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Created April 7, 2022 12:16
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1.xml
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<?xml version="1.0" encoding="UTF-8"?>
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eng
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DLC
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OCLCQ
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BAKER
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BTCTA
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OCLCG
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UWW
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UKMGB
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MOZ
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OCLCA
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OCLCF
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EOS
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<subfield code="d">
OCLCQ
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OCLCA
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A17 1956
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811.5
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811 M645col
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Millay, Edna St. Vincent,
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<subfield code="d">
1892-1950.
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<datafield tag="240" ind1="1" ind2="0">
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Poems
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<datafield tag="245" ind1="1" ind2="0">
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Collected poems /
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edited by Norma Millay.
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New York :
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Harper,
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<subfield code="c">
[1956]
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738 pages ;
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22 cm
</subfield>
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<subfield code="a">
text
</subfield>
<subfield code="b">
txt
</subfield>
<subfield code="2">
rdacontent
</subfield>
</datafield>
<datafield tag="337" ind1=" " ind2=" ">
<subfield code="a">
unmediated
</subfield>
<subfield code="b">
n
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<subfield code="2">
rdamedia
</subfield>
</datafield>
<datafield tag="338" ind1=" " ind2=" ">
<subfield code="a">
volume
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<subfield code="b">
nc
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rdacarrier
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<datafield tag="520" ind1=" " ind2=" ">
<subfield code="a">
The collected poems of Edna St. Vincent Millay including the poet's last volume Mine the Harvest.
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="t">
Renascence --
</subfield>
<subfield code="t">
Interim --
</subfield>
<subfield code="t">
The suicide --
</subfield>
<subfield code="t">
God's world --
</subfield>
<subfield code="t">
Afternoon on a hill --
</subfield>
<subfield code="t">
Sorrow --
</subfield>
<subfield code="t">
Tavern --
</subfield>
<subfield code="t">
Ashes of life --
</subfield>
<subfield code="t">
The little ghost --
</subfield>
<subfield code="t">
Kin to sorrow --
</subfield>
<subfield code="t">
The first rose on my rose-tree --
</subfield>
<subfield code="t">
Let the little birds sing --
</subfield>
<subfield code="t">
All the dog-wood blossoms are underneath the tree --
</subfield>
<subfield code="t">
The shroud --
</subfield>
<subfield code="t">
The dream --
</subfield>
<subfield code="t">
Indifference --
</subfield>
<subfield code="t">
Witch-wife --
</subfield>
<subfield code="t">
Blight --
</subfield>
<subfield code="t">
When the year grows old --
</subfield>
<subfield code="t">
Spring --
</subfield>
<subfield code="t">
City trees --
</subfield>
<subfield code="t">
The blue-flag in the bog --
</subfield>
<subfield code="t">
Journey --
</subfield>
<subfield code="t">
Eel-grass --
</subfield>
<subfield code="t">
Elegy before death --
</subfield>
<subfield code="t">
The bean-stalk- --
</subfield>
<subfield code="t">
Weeds --
</subfield>
<subfield code="t">
Passer mortuus est --
</subfield>
<subfield code="t">
Pastoral --
</subfield>
<subfield code="t">
Assault --
</subfield>
<subfield code="t">
Travel --
</subfield>
<subfield code="t">
Low-tide --
</subfield>
<subfield code="t">
Song of a second April --
</subfield>
<subfield code="t">
Rosemary --
</subfield>
<subfield code="t">
The poet and his book --
</subfield>
<subfield code="t">
Alms --
</subfield>
<subfield code="t">
Inland --
</subfield>
<subfield code="t">
To a poet that died young --
</subfield>
<subfield code="t">
Wraith --
</subfield>
<subfield code="t">
Ebb --
</subfield>
<subfield code="t">
Elaine --
</subfield>
<subfield code="t">
Burial --
</subfield>
<subfield code="t">
Mariposa --
</subfield>
<subfield code="t">
The little hill --
</subfield>
<subfield code="t">
Doubt no more that Oberon --
</subfield>
<subfield code="t">
Lament --
</subfield>
<subfield code="t">
Exiled --
</subfield>
<subfield code="t">
The death of autumn --
</subfield>
<subfield code="t">
Ode to silence --
</subfield>
<subfield code="t">
Epitaph --
</subfield>
<subfield code="t">
Prayer to Persephone --
</subfield>
<subfield code="t">
Chorus --
</subfield>
<subfield code="t">
Dirge --
</subfield>
<subfield code="t">
Elegy^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Wild swans --
</subfield>
<subfield code="t">
First fig --
</subfield>
<subfield code="t">
Second fig --
</subfield>
<subfield code="t">
Recuerdo --
</subfield>
<subfield code="t">
Thursday --
</subfield>
<subfield code="t">
To the not impossible him --
</subfield>
<subfield code="t">
Macdougal street --
</subfield>
<subfield code="t">
The singing-woman for the wood's edge --
</subfield>
<subfield code="t">
She is overheard singing --
</subfield>
<subfield code="t">
The unexplorer --
</subfield>
<subfield code="t">
Grown-up --
</subfield>
<subfield code="t">
The penitent --
</subfield>
<subfield code="t">
Daphne --
</subfield>
<subfield code="t">
Portrait by a neighbour --
</subfield>
<subfield code="t">
Midnight oil --
</subfield>
<subfield code="t">
The merry maid --
</subfield>
<subfield code="t">
To Kathleen --
</subfield>
<subfield code="t">
To S.M. --
</subfield>
<subfield code="t">
The philosopher --
</subfield>
<subfield code="t">
My heart, being hungry --
</subfield>
<subfield code="t">
Autumn chant --
</subfield>
<subfield code="t">
Nuit Blanche --
</subfield>
<subfield code="t">
Oh, little rose tree, bloom --
</subfield>
<subfield code="t">
Beat me a crown of bluer metal --
</subfield>
<subfield code="t">
Rain comes down --
</subfield>
<subfield code="t">
The wood road --
</subfield>
<subfield code="t">
Feast --
</subfield>
<subfield code="t">
Souvenir --
</subfield>
<subfield code="t">
Scrub --
</subfield>
<subfield code="t">
The goose girl --
</subfield>
<subfield code="t">
The dragonfly --
</subfield>
<subfield code="t">
Departure --
</subfield>
<subfield code="t">
The return from town --
</subfield>
<subfield code="t">
A visit to the asylum --
</subfield>
<subfield code="t">
The Spring and the Fall --
</subfield>
<subfield code="t">
The curse --
</subfield>
<subfield code="t">
Keen --
</subfield>
<subfield code="t">
The betrothal --
</subfield>
<subfield code="t">
Humoresque --
</subfield>
