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John Steinbeck to his teenage son: | |
New York | |
November 10, 1958 | |
Dear Thom: | |
We had your letter this morning. I will answer it from my point of view and of course Elaine will from hers. | |
First — if you are in love — that’s a good thing — that’s about the best thing that can happen to anyone. Don’t let anyone make it small or light to you. |
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You are the dark song | |
of the morning; | |
serious and slow, | |
you shave, you dress, | |
you descend the stairs | |
in your public clothes | |
and drive away, you become | |
the wise and powerful one | |
who makes all the days | |
possible in the world. |
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Tokyo Story. It reminded me of some questions that go stale - they are a constant when we're young then generally disappear behind humdrum existence. | |
A thoroughly noble and kind elderly couple visit their adult children in Tokyo: Doctor, owner of a salon, and businessman, they have little time to spare for their aging parents, and soon pack them off to pass the time at a nearby resort. In contrast to their children there is beyond angelic, self-effacing, widowed daughter in law, Noriko. | |
This might seem like a weak premise for a feature-length movie but it's the silences that say the most in Ozu's movies. Because of this he manages to be simultaneously subtle and unambiguous, slow and intense, familiar and thought-provoking. Initially from my perspective it seemed ironic, but the unique quality in this film is simplicity and the lack of commentary - Ozu accurately represents the way we find life. | |
It's not a movie that hollywood might recognise. As Roger Ebert says: "Tokyo Story lacks sentimental triggers an |
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1) wicked acts and statements are committed or uttered because of religion | |
2) any moral action or statement could be committed or uttered by either believer or non-believer | |
3) authentic moral actions or statements originate only from those who choose to commit or utter them, acting according to their own will | |
3) moral decisions should be made without the influence of fatalism | |
4) moral capacity is only present in the absence of belief in (all-powerful, all-knowing) higher power | |
side issues: | |
- if objectivity is important in morality it is important in order for a moral choice to be assessed by others | |
- authenticity is a social construction and is therefore important for the same reason | |
- this shapes the debate between religion and science on the issue of evil |
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Once I am sure there's nothing going on | |
I step inside, letting the door thud shut. | |
Another church: matting, seats, and stone, | |
And little books; sprawlings of flowers, cut | |
For Sunday, brownish now; some brass and stuff | |
Up at the holy end; the small neat organ; | |
And a tense, musty, unignorable silence, | |
Brewed God knows how long. Hatless, I take off | |
My cycle-clips in awkward reverence, |
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politics has two angles or perspectives: the leader and the citizen. | |
generally one and the other do not coexist. in a nonrevolutionary | |
environment people from both perspectives take the state for granted | |
and conflict develops over time when these positions become too | |
divergent | |
the way we learn to feel love, judge actions acccording to our | |
conscience or use any of the emotional faculties that describe human | |
nature depends on the nuances and local complexities of the language | |
we used as children |
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The Yesees said yes to anything | |
That anyone suggested. | |
The Noees said no to everything | |
Unless it was proven and tested. | |
So the Yesees all died of much too much | |
And the Noees all died of fright, | |
But somehow I think the Thinkforyourselfees | |
All came out all right. | |
...from 'Every Thing On It' by Shel Silverstein |
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nihilism - You can deconstruct anything to reveal futility, cause for for faith emerges in the gaps in the construction - windows | |
globalisation - has caused much suffering but is necessary as a step towards a framework where postive social change can becomje resilient - utopia ...all political systems that required permanence were idealism before they had access to a universal marketplace | |
immigration - What kind of nation would you have if you didn't encounter change? If new blood didn't enter the values and language of a country the values and language would be more vulnerable, less healthy |
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(Inspiration) | |
Open Letter to the South | |
Langston Hughes | |
White workers of the South | |
Miners, | |
Farmers, | |
Mechanics, | |
Mill Hands, |
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Antoine de Saint-Exupéry - “looking together in the same direction” | |
romance - romantics should be given credit for giving us a tool to flourish, Thalia meeting Erato and Melpomene (??), something that was previously lacking and necessary in modern life. creativity needs inspiration. |