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Erik Satie Gnossienne No. 7, typeset by F. Duperray (githubID: 7redi)
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satie-gnossienne-7.ly
% this is a comment
% --------------------------------------------------------------------
% --- GENERAL INFO ---------------------------------------------------
% --------------------------------------------------------------------
% --- version statement
\version "2.18.2"
% --- language used in the code
\language "english" % -s/--sharp -f/--flat -ss/-x/--sharpsharp -ff/--flatflat
% --- articulate script for better MIDI output
\include "articulate.ly"
% --------------------------------------------------------------------
% ------ TITLES ------------------------------------------------------
% --------------------------------------------------------------------
\header {
title = "GNOSSIENNE"
subtitle = \markup { \fontsize #3 "№ 7" }
subsubtitle = "(1891)"
composer = "Érik Satie (1866-1925)"
arranger = \markup { "" \vspace #1.5 } % vertical space between header and first staff
style = "Avant-garde"
license = "Creative Commons Attribution-ShareAlike 4.0"
enteredby = "Frédéric Duperray"
lastupdated = "2016-Nov-17"
date = "1891"
source = "Leipzig : Edition Peters, № 9620, 1986. Plate E.P. 13380"
mutopiatitle = "Gnossienne No. 7"
mutopiacomposer = "SatieE"
mutopiainstrument = "Piano"
mutopiastyle = "Modern"
maintainer = "Frédéric Duperray"
maintainerEmail = "duperray (dot) fred (at) gmail (dot) com"
footer = "Mutopia-2016/11/17"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #11.9 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2016 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " " \with-url #"http://creativecommons.org/licenses/by-sa/4.0/" "Creative Commons Attribution ShareAlike 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
% ----------------------------------------------------------------------
% --- PAPER SETTINGS ---------------------------------------------------
% ----------------------------------------------------------------------
\paper {
page-breaking = #ly:minimal-breaking % performs minimal computations to calculate the page breaking : it fills a page with as many systems as possible
ragged-last = ##f
}
% ----------------------------------------------------------------------
% --- TWEAKS -----------------------------------------------------------
% ----------------------------------------------------------------------
% --- to allow or not allow LilyPond to decide where to insert staff and page breaks
breakControl = {