<subfield code="t">
The pond --
</subfield>
<subfield code="t">
The ballad of the harp-weaver --
</subfield>
<subfield code="t">
Never may the fruit be plucked --
</subfield>
<subfield code="t">
The concert --
</subfield>
<subfield code="t">
Hyacinth --
</subfield>
<subfield code="t">
To one who might have borne a message --
</subfield>
<subfield code="t">
Siege --
</subfield>
<subfield code="t">
The cairn --
</subfield>
<subfield code="t">
Spring song^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Memory of Cape Cod --
</subfield>
<subfield code="t">
Moriturus --
</subfield>
<subfield code="t">
Song --
</subfield>
<subfield code="t">
To the wife of a sick friend --
</subfield>
<subfield code="t">
The bobolink --
</subfield>
<subfield code="t">
The hawkweed --
</subfield>
<subfield code="t">
To a friend estranged from me --
</subfield>
<subfield code="t">
The road to Avrille --
</subfield>
<subfield code="t">
For Pao-Chin, a boatman on the Yellow Sea --
</subfield>
<subfield code="t">
Northern April --
</subfield>
<subfield code="t">
There at dusk I found you --
</subfield>
<subfield code="t">
Being young and green --
</subfield>
<subfield code="t">
Mist in the valley --
</subfield>
<subfield code="t">
The hardy garden --
</subfield>
<subfield code="t">
The pigeons --
</subfield>
<subfield code="t">
The buck in the snow --
</subfield>
<subfield code="t">
The anguish --
</subfield>
<subfield code="t">
Justice denied in Massachusetts --
</subfield>
<subfield code="t">
Hangman's oak --
</subfield>
<subfield code="t">
Wine from these grapes --
</subfield>
<subfield code="t">
To those without pity --
</subfield>
<subfield code="t">
Dawn --
</subfield>
<subfield code="t">
To a young girl --
</subfield>
<subfield code="t">
Evening on Lesbos --
</subfield>
<subfield code="t">
Dirge withoout music --
</subfield>
<subfield code="t">
Memory of Cassis --
</subfield>
<subfield code="t">
Portrait --
</subfield>
<subfield code="t">
Winter night --
</subfield>
<subfield code="t">
The cameo --
</subfield>
<subfield code="t">
Counting-out rhyme --
</subfield>
<subfield code="t">
The plum gatherer --
</subfield>
<subfield code="t">
West country song --
</subfield>
<subfield code="t">
Pueblo pot --
</subfield>
<subfield code="t">
When caesar fell --
</subfield>
<subfield code="t">
Lethe --
</subfield>
<subfield code="t">
On first having heard the skylark --
</subfield>
<subfield code="t">
To a musician --
</subfield>
<subfield code="t">
Come along in then, little girl --
</subfield>
<subfield code="t">
Oh, burdock, and you other dock --
</subfield>
<subfield code="t">
Everybody but just me --
</subfield>
<subfield code="t">
I know a hundred ways to die^^^ song^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Look, Edwin! do you see that boy --
</subfield>
<subfield code="t">
All the grown-up people say --
</subfield>
<subfield code="t">
Wonder where this horseshoe went --
</subfield>
<subfield code="t">
The return --
</subfield>
<subfield code="t">
October --
</subfield>
<subfield code="t">
an etching --
</subfield>
<subfield code="t">
Autumn daybreak --
</subfield>
<subfield code="t">
The oak-leaves --
</subfield>
<subfield code="t">
The fledgling --
</subfield>
<subfield code="t">
The hedge of hemlocks --
</subfield>
<subfield code="t">
Cap D' Antibes --
</subfield>
<subfield code="t">
From a train window --
</subfield>
<subfield code="t">
The fawn --
</subfield>
<subfield code="t">
Valentine --
</subfield>
<subfield code="t">
In the grave no flower --
</subfield>
<subfield code="t">
Childhood is the kingdom where nobody dies --
</subfield>
<subfield code="t">
The solid sprite who stands alone --
</subfield>
<subfield code="t">
Spring n the garden --
</subfield>
<subfield code="t">
Sonnet --
</subfield>
<subfield code="t">
Aubade --
</subfield>
<subfield code="t">
Sappho crosses the dark river into Hades --
</subfield>
<subfield code="t">
Epitaph --
</subfield>
<subfield code="t">
On thought in harness --
</subfield>
<subfield code="t">
Desolation dreamed of --
</subfield>
<subfield code="t">
The leaf and the tree --
</subfield>
<subfield code="t">
On the wide heath --
</subfield>
<subfield code="t">
Apostrophe to man --
</subfield>
<subfield code="t">
My spirit, sore from marching --
</subfield>
<subfield code="t">
Conscientious objector --
</subfield>
<subfield code="t">
Above these cares --
</subfield>
<subfield code="t">
If still your orchards bear --
</subfield>
<subfield code="t">
Lines for a grave-stone --
</subfield>
<subfield code="t">
How naked, how without a wall --
</subfield>
<subfield code="t">
The ballad of Chaldon Down --
</subfield>
<subfield code="t">
The princess recalls her one adventure --
</subfield>
<subfield code="t">
Short story --
</subfield>
<subfield code="t">
Pretty love, I must outlive you --
</subfield>
<subfield code="t">
English sparrows^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Impression: fog off the coast of Dorset --
</subfield>
<subfield code="t">
The rabbit --
</subfield>
<subfield code="t">
Song for young lovers in a city --
</subfield>
<subfield code="t">
To a Calvinist in Bali --
</subfield>
<subfield code="t">
Thanksgiving dinner --
</subfield>
<subfield code="t">
The snow storm --
</subfield>
<subfield code="t">
Huntsman, what quarry? --
</subfield>
<subfield code="t">
That chill is in the air --
</subfield>
<subfield code="t">
Branch by branch --
</subfield>
<subfield code="t">
Distressed mind, forbear --
</subfield>
<subfield code="t">
Not dead of wounds, not borne --
</subfield>
<subfield code="t">
Poor passionate thing --
</subfield>
<subfield code="t">
Rendezvous --
</subfield>
<subfield code="t">
The fitting --
</subfield>
<subfield code="t">
What savage blossom --
</subfield>
<subfield code="t">
Menses --
</subfield>
<subfield code="t">
The plaid dress --
</subfield>
<subfield code="t">
"Fontaine, je ne bourai pas de ton eau!" --
</subfield>
<subfield code="t">
Intention to escape from him --
</subfield>
<subfield code="t">
To a young poet --
</subfield>
<subfield code="t">
Modern declaration --
</subfield>
<subfield code="t">
The road to the past --
</subfield>
<subfield code="t">
The true encounter --
</subfield>
<subfield code="t">
Not even my pride will suffer much --
</subfield>
<subfield code="t">
Heart, do not bruise the breast --
</subfield>
<subfield code="t">
Rolled in the trough of thick desire --
</subfield>
<subfield code="t">
And do you think that love itself --
</subfield>
<subfield code="t">
I had not thought so tame a thing --
</subfield>
<subfield code="t">
Leap now into this quiet grave --
</subfield>
<subfield code="t">
Now from a stout and more imperious day --
</subfield>
<subfield code="t">
The time of year ennobles you --
</subfield>
<subfield code="t">
Song for a lute --
</subfield>
<subfield code="t">
For you there is no song^^^ou --
</subfield>
<subfield code="t">
English sparrows^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Sonnet in answer to a question --
</subfield>
<subfield code="t">
Nobody now throughout the pleasant day --
</subfield>
<subfield code="t">
Gone over to the enemy now --
</subfield>
<subfield code="t">
Over the hollow land --
</subfield>
<subfield code="t">
Inert perfection --
</subfield>
<subfield code="t">
Say that we saw Spain die --
</subfield>
<subfield code="t">
Undergtround system --
</subfield>
<subfield code="t">
Two voices --
</subfield>
<subfield code="t">
Mortal flesh, is not your place in the ground? --
</subfield>
<subfield code="t">
No earthly enterprise --
</subfield>
<subfield code="t">
Lines written in recapitulation --
</subfield>
