Created
December 1, 2022 23:06
-
-
Save attentive/0227d8e9268dfd8aa867a91bbf62141c to your computer and use it in GitHub Desktop.
List of director's favourites scraped from a MUBI forum post
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
| Original source here: https://archive.ph/qUnBJ | |
| Pedro Almodóvar | |
| The Night of the Hunter (Laughton) | |
| The Rules of the Game (Renoir) | |
| All About Eve (Mankiewicz) | |
| Leave Her to Heaven (Stahl) | |
| North by Northwest (Hitchcock) | |
| Out of the Past (Tourneur) | |
| Midnight (Leisen) | |
| Some Like It Hot (Wilder) | |
| Touch of Evil (Welles) | |
| Senso (Visconti) | |
| Allison Anders | |
| All That Heaven Allows (Sirk) | |
| Alice in the Cities (Wenders) | |
| The Hours and Times (Munch) | |
| The Man from Laramie (Mann) | |
| Letter from an Unknown Woman (Ophuls) | |
| A Hard Day’s Night (Lester) | |
| Woman on the Beach (Renoir) | |
| Naked (Leigh) | |
| The Age of Innocence (Scorsese) | |
| There’s Always Tomorrow (Sirk) | |
| Theo Angelopoulos | |
| Citizen Kane (Welles) | |
| Ivan the Terrible (Eisenstein) | |
| Ordet (Dreyer) | |
| 8 1/2 (Fellini) | |
| Nosferatu (Murnau) | |
| L’avventura (Antonioni) | |
| The Gold Rush (Chaplin) | |
| Ugetsu Monogatari (Mizoguchi) | |
| Pickpocket (Bresson) | |
| Persona (Bergman) | |
| Denys Arcand | |
| Bicycle Thieves (De Sica) | |
| Citizen Kane (Welles) | |
| The Discreet Charm of the Bourgeoisie (Buñuel) | |
| 8 1/2 (Fellini) | |
| Il general Della Rovere (Rossellini) | |
| The Man Who Shot Liberty Valance (Ford) | |
| Partie de campagne (Renoir) | |
| Seven Samurai (Kurosawa) | |
| The Silence (Bergman) | |
| Triumph of the Will (Riefenstahl) | |
| George Armitage | |
| Dr. Strangelove (Kubrick) | |
| Sweet Smell of Success (Mackendrick) | |
| The Magnificent Seven (J. Sturges) | |
| Seven Samurai (Kurosawa) | |
| The Boy with Green Hair (Losey) | |
| The Thing from Another World (Nyby) | |
| A Canterbury Tale (Powell, Pressburger) | |
| The Maltese Falcon (Huston) | |
| Sullivan’s Travels (P. Sturges) | |
| Citizen Kane (Welles) | |
| Local Hero (Forsyth) | |
| Gillian Armstrong | |
| Citizen Kane (Welles) | |
| Raging Bull (Scorsese) | |
| La strada (Fellini) | |
| The Godfather Part II (Coppola) | |
| Rashomon (Kurosawa) | |
| Chinatown (Polanski) | |
| Bicycle Thieves (De Sica) | |
| 8 1/2 (Fellini) | |
| Singin’ in the Rain (Kelly, Donen) | |
| Vertigo (Hitchcock) | |
| Olivier Assayas | |
| Andrei Rublev (Tarkovsky) | |
| L’Argent (Bresson) | |
| La Dolce Vita (Fellini) | |
| We Spin Around the Night Consumed by the Fire (Debord) | |
| Ludwig (Visconti) | |
| A Man Escaped (Bresson) | |
| Mirror (Tarkovsky) | |
| Ordet (Dreyer) | |
| Playtime (Tati) | |
| Scenes from a Marriage (Bergman) | |
| Clive Barker | |
| Andrei Rublev (Tarkovsky) | |
| Fantasia (Sharpsteen) | |
| The Exorcist (Friedkin) | |
| Fellini Satyricon (Fellini) | |
| Gone with the Wind (Fleming) | |
| Ben-Hur (Wyler) | |
| The Bride of Frankenstein (Whale) | |
| Pinocchio (Sharpsteen) | |
| Meet Me in St. Louis (Minnelli) | |
| Blade Runner (Scott) | |
| Harold Becker | |
| L’avventura (Antonioni) | |
| Berlin Alexanderplatz (Fassbinder) | |
| Citizen Kane (Welles) | |
| A Clockwork Orange (Kubrick) | |
| 8 1/2 (Fellini) | |
| The Grapes of Wrath (Ford) | |
| In Cold Blood (Brooks) | |
| Lawrence of Arabia (Lean) | |
| Sunset Blvd. (Wilder) | |
| The Treasure of the Sierra Madre (Huston) | |
| Andrew Bergman | |
| 8 1/2 (Fellini) | |
| Jules et Jim (Truffaut) | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| The Godfather and The Godfather Part II (Coppola) | |
| The Treasure of the Sierra Madre (Huston) | |
| Brief Encounter (Lean) | |
| Jaws (Spielberg) | |
| Rear Window (Hitchcock) | |
| It Happened One Night (Capra) | |
| Ingmar Bergman | |
| The Circus (Chaplin) | |
| Le quai des brumes (Carne) | |
| Dyrygent (Wajda) | |
| Kvarteret Korpen (Widerberg) | |
| La passion de Jeanne d’Arc (Dreyer) | |
| Körkarlen (Sjostrom) | |
| Rashômon (Kurosawa) | |
| La strada (Fellini) | |
| Sunset Blvd. (Wilder) | |
| Die bleierne Zeit (von Trotta) | |
| Alan Berliner | |
| Lumiere Compilation (Lumiere Brothers) | |
| Manhatta (Sheeler/Strand) | |
| The Fall of the Romanov Dynasty (Shub) | |
| Berlin, Symphony of a Great City (Ruttman) | |
| Man with a Movie Camera (Vertov) | |
| Enthusiasm (Vertov) | |
| Regen (Ivens/Franken) | |
| Meshes of the Afternoon (Deren) | |
| A Movie (Conner) | |
| Window Water Baby Moving (Brakhage) | |
| Joe Berlinger | |
| The Thin Blue Line (Morris) | |
| Apocalypse Now (Coppola) | |
| Berlin Alexanderplatz (Fassbinder) | |
| The Conformist (Bertolucci) | |
| Planet of the Apes (Schaffner) | |
| Stardust Memories (Allen) | |
| Taxi Driver (Scorsese) | |
| M (Lang) | |
| Breathless (Godard) | |
| Chopper (Dominik) | |
| BERNARDO BERTOLUCCI | |
| La Règle du Jeu (Renoir) | |
| Sansho Dayu (Mizoguchi) | |
| Germany, Year Zero (Rossellini) | |
| A Bout de Souffle (Godard) | |