\override Score.NonMusicalPaperColumn.line-break-permission = ##f
\override Score.NonMusicalPaperColumn.page-break-permission = ##f
}
lBreak = { \break } % \break
pBreak = { \pageBreak } % \pageBreak
nBreak = { \noBreak } % \noBreak
% --- HIDING OR SHOWING THINGS -----------------------------------------
% --- showing all bar numbers (helps while entering the music)
showBarNumbers = { \override Score.BarNumber.break-visibility = ##(#t #t #t) }
% --- hiding bar numbers
hideBarNumbers = { \override Score.BarNumber.stencil = ##f }
% --- hiding instrument name
hideInstrumentName = { \override Score.InstrumentName.transparent = ##t }
% --- MODIFYING SHAPES -------------------------------------------------
% --- slurs
slurDownA = { \shape #'((0 . 5) (-1 . -4) (0 . -1) (0 . 0)) Slur }
% --- MOVING THINGS ----------------------------------------------------
% --- controlling horizontal rest placement
restHorzA = { \override Rest #'staff-position = #0 }
restHorzB = { \override Rest #'staff-position = #2 }
restHorzC = { \override Rest #'staff-position = #4 }
restHorzD = { \override Rest #'staff-position = #-15 }
% --- controlling dynamics placement
% --- dynamic scripts
textVertA = { \once \override Dynamics.TextScript.extra-offset = #'(-3 . 1) }
textVertB = { \once \override Dynamics.TextScript.extra-offset = #'(-3 . -1) }
% --- dynamic symbols
dynaVertA = { \once \override Dynamics.DynamicText.extra-offset = #'(1 . 0.5) }
dynaVertB = { \once \override Dynamics.DynamicText.extra-offset = #'(-1 . 0) }
dynaVertC = { \once \override Dynamics.DynamicText.extra-offset = #'(0 . 0.5) }
dynaVertD = { \once \override Dynamics.DynamicText.extra-offset = #'(1 . 0) }
dynamicsSizeA = { \once \override Dynamics.DynamicText.font-size = #-0.5 }
% --- dynamic hairpins
hairpinOverBarline = { \override Dynamics.Hairpin.to-barline = ##f }
hairpinVertA = { \once \override Dynamics.Hairpin.extra-offset = #'(0 . 1) }
% --- STAFF CONTROL ----------------------------------------------------
% --- changing between staves
staffUp = { \change Staff = "trebleStaff" }
staffDown = { \change Staff = "bassStaff" }
% --- MISCELLANEOUS ----------------------------------------------------
% --- changing font
normalFont = { \override Dynamics.TextScript.font-shape = #'normal }
% --- changing beams
beamLengthA = { \once \override Staff.Stem.details.beamed-lengths = #'(7) }
% ----------------------------------------------------------------------
% --- MUSIC ------------------------------------------------------------
% ----------------------------------------------------------------------