<subfield code="t">
This dusky faith --
</subfield>
<subfield code="t">
Truce for a moment --
</subfield>
<subfield code="t">
To the maid of Orleans --
</subfield>
<subfield code="t">
Memory of England --
</subfield>
<subfield code="t">
The pear tree --
</subfield>
<subfield code="t">
Druid's chant --
</subfield>
<subfield code="t">
Song of the nations --
</subfield>
<subfield code="t">
Baccalaureate hymn --
</subfield>
<subfield code="t">
Invocation to the Muses --
</subfield>
<subfield code="t">
To S.V.B. --
</subfield>
<subfield code="t">
If, in the foggy Aleutians --
</subfield>
<subfield code="t">
Poem and prayer for an invading army --
</subfield>
<subfield code="t">
Christmas canticle --
</subfield>
<subfield code="t">
We have gone too far --
</subfield>
<subfield code="t">
Deep in the muck of unregarded doom --
</subfield>
<subfield code="t">
The animal ball --
</subfield>
<subfield code="t">
Through the green forest --
</subfield>
<subfield code="t">
As sharp as in my childhood --
</subfield>
<subfield code="t">
By goodness and by evil so surrounded --
</subfield>
<subfield code="t">
At least, my dear --
</subfield>
<subfield code="t">
Small hands, relinquish all --
</subfield>
<subfield code="t">
Ragged island --
</subfield>
<subfield code="t">
To whom the house of Montagu was neighbour^^^arrows^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
This is mine, and I can hold it --
</subfield>
<subfield code="t">
Of what importance, o my lovely girls, my dancers --
</subfield>
<subfield code="t">
Few come this way --
</subfield>
<subfield code="t">
The strawberry shrub --
</subfield>
<subfield code="t">
When it is over --
</subfield>
<subfield code="t">
The courage that my mother had --
</subfield>
<subfield code="t">
Wild-cat, gnat and I --
</subfield>
<subfield code="t">
This should be simple; if one's power were great --
</subfield>
<subfield code="t">
Song --
</subfield>
<subfield code="t">
New England spring, 1942 --
</subfield>
<subfield code="t">
Her in a rocky cup --
</subfield>
<subfield code="t">
How innocent we lie --
</subfield>
<subfield code="t">
Armenoville --
</subfield>
<subfield code="t">
Put it down! I say --
</subfield>
<subfield code="t">
I still can see --
</subfield>
<subfield code="t">
There were herbs strown --
</subfield>
<subfield code="t">
Heavily on the faithful bulk of Kurvenal --
</subfield>
<subfield code="t">
Dream of Saba --
</subfield>
<subfield code="t">
Who hurt you so --
</subfield>
<subfield code="t">
When the tree-sparrows with no sound --
</subfield>
<subfield code="t">
Amorphous is the mind --
</subfield>
<subfield code="t">
For warmth alone, for shelter only --
</subfield>
<subfield code="t">
The agnostic --
</subfield>
<subfield code="t">
The apple-trees bud, but I do not --
</subfield>
<subfield code="t">
Black hair you'd day she had --
</subfield>
<subfield code="t">
Cave canem --
</subfield>
<subfield code="t">
An ancient gesture --
</subfield>
<subfield code="t">
Jesus to His disciples --
</subfield>
<subfield code="t">
Establishment is shocked --
</subfield>
<subfield code="t">
Some things are dark --
</subfield>
<subfield code="t">
If it should rain --
</subfield>
<subfield code="t">
The Parsi woman --
</subfield>
<subfield code="t">
Journal --
</subfield>
<subfield code="t">
The sea at sunset can reflect --
</subfield>
<subfield code="t">
I, in disgust with the living^^^ws^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
How did I bear it --
</subfield>
<subfield code="t">
Men working --
</subfield>
<subfield code="t">
Steepletop --
</subfield>
<subfield code="t">
Even you, sweet Basil --
</subfield>
<subfield code="t">
Nothing could stand all this rain --
</subfield>
<subfield code="t">
Borage, forage for bees --
</subfield>
<subfield code="t">
The gardener in haying time --
</subfield>
<subfield code="t">
Sky-coloured bird --
</subfield>
<subfield code="t">
To a snake --
</subfield>
<subfield code="t">
I woke in the night and heard the wind --
</subfield>
<subfield code="t">
Look how the bittersweet --
</subfield>
<subfield code="t">
Truck-garden market-day --
</subfield>
<subfield code="t">
Intense and terrible, I think, must be the loneliness --
</subfield>
<subfield code="t">
Sometimes, oh, often, indeed --
</subfield>
<subfield code="t">
Not for a nation --
</subfield>
<subfield code="t">
Thou art not lovelier than lilacs, no --
</subfield>
<subfield code="t">
Time does not bring relief, you all have lied --
</subfield>
<subfield code="t">
Mindful of you the sodden earth in spring --
</subfield>
<subfield code="t">
Not in this chamber only at my birth --
</subfield>
<subfield code="t">
If I should learn, in some quite casual way --
</subfield>
<subfield code="t">
This door you might not open, and you did --
</subfield>
<subfield code="t">
I do but ask that you be always fair --
</subfield>
<subfield code="t">
Love, though for this you riddle me with darts --
</subfield>
<subfield code="t">
I think I should have loved you presently --
</subfield>
<subfield code="t">
Oh, think not I am faithful to a vow --
</subfield>
<subfield code="t">
I shall forget you presently, my dear --
</subfield>
<subfield code="t">
We talk of taxes, and I call you friend^^^g^^^ws^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Into the golden vessel of great song --
</subfield>
<subfield code="t">
Not with libations, but with shouts and laughter --
</subfield>
<subfield code="t">
Only until this cigarette is ended --
</subfield>
<subfield code="t">
Once more into my arid days like dew --
</subfield>
<subfield code="t">
No rose that in a garden ever grew --
</subfield>
<subfield code="t">
When I too long have looked upon your face --
</subfield>
<subfield code="t">
And you as well must die, beloved dust --
</subfield>
<subfield code="t">
Let you not say of me when I am old --
</subfield>
<subfield code="t">
Oh, my beloved have you thought of this --
</subfield>
<subfield code="t">
As to some lovely temple --
</subfield>
<subfield code="t">
Cherish you then --
</subfield>
<subfield code="t">
When you --
</subfield>
<subfield code="t">
That love at length --
</subfield>
<subfield code="t">
Love is not blind --
</subfield>
<subfield code="t">
I know I am but summer --
</subfield>
<subfield code="t">
I pray you if you love me --
</subfield>
<subfield code="t">
Pity me not --
</subfield>
<subfield code="t">
Sometimes when I am wearied suddenly --
</subfield>
<subfield code="t">
Oh, oh, you will be sorry for that word --
</subfield>
<subfield code="t">
Here is a wound that never will heal --
</subfield>
<subfield code="t">
I shall go back again to the bleak shore --
</subfield>
<subfield code="t">
Say what you will --
</subfield>
<subfield code="t">
What's this of death --
</subfield>
<subfield code="t">
I see so clearly now my similar years --
</subfield>
<subfield code="t">
Your face is like a chamber --
</subfield>
<subfield code="t">
The light combes back with Columbine --
</subfield>
<subfield code="t">
Lord Archer, Death, whom sent you in your stead^^^ friend^^^g^^^ws^^^
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="9">
^
</subfield>
<subfield code="t">
Loving you less than life --
</subfield>
<subfield code="t">
I, being born a woman and distressed --
</subfield>
<subfield code="t">
What lips my lips have kissed --
</subfield>
<subfield code="t">
Still will I harvest beauty where it grows --
</subfield>
<subfield code="t">
How healthily after feet upon the floor --
</subfield>
<subfield code="t">
Euclid alone has looked on beauty bare --
</subfield>
<subfield code="t">
Sonnets from an ungrafted tree.
