Spain

_spain-chickcorea.pdf

spain-chickcorea.ly

\version "2.19.80"
\include "LilyJAZZ.ily"
\include "jazz-chords.ily"
\include "comp.ily"

\paper {
	top-margin = 10
	bottom-margin = 10
	print-page-number = ##f
        %%% Footer Title and Page
        oddFooterMarkup = \markup{
          \fill-line{
            \center-column{
              \vspace #2
              \concat {
                \fontsize #-2 \fromproperty #'header:title
                \fontsize #-2 "  "
                \fontsize #-2 \fromproperty #'page:page-number-string
                \fontsize #-2 " / 2"
              }
            }
          }
        }
        evenFooterMarkup = \oddFooterMarkup
        tagline = ##f
        page-count = #2
        annotate-spacing = ##f
}
\header {
  title = \markup{\bold"Spain"}
  composer = \markup{\bold"Chick Corea"}
  tagline = ##f
}

global = {
  \time 4/4
  \numericTimeSignature
  \key b \minor
  \tempo "Samba" 4=240
  \override Score.MetronomeMark.padding = #5
}


chordNames = \chordmode {
  \global
  \override Score.RehearsalMark.self-alignment-X = #RIGHT

  \mark \markup{ \fontsize #2 \box "I" }
  \bar ".|:-||"
  \repeat volta 2{
  |r1 | s1 | e1:m7 | s2 fis2:sus4 | s2 fis:7 |s1 |  \break
  \bar "||"
  \mark \markup{   \fontsize #2 \box "A" }
  g1:maj7 | s1 | fis:7 | s1 |
  e1:m7 | a:7 | \break
  d:maj7 | g:maj7 | cis:7 | fis:7 |
  b4.:sus4  b8 s2 | s1 |
  \bar "||"
  \break
  \mark \markup{ \fontsize #2 \musicglyph #"scripts.segno"  \fontsize #2 \box "B" }
  r1|s1|s1|s1|
  s1|s1|s1|s1|
  s1|s1|
  }
  \alternative{
    {
        g2:maj7  fis4.:7 b8:sus4 |s1 | s1|
    }
    {
        g2:maj7  fis4.:7 b8:sus4~ |
    }
  }
 \break
 \mark \markup{ \fontsize #2 \box "C" }
  g1:maj7| s1| s1| s1| fis1:7 | s1 | s1| s1| e:m7 | s1 | a:7 | s1 |
  d:maj7 | s1 | g:maj7 | s1 | cis:7 | s1 | fis:7 | s1 | b:m | s1 |  b:7 |s1 |
  e1:m7 | a:7 | d:maj7 | g:maj7 | cis:7.5- | fis:7 | b:7sus4 | b:7  |
  \bar "||"
  \mark \markup{ \fontsize #2 \musicglyph #"scripts.coda"  \fontsize #2 \box "D" }
   |g2:maj7  fis4.:7 b8:sus4|
   \repeat volta 2{
    g1:maj7 | s1 | s1 | s1 | fis:7 | s1 | s1| s1| \break
    e:m7 | s1 | a:7 | s | d:maj7 | s | g:maj7 | s | \break
    cis:7.5- | s | fis:7 | s | b:m7 | s |b:7 |s | \break
  }
  \mark \markup{ \fontsize #2 \box "E" }
  e1:m7 | a:7 | d:maj7 | g:maj7 | cis:7 | fis:7 | b:7sus4 |b:7 |
  \bar "||"
  g1:maj7 | fis:7 |b:m7 |
  \bar "|."
}


melody = \relative c' {
  \global
  \override Score.BarNumber.break-visibility = ##(#f #f #f)

  \improvisationOff
  \set Staff.midiInstrument = #"clarinet"

   % I
  \repeat volta 2{

   d'4 fis8 d e d b d | r8 cis a cis  r b g4 | a4. a8 r4 a4~ | a2 fis4. fis8  |
   r4 fis2. ~| fis2 r4  fis4 |

   % A
   g4. a8~a4 b4 | cis4. d8~d4 e4 | d4. cis8~cis2~ | cis2 r4 fis,4 |
   g4. a8~a4 b4 | cis4. d8~d4 e4 | d4 e8 fis8~fis2 | fis2 r8 e4 d8|
   cis4. d8~d4 e4 | d2 cis2 | cis4. b8~b2~|b2 r2 |

