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<table> | |
<tr> | |
<td>1</td> | |
<td>Sgt. Pepper's Lonely Hearts Club Band</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>2</td> | |
<td>Are You Experienced?</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>3</td> | |
<td>Abbey Road</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>4</td> | |
<td>Revolver</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>5</td> | |
<td>Pet Sounds</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>6</td> | |
<td>Highway 11 Revisited</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>7</td> | |
<td>The Dark Side of the Moon</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>8</td> | |
<td>Rubber Soul</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>9</td> | |
<td>London Calling</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>10</td> | |
<td>The Joshua Tree</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>11</td> | |
<td>Who's Next</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>12</td> | |
<td>What's Going On</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>13</td> | |
<td>The Beatles [White Album]</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>14</td> | |
<td>Exile on Main St.</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>15</td> | |
<td>The Sun Sessions</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>16</td> | |
<td>Blood on the Tracks</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>17</td> | |
<td>Nevermind</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>18</td> | |
<td>Blonde on Blonde</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>19</td> | |
<td>Led Zeppelin [IV]</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>20</td> | |
<td>OK Computer</td> | |
<td>1997</td> | |
</tr> | |
<tr> | |
<td>21</td> | |
<td>It Takes a Nation of Millions to Hold Us Back</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>22</td> | |
<td>Born to Run</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>23</td> | |
<td>Electric Ladyland</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>24</td> | |
<td>The Velvet Underground & Nico</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>25</td> | |
<td>Led Zeppelin II</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>26</td> | |
<td>Innervisions</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>27</td> | |
<td>Ten</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>28</td> | |
<td>Thriller</td> | |
<td>1982</td> | |
</tr> | |
<tr> | |
<td>29</td> | |
<td>Never Mind the Bollocks Here's the Sex Pistols</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>30</td> | |
<td>The Rise and Fall of Ziggy Stardust and the Spiders From Mars</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>31</td> | |
<td>Exodus</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>32</td> | |
<td>Raising Hell</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>33</td> | |
<td>The Doors</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>34</td> | |
<td>Disraeli Gears</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>35</td> | |
<td>Purple Rain</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>36</td> | |
<td>Appetite for Destruction</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>37</td> | |
<td>Let It Bleed</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>38</td> | |
<td>Led Zeppelin</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>39</td> | |
<td>Astral Weeks</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>40</td> | |
<td>Blue</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>41</td> | |
<td>Beggars Banquet</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>42</td> | |
<td>Straight Outta Compton</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>43</td> | |
<td>At Fillmore East</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>44</td> | |
<td>Rumours</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>45</td> | |
<td>John Lennon / Plastic Ono Band</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>46</td> | |
<td>Music From Big Pink</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>47</td> | |
<td>The Wall</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>48</td> | |
<td>Achtung Baby</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>49</td> | |
<td>Forever Changes</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>50</td> | |
<td>Kind of Blue</td> | |
<td>1959</td> | |
</tr> | |
<tr> | |
<td>51</td> | |
<td>Paul's Boutique</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>52</td> | |
<td>Ramones</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>53</td> | |
<td>Songs in the Key of Life</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>54</td> | |
<td>Back in Black</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>55</td> | |
<td>Tapestry</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>56</td> | |
<td>Layla and Other Assorted Love Songs</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>57</td> | |
<td>Harvest</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>58</td> | |
<td>Abraxas</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>59</td> | |
<td>Axis: Bold as Love</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>60</td> | |