</subfield>
</datafield>
<datafield tag="505" ind1="0" ind2="0">
<subfield code="t">
Life ... --
</subfield>
<subfield code="t">
Grow not too high --
</subfield>
<subfield code="t">
Not that it matters --
</subfield>
<subfield code="t">
Country of hunchbacks --
</subfield>
<subfield code="t">
Upon this marble bust that is not I --
</subfield>
<subfield code="t">
For this your mother sweated in the cold --
</subfield>
<subfield code="t">
Sweet sounds --
</subfield>
<subfield code="t">
What thing is this that --
</subfield>
<subfield code="t">
The beast that rends me in the sight of all --
</subfield>
<subfield code="t">
No lack of cousel from the shrewd and wise --
</subfield>
<subfield code="t">
Nay, learned doctor, these fine leeches fresh --
</subfield>
<subfield code="t">
Of all that ever in extreme disease --
</subfield>
<subfield code="t">
Since I cannot persuade you from this mood --
</subfield>
<subfield code="t">
Nigh is my sister --
</subfield>
<subfield code="t">
Yet in an hour to come --
</subfield>
<subfield code="t">
When you are dead --
</subfield>
<subfield code="t">
Strange thing that I --
</subfield>
<subfield code="t">
Not in a silver casket cool with pearls --
</subfield>
<subfield code="t">
Olympian gods --
</subfield>
<subfield code="t">
I said --
</subfield>
<subfield code="t">
Epitaph for the race of man --
</subfield>
<subfield code="t">
Those hours when happy hours were my estate --
</subfield>
<subfield code="t">
Not, to me, less lavish --
</subfield>
<subfield code="t">
Tranquility at length --
</subfield>
<subfield code="t">
And is indeed truth beauty --
</subfield>
<subfield code="t">
to hold secure the province of pure art --
</subfield>
<subfield code="t">
And if I die --
</subfield>
<subfield code="t">
It is the fashion now to wave aside --
</subfield>
<subfield code="t">
Admetus --
</subfield>
<subfield code="t">
What chores these churls do put upon the great --
</subfield>
<subfield code="t">
I will put chaous into fourteen lines --
</subfield>
<subfield code="t">
Come home, victorious wounded --
</subfield>
<subfield code="t">
Read history so learn your place in time --
</subfield>
<subfield code="t">
Read history tus learn how small a space --
</subfield>
<subfield code="t">
My words that once were virtuous and expressed --
</subfield>
<subfield code="t">
Now sits the autumn cricket in the grass --
</subfield>
<subfield code="t">
And must I then --
</subfield>
<subfield code="t">
If I die solvent --
</subfield>
<subfield code="t">
Grief that is grief and properly so hight --
</subfield>
<subfield code="t">
Falicity of grief --
</subfield>
<subfield code="t">
What rider spurs him from the darkening east.
</subfield>
</datafield>
<datafield tag="599" ind1=" " ind2=" ">
<subfield code="9">
LOCAL
</subfield>
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<datafield tag="648" ind1=" " ind2="7">
<subfield code="a">
1900 - 1999
</subfield>
<subfield code="2">
fast
</subfield>
</datafield>
<datafield tag="650" ind1=" " ind2="0">
<subfield code="a">
American poetry
</subfield>
<subfield code="y">
20th century
</subfield>
<subfield code="x">
Women authors.
</subfield>
</datafield>
<datafield tag="650" ind1=" " ind2="7">
<subfield code="a">
American poetry
</subfield>
<subfield code="x">
Women authors.
</subfield>
<subfield code="2">
fast
</subfield>
<subfield code="0">
(OCoLC)fst00807417
</subfield>
</datafield>
<datafield tag="776" ind1="0" ind2="8">
<subfield code="i">
Online version:
</subfield>
<subfield code="a">
Millay, Edna St. Vincent, 1892-1950.
</subfield>
<subfield code="t">
Collected poems.
</subfield>
<subfield code="d">
New York, Harper [1956]
</subfield>
<subfield code="w">
(OCoLC)560239512
</subfield>
</datafield>
<datafield tag="OWN" ind1=" " ind2=" ">
<subfield code="a">
Training Master DB
</subfield>
</datafield>
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0684806509 (set : alk. paper)
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0684806517 (v. 1 : alk. paper)
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0684806525 (v. 2 : alk. paper)
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0684806533 (v. 3 : alk. paper)
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0684806541 (v. 4 : alk. paper)
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(DE-604)0036142
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DLC
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DLC
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DLC
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lcac
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f------
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DT3
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960/.03
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21
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Record 4
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<datafield tag="260" ind1=" " ind2=" ">
<subfield code="a">
New York :
</subfield>
<subfield code="b">
Charles Scribner's Sons,
</subfield>
<subfield code="c">
c2002.
</subfield>
</datafield>
<datafield tag="300" ind1=" " ind2=" ">
<subfield code="a">
4 v. :
</subfield>
<subfield code="b">
ill. (some col.), maps ;
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29 cm.
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Includes bibliographical references and index.
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v. 1. Abidjan-Economic -- v. 2. Ecosystem-Laws -- v. 3. Leakey-Rwanda -- v. 4. Sadat-Zulu.
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A comprehensive look at the continent of Africa and the countries that comprise it, including peoples and cultures, the land and its history, art and architecture, and daily life.
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LOCAL
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Africa
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Encyclopedias, Juvenile.
</subfield>
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<datafield tag="651" ind1=" " ind2="1">
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Africa
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<subfield code="v">
Encyclopedias.
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Middleton, John,
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1921-
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Book review (H-Net)
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<subfield code="u">
http://www.h-net.org/review/hrev-a0c4z8-aa
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7
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cbc
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orignew
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1
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ocip
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20
</subfield>
<subfield code="g">
y-gencatlg
</subfield>
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acquire
</subfield>
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2 shelf copies
</subfield>
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policy default
</subfield>
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<subfield code="a">
Complete in 4 v.; CIP for 4 v. rec'd.
</subfield>
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<datafield tag="955" ind1=" " ind2=" ">
<subfield code="a">
pc17 2001-07-30 to HLCD
</subfield>
<subfield code="c">
lh38 2001-08-01;
</subfield>
<subfield code="d">
lk03 2001-08-01 received for subject; sent to shelflisting 2001-08-01
</subfield>
<subfield code="e">
lk13 2001-08-03 to Ch Lit;
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<subfield code="a">
lb00 2001-08-09
</subfield>
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lb18 2001-08-13
</subfield>
<subfield code="a">
aa03 2001-08-13
</subfield>
<subfield code="a">
ps10 2002-12-18 v. 1-4 rec'd, to CIP ver.