   % B
   b4_\markup{\italic "(unison)" } r8 e r4 r8 g8 | fis4 d8 b8 e4 r8 a, |  r4 r8 d8 cis4 r4 | a8 b4 g8 r8g d'4 |
   e4 r8 e g4 fis8 d | b4 d8 b e4  cis8 b | r8 fis e4 r8 fis r b |  cis4. ais8~ais8 gis fis4 |
   r8 cis fis cis gis' cis, ais' a | r8 fis r fis' r4^\markup{
         \concat{
          \right-column {
            \fontsize #0 \lower #0 \vcenter \bold {"[D, coda]" }
            \fontsize #2 \musicglyph #"scripts.coda"
          }
         }
        }
   fis4 |
  }
  \alternative{
    {
        e2 d4. b8~ |b1~ |b2 r2|
    }
    {
       e2 d4. b8~ |
    }
  }
  b1~|b1~|b1|  \tuplet 3/2 2 { r4 b cis d cis b} | d4. cis8~cis4 ais4~ | ais1~ | ais1 |
  r2 fis'2 | e4. d8~d4 b4~ | b1 ~ | b1 | \tuplet 3/2 2 { r4 a b  cis d e} | d4. e8~e4 fis4~| fis1~ |fis |
  \tuplet 3/2 { r2 e d } |cis4. d8~d4 e4~ | e1~ |e1 | \tuplet 3/2 { r2 d cis} | cis2. b4~ | b1~ |b1 ~| b2r4 fis|\break
  g4. a8~a4 b4 | cis4. d8~d4 e4 | d4 e8 fis8~fis2~ | fis2 r8 e4 d8 | \break
  cis4. d8~d4 e | d2 cis | cis4. b8~b2~ |b2._\markup{\fontsize #2 \bold \italic "  D.S.to [B]" } r4 |

  \pageBreak
  |e2 d4. b8~|
  \repeat volta 2{
    \once \hideNotes
    b1_\markup{\italic \large  "ad lib" }
    \repeat unfold 22 { s1 }
    s1_\markup{\italic "(open repeat)" }
  }
  g4. a8~a4 b4 |
  cis4. d8~d4 e4 |
  d4 e8 fis8~fis2~ | fis2 r8 e4 d8 | \break
  cis4. d8~d4 e | d2 cis | cis4. b8~b2~ |b2. r4_\markup{\fontsize #3 \bold \italic " D.C." }  |
  \break
  |
  \improvisationOff

   \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
   \mark \markup{
    \left-column{
      \concat{
       \fontsize #3
       \musicglyph #"scripts.coda"
       \center-column{
         \fontsize #1 "coda"
       }
      }
    }
  }
  |e1 \fermata| d \fermata| b \fermata|
  \bar "|."
  \stopStaff
  s1|
  \bar ""
}


\score {
  \header{
    % piece = \markup {\bold "Master"}
  }
  <<
    \new ChordNames \chordNames
    \new Voice = melody \melody
  >>
  \layout {
    ragged-last = ##f
    indent = #0
  }
  \midi { }
}




% Comments
\markup{
 \left-column{
\vspace #2
   \concat{
     \box "A"
     \hspace #1
     \box "B"
     \hspace #1
     \box "C"
     \hspace #1
     \box "B"
     \hspace #1
     \musicglyph #"scripts.coda" to \box "D" " (open repeat)"
     \hspace #1
     \box "I"
     \hspace #1
     \box "A"
     \hspace #1
     \box "B"
     \hspace #1
      \musicglyph #"scripts.coda" "to coda"
   }
   \vspace #2

  \concat{
    \box "D"
    \override #'(font-name . "ヒラギノ明朝 Pro")
    "で入れるとよさそうなやつ"
   }
   \hspace #1
   "Gmaj7: 9, #11"
   "F#7: b13, (b9 or #9)"
   "Em7: 9, "
   "A7: なんでも"
   "Dmaj7: 9"
   "Gmaj7: 9, #11"
   "C#7alt: なんでも with #11 or b13"
   "F#7: なんでも"
   "Bm7: 9"
   "B7: b13, (b9 or #9)"
 }
}