"The 100 Best Movies of the Decade (2010-20)" by IndieWire

the_100_best_movies_of_the_decade.md

• “Inherent Vice” (Paul Thomas Anderson, 2014)
• “The Loneliest Planet” (Julia Loktev, 2011)
• “The Great Gatsby” (Baz Luhrmann, 2013)
• “All These Sleepless Nights” (Michal Marczak, 2016)
• “Girl Walk // All Day” (Jacob Krupnick, 2011)
• “The Arbor” (Clio Barnard, 2010)
• “Happy Hour” (Hamaguchi Ryūsuke, 2015)
• “Mother of George” (Andrew Dosunmu, 2013)
• “Spider-Man: Into the Spider-Verse” (Bob Persichetti, Peter Ramsey & Rodney Rothman, 2018)
• “Fire at Sea” (Gianfranco Rosi, 2016)
• “Private Life” (Tamara Jenkins, 2018)
• “Support the Girls” (Andrew Bujalski, 2018)
• “We Need to Talk About Kevin” (Lynne Ramsay, 2011)
• “Her Smell” (Alex Ross Perry, 2018)
• “Kate Plays Christine” (Robert Greene, 2016)
• “The Illusionist” (Sylvain Chomet, 2010)
• “Beasts of the Southern Wild” (Benh Zeitlin, 2012)
• “Synonyms” (Nadav Lapid, 2019)
• “Sunset Song” (Terence Davies, 2015)
• “High Life” (Claire Denis, 2018)
• “No Home Movie” (Chantal Akerman, 2015)
• “Kumiko, the Treasure Hunter” (David & Nathan Zellner, 2014)
• “Inside Out” (Pete Docter, 2015)
• “The Souvenir” (Joanna Hogg, 2019)
• “Leave No Trace” (Debra Granik, 2018)
• “A Star Is Born” (Bradley Cooper, 2018)
• “Star Wars: The Last Jedi” (Rian Johnson, 2017)
• “La La Land” (Damien Chazelle, 2016)
• “The Handmaiden” (Park Chan-wook, 2016)
• “Goodbye to Language” (Jean-Luc Godard, 2014)
• “Pariah” (Dee Rees, 2011)
• “The Duke of Burgundy” (Peter Strickland, 2014)
• “Jackie” (Pablo Larraín, 2016)
• “At Berkeley” (Frederick Wiseman, 2013)
• “Force Majeure” (Ruben Östlund, 2014)
• “Melancholia” (Lars von Trier, 2011)
• “Mission: Impossible — Fallout” (Christopher McQuarrie, 2018)
• “Inception” (Christopher Nolan, 2010)
• “Shoplifters” (Kore-eda Hirokazu, 2018)
• “Faces Places” (Agnès Varda & JR, 2017)
• “Black Panther” (Ryan Coogler, 2018)
• “The Farewell” (Lulu Wang, 2019)
• “The Turin Horse” (Béla Tarr and Ágnes Hranitzky, 2011)
• “Tangerine” (Sean Baker, 2015)
• “Happy as Lazzaro” (Alice Rohrwacher, 2018)
• “Frances Ha” (Noah Baumbach, 2012)
• “Cold War” (Pawel Pawlikowski, 2018)
• “A Ghost Story” (David Lowery, 2017)
• “Eden” (Mia Hansen-Løve, 2014)
• “Elle” (Paul Verhoeven, 2016)
• “The Tale of the Princess Kaguya” (Takahata Isao, 2014)
• “Before Midnight” (Richard Linklater, 2013)
• “Parasite” (Bong Joon-ho, 2019)
• “The Lost City of Z” (James Gray, 2016)
• “Hereditary” (Ari Aster, 2018)
• “A Separation” (Asghar Farhadi, 2011)
• “Cameraperson” (Kirsten Johnson, 2016)
• “Portrait of a Lady on Fire” (Céline Sciamma, 2019)
• “Zero Dark Thirty” (Kathryn Bigelow, 2012)
• “Margaret” (Kenneth Lonergan, 2011)
• “Personal Shopper” (Olivier Assayas, 2016)
• “The Babadook” (Jennifer Kent, 2014)
• “Timbuktu” (Abderrahmane Sissako, 2014)
• “Roma” (Alfonso Cuarón, 2018)
• “Spring Breakers” (Harmony Korine, 2013)
• “Only Lovers Left Alive” (Jim Jarmusch, 2013)
• “Stories We Tell” (Sarah Polley, 2012)
• “Madeline’s Madeline” (Josephine Decker, 2018)
• “The Grand Budapest Hotel” (Wes Anderson, 2014)
• “Somewhere” (Sofia Coppola, 2010)
• “This Is Not a Film” (Jafar Panahi & Mojtaba Mirtahmasb, 2011)
• “First Reformed” (Paul Schrader, 2018)
• “Paddington 2” (Paul King, 2017)
• “The Wind Rises” (Miyazaki Hayao, 2013)
• “Magic Mike XXL” (Gregory Jacobs, 2015)
• “Amour” (Michael Haneke, 2012)
• “Boyhood” (Richard Linklater, 2014)
• “O.J.: Made in America” (Ezra Edelman, 2016)
• “Burning” (Lee Chang-dong, 2018)
• “Get Out” (Jordan Peele, 2017)
• “Phantom Thread” (Paul Thomas Anderson, 2017)
• “Toni Erdmann” (Maren Ade, 2016)
• “Call Me by Your Name” (Luca Guadagnino, 2017)
• “World of Tomorrow” (Don Hertzfeldt, 2015)
• “The Social Network” (David Fincher, 2010)
• “Dogtooth” (Yorgos Lanthimos, 2010)
• “Leviathan” (Vérena Paravel & Lucien Castain-Taylor, 2012)
• “The Tree of Life” (Terrence Malick, 2011)
• “Uncle Boonmee Who Can Recall His Past Lives” (Apichatpong Weerasethakul, 2011)
• “The Wolf of Wall Street” (Martin Scorsese, 2013)
• “Lady Bird” (Greta Gerwig, 2017)
• “Mad Max: Fury Road” (2015)
• “The Master” (Paul Thomas Anderson, 2012)
• “Carol” (Todd Haynes, 2015)
• “Holy Motors” (Leos Carax, 2012)
• “Inside Llewyn Davis” (Ethan & Joel Coen, 2013)
• “The Act of Killing”/”The Look of Silence” (Joshua Oppenheimer, 2013/2015)
• “Certified Copy” (Abbas Kiarostami, 2010)
• “Under the Skin” (Jonathan Glazer, 2013)
• “Moonlight” (Barry Jenkins, 2016)