| Stagecoach (Ford) | |
| Blue Velvet (Lynch) | |
| City Lights (Chaplin) | |
| Marnie (Hitchcock) | |
| Accattone (Pasolini) | |
| Touch of Evil (Welles) | |
| Les Blank | |
| Ali: Fear Eats the Soul (Fassbinder) | |
| Miracle in Milan (De Sica) | |
| La Strada (Fellini) | |
| Viridiana (Buñuel) | |
| The Apu Trilogy (Ray) | |
| The Godfather Parts I & II (Coppola) | |
| The Seventh Seal (Bergman) | |
| A Streetcar Named Desire (Kazan) | |
| Badlands (Malick) | |
| Nanook of the North (Flaherty) | |
| Ted Bonnitt | |
| The Man Who Fell to Earth (Roeg) | |
| Local Hero (Forsyth) | |
| It’s a Wonderful Life (Capra) | |
| Apocalypse Now (Coppola) | |
| The Conversation (Coppola) | |
| Atlantic City (Malle) | |
| The Godfather (Coppola) | |
| The Wild Bunch (Peckinpah) | |
| Baraka (Fricke) | |
| For All Mankind (Reinert) | |
| John Boorman | |
| Seven Samurai (Kurosawa) | |
| The Seventh Seal (Bergman) | |
| 8 1/2 (Fellini) | |
| That Obscure Object of Desire (Buñuel) | |
| Dr. Strangelove (Kubrick) | |
| Citizen Kane (Welles) | |
| Sunset Blvd. (Wilder) | |
| Solaris (Tarkovsky) | |
| La Roue (Gance) | |
| The Birth of a Nation (Griffith) | |
| CATHERINE BREILLAT | |
| Ai No Corrida (Oshima) | |
| Sawdust and Tinsel (Bergman) | |
| Baby Doll (Kazan) | |
| Lost Highway (Lynch) | |
| Vertigo (Hitchcock) | |
| Salo (Pasolini) | |
| L’Avventura (Antonioni) | |
| Ordet (Dreyer) | |
| Lancelot du Lac (Bresson) | |
| 10 (Kiarostami) | |
| Nick Broomfield | |
| Citizen Kane (Welles) | |
| Dr. Strangelove (Kubrick) | |
| Monsoon Wedding (Nair) | |
| My Life as a Dog (Hallström) | |
| The Pink Panther Strikes Again (Edwards) | |
| Il postino (Radford) | |
| Sunset Blvd. (Wilder) | |
| Sweet Smell of Success (Mackendrick) | |
| Titicut Follies (Wiseman) | |
| Urga (Mikhalkov) | |
| Ken Burns | |
| Seven Samurai (Kurosawa) | |
| The Discreet Charm of the Bourgeoisie (Buñuel) | |
| Raging Bull (Scorsese) | |
| Citizen Kane (Welles) | |
| The Rules of the Game (Renoir) | |
| Last Tango in Paris (Bertolucci) | |
| Pelle the Conqueror (August) | |
| The Tree of Wooden Clogs (Olmi) | |
| Chinatown (Polanski) | |
| Vertigo (Hitchcock) | |
| Yiwen Chen | |
| Ashes of Time (Wong) | |
| A Brighter Summer Day (Yang) | |
| Citizen Kane (Welles) | |
| Crimes and Misdemeanors (Allen) | |
| The Godfather (Coppola) | |
| Red Sorghum (Zhang) | |
| Requiem for a Dream (Aronofsky) | |
| Thirty-two Short Films about Glenn Gould (Girard) | |
| Throne of Blood (Kurosawa) | |
| The Time to Live and the Time to Die (Hou) | |
| Vidhu Vinod Chopra | |
| À bout de souffle (Godard) | |
| Citizen Kane (Welles) | |
| 8 1/2 (Fellini) | |
| The Godfather (Coppola) | |
| Kaagaz ke phool (Dutt) | |
| Meghe dhaka tara (Ghatak) | |
| Mother India (Mehboob) | |
| Mughal-e-Azam (Asif) | |
| Pather Panchali (S. Ray) | |
| Rashomon (Kurosawa) | |
| Ethan and Joel Coen (9) | |
| Brother’s Keeper (Berlinger/Sidofsky) | |
| Il Bidone (Fellini) | |
| Salesman (Maysles/Zwerin) | |
| The Bad News Bears (Ritchie) | |
| The Fortune (Nichols) | |
| High and Low (Kurosawa) | |
| Dames (Enright) | |
| Separate Tables (Mann) | |
| Where Eagles Dare (Hutton) | |
| Roger Corman | |
| Battleship Potemkin (Eisenstein) | |
| Citizen Kane (Welles) | |
| The Seventh Seal (Bergman) | |
| Lawrence of Arabia (Lean) | |
| The Godfather (Coppola) | |
| The Grapes of Wrath (Ford) | |
| Shane (Stevens) | |
| On the Waterfront (Kazan) | |
| Star Wars (Lucas) | |
| The Cabinet of Dr. Caligari (Wiene) | |
| Alex Cox | |
| Citizen Kane (Welles) | |
| The Devils (K. Russell) | |
| The Exterminating Angel (Buñuel) | |
| King Kong (Cooper, Schoedsack) | |
| The Mattei Affair (Rosi) | |
| O Lucky Man! (Anderson) | |
| 2001: A Space Odyssey (Kubrick) | |
| Throne of Blood (Kurosawa) | |
| The Wages of Fear (Clouzot) | |
| The War Game (Watkins) | |
| CAMERON CROWE | |
| The Apartment (Wilder) | |
| La Règle du Jeu (Renoir) | |
| La Dolce Vita (Fellini) | |
| Manhattan (Allen) | |
| The Best Years of Our Lives (Wyler) | |
| To Kill a Mockingbird (Mulligan) | |
| Harold and Maude (Ashby) | |
| Pulp Fiction (Tarantino) | |
| Quadrophenia (Roddam) | |
| Ninotchka (Lubitsch) | |
| Joe Dante | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| 8 1/2 (Fellini) | |
| Les Enfants du paradis (Carné) | |
| The Dead (Brakhage) | |
| Rashomon (Kurosawa) | |
| Psycho (Hitchcock) | |
| Raging Bull (Scorsese) | |
| The Searchers (Ford) | |
| Once upon a Time in the West (Leone) | |
| Jonathan Demme | |
| Shoot the Piano Player (Truffaut) | |
| The Conformist (Bertolucci) | |
| Yojimbo (Kurosawa) | |
| Nothing But a Man (Roemer) | |
| Antonio das Mortes (Rocha) | |
| Black Orpheus (Camus) | |
| Five Easy Pieces (Rafelson) | |
| Muriel (Resnais) | |
| Coming Home (Ashby) | |
| Ceddo (Sembene) | |
| Ernest R. Dickerson | |
| Citizen Kane (Welles) | |
| 2001: A Space Odyssey (Kubrick) | |
| In the Mood for Love (Wong) | |
| Vertigo (Hitchcock) | |
| Brazil (Gilliam) | |