</subfield>
<subfield code="f">
lh44 2003-03-07
</subfield>
<subfield code="g">
lh44 2003-03-07 (4 vols.) to BCCD
</subfield>
<subfield code="a">
lc15 2003-07-31 (c.2, 4 v.)
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Art history france
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LOCAL
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3105412
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748997063
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LQU
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43933
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NZ1
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3474131
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ZWZ
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DLC
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BTCTA
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OCLCG
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WY@
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<subfield code="d">
OCLCO
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<subfield code="d">
OCLCF
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<subfield code="d">
OCLCQ
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<subfield code="d">
MXL
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eng
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939
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<datafield tag="100" ind1="1" ind2=" ">
<subfield code="a">
Ceram, C. W.,
</subfield>
<subfield code="d">
1915-1972.
</subfield>
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<datafield tag="240" ind1="1" ind2="0">
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Enge Schlucht und schwarzer Berg.
</subfield>
<subfield code="l">
English
</subfield>
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<datafield tag="245" ind1="1" ind2="4">
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The secret of the Hittites;
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<subfield code="b">
the discovery of an ancient empire,
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<subfield code="c">
by C.W. Ceram; Translated from the German by Richard and Clara Winston.
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I. The enigma of their existence -- 1. Discovery and wild surmise -- Leander swan from Asia to Europe -- What was known about the Hittites in A.D. 1871 -- What is known today -- Asia Minor: A winter like Northern Germany, a summer like Southern France -- Texier and the ruins of Boghazkoy -- "Sheik Ibrahim" -- The Hamath stones -- Sayce guesses the existence of a Hittite Empire -- 2. The Bible and new research -- Abraham and the Children of Heth -- The Bible as a source book of history -- A farmer's wife throws clay tablets around the Armarna archives -- "Let my brother send me very much gold" -- Humann and Luschan dig at Zinjirli -- Lions beneath the "flower of the lower world" -- "The goal we had sought had been achieved" -- Really? -- 3. WInckler digs in Boghazkoy -- The anti-Semite and his Jewish banker -- Tacht-biti -- Vermin -- Zia Bey, scion of Seldjuk nobility -- The first thirty-four clay tablets -- A royal treaty 3100 years old -- Hattusas, the capital of the Hittites -- Zia Bey's banquet -- Digging up clay tablets as a peasant woman digs potatoes -- Garstang visits Winckler -- Lieutenant Kammergruber and the advancement of science
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II. The riddle of the scripts -- 4. On the art of deciphering -- Dead languages -- The classic examples: Grotefend and Champollion -- The dream of scholars: A bilingual -- William Jones learns Sanskrit -- THe discovery of the Indo-European family of languages -- Friedrich Hrozny's preliminary report -- Ninda, Ezza, and Vadar -- The Hittites were Indo-Europeans -- 5. Did the Hittites speak Hittite? -- Questions for Hrozny -- How did Indo-Europeans come to Anatolia? The dangers of etymology -- The grammar of Hittite -- A scholar corrects the mistakes of Hittite scribes -- The eight languages of Boghazkoy, is Chinese an important language in London? -- Who really spoke Hattili? -- "You rise out of the sea" -- Cuneiform and hieroglyphic scripts -- 6. "Nothing can be deciphered out of nothing!" -- Sayce works on the Hittite hieroglyphs for fifty-five years -- King, city, and country -- The importance of the small diagonal line -- The Constantinople coin-collector -- Six signs have been deciphered! -- "The camera doesn't lie" -- Messerschmidt and Jensen -- Fourteen scholars on the same trail -- Nasty quarrels -- The bilingual seal of Boghazkoy -- The first proof
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III. The secret of their power -- 7. The kings of Hattusas -- On the writing of history -- Science or fiction? -- Herodotus and Suetonius -- Ranke and Spengler -- The invention of "cultural history" -- The curse of Anittas -- Labarnas founds the empire -- The Testament of Hattusilis -- Mursilis conquers Babylon -- Murder most foul -- The law of Telipinus -- The two hundred missing years -- 8. The science of historical dating -- The importance of chronology -- The basis of historical dating -- Ancient Babylonian king list WB 444 -- Correcting the chronicles -- The first fixed points -- The orbit of Sirius -- The oldest date in world history? -- The tenth royal city after the flood -- The archives of Mari -- Isotope C 14 -- 9. The Battle of Kadesh -- The greatest invention of the second millennium B.C. -- The first manual of horse-training -- Suppiluliumas I. Mursilis's Prayers in time of plague -- Battles, from Troy to Dienbienphu -- The Battle of Kadesh -- Ramses's version -- The peace treaty -- The wedding of the Hittite princess -- Hattusas burns -- 10. City and land -- people and customs -- Zia Bey's Knoak -- Nineteen years later -- Morgen, Herr Hauptman! -- Workers' rebellion -- Bittel finds a thousand new clay tablets -- A Hittite empire -- But was there a Hittite culture?
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IV. The mystery of their survival -- 11. The finds on the Black Mountain -- The lion stone -- Bossert finds a Semitic inscription and Hittite hieroglyphs -- Who really discovered Karatepe? -- In the black tents of the nomads -- Citadel, statues, reliefs, and inscriptions -- The mistake -- Nocturnal encounter with Karatepe -- 12. Asitawandas speaks -- Translation of the Phoenician inscription -- King Asitawandas, Lord of Karatepe -- The pronoun 'nk and King Anek -- Doubts about the bilingual -- Steinherr dreams about hieroglyphs -- Another bilingual? -- 13. The future.
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Conference papers comprising unpublished work of researchers brought together that represent an important contribution to the review of the approaches on the artistic production linked to the academies of fine arts, as institutionalized production and places for the dissemination of art, focusing on the artistic education, historiography of art and the history of the collections, confirming the importance of museums as places of memory and knowledge production. Aimed at a better understand the constitutive collections of the academies/schools both from a social point of view (donations, collectors, curators, etc.), as well as the pedagogic perspective that was considered relevant and important to the formation of the artist or for the education of the public eye. "Most of the conferences and communications were to be printed in a book, totaling 22 articles, except one, present in this publication. The oral presentations formed the electronic proceedings, being published the articles received until the pre-set deadlines. We provided the electronic means of the original French text of Monica Preti, particularly the annexes, which could not be published in the printed version." (Our translation) --Page 6.