% --- GNOSSIENNE 7 STRUCTURE : Intro (4 bars) --------------------------
% ---------------------------- A (8 bars) ------------------------------
% ---------------------------- B1 (8 bars) -----------------------------
% ---------------------------- C (8 bars) ------------------------------
% ---------------------------- B1 (8 bars) -----------------------------
% ---------------------------- D (10 bars) -----------------------------
% ---------------------------- B2 (12 bars) ----------------------------
% ---------------------------- E (10 bars) -----------------------------
% ---------------------------- B3 (8 bars) -----------------------------
% ---------------------------- Outro (5 bars) --------------------------
% ----------------------------------------------------------------------
% --- fundamentals
global = {
\set PianoStaff.midiInstrument = #"acoustic grand"
\set PianoStaff.instrumentName = #"Piano"
\numericTimeSignature
} % stop global
trebles = \relative c'' {
\hideInstrumentName
\hideBarNumbers
\breakControl
\clef treble
\key a \minor
\numericTimeSignature
% Intro
\time 3/4
a8 b c d e f | % 1
g e d b <g bf>4 | % 2
\crossStaff {
<e a>8( f <d fs>4 \staffDown <e, g c>8 a | % 3
\staffUp <e' a> f <ef g>4 d8 \staffDown \beamLengthA b) | % 4
\staffUp <b' d fs b>2 <a d f a>8 <c c'> | % 5
} % stop crossStaff
\restHorzA <d d'>2 r4 | % 6
% Part A
\time 4/4
\restHorzB R1 | % 7
R1 | % 8
\restHorzC d'8( d~ d2) r4 | % 9
cs8( cs~ cs2) r4 | % 10
as8( as) r4 r2 | % 11
\restHorzB R1 | % 12
\restHorzC g8( as b cs d cs as as | % 13
fs fs) r4 r2 | % 14
% Part B1f
\slashedGrace e'8 ds2( \slashedGrace b8 c2 | % 15
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 16
\slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 17
\restHorzB R1 | % 18
% Part B1pp
\slashedGrace e8 ds2( \slashedGrace b8 c2 | % 19
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 20
\restHorzC \slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 21
\restHorzB R1 | % 22
% Part C (sort of remixed part B)
\restHorzC d8( d ) r4 r2 | % 23 (~9)
cs8( [ cs ] e e) r2 | % 24
as,8( as) r4 r2 | % 25
\restHorzB R1 | % 26
\restHorzC g8( as b cs d cs as as | % 27
fs8 fs) r4 r2 | % 28 (~14)
a,8( a b b c c d d | % 29
f f) r4 r2 | % 30
% Part B1ff
\slashedGrace e'8 ds2( \slashedGrace b8 c2 | % 31
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 32
\slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 33
\restHorzB R1 | % 34
% Part B2pp
\slashedGrace e8 ds2( \slashedGrace b8 c2 | % 31
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 32
\restHorzC \slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 33
\restHorzB R1 | % 34