| Rashomon (Kurosawa) | |
| The Godfather and The Godfather Part II (Coppola) | |
| Malcolm X (Lee) | |
| Ikiru (Kurosawa) | |
| Blade Runner (Scott) | |
| Harun Farocki | |
| Vivre sa vie (Godard) | |
| Not Reconciled (Straub/Huillet) | |
| Au Hasard Balthazar (Bresson) | |
| Murder by Contract (Lerner) | |
| Numero Deux (Godard) | |
| Wanda (Loden) | |
| La Rabbia (Pasolini) | |
| Blood Simple (Coen Brothers) | |
| Natural Born Killers (Stone) | |
| Bryan Forbes | |
| Belle de jour (Buñuel) | |
| Citizen Kane (Welles) | |
| La Grande Illusion (Renoir) | |
| Great Expectations (Lean) | |
| Jeux interdits (Clément) | |
| Singin’ in the Rain (Kelly, Donen) | |
| Some Like It Hot (Wilder) | |
| The Third Man (Reed) | |
| Umberto D. (De Sica) | |
| Whistle down the Wind (Forbes) | |
| Milos Forman | |
| Amarcord (Fellini) | |
| American Graffiti (Lucas) | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| The Deer Hunter (Cimino) | |
| Les Enfants du paradis (Carné) | |
| Giant (Stevens) | |
| The Godfather (Coppola) | |
| Miracle in Milan (De Sica) | |
| Raging Bull (Scorsese) | |
| Russel Forster | |
| Citizen Kane (Welles) | |
| Gates of Heaven (Morris) | |
| Sweet Sweetback’s Baadassssss Song (Van Peebles) | |
| Burden of Dreams (Blank) | |
| Notorious (Hitchcock) | |
| Paris is Burning (Livingston) | |
| Flaming Creatures (Smith) | |
| The Decline of Western Civilization (Spheeris) | |
| Scorpio Rising (Anger) | |
| Marjoe (Kernochan/Smith) | |
| Lewis Gilbert | |
| All about Eve (Mankiewicz) | |
| Cinema Paradiso (Tornatore) | |
| Citizen Kane (Welles) | |
| Les Enfants du paradis (Carné) | |
| The Gold Rush (Chaplin) | |
| Gone with the Wind (Fleming) | |
| Napoléon (Gance) | |
| Odd Man Out (Reed) | |
| Seven Samurai (Kurosawa) | |
| La strada (Fellini) | |
| Terry Gilliam | |
| Citizen Kane (Welles) | |
| Seven Samurai (Kurosawa) | |
| Seventh Seal (Bergman) | |
| 8 1/2 (Fellini) | |
| 2001: A Space Odyssey (Kubrick) | |
| Sherlock Jr (Keaton) | |
| Pinocchio (Sharpsteen/Luske) | |
| Les Enfants du Paradis (Carne) | |
| One-Eyed Jacks (Brando) | |
| The Apartment (Wilder) | |
| Amos Gitai | |
| Teorema (Pasolini) | |
| Flowers of St. Francis (Rossellini) | |
| Paisan (Rossellini) | |
| Shock Corridor (Fuller) | |
| Some Came Running (Minnelli) | |
| The River (Renoir) | |
| The Car (Ghatak) | |
| The Music Room (S. Ray) | |
| The Age of the Earth (Rocha) | |
| The Quiet Man (Ford) | |
| Jonathan Glazer | |
| Andrei Roublev (Tarkovsky) | |
| 2001: A Space Odyssey (Kubrick) | |
| Throne of Blood (Kurosawa) | |
| The Godfather Part II (Coppola) | |
| Citizen Kane (Welles) | |
| Cries and Whispers (Bergman) | |
| 8 1/2 (Fellini) | |
| The Gospel According to St. Matthew (Pasolini) | |
| Raging Bull (Scorsese) | |
| The Great Dictator (Chaplin) | |
| Jean-Luc Godard (top 10 American from Sound Era) | |
| Scarface (Hawks) | |
| The Great Dictator (Chaplin) | |
| Vertigo (Hitchcock) | |
| The Searchers (Ford) | |
| Singin’ in the Rain (Donen/Kelly) | |
| The Lady from Shanghai (Welles) | |
| Bigger Than Life (Ray) | |
| Angel Face (Preminger) | |
| To Be or Not To Be (Lubitsch) | |
| Dishonored (von Sternberg) | |
| Jill Godmilow | |
| A Man Escaped (Bresson) | |
| Ali: Fear Eats the Soul (Fassbinder) | |
| Hiroshima, mon amour (Resnais) | |
| La Vie de Boheme (Kaurismaki) | |
| Numero Deux (Godard) | |
| Land Without Bread (Buñuel) | |
| Il Posto (Olmi) | |
| Talk to Her (Almodóvar) | |
| Inextinguishable Fire (Farocki) | |
| Dead Man (Jarmusch) | |
| Peter Greenaway | |
| Last Year at Marienbad (Resnais) | |
| Breathless (Godard) | |
| La Notte (Antonioni) | |
| The Rules of the Game (Renoir) | |
| The Seventh Seal (Bergman) | |
| Strike (Eisenstein) | |
| Throne of Blood (Kurosawa) | |
| Fellini’s Casanova (Fellini) | |
| 8-1/2 (Fellini) | |
| The Marquise of O (Rohmer) | |
| James Gunn | |
| Once Upon a Time in the West (Leone) | |
| After Hours (Scorsese) | |
| Eternal Sunshine of the Spotless Mind (Gondry) | |
| Rosemary’s Baby (Polanski) | |
| Together (Moodysson) | |
| Bob & Carol & Ted & Alice (Mazursky) | |
| Audition (Miike) | |
| City of God (Meirelles) | |
| Jaws (Spielberg) | |
| The Conversation (Coppola) | |
| Taylor Hackford | |
| La Femme d’à côté (Truffaut) | |
| Citizen Kane (Welles) | |
| Seven Samurai (Kurosawa) | |
| The Searchers (Ford) | |
| The Treasure of the Sierra Madre (Huston) | |
| A Clockwork Orange (Kubrick) | |
| Without Anaesthetic (Wajda) | |
| Satyricon (Fellini) | |
| The Official Story (Puenzo) | |
| The Palm Beach Story (P. Sturges) | |
| Guy Hamilton | |
| Alexander Nevsky (Eisenstein) | |
| Bicycle Thieves (De Sica) | |
| Citizen Kane (Welles) | |
| Les Enfants du paradis (Carné) | |
| La Grande Illusion (Renoir) | |
| The Grapes of Wrath (Ford) | |
| Lawrence of Arabia (Lean) | |
| Singin’ in the Rain (Kelly, Donen) | |
| Some Like It Hot (Wilder) | |
| The Third Man (Reed) | |
| Michael Haneke | |
| Au Hasard Balthazar (Bresson) | |
