deep-programmer
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| pdftk original.pdf output uncompressed.pdf uncompress | |
| LANG=C sed -n '/^\/Annots/!p' uncompressed.pdf > stripped.pdf | |
| pdftk stripped.pdf output final.pdf compress |
Taken from openframeworks/openFrameworks#1190
Resolution Independent Curve Rendering using Programmable Graphics Hardware
http://research.microsoft.com/en-us/um/people/cloop/loopblinn05.pdf
Resolution independent GPU accelerated Curve & Font rendering GPU based Resolution Independent Font & Curve Rendering – initial Release
http://jausoft.com/blog/2011/04/01/resolution-independent-gpu-accelerated-curve-font-rendering/
Many of the answers here are really, really good. But the OpenGL and D3D issue should probably be addressed. And that requires... a history lesson.
And before we begin, I know far more about OpenGL than I do about Direct3D. I've never written a line of D3D code in my life, and I've written tutorials on OpenGL. So what I'm about to say isn't a question of bias. It is simply a matter of history.
One day, sometime in the early 90's, Microsoft looked around. They saw the SNES and Sega Genesis being awesome, running lots of action games and such. And they saw DOS. Developers coded DOS games like console games: direct to the metal. Unlike consoles however, where a developer who made an SNES game knew what hardware the user would have, DOS developers had to write for multiple possible configurations. And this is rather harder than it sounds.
| DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE | |
| Version 2, December 2004 | |
| Copyright (C) 2011 Jed Schmidt <http://jed.is> | |
| Everyone is permitted to copy and distribute verbatim or modified | |
| copies of this license document, and changing it is allowed as long | |
| as the name is changed. | |
| DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE |
2217 Time Zone V (EST) 7 Nov. 1970--NTC-- "Pop's Place": I was polishing a brandy snifter when the Unmarried Mother came in. I noted the time---10:17 P. M. zone five, or eastern time, November 7th, 1970. Temporal agents always notice time and date; we must.
The Unmarried Mother was a man twenty--five years old, no taller than I am, childish features and a touchy temper. I didn't like his looks---I never had---but he was a lad I was here to recruit, he was my boy. I gave him my best barkeep's smile.
Maybe I'm too critical. He wasn't swish; his nickname came from what he always said when some nosy type asked him his line: "I'm an unmarried mother." If he felt less than murderous he would add: "at four cents a word. I write confession stories."
If he felt nasty, he would wait for somebody to make something of it. He had a lethal style of infighting, like a female cop---reason I wanted him. Not the only one.
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