% Part D
as,,8( b cs d e d cs cs) | % 39
R1 | % 40
g8( g fs fs as as) r4 | % 41
R1 | % 42
\restHorzC c'8( c) r4 r2 | % 43
b8( b) r4 r2 | % 44
ef8( ef) r4 r2 | % 45
\restHorzB R1 | % 46
a,,8( b d b a gs b b | % 47
\restHorzC c c) r4 r2 | % 48
% Part B3f
\slashedGrace g''8( fs2 \slashedGrace ds8 e2 | % 49
\slashedGrace g8 fs2 \slashedGrace ds8 e2 | % 50
\slashedGrace cs8 d2) r2 | % 51
\restHorzB R1 | % 52
a,8( b d b a gs b b | % 53
\restHorzC c c) r4 r2 | % 54
% Part B3pp
\slashedGrace g''8( fs2 \slashedGrace ds8 e2 | % 55
\slashedGrace g8 fs2 \slashedGrace ds8 e2 | % 56
\slashedGrace cs8 d4 \slashedGrace cs8 d4~ d4) r4 | % 57
\restHorzB R1 | % 58
\restHorzC g,,8( as b cs d cs as as | % 59
fs'8 fs) r4 r2 | % 60
% Part E
\slashedGrace d8 cs4( \slashedGrace b8 cs4~ cs) r4 | % 61
\restHorzB R1 | % 62
R1 | % 63
R1 | % 64
\restHorzC d'8( d) r4 r2 | % 65 (~9)
cs8( cs) r4 r2 | % 66
as8( as) r4 r2 | % 67
\restHorzB R1 | % 68
\restHorzC g8( as b cs d cs as as | % 69
fs fs) r4 r2 | % 70 (~14)
% Part B4
\slashedGrace e'8 ds2( \slashedGrace b8 c2 | % 71
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 72
\restHorzC \slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 73
\restHorzB R1 | % 74
% Part B1pp+
\slashedGrace e8 ds2( \slashedGrace b8 c2 | % 75
\slashedGrace e8 ds2 \slashedGrace b8 c2 | % 76
\restHorzC \slashedGrace cs8 d4 \slashedGrace ds8 e4) r2 | % 77
as,,8( b cs d e d cs cs) | | % 78
% Outro
\restHorzB R1 | % 79
g8( g fs fs as as) r4 | % 80
R1 | % 81
c8( c c2~ c4~ | % 82
c2~ c4) r4 | % 83
} % stop trebles
middlesA = \relative c' {
% Intro
\time 3/4
s2. | % 1
s2. | % 2
\crossStaff {
\staffDown \stemUp <bf>8 s <gs>4 s | % 3
<bf>8 s <a>4 <f a>8 s | % 4
} % stop crossStaff
\staffUp s2. | % 5
s2. | % 6
% Part A
\time 4/4
\crossStaff {
\stemDown \restHorzD r4 <e'>2 <e>4 | % 7
r4 <cs fs>2 <cs fs>4 | % 8
s4 <e>2 <e>4 | % 9
s4 <e>2 <e>4 | % 10
s4 <e>2 <e>4 | % 11
s4 <e>2 <e>4 | % 12
s4 <e>2 <e>4 | % 13
s4 <d>2 <d>4 | % 14
% Part B1f
s4 <c e>2 <c e>4 | % 15
s4 <c e>2 <c e>4 | % 16
s4 <e>2 <e>4 | % 17
s4 <e>2 <e>4 | % 18
% Part B1pp
s4 <c e>2 <c e>4 | % 19
s4 <c e>2 <c e>4 | % 20
s4 <e>2 <e>4 | % 21
s4 <e>2 <e>4 | % 22
% Part C
s4 <e>2 <e>4 | % 23
r4 s2 s4 | % 24
s4 <e>2 <e>4 | % 25
s4 <e>2 <e>4 | % 26
s4 <e>2 <e>4 | % 27
s4 <d>2 <d>4 | % 28
s4 <d>2 <d>4 | % 29
s4 <d>2 <d>4 | % 30
% Part B1ff
s4 <c e>2 <c e>4 | % 31
s4 <c e>2 <c e>4 | % 32
s4 <e>2 <e>4 | % 33
s4 <e>2 <e>4 | % 34
% Part B2pp
r4 <d f bf>2 <d f bf>4 | % 35
r4 <c e a>2 <c e a>4 | % 36
r4 <d g>2 <d g>4 | % 37
s4 <e>2 <e>4 | % 38
% Part D
s4 <e>2 <e>4 | % 39
s4 <e>2 <e>4 | % 40
s4 <d>2 <d>4 | % 41