| Lancelot du Lac (Bresson) | |
| The Mirror (Tarkovsky) | |
| Salo (Pasolini) | |
| The Exterminating Angel (Buñuel) | |
| The Gold Rush (Chaplin) | |
| Psycho (Hitchcock) | |
| A Woman Under the Influence (Cassavetes) | |
| Germany Year Zero (Rossellini) | |
| L’Eclisse (Antonioni) | |
| Mary Harron | |
| Alexander Nevsky (Eisenstein) | |
| Citizen Kane (Welles) | |
| La dolce vita (Fellini) | |
| Dr. Strangelove (Kubrick) | |
| Les Enfants du paradis (Carné) | |
| The Exterminating Angel (Buñuel) | |
| His Girl Friday (Hawks) | |
| The Passion of Joan of Arc (Dreyer) | |
| Raging Bull (Scorsese) | |
| World of Apu (S. Ray) | |
| Hal Hartley | |
| Hail Mary (Godard) | |
| The Rules of the Game (Renoir) | |
| Ordet (Dreyer) | |
| Diary of a Country Priest (Bresson) | |
| Ivan the Terrible Part I (Eisenstein) | |
| Faces (Cassavetes) | |
| A Hard Day’s Night (Lester) | |
| Nosferatu (Murnau) | |
| Badlands (Malick) | |
| Kings of the Road (Wenders) | |
| Todd Haynes | |
| All That Heaven Allows (Sirk) | |
| Un Chant d’Amour (Genet) | |
| Citizen Kane (Welles) | |
| Ali: Fear Eats the Soul (Fassbinder) | |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Akerman) | |
| Nashville (Altman) | |
| The Night of the Hunter (Laughton) | |
| Performance (Cammell/Roeg) | |
| The Reckless Moment (Ophuls) | |
| Vertigo (Hitchcock) | |
| Werner Herzog (9) | |
| Cane Toads: An Unusual History (Lewis) | |
| Fast, Cheap, and Out of Control (Morris) | |
| Forest of Bliss (Gardner) | |
| Good News, Von Polpoprteuren, toten hunden und Andered Wienern (Seidl) | |
| Letter from Siberia (Marker) | |
| Les Maitres Fou (Rouch) | |
| Nanook of the North (Flaherty) | |
| Spend It All (Blank) | |
| The Emperor’s Naked Army Marches On (Hara) | |
| Agnieszka Holland | |
| Pickpocket (Bresson) | |
| 8-1/2 (Fellini) | |
| Le Trou (Becker) | |
| Le Bonheur (Varda) | |
| Diamonds of the Night (Nemec) | |
| Repulsion (Polanski) | |
| The Godfather Part II (Coppola) | |
| Andrei Rublev (Tarkovsky) | |
| The Mirror (Tarkovsky) | |
| Breathless (Godard) | |
| JIM JARMUSCH | |
| L’Atalante (Vigo) | |
| Tokyo Story (Ozu) | |
| They Live by Night (N Ray) | |
| Bob le flambeur (Melville) | |
| Sunrise (Murnau) | |
| The Cameraman (Sedgwick) | |
| Mouchette (Bresson) | |
| Seven Samurai (Kurosawa) | |
| Broken Blossoms (Griffith) | |
| Rome, Open City (Rossellini) | |
| Norman Jewison | |
| Bicycle Thieves (De Sica) | |
| The Bridge on the River Kwai (Lean) | |
| Casablanca (Curtiz) | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| 8 1/2 (Fellini) | |
| The 400 Blows (Truffaut) | |
| Gunga Din (Stevens) | |
| Rashomon (Kurosawa) | |
| The Wizard of Oz (Fleming) | |
| TERRY JONES | |
| Annie Hall (Allen) | |
| Apocalypse Now (Coppola) | |
| Duck Soup (McCarey) | |
| Fanny and Alexander (Bergman) | |
| Groundhog Day (Ramis) | |
| Guys and Dolls (Mankiewicz) | |
| Jour de Fête (Tati) | |
| Napoléon (Gance) | |
| The Pathfinder (Salkow) | |
| Steamboat Bill, Jr (Riesner) | |
| Neil Jordan | |
| Citizen Kane (Welles) | |
| La Strada (Fellini) | |
| The Exterminating Angel (Buñuel) | |
| The Passion of Joan of Arc (Dreyer) | |
| The Wild Bunch (Peckinpah) | |
| They Live by Night (Ray) | |
| Rashomon (Kurosawa) | |
| 8-1/2 (Fellini) | |
| The General (Bruckman/Keaton) | |
| Persona (Bergman) | |
| Philip Kaufman | |
| Pather Panchali (S. Ray) | |
| Bicycle Thief (De Sica) | |
| Seven Samurai (Kurosawa) | |
| Belle de Jour (Buñuel) | |
| The Asphalt Jungle (Huston) | |
| The Wages of Fear (Clouzot) | |
| I Vitteloni (Fellini) | |
| Touch of Evil (Welles) | |
| The Third Man (Reed) | |
| Aki Kaurismaki | |
| L’Age d’Or (Buñuel) | |
| L’Atalante (Vigo) | |
| Au Hasard Balthazar (Bresson) | |
| Broken Blossoms (Griffith) | |
| Casque d’Or (Becker) | |
| Greed (von Stroheim) | |
| Mon Oncle (Tati) | |
| Nanook of the North (Flaherty) | |
| Open City (Rossellini) | |
| Tokyo Story (Ozu) | |
| Mika Kaurismaki | |
| Ugetsu (Mizoguchi) | |
| Sunrise (Murnau) | |
| Once Upon a Time in the West (Leone) | |
| Lawrence of Arabia (Lean) | |
| Second Breath (Melville) | |
| To Be or Not To Be (Lubitsch) | |
| Only Angels Have Wings (Hawks) | |
| The Misfits (Huston) | |
| The Red Shoes (Powell/Pressburger) | |
| Pickpocket (Bresson) | |
| Takeshi Kitano | |
| Children of Paradise (Carné) | |
| 2001: A Space Odyssey (Kubrick) | |
| A Clockwork Orange (Kubrick) | |
| Seven Samurai (Kurosawa) | |
| To Live and Die in L.A. (Friedkin) | |
| Wild at Heart (Lynch) | |
| Bring Me the Head of Alfredo García (Peckinpah) | |
| Darkman (Raimi) | |
| Crazy Thunder Road (Ishii) | |
| The Railroad Man (Germi) | |
| Stanley Kubrick | |
| I Vitelloni (Federico Fellini) | |
| Wild Strawberries (Ingmar Bergman) | |
| Citizen Kane (Orson Welles) | |
| The Treasure of the Sierra Madre (John Huston) | |
| City Lights (Charles Chaplin) | |
| Henry V (Laurence Olivier) | |
| La Notte (Michelangelo Antonioni) | |
| The Bank Dick (W.C. Fields) | |
