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| <title>Cycling 74</title> | |
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| <link>http://cycling74.com</link> | |
| <description>Tools for Media</description> | |
| <lastBuildDate>Tue, 14 May 2013 19:02:42 +0000</lastBuildDate> | |
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| Scale Finder & Common Notes Finder – Package for Education | |
| </title> | |
| <link> | |
| http://cycling74.com/toolbox/scale-finder-common-notes-finder-package-for-education/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/toolbox/scale-finder-common-notes-finder-package-for-education/#comments | |
| </comments> | |
| <pubDate>Tue, 14 May 2013 16:29:07 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23852</guid> | |
| <description> | |
| <![CDATA[ | |
| Two simple apps for Mac that I made for my students to find notes of a scale or find common notes between two scales. First steps for the algorithmic composition with Max/MSP. :) Scale Finder: App that helps you to find notes of every scale you want. Common Notes Finder: App that helps you find [...] | |
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| <p>Two simple apps for Mac that I made for my students to find notes of a scale or find common notes between two scales. First steps for the algorithmic composition with Max/MSP. :)</p> <p>Scale Finder: App that helps you to find notes of every scale you want.<br /> Common Notes Finder: App that helps you find common notes between two scale. Useful when you try to find two similar scales for modulation, without many knowledges of music harmony.</p> <p>Download it from my website, in “Programming” Section. ;)</p> | |
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| </item> | |
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| <title>The Spectrum Sampler</title> | |
| <link>http://cycling74.com/project/the-spectrum-sampler/</link> | |
| <comments> | |
| http://cycling74.com/project/the-spectrum-sampler/#comments | |
| </comments> | |
| <pubDate>Mon, 13 May 2013 18:38:53 +0000</pubDate> | |
| <dc:creator>Maurizio Giri</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=182832</guid> | |
| <description> | |
| <![CDATA[ | |
| What is it? Spectrum Sampler is a Max for Live device which samples and holds spectral components of the incoming signal. It can create inharmonic resonances, artifacts, dusty noises, drones, gliding sounds: a wide palette of amazing noises. How does it sound? Check this video: http://www.youtube.com/watch?feature=player_detailpage&v=wcRhoiqziaI Which kind of plug-in is it? It is a [...] | |
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| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/472688363-SpectrumSampler.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="290"><param name="movie" value="http://www.youtube.com/v/wcRhoiqziaI&hl=en_US&fs=1"></param><param | |
| ]]> | |
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| name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/wcRhoiqziaI&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="358" height="290"></embed></object></p><p><strong>What is it?</strong><br /> Spectrum Sampler is a Max for Live device which samples and holds spectral components of the incoming signal. It can create inharmonic resonances, artifacts, dusty noises, drones, gliding sounds: a wide palette of amazing noises.</p> <p><strong>How does it sound?</strong><br /> Check this video: http://www.youtube.com/watch?feature=player_detailpage&v=wcRhoiqziaI</p> <p><strong>Which kind of plug-in is it?</strong><br /> It is a Max for Live device. It runs in Ableton Live, and it is compatible with Live 8 and 9 and Max 5 and 6.</p> <p><strong>Cool! Is it Mac/Windows compatible?</strong><br /> Yes, it is compatible with both Mac and Windows (provided you have Ableton Live 8/9 and Max for Live installed on your computer).</p> | |
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| </item> | |
| <item> | |
| <title> | |
| An Interview with Tarik Barri on Tour with Monolake | |
| </title> | |
| <link> | |
| http://cycling74.com/2013/05/13/an-interview-with-tarik-barri-on-tour-with-monolake/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/2013/05/13/an-interview-with-tarik-barri-on-tour-with-monolake/#comments | |
| </comments> | |
| <pubDate>Mon, 13 May 2013 16:36:21 +0000</pubDate> | |
| <dc:creator>Les Stuck</dc:creator> | |
| <category> | |
| <![CDATA[ articles ]]> | |
| </category> | |
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| <![CDATA[ interview ]]> | |
| </category> | |
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| <![CDATA[ live ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ performance ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ tour ]]> | |
| </category> | |
| <guid isPermaLink="false">http://cycling74.com/?p=23834</guid> | |
| <description> | |
| <![CDATA[ | |
| Tarik Barri discusses his visual work with Monolake and more. | |
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| </description> | |
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| <blockquote><p>[Max] has been a gateway for me to other languages. [It] allowed me to smoothly get into Java. Max is like always a home. And from home, I could sometimes make these ventures into other languages and still always feel that I had solid ground underneath my feet.</p></blockquote> <p><iframe width="560" height="315" src="http://www.youtube.com/embed/q-9LFup8r_g?rel=0" frameborder="0" allowfullscreen></iframe></p> | |
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| <title>Buffer Shuffler 2.0 Video Series</title> | |
| <link> | |
| http://cycling74.com/2013/05/10/buffer-shuffler-2-0-video-series/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/2013/05/10/buffer-shuffler-2-0-video-series/#comments | |
| </comments> | |
| <pubDate>Fri, 10 May 2013 19:52:19 +0000</pubDate> | |
| <dc:creator>Cycling '74</dc:creator> | |
| <category> | |
| <![CDATA[ articles ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ tutorials ]]> | |
| </category> | |
| <guid isPermaLink="false">http://cycling74.com/?p=23856</guid> | |
| <description> | |
| <![CDATA[ Get to know the Max for Live Buffer Shuffler 2.0. ]]> | |
| </description> | |
| <content:encoded> | |