s4 <d>2 <d>4 | % 42
r4 <c f>2 <c f>4 | % 43
s4 <c f>2 <c f>4 | % 44
s4 <c f>2 <c f>4 | % 45
s4 <c f>2 <c f>4 | % 46
s4 <d>2 <d>4 | % 47
s4 <c f>2 <c f>4 | % 48
% Part B3f
r4 <e>2 <e>4 | % 49
r4 <e>2 <e>4 | % 50
r4 <d>2 <d>4 | % 51
s4 <d>2 <d>4 | % 52
s4 <d>2 <d>4 | % 53
s4 <c f>2 <c f>4 | % 54
% Part B3pp
s4 <e>2 <e>4 | % 55
s4 <e>2 <e>4 | % 56
s4 <d>2 <d>4 | % 57
s4 <d>2 <d>4 | % 58
s4 <d>2 <d>4 | % 59
s4 <d>2 <d>4 | % 60
% Part E
s4 <cs e>2 <cs e>4 | % 61
r4 <c e>2 <c e>4 | % 62
s4 <e>2 <e>4 | % 63
s4 <e>2 <e>4 | % 64
s4 <e>2 <e>4 | % 65
s4 <cs ef>2 <cs ef>4 | % 66
s4 <d fs>2 <d fs>4 | % 67
s4 <d g>2 <d g>4 | % 68
s4 <e>2 <e>4 | % 69
s4 <d>2 <d>4 | % 70
% Part B4
s4 <e>2 <e>4 | % 71
s4 <e>2 <e>4 | % 72
s4 <e>2 <e>4 | % 73
s4 <e>2 <e>4 | % 74
% Part B1pp+
s4 <c e>2 <c e>4 | % 75
s4 <c e>2 <c e>4 | % 76
s4 <e>2 <e>4 | % 77
s4 <e>2 <e>4 | % 78
% Outro
s4 <e>2 <e>4 | % 79
s4 <d>2 <d>4 | % 80
s4 <d>2 <d>4 | % 81
s4 <c f>2 <c f>4 | % 82
s4 <c f>2 <c f>4 | % 83
} % stop crossStaff
} % stop middlesA
middlesB = \relative c' {
% Intro
\time 3/4
\crossStaff {
<d>4 <d> s | % 1
s s <d> | % 2
} % stop crossStaff
s2. | % 3
s2. | % 4
\crossStaff {
<d fs>4 s2 | % 5
} % stop crossStaff
s2. | % 6
% Part A
\time 4/4
\crossStaff {
\staffDown s4 <g, b>2 <g b>4 | % 7
s4 <as>2 <as>4 | % 8
s4 <g b>2 <g b>4 | % 9
s4 <g b>2 <g b>4 | % 10
s4 <g b>2 <g b>4 | % 11
s4 <g b>2 <g b>4 | % 12
s4 <g b>2 <g b>4 | % 13
s4 <fs b>2 <fs b>4 | % 14
% Part B1f
s4 <a>2 <a>4 | % 15
s4 <a>2 <a>4 | % 16
s4 <g b>2 <g b>4 | % 17
s4 <g b>2 <g b>4 | % 18
% Part B1pp
s4 <a>2 <a>4 | % 19
s4 <a>2 <a>4 | % 20
s4 <g b>2 <g b>4 | % 21
s4 <g b>2 <g b>4 | % 22
% Part C
s4 <g b>2 <g b>4 | % 23
s4 <e gs cs>2 <e gs cs>4 | % 24
s4 <g b>2 <g b>4 | % 25
s4 <g b>2 <g b>4 | % 26
s4 <g b>2 <g b>4 | % 27
s4 <fs b>2 <fs b>4 | % 28
s4 <f a>2 <f a>4 | % 29
s4 <f a>2 <f a>4 | % 30
% Part B1ff
s4 <a>2 <a>4 | % 31
s4 <a>2 <a>4 | % 32
s4 <g b>2 <g b>4 | % 33
s4 <g b>2 <g b>4 | % 34
% Part B2pp
s1 | % 35
s1 | % 36
s4 <bf>2 <bf>4 | % 37
s4 <g b>2 <g b>4 | % 38
% Part D
s4 <g b>2 <g b>4 | % 39
s4 <g b>2 <g b>4 | % 40
s4 <fs b>2 <fs b>4 | % 41
s4 <fs b>2 <fs b>4 | % 42
s4 <af>2 <af>4 | % 43
s4 <af>2 <af>4 | % 44
s4 <af>2 <af>4 | % 45
s4 <af>2 <af>4 | % 46
s4 <f a>2 <f a>4 | % 47
s4 <af>2 <af>4 | % 48
% Part B3f
s4 <g b>2 <g b>4 | % 49
s4 <g b>2 <g b>4 | % 50
s4 <f a>2 <f a>4 | % 51
s4 <f a>2 <f a>4 | % 52
s4 <f a>2 <f a>4 | % 53
s4 <af>2 <af>4 | % 54
% Part B3pp
s4 <g b>2 <g b>4 | % 55
s4 <g b>2 <g b>4 | % 56
s4 <f a>2 <f a>4 | % 57
s4 <f a>2 <f a>4 | % 58
s4 <fs b>2 <fs b>4 | % 59
s4 <fs a>2 <fs a>4 | % 60
% Part E
s4 <a>2 <a>4 | % 61