<td>'Live' at The Apollo</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>61</td> | |
<td>Sticky Fingers</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>62</td> | |
<td>Let It Be</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>63</td> | |
<td>Wish You Were Here</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>64</td> | |
<td>American Beauty</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>65</td> | |
<td>Bringing It All Back Home</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>66</td> | |
<td>Doolittle</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>67</td> | |
<td>Stand!</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>68</td> | |
<td>Bridge Over Troubled Water</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>69</td> | |
<td>Hotel California</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>70</td> | |
<td>Physical Graffiti</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>71</td> | |
<td>Moondance</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>72</td> | |
<td>My Aim Is True</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>73</td> | |
<td>Automatic for the People</td> | |
<td>1992</td> | |
</tr> | |
<tr> | |
<td>74</td> | |
<td>Please Please Me</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>75</td> | |
<td>DÌ©jÌÊ vu</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>76</td> | |
<td>Quadrophenia</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>77</td> | |
<td>I Never Loved a Man the Way I Love You</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>78</td> | |
<td>The Clash</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>79</td> | |
<td>Green River</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>80</td> | |
<td>At Folsom Prison</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>81</td> | |
<td>Goodbye Yellow Brick Road</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>82</td> | |
<td>Remain in Light</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>83</td> | |
<td>Synchronicity</td> | |
<td>1983</td> | |
</tr> | |
<tr> | |
<td>84</td> | |
<td>Tommy</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>85</td> | |
<td>Graceland</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>86</td> | |
<td>Magical Mystery Tour</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>87</td> | |
<td>Sign of the Times</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>88</td> | |
<td>Grace</td> | |
<td>1994</td> | |
</tr> | |
<tr> | |
<td>89</td> | |
<td>Born in the U.S.A.</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>90</td> | |
<td>Modern Sounds in Country and Western Music</td> | |
<td>1962</td> | |
</tr> | |
<tr> | |
<td>91</td> | |
<td>Horses</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>92</td> | |
<td>Rocks</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>93</td> | |
<td>The Bends</td> | |
<td>1995</td> | |
</tr> | |
<tr> | |
<td>94</td> | |
<td>Surrealistic Pillow</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>95</td> | |
<td>In the Court of the Crimson King</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>96</td> | |
<td>Paid In Full</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>97</td> | |
<td>A Love Supreme</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>98</td> | |
<td>Marquee Moon</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>99</td> | |
<td>Eat a Peach</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>100</td> | |
<td>Daydream Nation</td> | |
<td>1988</td> | |
</tr> | |
</table> |
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<table> | |
<tr> | |
<td>60</td> | |
<td>'Live' at The Apollo</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>97</td> | |
<td>A Love Supreme</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>3</td> | |
<td>Abbey Road</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>58</td> | |
<td>Abraxas</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>48</td> | |
<td>Achtung Baby</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>64</td> | |
<td>American Beauty</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>36</td> | |
<td>Appetite for Destruction</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>2</td> | |
<td>Are You Experienced?</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>39</td> | |
<td>Astral Weeks</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>43</td> | |
<td>At Fillmore East</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>80</td> | |
<td>At Folsom Prison</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>73</td> | |
<td>Automatic for the People</td> | |
<td>1992</td> | |
</tr> | |
<tr> | |
<td>59</td> | |
<td>Axis: Bold as Love</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>54</td> | |
<td>Back in Black</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>41</td> | |
<td>Beggars Banquet</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>18</td> | |
<td>Blonde on Blonde</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>16</td> | |
<td>Blood on the Tracks</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>40</td> | |
<td>Blue</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>89</td> | |
<td>Born in the U.S.A.</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>22</td> | |