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| <p>Get to know the Max for Live <strong>Buffer Shuffler 2.0</strong> – a flexible live sampling and sequencing effect – in this series of tutorial videos on the Max Wiki. <a href="/wiki/index.php?title=Using_Max_for_Live_Devices:_Buffer_Shuffler_2.0_Ep01" target="_blank">Watch all three episodes</a> to learn everything you need to scramble your beats and slice up your tracks.<br /> <a href="/wiki/index.php?title=Using_Max_for_Live_Devices:_Buffer_Shuffler_2.0_Ep01" target="_blank"><img src="http://1cyjknyddcx62agyb002-web-assets.s3.amazonaws.com/c74blog/BufferShuffler.png" /></a></p> <p><a href="/wiki/">Visit the Max Wiki</a> for other useful C74 and User-created resources, where you can also add your own.</p> | |
| ]]> | |
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| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Emotional Piano</title> | |
| <link>http://cycling74.com/project/emotional-piano/</link> | |
| <comments> | |
| http://cycling74.com/project/emotional-piano/#comments | |
| </comments> | |
| <pubDate>Thu, 09 May 2013 14:46:37 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23836</guid> | |
| <description> | |
| <![CDATA[ | |
| Hello everyone! :) This is the patch I use every time I play the piano, it is my second instrument. I created this patch because I love the sound of films. I tried to recreate the same ambient in real-time, without other musicians. Only me and my computer, a simple patch that works alone, without [...] | |
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| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/801305324-EmotionalPiano.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param n | |
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| ame="movie" value="http://vimeo.com/moogaloop.swf?clip_id=64354069&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=64354069&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Hello everyone! :)<br /> This is the patch I use every time I play the piano, it is my second instrument. I created this patch because I love the sound of films. I tried to recreate the same ambient in real-time, without other musicians. Only me and my computer, a simple patch that works alone, without parameters. The only parameters you can set are volumes, different from stage to stage.<br /> The algorithm to process the piano is similar to my <a href="http://cycling74.com/project/m4l-real-time-texture-lite-version/" target="_blank">M4L Real-Time Texture Lite Version</a>, but more complex, for example the harmonization of textures.<br /> Some month ago I bought this <a href="http://www.tecontrol.se/index_files/USBMIDIBreathController.htm" target="_blank">Breath Controller</a>, my “third hand” when I play. I use it to create a distorted dynamic of processed audio.<br /> I usually play always the piano to process the texture, but it’s interesting create textures also with guitars or sounds with big sustain.<br /> In the project video you can ear an improvisation and see an A/V project using Emotional Piano and <a href="http://cycling74.com/project/emotional-waves/" target="_blank">Emotional Waves</a>.</p> <p>I hope you enjoy it, this A/V is all of me and my idea of music and visual. ;)</p> | |
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| <slash:comments>3</slash:comments> | |
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| <item> | |
| <title>Trinity</title> | |
| <link>http://cycling74.com/project/trinity/</link> | |
| <comments>http://cycling74.com/project/trinity/#comments</comments> | |
| <pubDate>Tue, 07 May 2013 14:43:17 +0000</pubDate> | |
| <dc:creator>carsol</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23826</guid> | |
| <description> | |
| <![CDATA[ | |
| Trinity is an audiovisual interactive dance piece which tells the journey of a body going through different states of perception of the space. Through movement, the body is immersed in an environment of textures and audiovisual landscapes that not only accompany but will push to a transformation process. A transformation process achieved through the close [...] | |
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| </description> | |
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| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/251890680-1.jpg" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" v | |
| ]]> | |
| <![CDATA[ | |
| alue="http://vimeo.com/moogaloop.swf?clip_id=64894353&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=64894353&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Trinity is an audiovisual interactive dance piece which tells the journey of a body going through different states of perception of the space. Through movement, the body is immersed in an environment of textures and audiovisual landscapes that not only accompany but will push to a transformation process. </p> <p>A transformation process achieved through the close link between the triad of movement, light and sound shaping a language that allows the expression of these elements in space, while causing profound changes in physical behavior to the body through the reverberation and echoes of its own actions.</p> <p>The project focuses on working with the following parameters and qualities of movement: forces and directions, acceleration, position, speed and body area.</p> <p>Its design has taken into account mainly the following aspects:</p> <p>- Not to delimit the free movement of the performer.<br /> - Obtain a clear and effective audio-visual system response.<br /> - The three elements (movement, sound and visuals) must interact with each other.<br /> - Dont saturate the interpreter or the viewer even with the high levels of interaction.</p> <p>The interaction system works through a videocamera installed at top of the stage under infrared lighting.</p> | |
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| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/project/trinity/feed/</wfw:commentRss> | |
| <slash:comments>13</slash:comments> | |
| </item> | |
| <item> | |
| <title>Sine Waves Orchestra</title> | |
| <link>http://cycling74.com/project/sine-waves-orchestra/</link> | |
| <comments> | |
| http://cycling74.com/project/sine-waves-orchestra/#comments | |
| </comments> | |
| <pubDate>Mon, 06 May 2013 16:57:20 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23813</guid> | |
| <description> | |
| <![CDATA[ | |
| Sine Waves Orchestra is a generative software made entirely with Max/MSP 6 that creates ambient and relax music only with sinusoids. It has five voices, with a probabilistic algorithm to select the note in a selected scale. There is also and ADSR to control the envelope of sinusoids, to create different improvisations, like for example [...] | |