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Apresentação / Ana Cavalcanti, Marize Malta, Sonia Gomes Pereira -- Em tres cantos do mundo -- Napoleão e a ideia de museu universal / Monica Preti -- O Museu da Fundação Ricardo Espiritu Santo Silva: gênese, acervo e estratégias de ensino / Helder Carita -- A Academia de belas Artes e a historiografia da arte do Brasil / Sonia Gomes Pereira -- Coleções didáticas: formação e estratégias -- Diretrizes, meios, politica, filosofia do ensino na AIBA: Vamos a "ouvir" as atas? / Cybele Vidal Fernandes -- Exercícios de desenho no acervo Museu Mariano Procópio / Maraliz Christo -- Passeio Público do Rio de Janeiro em uma história que poder ser revista: os catarinenses Xavier das Conchas e Xavier dos Pássaros / Sandra Makowiecky e Fabiana Machado Didone -- Objetos, doações e memória -- Coleção de objetos: memoria tangível de uma cultura material / Marcus Dohmann -- Caixa de metal esmaltado / Maria Fernanda Lochschmidt --^
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A construção de um ideário de identidade nacional através da produção artística da Escola Nacional de Belas Arte no acervo do Museu da República / Isabel Sansan Portela -- Feições em estúdio -- Os 11 cortes de Robert Nanteuil e os seiscentos do museu / Rogeria de Ipanema -- Luzia: a história e arte na reconstrução do passado / Adilson Dias Salles, Silvia Barreiras dos Reis, Alessandra Arantes Merat, Cláudia Rodrigues Carvalho "A arte está em toda parte": as cópias pintadas por Victor Meirelles em Paris entre 1856 e 1958 e as ideias sobre arte na França e no Brasil / Ana Cavalcanti -- Murillo no Museu Dom João VI e o papel da "escola espanhola" no panorama artística carioca / Alberto Martín Chillón -- Formas de exposição -- Jonathas Abbot: individualidade e colecionismo na Bahia no século XIX / Cláudia de Oliveira -- Do salão ao leilão: formas de expor e negociar obras de arte no Rio de Janeiro (XIX/XX) / Caroline Fernandes --^
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Exposições temáticas: convite à construção de significados / Beatriz Pimentel Velloso -- Coleções e outras artes -- A paixão pela indumentária / Maria Cristina Volpi -- As aquarelas-estandartes de Amaro Amaral para o rancho Ameno Resenda, em 1912, 1913 e 1916 / Madison Luiz Gomes de Oliveira -- A presença silenciosa das artes decorativas no Museu D. João VI / Marcele Linhares -- Colecionismos e museus -- Guillermo Guinle: arte e colecionismo no Brasil da primeira metade do século XX / Paulo Knauss e Moema Alves -- Outras perspectivas e alguns avances sobre a coleção Eugenia e Jeronimo Ferreira das Neves / / Marize Malta -- Um museu "instrutivo e agradável". Jose de Figueiredo e a (re)organização do Museu Nacional de Arte Antígua (1911-1937) / Joanna Baião
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Malta, Marize,
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pt. 1. Narrative section -- 1. Geography and history -- The physical setting -- The North -- The Northeast -- The Center-West -- The South-East -- The South -- Portugal's discovery of Brazil -- Portuguese settlement of Brazil -- The indigenous population -- Colonial Brazil -- Slavery and social structure in colonial Brazil -- The church in colonial Brazil -- Colonial political and economic institutions -- Imperial reorganization (1750-1808) -- Independence -- The Brazilian Empire -- Dom Pedro I (1822-1831) -- Dom Pedro II (1840-1889) -- The republic (1889-1930) -- Canudos -- Economy of the republic -- The Vargas era (1930-1954) -- The second republic (1946-1964) -- Brazil's military dictatorship (1964-1985) -- Brazil's economic miracle -- From liberalization to redemocratization -- Fernando Collor de Mello (1990-1992) -- Fernando Henrique Cardoso (1995-2003) -- Luiz Inácio Lula da Silva (2003-present) -- References and further readings -- 2. The Brazilian economy --^
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Introduction -- Growth versus development -- Overview -- The colonial economy -- Brazil's sugar cycle -- The gold boom -- The waning years of colonial Brazil -- Brazil's postindependence economy -- Brazil's coffee cycle -- The rubber boom -- Government and the economy in nineteenth-century Brazil -- Brazil's early industrial growth -- World War I -- The 1920s -- The Great Depression -- World War II -- The postwar push to industrialize -- Brazil's military dictatorship -- External shocks and Brazil's debt crisis -- A return to democracy amidst economic instability -- Political and economic transformation : the context -- Fernando Henrique Cardoso and the real plan -- From stabilization to liberalization -- Trade -- Privatization -- Deregulation -- Roadblocks to reform -- Contemporary economic issues -- Inflation and stabilization -- Poverty and inequality -- Foreign debt -- Agrarian reform -- References and further readings -- 3. Politics and government -- Introduction --^
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The historical backdrop -- Independence and the empire -- The empire -- The old republic -- The Vargas era (1930-1945) -- The new republic -- The military republic (1964-1985) -- Transition to democracy -- José Sarney (1985-1990) -- Fernando Collor de Mello (1990-1992) -- Itamar Franco (1992-1995) -- The Cardoso era (1995-2003) -- Political reform -- Cardoso continued -- Luiz Inácio Lula da Silva (2003-present) -- The scandals -- Lula : an evaluation -- A note on foreign policy -- References and further readings -- 4. Society and culture -- Introduction -- The people -- The Portuguese -- The Indians -- The Africans -- The immigrants -- Regional types -- The language -- Social relationships -- Religion -- Catholicism -- Protestantism -- Judaism and Eastern religions -- Candomblé and other Afro-Brazilian religions -- Selected themes in Brazilian culture -- Art and architecture -- Literature -- Music -- Film -- Popular culture -- Women in Brazil -- Education --^
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References and further readings -- --
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pt. 2. Reference section -- Key events in Brazilian history -- Significant people in Brazilian history -- Brazil-related organizations -- Business and economics -- Culture, education, and exchange -- Brazil's government representatives in the United States -- News -- Tourism -- Annotated bibliography of recommended works on Brazil -- General works -- Geography and history of Brazil -- Economy of Brazil -- Politics and government -- Society and culture -- Glossary of selected terms.
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Light of experience.
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Chicago, Ill. :
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198?
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13 videocassettes (VHS) (52 min. each) :
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v.1 $635.00/set Films inc. 8-1-89 MM
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History.
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History.
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Clark, Kenneth,
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Montagnon, Peter.
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British Broadcasting Corporation.
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Television Service.
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Training Master DB
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v.3
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United States.
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Central Intelligence Agency.
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Intelligence service
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United States
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Foreign countries.
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Subversive activities
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Foreign countries.
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United States
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Documentary films.
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<subfield code="a">
Biographical films.
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</datafield>
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<subfield code="a">
Historical films.
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<datafield tag="650" ind1=" " ind2="0">
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Feature films.
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1945-1989.
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Dratch, Howard.
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Francovich, Allan.
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Isla Negra Films.
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MPI Home Video (Firm)
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Harper &amp; Row,
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Arts.
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Smith, Ralph Alexander.
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709.03
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Schocken Books,
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[1967].
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England
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19th century
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Art, Modern
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Literature, Modern
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19th century
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Art stor
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digital art images
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Online databases.
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ARTstor (Organization)
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880-03
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880-04
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Ku gong bo wu yuan (China)
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610-04/$1
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故宮 博物院 (China)
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China
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Ming-Qing dynasties, 1368-1912
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Exhibitions.
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Art
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China
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Beijing
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Exhibitions.
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丁 孟,
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880-06
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Okayama Kenritsu Bijutsukan.
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710-06/$1
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[Evanston, Ill.]
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Northwestern University Press,
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1964.
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xix, 228 p.
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Northwestern University studies in phenomenology &amp; existential philosophy
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Bibliographical footnotes.
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LOCAL
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Training Master DB
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.R4
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19
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1893-1968.
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A concise history of modern sculpture
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[by] Herbert Read.