| Roxie Hart (William Wellman) | |
| Hell’s Angels (Howard Hughes) | |
| George Kuchar | |
| Baby Doll (Kazan) | |
| Written on the Wind (Sirk) | |
| Who Killed Teddy Bear? (Cates) | |
| La Dolce Vita (Fellini) | |
| L’Eclisse (Antonioni) | |
| The Man with the Golden Arm (Preminger) | |
| Youngblood Hawke (Daves) | |
| Finding Nemo (Stanton/Unkrich) | |
| Murders in the Zoo (Sutherland) | |
| Devil is a Woman (von Sternberg) | |
| Ed Lachman | |
| Umberto D (De Sica) | |
| The Conformist (Bertolucci) | |
| Miracle in Milan (De Sica) | |
| Close-Up (Kiarostami) | |
| Maborosi (Hirokazu) | |
| Four Nights of the Dreamer (Bresson) | |
| Citizen Kane (Welles) | |
| *all-by* (Oshima) | |
| *all-by* (Kieslowski) | |
| Time Stands Still (Gothar) | |
| R. Leacock | |
| Pather Panchali (S. Ray) | |
| Moana (Flaherty) | |
| I Am a Fugitive from a Chain Gang (LeRoy) | |
| Diary of a Lost Girl (Pabst) | |
| Top Hat (Sandrich) | |
| Kamaradschaft (Pabst) | |
| Let There Be Light (Huston) | |
| The Lady Eve (Sturges) | |
| Cops (Keaton) | |
| The Wizard of Oz (Fleming) | |
| Richard Lester | |
| Casablanca (Curtiz) | |
| Citizen Kane (Welles) | |
| E.T. The Extra-Terrestrial (Spielberg) | |
| The 400 Blows (Truffaut) | |
| The General (Keaton) | |
| The Godfather and The Godfather Part II (Coppola) | |
| Lawrence of Arabia (Lean) | |
| Nashville (Altman) | |
| Seven Samurai (Kurosawa) | |
| Les Vacances de M. Hulot (Tati) | |
| Jerry Lewis | |
| An Affair to Remember (McCarey) | |
| Citizen Kane (Welles) | |
| The Fountainhead (Vidor) | |
| All About Eve (Mankiewicz) | |
| The Adventures of Robin Hood (Cutiz/Keighley) | |
| On the Waterfront (Kazan) | |
| Breakfast at Tiffany’s (Edwards) | |
| Shadow of a Doubt (Hitchcock) | |
| Harry and the Hendersons (Dear) | |
| Casablanca (Curtiz) | |
| Richard Linklater | |
| Some Came Running (Minnelli) | |
| Pickpocket (Bresson) | |
| 2001: A Space Odyssey (Kubrick) | |
| GoodFellas (Scorsese) | |
| La Maman et la putain (Eustache) | |
| Los Olvidados (Buñuel) | |
| In a Year with Thirteen Moons (Fassbinder) | |
| Citizen Kane (Welles) | |
| Fanny and Alexander (Bergman) | |
| Carmen Jones (Preminger) | |
| Ken Loach | |
| A Bout de Souffle (Godard) | |
| The Battle of Algiers (Pontecorvo) | |
| A Blonde in Love (Forman) | |
| Bicycle Thieves (De Sica) | |
| Closely Observed Trains (Menzel) | |
| Fireman’s Ball (Forman) | |
| Jules et Jim (Truffaut) | |
| La Règle du Jeu (Renoir) | |
| The Tree of the Wooden Clogs (Olmi) | |
| Wild Strawberries (Bergman) | |
| Sidney Lumet | |
| The Best Years of Our Lives (Wyler) | |
| Fanny and Alexander (Bergman) | |
| The Godfather (Coppola) | |
| The Grapes of Wrath (Ford) | |
| Intolerance (Griffith) | |
| The Passion of Joan of Arc (Dreyer) | |
| Ran (Kurosawa) | |
| Roma (Fellini) | |
| Singin’ in the Rain (Kelly, Donen) | |
| 2001: A Space Odyssey (Kubrick) | |
| Jonathan Lynn | |
| The Apartment (Wilder) | |
| Casablanca (Curtiz) | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| Dr. Strangelove (Kubrick) | |
| The Godfather Part II (Coppola) | |
| Lawrence of Arabia [the recent, expanded version] (Lean) | |
| La strada (Fellini) | |
| Strangers on a Train (Hitchcock) | |
| The Third Man (Reed) | |
| Kevin MacDonald | |
| Atanarjuat: The Fast Runner (Kunuk) | |
| Double Indemnity (Wilder) | |
| The Life and Death of Colonel Blimp (Powell/Pressburger) | |
| The Magnficent Ambersons (Welles) | |
| The Palm Beach Story (Sturges) | |
| A Day in the Country (Renoir) | |
| Rear Window (Hitchcock) | |
| Singin’ in the Rain (Donen/Kelly) | |
| The Thin Blue Line (Morris) | |
| The Unseen (Janek) | |
| Dusan Makavejev (9) | |
| L’Age d’Or (Buñuel) | |
| Snow White and the Seven Dwarfs (Disney) | |
| Triumph of the Will (Riefenstahl) | |
| The Asphalt Jungle (Huston) | |
| Rashomon (Kurosawa) | |
| The Cabinet of Dr. Caligari (Wiene) | |
| Ecstasy (Machaty) | |
| Ashes and Diamonds (Wajda) | |
| The Earth (Dovzhenko) | |
| Michael Mann | |
| Apocalypse Now (Coppola) | |
| Battleship Potemkin (Eisenstein) | |
| Citizen Kane (Welles) | |
| Dr. Strangelove (Kubrick) | |
| Faust (Murnau) | |
| Last Year at Marienbad (Resnais) | |
| My Darling Clementine (Ford) | |
| The Passion of Joan of Arc (Dreyer) | |
| Raging Bull (Scorsese) | |
| The Wild Bunch (Peckinpah) | |
| Albert Maysles | |
| La Strada (Fellini) | |
| Rocco and His Brothers (Visconti) | |
| Salesman (Maysles) | |
| Bicycle Thief (De Sica) | |
| L’Avventura (Antonioni) | |
| Fitzcarraldo (Herzog) | |
| Bus 174 (Lacerda/Padhila) | |
| Persona (Bergman) | |
| A Woman is a Woman (Godard) | |
| Strangers on a Train (Hitchcock) | |
| Paul Mazursky | |
| The Bridge on the River Kwai (Lean) | |
| Citizen Kane (Welles) | |
| City Lights (Chaplin) | |
| Dr. Strangelove (Kubrick) | |
| Jules et Jim (Truffaut) | |
| Nights of Cabiria (Fellini) | |
| Psycho (Hitchcock) | |
| Rashomon (Kurosawa) | |
| Sunset Blvd. (Wilder) | |
