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bazel-* |
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#!/usr/bin/env python3 | |
from __future__ import print_function | |
import os | |
import shutil | |
import sys | |
import xattr | |
import humanize |
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#!/bin/bash | |
set -euo pipefail | |
set -x | |
if [ ! -z "$(echo foo)"]; then | |
echo "we should never get here" | |
exit 1 | |
fi | |
echo "we should never get here either" |
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Emergence (in two parts) | |
Watching and being early-career artists in New York City dance. | |
Part 1. | |
Dance’s emerging artists are suspicious. We are suspicious of everything, but mostly of ourselves. We have learned, for example, to have purist, intellectualized taste, yet we are riding subways home at night from shows to watch reruns of Project Runway in bed. We belong to a community of renegades and beauty queens. Some of us attempt to be both. Many of us are social activists, yet our art form’s sequestered enclaves of artistic seriousness are defined, in part, by political impotence. So who the hell are we? And what the hell do we need? And what the hell are we trying to do? And how the hell are we doing it? | |
Let us begin with the obvious, let us begin with some problems. | |
Problems |
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11 |
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### Keybase proof | |
I hereby claim: | |
* I am pjjw on github. | |
* I am pjjw (https://keybase.io/pjjw) on keybase. | |
* I have a public key whose fingerprint is 98F6 0F9A B354 454A 2C66 6168 E2BE B7BA A835 F758 | |
To claim this, I am signing this object: |
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<!DOCTYPE html> | |
<meta charset="utf-8"> | |
<link href="nv.d3.css" rel="stylesheet" type="text/css"> | |
<style> | |
body { | |
overflow-y:scroll; | |
} |
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#!/usr/bin/env python | |
import socket | |
import subprocess | |
import sys | |
import time | |
COLLECTION_INTERVAL = 15 # seconds |
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o conf prerequisites_policy follow | |
o conf build_requires_install_policy yes | |
o conf commit |
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