<td>Born to Run</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>68</td> | |
<td>Bridge Over Troubled Water</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>65</td> | |
<td>Bringing It All Back Home</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>75</td> | |
<td>DÌ©jÌÊ vu</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>100</td> | |
<td>Daydream Nation</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>34</td> | |
<td>Disraeli Gears</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>66</td> | |
<td>Doolittle</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>99</td> | |
<td>Eat a Peach</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>23</td> | |
<td>Electric Ladyland</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>14</td> | |
<td>Exile on Main St.</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>31</td> | |
<td>Exodus</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>49</td> | |
<td>Forever Changes</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>81</td> | |
<td>Goodbye Yellow Brick Road</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>88</td> | |
<td>Grace</td> | |
<td>1994</td> | |
</tr> | |
<tr> | |
<td>85</td> | |
<td>Graceland</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>79</td> | |
<td>Green River</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>57</td> | |
<td>Harvest</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>6</td> | |
<td>Highway 11 Revisited</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>91</td> | |
<td>Horses</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>69</td> | |
<td>Hotel California</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>77</td> | |
<td>I Never Loved a Man the Way I Love You</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>95</td> | |
<td>In the Court of the Crimson King</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>26</td> | |
<td>Innervisions</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>21</td> | |
<td>It Takes a Nation of Millions to Hold Us Back</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>45</td> | |
<td>John Lennon / Plastic Ono Band</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>50</td> | |
<td>Kind of Blue</td> | |
<td>1959</td> | |
</tr> | |
<tr> | |
<td>56</td> | |
<td>Layla and Other Assorted Love Songs</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>38</td> | |
<td>Led Zeppelin</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>19</td> | |
<td>Led Zeppelin [IV]</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>25</td> | |
<td>Led Zeppelin II</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>62</td> | |
<td>Let It Be</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>37</td> | |
<td>Let It Bleed</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>9</td> | |
<td>London Calling</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>86</td> | |
<td>Magical Mystery Tour</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>98</td> | |
<td>Marquee Moon</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>90</td> | |
<td>Modern Sounds in Country and Western Music</td> | |
<td>1962</td> | |
</tr> | |
<tr> | |
<td>71</td> | |
<td>Moondance</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>46</td> | |
<td>Music From Big Pink</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>72</td> | |
<td>My Aim Is True</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>29</td> | |
<td>Never Mind the Bollocks Here's the Sex Pistols</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>17</td> | |
<td>Nevermind</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>20</td> | |
<td>OK Computer</td> | |
<td>1997</td> | |
</tr> | |
<tr> | |
<td>96</td> | |
<td>Paid In Full</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>51</td> | |
<td>Paul's Boutique</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>5</td> | |
<td>Pet Sounds</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>70</td> | |
<td>Physical Graffiti</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>74</td> | |
<td>Please Please Me</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>35</td> | |
<td>Purple Rain</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>76</td> | |
<td>Quadrophenia</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>32</td> | |
<td>Raising Hell</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>52</td> | |
<td>Ramones</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>82</td> | |
<td>Remain in Light</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>4</td> | |
<td>Revolver</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>92</td> | |
<td>Rocks</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>8</td> | |
<td>Rubber Soul</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>44</td> | |
<td>Rumours</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>1</td> | |
<td>Sgt. Pepper's Lonely Hearts Club Band</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>87</td> | |
<td>Sign of the Times</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>53</td> | |
<td>Songs in the Key of Life</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>67</td> | |
<td>Stand!</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>61</td> | |