| The Treasure of the Sierra Madre (Huston) | |
| Jim McBride | |
| Red River (Hawks) | |
| The Leopard (Visconti) | |
| Citizen Kane (Welles) | |
| La Grande Illusion (Renoir) | |
| À bout de souffle (Godard) | |
| Madame de… (Ophuls) | |
| She Wore a Yellow Ribbon (Ford) | |
| Pickpocket (Bresson) | |
| The Lady Eve (P. Sturges) | |
| The Life and Death of Colonel Blimp (Powell, Pressburger) | |
| Sam Mendes | |
| Citizen Kane (Welles) | |
| Fanny and Alexander (Bergman) | |
| The Godfather Part II (Coppola) | |
| The Piano (Campion) | |
| The Red Shoes (Powell, Pressburger) | |
| Sunset Blvd. (Wilder) | |
| 2001: A Space Odyssey (Kubrick) | |
| Taxi Driver (Scorsese) | |
| Vertigo (Hitchcock) | |
| The Wizard of Oz (Fleming) | |
| Nina Menkes | |
| The Adventures of Prince Achmed (Reiniger) | |
| Au Hasard Balthazar (Bresson) | |
| Metropolis (Lang) | |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Akerman) | |
| Shoah (Lanzmann) | |
| Tokyo Story (Ozu) | |
| L’Avventura (Antonioni) | |
| Umberto D (De Sica) | |
| Vagabond (Varda) | |
| Les Enfants Terribles (Melville) | |
| Nicholas Meyer | |
| La Règle du jeu (Renoir) | |
| Citizen Kane (Welles) | |
| The Organiser (Monicelli) | |
| Singin’ in the Rain (Kelly, Donen) | |
| City Lights (Chaplin) | |
| On the Waterfront (Kazan) | |
| The Bridge on the River Kwai (Lean) | |
| Casablanca (Curtiz) | |
| The Godfather and The Godfather Part II (Coppola) | |
| The African Queen (Huston) | |
| Tanvir Mokammel | |
| Battleship Potemkin (Eisenstein) | |
| Metropolis (Lang) | |
| Citizen Kane (Welles) | |
| Bicycle Thieves (De Sica) | |
| Rashomon (Kurosawa) | |
| Spartacus (Kubrick) | |
| Ran (Kurosawa) | |
| The Tin Drum (Schlöndorff) | |
| Apocalypse Now (Coppola) | |
| 2001: A Space Odyssey (Kubrick) | |
| Lukas Moodysson | |
| Bicycle Thieves (De Sica) | |
| Fanny and Alexander (Bergman) | |
| Gummo (Korine) | |
| La Haine (Kassovitz) | |
| The Last Picture Show (Bogdanovich) | |
| The Mirror (Tarkovsky) | |
| On the Waterfront (Kazan) | |
| Riff-Raff (Loach) | |
| Secrets & Lies (Leigh) | |
| Where Is My Friend’s House? (Kiarostami) | |
| Michael Moore | |
| Johnny Got His Gun (Trumbo) | |
| A Clockwork Orange (Kubrick) | |
| Lost in America (Brooks) | |
| Wild Strawberries (Bergman) | |
| Hearts and Minds (Davis) | |
| The Emperor’s Naked Army Marches On (Hara) | |
| This Is Spinal Tap (Reiner) | |
| Shampoo (Ashby) | |
| Crimes and Misdemeanors (Allen) | |
| M (Lang) | |
| Errol Morris | |
| Detour (Ulmer) | |
| There’s Always Tomorrow (Sirk) | |
| Make Way for Tomorrow (McCarey) | |
| A Man Escaped (Bresson) | |
| The Crime of Monsieur Lange (Renoir) | |
| Stray Dog (Kurosawa) | |
| The Rise to Power of Louis XIV (Rossellini) | |
| Human Desire (Lang) | |
| Ace in the Hole (Wilder) | |
| Psycho (Hitchcock) | |
| Paul Morrissey | |
| Gone with the Wind (Fleming) | |
| Richard III (Olivier) | |
| On the Waterfront (Kazan) | |
| How Green Was My Valley (Ford) | |
| Tobacco Road (Ford) | |
| Shane (Stevens) | |
| The Heiress (Wyler) | |
| The Third Man (Reed) | |
| The Nun’s Story (Zinnemann) | |
| La Dolce Vita (Fellini) | |
| Mira Nair | |
| An Angel at My Table (Campion) | |
| The Battle of Algiers (Pontecorvo) | |
| The Decalogue (Kieslowski) | |
| The Double Life of Veronique (Kieslowski) | |
| 8-1/2 (Fellini) | |
| The Godfather (Coppola) | |
| In the Mood for Love (Kar-wai) | |
| La Jetée (Marker) | |
| The Music Room (Ray) | |
| Pyaasa (Dutt) | |
| Raging Bull (Scorsese) | |
| Time of the Gypsies (Kusturica) | |
| Ronald Neame | |
| The African Queen (Huston) | |
| All Quiet on the Western Front (Milestone) | |
| The Apartment (Wilder) | |
| Battleship Potemkin (Eisenstein) | |
| Brief Encounter (Lean) | |
| Citizen Kane (Welles) | |
| E.T. The Extra-Terrestrial (Spielberg) | |
| Gone with the Wind (Fleming) | |
| Lawrence of Arabia (Lean) | |
| Napoléon (Gance) | |
| Jan Nemec | |
| La Strada (Fellini) | |
| Last Year at Marienbad (Resnais) | |
| Hiroshima, Mon Amour (Resnais) | |
| Elevator to the Gallows (Malle) | |
| The Lovers (Malle) | |
| A Man Escaped (Bresson) | |
| Breathless (Godard) | |
| Viridiana (Buñuel) | |
| Code Name Ruby (Nemec) | |
| The Best Years of Our Lives (Wyler) | |
| MIKE NEWELL | |
| The Apartment (Wilder) | |
| Bad Day at Black Rock (J Sturges) | |
| Fanny and Alexander (Bergman) | |
| La Grande Illusion (Renoir) | |
| Kind Hearts and Coronets (Hamer) | |
| Lacombe Lucien (Malle) | |
| The Leopard (Visconti) | |
| My Darling Clementine (Ford) | |
| Notorious (Hitchcock) | |
| War and Peace (Vidor) | |
| Babak Payami | |
| Seven Samurai (Kurosawa) | |
| The White Nights (Visconti) | |
| 2001: A Space Odyssey (Kubrick) | |
| Un Chien andalou (Buñuel) | |
| Last Year at Marienbad (Resnais) | |
| Short Cuts (Altman) | |
| L’avventura (Antonioni) | |
| Still Life (Saless) | |
| Que Viva Mexico! (Eisenstein) | |
| Citizen Kane (Welles) | |
| D. A. Pennebaker | |
| I Know Where I’m Going (Powell/Pressburger) | |