s4 <af>2 <af>4 | % 62
s4 <g b>2 <g b>4 | % 63
s4 <g b>2 <g b>4 | % 64
s4 <g b>2 <g b>4 | % 65
s4 <g>2 <g>4 | % 66
s4 <fs bf>2 <fs bf>4 | % 67
s4 <g b>2 <g b>4 | % 68
s4 <g b cs>2 <g b cs>4 | % 69
s4 <gs b>2 <gs b>4 | % 70
% Part B4
s4 <fs a>2 <fs a>4 | % 71
s4 <gs b>2 <gs b>4 | % 72
s4 <g c>2 <g c>4 | % 73
s4 <g c>2 <g c>4 | % 74
% Part B1pp+
s4 <a>2 <a>4 | % 75
s4 <a>2 <a>4 | % 76
s4 <g b>2 <g b>4 | % 77
s4 <g b>2 <g b>4 | % 78
% Outro
s4 <g b>2 <g b>4 | % 79
s4 <fs b>2 <fs b>4 | % 80
s4 <fs b>2 <fs b>4 | % 81
s4 <af>2 <af>4 | % 82
s4 <af>2 <af>4 | % 83
} % stop crossStaff
} % stop middlesB
basses = \relative c' {
\breakControl
\clef bass
\key a \minor
\numericTimeSignature
% Intro
\time 3/4
\crossStaff {
<g b>4( <f a> <e g c> | % 1
<d fs b> <c e g c> <f af>) | % 2
} % stop crossStaff
<g, c f>( <e b'> <c g'> | % 3
<g' c f> <f c'> <d a'>) | % 4
\crossStaff {
\slurDownA <b''>(
} % stop crossStaff
\stemUp <b,,, b'> <d d'>8 <c c'>8 | % 5
\restHorzA <d d'>2) r4 | % 6
% Part A
\time 4/4
<e e'>2(~ <e e'> | % 7
<as as'>2~ <as as'> | % 8
<e e'>8) r s2. | % 9
e'4 s2. | % 10
e4 s2. | % 11
e4 s2. | % 12
e4 s2. | % 13
b4 s2. | % 14
% Part B1f
a'4 s2. | % 15
a4 s2. | % 16
e4 s2. | % 17
e4 s2. | % 18
% Part B1pp
a4 s2. | % 19
a4 s2. | % 20
e4 s2. | % 21
e4 s2. | % 22
% Part C
e4 s2. | % 23
<cs, cs'>2(~ <cs cs'> | % 24
<e e'>8) r s2. | % 25
e'4 s2. | % 26
e4 s2. | % 27
b4 s2. | % 28
d4 s2. | % 29
d4 s2. | % 30
% Part B1ff
a'4 s2. | % 31
a4 s2. | % 32
e4 s2. | % 33
e4 s2. | % 34
% Part B2pp
<bf bf'>2(~ <bf bf'> | % 35
<a a'>2~ <a a'> | % 36
<g g'>2~ <g g'> | % 37
<e e'>8) r s2. | % 38
% Part D
e'4 s2. | % 39
e4 s2. | % 40
b4 s2. | % 41
b4 s2. | % 42
<f f'>2~ <f f'> | % 43
f'4 s2. | % 44
f4 s2. | % 45
f4 s2. | % 46
d4 s2. | % 47
f4 s2. | % 48
% Part B3f
<e, e'>2(~ <e e'> | % 49
<e e'>2~ <e e'> | % 50
<d d'>2) r2 | % 51
d'4 s2. | % 52
d4 s2. | % 53
f4 s2. | % 54
% Part B3pp
<e, e'>4 s2. | % 55
<e e'>4 s2. | % 56
<d d'>4 s2. | % 57
d'4 s2. | % 58
b4 s2. | % 59
d4 s2. | % 60
% Part E
a4 s2. | % 61
<af af'>2~ <af af'> | % 62
<e e'>8 r s2. % 63
e'4 s2. | % 64
e4 s2. | % 65
a4 s2. | % 66
bf4 s2. | % 67
e,4 s2. | % 68
e4 s2. | % 69
b4 s2. | % 70
% Part B4
c4 s2. | % 71
d4 s2. | % 72
e4 s2. | % 73
e4 s2. | % 74
% Part B1pp+
a4 s2. | % 75
a4 s2. | % 76
e4 s2. | % 77
e4 s2. | % 78
% Outro
e4 s2. | % 79
b4 s2. | % 80
b4 s2. | % 81
f'4 s2. | % 82
f4 s2. | % 83
} % stop basses
dynA = \relative c {
\normalFont
% Intro
\time 3/4
\textVertA s2. \p ^"Allez" \nBreak | % 1
s2. \nBreak | % 2
s2. \nBreak | % 3
\hairpinVertA s8 \> s2 s8 \! \nBreak | % 4
s2. \nBreak | % 5
s2. \lBreak | % 6
