Cover Illustration: KINEMA CITRUS
Painting: Kazuyuki Ueta / Painting Supervision: Tomoka Katasho
Background: Kenji Fukuda [studio Pablo]
Color: Misao Yamashita, Anna Okamatsu
Composite: Ogawa Takeshi [T2studio]
Producer: Teppei Nojima [PONY CANYON] / Production Producer: Hajime Ikuzaki [PONY CANYON]
Sound Coordinator: Kohei Yamada [APDREAM] / Production Assistant: Moe Terazawa [APDREAM]
Supervisor: Yoshifumi Yarimizu [PONY CANYON]
Promoter: Kohei Ogawa [PONY CANYON] / Sales Promoter: Naoki Koyama [PONY CANYON]
Project Producer: Akane Taketsugu [BUSHIROAD] / General Manager: Takahiro Sasaki [PONY CANYON]
Art Direction: Yuto Hama [YUTO HAMA DESIGN] / Design: Yuto Hama, Mai Yamaguchi [YUTO HAMA DESIGN]
Release Operation: Masashi Yamada [PONY CANYON]
SPECIAL THANKS: Tomohiro Furukawa, Tatsuto Higuchi, Naoki Oka
STARDUST PROMOTION, HiBiKi, SUNS ENTERTAINMENT, Amuse, MIRAI PICTURES JAPAN, Queen's Ave.
星のダイアローグ
Music & Arrangement: Yuki Honda (Arte Refact)
Guitar: Masato Katori / Bass: Naoki Kobayashi / Piano: Keiko Uto / Strings: Yu Manade Strings
Flute: Hideyo Takakuwa / Oboe: Takayuki Mogami / Hidehito Naka / Fagott: Masamichi Sasazaki
Trumpet: Yusuke Nakano, Masakazu Kudo, Ryusuke Sugaya / Trombone: Kanade Shishiuchi, Shinsuke Torizuka, Shunji Yamaguchi
Tuba: Isao Watanabe / Horn: Otohika Fujita, Hirofumi Wada, Karin Tajima, Kazuko Nomiyama
Chorus: Nona Iwamura
All other instruments & programming: Yuki Honda [Arte Refact]
ディスカバリー!
Music & Arranaement: Yuki Honda [Arte Refact]
Strings & Brass arrange: Akito Marsuda
Guitar: Masato Katori / Bass: Naoki Kobayashi / Piano: Keiki Uto
Strings: Yu Manabe Strings
Chorus: Nona Iwamura
All other instruments & Programming: Yuki Honda [Arte Refact]
Sound Direction: Kanata Nakamura
Recording Engineer: Chinami Kamiya, Kazuya Yoshida, Takehiko Naito, Masanori Hata / Mixing Engineer: Kazuya Yoshida
Recording Studio: Motoazabu Studio, Splash Sound Studio, Sound City, ONKIO HAUS / Mixing Studio: Motoazabu Studio
Mastering Engineer: Yuta Tada [PONY CANYON] / Mastering Studio: PONY CANYON Mastering ROOM