| Nanook of the North (Flaherty) | |
| The Battle of San Pietro (Huston) | |
| La Vie Commence Demain (Vedres) | |
| A Day in the Country (Renoir) | |
| Le Million (Clair) | |
| Stravinsky (Leacock) | |
| Red River (Hawks) | |
| La Chinoise (Godard) | |
| The Band Wagon (Minnelli) | |
| Sydney Pollack | |
| Casablanca (Curtiz) | |
| Citizen Kane (Welles) | |
| The Conformist (Bertolucci) | |
| The Godfather Part II (Coppola) | |
| La Grande Illusion (Renoir) | |
| The Leopard (Visconti) | |
| Once upon a Time in America (Leone) | |
| Raging Bull (Scorsese) | |
| The Seventh Seal (Bergman) | |
| Sunset Blvd. (Wilder) | |
| Alex Proyas | |
| Citizen Kane (Welles) | |
| Dr. Strangelove (Kubrick) | |
| The Exorcist (Friedkin) | |
| The Godfather (Coppola) | |
| It’s a Wonderful Life (Capra) | |
| Lawrence of Arabia (Lean) | |
| North by Northwest (Hitchcock) | |
| One Flew over the Cuckoo’s Nest (Forman) | |
| The Third Man (Reed) | |
| The Wizard of Oz (Fleming) | |
| TIM ROBBINS | |
| The Battle of Algiers (Pontecorvo) | |
| The Clowns (Fellini) | |
| Don’t Look Back (Pennebaker) | |
| The Lower Depths (Kurosawa) | |
| McCabe & Mrs Miller (Altman) | |
| My Man Godfrey (La Cava,) | |
| Nashville (Altman) | |
| Network (Lumet) | |
| Underground (Kusturica) | |
| Waiting for Guffman (Guest) | |
| Alan Rudolph | |
| La dolce vita (Fellini) | |
| Sunrise (Murnau) | |
| La Règle du jeu (Renoir) | |
| McCabe & Mrs. Miller (Altman) | |
| Ikiru (Kurosawa) | |
| Persona (Bergman) | |
| Dr. Strangelove (Kubrick) | |
| Citizen Kane (Welles) | |
| La Nuit américaine (Truffaut) | |
| Block-Heads (Blystone) | |
| Philip Saville | |
| Alphaville (Godard) | |
| Citizen Kane (Welles) | |
| Don’t Look Now (Roeg) | |
| Les Enfants du paradis (Carné) | |
| The Matrix (Wachowskis) | |
| Seven Samurai (Kurosawa) | |
| Some Like It Hot (Wilder) | |
| Spartacus (Kubrick) | |
| Viridiana (Buñuel) | |
| The Wizard of Oz (Fleming) | |
| John Sayles | |
| Yojimbo (Kurosawa) | |
| Seven Samurai (Kurosawa) | |
| Sawdust and Tinsel (Bergman) | |
| The Magnificent Seven (Sturges) | |
| Two Women (De Sica) | |
| The Organizer (Monicelli) | |
| The Taxing Woman (Itami) | |
| The Third Man (Reed) | |
| The Treasure of the Sierra Madre (Huston) | |
| The Wages of Fear (Clouzot) | |
| Paul Schrader | |
| La Règle du jeu (Renoir) | |
| Tokyo Story (Ozu) | |
| Pickpocket (Bresson) | |
| Citizen Kane (Welles) | |
| The Lady Eve (P. Sturges) | |
| La Belle et la Bête (Cocteau) | |
| The Conformist (Bertolucci) | |
| Vertigo (Hitchcock) | |
| The Searchers (Ford) | |
| The Wild Bunch (Peckinpah) | |
| Barbet Schroeder | |
| Anatomy of a Murder (Preminger) | |
| Bigger Than Life (N. Ray) | |
| The Big Heat (Lang) | |
| Europa ’51 (Rossellini) | |
| A Geisha (Mizoguchi) | |
| Late Spring (Ozu) | |
| Ordet (Dreyer) | |
| Rio Bravo (Hawks) | |
| Sunrise (Murnau) | |
| Vertigo (Hitchcock) | |
| David Siegel | |
| Badlands (Malick) | |
| La Belle et la Bête (Cocteau) | |
| Citizen Kane (Welles) | |
| Crimes and Misdemeanors (Allen) | |
| Full Metal Jacket (Kubrick) | |
| The Godfather Part II (Coppola) | |
| High and Low (Kurosawa) | |
| A Matter of Life and Death (Powell, Pressburger) | |
| A Place in the Sun (Stevens) | |
| Rear Window (Hitchcock) | |
| Iain Softley | |
| Casablanca (Curtiz) | |
| Citizen Kane (Welles) | |
| The Godfather (Coppola) | |
| 2001: A Space Odyssey (Kubrick) | |
| Don’t Look Now (Roeg) | |
| Apocalypse Now (Coppola) | |
| Chinatown (Polanski) | |
| Lawrence of Arabia (Lean) | |
| Psycho (Hitchcock) | |
| Sunset Blvd. (Wilder) | |
| QUENTIN TARANTINO | |
| The Good, the Bad and the Ugly (Leone) | |
| Rio Bravo (Hawks) | |
| Taxi Driver (Scorsese) | |
| His Girl Friday (Hawks) | |
| Rolling Thunder (Flynn) | |
| They All Laughed (Bogdanovich) | |
| The Great Escape (J Sturges) | |
| Carrie (De Palma) | |
| Coffy (Hill) | |
| Five Fingers of Death (Chang) | |
| Andrei Tarkovsky | |
| Le Journal d’un curé de campagne (Bresson) | |
| Winter Light (Bergman) | |
| Nazarin (Bunuel) | |
| Wild Strawberries (Bergman) | |
| City Lights (Chaplin) | |
| Ugetsu Monogatari (Mizoguchi) | |
| Seven Samurai (Kurosawa) | |
| Persona (Bergman) | |
| Mouchette (Bresson) | |
| Woman of the Dunes (Teshigahara) | |
| Liv Ullmann (6) | |
| Limelight (Chaplin) | |
| Miracle in Milan (De Sica) | |
| Umberto D (De Sica) | |
| La Strada (Fellini) | |
| The Seventh Seal (Bergman) | |
| The Firemen’s Ball (Forman) | |
| Jaco Van Dormael | |
| Mirror (Tarkovsky) | |
| Amarcord (Fellini) | |
| Rachel, Rachel (Newman) | |
| Andrei Roublev (Tarkovsky) | |
| Citizen Kane (Welles) | |
| Providence (Resnais) | |
| Wild Strawberries (Bergman) | |
| Intolerance (Griffith) | |
| Modern Times (Chaplin) | |
| Alice in the Cities (Wenders) | |
| Gore Verbinski | |
| Chinatown (Polanski) | |
| The Conversation (Coppola) | |
| Dr. Strangelove (Kubrick) | |
| The Good, the Bad and the Ugly (Leone) | |
| McCabe & Mrs. Miller (Altman) | |