<td>Sticky Fingers</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>42</td> | |
<td>Straight Outta Compton</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>94</td> | |
<td>Surrealistic Pillow</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>83</td> | |
<td>Synchronicity</td> | |
<td>1983</td> | |
</tr> | |
<tr> | |
<td>55</td> | |
<td>Tapestry</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>27</td> | |
<td>Ten</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>13</td> | |
<td>The Beatles [White Album]</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>93</td> | |
<td>The Bends</td> | |
<td>1995</td> | |
</tr> | |
<tr> | |
<td>78</td> | |
<td>The Clash</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>7</td> | |
<td>The Dark Side of the Moon</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>33</td> | |
<td>The Doors</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>10</td> | |
<td>The Joshua Tree</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>30</td> | |
<td>The Rise and Fall of Ziggy Stardust and the Spiders From Mars</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>15</td> | |
<td>The Sun Sessions</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>24</td> | |
<td>The Velvet Underground & Nico</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>47</td> | |
<td>The Wall</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>28</td> | |
<td>Thriller</td> | |
<td>1982</td> | |
</tr> | |
<tr> | |
<td>84</td> | |
<td>Tommy</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>12</td> | |
<td>What's Going On</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>11</td> | |
<td>Who's Next</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>63</td> | |
<td>Wish You Were Here</td> | |
<td>1975</td> | |
</tr> | |
</table> |
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<table> | |
<tr> | |
<td>50</td> | |
<td>Kind of Blue</td> | |
<td>1959</td> | |
</tr> | |
<tr> | |
<td>90</td> | |
<td>Modern Sounds in Country and Western Music</td> | |
<td>1962</td> | |
</tr> | |
<tr> | |
<td>60</td> | |
<td>'Live' at The Apollo</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>74</td> | |
<td>Please Please Me</td> | |
<td>1963</td> | |
</tr> | |
<tr> | |
<td>97</td> | |
<td>A Love Supreme</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>65</td> | |
<td>Bringing It All Back Home</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>6</td> | |
<td>Highway 11 Revisited</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>8</td> | |
<td>Rubber Soul</td> | |
<td>1965</td> | |
</tr> | |
<tr> | |
<td>18</td> | |
<td>Blonde on Blonde</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>5</td> | |
<td>Pet Sounds</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>4</td> | |
<td>Revolver</td> | |
<td>1966</td> | |
</tr> | |
<tr> | |
<td>2</td> | |
<td>Are You Experienced?</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>59</td> | |
<td>Axis: Bold as Love</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>34</td> | |
<td>Disraeli Gears</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>49</td> | |
<td>Forever Changes</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>77</td> | |
<td>I Never Loved a Man the Way I Love You</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>86</td> | |
<td>Magical Mystery Tour</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>1</td> | |
<td>Sgt. Pepper's Lonely Hearts Club Band</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>94</td> | |
<td>Surrealistic Pillow</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>33</td> | |
<td>The Doors</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>24</td> | |
<td>The Velvet Underground & Nico</td> | |
<td>1967</td> | |
</tr> | |
<tr> | |
<td>39</td> | |
<td>Astral Weeks</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>80</td> | |
<td>At Folsom Prison</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>41</td> | |
<td>Beggars Banquet</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>23</td> | |
<td>Electric Ladyland</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>46</td> | |
<td>Music From Big Pink</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>13</td> | |
<td>The Beatles [White Album]</td> | |
<td>1968</td> | |
</tr> | |
<tr> | |
<td>3</td> | |
<td>Abbey Road</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>79</td> | |
<td>Green River</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>95</td> | |
<td>In the Court of the Crimson King</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>38</td> | |
<td>Led Zeppelin</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>25</td> | |
<td>Led Zeppelin II</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>37</td> | |
<td>Let It Bleed</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>67</td> | |
<td>Stand!</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>84</td> | |
<td>Tommy</td> | |
<td>1969</td> | |
</tr> | |
<tr> | |
<td>58</td> | |
<td>Abraxas</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>64</td> | |
<td>American Beauty</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>68</td> | |
<td>Bridge Over Troubled Water</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>75</td> | |
<td>DÌ©jÌÊ vu</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>45</td> | |