% Part A
\time 4/4
\textVertB s1 ^"Calme" \nBreak | % 7
s1 \nBreak | % 8
s1 \nBreak | % 9
s1 \nBreak | % 10
s1 \lBreak | % 11
s1 \nBreak | % 12
s1 \nBreak | % 13
s1 \nBreak | % 14
% Part B1f
\grace s8 s2 \grace s8 s2 \nBreak | % 15
\grace s8 s2 \grace s8 s2 \lBreak | % 16
\grace s8 s4 \grace s8 s4 s2 \nBreak | % 17
s1 \nBreak | % 18
% Part B1pp
s1 \nBreak | % 19
s1 \nBreak | % 20
s1 \nBreak | % 21
s1 \lBreak | % 22
% Part C
s1 \nBreak | % 23
s1 \nBreak | % 24
s1 \nBreak | % 25
s1 \nBreak | % 26
s1 \pBreak | % 27
s1 \nBreak | % 28
s1 \nBreak | % 29
s1 \nBreak | % 30
% Part B1ff
\grace s8 s2 \grace s8 s2 \nBreak | % 31
\grace s8 s2 \grace s8 s2 \lBreak | % 32
\grace s8 s4 \grace s8 s4 s2 \nBreak | % 33
s1 \nBreak | % 34
% Part B2pp
s1 \nBreak | % 35
s1 \nBreak | % 36
s1 \nBreak | % 37
s1 \lBreak | % 38
% Part D
s1 \nBreak | % 39
s1 \nBreak | % 40
s1 \nBreak | % 41
s1 \nBreak | % 42
s1 \lBreak | % 43
s1 \nBreak | % 44
s1 \nBreak | % 45
s1 \nBreak | % 46
s1 \nBreak | % 47
s1 \lBreak | % 48
% Part B3f
\slashedGrace s8( s2 \slashedGrace s8 s2 | % 49
\slashedGrace s8 s2 \slashedGrace s8 s2 | % 50
\slashedGrace s8 s2 s2 | % 51
s1 \nBreak | % 52
s1 \lBreak | % 53
s1 \nBreak | % 54
% Part B3pp
\slashedGrace s8( s2 \slashedGrace s8 s2 | % 49
\slashedGrace s8 s2 \slashedGrace s8 s2 | % 50
\slashedGrace s8 s4 \slashedGrace s8 s4~ s4) s4 | % 51
s1 \pBreak | % 58
s1 \nBreak | % 59
s1 \nBreak | % 60
% Part E
s4 \< s4 s4 \! s4 \nBreak | % 61
s1 \nBreak | % 62
s1 \lBreak | % 63
s1 \nBreak | % 64
s1 \nBreak | % 65
s1 \nBreak | % 66
s1 \nBreak | % 67
s1 \lBreak | % 68
s1 \nBreak | % 69
s1 \nBreak | % 70
% Part B4
s1 \nBreak | % 71
s1 \nBreak | % 72
s1 \lBreak | % 73
s1 \nBreak | % 74
% Part B1pp+
s1 \nBreak | % 75
s1 \nBreak | % 76
s1 \nBreak | % 77
s1 \lBreak | % 78
% Outro
s1 \nBreak | % 79
s1 \nBreak | % 80
s1 \nBreak | % 81
s1 \nBreak | % 82
s1 \bar "|." | % 83
} % stop dynA
dynB = \relative c {
% Intro
\time 3/4
s2. | % 1
s2. | % 2
s2. | % 3
s2. | % 4
\hairpinOverBarline s8 s16 \dynamicsSizeA s16 \ff \< s2 | % 5
s4 \! s s | % 6
% Part A
\time 4/4
\dynaVertC s1 \p | % 7
s1 | % 8
s1 | % 9
s1 | % 10
s1 | % 11
s1 | % 12
s1 \< | % 13
s8 \! s s2. | % 14
% Part B1f
s1 \f | % 15
s1 | % 16
s1 | % 17
s1 | % 18
% Part B1pp
s2 \pp s2 \> | % 19
s1 | % 20
s8. s32. \! s64 s2. | % 21
s1 | % 22
% Part C
s1 \p | % 23
s1 | % 24
s1 | % 25
s1 | % 26
s1 | % 27
s1 | % 28
s2 \f \< s8 s16. s32 \! s32 s16. s8 | % 29
s1 | % 30
% Part B1ff
\dynamicsSizeA s1\ff | % 31
s1 | % 32
s1 | % 33
s1 | % 34
% Part B2pp
\dynamicsSizeA \dynaVertC s1\pp | % 35
s1 | % 36
s2 s4 \> s4 | % 37
s2 s8 s8 \! s8 s8 | % 38
% Part D