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| </description> | |
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| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/312083832-SineWavesOrchestra.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><par | |
| ]]> | |
| <![CDATA[ | |
| am name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=65505575&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=65505575&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Sine Waves Orchestra is a generative software made entirely with Max/MSP 6 that creates ambient and relax music only with sinusoids. It has five voices, with a probabilistic algorithm to select the note in a selected scale. There is also and ADSR to control the envelope of sinusoids, to create different improvisations, like for example percussive or ambient compositions. This is a video demonstration in Re Min.<br /> <a href="https://soundcloud.com/robertoattanasio/sets/sine-waves-orchestra" target="_blank">Click Here</a> if you want to listen other compositions.</p> <p>And what can I do with this patch? For example use it in particular art galleries or make an improvisation with a real piano looking to the notes played in real-time by the software.</p> <p>So stay tuned, Relax and Enjoy :)</p> | |
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| <item> | |
| <title> | |
| Exporting Gen~ to an Audio Unit Plugin with Designing Sound | |
| </title> | |
| <link> | |
| http://cycling74.com/2013/05/03/exporting-gen-to-an-audio-unit-plugin-with-designing-sound/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/2013/05/03/exporting-gen-to-an-audio-unit-plugin-with-designing-sound/#comments | |
| </comments> | |
| <pubDate>Fri, 03 May 2013 14:50:54 +0000</pubDate> | |
| <dc:creator>Andrew Benson</dc:creator> | |
| <category> | |
| <![CDATA[ blog ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ company ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ code export ]]> | |
| </category> | |
| <category> | |
| <![CDATA[ gen ]]> | |
| </category> | |
| <guid isPermaLink="false">http://cycling74.com/?p=23794</guid> | |
| <description> | |
| <![CDATA[ | |
| The new (beta) Code Export feature of Gen has only been around for about a month, and is still sparsely documented, but that didn’t stop Varun Nair at the Designing Sound blog from digging in and trying it out. The tutorial goes through the process of creating and exporting a tremolo effect with Gen and [...] | |
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| <![CDATA[ | |
| <p><img src="http://designingsound.org/wp-content/uploads/2013/04/tremStereo.png" /><br /> The new (beta) Code Export feature of Gen has only been around for about a month, and is still <a href="http://cycling74.com/wiki/index.php?title=Gen_Code_Export_AU">sparsely documented</a>, but that didn̵ | |
| ]]> | |
| <![CDATA[ | |
| 7;t stop Varun Nair at the <a href="http://designingsound.org/">Designing Sound</a> blog from digging in and trying it out. <a href = "http://designingsound.org/2013/04/a-tremolo-au-plugin-with-max/">The tutorial</a> goes through the process of creating and exporting a tremolo effect with Gen and then building the code into an Audio Unit plugin. It’s great to see such a clear and well-written tutorial.</p> <p><iframe src="http://player.vimeo.com/video/65188539?byline=0&portrait=0&color=ff000d" width="550" height="270" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p> <p>Varun also gives a nice and simple overview of getting started with the Gen environment in Max. We look forward to seeing more experiments in this area, and are really excited about what people will do with Code Export. Have any experiences to share? Let us know in the comments.</p> | |
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| </item> | |
| <item> | |
| <title>M4L Real-Time Texture Lite Version 1.1</title> | |
| <link> | |
| http://cycling74.com/project/m4l-real-time-texture-lite-version/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/project/m4l-real-time-texture-lite-version/#comments | |
| </comments> | |
| <pubDate>Wed, 01 May 2013 15:30:26 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23784</guid> | |
| <description> | |
| <![CDATA[ | |
| M4L Real-Time Texture Lite Version 1.1 Max 4 Live Device. It creates a real granular texture only with the sounds of your project. You don’t have to search anymore to ambient sounds. Now you can create a texture also with recorded sounds in Real Time. Useful for example for cinema music. You can also use [...] | |
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| </description> | |
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| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/964717792-M4LRealTimeTextureLiteVersion.jpg" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=65223428&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=65223428&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>M4L Real-Time Texture Lite Version 1.1</p> <p>Max 4 Live Device. It creates a real granular texture only with the sounds of your project. You don’t have to search anymore to ambient sounds. Now you can create a texture also with recorded sounds in Real Time. Useful for example for cinema music. You can also use other effects after this device to create a very unique ambient texture.</p> <p>Music used for demonstration : Nils Frahm – Tristana</p> <p>Bux Fix in 1.1:</p> <p>- Now it work also with Max 5;<br /> - Render didn’t works, now it is possible to bounce tracks with this effect.</p> <p>Go to my website in “programming” section to find the download link.</p> <p>Enjoy it ;)</p> | |
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| <item> | |
| <title>VIZZable2</title> | |
| <link>http://cycling74.com/toolbox/vizzable2/</link> | |
| <comments>http://cycling74.com/toolbox/vizzable2/#comments</comments> | |
| <pubDate>Mon, 29 Apr 2013 23:56:07 +0000</pubDate> | |
| <dc:creator>zeal</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23746</guid> | |
| <description> | |
| <![CDATA[ | |
| VIZZable is a suite of video performance plugins for Ableton Live. Version 2 is completely rewritten to to take advantage of the new new features of Max 6.1, specifically Gen. This means all the effects run on the GPU, are really fast and are infact much faster than the standard VIZZIE modules in Max. There [...] | |