<td>John Lennon / Plastic Ono Band</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>56</td> | |
<td>Layla and Other Assorted Love Songs</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>62</td> | |
<td>Let It Be</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>71</td> | |
<td>Moondance</td> | |
<td>1970</td> | |
</tr> | |
<tr> | |
<td>43</td> | |
<td>At Fillmore East</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>40</td> | |
<td>Blue</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>19</td> | |
<td>Led Zeppelin [IV]</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>61</td> | |
<td>Sticky Fingers</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>55</td> | |
<td>Tapestry</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>12</td> | |
<td>What's Going On</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>11</td> | |
<td>Who's Next</td> | |
<td>1971</td> | |
</tr> | |
<tr> | |
<td>99</td> | |
<td>Eat a Peach</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>14</td> | |
<td>Exile on Main St.</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>57</td> | |
<td>Harvest</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>30</td> | |
<td>The Rise and Fall of Ziggy Stardust and the Spiders From Mars</td> | |
<td>1972</td> | |
</tr> | |
<tr> | |
<td>81</td> | |
<td>Goodbye Yellow Brick Road</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>26</td> | |
<td>Innervisions</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>76</td> | |
<td>Quadrophenia</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>7</td> | |
<td>The Dark Side of the Moon</td> | |
<td>1973</td> | |
</tr> | |
<tr> | |
<td>16</td> | |
<td>Blood on the Tracks</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>22</td> | |
<td>Born to Run</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>91</td> | |
<td>Horses</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>70</td> | |
<td>Physical Graffiti</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>63</td> | |
<td>Wish You Were Here</td> | |
<td>1975</td> | |
</tr> | |
<tr> | |
<td>69</td> | |
<td>Hotel California</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>52</td> | |
<td>Ramones</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>92</td> | |
<td>Rocks</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>53</td> | |
<td>Songs in the Key of Life</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>15</td> | |
<td>The Sun Sessions</td> | |
<td>1976</td> | |
</tr> | |
<tr> | |
<td>31</td> | |
<td>Exodus</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>98</td> | |
<td>Marquee Moon</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>72</td> | |
<td>My Aim Is True</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>29</td> | |
<td>Never Mind the Bollocks Here's the Sex Pistols</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>44</td> | |
<td>Rumours</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>78</td> | |
<td>The Clash</td> | |
<td>1977</td> | |
</tr> | |
<tr> | |
<td>9</td> | |
<td>London Calling</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>47</td> | |
<td>The Wall</td> | |
<td>1979</td> | |
</tr> | |
<tr> | |
<td>54</td> | |
<td>Back in Black</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>82</td> | |
<td>Remain in Light</td> | |
<td>1980</td> | |
</tr> | |
<tr> | |
<td>28</td> | |
<td>Thriller</td> | |
<td>1982</td> | |
</tr> | |
<tr> | |
<td>83</td> | |
<td>Synchronicity</td> | |
<td>1983</td> | |
</tr> | |
<tr> | |
<td>89</td> | |
<td>Born in the U.S.A.</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>35</td> | |
<td>Purple Rain</td> | |
<td>1984</td> | |
</tr> | |
<tr> | |
<td>85</td> | |
<td>Graceland</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>32</td> | |
<td>Raising Hell</td> | |
<td>1986</td> | |
</tr> | |
<tr> | |
<td>36</td> | |
<td>Appetite for Destruction</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>96</td> | |
<td>Paid In Full</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>87</td> | |
<td>Sign of the Times</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>10</td> | |
<td>The Joshua Tree</td> | |
<td>1987</td> | |
</tr> | |
<tr> | |
<td>100</td> | |
<td>Daydream Nation</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>21</td> | |
<td>It Takes a Nation of Millions to Hold Us Back</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>42</td> | |
<td>Straight Outta Compton</td> | |
<td>1988</td> | |
</tr> | |
<tr> | |
<td>66</td> | |
<td>Doolittle</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>51</td> | |
<td>Paul's Boutique</td> | |
<td>1989</td> | |
</tr> | |
<tr> | |
<td>48</td> | |
<td>Achtung Baby</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>17</td> | |
<td>Nevermind</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>27</td> | |
<td>Ten</td> | |
<td>1991</td> | |
</tr> | |
<tr> | |
<td>73</td> | |
<td>Automatic for the People</td> | |
<td>1992</td> | |
</tr> | |
<tr> | |
<td>88</td> | |
<td>Grace</td> | |
<td>1994</td> | |
</tr> | |
<tr> | |
<td>93</td> | |
<td>The Bends</td> | |
<td>1995</td> | |
</tr> | |
<tr> | |
<td>20</td> | |
<td>OK Computer</td> | |
<td>1997</td> | |
</tr> | |
</table> |
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