13, | |
| "imageUrl": "http:\/\/images.metmuseum.org\/CRDImages\/ep\/web-gallery\/DT1948.jpg", | |
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| "galleryLink": "\/visit\/museum-map\/galleries\/european-paintings\/826", | |
| "gallery": 826, | |
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| "title": "Irises", | |
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| "artist": "Vincent van Gogh", | |
| "location": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)", | |
| "date": 1890, | |
| "medium": "Oil on canvas", | |
| "accession": 58.187, | |
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| "gallery": 826, | |
| "artworkUrl": "\/collection\/the-collection-online\/search\/436528" | |
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| { | |
| "title": "Oleanders", | |
| "teaserText": "<a class=\"name\" href=\"\/collection\/the-collection-online\/search\/436530\">Oleanders<\/a><span class=\"author\">Vincent van Gogh<\/span>", | |
| "artist": "Vincent van Gogh", | |
| "location": "(Dutch, Zundert 1853\u20131890 Auvers-sur-Oise)", | |
| "date": 1888, | |
| "medium": "Oil on canvas", | |
| "accession": 62.24, | |
| "imageUrl": "http:\/\/images.metmuseum.org\/CRDImages\/ep\/web-gallery\/DT1494.jpg", | |
| "imageWidth": 0, | |
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| "galleryLink": "\/visit\/museum-map\/galleries\/european-paintings\/826", | |
| "gallery": 826, | |
| "artworkUrl": "\/collection\/the-collection-online\/search\/436530" | |
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