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Modern sculpture.
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New York,
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Praeger
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[1964]
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Sculpture, Modern
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History.
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Training Master DB
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64015285
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SHCM
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TR15
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.N47 1964
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770.9
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770.9 N548h
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Newhall, Beaumont,
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1908-
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The history of photography, from 1839 to the present day.
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Rev. and enl. ed.
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New York,
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Museum of Modern Art; distributed by Doubleday, Garden City, N.Y.
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[1964]
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215 p.
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illus.
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29 cm.
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30 cm.
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127 p.
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21 cm.
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63021128
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739.27 H89
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Hughes, Graham.
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Modern jewelry,
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256 p. (chiefly illus. (part col.))
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28 cm.
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LOCAL
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793.3 K91
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Kraus, Richard G.
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History of the dance in art and education
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Englewood Cliffs, N.J.,
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[1969]
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xii, 371 p.
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illus.
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25 cm.
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69013421
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engspa
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cl-----
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SHCM
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N6502
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709.8
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709.8 C347h
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A history of Latin American art and architecture from pre-Columbian times to the present.
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New York,
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Praeger
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320 p.
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illus. (part col.), maps, ports.
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22 cm.
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Praeger world of art series
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LOCAL
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69012308
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0238788105
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11.50
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69012308 //r82
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(TrN)6606-train20072_c2db
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(DE-604)0058332
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SHCM
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N71
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.C58
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701.1
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701.1 C63
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xv, 168 p.
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illus., 8 col. plates.
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25 cm.
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LOCAL
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Art
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Art criticism
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History
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20th century.
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759.13
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After the hunt;
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William Harnett and other American still life painters, 1870-1900
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Berkeley,
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University of California Press,
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1969.
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xix, 200 p.
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illus., col. front.
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California studies in the history of art ;
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12
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Bibliographical footnotes.
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Harnett, William Michael,
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1848-1892.
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Painters
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United States.
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Still-life painting, American.
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68027341 //r922
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(TrN)6139-train20072_c2db
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DLC
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DLC
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DLC
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SHCM
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CT21
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.E8
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808.06 E78
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Bloomington,
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[1968]
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Literary form in factual narrative: the example of Boswell's Johnson, by R. W. Rader.--The uses of autobiography in the eighteenth century, by D. Greene.--How much should a biographer tell? Some eighteenth-century views, by J. L. Clifford.--Selected bibliography, by R. D. Kelly (p. 96-110)--A reading course in autobiography, by D. Greene (p. 111-117)
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LOCAL
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Biography
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18th century
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History and criticism.
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Biography as a literary form.
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Daghlian, Philip B.
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68026864 //r84
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(TrN)6123-train20072_c2db
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SHCM
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NX170
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.J35
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700/.9
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700.9 J35
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(Horst Woldemar),
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1913-
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A history of art and music
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Englewood Cliffs, N.J.,
</subfield>
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Prentice-Hall
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[1968]
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xxii, 318 p.
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illus. (part col.), maps.
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26 cm.
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Bibliography: p. 302-305.
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LOCAL
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Art
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History.
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Music
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History and criticism.
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Kerman, Joseph,
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1924-
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68026863
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25.00
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68026863 //r71
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(TrN)6122-train20072_c2db
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(DE-604)0059056
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SHCM
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N6490
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.A713
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709.04
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709.04 A74
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Arnason, H. Harvard.
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History of modern art: painting, sculpture, architecture
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[by] H. H. Arnason.
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New York,
</subfield>
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H. N. Abrams
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[1968]
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663 p.
</subfield>
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illus. (part. col.)
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31 cm.
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Bibliography: p. 631-643.
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<subfield code="9">
LOCAL
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<subfield code="a">
Art, Modern
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20th century
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History.
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Training Master DB
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68023634
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68023634 //r76
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(TrN)6027-train20072_c2db
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n-us---
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SHCM
</subfield>
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E183
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.H47 1968
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973/.02/07
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973.022 H58
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Hess, Stephen.
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The ungentlemanly art;
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a history of American political cartoons,
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by Stephen Hess and Milton Kaplan.
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History of American political cartoons.
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American political cartoons.
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New York,
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Macmillan
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[1968]
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252 p.
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26 cm.
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Bibliography: p. 225-235.
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LOCAL
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American wit and humor, Pictorial
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History.
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Political cartoons.
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United States
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Politics and government
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Kaplan, Milton,
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1918-
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Training Master DB
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DLC
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Milo Wold ... [et al.].
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Music
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Civilization, Western
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Wold, Milo Arlington.
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Music and art in the Western world.
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709.73
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[1965]
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1903-1972.
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392-814.
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Art criticism
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18th century.
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France.
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Boucher, François,
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1703-1770.
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Strong, Donald Emrys.
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The classical world
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[by] Donald E. Strong.
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New York,
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McGraw-Hill
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166, [10] p.
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30 cm.
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Landmarks of the world's art
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Bibliography: p. [169]
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Art, Classical
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Training Master DB
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709.04 L98
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Lynton, Norbert.
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The modern world.
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New York,
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McGraw-Hill
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illus. (part col.)
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Landmarks of the world's art
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Bibliography: p. [170]-171.
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Art, Modern
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19th century
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Art, Modern
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20th century
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N6410
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709.4
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709.03 K62
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Kitson, Michael.
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The age of baroque.
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New York,
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McGraw-Hill
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[1966]
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175 p.
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Landmarks of the world's art
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Bibliography: p. [172]
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Art, Baroque
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History.
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Training Master DB
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11
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Gift 10-28-92 (?) PAA
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1864-1945.
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[1963]
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21 cm.
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Translation of Die klassische Kunst.
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Art, Renaissance
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1861-1921.
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Assyria
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The Greek way.
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New York,
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Greece
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Civilization
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Macmillan,
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Mexico
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Exhibitions.
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Teotihuacán Site (San Juan Teotihuacán, Mexico)
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[1922]
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English poetry
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Roy Lichtenstein
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[videorecording] /
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produced and directed by Chris Hunt ; presented by RM Arts.
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[United States] :
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<subfield code="b">
Home Vision [distributor],
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1991.
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1 videocassette (51 min.) :
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1/2 in.
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VHS format.
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Title from cassette label.
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Originaly presented on the television program South Bank Show.
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LIC 010.
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Edited and presented by Melvyn Bragg.
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$29.95 B&amp;T 9-22-94 (Davis) MM
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Lichtenstein, Roy,
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1923-
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fre
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Hunt, Christopher.
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1939-
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Home Vision (Firm)
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RM Arts (Firm)
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South Bank show (Television program)
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Training Master DB
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DAEDAU
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816300
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USPS
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(OCoLC)1565785
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(DNLM)D00080000(s)
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(TrN)58-train20072_c2db
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MnMULS
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MnMULS
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MBTI
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MnMULS
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CU-UC
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NSDP
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DLC
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m.c.
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NST
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<subfield code="d">
RCS
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<subfield code="d">
AIP
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<subfield code="d">
NST
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<subfield code="d">
AIP
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MH
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AIP
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NST
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DLC
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NST
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DNLM
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NST
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Q11
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.B7
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505
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246 D12
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Daedalus (Boston, Mass.)