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| <p>VIZZable is a suite of video performance plugins for Ableton Live. Version 2 is completely rewritten to to take advantage of the new new features of Max 6.1, specifically Gen. This means all the effects run on the GPU, are really fast and are infact much faster than the standard VIZZIE modules in | |
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| Max. There is a template included to build your own gen-based effects.</p> <p><a href="http://zealousy.com/2013/04/vizzable-2/">Get VIZZable 2.0.4b here.</a></p> <p>Note to syphon users. Due to a bug in Max, I’m not able to bake syphon into these devices. If you’d like to harness syphon, you can by downloading and installing the syphon plugins for Max from here: <a href="http://syphon.v002.info/">http://syphon.v002.info/</a> and using the unfrozen VIEWR and SYPHR devices in the syphonplugs folder included in the VIZZable zip.</p> <p><a href="http://zealousy.com/wp-content/uploads/2013/04/VIZZable2.png"><img alt="VIZZable2" src="http://zealousy.com/wp-content/uploads/2013/04/VIZZable2-300x187.png" width="300" height="187" /></a></p> <p>Join our video in max for live users group <a href="http://groups.google.com/group/jitterinmax4live-">here</a>.</p> | |
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| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/toolbox/vizzable2/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>The Harmonic Lattice</title> | |
| <link>http://cycling74.com/project/the-harmonic-lattice/</link> | |
| <comments> | |
| http://cycling74.com/project/the-harmonic-lattice/#comments | |
| </comments> | |
| <pubDate>Mon, 29 Apr 2013 15:00:28 +0000</pubDate> | |
| <dc:creator>adamklec</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23727</guid> | |
| <description> | |
| <![CDATA[ | |
| I made an interactive visualization of some of the ideas discussed in Harmonic Experience (HE) by W.A. Mathieu. One of the central ideas of HE is that musical notes are related to one another by intervals contained in the harmonic series. The perfect fifth and the major third are the first two non-octave notes in [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/607511688-lattice.jpg" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="290"><param name="movie" value="http://www.youtube.com/v/0yhXTrTotCs&hl=en_US&fs=1"></param><param name="a | |
| ]]> | |
| <![CDATA[ | |
| llowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/0yhXTrTotCs&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="358" height="290"></embed></object></p><p>I made an interactive visualization of some of the ideas discussed in Harmonic Experience (HE) by W.A. Mathieu. One of the central ideas of HE is that musical notes are related to one another by intervals contained in the harmonic series. The perfect fifth and the major third are the first two non-octave notes in the harmonic series and can be used to create a two dimensional lattice of notes. If you are interested in the details of the lattice I highly recommend reading HE but here are a few key points that will help to explain the video.</p> <p>1. Two adjacent notes that lie on a horizontal line are separated by a perfect fifth. Left/right motion is like moving around the “circle of fifths”.</p> <p>2. Two adjacent notes that lie along the up and rightward sloping lines have an interval of a major third.</p> <p>3. Upward pointing triangles form major triads; downward pointing triads form minor triads.</p> <p>I used Jitter to create a visualization of thelattice, MSP to synthesize the sound, and Max just about everywhere.</p> <p>This program can operate in two modes. The first allows the user to explore and interact with the lattice by clicking on notes and chords. When a note is clicked, it lights up and a circle appears around it. The circle represents a “voice”. As additional notes are turned on, new voices appear. When a new chord is clicked an algorithm written in JavaScript calculates the “best” voice leading that transforms the old chord into the new chord. The circles on the lattice then move to the notes of the new chord according to the calculated voice leading.</p> <p>In the second mode the program steps through a midi file and lights up corresponding notes on the lattice. This is not as simple as it sounds because theoretically the lattice is infinite so for any note listed in a midi file there are many possible notes to choose from (i.e. comma siblings). A second JavaScript algorithm uses a number of heuristics to decide which notes on the lattice are to be activated. If the midi file contains multiple instruments or voices separated into different channels a circle appears around the note that each voice activates. When a voice changes pitch its circle moves accordingly.</p> | |
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| </content:encoded> | |
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| http://cycling74.com/project/the-harmonic-lattice/feed/ | |
| </wfw:commentRss> | |
| <slash:comments>3</slash:comments> | |
| </item> | |
| <item> | |
| <title>Max Package Downloader</title> | |
| <link> | |
| http://cycling74.com/toolbox/max-package-downloader/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/toolbox/max-package-downloader/#comments | |
| </comments> | |
| <pubDate>Fri, 26 Apr 2013 20:28:38 +0000</pubDate> | |
| <dc:creator>Nat</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23737</guid> | |
| <description> | |
| <![CDATA[ | |
| The Max Package Downloader is a tool I wrote following a discussion started by Tim Bone on the Cycling ’74 forums about Max package management. With the new package functionality in Max 6.1, it becomes much easier to distribute packages. The idea of the Package downloader is to provide a quick and dynamic way to download packages [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p>The Max Package Downloader is a tool I wrote following a <a href="http://cycling74.com/forums/topic.php?id=46239">discussion</a> started by Tim Bone on the Cycling ’74 forums about Max package management. With the new package functionality in Max 6.1, it becomes much easier to distribute packages. The idea of the Package downloader is to provide a quick and dynamic way to download packages from within Max. New packages are added to a json file in this repository and the tool automatically fetches this list unload meaning it will always be up to date.</p> | |
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| </content:encoded> | |
| <wfw:commentRss> | |
| http://cycling74.com/toolbox/max-package-downloader/feed/ | |
