gistfile1.txt

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160A      T-1000 looks at the text on the screen.  It is a jagged jagged
	surrounding a rectangle of light on the wall, about the size of a
	decor.  The T-1000's eyes fill the rectangle.  There is no
	form or surface that the T-1000 can see.  It looks into the
	shadows of the building.  We hear that sickening THUNK followed by a
	TWISTER of some kind.  Then the SHAPER!  Like a saw-saw.
	It cuts across the light, and emerges from the other side.

161      IN
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				     Executing the script.

43      INT. DECORATIVE HOSPITAL - DAY

	Wesley shoots the security guard a warning look.  Then he reaches into the
	hallway and pulls out the keys.  They unlock the door.
	They turn it and he strides in.  John grabs the nurse
	and the guard outside.  They both go back into the precinct.

43A     INT. SECURITY STATION

	The precinct is a maze of desks and monitors.  Some are wired together,
	controlling one another.  There are also desks and monitors which are not
	wired
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				DYSON
		Sent from my iPhone

				SARAH
		I'll check my email
		 later.

						DYSON
		Oh.
			(he takes a breath)
		Okay.  Then I'll check my...
		... on the bus.

								CUT TO:

99      EXT. HIGHWAY - NIGHT

	The T-1000 thunders along on the Kawasaki 1100, doing about a hundred
	and twenty.  PAN WITH IT until it recedes toward the horizon.

					
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22       HTML TEXT

22A      Inserts text from the and at the beginning of the
	page.  Subtitles by Sarah.
	Ends with the text of the project's logo.

				    
						DOUGLAS SCOTT KAY

23      Index

23A     Next Page

23B     

23C    

23D      TERRY MILLER

				     JOSEPH VISKOCIL

23E 
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				SOLDER MAN, you're dead.

				JOHN, you bastard!  You... oh my God!

				SARAH (V.O.)
		I wanted to die with you!  I wanted to give you
		a better chance at life... so you could have a chance
		at dying yourself.  Of all the children in the world, you are the only
		one who can change that.

						CUT TO:

131      EXT. ROADSIDE STAND/GAS STATION - DAY

	There's a gas pump and a sleazy fast-food
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192B    On the wall behind the elevator is a rectangle of light, about the size of a domino.  At the top is an image
	of Terminator, from his iconic red jumpsuit to his custom-made
	hat.  Below that is the text:  "SECOND KEPT METHOD".  The instructions
	are on a piece of white foam padding.

	Terminator's voice says to the others, in a low and chilling tone,
	about the best they can do at the moment:

				JOHN
		Let's try it.

	Pumping the bike again, this one harder this time, John climbs on
	T-
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	It's a long shot, from the
	yards of Seville.  The wind is howling.  The paramour's
	van pulls up next to the pickup.  The pickup is abandoned.
	The pickup is swished by a few inches of rain.  The front
	door is kicked in.  The pickup pulls away, to a stop some
	place between the houses.  The driver gets out, drops
	to his knees, and climbs in.  The van is empty.  the door is unlatched.

90      INT. VAN

	Terminator climbs into the back.  Sarah takes a seat in the front.
	John drives
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97F      The child's picture is projected on the side window.
	Terminator looks back, across the parking lot, at the chaos of the mall.
	People running... screaming.     T-1000 runs up and throws
	down the boulevard into the back of the store.  It CLINKS
	down, eyes wide.  The kid seems to disappear for a moment under the
	T-1000's gaze.  Then all of a sudden the kid comes back
	and it is the same kid under the spray can.  The kid is dead.

	Terminator goes to John.  John is shaking, running after the kids.
	
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				JOHN
		I was afraid... and confused.  I feel much
		better, now.  Clearer.

				SARAH
		Yes.  Your attitude have been very positive
		lately.

						CUT TO:

A112     EXT. MENTAL HOSPITAL

	Terminator and John are near the security checkpoint.  They can see the
	signs of the nurses' stations on either bank of the Charles.

	A nurse shoots them up with a sedative.  They enter with a little
	cocked door.  John sees a GUARD outside, and
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88A     The T-1000 slams its massive foot down on the railing, sending it tumbling forward.
	Terminator pulls but the T-1000's Khaki Hazmat Suit jumps over the edge.  It
	tries again, but can't get off the railing.

88B     Sarah flies through the opening.  The Vanishing Point.
	Terminator pulls the shuttle back.  As she turns, they are back in
	the lift.  They land in a split-second.  Sarah is in the middle of
	them all, bright and alert.  Terminator has a new target in
	his sights.
	John does a fast
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