| The Night of the Hunter (Laughton) | |
| The Sacrifice (Tarkovsky) | |
| The Servant (Losey) | |
| The Tenant (Polanski) | |
| The Wages of Fear (Clouzot) | |
| Paul Verhoeven | |
| La Dolce Vita (Fellini) | |
| Ivan the Terrible, Part II (Eisenstein) | |
| Lawrence of Arabia (Lean) | |
| Rashomon (Kurosawa) | |
| Vertigo (Hitchcock) | |
| The Seventh Seal (Bergman) | |
| La Règle du Jeu (Renoir) | |
| Metropolis (Lang) | |
| Los Olvidados (Buñuel) | |
| Some Like It Hot (Wilder) | |
| Wayne Wang | |
| Sweet Movie (Makavejev) | |
| All About Eve (Mankiewicz) | |
| Tokyo Story (Ozu) | |
| Le Gai Savoir (Godard) | |
| The Kid (Chaplin) | |
| 2001: A Space Odyssey (Kubrick) | |
| The Wild Bunch (Peckinpah) | |
| Jules and Jim (Truffaut) | |
| To Live (Yimou) | |
| Sunset Boulevard (Wilder) | |
| John Waters | |
| All That Heaven Allows (Sirk) | |
| Baby Doll (Kazan) | |
| Boom! (Losey) | |
| Brink of Life (Bergman) | |
| Chelsea Girls (Warhol) | |
| 8-1/2 (Fellini) | |
| Faster, Pussycat! Kill! Kill! (Meyer) | |
| The Mother and the Whore (Eustache) | |
| The Tingler (Castle) | |
| The Wizard of Oz (Fleming) | |
| John Woo | |
| Citizen Kane (Welles) | |
| The Wild Bunch (Peckinpah) | |
| 2001: A Space Odyssey (Kubrick) | |
| The Godfather Part II (Coppola) | |
| Le Samouraï (Melville) | |
| Seven Samurai (Kurosawa) | |
| Lawrence of Arabia (Lean) | |
| West Side Story (Wise/Robbins) | |
| Raging Bull (Scorsese) | |
| Mean Streets (Scorsese) | |
| Geoffrey Wright | |
| Citizen Kane (Welles) | |
| Lawrence of Arabia (Lean) | |
| The Godfather (Coppola) | |
| The Godfather Part II (Coppola) | |
| Apocalypse Now (Coppola) | |
| Stray Dog (Kurosawa) | |
| Taxi Driver (Scorsese) | |
| Psycho (Hitchcock) | |
| The Exorcist (Friedkin) | |
| Jaws (Spielberg) | |
| Jud Yalkut | |
| The Trial (Welles) | |
| Samsara (Belson) | |
| Dog Star Man (Brakhage) | |
| Paris Belongs to Us (Rivette) | |
| Emak Bakia (Ray) | |
| L’Avventura (Antonioni) | |
| Alphaville (Godard) | |
| Heaven and Earth Magic (Smith) | |
| Lapis (Whitney) | |
| Last Year at Marienbad (Resnais) | |
| Caveh Zahedi | |
| My Life to Live (Godard) | |
| Unsere Afrikareise (Kubelka) | |
| Report (Conner) | |
| Andrei Rublev (Tarkovsky) | |
| Freaks (Browning) | |
| Family Life (Loach) | |
| The Passion of Anna (Bergman) | |
| The Man Who Left His Will on Film (Oshima) | |
| Blue Velvet (Lynch) | |
| Husbands (Cassavetes) | |
| David Fincher | |
| Monty Python’s The Holy Grail (Terry Jones) | |
| Butch Cassidy and the Sundance Kid | |
| Chinatown (Polanski) | |
| Dr. Strangelove (Kubrick) | |
| Godfather 2 (Coppola) | |
| Taxi Driver (Scorsese) | |
| Being There | |
| All That Jazz | |
| Alien (Ridley Scott) | |
| Rear Window (Hitchcock) | |
| Zelig | |
| Cabaret | |
| Paper Moon | |
| Jaws (Spielberg) | |
| Lawrence of Arabia (Lean) | |
| All the Presidents Men | |
| 8 1/2 (Fellini) | |
| Citizen Kane (Welles) | |
| Days of Heaven (Malick) | |
| Animal House | |
| Road Warrior (Miller) | |
| Year of Living Dangerously | |
| American Graffiti | |
| Terminator (Cameron) | |
| The Exorcist (Friedkin) | |
| The Graduate | |
| Sofia Coppola | |
| The Last Picture Show | |
| Tootsie | |
| Chris Rock – Never Scared | |
| Heartbreak Kid | |
| Let the Right One In | |
| James Gray | |
| Rocco and His Brothers | |
| The 400 Blows | |
| Singin’ In The Rain | |
| The Godfather/The Godfather Part Two | |
| Tokyo Story | |
| Wes Anderson | |
| Terror’s Advocate | |
| Neon Genesis Evangelion | |
| From the Life of Marionettes | |
| Life Lessons | |
| Missing – Costa-Gavras | |
| Krzysztof Kieslowski | |
| 1-La Strada (1954, Federico Fellini) | |
| 2.Kes (1969, Ken Loach) | |
| 3.A Man Escaped (1956, Robert Bresson) | |
| 4.The 400 Blows (1959, Francois Truffaut) | |
| 5.Citizen Kane (1941, Orson Welles) | |
| 6.The Kid (1921, Charles Chaplin) | |
| 7.Ivan’s Childhood (1962, Andrei Tarkovsky) | |
| 8.Musicians (1969, Mikheil Kobakhidze) | |
| 9.The Pram (1963, Bo Widerberg) | |
| 10.Intimiate Lighting (1965, Ivan Passer) | |
| Takeshi Kitano | |
| 1.Children of Paradise (1945, Marcel Carne) | |
| 2.2001: A Space Odyssey (1968, Stanley Kubrick) | |
| 3.A Clockwork Orange (1971, Stanley Kubrick) | |
| 4.Seven Samurai (1954, Akira Kurosawa) | |
| 5.To Live and Die in L.A. (1985, William Friedkin) | |
| 6.Wild at Heart (1990, David Lynch) | |
| 7.Bring Me the Head of Alfredo Garcia (1974, Sam Peckinpah) | |
| 8.Darkman (1990, Sam Raimi) | |
| 9.Crazy Thunder Road (1980, Sogo Ishii) | |
| 10.The Railroad Man (1956, Pietro Germi) | |
| Fassbinder | |
| La caduta degli dei (1969, Luchino Visconti) | |
| Salò o le 120 giornate di Sodoma (1975, Pier Paolo Pasolini) | |
| Gentlemen Prefer Blondes (1953, Howard Hawks) | |
| Viridiana (1961, Luis Buñuel) | |
| Le diable probablement (1977, Robert Bresson) | |
| Vivre sa vie (1962, Jean-Luc Godard) |
Sign up for free
to join this conversation on GitHub.
Already have an account?
Sign in to comment