| </wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Live Clarinet Processing</title> | |
| <link> | |
| http://cycling74.com/project/live-clarinet-processing/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/project/live-clarinet-processing/#comments | |
| </comments> | |
| <pubDate>Thu, 25 Apr 2013 17:36:01 +0000</pubDate> | |
| <dc:creator>Sean</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23729</guid> | |
| <description> | |
| <![CDATA[ | |
| A fundamental musical aim of this project is to create an electronic mirror of the instrument. Every programming decision has been guided by the aim to play with or complement, the conception of the woodwind sound. In this sense, non-summative rhythms, non-pitched material, alternative tuning systems, air and warmth all have a place within the electronic [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/767114006-PearlSung.tiff" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="290"><param name="movie" value="http://www.youtube.com/v/IAH6cQMiAkM&feature&hl=en_US&fs=1"></param><pa | |
| ]]> | |
| <![CDATA[ | |
| ram name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/IAH6cQMiAkM&feature&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="358" height="290"></embed></object></p><p>A fundamental musical aim of this project is to create an electronic mirror of the instrument. Every programming decision has been guided by the aim to play with or complement, the conception of the woodwind sound. In this sense, non-summative rhythms, non-pitched material, alternative tuning systems, air and warmth all have a place within the electronic mirror of the instrument.</p> <p>This project is the culmination of three year’s PhD research into redesigning a performance practice through the addition of interactive software technology. All performances are freely improvised. The visuals are an improvised response to the unfolding music.</p> <p>The patch, built entirely in Max 6, uses a number of delays, spectral delays, sampling and interactive processes and is controlled by Livid Code and KMI Softstep.</p> <p>Seán Mac Erlaine – clarinet, programming.</p> <p>Donal Dineen – live visuals.</p> | |
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| </content:encoded> | |
| <wfw:commentRss> | |
| http://cycling74.com/project/live-clarinet-processing/feed/ | |
| </wfw:commentRss> | |
| <slash:comments>2</slash:comments> | |
| </item> | |
| <item> | |
| <title>Emotional Waves</title> | |
| <link>http://cycling74.com/project/emotional-waves/</link> | |
| <comments> | |
| http://cycling74.com/project/emotional-waves/#comments | |
| </comments> | |
| <pubDate>Wed, 24 Apr 2013 16:41:48 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23709</guid> | |
| <description> | |
| <![CDATA[ | |
| Emotional Waves is a software to create a different representation of the sound. In fact I use this to create my visuals in live or in studio. The concept is very simple, I try to use few parameters and colors to create the emotion of the music, created with another software I made. I’m principally [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/733943648-Schermata042456403alle14.20.17.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="al | |
| ]]> | |
| <![CDATA[ | |
| ways" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=64635897&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=64635897&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Emotional Waves is a software to create a different representation of the sound. In fact I use this to create my visuals in live or in studio. The concept is very simple, I try to use few parameters and colors to create the emotion of the music, created with another software I made. I’m principally a Sound Designer, so I want an accompanying video that creates the emotions that I want from the music.</p> <p>Enjoy ;)</p> | |
| ]]> | |
| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/project/emotional-waves/feed/</wfw:commentRss> | |
| <slash:comments>1</slash:comments> | |
| </item> | |
| <item> | |
| <title>loci – 3D Printed Sculptures of Your Flights</title> | |
| <link> | |
| http://cycling74.com/project/loci-3d-printed-sculptures-of-your-flights/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/project/loci-3d-printed-sculptures-of-your-flights/#comments | |
| </comments> | |
| <pubDate>Tue, 23 Apr 2013 15:06:05 +0000</pubDate> | |
| <dc:creator>Andrew Spitz</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23695</guid> | |
| <description> | |
| <![CDATA[ | |
| Each loci is a unique 3D printed sculpture bespoke to someone’s flights spurring recollection, reflection and conversation about their travels. Through custom software built in Max/MSP, the user is able to select specific flights that matter to them, such as a honey moon, a summer vacation through Europe or all of their flights from a given year. To [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/352806562-LociCoverSmall.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=64390930&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=64390930&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Each <strong>loci</strong> is a unique 3D printed sculpture bespoke to someone’s flights spurring recollection, reflection and conversation about their travels.</p> <p>Through custom software built in <a href="http://cycling74.com/products/max/">Max/MSP</a>, the user is able to select specific flights that matter to them, such as a honey moon, a summer vacation through Europe or all of their flights from a given year. To ease this process, the user can connect to Tripit or Foursquare and import their past flight data automatically.</p> <p>Each <strong>loci</strong> comes with a card highlighting on a map all the airports flown to. The sculpture can be placed on this card to help visualize their travels. Additional information is displayed on the card, such as the title chosen by the user, the total distance travelled, the number of airports visited, and the number of flights taken.</p> <p>The software generates a file suitable for 3D printing, so that the user can either print it themselves or use a service like <a href="http://www.shapeways.com/">Shapeways</a> that prints for them.</p> <p>Big thanks to <a href="http://www.sterlingcrispin.com/">Sterling Crispin</a> for helping me figure out some programming issues I had. And of course everyone that helped me along the way, especially here on the C74 forum!</p> <p>More info here: http://www.soundplusdesign.com/?p=5691</p> <p> </p> | |