s1 \p | % 39
s1 | % 40
s2 \f \< s8 s16. s32 \! s32 s16. s8 | % 41
s1 | % 42
\dynamicsSizeA \dynaVertA s1 \pp | % 43
s1 | % 44
s1 | % 45
s1 | % 46
s1 | % 47
s1 | % 48
% Part B3f
\dynaVertB s1\f | % 49
s1 | % 50
s1 | % 51
s1 | % 52
s1 \p \< | % 53
s8 s8 \! s8 s8 s2 | % 54
% Part B3pp
s1 \pp | % 55
s1 | % 56
s1 \> | % 57
s2 s8 s16. s32 \! s32 s16. s8 | % 58
s4 \p \< s2 s8 s8 \! | % 59
s1 | % 60
% Part E
s1 \f | % 61
\dynaVertC s4 \p s4 s4 \> s4 | % 62
s4 s4 \! s4 s4 | % 63
s1 | % 64
s1 \p | % 65
s4 s4 s4 s8 s8 \< | % 66
s1 | % 67
s4 s8 s8 \! s8 s8 s4 | % 68
s8 \< s8 s8 s8 \! s8 \> s8 s8 s8 \! | % 69
s1 | % 70
% Part B4
s1\f \< | % 71
s1 | % 72
s4 \! s4 s2 | % 73
s1 | % 74
% Part B1pp+
s1 \pp | % 75
s4 s4 s4 \> s4 | % 76
s4 \! s4 s4 s4 | % 77
s1\p | % 78
% Outro
s1 | % 79
\dynaVertD \dynamicsSizeA s1 \pp | % 80
s1 | % 81
\dynaVertD \dynamicsSizeA s1 \ppp | % 82
s1 | % 83
} % stop dynB
% ------------------------------
% --- SCORE, LAYOUT AND MIDI ---
% ------------------------------
% --- sheet (layout) output
\score {
\new PianoStaff \transpose g g <<
\new Dynamics = "dynA" { \dynA }
\new Staff = "trebleStaff" <<
\new Voice = "trebles" { \voiceOne \global \trebles }
\new Voice = "middlesA" { \voiceTwo \middlesA }
\new Voice = "middlesB" { \voiceTwo \middlesB }
>> % stop Staff
\new Dynamics = "dynB" { \dynB }
\new Staff = "bassStaff" <<
\new Voice = "basses" { \voiceFour \basses }
>> % stop Staff
>> % stop PianoStaff
\layout {
#(layout-set-staff-size 20) % setting the staff size for the score (20 points is the default setting)
\context {
\Score
\accidentalStyle Score.neo-modern-voice % cancellation marks are printed also in the following measure (for notes in the same octave) and, in the same measure, for notes in other octaves
} % stop context
\context {
\PianoStaff
\consists #Span_stem_engraver
} % stop context
} % stop layout
} % stop score
% --- audio (midi) output
\score {
\articulate <<
\unfoldRepeats {
\new PianoStaff \transpose g g <<
\new Dynamics = "dynA" { \dynA }
\new Staff = "trebleStaff" <<
\new Voice = "trebles" { \voiceOne \global \trebles }
\new Voice = "middlesA" { \voiceTwo \middlesA }
\new Voice = "middlesB" { \voiceTwo \middlesB }
>> % stop Staff
\new Dynamics = "dynB" { \dynB }
\new Staff = "bassStaff" <<
\new Voice = "basses" { \voiceFour \basses }
>> % stop Staff
>> % stop PianoStaff
} % stop unfoldRepeats
>> % stop articulate
\midi {
\tempo 4 = 70
\context {
\ChordNameVoice \remove Note_performer % so the chordnames don't generate a sound
} % stop context
} % stop midi
} % stop score
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