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<datafield tag="210" ind1="0" ind2=" ">
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Daedalus
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<subfield code="b">
(Cambridge)
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<datafield tag="222" ind1=" " ind2="0">
<subfield code="a">
Daedalus
</subfield>
<subfield code="b">
(Cambridge)
</subfield>
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<subfield code="a">
Daedalus :
</subfield>
<subfield code="b">
proceedings of the American Academy of Arts and Sciences.
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<datafield tag="260" ind1=" " ind2=" ">
<subfield code="a">
[Boston, Mass.] :
</subfield>
<subfield code="b">
The Academy,
</subfield>
<subfield code="c">
[1955-
</subfield>
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<datafield tag="300" ind1=" " ind2=" ">
<subfield code="a">
v. :
</subfield>
<subfield code="b">
ill. ;
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<subfield code="c">
24-26 cm.
</subfield>
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<datafield tag="310" ind1=" " ind2=" ">
<subfield code="a">
Quarterly,
</subfield>
<subfield code="b">
1958-
</subfield>
</datafield>
<datafield tag="321" ind1=" " ind2=" ">
<subfield code="a">
Irregular,
</subfield>
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1955-1957
</subfield>
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<subfield code="a">
Vol. 86, no. 1 (May 1955)-
</subfield>
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<datafield tag="500" ind1=" " ind2=" ">
<subfield code="a">
Imprint varies.
</subfield>
</datafield>
<datafield tag="500" ind1=" " ind2=" ">
<subfield code="a">
Title from cover.
</subfield>
</datafield>
<datafield tag="510" ind1="1" ind2=" ">
<subfield code="a">
Humanities index
</subfield>
<subfield code="x">
0095-5981
</subfield>
</datafield>
<datafield tag="510" ind1="1" ind2=" ">
<subfield code="a">
Magazine index
</subfield>
<subfield code="b">
1959-
</subfield>
</datafield>
<datafield tag="510" ind1="1" ind2=" ">
<subfield code="a">
RILA. Répertoire international de la littérature de l'art
</subfield>
<subfield code="x">
0145-5982
</subfield>
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ABC pol sci
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<subfield code="x">
0001-0456
</subfield>
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America, history and life
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0002-7065
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<subfield code="b">
1963-
</subfield>
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Book review index
</subfield>
<subfield code="x">
0524-0581
</subfield>
</datafield>
<datafield tag="510" ind1="2" ind2=" ">
<subfield code="a">
Historical abstracts. Part A. Modern history abstracts
</subfield>
<subfield code="x">
0363-2717
</subfield>
<subfield code="b">
1963-
</subfield>
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<datafield tag="510" ind1="2" ind2=" ">
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Historical abstracts. Part B. Twentieth century abstracts
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<subfield code="x">
0363-2725
</subfield>
<subfield code="b">
1963-
</subfield>
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<datafield tag="510" ind1="2" ind2=" ">
<subfield code="a">
Hospital literature index
</subfield>
<subfield code="x">
0018-5736
</subfield>
<subfield code="b">
Winter 1975-Summer 1989
</subfield>
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<datafield tag="510" ind1="2" ind2=" ">
<subfield code="a">
MLA international bibliography of books and articles on the modern languages and literatures (Complete edition)
</subfield>
<subfield code="x">
0024-8215
</subfield>
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<subfield code="a">
Public Affairs Information Service bulletin
</subfield>
<subfield code="x">
0033-3409
</subfield>
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Social welfare, social planning/policy &amp; social development
</subfield>
<subfield code="x">
0195-7988
</subfield>
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Social work research &amp; abstracts
</subfield>
<subfield code="x">
0148-0847
</subfield>
</datafield>
<datafield tag="510" ind1="2" ind2=" ">
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Sociological abstracts
</subfield>
<subfield code="x">
0038-0202
</subfield>
</datafield>
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Writings on American history
</subfield>
<subfield code="x">
0364-2887
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Biological abstracts
</subfield>
<subfield code="x">
0006-3169
</subfield>
</datafield>
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<subfield code="a">
Chemical abstracts
</subfield>
<subfield code="x">
0009-2258
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Psychological abstracts
</subfield>
<subfield code="x">
0033-2887
</subfield>
</datafield>
<datafield tag="510" ind1="0" ind2=" ">
<subfield code="a">
Science abstracts
</subfield>
</datafield>
<datafield tag="510" ind1="0" ind2=" ">
<subfield code="a">
Social sciences &amp; humanities index
</subfield>
<subfield code="x">
0037-7899
</subfield>
</datafield>
<datafield tag="650" ind1=" " ind2="0">
<subfield code="a">
Science
</subfield>
<subfield code="x">
Periodicals.
</subfield>
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<datafield tag="650" ind1=" " ind2="0">
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Social sciences
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<subfield code="x">
Periodicals.
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Humanities
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<subfield code="x">
Periodicals.
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American Academy of Arts and Sciences.
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<datafield tag="780" ind1="0" ind2="0">
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American Academy of Arts and Sciences.
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Proceedings of the American Academy of Arts and Sciences
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0199-9818
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(DLC)sf 86003040
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(OCoLC)1479254
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Training Master DB
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P6626
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volume one.
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s.n.,
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Employees leaving lumière factory -- Arrival of express at Lyons -- Friendly party in the garden of lumière -- Feeding the baby -- Boys sailing boats, Tuilleries garden, Paris -- The falling wall -- Baths at Milan, Italy -- French Dragoons -- Gondola party -- Sack race -- Military review --German Hussars jumping fences -- Feed the swans -- Boiler loading -- Le voyage dans le lune / G. Méliès -- The Gypsy's warning / G. Méliès -- The kingdom of the fairies (1903) / G. Méliès.
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$39.95 Facets 4-26-94 (Davis) MM
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Silent films.
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<datafield tag="650" ind1=" " ind2="0">
<subfield code="a">
Foreign films.
</subfield>
</datafield>
<datafield tag="650" ind1=" " ind2="0">
<subfield code="a">
Motion pictures
</subfield>
<subfield code="x">
History.
</subfield>
</datafield>
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Méliès, Georges,
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1861-1938.
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Training Master DB
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BTCTA
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OHX
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BWX
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Arnoldsche Art Publishers,
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2009.
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English and German.
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LOCAL
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Art and music.
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Music in art.
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History and criticism.
</subfield>
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Synesthesia in art.
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Lund, Cornelia.
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Lund, Holger,
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1967-
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Bake a book and they will come / by Iona R. Malanchuk -- Establishing a library docent program / by Mary H. Nino -- Friends in need : involving friends of the library in community outreach programs / by Vera Gubnitskaia -- Lifesaving library outreach / by Felicia A. Smith -- Planning a library anniversary celebration / by Mary H. Nino -- Reading matters in mentor : library services at the pools and beaches on Ohio's north coast / by Lynn Hawkins -- Small grants can have big rewards / by Chelsea Dinsmore -- Using a digitization project to produce a book for community outreach / by John R. Burch Jr -- Using pilot projects for outreach / by Chelsea Dinsmore -- Beyond the campus : information literacy instruction for the elder community / by Susan M. 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ram
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Strong, Donald Emrys.
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4
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Mysteries and miracle-plays.
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Dudley Andrew.
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History and criticism.
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Aesthetics.
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1984.
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Reynal,
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Vintage Books,
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[1951].
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fre
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