| ]]> | |
| </content:encoded> | |
| <wfw:commentRss> | |
| http://cycling74.com/project/loci-3d-printed-sculptures-of-your-flights/feed/ | |
| </wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Ninja Jamm</title> | |
| <link>http://cycling74.com/project/ninja-jamm/</link> | |
| <comments>http://cycling74.com/project/ninja-jamm/#comments</comments> | |
| <pubDate>Mon, 22 Apr 2013 14:54:12 +0000</pubDate> | |
| <dc:creator>christiancurtis</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23680</guid> | |
| <description> | |
| <![CDATA[ | |
| Ninja Jamm is a remixing and jamming app that lets anyone instantly interact with music from the Ninja Tune label using their iOS device. It gives users the opportunity to remix music by artists such as Bonobo, Amon Tobin, Mr Scruff and Coldcut, regardless of any music production knowledge or experience. The inspiration behind the [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/1646180714-project586b.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="290"><param name="movie" value="http://www.youtube.com/v/_ND1T_F5cTU&hl=en_US&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/_ND1T_F5cTU&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="358" height="290"></embed></object></p><p dir="ltr">Ninja Jamm is a remixing and jamming app that lets anyone instantly interact with music from the Ninja Tune label using their iOS device. It gives users the opportunity to remix music by artists such as Bonobo, Amon Tobin, Mr Scruff and Coldcut, regardless of any music production knowledge or experience.</p> <p>The inspiration behind the project was a desire to present listeners with a new way of experiencing and interacting with music, and it was our aim that both musicians and non-musicians find it fluid, accessible and exciting.</p> | |
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| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/project/ninja-jamm/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Immersion</title> | |
| <link>http://cycling74.com/project/immersion/</link> | |
| <comments>http://cycling74.com/project/immersion/#comments</comments> | |
| <pubDate>Mon, 22 Apr 2013 14:48:53 +0000</pubDate> | |
| <dc:creator>christiancurtis</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23683</guid> | |
| <description> | |
| <![CDATA[ | |
| This project was a series of workshops held at Baskerville School for young people with autistic spectrum disorders and complex difficulties, which culminated in a multimedia interactive theatre performance at Lordswood Girls School in Birmingham. | |
| ]]> | |
| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/1154112525-project585.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name | |
| ]]> | |
| <![CDATA[ | |
| ="movie" value="http://vimeo.com/moogaloop.swf?clip_id=26922706&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=26922706&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>This project was a series of workshops held at Baskerville School for young people with autistic spectrum disorders and complex difficulties, which culminated in a multimedia interactive theatre performance at Lordswood Girls School in Birmingham.</p> | |
| ]]> | |
| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/project/immersion/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>b.blocks</title> | |
| <link>http://cycling74.com/toolbox/b-blocks-2/</link> | |
| <comments>http://cycling74.com/toolbox/b-blocks-2/#comments</comments> | |
| <pubDate>Fri, 19 Apr 2013 21:58:11 +0000</pubDate> | |
| <dc:creator>Rui Dias</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23617</guid> | |
| <description> | |
| <![CDATA[ | |
| b.blocks is a library for Max/MSP/Jitter, providing a set of modules for quick prototyping in interactive multimedia systems. Existing modules include video analysis, audio and communication with external devices. Each module is an abstraction, used inside bpatcher objects, providing a set of controls for each module’s main functions. A full list can be found here. [...] | |
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| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><em>b.blocks</em> is a library for Max/MSP/Jitter, providing a set of modules for quick prototyping in interactive multimedia systems.<br /> Existing modules include video analysis, audio and communication with external devices.</p> <p>Each module is an abstraction, used inside bpatcher objects, providing a set of controls for each module’s main functions. A full list can be found <a title="b.blocks object list" href="http://www.ruidias.pt/b_blocks/objects/" target="_blank">here</a>.</p> <p>The b.blocks library was developed in 2009 for my Masters thesis in the Multimedia program at <a title="FEUP" href="http://fe.up.pt" target="_blank">FEUP</a> – Porto, Portugal. It has since then been used in several applications and multimedia installations, and Master thesis proposals.</p> <p>Suggestions and comments are most welcome.</p> | |
| ]]> | |
| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/toolbox/b-blocks-2/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>3D Crystalizer</title> | |
| <link>http://cycling74.com/project/3d-crystalizer/</link> | |
| <comments> | |
| http://cycling74.com/project/3d-crystalizer/#comments | |
| </comments> | |
| <pubDate>Fri, 19 Apr 2013 17:43:36 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23673</guid> | |
| <description> | |
| <![CDATA[ | |
| Visual application that creates a “crystal” 3D effect with images. Built entirely with Max Msp 6. The application is available on my website in “programming” section. Enjoy it ;) | |
| ]]> | |
| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/27290314-3DCrystalizer.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=64273341&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=64273341&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Visual application that creates a “crystal” 3D effect with images.<br /> Built entirely with Max Msp 6.</p> <p>The application is available on my website in “programming” section.</p> <p>Enjoy it ;)</p> | |
| ]]> | |
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| <wfw:commentRss>http://cycling74.com/project/3d-crystalizer/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Vst state saver</title> | |
| <link>http://cycling74.com/toolbox/vst-state-saver/</link> | |
| <comments> | |
| http://cycling74.com/toolbox/vst-state-saver/#comments | |
| </comments> | |
| <pubDate>Wed, 17 Apr 2013 15:43:18 +0000</pubDate> | |
| <dc:creator>Err0r_500</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23606</guid> | |
| <description> | |
| <![CDATA[ | |
| Here’s a Max tool aimed at improving the composer workflow while working with VSTs in Max. Connecting this piece of code to a vst~ object allows to : load the VST from an autopopulated drop-down menu list save the VST state directly within the main patch | |
| ]]> | |
| </description> | |
| <content:encoded> | |
| <![CDATA[ | |
| <p>Here’s a Max tool aimed at improving the composer workflow while working with VSTs in Max.<br /> Connecting this piece of code to a vst~ object allows to :</p> <ul> <li>load the VST from an autopopulated drop-down menu list</li> <li>save the VST state directly within the main patch</li> </ul> <p><iframe width="500" height="281" src="http://www.youtube.com/embed/EhATQPsq7hg?rel=0" frameborder="0" allowfullscreen></iframe></p> | |
| ]]> | |
| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/toolbox/vst-state-saver/feed/</wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Pedagogic Synthetiser 2</title> | |
| <link> | |
| http://cycling74.com/toolbox/pedagogic-synthetiser-2/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/toolbox/pedagogic-synthetiser-2/#comments | |
| </comments> | |
| <pubDate>Tue, 16 Apr 2013 18:31:56 +0000</pubDate> | |
| <dc:creator>PapyLives</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=toolbox&p=23602</guid> | |
| <description> | |
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| This is an update of my first Pedagogic Synthetiser. Now, you have : - a keyboard that control the freqences. You can play notes with your “azerty”. - afive band filter - a LFO from 2. to 50. Hz   This patcher is open. Enjoy ! | |
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| <p>This is an update of my first Pedagogic Synthetiser.</p> <p>Now, you have :</p> <p>- a keyboard that control the freqences. You can play notes with your “azerty”.</p> <p>- afive band filter</p> <p>- a LFO from 2. to 50. Hz</p> <p> </p> <p>This patcher is open. Enjoy !</p> | |
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| <slash:comments>0</slash:comments> | |
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| <title>Lucid Possession Tickets on Sale</title> | |
| <link> | |
| http://cycling74.com/2013/04/16/lucid-possession-tickets-on-sale/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/2013/04/16/lucid-possession-tickets-on-sale/#comments | |
| </comments> | |
| <pubDate>Tue, 16 Apr 2013 14:54:58 +0000</pubDate> | |
| <dc:creator>Lilli Wessling Hart</dc:creator> | |
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| <![CDATA[ blog ]]> | |
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| <![CDATA[ event ]]> | |
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| <![CDATA[ performance ]]> | |
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| <![CDATA[ robotics ]]> | |
| </category> | |
| <guid isPermaLink="false">http://cycling74.com/?p=23639</guid> | |
| <description> | |
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| Next week, a special event will be happening in Brooklyn at Roulette. Toni Dove’s “Lucid Possession” premieres April 25, 26, and 27th. Those lucky enough to be in the vicinity will have the opportunity to experience this unique stage production — a “contemporary ghost story” featuring robotics, gorgeous costumes, and stunning voices and music. There [...] | |
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| <p>Next week, a special event will be happening in Brooklyn at <a href="http://roulette.org/" target="_blank">Roulette</a>. Toni Dove’s “Lucid Possession” premieres April 25, 26, and 27th. Those lucky enough to be in the vicinity will have the opportunity to experience this unique | |
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| stage production — a “contemporary ghost story” featuring robotics, gorgeous costumes, and stunning voices and music. There are many talented Max users involved, including <a href="http://toddreynolds.wordpress.com/" target="_blank">Todd Reynolds</a>, <a href="http://www.lukedubois.com/" target="_blank">Luke DuBois</a>, and <a href="http://www.elliottsharp.com/" target="_blank">Elliott Sharp</a>. They, Toni and all the other artists and crew will make it a memorable experience. <a href="http://roulette.org/events/toni-dove-lucid-possession/" target="_blank">Don’t miss it</a>!<br /> <img src="http://1cyjknyddcx62agyb002-web-assets.s3.amazonaws.com/c74blog/lucidpossession1.jpg" /><br /> <h7>Photo: Alison Hall</h7><br /> <iframe src="http://player.vimeo.com/video/28554673?byline=0&portrait=0&color=ff000d" width="550" height="309" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p> | |
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| <item> | |
| <title>Granular Mirror Maze</title> | |
| <link>http://cycling74.com/project/granular-mirror-maze/</link> | |
| <comments> | |
| http://cycling74.com/project/granular-mirror-maze/#comments | |
| </comments> | |
| <pubDate>Mon, 15 Apr 2013 19:50:23 +0000</pubDate> | |
| <dc:creator>Maurizio Giri</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23590</guid> | |
| <description> | |
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| Granular Mirror Maze is a Max4Live Audio Effect device, it falls in the FSU category: extreme sound manipulation, with chaotic feedback. It is available at my site/blog amazingnoises.com. I will publish futher patches and devices in the future. | |
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| </description> | |
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| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/1706193926-GMM1.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="290"><param name="movie" value="http://www.youtube.com/v/pEWtwXXairM&hl=en_US&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/pEWtwXXairM&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="358" height="290"></embed></object></p><p>Granular Mirror Maze is a Max4Live Audio Effect device, it falls in the FSU category: extreme sound manipulation, with chaotic feedback.<br /> It is available at my site/blog <a href="http://www.amazingnoises.com">amazingnoises.com</a>. I will publish futher patches and devices in the future.</p> | |
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| </content:encoded> | |
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| http://cycling74.com/project/granular-mirror-maze/feed/ | |
| </wfw:commentRss> | |
| <slash:comments>0</slash:comments> | |
| </item> | |
| <item> | |
| <title>Imperial Grains v.1.1</title> | |
| <link>http://cycling74.com/project/imperial-grains/</link> | |
| <comments> | |
| http://cycling74.com/project/imperial-grains/#comments | |
| </comments> | |
| <pubDate>Fri, 12 Apr 2013 16:34:31 +0000</pubDate> | |
| <dc:creator>Roberto Attanasio</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23581</guid> | |
| <description> | |
| <![CDATA[ | |
| Standalone application to make granular synthesis of every sound. I use principally this application in my lessons, to teach the important parameters of granular synthesis and try to create pads with every sound I want. Includes a little reverb that I use sometimes to create textures. If you want to record something, you can use [...] | |
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| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/530365041-ImperialGrainsv.1.1.png" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=63763783&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=63763783&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p>Standalone application to make granular synthesis of every sound. I use principally this application in my lessons, to teach the important parameters of granular synthesis and try to create pads with every sound I want. Includes a little reverb that I use sometimes to create textures.</p> <p>If you want to record something, you can use Soundflower to route audio signal in your DAW.</p> <p>Enjoy it ;)</p> | |
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| </content:encoded> | |
| <wfw:commentRss>http://cycling74.com/project/imperial-grains/feed/</wfw:commentRss> | |
| <slash:comments>1</slash:comments> | |
| </item> | |
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| <title>Berna 2.0 – 1050s Electronic Music Studio</title> | |
| <link> | |
| http://cycling74.com/project/berna-2-0-1050s-electronic-music-studio/ | |
| </link> | |
| <comments> | |
| http://cycling74.com/project/berna-2-0-1050s-electronic-music-studio/#comments | |
| </comments> | |
| <pubDate>Thu, 11 Apr 2013 14:48:18 +0000</pubDate> | |
| <dc:creator>giorgioesse</dc:creator> | |
| <guid isPermaLink="false">http://cycling74.com/?post_type=project&p=23567</guid> | |
| <description> | |
| <![CDATA[ | |
|   Between the 1950s and the mid 1960s, long before Robert Moog and Wendy Carlos pushed electronics into pop-music (with a few exceptions like the Barrons and Raymond Scott), electro-acoustic music was pioneered by European radio laboratories and US universities. Composing with tapes and electronics was a serious painstaking and expensive affair, prerogative of a [...] | |
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| </description> | |
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| <p><img src="http://1CYJKNYDDCX62AGYB002-c74projects.s3.amazonaws.com/1097447386-web.jpg" alt="This image has no alt text" style="max-width:358px;"></p><p><object width="358" height="203"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie | |
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| <![CDATA[ | |
| " value="http://vimeo.com/moogaloop.swf?clip_id=63740321&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=63740321&server=vimeo.com&show_title=1&show_byline=1&show_portr | |
| ]]> | |
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| ait=0&color=ffffff&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="358" height="203"></embed></object></p><p> </p> <p>Between the 1950s and the mid 1960s, long before Robert Moog and Wendy Carlos pushed electronics into pop-mus | |
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| <![CDATA[ | |
| ic (with a few exceptions like the Barrons and Raymond Scott), electro-acoustic music was pioneered by European radio laboratories and US universities. Composing with tapes and electronics was a serious painstaking and expensive affair, prerogative of a restricted elite of contemporary music composers and adventurous sound engineers. At that time there wasn’t any electronic musical instruments market, as a matter of fact, most of the equipment was adapted from scientific tools belonging to radio engineering departments.</p> <p>Sometimes the equipment was built from scratch cannibalizing anything that had wires, tubes, and pots; more rarely, the studios used the few commercial instruments available in those days, such as the Melchord, the Trautonium and the Theremin. Contrarily to what happens today, electronic music in those days was everything but fast and easy to create. A few minutes of electronic composition could take many months of work. Everything was handmade, from complex timbres with multiple sine oscillator bounces (no keyboard was used), to tape editing with scissors and scotch-tape. Even sound envelopes were manually built by cutting tapes’ edges at different<br /> degrees of inclination. The ADSR was yet to be invented!</p> <p>Berna is a software simulation of a late 1950s electro-acoustic music studio. Oscillators, filters, modulators, tape recorders, mixers, are all packed in a easy-to-use interface with historical accuracy.<br /> Explore serial music, musique concrète and tape music or create new strange sonic worlds with instruments inspired by the greatest studios of the early days of electronic music.</p> <p>Berna 2.0 is a major upgrade, totally re-written from scratch.<br /> Berna 2.0, not only has a new stunning realistic UI but also it includes new processors like the Comparator, an 18 bands 1/3 Octave FilterBank and an 18 Bands Vocoder, plus new Tone Burst Generator, two Dynamic Modulators, new Reverb, new Frequency Shifter (with modulator input), new FM Oscillator (with modulator input) and 8 new Complex Oscillators!</p> <p>This is a serious learning and creative tool for musicians who want to explore the way of the early days of electronic music.</p> <p>Berna 2.0 will be available at <a title="Giorgiosancristoforo.net" href="http://www.giorgiosancristoforo.net" target="_blank">giorgiosancristoforo</a>.net in May 2013</p> <p><img src="http://www.giorgiosancristoforo.net/wp-content/uploads/2013/04/p1.jpg" alt="" /></p> <p><img src="http://www.giorgiosancristoforo.net/wp-content/uploads/2013/04/p2.jpg" alt="" /></p> <p><img src="http://www.giorgiosancristoforo.net/wp-content/uploads/2013/04/p3.jpg" alt="" /></p> | |
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| <slash:comments>2</slash:comments> | |
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